Using Bad Words In Relationship Quotes

Guys get a bad rap for not wanting to talk about their feelings but maybe women are in part to blame for that. One thing that I learned from working with people where English was not their first language was this: just because they don’t speak your language doesn’t mean that they’re dumb. Maybe we just need to talk more slowly, use simpler words and have lots more patience.

Nothing saves the day so much as a good word. And nothing has been misused as often. There is power in a word, whether we read it, speak it or hear it. And we command and are commanded by the word. We scatter, we call forth, and we comfort. Words are tools, weapons, both good and bad medicine-but very beautiful when used lovingly. The word, or ka ne tsv in Cherokee, is power to help heal, or make sick people sicker by negative talk around them. The word gives confidence when it builds rather than destroys. Relationships have been shattered beyond repair by a run-away mouth. Prosperity has been dissolved by talking lack. Until we listen to our own voices and how we talk, we would never guess how we use our words.

The real reason why so many artists now take to politics, ‘commitment’ and so on is that they are rushing into a discipline, any discipline at all, which will save them from the poison of the word ‘artist’ used by the enemy. I remember very clearly the moments in which that novel was born. The pulse beat, violently; afterwards, when I knew I would write, I worked out what I would write. The ‘subject’ was almost immaterial. Yet now what interests me is precisely this — why did I not write an account of what had happened, instead of shaping a ‘story’ which had nothing to do with the material that fuelled it. Of course, the straight, simple, formless account would not have been a ‘novel’, and would not have got published, but I was genuinely not interested in ‘being a writer’ or even in making money. I am not talking now of that game writers play with themselves when writing, the psychological game — that written incident came from that real incident, that character was transposed from that one in life, this relationship was the psychological twin of that. I am simply asking myself: Why a story at all — not that it was a bad story, or untrue, or that it debased anything. Why not, simply, the truth?

Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.

That’s why it is so dangerous to use infatuation as a sign to pursue a relationship. If you and I don’t know the difference between infatuation and love, we are destined to make some of the dumbest and most regrettable decisions we’ll ever make. These bad decisions come with heavy and painful price tags. So you see, it’s imperative in this tricky business of “falling in love” that we take the time to clearly define what we mean by the word “love.” The investment will pay off handsomely. We can actually learn how to avoid future relational baggage and how to recognize authentic love relationships when we clarify two crucial issues: (1) what love is, and (2) what the difference is between love and infatuation.

A final word for you—the anxious reader. There is no one for whom attachment theory has more to offer than men and women with an anxious attachment style. Although you suffer the consequences of a bad match and an activated attachment system more intensely, you also stand to gain the most from understanding how the attachment system works, which relationships have the capacity to make you happy, and which situations can make you a nervous wreck. We have witnessed people who have managed to walk away from loneliness to find the companionship they longed for, using the principles outlined in this chapter. We’ve also witnessed people who have been in long-term relationships that brought out the worst in them, but understanding and utilizing attachment principles marked the beginning of a new phase of their relationship—a more secure phase.

Has being on Duck Dynasty made you more comfortable in the public eye? Jess: I never thought I’d get up and speak in front of thousands of people. The show has made us braver. I’m willing to show the world who we are, to tell our story, and to use this opportunity God has given us to share His love and His Word with other people. Anyway, it’s all from Him, and we know we are blessed. Jep: I want to be a great role model, and so I’m willing to get up and tell my story, even the hard parts, if it will help others. I also want to help people get back to the old ways with hunting and how much joy it is to provide for your family. I don’t ever want to lose that and be some kind of a rich guy who has it made. Also, I never want to move away from Louisiana. I want my kids to grow up with their grandparents, cousins, and uncles and aunts. I learned so much from my granny, and I want my kids to have those relationships and teachable moments too. There’s something about being in a smaller town; the pace of life here is so different, but in a good way.

