Vacant Home Quotes

There is no question that the financial crisis hurt people of color first and worst. And yet the majority of the people it damaged were white. This is the dynamic we’ve seen over and over again throughout our country’s history, from the drained public pools, to the shuttered public schools, to the overgrown yards of vacant homes.

I stared out the window for the rest of the journey. Building, tree, car, car, van, wall, vacant lot, van. I stared hard, trying to find a pattern. Thinking if I kept looking hard enough, maybe the pieces of the world would fit back together into something I could understand.

I years had been from home, And now, before the door, I dared not open, lest a face I never saw before Stare vacant into mine And ask my business there. My business,—just a life I left, Was such still dwelling there?

You are not disposable. I know you feel that way when people choose to walk out of your life, but their emptiness causes space. And that vacant area of your life is desperately crying out for the one meant to take up residence. Let the angry tenant go. You don't want someone staying because you've begged and pleaded for their occupancy. You want the one who sees your quaking heart and says: "Honey I'm home".

Could we possibly be from the place we want to be? Were we from the place we died rather than the place we were born? Are our aspirations our home? Maybe we are from that place to which we're bound, and that's why desire hurts so much, this longing to find a place to rest, to get home. We're not from the past, but the future.

The little group before her finally moved on and Sarah took its place, standing before Tom like he was a painting in a museum. And then his vacant eyes dropped from that point somewhere above her head and he looked at her—looked into her eyes and registered her presence. His eyes widened and his mouth opened wordlessly. For the space of six heartbeats they stared at one another and then Sarah simply said, “Come home.” She held her hand out to him. He gazed at it for a moment. “Come with me,” she said softly. Slowly he rose from his chair and walked toward her. He slipped his hand into hers and his palm was warm and callused. She stepped back and pulled him along with her. Suddenly his arms went around her, hugging her tight, his head dropped to her shoulder and his mouth pressed into her hair as he whispered, “I can’t believe you’re here.” Her hands slipped up the smooth, supple skin of his back to hook over his shoulders. She buried her face against his chest, breathing him in, forgetting time and place and circumstance and just holding him.

A loved one from us has gone, A voice we love is stilled. A place is vacant in our home, Which never will be filled. Estelle Woodhouse, 1898-1987

There are an estimated forty square miles of vacant land in Detroit, enough to fit San Francisco inside just what’s been abandoned.

Building, tree, car, car, van, wall, vacant lot, van. I stared hard, trying to find a pattern. Thinking if I keep looking hard enough, maybe the pieces of the world would fit back together into something I could understand.

I think of Percy and suddenly want to be home so much it hurts. Or not home so much as... I don't know what I'm missing. It's a queer thing, to have a vacant space inside you and not know what it is that carved out the absence.

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

You are not in love with Rinaldo Damiani whose hair smells like Sunday morning in the sun, you do not even know him, he doesn’t know you. You can rest your hands on the scars of his shoulders and long to rid him of every breath of pain and still, you will not be in love with him, because this isn’t love. Love is a home and a mortgage and the promise of permanence; love is measured and paced, and this, the too-hasty sprint of your pulse, that’s drugs. You know drugs, don’t you, Charlotte? Euphoria can be bottled, it can be smoked, it will dissolve on your tongue and burn through the vacant cavity of your empty fucking chest. His hands on you, that can be preserved, it can be painted, it can be committed to the canvas of your imagination, and it can stay in the vaults of your private longings, your little reveries, your twisted dreams.

So great was the quest for patronage that Lincoln came to hope that Southerners would never leave the Union and abandon the plum government jobs they might retain if they remained loyal. As he joked rather cynically to the Ohio editor and politician Donn Piatt over a chicken dinner at the Lincoln home: “Were it believed that vacant places could be had at the North Pole, the road there would be lined with dead Virginians.

Untreated, a dead person’s face looks horrific, at least by our very narrow cultural expectations. Their droopy, open eyes cloud over in a vacant stare. Their mouths stretch wide like Edvard Munch’s The Scream. The color drains from their faces. These images reflect the normal biological processes of death, but they are not what a family wants to see. As part of their price lists, funeral homes generally charge anywhere from $175 to $500 for “setting the features.” That is how corpses come to look “peaceful,” “natural,” and “at rest.

I'd been here before. Not to this Freedman Town, but to plenty of others. I've been all over the North, and every northern city has a Freedman Town. New York City's got a few, and Chicago's got more than a few. Baltimore, Washington. The manumitted have got to go somewhere, and the world doesn't give them a lot of options. The details are different - some of 'em are built on a high-rise model, bent towers clustered around courtyards, crammed to the gills with the poorest of the poor, living hard, the forgotten children of forgotten children. Some are like this one, blocks and blocks of small ramshackle homes, no sidewalks along narrow roads with the concrete worn and blasted through, the yards between the houses as weed-choked as vacant lots. Ivy growing in wild overlapping networks, engulfing the lower stories and sending menacing tendrils into upstairs windows. Gutters dangling or cracked, porches falling.

For all his courtly title, the monarch (Danaus plexippus, thank you, Madame Goody) is the most down-home of butterflies. That is, before they were virtually extirpated by air pollution and pesticides, monarchs were familiar figures in most American neighborhoods. They fluttered their zigzag course (as if under the orders of some secret navigator whose logic was as fanciful as true) across backyards and vacant lots and swimming holes and fairgrounds and streets of towns and cities: they have been spotted from the observation deck of the Empire State Building by surprised tourists from Indiana who thought they had left such creatures down by the barn. Indeed, wherever there is access to milkweed (Asclepias syriaca: let's not carry this too far, Madame G.) there you will find monarchs, for the larvae of this species is as addicted to milkweed juice as the most strung-out junky to smack. His appetite is awesome in its singularity for he would rather starve than switch.

