Vagabond Best Quotes

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I am not a finished poem, and I am not the song you’ve turned me into. I am a detached human being, making my way in a world that is constantly trying to push me aside, and you who send me letters and emails and beautiful gifts wouldn’t even recognise me if you saw me walking down the street where I live tomorrow for I am not a poem. I am tired and worn out and the eyes you would see would not be painted or inspired but empty and weary from drinking too much at all times and I am not the life of your party who sings and has glorious words to speak for I don’t speak much at all and my voice is raspy and unsteady from unhealthy living and not much sleep and I only use it when I sing and I always sing too much or not at all and never when people are around because they expect poems and symphonies and I am not a poem but an elegy at my best but unedited and uncut and not a lot of people want to work with me because there’s only so much you can do with an audio take, with the plug-ins and EQs and I was born distorted, disordered, and I’m pretty fine with that, but others are not.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
In this way, we end up spending (as Thoreau put it) “the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it.” We’d love to drop all and explore the world outside, we tell ourselves, but the time never seems right. Thus, given an unlimited amount of choices, we make none. Settling into our lives, we get so obsessed with holding on to our domestic certainties that we forget why we desired them in the first place.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
Billy Rankin is a true Glasgow rock legend. He has everything going for him: he's a brilliant guitarist, he writes killer songs, he's worked with the best, toured the world and he is one handsome-looking chap. I know all of this because Billy told me.
Robert Fields (Minstrels, Poets and Vagabonds: A History of Rock Music in Glasgow)
Don't be cross with us poor vagabond. People must be amused. They can't be always a learning, nor yet they can't always a working, they ain't made for it. You must have us, Squire. Do the wise thing and the kind thing too, and make the best of us; not the worst!
Charles Dickens (Hard Times)
the best-known and most direct of which was the Lincoln Highway, some 3,400 miles of road starting in New York City, wending its way through thirteen states, and ending in San Francisco. The highway was the brainchild of Indiana businessman Carl Fisher, who made his fortune selling automobile headlights.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
We drove to the ocean and smoked cigarettes until six in the morning when I fell asleep on your chest. When you woke up I was gone and you went back to yours, and I keep having my best conversations while the world is asleep, trying to find myself somewhere between dawn and the sunrise. Dear universe, may I never find myself.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Do I have any recommendations for a Sadiri boys' night out?" I shrugged, smiled, and allowed myself a laugh. "I can come up with something." I did, too. The Ministry of Culture has all kinds of programmes, and I got someone to put together a package that even the Sadiri might enjoy. But people, this is Cygnus Beta. Yes, we have a few large cities and several towns -- we're not all country bumpkins, vagabonds and adventurers -- but there are few professional artists and actors, few galactic-standard museums and theatres. We simply can't afford them.
Karen Lord (The Best of All Possible Worlds)
Mehr und mehr komme ich zu der Überzeugung, dass ich dazu bestimmt bin, ein einsamer Wanderer der Wildnis zu bleiben. Gott, welch verführerische Macht der Trail doch auf mich ausübt. Du kannst die unwiderstehliche Faszination, die von ihm ausgeht, nicht nachvollziehen. Schließlich ist der einsame Trail auch der beste… Ich werde ewig weiterwandern. Die Schönheit dieses Landes wird allmählich zu einem Teil meiner selbst. Ich fühle mich dem Leben entrückter, in irgendwie sanfter und gütiger geworden… Das Leben, wie die meisten Leute es führen, hat mich noch nie befriedigt. Schon seit ich denken kann, sehne ich mich nach einem intensiveren, reicheren Leben.