[A Tibetan Legend] "There comes a time when all life on Earth is in danger. Barbarian powers have arisen. Although they waste their wealth in preparations to annihilate each other, they have much in common: weapons of unfathomable devastation and technologies that lay waste the world. It is now, when the future of all beings hangs by the frailest of threads, that the kingdom of Shambhala emerges. "You cannot go there, for it is not a place. It exists in the hearts and minds of the Shambhala warriors. But you cannot recognize a Shambhala warrior by sight, for there is no uniform or insignia, there are no banners. And there are no barricades from which to threaten the enemy, for the Shambhala warriors have no land of their own. Always they move on the terrain of the barbarians themselves. "Now comes the time when great courage is required of the Shambhala warriors, moral and physical courage. For they must go into the very heart of the barbarian power and dismantle the weapons. To remove these weapons, in every sense of the word, they must go into the corridors of power where the decisions are made. "The Shambhala warriors know they can do this because the weapons are manomaya, mind-made. This is very important to remember, Joanna. These weapons are made by the human mind. So they can be unmade by the human mind! The Shambhala warriors know that the dangers that threaten life on Earth do not come from evil deities or extraterrestrial powers. They arise from our own choices and relationships. So, now, the Shambhala warriors must go into training. "How do they train?" I asked. "They train in the use of two weapons." "The weapons are compassion and insight. Both are necessary. We need this first one," he said, lifting his right hand, "because it provides us the fuel, it moves us out to act on behalf of other beings. But by itself it can burn us out. So we need the second as well, which is insight into the dependent co-arising of all things. It lets us see that the battle is not between good people and bad people, for the line between good and evil runs through every human heart. We realize that we are interconnected, as in a web, and that each act with pure motivation affects the entire web, bringing consequences we cannot measure or even see. "But insight alone," he said, "can seem too cool to keep us going. So we need as well the heat of compassion, our openness to the world's pain. Both weapons or tools are necessary to the Shambhala warrior.

The plot of Love on a Mortal Lease is not unlike those Shakespear would use later, nor unlike those of commonplace Victorian works. The heroine, Rachel Gwynne, has dead parents, as is the case from Oliver Twist (1837) through hundreds of other ensuing tripledeckers. Rachel is a novelist – most of Shakespear’s heroines would be writers – in love with a military man many years her senior. After he refuses to marry her because he fears his mother will dislike Rachel and therefore disinherit him, Rachel becomes his mistress. Once the snobby old mother meets Rachel by happenstance in London, however, they immediately adore each other, and the Colonel may now safely marry Rachel – though she doesn’t love him anymore, and he seems none too fond of her, either. They muddle along in unhappy matrimony until Rachel conveniently discovers (as we’ve known for a while) that the Colonel has had another longtime mistress, a stupid society girl, throughout the course of their marriage, and even during their preceding affair. When the Colonel even more conveniently falls on his head and dies, Rachel is made a wealthy widow in her mid-twenties, free to marry a nice young writer who knows about, but forgives her, her former relationship. A happily wish-fulfilling story, perhaps, for a young woman writer in a bad marriage, and Rachel has some interesting ideas about her profession: speaking of clever girls who scribble, she hopes for the day that “the cleverness and the scribbling . . . fall from her, like a disguise, and she stands revealed in her true form – then she may never write another word, or she may write something immortal.”8

• No matter how open we as a society are about formerly private matters, the stigma around our emotional struggles remains formidable. We will talk about almost anyone about our physical health, even our sex lives, but bring depression, anxiety or grief , and the expression on the other person would probably be "get me out of this conversation" • We can distract our feelings with too much wine, food or surfing the internet, • Therapy is far from one-sided; it happens in a parallel process. Everyday patients are opening up questions that we have to think about for ourselves, • "The only way out is through" the only way to get out of the tunnel is to go through, not around it • Study after study shows that the most important factor in the success of your treatment is your relationship with the therapist, your experience of "feeling felt" • Attachment styles are formed early in childhood based on our interactions with our caregivers. Attachment styles are significant because they play out in peoples relationships too, influencing the kind of partners they pick, (stable or less stable), how they behave in a relationship (needy, distant, or volatile) and how the relationship tend to end (wistfully, amiably, or with an explosion) • The presenting problem, the issue somebody comes with, is often just one aspect of a larger problem, if not a red herring entirely. • "Help me understand more about the relationship" Here, here's trying to establish what’s known as a therapeutic alliance, trust that has to develop before any work can get done. • In early sessions is always more important for patients to feel understood than it is for them to gain any insight or make changes. • We can complain for free with a friend or family member, People make faulty narratives to make themselves feel better or look better in the moment, even thought it makes them feel worse over time, and that sometimes they need somebody else to read between the lines. • Here-and-now, it is when we work on what’s happening in the room, rather than focusing on patient's stories. • She didn't call him on his bullshit, which this makes patients feel unsafe, like children's whose parent's don’t hold them accountable • What is this going to feel like to the person I’m speaking to? • Neuroscientists discovered that humans have brain cells called mirror neurons, that cause them to mimic others, and when people are in a heightened state of emotion, a soothing voice can calm their nervous system and help them stay present • Don’t judge your feelings; notice them. Use them as your map. Don’t be afraid of the truth. • The things we protest against the most are often the very things we need to look at • How easy it is, I thought, to break someone’s heart, even when you take great care not to. • The purpose on inquiring about people's parent s is not to join them in blaming, judging or criticizing their parents. In fact it is not about their parents at all. It is solely about understanding how their early experiences informed who they are as adults so that they can separate the past from the present (and not wear psychological clothing that no longer fits) • But personality disorders lie on a spectrum. People with borderline personality disorder are terrified of abandonment, but for some that might mean feeling anxious when their partners don’t respond to texts right away; for others that may mean choosing to stay in volatile, dysfunctional relationships rather than being alone. • In therapy we aim for self compassion (am I a human?) versus self esteem (Am I good or bad: a judgment) • The techniques we use are a bit like the type of brain surgery in which the patient remains awake throughout the procedure, as the surgeons operate, they keep checking in with the patient: can you feel this? can you say this words? They are constantly calibrating how close they are to sensitive regions of the brain, and if they hit one, they back up so as not to damage it.