The houses were left vacant on the land and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming were alive, and they were alive with metal and gasoline and oil, discs of the plows shining. The tractors had lights shining, for there is no day and night for a tractor, and the discs turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn, there is a life and vitality left. There is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn and the heat and smell of life, but when the motor of a tractor stops it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy, that the wonder goes out of work. So efficient, that the wonder goes out of land, the working of it, and with the wonder, the deep understanding and the relation. And in the tractor man the grows the contempt that comes only to a stranger who has little understanding and no relation, for nitrates are not the land, nor phosphates, and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt, water, nor calcium. He is all these, but he is much more, much more. And the land is so much more than its analysis. The man who is more than his chemistry walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch, that man who is more than his elements knows the land that is more than it's analysis. But the machine man, driving a dead tractor on land he does not know and love understands only chemistry, and he is contemptuous of the land and of himself. When the corrugated iron doors are shut he goes home, and his home is not the land.

The cliché is that illness shows the mottled wolf skull beneath the pampered skin – but it can also be a welcome corridor, returning you to places you’d left behind. Suddenly, in the antiseptic hospital room one afternoon, you remember them all: so many unstarry things. The way shadows caressed a wall in a vacant lot in Berlin, one rainy November day in … 1976, was it? A scrum of garish fans surrounding you on Sunset Boulevard. Postwar London, whose bombsites seemed to harbour all the time in the world. Make-up counters, listening booths, bakelite curves, saloon bar mirrors, diamanté in a jewellery box that played Swan Lake when the lid clicked up. The strange snake hiss of early TV. A new world inventing itself in the middle of the 20th century, when images were things that genuinely shocked, carriers of forbidden knowledge. Something torn from a Hollywood gossip mag or a single image in a clunky library book on Surrealism could literally change your life. Penguin Modern Classic paperbacks; Genet and his cruisey down-is-up theology; Andy and his abyssal Wow. The surprising new meanings ‘love’ could develop far away from home. Backstage’s suffocating air. The way she walked; the way she talked.

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

They taught him how to milk cows and now they expected him to tame lions. Perhaps they expected him to behave like all good lion tamers. Use a whip and a chair. But what happens to the best lion tamer when he puts down his whip and his chair. Goddamnit! It was wrong. He felt cheated, he felt almost violated. He felt cheated for himself, and he felt cheated for guys like Joshua Edwards who wanted to teach and who didn’t know how to teach because he’d been pumped full of manure and theoretical hogwash. Why hadn’t anyone told them, in plain, frank English, just what to do? Couldn’t someone, somewhere along the line, have told them? Not one single college instructor? Not someone from the board of Ed, someone to orientate them after they’d passed the emergency exam? Not anyone? Now one sonofabitch somewhere who gave a good goddamn? Not even Stanley? Not even Small? Did they have to figure it out for themselves, sink and swim, kill or be killed? Rick had never been told how to stop in his class. He’d never been told what to do with a second term student who doesn’t even know how to write down his own goddamn name on a sheet of paper. He didn’t know, he’d never been advised on the proper tactics for dealing with a boy whose I.Q. was 66, a big, fat, round, moronic 66. He hadn’t been taught about kids’ yelling out in class, not one kid, not the occasional “difficult child” the ed courses had loftily philosophized about, not him. But a whole goddamn, shouting, screaming class load of them all yelling their sonofbitching heads off. What do you do with a kid who can’t read even though he’s fifteen years old? Recommend him for special reading classes, sure. And what do you do when those special reading classes are loaded to the asshole, packed because there are kids who can’t read in abundance, and you have to take only those who can’t read the worst, dumping them onto a teacher who’s already overloaded and those who doesn’t want to teach a remedial class to begin with? And what do you with that poor ignorant jerk? Do you call him on class, knowing damn well he hasn’t read the assignment because he doesn’t know how to read? Or do you ignore him? Or do you ask him to stop by after school, knowing he would prefer playing stickball to learning how to read. And knowing he considers himself liberated the moment the bell sounds at the end of the eighth period. What do you do when you’ve explained something patiently and fully, explained it just the way you were taught to explain in your education courses, explained in minute detail, and you look out at your class and see that stretching, vacant wall of blank, blank faces and you know nothing has penetrated, not a goddamn thing has sunk in? What do you do then? Give them all board erasers to clean. What do you do when you call on a kid and ask “What did that last passage mean?”and the kid stands there without any idea of what the passage meant , and you know that he’s not alone, you know every other kid in the class hasn’t the faintest idea either? What the hell do you do then? Do you go home and browse through the philosophy of education books the G.I bill generously provided. Do you scratch your ugly head and seek enlightenment from the educational psychology texts? Do you consult Dewey? And who the hell do you condemn, just who? Do you condemn elementary schools for sending a kid on to high school without knowing how to read, without knowing how to write his own name on a piece of paper? Do you condemn the masterminds who plot the education systems of a nation, or a state or a city?

According to Bartholomew, an important goal of St. Louis zoning was to prevent movement into 'finer residential districts . . . by colored people.' He noted that without a previous zoning law, such neighborhoods have become run-down, 'where values have depreciated, homes are either vacant or occupied by color people.' The survey Bartholomew supervised before drafting the zoning ordinance listed the race of each building's occupants. Bartholomew attempted to estimate where African Americans might encroach so the commission could respond with restrictions to control their spread. The St. Louis zoning ordinance was eventually adopted in 1919, two years after the Supreme Court's Buchanan ruling banned racial assignments; with no reference to race, the ordinance pretended to be in compliance. Guided by Bartholomew's survey, it designated land for future industrial development if it was in or adjacent to neighborhoods with substantial African American populations. Once such rules were in force, plan commission meetings were consumed with requests for variances. Race was frequently a factor. For example, on meeting in 1919 debated a proposal to reclassify a single-family property from first-residential to commercial because the area to the south had been 'invaded by negroes.' Bartholomew persuaded the commission members to deny the variance because, he said, keeping the first-residential designation would preserve homes in the area as unaffordable to African Americans and thus stop the encroachment. On other occasions, the commission changed an area's zoning from residential to industrial if African American families had begun to move into it. In 1927, violating its normal policy, the commission authorized a park and playground in an industrial, not residential, area in hopes that this would draw African American families to seek housing nearby. Similar decision making continued through the middle of the twentieth century. In a 1942 meeting, commissioners explained they were zoning an area in a commercial strip as multifamily because it could then 'develop into a favorable dwelling district for Colored people. In 1948, commissioners explained they were designating a U-shaped industrial zone to create a buffer between African Americans inside the U and whites outside. In addition to promoting segregation, zoning decisions contributed to degrading St. Louis's African American neighborhoods into slums. Not only were these neighborhoods zoned to permit industry, even polluting industry, but the plan commission permitted taverns, liquor stores, nightclubs, and houses of prostitution to open in African American neighborhoods but prohibited these as zoning violations in neighborhoods where whites lived. Residences in single-family districts could not legally be subdivided, but those in industrial districts could be, and with African Americans restricted from all but a few neighborhoods, rooming houses sprang up to accommodate the overcrowded population. Later in the twentieth century, when the Federal Housing Administration (FHA) developed the insure amortized mortgage as a way to promote homeownership nationwide, these zoning practices rendered African Americans ineligible for such mortgages because banks and the FHA considered the existence of nearby rooming houses, commercial development, or industry to create risk to the property value of single-family areas. Without such mortgages, the effective cost of African American housing was greater than that of similar housing in white neighborhoods, leaving owners with fewer resources for upkeep. African American homes were then more likely to deteriorate, reinforcing their neighborhoods' slum conditions.

