Usual Suspects Quotes

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New opinions are always suspected, and usually opposed, without any other reason but because they are not common.
John Locke
Adrien, people get killed all the time. Since when is it your job to find out what happened to them?" "I'm not usually suspected of murdering them." "You have been as long as I've known you.
Josh Lanyon (A Dangerous Thing (The Adrien English Mysteries, #2))
A male usually had made up his mind before you began to talk to him -so why bother?- but a female, because her mind was more supple, was always prepared to become more disappointed in you than she had yet suspected possible.
Gregory Maguire (A Lion Among Men (The Wicked Years, #3))
KNOW YOUR DOPE FIEND. YOUR LIFE MAY DEPEND ON IT! You will not be able to see his eyes because of the Tea-Shades, but his knuckles will be white from inner tension and his pants will be crusted with semen from constantly jacking off when he can't find a rape victim. He will stagger and babble when questioned. He will not respect your badge. The Dope Fiend fears nothing. He will attack, for no reason, with every weapon at his command-including yours. BEWARE. Any officer apprehending a suspected marijuana addict should use all necessary force immediately. One stitch in time (on him) will usually save nine on you. Good luck. -The Chief
Hunter S. Thompson (Fear and Loathing in Las Vegas)
The greatest trick the devil ever pulled was convincing the world he didn't exist.
Christopher McQuarrie (Usual Suspects)
When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face which are almost unendurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy - if you know your job he will not notice the immense improbability of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this easily managed.
C.S. Lewis (The Screwtape Letters)
New opinions are always suspected, and usually opposed, without any other reason but because they are not already common.
John Locke
There's the usual suspects in there, Green Day and The Clash and The Smiths, yeah, but there's also Ella and Frank, even Dino, some Curtis Mayfield and Minor Threat and Dusty Springfield and Belle & Sebastian, and as I flip through his musical life, getting to know his tastes, I must acknowledge that not only am I not frigid, but I also may be multi-orgasmic.
Rachel Cohn (Nick & Norah's Infinite Playlist)
Taking pity on me, Carissa kept her voice low. “You were calling out for Daemon.”I dropped my face in my hands and moaned. “Oh, God.” Lesa giggled. “It was kind of cute.” A minute before the tardy bell rang, I felt an all-too-familiar warmth on my neck and glanced up. Daemon swaggered into class. Textbook-less as usual. He had a notebook, but I don’t think he ever wrote anything in it. I was beginning to suspect our math teacher was an alien, because how else would Daemon get away with not doing a damn thing in class? He passed by without so much as a look. I twisted around in my chair. “I need to talk to you.” He slid into his desk chair. “Okay.” “In private,” I whispered. His expression didn’t change as he leaned back in his chair. “Meet me in the library at lunch. No one really goes in there. You know, with all those books and stuff.
Jennifer L. Armentrout (Onyx (Lux, #2))
A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.
Allyse Near (Fairytales for Wilde Girls)
Most people are not prepared to have their minds changed," he said. "And I think they know in their hearts that other people are just the same, and one of the reasons people become angry when they argue is that they realize just that, as they trot out their excuses." "Excuses, eh?" Well, if this ain't cynicism, what is?" Erens snorted. "Yes, excuses," he said, with what Erens thought might just have been a trace of bitterness. "I strongly suspect the things people believe in are usually just what they instinctively feel is right; the excuses, the justifications, the things you're supposed to argue about, come later. They're the least important part of the belief. That's why you can destroy them, win an argument, prove the other person wrong, and still they believe what they did in the first place." He looked at Erens. "You've attacked the wrong thing.
Iain M. Banks (Use of Weapons (Culture, #3))
In truth I suspect that merely slowing down is not a very satisfying answer. What I need has less to do with my pace of life than my peace of life. At any speed, I crave a deep and lasting inner peace. And if it's solace I'm after, I don't need to pace myself like a turtle, change jobs or set up house on a quiet island. It is usually frenetic living, not high energy, that robs my peace of mind.
Steve Goodier
Writers of fiction embellish reality almost without knowing it.
Aljean Harmetz (Round Up the Usual Suspects: The Making of Casablanca--Bogart, Bergman, and World War II)
Is it that time of the month?” Vlad asked. Some feeling blew through her. It might have been embarrassment, but she suspected it was closer to rage. “What?” He studied her. “Is that not an appropriate question to ask?” “No!” “Odd. In many novels I’ve read, human males often ask that question when a female is acting…” Puzzlement as he continued to study her face. “Although, now that I consider it, they usually don’t make that observation to the female herself.
Anne Bishop (Written in Red (The Others, #1))
Already the new men are dotted here and there all over the earth. Some, as I have admitted, are still hardly recognisable: but others can be recognised. Every now and then one meets them. Their very voices and faces are different from ours: stronger, quieter, happier, more radiant. They begin where most of us leave off. They are, I say, recognisable; but you must know what to look for. They will not be very like the idea of ‘religious people’ which you have formed from your general reading. They do not draw attention to themselves. You tend to think that you are being kind to them when they are really being kind to you. They love you more than other men do, but they need you less. (We must get over wanting to be NEEDED: in some goodish people, specially women, that is the hardest of all temptations to resist.) They will usually seem to have a lot of time: you will wonder where it comes from. When you have recognised one of them, you will recognise the next one much more easily. And I strongly suspect (but how should I know?) that they recognise one another immediately and infallibly, across every barrier of colour, sex, class, age, and even of creeds. In that way, to become holy is rather like joining a secret society. To put it at the very lowest, it must be great fun
C.S. Lewis (Mere Christianity)
Well … when we were in our first year, Harry — young, carefree, and innocent —” Harry snorted. He doubted whether Fred and George had ever been innocent. “— well, more innocent than we are now — we got into a spot of bother with Filch.” “We let off a Dungbomb in the corridor and it upset him for some reason —” “So he hauled us off to his office and started threatening us with the usual —” “— detention —” “— disembowelment —” “— and we couldn’t help noticing a drawer in one of his filing cabinets marked Confiscated and Highly Dangerous.” “Don’t tell me —” said Harry, starting to grin. “Well, what would you’ve done?” said Fred. “George caused a diversion by dropping another Dungbomb, I whipped the drawer open, and grabbed — this.” “It’s not as bad as it sounds, you know,” said George. “We don’t reckon Filch ever found out how to work it. He probably suspected what it was, though, or he wouldn’t have confiscated it.” “And you know how to work it?” “Oh yes,” said Fred, smirking. “This little beauty’s taught us more than all the teachers in this school.” “You’re winding me up,” said Harry, looking at the ragged old bit of parchment. “Oh, are we?” said George. He took out his wand, touched the parchment lightly, and said, “I solemnly swear that I am up to no good.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
when a wife goes missing, the husband is usually the prime suspect, and probably vice versa.
Shari Lapena (The Couple Next Door)
I don't usually let people look at this." "Why not?" Jace looked tousled, as if he'd been asleep himself. "You're a pretty good artist. Sometimes an excellent." "Well, because - it's like a diary. Except I don't think in words, I think in pictures, so it's all drawings. But it's still private." She wondered if she sounded as crazy as she suspected. Jace looked wounded. "A diary with no drawings of me in it? Where are the torrid fantasies? The romance novel covers? The -
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
There’s a reason you probably haven’t heard much about this aspect of the heartland. This kind of blight can’t be easily blamed on the usual suspects like government or counterculture or high-hat urban policy. The villain that did this to my home state wasn’t the Supreme Court or Lyndon Johnson, showering dollars on the poor or putting criminals back on the street. The culprit is the conservatives’ beloved free-market capitalism, a system that, at its most unrestrained, has little use for smalltown merchants or the agricultural system that supported the small towns in the first place....