voice of fear will list all the reasons you should stay in the same job, the same bad relationship. The voice of faith will tell you all the reasons you are the perfect person for the job, there are better relationships in your future, and that God is by your side every step of the way. Your best days are still in front of you.   Life

Turning Rejection Around What if your friendly, hopeful conversation starter is not met with signals of approval or interest? If the person you approach is fidgety, avoids eye contact, appears uneasy, and exhibits none of the signals of welcome, chances are he or she is not interested in interaction—at least not at that moment. The first thing to do is slow down. Be patient, and give the person time to relax with you. If you present yourself as relaxed and open to whatever develops (whether a good conversation, a valuable working relationship, even friendship or romance), your companion may in time relax too. Use your verbal skills to create an interesting conversation and a sense of ease to break the tension. Don’t pressure yourself to be able to define a relationship from the first meeting. Keep your expectations general, and remember the playfulness factor. Enjoy someone’s company with no strings attached. Don’t fabricate obligations where none exist. It may take several conversations for a relationship to develop. If you had hoped for romance but the feelings appear not to be reciprocated, switch your interest to friendship, which has its own rich rewards. What if you are outright rejected? Rejection at any point—at first meeting, during a date, or well into a relationship—can be painful and difficult for most of us. But there are ways to prevent it from being an all-out failure. One thing I like to tell my clients is that the Chinese word for failure can be interpreted to mean “opportunity.” And opportunities, after all, are there for the taking. It all depends on how you perceive things. There is a technique you can borrow from salespeople to counter your feelings of rejection. High-earning salespeople know that you can’t succeed without being turned down at least occasionally. Some even look forward to rejection, because they know that being turned down this time brings them that much closer to succeeding next time around. They may even learn something in the process. So keep this in mind as you experiment with your new, social self: Hearing a no now may actually bring you closer to the bigger and better yes that is soon to happen! Apply this idea as you practice interacting: Being turned down at any point in the process helps you to learn a little more—about how to approach a stranger, have a conversation, make plans, go on a date, or move toward intimacy. If you learn something positive from the experience, you can bring that with you into your next social situation. Just as in sales, the payoff in either romance or friendship is worth far more than the possible downfall or minor setback of being turned down. A note on self-esteem: Rejection can hurt, but it certainly does not have to be devastating. It’s okay to feel disappointed when we do not get the reaction we want. But all too often, people overemphasize the importance or meaning of rejection—especially where fairly superficial interactions such as a first meeting or casual date are concerned. Here are some tips to keep rejection in perspective: -Don’t overthink it. Overanalysis will only increase your anxiety. -Keep the feelings of disappointment specific to the rejection situation at hand. Don’t say, “No one ever wants to talk to me.” Say, “Too bad the chemistry wasn’t right for both of us.” -Learn from the experience. Ask yourself what you might have done differently, if anything, but then move on. Don’t beat yourself up about it. If those thoughts start, use your thought-stopping techniques (p. 138) to control them. -Use your “Adult” to look objectively at what happened. Remember, rejecting your offer of conversation or an evening out does not mean rejecting your whole “being.” You must continue to believe that you have something to offer, and that there are open, available people who would like to get to know you.

