Cotton Hill Quotes

The past that Southerners are forever talking about is not a dead past--it is a chapter from the legend that our kinfolks have told us, it is a living past, living for a reason. The past is a part of the present, it is a comfort, a guide, a lesson.

It is a great comfort to a rambling people to know that somewhere there is a permanent home--perhaps it is the most final of the comforts they ever really know.

We have been told to ask about everything: Will it leave us free?

It was not the goal that really concerned us, the journey was the thing. Who ever reaches any goal? From what journey can we return? We know of the poverty about us, of the work and worry, but we know of a degree of freedom, of a stunted beauty. We have warm open days and sunshine in Carolina. Much is denied us. But we have, we have. And an attitude is more powerful than any circumstance.

My kinfolks thought more about character than about culture. They said culture could be acquired but character had to be formed. Character had to be hammered into shape like hot iron on an anvil. It had to be molded in the most exact and unrelenting form.

Tyler." She looked up at him. "This is blasphemous." He couldn't resist the heat of his desire, not with her mouth wet with rain and his kiss. Her neck and breasts were beaded with drops while the soft pinkness of her flesh showed through the cotton dress. Lovely, natural. "This isn't sin." He managed the words in a voice thick with want. "It's sacred. Everything I do with you, every touch, every kiss, every word murmured in reverence against your flesh, is sacred. And you're cold. I want to warm you.

Spring had come early that year, with warm quick rains and sudden frothing of pink peach blossoms and dogwood dappling with white stars the dark river swamp and far-off hills. Already the plowing was nearly finished, and the bloody glory of the sunset colored the fresh-cut furrows of red Georgia clay to even redder hues. The moist hungry earth, waiting upturned for the cotton seeds, showed pinkish on the sandy tops of furrows, vermilion and scarlet and maroon where shadows lay along the sides of the trenches. The whitewashed brick plantation house seemed an island set in a wild red sea, a sea of spiraling, curving, crescent billows petrified suddenly at the moment when the pink-tipped waves were breaking into surf. For here were no long, straight furrows, such as could be seen in the yellow clay fields of the flat middle Georgia country or in the lush black earth of the coastal plantations. The rolling foothill country of north Georgia was plowed in a million curves to keep the rich earth from washing down into the river bottoms. It was a savagely red land, blood-colored after rains, brick dust in droughts, the best cotton land in the world. It was a pleasant land of white houses, peaceful plowed fields and sluggish yellow rivers, but a land of contrasts, of brightest sun glare and densest shade. The plantation clearings and miles of cotton fields smiled up to a warm sun, placid, complacent. At their edges rose the virgin forests, dark and cool even in the hottest noons, mysterious, a little sinister, the soughing pines seeming to wait with an age-old patience, to threaten with soft sighs: "Be careful! Be careful! We had you once. We can take you back again.

Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.

It is defeat that lives on and takes the years to smother.

In these shallow arroyos and grease-covered hills, blowing dust zones, the Christmas spirit of cotton bales, fried in butter and sweeping heat, life, spaciously allotted. Catching our breath, smiling in silence, with the lowering sun in our faces.

still other winters average their rain months into a long, cold season of relentless sog and little color. At such times, looking out through the spattered glass, I feel, deep in some spongy, unignorable organ, that we will have floods, and damage, and losses; we will have gray till the cows come home, and there will be no more cows--they'll all just rot, drown, or simply wash away. We will have rain until the very hills dissolve. And when the dirty cotton swaddling of fog finally falls away, we will all be desperate for vital signs.

The walls are whipped-cream white; the tiles lemon custard yellow. Even our chairs are licorice red, weeping cotton-candy wisps of stuffing. All the other patrons sketch, write poetry, tap out rhythms on the edge of tables as they sip their coffee. Prague is old, but her streets are dancing.