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
He leapt onto the cushion now and curled into a skein of snoring yellow fur.
Molly MacRae (Knot the Usual Suspects (A Haunted Yarn Shop Mystery #5))
Without ever exactly putting his mind to it, he's come to believe that loss is the standard trajectory. Something new appears in the world-a baby, say, or a car or a house, or an individual shows some special talent-with luck and huge expenditures of soul and effort you might keep the project stoked for a while, but eventually, ultimately, its going down. This is a truth so brutally self-evident that he can't fathom why it's not more widely percieved, hence his contempt for the usual public shock and outrage when a particular situation goes to hell. The war is fucked? Well, duh. Nine-eleven? Slow train coming. They hate our freedoms? Yo, they hate our actual guts! Billy suspects his fellow Americans secretly know better, but something in the land is stuck on teenage drama, on extravagant theatrics of ravaged innocence and soothing mud wallows of self-justifying pity.
Ben Fountain (Billy Lynn's Long Halftime Walk)
Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!
Nick Hornby (The Polysyllabic Spree)
The Dover mail was in its usual genial position that the guard suspected the passengers, the passengers suspected one another and the guard, they all suspected everybody else, and the coachman was sure of nothing but the horses; as to which cattle he could with a clear conscience have taken his oath on the two Testaments that they were not fit for the journey.
Charles Dickens (A Tale of Two Cities)
...I displayed, or usually displayed, all those traits deemed essential to job readiness: punctuality, cleanliness, cheerfulness, obedience. These are the qualities that welfare-to-work job-training programs often seek to inculcate, though I suspect that most welfare recipients already possess them, or would if their child care and transportation problems were solved.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
The Dover mail was in its usual genial position that the guard suspected the passengers, the passengers suspected one another and the guard, they all suspected everybody else, and the coachman was sure of nothing but the
Charles Dickens (A Tale of Two Cities)
A woman spent about ten minutes looking around the shop, then told me that she was a retired librarian. I suspect she thought that this was some sort of a bond between us. Not so. On the whole, booksellers dislike librarians. To realise a good price for a book, it has to be in decent condition, and there is nothing librarians like more than taking a perfectly good book and covering it with stamps and stickers before – and with no sense of irony – putting a plastic sleeve over the dust jacket to protect it from the public. The final ignominy for a book that has been in the dubious care of a public library is for the front free endpaper to be ripped out and a ‘DISCARD’ stamp whacked firmly onto the title page, before it is finally made available for members of the public to buy in a sale. The value of a book that has been through the library system is usually less than a quarter of one that has not.
Shaun Bythell (The Diary of a Bookseller (Diary of a Bookseller, #1))
Then he's here, emerging from the water like some kind of myth, some fabled Ai'oan god, his hand smoothing his wet hair back from his face, his chest and shoulders gleaming with water and moonlight. Behind him, a pale shimmering trail of blue light marks his passage through the water. His wet shorts hang a bit lower on his hips than they usually do, tempting my imagination. He extends the flower, which I take with trembling fingers. (...) He smiles a small, crooked smile, and I think he knows exactly how tightly he's bound my tongue in knots. I suspect fetching me the passionflower was only half his purpose in swimming through the glowing pool.
Jessica Khoury (Origin (Corpus, #1))
I'm not usually sold on epiphanies. I am more interested in the opposite experience: not those rare moments of startling insight or realization, but-what I suspect are more common-those sudden flashes of anxious confusion and bewilderment.
Robert Atwan (The Best American Essays 2011)
The neighbors... hadn't, thankfully, done the usual by saying that Losley was a pleasant neighbor who'd kept herself to herself. (Always delivered in a tone of voice that suggested that, since keeping oneself to oneself was the single greatest thing one English person could do for another, the suspect ought to be excused whatever psychopathic shit they'd visited on other people.)
Paul Cornell (London Falling (Shadow Police, #1))
Where once witchcraft accusations were the norm, bullying has taken its place. And just as during the Trials, it's not always the usual suspects who get bullied; it can happen to anyone for any reason. But the only way it happens is if the community supports it. Group agreement and group silence are equally as deadly. The moment someone speaks up, it's possible to stop that cycle. It's not the easiest thing to do, but greatness is never without risk. And there is nothing greater in the whole world than kindness - kindness to someone being bullied, kindness to a stranger, kindness to an inured animal. Every act counts.
Adriana Mather (How to Hang a Witch (How to Hang a Witch, #1))
SUPPOSING that Truth is a woman—what then? Is there not ground for suspecting that all philosophers, in so far as they have been dogmatists, have failed to understand women—that the terrible seriousness and clumsy importunity with which they have usually paid their addresses to Truth, have been unskilled and unseemly methods for winning a woman?
Friedrich Nietzsche (Beyond Good and Evil)
One former McKinsey consultant wrote anonymously, ¨To those convinced that a secretive cabal controls the world, the usual suspect are Illuminati, Lizard People, or ´globalists.' They are wrong, naturally. There is no secret society shaping every major decision and determining the direction of human history. There is, however, McKinsey & Company.
Walt Bogdanich (When McKinsey Comes to Town)
Well I believe in God, and the only thing that scares me is Keyser Söze.
Christopher McQuarrie (Usual Suspects)
The greatest trick the devil ever pulled was convincing the world he didn’t exist.”—from the motion picture screenplay The Usual Suspects, by Christopher McQuarrie
Steve Cavanagh (Thirteen (Eddie Flynn #4))
Who didn’t want to dip into the deep end of someone else’s childhood and meet all the usual suspects—the strict parent, the competitive siblings, the crazy aunt?
Bonnie Garmus (Lessons in Chemistry)
To fit in with the change of events, words, too, had to change their usual meanings. What used to be described as a thoughtless act of aggression was now regarded as the courage one would expect to find in a party member; to think of the future and wait was merely another way of saying one was a coward; any idea of moderation was just an attempt to disguise one’s unmanly character; ability to understand a question from all sides meant that one was totally unfitted for action. Fanatical enthusiasm was the mark of a real man, and to plot against an enemy behind his back was perfectly legitimate self-defence. Anyone who held violent opinions could always be trusted, and anyone who objected to them became a suspect.
Thucydides (The History of the Peloponnesian War)
Quinn seemed to have become one of a jaded philosophical society, a group of arcane deviates. Their raison d'etre was a kind of mystical masochism, forcing initiates toward feats of occult daredevilry - "glimpsing the inferno with eyes of ice", to take from the notebook a phrase that was repeated often and seemed a sort of chant of power. As I suspected, hallucinogenic drugs were used by the sect, and there was no doubt that they believed themselves communing with strange metaphysical venues. Their chief aim, in true mystical fashion, was to transcend common reality in the search for higher states of being, but their stratagem was highly unorthodox, a strange detour along the usual path toward positive illumination. Instead, they maintained a kind of blasphemous fatalism, a doomed determinism which brought them face to face with realms of obscure horror. Perhaps it was this very obscurity that allowed them the excitement of their central purpose, which seemed to be a precarious flirting with personal apocalypse, the striving for horrific dominion over horror itself. ("The Dreaming In Nortown")
Thomas Ligotti (The Nightmare Factory)
[It] could be argued that the favorite sin of Satan would not be vanity, as described in 'Devil's Advocate', or even unbelief in the existence of the devil, as described in 'The Usual Suspects,' but the imagining of a generic, Christless God. The very essence of the Christian faith centers on the identity of Jesus Christ as God's only begotten Son, who alone is the source of salvation and author of faith (Acts 4:12). So it stands to reason that Satan's favorite sin is the belief in a God without Jesus, because that is a god without atonement or redemption and that is what populates hell in the name of heaven.