A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.

Bunch of Quotes … Legend: #/ = page number 12/ Money as Archetype. The key point is that money must have power over us inwardly in order to have power in the world. We must believe in its value before we will change our conduct based on whether or not we will receive it. In the broadest sense, money becomes a vehicle of relationship. It enables us to make choices and cooperate with one another, it singlas what we will do with our energy. 16/ The Latin word moneta derives from the Indo-European root men-, which means to use one’s mind or think. The goddess Moneta is modeled on the Greek goddess of memory, Mnemosyne. Contained in the power to remember is the ability to warn, so Moneta is also considered to be a goddess who can give warnings. To suggest money can affect us in different ways we might remember that the Greek words menos (which means spirit, courage, purpose) and mania (which means madness) come from the same root as memory and Moneta. Measurement, from the Indo-European root me-, also relates to mental abilities and is a crucial aspect of money. 95/ [Crawford relates the experience of a friend], a mother, whose only son suffered from drug addiction. … At last she overcame her motherly instincts and refused him a place to stay and food and money. [She gave him a resources list for dealing with addiction.] 98/ Even an addition, according to psychologist C.G. Jung, a form of spiritual craving. Jung expressed this viewpoint in correspondence with Bill Wilson (Bill W), the founder of Alcoholics Anonymous. 107/ The inner search is not a denial of our outer needs, but rather in part a way of learning the right attitudes and actions with which to deal with the outer world—including money and ownership. 114/ Maimonodes, Golden Ladder of Charity. [this list is from charitywatch.org] Maimonides, a 12th century Jewish scholar, invented the following ladder of giving. Each rung up represents a higher degree of virtue: 1. The lowest: Giving begrudgingly and making the recipient feel disgraced or embarrassed. 2. Giving cheerfully but giving too little. 3. Giving cheerfully and adequately but only after being asked. 4. Giving before being asked. 5. Giving when you do not know who is the individual benefiting, but the recipient knows your identity. 6. Giving when you know who is the individual benefiting, but the recipient does not know your identity. 7. Giving when neither the donor nor the recipient is aware of the other's identity. 8. The Highest: Giving money, a loan, your time or whatever else it takes to enable an individual to be self-reliant. 129/ Remember as this myth unfolds [Persephone] that we are speaking of inheritance in the larger sense. What we inherit is not merely money and only received at death, but it is everything, both good and bad, that we receive from our parents throughout our lifetime. When we examine such an inheritance, some of what we receive will be truly ours and worthwhile to keep. The rest we must learn to surrender if we are to get on with our own lives. 133/ As so happens, the child must deal with what the parent refuses to confront. 146/ Whether the parent is alive or dead, the child may believe some flaw in the parent has crippled and limited the child’s life. To become attached to this point of view is damaging, because the child fails to take responsibility for his or her own destiny.