December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)

going about with a huge, heavy arm or dragging along a grossly disfigured leg. Men and women wore the lava-lava. “It’s a very indecent costume,” said Mrs. Davidson. “Mr. Davidson thinks it should be prohibited by law. How can you expect people to be moral when they wear nothing but a strip of red cotton round their loins?” “It’s suitable enough to the climate,” said the doctor, wiping the sweat off his head. Now that they were on land the heat, though it was so early in the morning, was already oppressive. Closed in by its hills, not a breath of air came in to Pago-Pago. “In our islands,” Mrs. Davidson went on in her high-pitched tones, “we’ve practically eradicated the lava-lava. A few old men still continue to wear it, but that’s all. The women have all taken to the Mother Hubbard,

Bygones" The weatherman says heavy rain, instead it dribbles like an old man unable to urinate. In the small orbit of the car, daylight clings to my collar, simmers in sweat, but I shall drive despite this meridian fry. I travel in the tremble of tin and tires. Up ahead, Barron Lake, your lost butterfly locket, Woodport, the warm rocks before the dive. The sun legs gently over the turbine hills, and always with a little luck I find your house, where torn cotton knits dry on an iron gate, and a vintage bicycle sinks in the garden. Over rum we discuss the length of our severance, agree to let bygones vanish amid the fray. Then kisses wheedle the lower back down till daybreak quiet as cat paws... treads the bedroom floor.

She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.

do it,” said Sophia. They were already at the crescent-shaped lot on the other side of the hill. He gave the key ring to the smaller girl. “It’s the black one there. The Surf.” Sophia skipped forward and opened the driver’s side. He got in, exhaling as he sat. She held on to the door handle. The side panel’s flawless paint reflected her body, dressed in purple cotton and rolled khaki. “How does it feel?” she asked. He shook his head. “You girls really helped me.” “Can you drive?” Alyona asked. “Yes,” he said. “You’re going where now?” “Home.” “Where’s that?” “Gorizont.” “I’ll take you,” he said. “Get in.” Sophia let go of the door. Alyona looked across the street at the bus stop. A bus would take them more than half an hour, while in a car they’d be home in ten

He is still there, standing a few yards from where I passed him about an hour ago. He has been waiting for me, in the hope that I would return the way I came. He looks up as the bus approaches and his eyes meet mine again, but this time there is not hate, there is almost warmth. He smiles at me and shakes his head a little – Well played – and then he unzips his jacket, hooking his thumbs into its folds so that he can pull it apart and show me what is in there. His jacket is lined with a patchwork of colourful cotton squares, and each of them displays a swastika. They are various different colours and sizes: red, white and black; yellow, black and purple. The man grins up at me: Good work, you got me this time. The bus rolls up the hill and away, but that image will always stay with me, along with the thought of what might have happened if I hadn’t spotted the hate in time.

The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER

When we walk to church on Sunday morning down Broadway,” her mother said, cheeks red in her light brown skin, “you see the dirty men with their shirts all out their pants, drinking the devil’s liquor and stinking to high heaven when good people are going to church. Do you know what they’ve been doing all night?” “No, ma’am.” She did know, because now this discipline had wound its way down the hills away from the music and into a familiar body, and Jennifer was well acquainted with its currents and undertow. She knew all about the good-for-nothing niggers who passed bottles back and forth and were an eyesore. But it seemed best to feign ignorance. “Staying up all night drinking and listening to music like this!” her mother screeched. “Because they are good-for-nothing niggers who don’t care about making a better life for themselves. They want to stay up all night and carry on and pretend that just because they don’t have to pick cotton they have no more duties to attend to. We can’t do anything about good-for-nothing niggers who don’t want to take their place in America, but we can watch ourselves.

Clouds, unrolling like carpets, spreading, trailing wisps and rag-ends, rushed towards a point near mid-heaven, dampening the dayblue sky to a pearl-gray from which the translucence slowly ebbed, as additional layers were healed above, banking, mounting higher, pressing lower, darkening, dining, hazing the outlines of trees and Rocky heights, transforming the lower figures of men and animals into shifting things a quarter of shadow and going for half, while the rains were yet withheld, the mists rolled and rose, dew came afresh to the grasses, windows were filmed and beaded, moisture collected, ran upon, dripped from leaves, sounds came distorted, as though the entire world had been bedded in cotton, birds flew near to the ground in their courses toward the hills, the wings died down and caressed, small animals paused, raised their muzzles, turned them slowly, shook themselves, cocked their heads, then moved was if seeking some hidden Ark, beyond the foothills, in the mist, above the places the searchers combed, and the thunder held its breath, the lightning stayed its stroke, the rain remained unshed, the temperature slipped downward, cloud feel upon cloud and, super drawn from the spectrum, the colors drained out of the world, leaving behind a newsreel frame or the impression of a cave, shadows sliding on it's farther walls, changing, irregular, wet.

