Usher Song Quotes

I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes.

Desmond ushered the man inside. He was stooped and ugly, with an unkempt beard and unwashed clothes, yet Father greeted him pleasantly and asked his name. “Yoren, as it please m’lord. My pardons for the hour.” He bowed to Arya. “And this must be your son. He has your look.” “I’m a girl,” Arya said, exasperated. If the old man was down from the Wall, he must have come by way of Winterfell. “Do you know my brothers?” she asked excitedly. “Robb and Bran are at Winterfell, and Jon’s on the Wall. Jon Snow, he’s in the Night’s Watch too, you must know him, he has a direwolf, a white one with red eyes. Is Jon a ranger yet? I’m Arya Stark.” The old man in his smelly black clothes was looking at her oddly, but Arya could not seem to stop talking. “When you ride back to the Wall, would you bring Jon a letter if I wrote one?” She wished Jon were here right now. He’d believe her about the dungeons and the fat man with the forked beard and the wizard in the steel cap.

The sun will sink lower soon enough, turning the fields into open black space, ushering another day out, another day in--one after the next.

Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this...pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world.

The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point: Let us go then, you and I, When the evening is spread out against the sky Like a patient etherised upon a table... How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition.

Mark my words," she said, eyes on me. "You will sing brigaki djilia by the time this is over. The songs of sorrow. The mulo will come for you, Sam of Wilds. The spirits of the dead will haunt you when this is said and done. You will live only to die alone with just the memories of your failures to usher you through the veil." "Yeah," Kevin said. "You seem like you'd be fun at parties.

I waved away a fly that buzzed in my ear, my hand caked with blood both my own and foreign. I’d always thought death would be some sort of peaceful homecoming—a sweet, sad lullaby to usher me into whatever waited afterward. I crunched down with an armored boot on the flagpole of a Loyalist standard-bearer, smearing red mud across the tusked boar embroidered on its emerald flag. I now wondered if the lullaby of death was not a lovely song, but the droning of flies. If flies and maggots were all Death’s handmaidens.

Sheriff Fox was running his fingers through his thin hair. In a few short years, he’d look bald as a peeled apple. The Snoop sisters and their sidekick, the town’s bag lady no less, had traipsed into his office without knocking first. His admin (he couldn’t remember their names to save his life) had ushered them in, and they’d just dumped this hot potato into his lap.

Years later, in America, I was told that Navajo Indians believed coyotes ushered in the Big Bang of the world with their song, stood on the rim of nothingness, before time, shoved their pointed muzzles in the air, and howled the world into existence at their feet. The Indians called them longdogs. The universe was etched with their howls, sound merging into sound, the beginning of all other songs.

Hunting Song THE dusky night rides down the sky, And ushers in the morn; The hounds all join in glorious cry, The huntsman winds his horn: And a hunting we will go. The wife around her husband throws Her arms, and begs his stay; My dear, it rains, and hails, and snows, You will not hunt to-day. But a hunting we will go. A brushing fox in yonder wood, Secure to find we seek; For why, I carry'd sound and good A cartload there last week. And a hunting we will go. Away he goes, he flies the rout, Their steeds all spur and switch; Some are thrown in, and some thrown out, And some thrown in the ditch: But a hunting we will go. At length is strength to faintness worn, Poor Reynard ceases flight; Then hungry, homeward we return, To feast away the night: Then a drinking we will go.

Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the men broke into a chorus of Aura Lea. “They sure have lousy timing,” Rider commented wryly. “Just how long does this little serenade last?” Seeing a tall figure in a long frock coat coming up the street, Willow replied, “I think it’s about to end very soon now.” Virgil Earp’s face shone in the gaslight in front of the Grand. “All right, boys,” the couple heard him say, “the party’s over.” He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into the saloon. Rider turned from the window, shaking his head. “Now where were we? Ah, yes!” He swooped Willow off her feet and tossed her onto the huge bed. “That’s not where we were.” She laughed. “It’s where we were headed, lady, and that’s good enough for me.” Pulling her up, he pulled the rumbled robe off her shoulders to reveal a floaty silk nightdress of aqua. Though it was entirely modest in design, the soft material hugged her curves enticingly. “Lord, woman, there ought to be a law against sheer nothings like this.” Willow smiled seductively. “Do you like it?” “So much that I’m going to strip it off you right now!” Willow giggled and tried to escape, scrambling across the bed. She was quickly foiled by yards of silk tangling about her legs. Rider wasn’t one to waste opportunities and dived onto the bed on top of her. “Ah-hah. I have you in my power now, my pretty!” he said, catching her hands above her head. Chuckling, Willow wiggled and squirmed beneath him in a halfhearted effort to free herself. She watched fascinated as his eyes flamed with desire. Her voice was breathy and provocative. “Who’s got who, villain? I think I’ve got you.

Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.