The speaker standing on an upturned barrel at the intersection of 135th Street and Seventh Avenue was shouting monotonously: “BLACK POWER! BLACK POWER! Is you is? Or is you ain’t? We gonna march this night! March! March! March! Oh, when the saints — yeah, baby! We gonna march this night!” Spit flew from his looselipped mouth. His flabby jowls flopped up and down. His rough brown skin was greasy with sweat. His dull red eyes looked tired. “Mistah Charley been scared of BLACK POWER since the day one. That’s why Noah shuffled us off to Africa the time of the flood. And all this time we been laughing to keep from whaling.” He mopped his sweating face with a red bandanna handkerchief. He belched and swallowed. His eyes looked vacant. His mouth hung open as though searching for words. “Can’t keep this up,” he said under his breath. No one heard him. No one noticed his behavior. No one cared. He swallowed loudly and screamed. “TONIGHT’S THE NIGHT! We launch our whale boats. Iss the night of the great white whale. You dig me, baby?” He was a big man and flabby all over like his jowls. Night had fallen but the black night air was as hot as the bright day air, only there was less of it. His white short-sleeved shirt was sopping wet. A ring of sweat had formed about the waist of his black alpaca pants as though the top of his potbelly had begun to melt. “You want a good house? You got to whale! You want a good car? You got to whale! You want a good job? You got to whale! You dig me?” His conked hair was dripping sweat. For a big flabby middle-aged man who would have looked more at home in a stud poker game, he was unbelievably hysterical. He waved his arms like an erratic windmill. He cut a dance step. He shuffled like a prizefighter. He shadowed with clenched fists. He shouted. Spit flew. “Whale! Whale! WHALE, WHITEY! WE GOT THE POWER! WE IS BLACK! WE IS PURE!” A crowd of Harlem citizens dressed in holiday garb had assembled to listen. They crowded across the sidewalks, into the street, blocking traffic. They were clad in the chaotic colors of a South American jungle. They could have been flowers growing on the banks of the Amazon, wild orchids of all colors. Except for their voices. “What’s he talking ’bout?” a high-yellow chick with bright red hair wearing a bright green dress that came down just below her buttocks asked the tall slim black man with smooth carved features and etched hair. “Hush yo’ mouth an’ lissen,” he replied harshly, giving her a furious look from the corners of muddy, almond-shaped eyes. “He tellin’ us what black power mean!

Shouldn’t you be home?” “I wasn’t there.” Sevro stares off, vacant. “How can I go home? How can I face her? Victra. What she went through, on her own? She was probably there. With Virginia. Didn’t want to talk to me. I tried to be a da. But it ain’t what Barcas do. We can be nightmares. That’s what we can do. Make the enemy scared. Goblin’s what they need. Out here. Goblin gets shit done.

The BPD had also, without a warrant, raided a vacant home next to the lot where Suiter was shot—and found evidence in a completely unrelated killing that had occurred a year earlier.

The street was vacant. Like a big old movie set. Nothing. Nobody to do a thing with. What could she do alone? Better yet, what could she do alone that could exclude the white folks, who were nowhere to be seen except in her wounds and aches of memories. Betsey decided to play hop-scotch, but she laid the hop-scotch pattern out with enough room to write “For Colored Only,” “Crackers and Dogs Not Allowed,” “Peckerwoods Got No Welcome Here,” “Guineas Go Home.” Betsey’s hop-scotch was something to behold. Chalk never seemed so powerful as when it messed with white folks.

Of the one million or so investor-owned residential homes in the State of New York, it has been estimated that in excess of 3% of these investor-owned properties sit vacant or abandoned. Say, between 30,000 and 35,000 homes. Vacant. Abandoned. Non-performing. In New York, municipalities which can establish land banks include a) cities, b) villages, c) towns, and d) counties.