The soldiers had been entrenched in their positions for several weeks but there was little, if any fighting, except for the dozen rounds they ritually exchanged every day. The weather was extremely pleasant. The air was heavy with the scent of wildflowers and nature seem to be following its course, quite unmindful of the soldiers hiding behind rocks and camouflaged by mountain shrubbery. The birds sang as they always had and the flowers were in bloom. Bees buzzed about lazily. Only when a shot rang out, the birds got startled and took flight, as if a musician had struck a jarring note on his instrument. It was almost the end of September, neither hot nor cold. It seemed as if summer and winter had made their peace. In the blue skies, cotton clouds floated all day like barges on a lake. The soldiers seemed to be getting tired of this indecisive war where nothing much ever happened. Their positions were quite impregnable. The two hills on which they were placed faced each other and were about the same height, so no one side had an advantage. Down below in the valley, a stream zigzagged furiously on its stony bed like a snake. The air force was not involved in the combat and neither of the adversaries had heavy guns or mortars. At night, they would light huge fires and hear each other's voices echoing through the hills. From The Dog of Titwal, a short story.

I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.

I went for walks across the fields in my cozy, cotton-knit shirt, my worn out jeans, and my cowboy boots. I would stand at the pasture fence and watch the sun set. One day, pink ripples trailed its red ball; then the next it was a yellow bulb shining against gold-dusted clouds. Though it seemed as if heaven was on the other side of the hill, for some reason, the sunset was sad. At night, I would sit in the rocking chair by the fire with a cup of coffee and a book in my hand, a practice I had grown to love over the years. But what was once refreshing was now depressing. And when I stopped to ask myself what was wrong with me to see the world as so dull, dark, and worn-out looking, I remembered.

I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.

The hill, tho’ high, I covet to ascend, The difficulty will not me offend, For I perceive the way to life lies here. Come, pluck up, Heart, let’s neither faint nor fear; Better, tho’ difficult, the right way to go, Than wrong, tho’ easy, where the end is woe.

On Blue Berry Hill I saw the cotton slave picked for me.

Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue

The Second Middle Passage was the central event in the lives of African-American people between the American Revolution and slavery's final demise in December 1865. Whether slaves were themselves marched across the continent or were afraid that they, their families, or their friends would be, the massive deportation traumatized black people, both slave and free. Like some great, inescapable incubus, the colossal transfer cast a shadow over all aspects of black life, leaving no part unaffected. It fueled a series of plantation revolutions - cotton across the immense expanse of the Lower South, sugar in the lower Mississippi Valley, hemp in the upper valley - that created new, powerful slave societies. Although the magnitude of the changes and the vastness of the area effected - from the hills of Appalachia to the Texas plains - encouraged an extraordinary variety of social formations, no corner escaped the experience of the staple-producing plantation. Its presence resonated outside the region, eroding slavery on the seaboard South to such an extent that some portions of the Upper South - most prominently the border slave states of Delaware, Kentucky, Maryland, and Missouri - devolved from slave societies into societies with slaves. Finally, it accelerated the North's evolution from a society with slaves to a free society.

Personal peace and affluence became more important to many than the ideas and ideals that made such aspirations possible in the first place. As Cotton Mather asserted, the Christian faith had brought the colonies prosperity, but “the daughter destroyed the mother—there is a danger, lest the enchantments of this world make them forget their errand into the wilderness: to build a city on a hill, an illumination for all the world.

It was too cool for ice cream. A hill wind was blowing dust and empty Camel wrappers about their ankles. It pushed their dresses into the creases of their behinds, then lifted the hems to peek at their cotton underwear.

