V Poetry Quotes

Nothing says you care for me better than offering to torture my enemies." He grinned. "No sense doing things halfhearted. And to think, some girls have to endure listening to poetry.

For what is a dream if not love first felt and what is mystery if not life itself

The sea waves stirred before me they dashed against the rocks Like a mermaid rising from its depths curled white sea foam were her locks...

All beautiful distractions, ignites from you.

I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned. II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger. III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth. IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation. V. I think he must have conferenced with my nightmares on exactly how to hurt me. VI. He never broke my heart. He only turned it into a compass that always points me back to him.

Isn't there something in living dangerously?' There's a great deal in it,' the Controller replied. 'Men and women must have their adrenals stimulated from time to time.' What?' questioned the Savage, uncomprehending. It's one of the conditions of perfect health. That's why we've made the V.P.S. treatments compulsory.' V.P.S.?' Violent Passion Surrogate. Regularly once a month. We flood the whole system with adrenin. It's the complete physiological equivalent of fear and rage. All the tonic effects of murdering Desdemona and being murdered by Othello, without any of the inconvenience.' But I like the inconveniences.' We don't,' said the Controller. 'We prefer to do things comfortably.' But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.' In fact,' said Mustapha Mond, 'you're claiming the right to be unhappy. Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer, the right to have too little to eat; the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind.' There was a long silence. I claim them all,' said the Savage at last. Mustapha Mond shrugged his shoulders. 'You're welcome,' he said.

I remembered a song, it reminded me of you It made me think of a city I might pass through. The sky turned gray, and the clouds turned blue and the flowers all bowed under a misty dew.

His voice was smoke on midnight air.

Poetry is not communication with angels or with the "subconscious." It is communication with the guts, genitals, and five portals of sense. Nothing more.

Among the fluctuation of the river currents, an abyss as green as the sea, its extension and profundity as immense as the ocean opened before me: the eyes of a beautiful girl. I succumbed into that abyss instantly, like a man who falls from the highest cliff into the ocean … … and I drowned.

Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.

In what world To live? What love To give? Is it worthy? Or will it break My heart? Everyone Seems to be Secretly evil And to try To disguise The truth With lies; It’s disappointing But still I see Something different In you; I find hope And I fall In love

Ko hodiš, pojdi zmeraj do konca. Spomladi do rožne cvetice, poleti do zrele pšenice, jeseni do polne police, pozimi do snežne kraljice, v knjigi do zadnje vrstice, v življenju do prave resnice, v sebi do rdečice čez eno in drugo lice. A če ne prideš ne prvič, ne drugič do krova in pravega kova poskusi: vnovič in zopet in znova.

All my life I lived in fear; I was always blaming myself For everything: Even little things; Now I realize Nothing was my fault

One day I will laugh and no loneliness will fall out.

Let the wet earth embrace you firmly, soundly. She needs to be revived, she needs to beat like a heart full of adrenaline inside a chest.

Places We Love Places we love exist only through us, Space destroyed is only illusion in the constancy of time, Places we love we can never leave, Places we love together, together, together, And is this room really a room, or an embrace, And what is beneath the window: a street or years? And the window is only the imprint left by The first rain we understood, returning endlessly, And this wall does not define the room, but perhaps the night Your son began to move in your sleeping blood, A son like a butterfly of flame in your hall of mirrors, The night you were frightened by your own light, And this door leads into any afternoon Which outlives it, forever peopled With your casual movements, as you stepped, Like fire into copper, into my only memory; When you go, space closes over like water behind you, Do not look back: there is nothing outside you, Space is only time visible in a different way, Places we love we can never leave.

But before a computer became an inanimate object, and before Mission Control landed in Houston; before Sputnik changed the course of history, and before the NACA became NASA; before the Supreme Court case Brown v. Board of Education of Topeka established that separate was in fact not equal, and before the poetry of Martin Luther King Jr.’s “I Have a Dream” speech rang out over the steps of the Lincoln Memorial, Langley’s West Computers were helping America dominate aeronautics, space research, and computer technology, carving out a place for themselves as female mathematicians who were also black, black mathematicians who were also female.