Lily Samson, The Switch, Outtakes & Quotes, shameless manipulation of. A one minute reading test I am dog --Dog, Marina Lewycka, Two Caravans, 2007 Allergies disclaimer: One must stress that this book is not intended for the unwashed masses: I delayed showering after the last switch. I’ve created a Pavlovian response: he must associate its floral sweetness with sexual fulfilment. Adam has a “Pavlovian” reaction to Elena’s BO? Bribes her with cake to lessen the wrath when asking Elena to wash? He frowns, seeing that I’m silent and trembling. ‘My perfume was weak; hers much stronger.’ I say, my temper flaring. Now, ladies and gentlemen, the usual wasteman chatting up yours truly in Sarf London would probably assume that a big phat slice of Marks & Spencer’s Strawberry Pavlova will get him into the lady’s knickers. Nope, she’s allergic to stupid. A merengue dessert will hardly cause a rash, but a moron makes her skin crawl. A female of the human species displayed an unconditioned response: shoved cream cake into the courting male’s face. Requested a substantial meal of Shchavel Borscht with hard boiled egg --Anton Pavlovich Chekhov, Russian Cookbook for Love, Romance, and mating behaviours: Humans, 1904 Ding-dong! --Ivan Petrovich Pavlov, Neutral Triggers & Conditioned Responses: Canines, 1907 It is I! I make the best Byzantine shchi to entice a female. --Nikolai Vasilyevich Gogol, Dead Souls, Notebook (1841-1844), The Nose and other short stories Right! She turned her nose up at his advances: Idiot! I hate strawberries! --Seraphima Vasilievna Karchevskaya Pavlova, Mrs, My Husband and I – Memoirs The lady did not have a sweet tooth. Man didn’t do his research. This is a cleverly written book. So some of you, keen aspiring readers, please have your Oxford fictionary handy. Just saying! In the words of our hero: Bloody pricey...But God, it is a nice smell. Don’t you like it? And then he “squirts onto her wrist, playfully.” Shhhh.. Doctors Pavlov & Chekhov are not amused. Shall we shuffle the deck with these random quotes? One minute! Plenty of time is a full minute for a skilled bullshit dealer to shuffle themselves out of a gloomy Russian medical clerical predicament. Not tricky when Lily Samson gives treats: All around us are dog walkers, their expensive breeds racing about, barking and sniffing each other’s genitals. ..thinking it all through those awful dog ornaments she hated... feisty feminist...she simply hates them. Men are so stupid! And then.. She took another whiff and yet another. She sniffed him up and down like a dog before realizing what it was: the aroma of a woman’s cunt. --Milan Kundera, The Unbearable Lightness of Being Gratuitous use of one particular French vulgarism nested in the English language since the Norman conquest of 1066 is well demonstrated by this Milan Kundera translation. One has to wonder if the original 1984 edition contained the word “pizda”? It is one of the few remaining words in the English language with a genuine power to shock. --Scholar Germaine Greer But of course a cunt, in French, as much as el coño in Spanish does not carry near enough as much uncouth weight as in English. The English language doesn’t exist. It’s just badly pronounced French. --Bernard Cerquiglini Quelle conne! Un con reste un con! --William Shakespeare, Last Words, Holy Trinity Church, Gropecunt Lane, Stratford upon Avon, April 23rd 1616

good preachers should be like bad kids. They ought to be naughty enough to tiptoe up on dozing congregations, steal their bottles of religion pills … and flush them all down the drain. The church, by and large, has drugged itself into thinking that proper human behavior is the key to its relationship with God. What preachers need to do is force it to go cold turkey with nothing but the word of the cross—and then be brave enough to stick around while [the congregation] goes through the inevitable withdrawal symptoms. But preachers can’t be that naughty or brave unless they’re free from their own need for the dope of acceptance. And they won’t be free of their need until they can trust the God who has already accepted them, in advance and dead as doornails, in Jesus. Ergo, the absolute indispensability of trust in Jesus’ passion. Unless the faith of preachers is in that alone—and not in any other person, ecclesiastical institution, theological system, moral prescription, or master recipe for human loveliness—they will be of very little use in the pulpit.

She’s freaking out. If she cries, I won’t know what to do. I’m not used to crying chicks. I don’t think Carmen cried once during our entire relationship. In fact, I’m not sure Carmen has tear ducts. “Um…you okay?” I ask. “If this gets around, I’m never going to live it down. Oh, God, if Mrs. Peterson calls my parents I’m dead. Or at least I’ll wish I was dead.” She keeps talking and shaking, as if she’s a car with bad shocks and no brakes. “Brittany?” “…and my mom’ll blame it on me. It’s my fault, I know. But she’ll freak out on me and then I’ll have to explain and hope she--” Before she can get another word out I yell, “Brittany!” The girl looks up at me with an expression so confused I don’t know whether to feel sorry for her or stunned she’s rambling and can’t seem to stop. “You’re the one freakin’ out,” I comment, stating the obvious. Her eyes are usually clear and bright, but now they’re dull and blank as if she’s not all here. She looks down and around and everywhere except directly at me. “No, I’m not. I’m fine.” “The hell you are. Look at me.” She hesitates. “I’m fine,” she says, now focused on a locker across the hall. “Just forget everything I just said.” “If you don’t look at me, I’m gonna bleed all over the floor and need a fuckin’ transfusion. Look at me, dammit.” Her breathing is still heavy as she focuses on me. “What? If you want to tell me my life is out of control, I’m already aware of it.” “I know you didn’t mean to hurt me,” I tell her. “Even if you did, I probably deserved it.” I’m hoping to lighten the mood so the girl doesn’t have a complete breakdown in the hallway. “Makin’ mistakes ain’t a crime, you know. What’s the use in having a reputation if you can’t ruin it every now and then?” “Don’t try and make me feel better, Alex. I hate you.” “I hate you, too. Now please move out of the way so the janitor doesn’t have to spend all day moppin’ up my blood. He’s a relative, you know.