Our Skirt (by Kathy Boudin) You were forty-five and I was fourteen when you gave me the skirt. ¨It's from Paris!¨ you said as if that would impress me who at best had mixed feelings about skirts. But I was drawn by that summer cotton with splashes of black and white--like paint dabbed by an eager artist. I borrowed your skirt and it moved like waves as I danced at a ninth grade party. Wearing it date after date including my first dinner with a college man. I never was much for buying new clothes, once I liked something it stayed with me for years. I remember the day I tried ironing your skirt, so wide it seemed to go on and on like a western sky. Then I smelled the burning and, crushed, saw that I had left a red-brown scorch on that painting. But you, Mother, you understood because ironing was not your thing either. And over the years your skirt became my skirt until I left it and other parts of home with you. Now you are eighty and I almost fifty. We sit across from each other in the prison visiting room. Your soft gray-thin hair twirls into style. I follow the lines on your face, paths lit by your eyes until my gaze comes to rest on the black and white on the years that our skirt has endured.

Outside on the balcony, the long curtain flutters in the wind. The sliding door was left open, as it was often done during the hot summer months. Over the fields, the blue ocean. Above, white cotton clouds settled onto the blue sky. Below, the treasures of the world and us in the house above on the hill, looking out into the world in moments of happy times.

No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...

and after a Natchez slave fabricated an improved cotton gin based upon a description by his owner, who had seen Eli Whitney’s invention, many planters

The air was pure and still, and early sunshine sparkled on the heavy dew. In the valley sat cotton candy mist, and the distant hills stood softly, their edges blurred and colors muted by the moist air. Swallows and house martins swooped and dipped, hungry for their breakfasts, catching the first rise of insects of the day. The honeysuckle and roses had not yet warmed to release their scent, so the strongest smell was of wet grass and bracken. Laura smiled, breathing deeply, and walked lightly through the gate into the meadows. She hadn't the courage to head off onto the mountain on her own just yet but could not wait to explore the woods at the end of the fields. By the time she reached the first towering oaks, her feet were washed clean by the dew. She felt wonderfully refreshed and awake. As she wandered among the trees she had the sense of a place where time had stood still. Where man had left only a light footprint. Here were trees older than memory. Trees that had sheltered farmers and walkers for generations. Trees that had been meeting points for lovers and horse dealers. Trees that had provided fuel and food for families and for creatures of the forest with equal grace. As she walked deeper into the woods she noticed the quality of sound around her change. Gone were the open vistas and echoes of the meadows and their mountain backdrop. Here even the tiniest noises were close up, bouncing back off the trunks and branches, kept in by the dense foliage. The colors altered subtly, too. With the trees in full leaf the sunlight was filtered through bright green, giving a curious tinge to the woodland below. White wood anemones were not white at all, but the palest shade of Naples yellow. The silver lichens which grew in abundance bore a hint of olive. Even the miniature violets reflected a suggestion of viridian.

Punctually at Christmas the soft plush Of sentiment snows down, embosoms all The sharp and pointed shapes of venom, shawls The hills and hides the shocking holes of this Uneven world of want and wealth, cushions With cosy wish like cotton-wool the cool Arm's-length interstices of caste and class, And into obese folds subtracts from sight All truculent acts, bleeding the world white.