The spirit, my love, is stronger than laughter, stronger than the hungry panting of reckless lions that paw and shuffle underneath the canopy of bowed trees, stronger than the pace of a dying heart, that awaits to be pumped to life by episodes mothered by time, by hands of mankind, by slivers of hope hidden in the common mind.

Beloved, my ears listen for you, my lips thirst for you, my eyes search for you, and darkness brings light, but light brings truth to be fed by your sight. And when the winds of Persia blew, for a moment in time, something awakened in my fertile mind; an awareness boldly standing in my view, that my heart has always, and only, bled for you.

And like nectar inside the bud, my blood drinks from your blood, beloved, and starves to join the salvation in your eyes; to be understood again and again, by your nakedness and certainty, a humbleness that trickles into the crevices of my seasoned mind.

Testifying against my abuser is not about a trial or about revenge This is a woman learning that to wear the burden of hurt but to deprive herself of the blessing that is healing is its own injustice.

Nikad samlji nego krajem jula Kad je letu pedalj do zenita, A hlorofilu aršin do rasula U metastazi žutila i ruja, Tamnije kad zelene su boje U vrtovima, a strnjika suva, Tamnija donja amplituda bruja Vetra što obnoć u vremenu duva. Nikad samlji nego krajem jula Kad sve je, misliš, na dohvatu čula Oštra kao nož još topao od točka Brusača, ali bitno nedostaje: Anđela koga slutiš nećeš sresti. A vazduh trudan je od blagovesti.

There are other names for us, of course,” continues Hector. “Night walker. Blood drinker. Abomination. Vampire. But those are words crafted by mortal tongues. They are imperfect, incomplete. They lack the poetry, the brutality, the grace. No,” he says. “We are roses.

Why are you so hard on yourself? I love you just the way you are, with your withered coat and wet scarf dangling like a spotless chandelier. The snow banks in Montreal are high, but I can see your trace, and silent grace and tin cup through the paned window. The precipitation melts your face, distorting your expression through the aged glass; broken, when I threw ancient stones to get your attention as a child. I wanted a friend. The honest kind.

The day of apocalypse came; Everyone knows the truth now; Everyone sees now; Except of the ignorants of technology; Humanity screams change For a fairer tomorrow

When I close my eyes I see the light: A Universe within my spark; When I open my eyes I see the dark: A Universe out of sight

A breeze of change Is in the air; Everything leaves Even fallen leaves; Feelings of hate Became peace

I can't live anymore In this world No one is fair No one truly cares And I can't find my love

I can't live like this any longer; I don't have friends; I don't have life... I thought I liked being alone; ...But it was an illusion; I'm living a lie

It is not your job to understand. Sick people do sick things. You do not understand the mind of an abuser, because you are not sick like one.

Unlike the bough that shook off her dead leaves violently like a wet terrier, unlike the beating of the butterfly, her wings, against the cocoon, some dreams never made a move.

My family bought a new T.V. the year I came. It lasted seven years.

They cover Those they want; Themselves of course And other criminals Like them; They sell an idealized lie To earn something And they throw The others: The innocents; The pure; The vulnerable; The different; They are not justice: They are a clique

I think these movements and become them, here, In this room's stillness, none of them about, And relish them all-until I think of where Thrashed by a crook, the cursive adder writes Quick V's and Q's in the dust and rubs them out. from "Movements

I walk alone In this cruel world; I don’t trust anyone; I’m suspicious of everyone If you believe the lies You’ll be just another bully And I know You don’t want that; I’m out of the crowd; But still they see ghosts of me; I haven’t; I stay away

A thousand lips, a thousand eyes, a thousand hearts will read these words, as you read them, graze them, this moment. Thousands will utter them into the abyss, someday, perhaps for years to come; loudly, softly, repeatedly, again and again and again. Some will mock, some will laugh. Some will shed a tear. But it is written only for your lips, your eyes, your heart, beloved.

Si mi voz muriera en tierra, llevadla al nivel del mar y dejadla en la ribera. Llevadla al nivel del mar y nombradla capitana de un blanco bajel de guerra. ¡Oh my v0z condecorada con la insignia marinera: sobre el corazón un ancla y sobre el ancla una estrella y sobre la estrella el viento y sobre el viento la vela!