Many of the old taboos were about sex; many of the new ones are about the mother-child relationship, unfortunately for children and their mothers. For example, we use the word “vice” in a completely different way from our great-grandparents. Almost everything that was then considered a vice (drinking, smoking or gambling) is now treated as an illness (alcoholism, tobacco addiction, compulsive gambling), so that the sinner has become an innocent victim. Masturbation (the “solitary vice” that so concerned doctors and educators) is now thought of as normal. Homosexuality is simply a lifestyle. To speak of vice in any of these cases would be considered a serious insult. Today, only a few inoffensive habits of children are considered “vices”, and in English they are spoken of as nothing more than “bad” habits: “He has the ‘bad’ habit of biting his fingernails.” “He has got into the ‘bad’ habit of crying.” “If you pick him up, he will develop a ‘bad’ habit.” “He has got into the ‘bad’ habit of breastfeeding and won’t eat baby food.” If you still have any doubts about what our society’s real taboos are, imagine going to see your GP and describing one of the following scenarios: 1. “I have a little boy of three and I want to have an AIDS test because I had sex with several strangers this summer.” 2. “I have a little boy of three and I smoke twenty cigarettes a day.” 3. “I have a little boy of three; I breastfeed him and he sleeps in our bed.” Which of these three scenarios do you think would elicit a reproach from your GP? In

Women are naturally created to be alluring, beautiful, influential, sensual, and persuasive. We have maternal instincts which help intuitively identify and avoid dangerous situations and individuals. We are psychologically superior at communication and processing words. We have better cognitive skills. And the female body even produces pheromones specifically designed to attract men. So why do women chase men and allow men to use them for amusement and sex? Why do women tend to fall so quickly for sweet talkers and bad boys? ”Why do they turn a blind eye when men cheat and settle for men who don’t make them happy? I’ll tell you why. It's because few women understand the power they have.

I Origins is the good sci fi movie but it says exactly very well about how researchers are treated in society because they touch research with ethics, and so, their way of approach towards life is diffracted by the society and their relationships go into karmic hole, whatever they get in their life will never reach their goals, that is why science needs traditionality, I am not saying only for this movie, I have seen this type bad karmic people even in My UG life when I was doing Mus Musculus Gene cochlia gene cloning project, believe my words or not your wish, but complete modernity in science will leave to no where but karmic hole, whether is India or USA, I never support plastic surgery and cosmetic things and all, I never use cosmetic products myself only very few such as shops, shampoos and finally perfume that is all, I never encourage cosmetic products whether it is Indian or Foreign

How might language separate us or draw us together? If our words center around grasping, creating, using, knowing, efficiency, step-by-step procedures, problem-solving, interventions, tools, and a sense of good-better-best (an ever-upward trend), we are likely attending mostly from a left hemisphere that is operating more or less autonomously, without support from the right's perspective. There is often a sense of judgement and certainty, along with an intent to guide, shape or control another that arises from and is reflected in this way of speaking. Because the left hemisphere has a tendency toward either/or, good/bad distinctions, there is often the sense of preference or wanting to get rid of something in favor of something else (ie: getting rid of sadness in favor of happiness or peace).

Being a nurse, I’m well trained in being careful with the language that I use. Words have power. They can keep someone calm. Or they can freak someone the fuck out when they’re in a bad place. They can keep someone at a distance. Or they can bring them close. It’s why I resisted when he suggested I call him by his first name. I was keeping him at a distance. But apparently my subconscious has been telling me this whole time that I shouldn’t do that.