They could see the hills now; they were almost there—the long lift of the first pine ridge standing across half the horizon and beyond it a sense a feel of others, the mass of them seeming not so much to stand rush abruptly up out of the plateau as to hang suspended over it as his uncle had told him the Scottish highlands did except for this sharpness and color; that was two years ago, maybe three and his uncle had said, 'Which is why the people who chose by preference to live on them on little patches which wouldn't make eight bushels of corn or fifty pounds of lint cotton an acre even if they were not too steep for a mule to pull a plow across (but then they dont want to make the cotton anyway, only the corn and not too much of that because it really doesn't take a great deal of corn to run a still as big as one man and his sons want to fool with) are people named Gowrie and McCallum and Fraser and Ingrum that used to be Ingraham and Workitt that used to be Urquhart only the one that brought it to America and then Mississippi couldn’t spell it either, who love brawling and fear God and believe in Hell——' and it was as though his uncle had read his mind, holding the speedometer needle at fifty-five into the last mile of gravel (already the road was beginning to slant down toward the willow-and-cypress bottom of the Nine-Mile branch) speaking, that is volunteering to speak for the first time since they left town: 'Gowrie and Fraser and Workitt and Ingrum. And in the valleys along the rivers, the broad rich easy land where a man can raise something he can sell openly in daylight, the people named Littlejohn and Greenleaf and Armstead and Millingham and Bookwright——' and stopped, the car dropping on down the slope, increasing speed by its own weight; now he could see the bridge where Aleck Sander had waited for him in the dark and below which Highboy had smelled quicksand. 'We turn off just beyond it,' he said. 'I know,' his uncle said. '—And the ones named Sambo, they live in both, they elect both because they can stand either because they can stand anything.' The bridge was quite near now, the white railing of the entrance yawned rushing at them. 'Not all white people can endure slavery and apparently no man can stand freedom (Which incidentally—the premise that man really wants peace and freedom—is the trouble with our relations with Europe right now, whose people not only dont know what peace is but—except for Anglo Saxons—actively fear and distrust personal liberty; we are hoping without really any hope that our atom bomb will be enough to defend an idea as obsolete as Noah's Ark.); with one mutual instantaneous accord he forces his liberty into the hands of the first demagogue who rises into view: lacking that he himself destroys and obliterates it from his sight and ken and even remembrance with the frantic unanimity of a neighborhood stamping out a grass-fire. But the people named Sambo survived the one and who knows? they may even endure the other.

Chapter 2 “THE UTTER FAILURE OF THE MUNICIPAL GOVERNMENT OF MEMPHIS” The economic success achieved in the 1850s simply could not have been accomplished without the backbreaking labor of enslaved human beings. African American slaves picked the cotton that was shipped through the Bluff City and worked the docks that loaded the white gold onto steamboats. Slaves also constructed railroads and worked in many of the city’s manufacturing concerns. In addition, the buying and selling of slaves was also one of the most lucrative businesses in Memphis. For example, the slave-trading firm owned by city alderman Nathan Bedford Forrest charged between $800 and $1,000 for individual chattel, and in a good year, Forrest and his partner, Byrd Hill, sold more than 1,000 slaves. By 1860 there were 16,953 slaves residing in Shelby County, and the majority of them made their way into Memphis either through the cotton trade or being rented to businesses in the city. Because of Memphis’s dependence on cotton and slaves for its economic growth, the city was often referred to as “the Charleston of the West.” The large numbers of slaves passing through the city made government officials very nervous. As a result, the mayor and board of aldermen passed several ordinances designed to control the number of slaves and free persons of color who resided or worked in Memphis. On March 27, 1850, an omnibus bill was passed that severely restricted the movements of African Americans in Memphis: State laws against slaves, free blacks and mulattoes to be enforced by city marshal. Slaves not allowed to be entertained or permitted to visit or remain on Sabbath in the house of any free person of colour. Large collection of slaves banned, except for public worship conducted in an orderly manner under superintendence of a white person. Unlawful for slaves to remain in corporate limits of city after sun set or any part of the Sabbath, except by permission of owner specifying limit of time. Collection of negroes in tippling houses [saloons and bars] not to be allowed.

Exactly when they pass from the bleak to the fecund isn’t clear. The B road narrows and some oak branches drape the road for a stretch, darkening the interior of the cab. The route then dips, veers west. A turn, a steep ascent later and the outlook changes. Even Gracey is distracted by the carousel of shadow and sunlight upon a wilder earth and upon the windscreen. Not so flat here either. Hills ruffle the skyline and contour the land with smooth undulations. Patches of trees extend into actual woods that you can’t see the far side of from the nearest edge. A buzzard hovers. Then another. Wood pigeons flap for cover beneath them. Tonal shifts emerge. Varieties of cereal crops occult the liverish earth, combed by giants. Odd hay meadows are pebble-dashed with pastel. Hedgerows thicken to spike outwards and suggest internal hoppings and buzzings of minute life. Ancient trees instil repose, austere sentinels drowsing in the corner of fields. Below their muscular branches mooch caramel cows patched with chocolate. Above the vista, the dusty sheets of ashen cloud break apart into cumulus, plump like white cotton. The distinction between back there and here startles Tom. As it did when he came here for the viewings

And apparently no one told Mrs. Hill that we don’t talk about slavery anymore, because she goes on like she’s proud to know her ancestors were picking cotton.