Brian Godawa (Hollywood Worldviews: Watching Films With Wisdom & Discernment)
No one else spoke to him as she did, with as much frankness and . . . could he call it affection? Yes, he decided, exasperated affection, but affection all the same. “Will you ever stop suspecting me of ulterior motives?” “Yes, when you stop harboring as many of them as a Medici pope.” “Then whom will you suspect for fun?” he answered cheerfully. He usually enjoyed himself around people. Her company, however, he adored.
Sherry Thomas
What happens if the writer is good is usually not that the work seems derivative or trivial but just the opposite: the work actually acquires depth and resonance from the echoes and chimes it sets up with prior texts, weight from the accumulated use of certain basic patterns and tendencies. Moreover, works are actually more comforting because we can recognize elements of them from our prior reading. I suspect that a wholly original work, one that owed nothing to previous writing, would so lack familiarity as to be quite unnerving to readers.
Thomas C. Foster (How to Read Literature Like a Professor)
Keep his mind on the inner life. He thinks his conversion is something inside him, and his attention is therefore chiefly turned at present to the state of his own mind--or rather to that very expurgated version of them which is all you should allow him to see. Encourage this. Keep his mind off the most elementary duties of directing it to the most advanced and spiritual ones. Aggravate the most useful human characteristics, the horror and neglect of the obvious. You must bring him to a condition in which he can practise self-examination for an hour without discovering any of those facts about himself which are perfectly clear to anyone who has ever lived in the same house with him or worked in the same office. 2. It is, no doubt, impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always very 'spiritual', that is is always concerned with the state of her soul and never with her rhuematism. Two advantages will follow. In the first place, his attention will be kept on what he regards are her sins, by which, with a little guidance from you, he can be induced to mean any of her actions which are inconvenient or irritating to himself. Thus you can keep rubbing the wounds of the day a little sorer even while he is on his knees; the operation is not at all difficult and you will find it very entertaining. In the second place, since his ideas about her soul will be very crude and often erroneous, he will, in some degree, be praying for an imaginary person, and it will be your task to make that imaginary person daily less and less like the real mother--the sharp-tongued old lady at the breakfast table. In time you may get the cleavage so wide that no thought or feeling from his prayers for the imagined mother will ever flow over into his treatment of the real one. I have had patients of my own so well in hand that they could be turned at a moment's notice from impassioned prayer for a wife's or son's soul to beating or insulting the real wife or son without any qualm. 3. When two humans have lived together for many years it usually happens that each has tones of voice and expressions of face whice are almost unedurably irritating to the other. Work on that. Bring fully into the consciousness of your patient that particular lift of his mother's eyebrows which he learned to dislike in the nursery, and let him think how much he dislikes it. Let him assume that she knows how annoying it is and does it to annoy--if you know your job he will not notice the immense improbablity of the assumption. And, of course, never let him suspect that he has tones and looks which similarly annoy her. As he cannot see or hear himself, this is easily managed.
C.S. Lewis (The Screwtape Letters)
It's a bit like sympathetic magic in a way: the usual Western presumption that 'primitive' rituals mimic what they desire to achieve--that phallic objects might be believed to increase male potency and playacting rainfall might somehow bring it about. I am suspicious of such obvious connections and I suspect that the connections among things, people, and processes can be equally irrational. I sense the world might be more dreamlike, metaphorical, and poetic than we currently believe--but just as irrational as sympathetic magic when looked at in a typically scientific way. I wouldn't be surprised if poetry--poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs--is how the world works. The world isn't logical, it's a song.
David Byrne (Bicycle Diaries)
For many of us prayer means nothing more than speaking with God. And since it usually seems to be a quite one-sided affair, prayer simply means talking to God. This idea is enough to create great frustrations. If I present a problem, I expect a solution; if I formulate a question, I expect an answer; if I ask for guidance, I expect a response. And when it seems, increasingly, that I am talking into the dark, it is not so strange that I soon begin to suspect that my dialogue with God is in fact a monologue. Then I may begin to ask myself: To whom am I really speaking, God or myself?
Henri J.M. Nouwen (The Way of the Heart: The Spirituality of the Desert Fathers and Mothers)
Miss Featherington!' Lady D boomed. 'You haven't told me who you suspect.' 'No, Penelope,' Colin said, a rather smirky smile on his face, 'you haven't.' Penelope's first instinct was to mumble something under her breath and hope that Lady Danbury's age had left her hard enough of hearing that she would assume that any lack of understanding was the fault of her own ears and not Penelope's lips. But even without glancing to her side, she could feel Colin's presence, sense his quirky, cocky grin egging her on, and she found herself standing a little straighter, with her chin perched just a little higher than usual. He made her more confident, more daring. He made her more...herself. Or at least the herself she wished she could be.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
Eva will be impressed, too. Bet you’re counting on that heading into the weekend.” Damn right. I would need all the points I could earn when I met up with Eva in San Diego. “She’s about to go out of town. And you have to head into the conference room before they get too restless in there. I’ll join you as soon as I can.” He stood. “Yes, I heard. Your mother’s here. Let the wedding insanity begin. Since you’re free this weekend, how about we round up some of the usual suspects at my place tonight? It’s been a while, and your bachelor days are numbered. Well, technically they’re over, but no one else knows that.” And he was bound by attorney-client privilege. It took me a beat to decide. “All right. What time?” “Eight-ish.” I nodded, then caught Scott’s eye. He got
Sylvia Day (Captivated by You (Crossfire, #4))
I inspect the notebook of CDs laying on the floor. There’s the usual suspects in there, Green Day and The Clash and The Smiths, yeah, but there’s also Ella and Frank, even Dino, some Curtis Mayfield and Minor Threat and Dusty Springfield and Belle & Sebastian,
Rachel Cohn (Nick & Norah's Infinite Playlist)
Often we can, usually unwittingly, be quite insensitive to the circumstances and difficulties of those around us. We all have problems, and ultimately each individual has to take responsibility for his or her own happiness. None of us is so free of difficulty ourselves or so endowed with time and money that we can do nothing but tend ‘the wounded and the weary’ (“Lord, I Would Follow Thee,” Hymns, no. 220). Nevertheless, in looking to the Savior’s life for an example, I suspect we can probably find a way to do more of that than we do.
Jeffrey R. Holland
I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why. I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: "You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten.
Frederick Buechner (Wishful Thinking)
THE AMERICAN League Championship was so hotly contentious that year, I could barely stand to watch the games. The tension of being a Red Sox fan as they battled back from 0–3 made my stomach hurt, and my surroundings didn’t make it any easier. The running joke in the Camp was that half the population of the Bronx was residing in Danbury, and of course they were all ferocious Yankees fans. But the Red Sox had plenty of partisans too; a significant percentage of the white women were from Massachusetts, Maine, New Hampshire, and the always-suspect border state of Connecticut. Daily life was usually racially peaceful in the Camp, but the very obvious racial divide between Yankees and Sox fans made me nervous. I remembered the riot at UMass in 1986 after the Mets defeated the Sox in the World Series, when black Mets fans were horribly beaten.
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
There will be a severe backlash against this drift from the usual suspects, but increased sharing is inevitable. There is an honest argument over what to call it, but the technologies of sharing have only begun. On my imgainary Sharing Meter Index we are still at 2 out of 10. There is a whole list of subjects that experts once believed we modern humans would not share—our finances, our health challenges, our sex lives, our innermost fears—but it turns out that with the right technology and the right benefits in the right conditions, we’ll share everything. How
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
Some children like how-to-do-it or all-about-everything type books, but I suspect parents like them best because they look so educational. These really should be in a separate category because they don't usually classify and literature but are more nearly manuals of information. Paul Hazard suggests that instead of pouring out so much knowledge on a child's soul that it is crushed, we should plant a seed of an idea that will develop from the inside.