Preassessment Sit comfortably. Take a few deep breaths, relax, and answer the following questions in writing. Where is your self-esteem lately? Some answer this simply, as in low, medium, or high, or on a scale from 1 to 10. For some, responses are more complex. For instance, you might note that your self-esteem, in truth, fluctuates, or that, although you are growing stronger, you still struggle with mistakes you make or have made, or with expectations you or others have. There is power and courage in honestly acknowledging what is. Just observe where you are now, without judging yourself or wondering what others might think. How did your family of origin contribute, for good and bad, to your self-esteem? What have you learned to do to increase your self-esteem? What, if anything, can make you inferior as a person? What, if anything, can make you superior as a person? Using an artistic medium—colored pens or pencils, paint, crayons, finger paints, and so forth—draw your opinion of yourself on a separate sheet of paper. There is something revealing and almost magical in expressing without words how you experience yourself. The answers to questions three, four, and five especially can provide insight into what can ultimately strengthen self-esteem, although not in the ways most people think. Did you notice that the very things that raise self-esteem can also threaten it? For example, if getting a raise at work lifts your self-esteem, does failing to get a promotion cause it to fall? If a compliment makes you feel superior, does criticism make you feel inferior? If love raises self-esteem, does a relationship that does not work well destroy it? Many assume that we get value from what we do; from skills, talents, and character traits; or from acceptance from others. While all of these are desirable, I suggest that none of these make good first steps for self-esteem building. Where, then, does human value come from?

You’d think I’d be excited to get into shape, but I wasn’t. I don’t like to exercise, but not because it’s painful or tiring. I’ve climbed mountains in Peru and ridden my bike across America. I’m willing. The reason I don’t like exercise is because somewhere, in the deep recesses of my brain I’ve become convinced no amount of work is enough. I never leave a workout satisfied or proud of myself. And for that matter, I never quit a writing session thinking I’ve worked hard enough either. Or a teaching gig or a business meeting or anything else. I’m so bad about this I used to mow my lawn then crawl around on the grass with a pair of scissors, cutting uneven blades of grass. No kidding. I might have a problem. There are really only two things a person can do when they’re that much of a perfectionist. They can either live in the torture and push themselves to excel, or they can quit. I tend to go back and forth between the torture of working too hard and the sloth of quitting. The reason I bring this up has nothing to do with exercise or writing. I bring it up because it’s a symptom of a bigger problem, a problem that is going to affect mine and Betsy’s relationship. The problem is this: those of us who are never satisfied with our accomplishments secretly believe nobody will love us unless we’re perfect. In the outer ring Bill was talking about, the ring that covers shame, we write the word perfect and attempt to use perfection to cover our shame. I had a friend once who used to mumble curse words every time she drove by her high school algebra teacher’s house because, years before, the teacher had given her a B-.

But when the conditions are more subtle, things like office politics, opportunism, occasional rounds of layoffs and a general lack of trust among colleagues, we adapt. Like being at base camp on Everest, we believe that we are fine and can cope. However, the fact remains that the human animal is not built for these conditions. Even though we may think we’re comfortable, the effects of the environment still take their toll. Just because we become accustomed, just because it becomes normal, doesn’t mean it’s acceptable. On Everest, even after we’ve adapted, if we spend too long on the mountain, our internal organs start to break down. In an unhealthy culture, it’s the same. Even though we can get used to living with stress and low, regular levels of cortisol in our bodies, that doesn’t mean we should. A constant flow of cortisol isn’t just bad for organizations. It can also do serious damage to our health. Like the other selfish chemicals, cortisol can help us survive, but it isn’t supposed to be in our system all the time. It wreaks havoc with our glucose metabolism. It also increases blood pressure and inflammatory responses and impairs cognitive ability. (It’s harder to concentrate on things outside the organization if we are stressed about what’s going on inside.) Cortisol increases aggression, suppresses our sex drive and generally leaves us feeling stressed out. And here’s the killer—literally. Cortisol prepares our bodies to react suddenly—to fight or run as circumstances demand. Because this takes a lot of energy, when we feel threatened, our bodies turn off nonessential functions, such as digestion and growth. Once the stress has passed, these systems are turned on again. Unfortunately, the immune system is one of the functions that the body deems nonessential, so it shuts down during cortisol bursts. In other words, if we work in environments in which trust is low, relationships are weak or transactional and stress and anxiety are normal, we become much more vulnerable to illness.

The pastoral task with words is not communication but communion - the healing and restoration and creation of love relationships between God and his fighting children and our fought-over creation. Poetry uses words in and for communion. This is hard work and requires alertness. The language of our time is in terrible condition. It is used carelessly and cynically. Mostly it is a tool for propaganda, whether secular or religious. Every time badly used and abused language is carried by pastors into prayers and preaching and direction, the word of God is cheapened. We cannot use a bad means to a good end.