The oblong tower of the church, with its wrought-iron steeple, caught the last reflections of the sun against the hills. This is what a cinematographer would call the golden hour, the glowing time just after the sun sinks below the horizon and before the dark sets in. It's the watercolor skies--- discreet layers of cotton-candy pink, dusky rose, and periwinkle, when the fields are their deepest green, and the wheat has a halo that rises from the surface. We were standing on the medieval ramparts, the walls that once protected this small community from the hostilities of the outside world. Just below us was a field of lavender, the rows tidy and symmetrical. Just behind, a hedge of rosemary bushes. In the distance I could make out the summit of Reillanne, golden city on a hill.

The Larchmont Spring Festival was, as you might expect, an annual affair. There was cotton candy and sno-cones, there were hot dogs and burgers, and the scent of burning onions blended beautifully with Los Angeles’s signature perfume: sunscreen and money.

Silent morning Quiet nature in dim light It is almost peaceless of the chirping of birds Waiting for the sunrise Feeling satisfied with pure breath Busy life- in pursuit of livelihood, running people In the intensity of the wood-burning sun, astray finch Sometimes the advent of north-wester I’m scared The calamitous heartache of the falling Caesalpinia pulcherrima! Listen to get ears Surprisingly I saw the unadulterated green weald Vernal, yellow and crimson colors are the glorious beauty of the unique nature An amazing reflection of Bengal The housewife’s fringe of azure color sari fly in the gentle breeze The cashew forest on the bank of flowing rivers white egret couple peep-bo The kite crookedly flies get lost in the far unknown The footstep of blustery childhood on the zigzag path Standing on a head-high hill touches the fog Beckoning with the hand of the magical horizon The liveliness of a rainy-soaked juvenile Momentary fascinated visibility of Ethnic group’s pineapple, tea, banana and jhum cultivation at the foot of the hill Trailer- shrub, algae and pebble-stone come back to life in the cleanly stream of the fountain Bumble bee is rudderless in the drunken smell of mountain wild flower The heart of the most beloved is touched by pure love In the distant sea water, pearl glow in the sunlight Rarely, the howl of a hungry tiger float in the air from a deep forest The needy fisherman’s ​​hope and aspiration are mortgaged to the infinite sea The waves come rushing on the beach delete the footprint to the beat of the dancing The white cotton cloud is invisible in the bluey The mew flies at impetuous speed to an unknown destination A slice of happy smile at the bend of the wave The western sky covered with the crimson glow of twilight Irritated by the cricket’s endless acrid sound The evening lamp is lit to flickering light of the firefly The red crabs tittup wildly on the beach Steadfast seeing Sunset A beautiful dream Next sunrise.

The rugged, primitive hills sometimes soar to dizzying heights, then stretch downward into low-lying valleys and bottomlands where the cotton, soybeans, and corn have always prospered, and the splendid pines and hardwoods in both the hills and the bottoms lend a fine beauty to the hard earth.

THE WIND KICKED high and hard, ahead of the rain. Lightning slashed over the hills in whips of eerie blue, blinding white. It struck a cotton-wood in the near pasture, cleaving it like an ax. Ozone burned the air like a sorcerer’s potion.

You look beautiful right now. Is that okay for me to say?” The hand of the arm around me cradles the side of my neck. She shifts slightly in my lap. “Do you really mean that?” I nod. “Then it’s okay for you to say.” I wonder how many other complimentary things it would be okay for me to say. We’re so close our noses could touch if we leaned forward slightly. She smells like cotton candy and the vanilla of her hair products. I inch closer slightly. “Halle…” “Henry,” she says quietly in the only way I want to hear her say my name from now on. I cup her cheek and her free hand covers mine. Her eyes look past me. “We have an audience.

Lighten up, Tony, things could be worse; we both could be picking cotton in Arkansas; trust me, I've done it." - Dr. James Carroll Hill, from Manila, Arkansas (as quoted by Dr. Anthony Fauci)

I feel like I just stepped into the middle of cotton candy.” “That’s a funny way to say wow, Halle, you have such an eye for design,