the Jewish Agency and they had agreed to allocate from the next immigrant ship twenty-four Moroccans to Kibbutz Makor for work at the dig. “They’ll be pretty rough diamonds,” Eliav warned. “No English. No education.” “If they speak Arabic I can handle them,” Tabari assured the leaders, and two nights later the team went to greet the large ship that plied monotonously back and forth across the Mediterranean hauling Jewish immigrants to Israel. “Before we go aboard,” Eliav summarized, “I’ve got to warn you again that these aren’t the handsome young immigrants that you accept in America, Cullinane. These are the dregs of the world, but in two years we’ll make first-class citizens of them.” Cullinane said he knew, but if he had realized how intellectually unprepared he was for the cargo of this ship, he would have stayed at the tell and allowed Tabari to choose the new hands. For the ship that came to Israel that night brought with it not the kind of people that a nation would consciously select, not the clean nor the healthy nor the educated. From Tunisia came a pitiful family of four, stricken with glaucoma and the effects of malnutrition. From Bulgaria came three old women so broken they were no longer of use to anyone; the communists had allowed them to escape, for they had no money to buy bread nor skills to earn it nor teeth to eat it with. From France came not high school graduates with productive years ahead of them, but two tragic couples, old and abandoned by their children, with only the empty days to look forward to, not hope. And from the shores of Morocco, outcast by towns in which they had lived for countless generations, came frightened, dirty, pathetic Jews, illiterate, often crippled with disease and vacant-eyed. “Jesus Christ!” Cullinane whispered. “Are these the newcomers?” He was decent enough not to worry about himself first—although he was appalled at the prospect of trying to dig with such assistance—but he did worry about Israel. How can a nation build itself strong with such material? he asked himself. It was a shocking experience, one that cut to the heart of his sensibilities: My great-grandfather must have looked like this when he came half-starved from Ireland. He thought of the scrawny Italians that had come to New York and the Chinese to San Francisco, and he began to develop that sense of companionship with Israel that comes very slowly to a Gentile: it was building itself of the same human material that America was developed upon; and suddenly he felt a little weak. Why were these people seeking a new home coming to Israel and not to America? Where had the American dream faltered? And he saw that Israel was right; it was taking people—any people—as America had once done; so that in fifty years the bright new ideas of the world would come probably from Israel and no longer from a tired America.

There are just about than 4 million total residential homes in state of New York. If one is looking for a real estate development specialty to consider going into 2025, today, 13 years after the New York Land Bank Law went into effect, there are still in excess of somewhere in the neighborhood of 40,000 vacant residential homes located in municipalities throughout the state of New York.

Um," I point at his cape and gadgets. "You know you'll stand out, right?" He frowns at me. "You're none better," he says. I look down at my very medieval looking white gown and the two swords I carry. At least Yami is hidden as a dragon necklace. "You're right. I won't blend in either." He freezes. "Right, well, I'll just say it's Halloween." "But it's not." He raises an eyebrow.  "What do you mean?" "You can't just say it's Halloween. It has to be the actual day." "Really? Your human customs are so strange." He turns to the sink to wash his hands. I sigh. "Okay, we can say we're part of a fantasy game reenactment. Cosplay. That should give us a good cover." "Cosplay?" he says, holding the word in his mouth like a foreign thing he's afraid to taste. "Yeah, it's when humans dress up like characters from their favorite… " Ace's eyes are vacant and he looks bored. I sigh again. "Nevermind. Just let me do the talking if anyone questions our choice of clothing." He washes his hands, then gestures at the door. "After you." I lead, entering a place I once called a second home. Everything is familiar, everything makes me feel welcome. Jesus eyeing the naked sculptures. The Neon signs. The baby bottles filled with milk for customers' coffee. "Oh, Ari, sweetie. I didn't see you come in." Sheri runs up to me, wrapping me in a hug. "It's been so long. How have you been? And who's this dashing young man?" Ace raises his cape in front of his eyes. "It's Halloween." "No… no…" I shake my head and pull his cape down. "He's a friend. I'm just showing him the sights.

I am on a train passing through Baltimore, where I grew up. I can see vacant lots, charred remains of burned buildings surrounded by rubbish, billboards advertising churches, and other billboards for DNA testing of children’s paternity. Johns Hopkins Hospital looms out of the squalor. The hospital is on an isolated island situated slightly east of downtown. The downtown area is separated from the hospital complex by a sea of run-down homes, a freeway, and a massive prison complex. Eastern Europe and the Soviet bloc come to mind. Failed industry and failed housing schemes and forced relocation disguised as urban renewal.

Men can return to where they have done evil deeds, but men do not return to where they’ve been abased. On this point God’s design and our own feeling of abasement coincide so absolutely that we quit: the night, the rotting beast, the exultant mobs, our homes, our hearthfires, Bacchus in a vacant lot embracing Ariadne in the dark.

Death may be peaceful but the circumstances leading to it are more often than not anything but. They slept that day with their eyes open, with death as the companion of their dreams. Maybe you would like to imagine that they were looking at each other, heads twisted at grotesque angles or at the fading sun. Their bodies were just empty vessels and their eyes were windows that showed only a vacant home. Maybe it was because they had passed on into a world where the sun never set or maybe even a world where nothing existed but an infinite pool of darkness. You can choose to believe anything you want up to the time Death comes for you. After that, well, we can only imagin

As the bus headed into the night, I noticed that the bench seat in the back of the bus was vacant. So I took my blanket and pillow, made my way to the back and stretched out. Rumbling along I was vaguely aware of the stops we made, but the night passed quickly. Eventually it started getting light outside, but looking around I saw that most people were still sleeping, including a Negro woman wearing a Navy uniform. She was a WAVE and must have boarded the bus sometime during the night. I had no idea where we were, but it didn’t matter as long as we were heading west. Slowly the passengers woke up and looked around, including the young Negro lady. I never had a problem talking to people, so, striking up a conversation, I discovered that she was going home to Oklahoma City. I told her about being a cadet at Farragut and that I was now heading to California for the summer. Time always goes faster when there is someone to talk to and we had the entire back of the bus to ourselves. The first inkling that something was wrong came when we got off the bus for a rest stop in Little Rock, Arkansas. The driver told me that it wasn’t fitting to sit in the back of the bus with a Negro. I was dumbfounded, and coming from the North, I didn’t understand. I tried to explain that this woman was wearing the uniform of her country, but it didn’t make any difference. That’s just the way it was in the South! We ran into the same kind of bigotry in the diner at our next rest stop, but before I could make an issue out of it, she hushed me up and explained that she just wanted to go home and didn’t need any problems. The two of us sat in the section for “Negroes Only,” where they served her but not this white boy, which is what I was called, along with other derogatory remarks. Never mind, I shared her sandwich and I guess they were just glad to get rid of us when we boarded the bus again. Behind me, I heard someone say something about my being a “nigger lover”.... Big as life, I sat in the back again! This time no one said anything and everything seemed forgotten by the time she got off in Oklahoma City. Another driver came aboard and took over. Saying goodbye to my friend, I got up and moved back to the seat I had had originally -- the one over the big hump for the rear tires!