Everett Ruess (Everett Ruess: A Vagabond for Beauty & Wilderness Journals)
There’s a story that comes from the tradition of the Desert Fathers, an order of Christian monks who lived in the wastelands of Egypt about seventeen hundred years ago. In the tale, a couple of monks named Theodore and Lucius shared the acute desire to go out and see the world. Since they’d made vows of contemplation, however, this was not something they were allowed to do. So, to satiate their wanderlust, Theodore and Lucius learned to “mock their temptations” by relegating their travels to the future. When the summertime came, they said to each other, “We will leave in the winter.” When the winter came, they said, “We will leave in the summer.” They went on like this for over fifty years, never once leaving the monastery or breaking their vows. Most of us, of course, have never taken such vows—but we choose to live like monks anyway, rooting ourselves to a home or a career and using the future as a kind of phony ritual that justifies the present. In this way, we end up spending (as Thoreau put it) “the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it.” We’d love to drop all and explore the world outside, we tell ourselves, but the time never seems right. Thus, given an unlimited amount of choices, we make none. Settling into our lives, we get so obsessed with holding on to our domestic certainties that we forget why we desired them in the first place. Vagabonding is about gaining the courage to loosen your grip on the so-called certainties of this world. Vagabonding is about refusing to exile travel to some other, seemingly more appropriate, time of your life. Vagabonding is about taking control of your circumstances instead of passively waiting for them to decide your fate. Thus, the question of how and when to start vagabonding is not really a question at all. Vagabonding starts now. Even if the practical reality of travel is still months or years away, vagabonding begins the moment you stop making excuses, start saving money, and begin to look at maps with the narcotic tingle of possibility. From here, the reality of vagabonding comes into sharper focus as you adjust your worldview and begin to embrace the exhilarating uncertainty that true travel promises. In this way, vagabonding is not a merely a ritual of getting immunizations and packing suitcases. Rather, it’s the ongoing practice of looking and learning, of facing fears and altering habits, of cultivating a new fascination with people and places. This attitude is not something you can pick up at the airport counter with your boarding pass; it’s a process that starts at home. It’s a process by which you first test the waters that will pull you to wonderful new places.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
Ironically, the best litmus test for measuring your vagabonding gumption is found not in travel but in the process of earning your freedom to travel. Earning your freedom, of course, involves work—and work is intrinsic to vagabonding for psychic reasons as much as financial ones. To see the psychic importance of work, one need look no further than people who travel the world on family money. Sometimes referred to as “trustafarians,” these folks are among the most visible and least happy wanderers in the travel milieu. Draping themselves in local fashions, they flit from one exotic travel scene to another, compulsively volunteering in local political causes, experimenting with exotic intoxicants, and dabbling in every non-Western religion imaginable. Talk to them, and they’ll tell you they’re searching for something “meaningful.”   And they say in truth that a man is made of desire. As his desire is, so is his faith. As his faith is, so are his works. As his works are, so he becomes. —THE SUPREME TEACHING OF THE UPANISHADS   What they’re really looking for, however, is the reason why they started traveling in the first place. Because they never worked for their freedom, their travel experiences have no personal reference—no connection to the rest of their lives. They are spending plenty of time and money on the road, but they never spent enough of themselves to begin with. Thus, their experience of travel has a diminished sense of value.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
The simple willingness to improvise is more vital, in the long run, than research.” –ROLF POTTS American travel writer and author of Vagabonding
Timothy Ferris (Tribe of Mentors: Short Life Advice from the Best in the World)
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies. Much of the appeal of car trips lay in wearing comfortable clothes.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
The whole idea of driving trips was grounded on the concept of going where you wanted for as far as you liked. Particularly in rural parts of America, towns were infrequent, and the hotels in them, if any, varied greatly in cost and quality. If you found yourself driving between towns and it grew dark, continuing on the road was dangerous. Car headlights were still primitive, and even the best roads were poorly marked. Wildlife and livestock frequently ambled across—at night, a deer or cow might be practically on your fender before you realized it. Even if you did reach town safely, its hotels might not have rooms available. If there were rooms, and if the hotel was a nice one with a restaurant, guests were frequently required to “dress for dinner,” coats and ties for gentlemen, nice dresses for ladies.