Gladys M. Hunt (Honey for a Child's Heart)
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected. He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie. “So,” he said, as I finished the last bit, “I’m forgiven?” “You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him. “I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin. I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.” He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh. To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.” He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.” It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?” “Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.” I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said. He just smiled.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
It’s easy to believe bad stories and let them color how you see things.
Maurice Broaddus (The Usual Suspects)
What was the point of trying to be better when other folks always believed the worst about you? Sometimes you just want to give in and be what they believe you are.
Maurice Broaddus (The Usual Suspects)
Buzhardt was not sure, but he would check. He discerned that the President was extremely concerned about the gap, but there was something evasive in Nixon’s approach, something disturbing about his reaction. To Buzhardt, he seemed to be suggesting alternative explanations for the lawyer’s benefit, speculating on various excuses as if to say, “Well, couldn’t we go with one of those versions?” Buzhardt prided himself on being able to tell when the President was lying. Usually it wasn’t difficult. Nixon was perhaps the most transparent liar he had ever met. Almost invariably when the President lied, he would repeat himself, sometimes as often as three times—as if he were trying to convince himself. But this time Buzhardt couldn’t tell. One moment he thought Nixon was responsible, at another he suspected Woods. Maybe both of them had done it. One thing seemed fairly certain: it was no accident.
Carl Bernstein (The Final Days)
We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned. When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes? I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.
Marvin Minsky (The Society of Mind)
It felt like I had been punched in the gut - a feeling I wasn't accustomed to. I usually guarded myself well in that regard. Wounds in the field were one thing, but these kind, they were sheer stupidity. I may have had the air knocked out of me, but Rafe looked like he had been trampled. Stupid sot. When I turned to leave, he was standing just a dozen feet away, not even trying to hide his presence. He had seen it all. Apparently the smitten jackass had followed us. He didn't speak when I saw him. I suspected he couldn't. I brushed past him. "It seems she's true to her word. She isn't the innocent sort, is she?" He didn't reply. A reply would have been redundant. His face already said it. Maybe now he'd be on his way once and for all.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
I began to say that my most important talent—or habit—was persistence. Without it, I would have given up writing long before I finished my first novel. It’s amazing what we can do if we simply refuse to give up. I suspect that this is the most important thing I’ve said in all my interviews and talks as well as in this book. It’s a truth that applies to more than writing. It applies to anything that is important, but difficult, important, but frightening. We’re all capable of climbing so much higher than we usually permit ourselves to suppose. The word, again, is “persist”!
Octavia E. Butler (Bloodchild and Other Stories)
Most of what we got was crockery: from exotic crystal bowls to ceramic anomalies. Then, a cross-section of rugs- from a beautiful Kashmiri original to a memorable one with printed dragons and utterly incomprehensible hieroglyphics. Dibyendu (typically) gave us a scrabble set and Runai Maashi: that rocking chair. Yuppie work friends, trying to be unique and aesthetically offbeat, went for wind-chimes but there were really far too many of them by the end. We also got a fantastic number of white and off-white kurtas, jamdani sarees with complementary blouses, no less than nine suitcases, suit pieces, imported condoms, bed-sheets, bed-covers, coffee makers, coffee tables, coffee-table books, poetry books, used gifts (paintings of sunsets and other disasters), three nights and four days in Darjeeling, along with several variations of Durga, Ganesh and all the usual suspects in ivory, china, terracotta, papier-mâché, and what have you. Someone gave us a calendar that looking back, I think, was laudably sardonic. Others gave us money, in various denominations: from eleven to five hundred and one. And in one envelope, came a letter for her that she read in tears in the bathroom.’ ('Left from Dhakeshwari')
Kunal Sen
Police work was rarely complicated. Locked-door mysteries and multiple suspects were the stuff of fiction. Usually, the person last heard threatening to kill someone who was later found dead was the murderer.
Shamini Flint (A Most Peculiar Malaysian Murder (Inspector Singh Investigates #1))
We've determined that Ms. Hauptman is a potential threat to the public safety, and we are bringing her in as a murder suspect who has supernatural powers that make her too dangerous to be incarcerated in the usual ways.
Patricia Briggs
But the slice-of-life novel is really not so much a world apart as an interlude - like the conference or the film set, the holiday hotel or the voyage by sea or air. You enter it, you live there for a while, you leave again. Perhaps it will alter you; usually it will not. I suspect that the book which takes you into a world apart must also _trouble_ you, at least a little. And the troubling stays with you, like the grit in the oyster, and afterwards you are changed.
Susan Cooper (Dreams And Wishes: Essays on Writing for Children)
Men who fall in love with her do so at their own risk and peril. They usually know it, or suspect it, but they can’t resist the gamble. She brings them to the edge of insanity, which is always a dangerous thing. If any man ever makes you feel crazy and
Danielle Steel (Fairytale)
A clergyman has nothing to do but be slovenly and selfish—read the newspaper, watch the weather, and quarrel with his wife. His curate does all the work, and the business of his own life is to dine.” “There are such clergymen, no doubt, but I think they are not so common as to justify Miss Crawford in esteeming it their general character. I suspect that in this comprehensive and (may I say) commonplace censure, you are not judging from yourself, but from prejudiced persons, whose opinions you have been in the habit of hearing. It is impossible that your own observation can have given you much knowledge of the clergy. You can have been personally acquainted with very few of a set of men you condemn so conclusively. You are speaking what you have been told at your uncle’s table.” “I speak what appears to me the general opinion; and where an opinion is general, it is usually correct. Though I have not seen much of the domestic lives of clergymen, it is seen by too many to leave any deficiency of information.
Jane Austen (Mansfield Park)
But then there are other cases… Cases in which the narrative of disease strays off the expected path, where the usual suspects all seem to have alibis, and the diagnosis is elusive. For these, the doctor must don her deerstalker cap and unravel the mystery. It is in these instances where medicine can rise once again to the level of an art and the doctor-detective must pick apart the tangled strands of illness, understand which questions to ask, recognize the subtle physical findings, and identify which tests might lead, finally, to the right diagnosis.
Lisa Sanders (Every Patient Tells a Story: Medical Mysteries and the Art of Diagnosis)
There have been plenty of people in my life - family, friends, colleagues, lovers, a forecast of the usual suspects that make a person's social circle - but mine has always felt a little bent out of shape. None of the relationships I've ever formed with another human being feel real to me, more like a series of missed connections. People might recognize my face, they may even know my name, but they'll never know the real me. Nobody does. I've always been selfish with the true thoughts and feelings inside my head. I don't share them with anyone because I can't. There is a version of me I can only ever be with myself.
Alice Feeney (His & Hers)
Of course, we cannot deny the fact that many people live for a long time even though they idealize the parents who were once cruel to them. But we do not know how they contrived to come to terms with their own un-truth. Most of them passed it on unconsciously to the next generation. What we do know is that, at some point, the writers we have been discussing began to suspect their own truth. But isolated in a society that will always take the part of the parents, they were unable to find the courage to abandon their denial. Just how strong this social pressure can be is something that each and every one of us can experience for ourselves. Adults realizing that they were cruelly treated by their mothers in childhood and talking openly and frankly about that fact will invariably get the same response, from therapists as much as anyone else: “Yes, but she had a difficult time of it, and she did a lot for you. You shouldn’t condemn her; you shouldn’t see things in black and white and take a one-sided view of things. There’s no such thing as ideal parents, etc.” The impression we get is that the people who talk in this way are, in fact, defending their own mothers, though the person they are speaking to is not attacking them. This social pressure is much stronger than we tend to realize. So I hope very much that my discussion of these writers will not be understood as a criticism of their lack of courage. It is meant rather as a sympathetic portrayal of the tragedy of people unable in their isolation to admit their own personal truth, although they sensed it deep down in their own selves. I am writing this book in the hope of being able to reduce that isolation. In therapy, it is by no means unusual to encounter the loneliness of the small child that the adult once was. After all, therapy itself is usually conducted in a way that is also dictated by the Fourth Commandment.