As the boar’s tusk bore down, Talis leapt out of the way just in time. He thrust his spear down at the beast, piercing the back of its neck. The creature squealed in pain. Mara lunged at the boar and stabbed its side. It shrieked, swung its tusks around and rammed into her. She spun through the air and slammed onto the ground. A sickening feeling twisted in his stomach. What had they done?  “Mara!” he shouted and reached out for her, as if he could do anything from this range. Fury raged in his chest and he stabbed and prodded the boar, trying to keep it away from her, until thankfully the creature gave up and bounded away, howling and grunting in a mad rush. Gods, please let her be ok! He ran over and bent down next to her. Mara winced, her eyes vacant and bloodshot, but she was still conscious. She tried to lift herself up but he stopped her.  “Wait, don’t get up. Rest a moment.” He tried to discover where the tusk had struck her. “Where does it hurt? Wait, don’t close your eyes! Look at me, are you all right?” She coughed and inhaled a huge gulp of air and coughed again, a redness sweeping over her face. “It knocked my breath out… There are stars everywhere!” She started to laugh but crimped up in pain. After ten heartbeats she began to breathe normally. “We’ve got to go home before it gets dark,” Mara whispered, her face urgent now. “Can you help me?” “Are you sure you’re ok to walk?” “I have to try.” Talis helped her up, but she grit her teeth in pain at the pressure of standing. Why hadn’t he stopped her? It was insane for them to go after the boar. No time to think about that now. He had to focus and get Mara home to a healer. But how? She

You heard me. Home at the stroke of twelve and not a second later.” “What time is it now? Nearly ten?” “That gives you two wonderful hours to win the prince’s heart. Good luck!” “Why? Why midnight?” Godnutter glowers at me. “Let’s just say I’ve noticed your evenings with men run a lot later than I approve of. I don’t want you misbehaving with this prince. And if you’re thinking of disobeying me,” she wags the pipe stem at me, “I have set the spell so everything that’s been enchanted will turn back to it’s true form at midnight. Even the things you put white magic on! You’ll have nothing but a pumpkin, two rats, a mouse, and a dowdy dress. So watch the clock or it could get quite embarrassing!” I slam the door shut. “Drop dead, Godnutter!” I shout as the carriage begins to roll. “I already did that!” she calls after me, following it with her nasty cackle. I look back and the spot where she stood is now vacant. But her crazy laugh lingers, chasing me into the night.

It doesn’t take a farm to invoke the iron taste of leaving in your mouth. Anyone who loves a small plot of ground — a city garden, a vacant lot with some guerilla beds, a balcony of pots — understands the almost physical hurt of parting from it, even for a minor stint. I hurt every day I wake up in our city bed, wondering how the light will be changing over the front field or across the pond, whether the moose will be in the willow by the cabin again, if the wren has fledged her young ones yet and we’ll return to find the box untended. I can feel where the farm is at any point in my day, not out of some arcane sixth sense developed from years of summer nights out there with the coyotes under the stars, but because of the bond between that earth and this body. Some grounds we choose; some are our instinctive homes.

Oasis at Ground Zero Salvation Army representatives would certainly counsel you and pray with you if you wanted, and at Ground Zero the Salvationists in the shiny red “Chaplain” jackets were sought after for just that reason. Mainly, though, they were there to assist with more basic human needs: to wash out eyes stinging from smoke, and provide Blistex for parched lips and foot inserts for boots walking across hot metal. They operated hydration stations and snack canteens. They offered a place to rest, and freshly cooked chicken courtesy of Tyson’s. The day I arrived, they distributed 1500 phone cards for the workers to use in calling home. Every day they served 7500 meals. They offered an oasis of compassion in a wilderness of rubble. I had studied the maps in newspapers, but no two-dimensional representation could capture the scale of destruction. For about eight square blocks, buildings were deserted, their windows broken, jagged pieces of steel jutting out from floors high above the street. Thousands of offices equipped with faxes, phones, and computers, sat vacant, coated in debris. On September 11, people were sitting there punching keys, making phone calls, grabbing a cup of coffee to start the day, and suddenly it must have seemed like the world was coming to an end. I studied the faces of the workers, uniformly grim. I didn’t see a single smile at Ground Zero. How could you smile in such a place? It had nothing to offer but death and destruction, a monument to the worst that human beings can do to each other. I saw three booths set up in a vacant building across from the WTC site: Police Officers for Christ, Firemen for Christ, and Sanitation Workers for Christ. (That last one is a charity I’d like to support.) Salvation Army chaplains had told me that the police and fire had asked for two prayer services a day, conducted on the site. The Red Cross, a nonsectarian organization, had asked if the Salvationists would mind staffing it. “Are you kidding? That’s what we’re here for!” Finding God in Unexpected Places

In the 1950s Detroit was undergoing changes in the city and factories with enormous political consequences. When I arrived in Detroit the city had just begun Urban Renewal (which blacks renamed “Negro Removal”) in the area near downtown where most blacks were concentrated. Hastings Street and John R, the two main thoroughfares that were the hub of the commerce and nightlife of the black community, were still alive with pedestrians. Large sections of the inner city, however, were being bulldozed to build the Ford Freeway crisscrossing the city from east to west, the Lodge Freeway bisecting the city from north to south, and the Fisher and Chrysler Freeways coming from Toledo and proceeding all the way north to the Upper Peninsula. These freeways were built to make it easy to live in the suburbs and work in the city and at the same time to expand the car market. So in 1957 whites began pouring out of the city by the tens of thousands until by the end of the decade one out of every four whites who had lived in the city had left. Their exodus left behind thousands of houses and apartments for sale and rental to blacks who had formerly been confined inside Grand Boulevard, a horseshoe-shaped avenue delimiting the inner city, many of whom had been uprooted by Negro Removal. Blacks who had been living on the East Side, among them Annie Boggs, began buying homes on the West Side and the North End. The black community was not only expanding but losing the cohesiveness it had enjoyed (or endured) when it was jammed together on the Lower East Side. New neighbors no longer served as extended family to the young people growing up in the new black neighborhoods. Small businesses owned by blacks and depending on black customers went bankrupt, eliminating an entrepreneurial middle class that had played a key role in stabilizing the community. By the end of the 1950s one-fourth of the buildings inside the Boulevard stood vacant. At the same time all Americans, regardless of race, creed, or national origin, were being seduced by the consumerism being fostered by large corporations so that they could sell the abundance of goods coming off the American assembly lines. All around us in the black community parents were determined to give their children “the things I didn’t have.