They are all criminals But can you catch them? They catch their victims instead; Innocents are weak And moral

Hate rose And any hope Became blue; How to reverse the lies? How to love again In the fake sunset?

I can’t live anymore In this world; No one is fair No one truly cares And I can’t find my love

I still live And I feel That I will never die All my life An infinite time Both an eternity And a prison But perhaps these two are one

Look at the stars Look how calm they are Their dreams have come true So only dreams cure

My life is a tragedy; Perhaps it's not my time yet; But I was always impatient And I ended up a patient Because no one can understand me

Words turn to anagrams; Temples get burnt; Songs contain threats; What is happening in the world? World War III is in the air; Have we realized it yet? Madonna came to pray; Have we woken up?

This world is no paradise; People try to disguise; People care about lies And love is dying This world wasn’t meant to unite; It’s all a construction For every kingdom’s strategy; There is no place for love

IV . my God, my heart clenches into a fist for fear of losing all You've bloomed in it so teach me to pray as poetry could only dream to i cannot help but see stars in the darkest night of my soul if you sing to me of heaven V . we're all just porcelain bones dipped in a prayer and there's no telling what's going to break us so i've come to hold my life lightly in my hands 'cause all these feelings of futility have so heavied my head, that the weight of all this empty could snap my neck at any moment

Could any State on Earth Immortall be, Venice by Her rare Goverment is She; Venice Great Neptunes Minion, still a Mayd, Though by the warrlikst Potentats assayed; Yet She retaines Her Virgin-waters pure, Nor any Forren mixtures can endure; Though, Syren-like on Shore and Sea, Her Face Enchants all those whom once She doth embrace, Nor is ther any can Her bewty prize But he who hath beheld her with his Eyes: Those following Leaves display, if well observed, How she long Her Maydenhead preserved, How for sound prudence She still bore the Bell; Whence may be drawn this high-fetchd parallel, Venus and Venice are Great Queens in their degree, Venus is Queen of Love, Venice of Policie.

I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); THE FALL OF THE HOUSE OF USHER14 And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-tunèd law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed EDGAR ALLAN POE 15 Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more.

Music of the Grid: A Poem in Two Equations _________________________ The masses of particles sound the frequencies with which space vibrates, when played. This Music of the Grid betters the old mystic mainstay, "Music of the Spheres," both in fantasy and in realism. LET US COMBINE Einstein's second law m=E/C^2 (1) with another fundamental equation, the Planck-Einstein-Schrodinger formula E = hv The Planck-Einstein-Schrodinger formula relates the energy E of a quantum-mechanical state to the frequency v at which its wave function vibrates. Here h is Planck's constant. Planck introduced it in his revolutionary hypothesis (1899) that launched quantum theory: that atoms emit or absorb light of frequency v only in packets of energy E = hv. Einstein went a big step further with his photon hypothesis (1905): that light of frequency v is always organized into packets with energy E = hv. Finally Schrodinger made it the basis of his basic equation for wave functions-the Schrodinger equation (1926). This gave birth to the modern, universal interpretation: the wave function of any state with energy E vibrates at a frequency v given by v = E/h. By combining Einstein with Schrodinger we arrive at a marvelous bit of poetry: (*) v = mc^2/h (*) The ancients had a concept called "Music of the Spheres" that inspired many scientists (notably Johannes Kepler) and even more mystics. Because periodic motion (vibration) of musical instruments causes their sustained tones, the idea goes, the periodic motions of the planets, as they fulfill their orbits, must be accompanied by a sort of music. Though picturesque and soundscape-esque, this inspiring anticipation of multimedia never became a very precise or fruitful scientific idea. It was never more than a vague metaphor, so it remains shrouded in equation marks: "Music of the Spheres." Our equation (*) is a more fantastic yet more realistic embodiment of the same inspiration. Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,... (that is, the Bits that represent these Its) and let them settle until they reach equilibrium with the spontaneous activity of Grid. Neither planets nor any material constructions compromise the pure ideality of our instrument. It settles into one of its possible vibratory motions, with different frequencies v, depending on how we do the plunking, and with what. These vibrations represent particles of different mass m, according to (*). The masses of particles sound the Music of the Grid.