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
Some fish get caught for biting and some fish just get caught for being in the wrong part of the pond...I'm no diviner, but having been in the wrong part of the pond most of my life, I can usually tell which fish bite and which fish don't. I suspect you may have found yourself in the wrong part of the pond a time or two.
Clare Vanderpool
although we know an awful lot of those embroidered, quilted, crocheted, and knitted visions are unrealistic,” Ardis said, “there’s nothing wrong with embellished dreams and hopes. We all have them. I have them. And I need them. They give me respite—from reality, from the world, from Daddy’s increasing infirmity. They give me strength.
Molly MacRae (Knot the Usual Suspects (A Haunted Yarn Shop Mystery #5))
But religious faith is an especially potent silencer of rational calculation, which usually seems to trump all others. This is mostly, I suspect, because of the easy and beguiling promise that death is not the end, and that a martyr’s heaven is especially glorious. But it is also partly because it discourages questioning, by its very nature.
Richard Dawkins (The God Delusion)
Once I had found the courage to tell Rebecca about the children in my head, it wasn't so hard in the coming months to tell Roberta. On the train from Huddersfield one day in May I made a roll call of the usual suspects: Baby Alice; Alice 2, who was two years old and liked to suck sticky lollipops; Billy; Samuel; Shirley; Kato; and the enigmatic Eliza. There was boy I would grow particularly fond of named limbo, who was ten, but like Eliza he was still forming. There were others without names or specific behaviour traits. I didn't want to confuse the issue with this crowd of 'others' and just counted off the major players with their names, ages and personalities, which Roberta scribbled down on a pad. Then she looked slightly embarrassed. 'You know, I've met Billy on a few occasions, and Samuel once too,' she said. 'You're joking.' I felt betrayed. 'Why didn't you tell me?' 'I wanted it to come from you, Alice, when you were ready.' For some reason I pulled up my sleeves and showed he my arms. 'That's Kato,' I said, 'or Shirley.' She looked a bit pale as she studied the scars. I had feeling she didn't know what to say. The problem with counsellors is that they are trained to listen, not to give advice or diagnosis. We sat there with my arms extended over the void between us like evidence in court, then I pushed down my sleeves again. 'I'm so sorry, Alice,' she said finally and I shrugged. 'It's not your fault, is it?' Now she shrugged, and we were quiet once more.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
in order not to destroy my hopes, I attributed everything to the strength of love she had for me and the sadness that absence usually causes in those who truly love each other. In short, I set out sad and pensive, my soul filled with imaginings and suspicions, not knowing what I suspected or imagined; these were clear signs of the sad, grievous events that lay ahead of me.
Miguel de Cervantes Saavedra (Don Quixote)
There are food stations around the room, each representing one of the main characters. The Black Widow station is all Russian themed, with a carved ice sculpture that delivers vodka into molded ice shot glasses, buckwheat blini with smoked salmon and caviar, borsht bite skewers, minipita sandwiches filled with grilled Russian sausages, onion salad, and a sour cream sauce. The Captain America station is, naturally, all-American, with cheeseburger sliders, miniwaffles topped with a fried chicken tender and drizzled with Tabasco honey butter, paper cones of French fries, mini-Chicago hot dogs, a mac 'n' cheese bar, and pickled watermelon skewers. The Hulk station is all about duality and green. Green and white tortellini, one filled with cheese, the other with spicy sausage, skewered with artichoke hearts with a brilliant green pesto for dipping. Flatbreads cooked with olive oil and herbs and Parmesan, topped with an arugula salad in a lemon vinaigrette. Mini-espresso cups filled with hot sweet pea soup topped with cold sour cream and chervil. And the dessert buffet is inspired by Loki, the villain of the piece, and Norse god of mischief. There are plenty of dessert options, many of the usual suspects, mini-creme brûlée, eight different cookies, small tarts. But here and there are mischievous and whimsical touches. Rice Krispies treats sprinkled with Pop Rocks for a shocking dining experience. One-bite brownies that have a molten chocolate center that explodes in the mouth. Rice pudding "sushi" topped with Swedish Fish.
Stacey Ballis (Out to Lunch)
At the same time, I began to question the efficacy of government for improving human lives. I came to suspect that taxation, restrictions, mandates, subsidies, licenses, tariffs, bailouts, prohibitions and all the rest, even if well-intended, usually protect monopoly, cause recession, burden the poor, enforce racial discrimination (as I learned from Jennifer Roback, the Jim Crow laws were legislation), obstruct education, and so on.
Howard Baetjer Jr. (Free Our Markets: A Citizens' Guide to Essential Economics)
The Count of Monte Cristo, Edgar Allan Poe, Robinson Crusoe, Ivanhoe, Gogol, The Last of the Mohicans, Dickens, Twain, Austen, Billy Budd…By the time I was twelve, I was picking them out myself, and my brother Suman was sending me the books he had read in college: The Prince, Don Quixote, Candide, Le Morte D’Arthur, Beowulf, Thoreau, Sartre, Camus. Some left more of a mark than others. Brave New World founded my nascent moral philosophy and became the subject of my college admissions essay, in which I argued that happiness was not the point of life. Hamlet bore me a thousand times through the usual adolescent crises. “To His Coy Mistress” and other romantic poems led me and my friends on various joyful misadventures throughout high school—we often sneaked out at night to, for example, sing “American Pie” beneath the window of the captain of the cheerleading team. (Her father was a local minister and so, we reasoned, less likely to shoot.) After I was caught returning at dawn from one such late-night escapade, my worried mother thoroughly interrogated me regarding every drug teenagers take, never suspecting that the most intoxicating thing I’d experienced, by far, was the volume of romantic poetry she’d handed me the previous week. Books became my closest confidants, finely ground lenses providing new views of the world.
Paul Kalanithi (When Breath Becomes Air)
Since I am a loyal American, I am not supposed to tell you why this has taken place, but then it is not usual for us to examine why anything happens; we simply accuse others of motiveless malignity. “We are good,” G.W. proclaims, “They are evil,” which wraps that one up in a neat package. Later, Bush himself put, as it were, the bow on the package in an address to a joint session of Congress where he shared with them—as well as with the rest of us somewhere over the Beltway—his profound knowledge of Islam’s wiles and ways: “They hate what they see right here in this Chamber.” I suspect a million Americans nodded sadly in front of their TV sets. “Their leaders are self-appointed. They hate our freedoms, our freedom of religion, our freedom of speech, our freedom to vote and assemble and disagree with each other.” At this plangent moment what American’s gorge did not rise like a Florida chad to the bait?
Gore Vidal (Perpetual War for Perpetual Peace)
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The squadron of men-of-war and transports was collected, the commodore’s flag hoisted, and the expedition sailed with most secret orders, which, as usual, were as well known to the enemy, and everybody in England, as they were to those by whom they were given. It is the characteristic of our nation, that we scorn to take any unfair advantage, or reap any benefit, by keeping our intentions a secret. We imitate the conduct of that English tar, who, having entered a fort, and meeting a Spanish officer without his sword, being providentially supplied with two cut-lasses himself, immediately offered him one, that they might engage on fair terms. The idea is generous, but not wise. But I rather imagine that this want of secrecy arises from all matters of importance being arranged by cabinet councils. In the multitude of counsellors there may be wisdom, but there certainly is not secrecy. Twenty men have probably twenty wives, and it is therefore twenty to one but the secret transpires through that channel. Further, twenty men have twenty tongues; and much as we complain of women not keeping secrets, I suspect that men deserve the odium of the charge quite as much, if not more, than women do. On the whole, it is forty to one against secrecy, which, it must be acknowledged, are long odds. On the arrival of the squadron at the point of attack, a few more days were thrown away,—probably upon the same generous principle of allowing the enemy sufficient time for preparation.