It was another watershed event for a woman who had for so long believed herself worthless, with little to offer the world other than her sense of style. Her life in the royal family had been directly responsible for creating this confusion. As her friend James Gilbey says: “When she went to Pakistan last year she was amazed that five million people turned out just to see her. Diana has this extraordinary battle going on in her mind. ‘How can all these people want to see me?’ and then I get home in the evening and lead this mouse-like existence. Nobody says: ‘Well done.’ She has this incredible dichotomy in her mind. She has this adulation out there and this extraordinary vacant life at home. There is nobody and nothing there in the sense that nobody is saying nice things to her--apart of course from the children. She feels she is in an alien world.” Little things mean so much to Diana. She doesn’t seek praise but on public engagements if people thank her for helping, it turns a routine duty into a very special moment. Years ago she never believed the plaudits she received, now she is much more comfortable accepting a kind word and a friendly gesture. If she makes a difference, it makes her day. She has discussed with church leaders, including the Archbishop or Canterbury and several leading bishops, the blossoming of this deep seated need within herself to help those who are sick and dying. “Anywhere I see suffering, that is where I want to be, doing what I can,” she says. Visits to specialist hospitals like Stoke Mandeville or Great Ormond Street Hospital for Sick Children are not a chore but deeply satisfying. As America’s First Lady, Barbara Bush, discovered when she joined the Princess on a visit to an AIDS ward of the Middlesex Hospital in July 1991 there is nothing maudlin about Diana’s attitude towards the sick. When a bed-bound patient burst into tears as the Princess was chatting to him, Diana spontaneously put her arms around him and gave him an enormous hug. It was a touching moment which affected the First Lady and others who were present. While she has since spoken of the need to give AIDS sufferers a cuddle, for Diana this moment was a personal achievement. As she held him to her, she was giving in to her own self rather than conforming to her role as a princess.

Even those of us who didn’t get sick or get sucked into poverty were prisoners in our own homes during the lockdown. There were no bars, no movie theaters, no sports, no concerts, no public entertainment of any kind. If we left the house to buy food, we had to wear medical masks. No one had a face anymore! No one could smile at you. We were a giant, soulless blob with a thousand vacant eyes. Our entire population was cut off from everything that gave us joy and everyone around me succumbed to insanity ... they spent all their time bragging about arguments they’d won on the internet with people they had never met.

Helen looked around the room as though if he just looked too, he would see it. Would see the memories that she faced in every corner. She wanted to explain, but instead, her mind darted to the last time she had visited home, the Christmas before when she and her parents had only given gifts to fill the bomb shelter. The bleakness of war had penetrated their house that night, the depressing presents and rationed food nothing compared to the vacant seats around the table. The quietness had choked them. Now its fingers curled only around her throat.

In heaven many things would be restored to Langston, and also she would be able to begin the story of her earthly life differently; she would construct a fiction that was nonetheless legitimate—it would be the story she told and therefore true—and it would not begin with her in exile in her thirtieth year, in this attic room, at home with her parents in Haddington, Indiana. It would not be a tale in which her life grew smaller and smaller, as if she’d been moving through ever-tightening concentric circles toward a vacant and inexplicable center.

Cruising down Compton Boulevard in the Catalina, Mickey sensed the charged atmosphere of the place, an energy that said anything could happen. Young men loitered in groups on the sidewalks in baggy T-shirts and bandannas while young women strolled up and down, smirking at the men hollering after them and whistling. When traffic lights turned red, blank-faced children appeared out of the darkness under overpasses like wraiths to sell drugs to drivers. Prostitutes wobbled along the streets on high heels, many of them with the vacant gaze of the addicted, while men with hard hearts and a lust for blood watched their every move. All the while well-intentioned families who called Compton home got ground up in the giant machine of this nation, slipping further toward poverty and the tragic moment when pressing need overtakes good intentions. Even still, Compton was no longer what it once was. Ten years ago, Mickey might not have driven through it, and certainly wouldn’t have stopped and wandered around. But the homicide rate had decreased steadily since ’94, down to forty-eight murders in ’98 from a peak of eighty-seven in ’91, and small businesses were slowly but surely returning to the city. It bothered Mickey deeply that the state of California, with an economy greater than that of most countries, wouldn’t help these people, or that the federal government of the United States, the richest country in the history of the world, wouldn’t help them either, instead spending hundreds of billions of dollars per year on warfare and destruction. The people of Compton could be lifted from poverty with the signing of a bill, and it was no wonder, when you got right down to it, why so many had resorted to crime.

All drugs have a risk-benefit profile, and the usual thought within medicine is that a drug should provide a benefit that outweighs the risks. A drug that curbs psychotic symptoms clearly provides a marked benefit, and that was why antipsychotics could be viewed as helpful even though the list of negatives with these drugs was a long one. Thorazine and other first-generation neuroleptics caused Parkinsonian symptoms and extraordinarily painful muscle spasms. Patients regularly complained that the drugs turned them into emotional “zombies.” In 1972, researchers concluded that neuroleptics “impaired learning.”30 Others reported that even if medicated patients stayed out of the hospital, they seemed totally unmotivated and socially disengaged. Many lived in “virtual solitude” in group homes, spending most of the time “staring vacantly at television,” wrote one investigator.31 None of this told of medicated schizophrenia patients faring well, and here was the quandary that psychiatry now faced: If the drugs increased relapse rates over the long term, then where was the benefit? This question was made all the more pressing by the fact that many patients maintained on the drugs were developing tardive dyskinesia (TD), a gross motor dysfunction that remained even after the drugs were withdrawn, evidence of permanent brain damage. All of this required psychiatry to recalculate the risks and benefits of antipsychotics, and in 1977 Jonathan Cole did so in an article provocatively titled “Is the Cure Worse Than the Disease?” He reviewed all of the long-term harm the drugs could cause and observed that studies had shown that at least 50 percent of all schizophrenia patients could fare well without the drugs. There was only one moral thing for psychiatry to do: “Every schizophrenic outpatient maintained on antipsychotic medication should have the benefit of an adequate trial without drugs.” This, he explained, would save many “from the dangers of tardive dyskinesia as well as the financial and social burdens of prolonged drug therapy.”32

What children, onelies in particular, need are not vacant or empty comments, but actual successes in whatever they are doing – riding a bike, making a new friend, solving a puzzle - to build their confidence. Individual accomplishments provide the strongest armor in the world beyond home.