Well ‘Bre’r ‘Villec, I guess I’ll ‘put it ‘down, and get some ‘shut eye.” It’s the ‘Wee ‘hours in the ‘Morning. I’ve ‘Just ‘finished ‘Work. I am too ‘tired to ‘raise an ‘eye ‘lid. Tee hee. So I’ll leave this little message with you. “Here goes’. When you ‘Walk—through a ‘Storm— Put your ‘Head—up ‘high— And ‘Don’t be Afraid of the ‘Dark— At the ‘End of a ‘Storm— Is a ‘Gol-den ‘Sky— And a Sweet Silver ‘Song— Of a ‘Lark— ‘Walk—’on—through the ‘Wind— ‘Walk—’on—through the ‘Rain— Though your ‘Dreams be “Tossed and ‘Blown— ‘Walk—’on—’Walk—’on— With ‘Hope in your heart And ‘You’ll ‘Nev-er ‘Walk ‘A-’lone— You’ll ‘Nev-er ‘Walk A-lone— (one more time) ‘Walk—’on—’Walk—’on—with ‘Hope in your ‘heart—And ‘you’ll Nev-er ‘Walk ‘A-lone—’You’ll ‘Nev-er ‘Walk—’A-lone—. “Savvy?

Set foot in his classroom, and you’ll see that he hasn’t quite given up on these dreams. True to his compulsive nature and eclectic taste, he punctuates his courses with entertaining routines to keep his students engaged, playing four songs at the start of each class and tossing candy bars to the first students who shout out the correct answers to music trivia. This is how a poster of a rapper ended up on his wall. “If you want to engage your audience, if you really want to grab their attention, you have to know the world they live in, the music they listen to, the movies they watch,” he explains. “To most of these kids, accounting is like a root canal. But when they hear me quote Usher or Cee Lo Green, they say to themselves, ‘Whoa, did that fat old white-haired guy just say what I thought he said?’ And then you’ve got ’em.

Worship leaders and the songs they sing can’t light a fire in us or usher us into the presence of God; the death and resurrection of Jesus already has.

This,” said Mr. Pickwick, looking around him, “this is, indeed, comfort.” “Our invariable custom,” replied Mr. Wardle. “Everybody sits down with us on Christmas eve, as you see them now—servants and all; and here we wait till the clock strikes twelve, to usher Christmas in, and wile away the time with forfeits and old stories. Trundle, my boy, rake up the fire.” Up flew the bright sparks in myriads as the logs were stirred, and the deep red blaze sent forth a rich glow, that penetrated into the furthest corner of the room, and cast its cheerful tint on every face. “Come,” said Wardle, “a song—a Christmas song.” Charles Dickens The Pickwick Papers

The crickets usher in a softness that smooths the harsh edges of a day now passing. And if their song does not somehow lull us to a softer sleep, then we have become deaf to things that matter in the process of listening to all that does not.

You see the water turned yellow colour when you go for bath---I have been kept in the lowest hole---you have kept me away from my relatives---I do not have the power to go out---will you perform magic for the dead---will the ghosts come out and sing songs of prayer for you---Do the dead feel your mercy inside their grave---is your magic visible only in darkness---will your religion be ever known in this country of oblivion---our flesh do not have health---we do not have peace in our bones---dread has uprooted us---here everybody wipes his face and says---I have not committed any sinful act---

An article the following week charged that one amateur had been cruelly set up for national ridicule. Barely had his song begun when Bowes gave him the gong. The audience roared with laughter: the major smiled, not unkindly. But when the defeated amateur was ushered backstage, he stole a peek at the program log. He had been scheduled for one minute only, confirming his sudden realization that he’d been made a goat. “I knew I couldn’t do my song in just one minute.” The article also repeated the charge that vaudeville professionals were sneaking in, people “willing to work for the major’s ten dollars in order to keep from starving.” Bowes continued to insist that every effort was made to keep professionals out.

She kept her songs, they kept so little space, The covers pleased her: One bleached from lying in a sunny place, One marked in circles by a vase of water, One mended, when a tidy fit had seized her, And coloured, by her daughter - So they had waited, till, in widowhood She found them, looking for something else, and stood Relearning how each frank submissive chord Had ushered in Word after sprawling hyphenated word, And the unfailing sense of being young Spread out like a spring-woken tree, wherein That hidden freshness sung, That certainty of time laid up in store As when she played them first. But, even more, The glare of that much-mentionned brilliance, love, Broke out, to show Its bright incipience sailing above, Still promising to solve, and satisfy, And set unchangeably in order. So To pile them back, to cry, Was hard, without lamely admitting how It had not done so then, and could not now - Love Songs in Age

The Song explains spiritual things for spiritual people (1 Cor. 2:13). And it is enfleshed in man and woman, with all of nature joining in. Then all the other matters fall into place. In Jesus Christ, heaven and earth come together—he leaves his “mother’s house,” the heavenly realm, to cling to his bride and usher her into his inner chambers (Gen. 2:24).