Frederick Marryat
Sighs, the rhythms of our heartbeats, contractions of childbirth, orgasms, all flow into time just as pendulum clocks placed next to one another soon beat in unison. Fireflies in a tree flash on and off as one. The sun comes up and it goes down. The moon waxes and wanes and usually the morning paper hits the porch at six thirty-five. Time stops when someone dies. Of course it stops for them, maybe, but for the mourners time runs amok. Death comes too soon. It forgets the tides, the days growing longer and shorter, the moon. It rips up the calendar. You aren't at your desk or on the subway or fixing dinner for the children. You're reading People in a surgery waiting room, or shivering outside on a balcony smoking all night long. You stare into space, sitting in your childhood bedroom with the globe on the desk. Persia, the Belgian Congo. The bad part is that when you return to your ordinary life all the routines, the marks of the day, seem like senseless lies. All is suspect, a trick to lull us, to rock us back into the placid relentlessness of time.
Lucia Berlin (A Manual for Cleaning Women: Selected Stories)
The camera is one of the most frightening of modern weapons, particularly to people who have been in warfare, who have been bombed and shelled, for at the back of a bombing run is invariably a photograph. In back of ruined towns, cities, and factories, there is aerial mapping, or spy mapping, usually with a camera. Therefore the camera is a feared instrument, and a man with a camera is suspected and watched wherever he goes [...] In the minds of most people today the camera is a forerunner of destruction, and it is suspected, rightly so.
John Steinbeck (A Russian Journal)
Speaking of full of dirt, I am hardly fit company but in the spirit of wifely tolerance I wonder if you will accompany me to a pool a little ways from here." He meant to bathe. The memory of him emerging from the sauna at the lodge flashed through her mind. Her mouth was suddenly dry. "I thought Vikings liked to boil themselves first." "Ordinarily I would agree with you, but if I get into a sauna now, I will fall asleep." "You are tired from your exertions on the trailing field?" The look he trailed over her was purely male and so evocative as to warm her clear through. "I am tried from my exertions in our bed,lady,as I suspect you well know." "That is a relief!" He looked at her in surprise, prompting a red face and a quick explanation. "I meant that I could not help but think of you toiling as usual while I slept half the day away and felt myself shamed for such sloth." "Oh,well, if it's any consolation to you, I fell asleep under a tree, to the great hilarity of my men, who are not likely to let me forget it anytime soon." She laughed,tension coiling, and without hesitation she held out her hand to him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Merripen,” Harry said pleasantly. “Did you enjoy the breakfast?” The Rom was in no mood for small talk. He stared at Harry with a gaze promising death. “Something is wrong,” he said. “If you’ve done something to harm Poppy, I will find you and rip your head from your—” “Merripen!” came a cheerful exclamation as Leo suddenly appeared beside them. Harry didn’t miss the way Leo jabbed a warning elbow against the Gypsy’s ribs. “All charm and lightness, as usual. You’re supposed to congratulate the bridegroom, phral. Not threaten to dismember him.” “It’s not a threat,” the Rom muttered. “It’s a promise.” Harry met Merripen’s gaze directly. “I appreciate your concern for her. I assure you, I’ll do everything in my power to make her happy. Poppy will have anything she wants.” “I believe a divorce would top the list,” Leo mused aloud. Harry leveled a cool stare at Merripen. “I’d like to point out that your sister married me voluntarily. Michael Bayning should have had the bollocks to come to the church and carry her out bodily if necessary. But he didn’t. And if he wasn’t willing to fight for her, he didn’t deserve her.” He saw from Merripen’s quick blink that he had scored a point. “Moreover, after going through these exertions to marry Poppy, the last thing I would do is mistreat her.” “What exertions?” the Rom asked suspiciously, and Harry realized that he hadn’t yet been told the entire story. “Never mind that,” Leo told Merripen. “If I told you now, you’d only make an embarrassing scene at Poppy’s wedding. And that’s supposed to be my job.” They exchanged a glance, and Merripen muttered something in Romany. Leo smiled faintly. “I have no idea what you just said. But I suspect it’s something about battering Poppy’s new husband into forest mulch.” He paused. “Later, old fellow,” he said. A look of grim understanding passed between them.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
When did you realize you should stop playing? There was no one moment. Moments of realization are generally seductive lies concocted by unscrupulous memoirists. Typically, the process of epiphany is not instant—your mind doesn’t just crack open. You usually realize something long after you’ve suspected that it might be true, after it’s been lurking there for a long time, in the form of an uncomfortable thought that might have been droning in the background for weeks or years, like the purr of a detuned oboe. What we call “realization” is often the death of a self-serving rationale after it’s been strangled by reality for a long time.
Sasha Chapin (All the Wrong Moves: A Memoir About Chess, Love, and Ruining Everything)
How much more would I have longed for and needed to see myself in my books if I’d been disabled, gay, black, non-Christian or something else outside the mainstream message? By this time – the mid-1980s – writers’ and publishers’ consciousnesses of matters of sex, race and representation had started to be raised. The first wave of concern had come in the 1960s and 70s, mainly – or perhaps just most successfully – over the matter of heroines. There were some. But not many. And certainly not enough of the right – feisty, non-domestic, un-Meg Marchish – sort. Efforts needed to be made to overcome the teeny imbalance caused by 300 years of unreflecting patriarchal history. It’s this memory that convinces me of the importance of role models and the rightness of including (or as critics of the practice call it, ‘crowbarring in’) a wide variety of characters with different backgrounds, orientations and everything else into children’s books. If it seems – hell, even if it IS – slightly effortful at times, I suspect that the benefits (even though by their very nature as explosions of inward delight, wordless recognition, relief, succour, sustenance, those benefits are largely hidden) vastly outweigh the alleged cons. And I’m never quite sure what the cons are supposed to be anyway. Criticisms usually boil down to some variant of ‘I am used to A! B makes me uncomfortable! O, take the nasty B away!’ Which really isn’t good enough.
Lucy Mangan (Bookworm: A Memoir of Childhood Reading)
And this contrast between what applies to us and to the woman we love, is not only a matter of desire, but also of lying. What is more usual than to lie, whether we wish to conceal, say, the daily fluctuations of our health when we want to represent it as strong, or to hide a vice, or to go, without hurting another, toward the thing which we prefer? Lying is the most necessary means of self-preservation, and the most used. And yet it is the thing we are determined to expunge from the life of the woman we love, lying is what we spy upon, sniff out, hate above all. It turns our feelings upside down, it is enough to make us break off a relationship, it seems to us to hide the greatest faults, unless of course it hides them so well that we do not suspect their existence.