...of the sheets held up around the terrible car crash he saw, so people couldn't see the dead bodies when they pulled them out. Was dead bodies redundant? When do people ever refer to it as a body unless it's a dead one? Pop songs, maybe? Get your body on the dance floor- that's what I was doing now, but it had to be qualified, the body had to belong to someone. No one sang about "the body"- just "your body" or "my body" and if you were addressing someone about their body on yours, you were both alive, right? Get the body on the dance floor was way more sinister. The implied emptiness. The body was vacant. No one was home.

J-Just m-my throat,’ I stuttered, my lips quivering from the cold. ‘Let's get you out of here, then,’ Marcel said. He slid his arms under me and lifted me without effort-like picking up an empty box. His chest was bare and warm; he hunched his shoulders to keep the rain off me. My head lolled over his arm. I stared vacantly back toward the furious water, beating the sand behind him. ‘You got her?’ I heard Sam ask. ‘Yeah, I'll take it from here. Get back to the hospital. I'll join you later. Thanks, Sam.’ My head was still rolling. None of his words sunk in at first. Sam didn't answer. There was no sound, and I wondered if he were already gone. The water licked and writhed up the sand after us as Marcel carried me away like it was angry that I'd escaped. As I stared wearily, a spark of color caught my unfocused eyes-a a small flash of fire was dancing on the black water, far out in the bay. The image made no sense, and I wondered how conscious I was. My head swirled with the memory of the black, churning water of being so lost that I couldn't find up or down. So, lost… but somehow Marcel… ‘How did you find me?’ I rasped. ‘I was searching for you,’ he told me. He was half-jogging through the rain, up the beach toward the road. ‘I followed the tire tracks to your truck, and then I heard you scream…’ He shuddered. ‘Why would you jump, Bell? Didn't you notice that it's turning into a hurricane out here? Couldn't you have waited for me?’ Anger filled his tone as the relief faded. ‘Sorry,’ I muttered. ‘It was stupid.’ ‘Yeah, it was really stupid,’ he agreed, drops of rain shaking free of his hair as he nodded. ‘Look, do you mind saving the stupid stuff for when I'm around? I won't be able to concentrate if I think you're jumping off cliffs behind my back.’ ‘Sure,’ I agreed. ‘No problem.’ I sounded like a chain-smoker. I tried to clear my throat and then winced; the throat-clearing felt like stabbing a knife down there. ‘What happened today? Did you… find her?’ It was my turn to shudder, though I wasn't so cold here, right next to his ridiculous body heat. Marcel shook his head. He was still more running than walking as he headed up the road to his house. ‘No. She took off into the water-the bloodsuckers have the advantage there. That's why I raced home- I was afraid she was going to double back swimming. You spend so much time on the beach…’ He trailed off, a catch in his throat. ‘Sam came back with you… is everyone else home, too?’ I hoped they weren’t still out searching for her. ‘Yeah. Sort of.’ I tried to read his expression, squinting into the hammering rain. His eyes were tight with worry or pain. The words that hadn't made sense before suddenly did. ‘You said… hospital. Before, to Sam. Is someone hurt? Did she fight you?’ My voice jumped up an octave, sounding strange with the hoarseness. Marcel’s eyes tightened again. ‘It doesn't look so great right now.’ Abruptly, I felt sick with guilt-felt truly horrible about the brainless cliff dive. Nobody needed to be worrying about me right now. What a stupid time to be reckless. ‘What can I do?’ I asked. At that moment the rain stopped. I hadn't realized we were already back at Marcel’s house until he walked through the door. The storm pounded against the roof. ‘You can stay here,’ Marcel said as he dumped me on the short couch. ‘I mean it right here I'll get you some dry clothes.’ I let my eyes adjust to the darkroom while Marcel banged around in his bedroom. The cramped front room seemed so empty without Billy, almost desolate. It was strangely ominous-probably just because I knew where he was. Marcel was back in seconds. He threw a pile of gray cotton at me. ‘These will be huge on you, but it's the best I've got. I'll-a, step outside so you can change.’ ‘Don't go anywhere. I'm too tired to move yet. Just stay with me.

When you treat your real estate as a business: You have a “business owner” attitude. You're “hands-off” and use “systems.” You assign or delegate repairs and maintenance. You NEVER knock on doors for rent. You've trained your tenants to pay rent with ACH, online payments, or mail payments. Tenants never call your home or cell phone. Tenants don't know the owner. You never go to court, (that's for attorneys). You never physically participate or even show up at your own evictions. You never show your own vacant units. You never cut grass. You have no trouble “getting to the next level” because you have time to achieve objectives.