Jeff Guinn (The Vagabonds: The Story of Henry Ford and Thomas Edison's Ten-Year Road Trip)
Most of us, of course, have never taken such vows—but we choose to live like monks anyway, rooting ourselves to a home or a career and using the future as a kind of phony ritual that justifies the present. In this way, we end up spending (as Thoreau put it) “the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it.” We’d love to drop all and explore the world outside, we tell ourselves, but the time never seems right. Thus, given an unlimited amount of choices, we make none. Settling into our lives, we get so obsessed with holding on to our domestic certainties that we forget why we desired them in the first place.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
Weeds thrive in the company of humans. They aren’t parasites, because they can exist without us, but we are their natural ecological partners, the species alongside which they do best. They relish the things we do to the soil: clearing forests, digging, farming, dumping nutrient-rich rubbish. They flourish in arable fields, battlefields, parking lots, herbaceous borders. They exploit our transport systems, our cooking adventures, our obsession with packaging. Above all they use us when we stir the world up, disrupt its settled patterns. It would be a tautology to say that these days they are found most abundantly where there is most weeding; but that notion ought to make us question whether the weeding encourages the weeds as much as vice versa.
Richard Mabey (Weeds: How Vagabond Plants Gatecrashed Civilisation and Changed the Way We Think About Nature)
Powerful men do not necessarily make the most eminent travelers; it is rather those who take the most interest in their work that succeed the best; as a huntsman says, “It is the nose that gives speed to the hound.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
In this way, we end up spending (as Thoreau put it) “the best part of one’s life earning money in order to enjoy a questionable liberty during the least valuable part of it.
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)
The vagabond period lasted 19 weeks: then the McGees arrived in a little town called Wistful Vista, somewhere in America. Fibber bought a raffle ticket and won the prize, a house, whose address at 79 Wistful Vista was soon to become the best-known habitat on the air. The McGees moved in Sept. 2, 1935.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
A Piece of Advice « At all times and in all situations, examine your mindstream moment by moment: are thoughts positive or negative? When you recognize a thought to have negative content, be aware of its potential for harm and lay it aside. This is crucial. Otherwise, when craving or other negative thoughts start to take shape, if you let them take hold, who knows where you’ll wind up in the end? You may not care about becoming a great scholar, but at least do your best to generate goodwill toward others and steadfast devotion to the Three Jewels. Your future rebirths stretch out ahead much farther than this one life. The circumstances of those lifetimes will depend on your current aspirations, positive or negative. Don’t jeopardize your future lives by seeking fame and status in this life. The rest of this life will depend on how stable your virtuous aspirations are. See if you can transform your mindstream through the teachings. You have come to a fork in the road: one path goes up, the other down. If you wait till you’re on your deathbed to make your choice, you’ll be out of luck. Whether others have good or bad qualities is hard to know. Whether others applaud you or criticize you, you need to turn away from both craving praise and avoiding blame. Though you may not accomplish great acts of merit, at least avoid evil actions, great or small. Stop thinking badly of other beings. Don’t speak ill of anyone, because you never know when the person you malign might be a sublime being. In terms of food, clothes, and other material things, be content with what you’ve got and just stay put. Otherwise, one day you’ll end up a nuisance in everyone’s eyes, a show-off in robes who just rambles on from one valley to the next, sniffing around like a stray dog. Don’t do that! — Written by Patrul. May it bring virtue!
Matthieu Ricard (Enlightened Vagabond: The Life and Teachings of Patrul Rinpoche)
Elsewhere, the same amount of labor might've made a keg of butter or a week's worth of firewood; here it was spent on raising a block several inches, so that it could be carted into the city and raised by other workers, higher and higher, so that Parisians could have rooms higher than they were wide, and windows taller than the trees they looked out at. Paris was a city of stone, the color of bone, beautiful and hard — you could dash yourself against it and never leave a mark. It was built, so far as Jack could tell, on the principle that there was nothing you couldn't accomplish if you crowded a few tens of millions of peasants together on the best land in the world and then never stopped raping their brains out for a thousand years.
Neal Stephenson (King of the Vagabonds (The Baroque Cycle, Vol. 1, Book 2))
Travel is the best way we have of rescuing the humanity of places, and saving them from abstraction and ideology. —PICO IYER, “WHY WE TRAVEL
Rolf Potts (Vagabonding: An Uncommon Guide to the Art of Long-Term World Travel)