Marcel Proust (The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition))
Later that day, Kestrel sat with Arin in the music room. She played her tiles: a pair of wolves and three mice. Arin turned his over with a resigned sigh. He didn’t have a bad set, but it wasn’t good enough, and beneath his usual level of skill. He stiffened in his chair as if physically bracing himself for her question. Kestrel studied his tiles. She was certain he could have done better than a pair of wasps. She thought of the tiles he had shown earlier in the game, and the careless way in which he had discarded others. If she didn’t know how little he liked to lose against her, she would have suspected him of throwing the game. She said, “You seem distracted.” “Is that your question? Are you asking me why I am distracted?” “So you admit that you are distracted.” “You are a fiend,” he said, echoing Ronan’s words during the match at Faris’s garden party. Then, apparently annoyed at his own words, he said, “Ask your question.” She could have pressed the issue, but his distraction was a less interesting mystery compared to one growing in her mind. She didn’t think Arin was who he appeared to be. He had the body of someone born into hard work, yet he knew how to play a Valorian game, and play it well. He spoke her language like someone who had studied it carefully. He knew--or pretended to know--the habits of a Herrani lady and the order of her rooms. He had been relaxed and adept around her stallion, and while that might not mean anything--he had not ridden Javelin--Kestrel knew that horsemanship among the Herrani before the war had been a mark of high class. Kestrel though that Arin was someone who had fallen far.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
DETECTIVE FRANK GEYER WAS A big man with a pleasant, earnest face, a large walrus mustache, and a new gravity in his gaze and demeanor. He was one of Philadelphia’s top detectives and had been a member of the force for twenty years, during which time he had investigated some two hundred killings. He knew murder and its unchanging templates. Husbands killed wives, wives killed husbands, and the poor killed one another, always for the usual motives of money, jealousy, passion, and love. Rarely did a murder involve the mysterious elements of dime novels and mystery stories. From the start, however, Geyer’s current assignment—it was now June 1895—had veered from the ordinary. One unusual aspect was that the suspect already was in custody, arrested seven months earlier for insurance fraud and now incarcerated in Philadelphia’s Moyamensing Prison
Erik Larson (The Devil in the White City)
The government doesn’t care if our kids learn to think or learn for the sake of learning, as long they learn to love their country, and grow up and pay taxes. How much of what we learnt in 10 years of our schooling actually comes handy in our day-to-day lives? Why can’t we learn useful skills, like cooking, in school that actually come in handy when it comes to survival? Does schooling need to last for 10 years? Is it possible to complete schooling in 7 years? Nobody knows and schools have done a great job at not letting us ask questions. We live in times where we cautiously invest 4 years in undergrad schools or 2 years in B-schools in the hope that we acquire strong skills or at least secure a job. Schooling, as it exists, is a 10-year course that neither helps us get a job nor imparts a skill and unfortunately, it is compulsory. Half the jobs that exist today won’t even exist 10 years from now. That’s how fast the world is progressing. We still ask our kids to learn when Shah Jahan was born. It is a joke that at the end of these 10 years, we are expected to choose a career in science, commerce, or arts when school education hardly helped us explore ourselves. Some of the world’s greatest artists, athletes, inventors and scientists are from India. Unfortunately, they are all engineers and tragically none of them know about their talents. The biggest reason for this tragedy isn’t the society, parenting, coaching or anything else. The school is the reason and they too are all eventually victims of the same century-old schooling system. In the legendary words of Kevin Spacey from Usual Suspects, “The greatest trick the devil ever pulled was convincing the world he didn’t exist.” and our school is our society’s biggest devil.
Adhitya Iyer (The Great Indian Obsession)
Concerns about relative position also appear to affect labor force participation by much more than traditional economic factors. The economists David Neumark and Andrew Postlewaite, for example, investigated the labor force status of three thousand pairs of full sisters, one of whom in each pair did not work outside the home. Their aim was to discover what determined whether the other sister in each pair would seek paid employment. None of the usual economic suspects mattered much—not the local unemployment, vacancy, and wage rates, not the other sister’s education and experience. A single variable in their study explained far more of the variance in labor force participation rates than any other: a woman whose sister’s husband earned more than her own husband was 16 to 25 percent more likely than others to seek paid employment.43 As the essayist H. L. Mencken observed, “A wealthy man is one who earns $100 a year more than his wife’s sister’s husband.
Robert H. Frank (Under the Influence: Putting Peer Pressure to Work)
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.” Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.” “I don’t think you’re reassuring me,” Alex said shakily. “I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.” “What on earth makes you think that?” “For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.” She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.” “He certainly didn’t protect her with his life two years ago, when she was ruined.” Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.” “Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth. Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.” “What is that?” “Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.” “Barbaric,” Alexandra said with a shiver of alarm. “Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
Judith McNaught (Almost Heaven (Sequels, #3))
There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.
John Keegan (The Face of Battle)
Rationalism has swerved between two radical extremes in its attitude toward revelation. There is the widespread present admission that reason is barren as a source of final truth, but that it would be a sell-out to madness to invoke revelational theology. But a very different tradition in the history of philosophy, not without recent representatives, holds that philosophy finds its ideal intellectual expression and summit in theology. For Plato, Aristotle, Plotinus and even Spinoza, philosophy is at its apex an intellectual love of the Divine. It is this regard for theology as “the inner side of a philosophy,” to use Miss Emmet’s phrase (The Nature of Metaphysical Thinking, p. 150), that turns some systems of metaphysics into a religious faith, albeit a false one. Such outlooks on the surface eliminate a direct clash between philosophy and theology. But, insofar as theology is viewed as the capstone of speculative philosophy, they do so only by denying the comprehensive intellectual implications of revealed theology, and in principle even deny to theology its own right of survival on the basis of special divine disclosure. Sooner or later—and usually sooner than its advocates think—this view works itself around to the other, in which rationalists suspect and disown all theology, only to discover at last that in doing so they have both idolatrized reason and emptied it into a vain thing.
Carl F.H. Henry (God, Revelation and Authority (Set of 6))
It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.
Max Harms (Crystal Society (Crystal Trilogy, #1))
One day Spinner, the woman who runs PR tells me, “I like that idea, but I’m not sure that it’s one-plus-one-equals-three enough.” What does any of this nutty horseshit actually mean? I have no idea. I’m just amazed that hundreds of people can gobble up this malarkey and repeat it, with straight faces. I’m equally amazed by the high regard in which HubSpot people hold themselves. They use the word awesome incessantly, usually to describe themselves or each other. That’s awesome! You’re awesome! No, you’re awesome for saying that I’m awesome! They pepper their communication with exclamation points, often in clusters, like this!!! They are constantly sending around emails praising someone who is totally crushing it and doing something awesome and being a total team player!!! These emails are cc’d to everyone in the department. The protocol seems to be for every recipient to issue his or her own reply-to-all email joining in on the cheer, writing things like “You go, girl!!” and “Go, HubSpot, go!!!!” and “Ashley for president!!!” Every day my inbox fills up with these little orgasmic spasms of praise. At first I ignore them, but then I feel like a grump and decide I should join in the fun. I start writing things like, “Jan is the best!!! Her can-do attitude and big smile cheer me up every morning!!!!!!!” (Jan is the grumpy woman who runs the blog; she scowls a lot.) Sometimes I just write something with lots of exclamation points, like, “Woo-hoo!!!!!!! Congratulations!!!!!!! You totally rock!!!!!!!!!!!!” Eventually someone suspects that I am taking the piss, and I am told to cut that shit out.