I fought through the boisterous crowd and saw that the bowl-shaped field was certainly not vacant anymore, its new occupant a rather unsightly scarecrow dressed in a Cokyrian uniform, framed against the tranquil green of summer grass. I gazed down the hill, ignoring the shoving and jostling of the people around me, brimming with pride. This was the work of my cousin. Only he and his friends would have had the nerve to do something like this. Cokyrians were preventing Hytanicans from descending the slope, pushing us back like cattle and trying to make us disband. When one of the soldiers passed close to me, I spat on his boots, jumping back so the blunt end of the sword he thrust at me tickled my temple and nothing more. I grinned at him, then tensed as someone put their hands on my shoulders from behind. “It makes you wonder, doesn’t it?” the person said in a lazily irreverent tone that I knew well. “Whatever befell the poor soldier who lost his uniform to that creature?” Before I could turn around, Steldor tugged me backward through the crowd, out of harm’s way. Releasing me, he strode toward the thoroughfare, forcing me to jog in order to keep pace with him. “How did you manage it?” I breathlessly asked, scrutinizing his handsome profile. He stood several inches taller than me, and it was difficult to look at him, keep up and dodge people all at once. Quite the opposite, the throng parted for him, his height and build such that he could not pass notice, and his recent actions earning him a few hardy pats on the back. “You really shouldn’t be out here, Shaselle,” he responded, sidestepping my actual question. He glanced at me, and despite his next words, there was bemusement in his dark brown eyes. “And you certainly shouldn’t be spitting on Cokyrian boots.” “You laugh in their faces--why shouldn’t I spit on their boots?” I countered, earning a smirk and a shrug. “Perhaps…because home is a better place for you?” Despite the tease in his voice, there was seriousness behind what he said.

The houses were left vacant on the land, and the land was vacant because of this. Only the tractor sheds of corrugated iron, silver and gleaming, were alive; and they were alive with metal and gasoline and oil, the disks of the plows shining. The tractors had lights shining, for there is no day and night for a tractor and the disks turn the earth in the darkness and they glitter in the daylight. And when a horse stops work and goes into the barn there is a life and a vitality left, there is a breathing and a warmth, and the feet shift on the straw, and the jaws champ on the hay, and the ears and the eyes are alive. There is a warmth of life in the barn, and the heat and smell of life. But when the motor of a tractor stops, it is as dead as the ore it came from. The heat goes out of it like the living heat that leaves a corpse. Then the corrugated iron doors are closed and the tractor man drives home to town, perhaps twenty miles away, and he need not come back for weeks or months, for the tractor is dead. And this is easy and efficient. So easy that the wonder goes out of work, so efficient that the wonder goes out of land and the working of it, and with the wonder the deep understanding and the relation. And in the tractor man there grows the contempt that comes only to a stranger who has little understanding and no relation. For nitrates are not the land, nor phosphates; and the length of fiber in the cotton is not the land. Carbon is not a man, nor salt nor water nor calcium. He is all these, but he is much more, much more; and the land is so much more than its analysis. The man who is more than his chemistry, walking on the earth, turning his plow point for a stone, dropping his handles to slide over an outcropping, kneeling in the earth to eat his lunch; that man who is more than his elements knows the land that is more than its analysis. But the machine man, driving a dead tractor on land he does not know and love, understands only chemistry; and he is contemptuous of the land and of himself. When the corrugated iron doors are shut, he goes home, and his home is not the land.

Every statuette is a shape imagined in the point of convergence of the capable pro. The specialist has been pondering it for quite a while, the way by which a parent expects a child, or a brave life adornment envisions that her life partner will return home. Carved Wooden Figures By then they put their hands into the earth and make a remarkable pearl or emerge artful culminations if they are painters. Stone carvers are as regularly as conceivable energized by out of date Gods, unbelievable creatures, and marvellous holy people. They breathe life into the legend. Statues are dumbfounding, dynamic, survive and imaginative. They converse with you in a thousand of calm ways. They look perfect and inaccessible, comparatively as from a serene, pixie heaven. No doubt the Gods are to an amazing degree living in them, sitting tight for individuals to take in life in their signs from earth and marble. Carved Wooden Figures They advancement to us, they boggle, they whisper. Statues are tirelessly related to time everlasting. We scan for noteworthiness, we research, and we respect great statues of Egyptian cats. Carved Wooden Figures A bit of the statuettes looks so legitimate, it takes after they are living. There once carried on a stone expert named Pygmalion, who made a figure of a female shape so grand, that he started to look all starry looked toward at it. He respected Venus, the Goddess, and she offered life to his regarded statue. Her skin was pale, her carriage was to some degree firm, her eyes had a vacant look, regardless she had trademark tints on her lips, eyes, hair and chests. The grandness of an uncommon statue can enamour her creator, and despite breath life into stone.

I have too many questions for that, Atri-Ceda. Why is the Hold empty?’ ‘Because it is home to all which cannot be possessed, cannot be owned. And so too is the throne within the Hold empty, left eternally vacant. Because the very nature of rule is itself an illusion, a conceit and the product of a grand conspiracy. To have a ruler one must choose to be ruled over, and that forces notions of inequity to the fore, until they become, well, formalized. Made central to education, made essential as a binding force in society, until everything exists to prop up those in power. The Empty Throne reminds us of all that. Well, some of us, anyway.

I am the heart of a murdered woman who took the wrong way home who was strangled in a vacant lot and not buried who was shot with care beneath a tree who was mutilated by a crisp knife. There are many of us. I grew feathers and tore my way out of her; I am shaped like a feathered heart. My mouth is a chisel, my hands the crimes done by hands. I sit in the forest talking of death which is monotonous: though there are many ways of dying there is only one death song, the colour of mist: it says Why Why I do not want revenge, I do not want expiation, I only want to ask someone how I was lost, how I was lost I am the lost heart of a murderer who has not yet killed, who does not yet know he wishes to kill; who is still the same as the others I am looking for him, he will have answers for me, he will watch his step, he will be cautious and violent, my claws will grow through his hands and become claws, he will not be caught.

Mind, Body, Soul, can be likened to a house. A vacant house falls into ruin much more quickly than one that is called home and is lived in.

In the center of Climentoro, a town in Huehuetenango, a dozen large white houses rose above the village’s traditional wooden huts like giant monuments. The structures were made of concrete and fashioned with archways, colonnaded porches, and elaborate moldings; some even boasted facades decorated with paintings of American flags. Their owners, who lived in the US, had sent money home to build American-inspired houses for when they returned, but few did. One three-story house with a faux-brick chimney was empty. The family of twelve had migrated a few years ago, leaving the vacant construction behind. Vecinos fantasmas, Feliciano Pérez, a local farmer, called them—ghost neighbors.

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He suggested that there was too much housing supply and that the only real way to really fix the problem would be for the government to buy up vacant homes and burn them.