Dan Lyons (Disrupted: My Misadventure in the Start-Up Bubble)
It was about time he opened his eyes to see just to whom he was speaking. After several quick blinks, he managed to do just that, gazing up into a small, heart-shaped face. A pretty face. Not one of a curvy seductress or a cool-hearted courtesan, but a feminine, delicately featured face. He knew this face. He adored this face. "Miss Charlotte Greene," he stated finally, taking a risk and raising his head to get a better look. Sitting at his side, the white skirt of her thick night rail tucked around her legs, she smiled down at him with concerned eyes of deep blue. Gorgeous sapphire eyes often hidden behind the rims of small, round spectacles. Truthfully, she happened to be the complete opposite of what he was usually attracted to. She was a bit too thin, too short, and too quiet for his tastes, which had always leaned toward the voluptuous, the tall, and the spirited. Normally, she wasn't one to stand out. And he rather suspected she preferred it that way. However, while most young bucks readily discounted her merits and furtively joked about her quirky behavior behind her back, Rothbury had always sensed a subtle undercurrent of passion in her dark blue gaze. Unlike the "diamonds" of the ton and demimonde, who slinked across assembly rooms completely aware of their beauty and the power that accompanied it, Miss Greene moved like a woman who hadn't yet realized how utterly fetching she truly was. She clung to the walls, sometimes barely raising her eyes from the floor, rarely spoke but to her closest friends, and shied away from situations that demanded she converse with the opposite sex. Strange it was for him to notice those facets in such an unassuming woman. Strange it was he should have noticed her at all. But he always did. The second she walked into a room.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Tomo did not join them. Kami saw that he had taken one of his violent fancies to Ash, the way he had taken to lemonade, Mr. Stearn’s bulldog, and his favorite toy race car that had burned with everything else in their house. He walked happily alongside Ash, holding on to his hand, and clearly wished for nothing more. Ash seemed alarmed to have been so firmly taken possession of by an eight-year-old. He and Tomo fell back a little, until they were walking with Jared and Kami. “I am so sad about my underwear,” Kami announced, and Ash looked as if he regretted all of his life decisions. “Not in front of the little boy!” he said reproachfully. “Anyway, you were saying that you would borrow clothes from Holly and Angela.” “I’m the third tallest in my class,” Tomo informed him, with the air of one out to impress. “And I know all about underwear.” “You heard the man,” said Kami. “Besides which, no. I cannot possibly borrow underclothes from Holly and Angela. Bras especially.” “I know,” said Jared. “Oh, you do, do you?” Kami inquired. “And how do you know, may I ask?” There was a slight flush along the lines of Jared’s cheekbones. “Observation.” It was probably sad that this cheered Kami up, but Jared usually seemed so wary about her body, the physical fact of it, that the simple knowledge that he had been looking did please her. She leaned back infinitesimally closer into the warm line of his arm around her shoulders, the warm line of his body against her side. “Kami, would you maybe stop mentioning your unmentionables,” Ash said, spoiling the moment. “I shall not,” Kami told him. “It’s a serious problem. I am, and I mean this absolutely literally, in need of support.” I’d suspect you of going funny in the head from smoke inhalation, said Ash, but you always talk like this.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
You see Matt and Anthony every week. You see everyone every week.” “Not everyone, Nick,” his mother said pointedly. Then her voice changed and turned warmer. “Well, except for this upcoming weekend.” Nick paused at this. It could’ve been a trap. Perhaps his mother suspected something was up with her birthday and was fishing for information. Although it was surprising that she’d come to him—she usually went after Anthony, who had the secret-keeping skills of a four-year-old. “Why? What’s happening this weekend?” he asked nonchalantly. “Oh, nothing much. I just heard something about a sixtieth birthday party your father and you boys are planning for me.” Fucking Anthony. “And don’t go blaming Anthony,” his mother said, quick to protect her youngest. “I’d already heard about it from your aunt Donna before he slipped.” Nick knew what her next question would be before the words left her mouth. “So? Are you bringing a date?” she asked. “Sorry, Ma. It’ll just be me.” “There’s a surprise.” He pulled into the driveway that led to the parking garage of his condo building. “Just a warning, I’m about to pull into the garage—I might lose you.” “How convenient,” his mother said. “Because I had a really nice lecture planned for you.” “Let me guess the highlights: it involved me needing to focus on something other than work, and you dying heartbroken and miserable without grandchildren. Am I close?” “Not bad. But I’ll save the rest of the lecture for Sunday. There’s going to be a lot of gesturing on my part, and the phone doesn’t quite capture the spirit.” Nick smiled. “Shockingly, I’m looking forward to it. I’ll see you Sunday, Ma.” Her voice softened. “I know how busy you are, Nick. It means a lot to me that you’re coming home.” He knew it did. “I wouldn’t miss it for the world.
Julie James (A Lot like Love (FBI/US Attorney, #2))
No-knock entries are dangerous for everyone involved—cops, suspects, bystanders. The raids usually occur before dawn; the residents are usually asleep, and then disoriented by the sudden intrusion. There is no warning, and sleepy residents may not always understand that the men breaking down their door are police. At the same time, police procedures allow terribly little room for error. Stan Goff, a retired Special Forces sergeant and SWAT trainer, says that he teaches cops to “Look at hands. If there’s a weapon in their hands during a dynamic entry, it does not matter what that weapon is doing. If there’s a weapon in their hands, that person dies. It’s automatic.” On September 13, 2000, the DEA, FBI, and local police conducted a series of raids throughout Modesto, California. By the end of the day, they had shot and killed an eleven-year-old boy, Alberto Sepulveda, as he was lying facedown on the floor with his arms outstretched, as ordered by police. In January 2011, police in Farmington, Massachusetts similarly shot Eurie Stamp, a sixty-eight-year-old grandfather, as he lay motionless on the floor according to police instructions. In the course of a May 2014 raid in Cornelia, Georgia, a flash-bang grenade landed in the crib of a nineteen-month-old infant. The explosion blew a hole in the face and chest of Bounkham Phonesavanh (“Baby Bou Bou”), covering his body with third degree burns, and exposing part of his ribcage. No guns or drugs were found in the house, and no arrests were made. Sometimes these raids go wrong before they even begin. Walter and Rose Martin, a perfectly innocent couple, both in their eighties, had their home raided by New York Police more than fifty times between 2002 and 2010. It turned out that their address had been entered as the default in the police database.
Kristian Williams (Our Enemies in Blue: Police and Power in America)
When you said our engagement is subject to your family’s approval,” he ventured, “I hope you don’t expect it to be unanimous.” “I would like it to be. But it’s not a requirement.” “Good,” he said. “Because even if I manage to talk Trenear into it, debating with West will be like tilting at windmills.” She looked up at him alertly. “Was Don Quixote one of the books you read?” “To my regret, yes.” “You didn’t like it?” Tom gave her a sardonic glance. “A story about a middle-aged lunatic who vandalizes private property? Hardly. Although I agree with Cervantes’ point that chivalry is no different from insanity.” “That’s not at all what he was saying.” Cassandra regarded him ruefully. “I’m beginning to suspect you’ve missed the point of every novel you’ve read so far.” “Most of them are pointless. Like the one about the French bread thief who violated his parole—” “Les Misérables?” “Yes. It took Victor Hugo fourteen hundred pages to say, ‘Never let your daughter marry a radical French law student.’ Which everyone already knows.” Her brows lifted. “Is that the lesson you took from the novel?” “No, of course not,” he said promptly, reading her expression. “The lesson of Les Misérables is …” Tom paused cagily before taking his best guess. “… ‘It’s usually a mistake to forgive your enemies.’” “Not even close.” Amusement lurked at the corners of her mouth. “I have my work cut out for me, it seems.” “Yes,” Tom said, encouraged by the remark. “Take me on. Influence me for the better. It will be a public service.” “Hush,” Cassandra begged, touching his lips with her fingers, “before I change my mind.” “You can’t,” Tom said, knowing he was taking the words more seriously than she’d intended. But the very idea was like an ice pick to the heart. “That is, don’t. Please. Because I …” He couldn’t break their shared gaze. Her blue eyes, as dark as a cloudless midnight, seemed to stare right inside him, gently and inexorably prying out the truth. “… need you,” he finally muttered. Shame caused his face to sting as if from spark burns. He couldn’t believe what he’d just said, how weak and unmanly it had sounded. But the strange thing was … Cassandra didn’t seem to think less of him for it. In fact, she was looking at him with more certainty now, nodding slightly, as if his mortifying admission had just cemented the bargain. Not for the first time, Tom reflected there was no understanding women. 
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))