Usher House Quotes

Not hear it? --yes, I hear it, and have heard it. Long --long --long --many minutes, many hours, many days, have I heard it --yet I dared not --oh, pity me, miserable wretch that I am! --I dared not --I dared not speak! We have put her living in the tomb!

His heart is a suspended lute; As soon as you touch it, it resonates.

I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher.

There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasureable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me--upon the mere house, and the simple landscape features of the domain--upon the bleak walls--upon the vacant eye-like windows--upon a few rank sedges--and upon a few white trunks of decayed trees--with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium--the bitter lapse into everyday life--the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart--an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.

They who dream by day are cognizant of many things which escape those who dream only by night. In their grey visions they obtain glimpses of eternity, and thrill, in awaking, to find that they have been upon the verge of the great secret. In snatches, they learn something of the wisdom which i of good, and more of the mere knowledge which is of evil.

My God - it's a green child!" said the American. "What is this place - the House of Usher?

I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.

horrible types, specialists in the One, builders of middle-class castles, and upper-class Usher houses, writers of boring Commencement speeches, creepy otherworldly types, worse than Pope Paul, academics who resembled gray jars, and who would ruin a whole state like Tennessee if put into it; people totally unable to merge into the place where they live -- they could live in a valley for years and never become the valley

There seemed a deep sense of life and joy about all; and although no airs blew from out the Heavens, yet everything had motion through the gentle sweepings to and fro of innumberable butterflies, that might have been mistaken for tullips with wings.

A cadaverousness of complexion; an eye large, liquid and very luminous...finely molded chin, speaking, in its want of prominence, of a want of moral energy.

If I had to spend an hour getting ready every time I went somewhere, I wouldn’t bother leaving the house.

This was the writer's true doppelgänger, I thought; not some invisible imp of the perverse who watched you from the shadows, periodically appearing, dressed in your clothes and carrying your house keys, to set fire to your life; but rather the typical protagonist of your work -- Roderick Usher, Eric Waldensee, Francis Macomber, Dick Diver -- whose narratives at first reflected but in time came to determine your life's very course.

I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect—in terror. In this unnerved, in this pitiable, condition I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR.

Science has its place in man’s search for understanding, but science and the imagination have tended to bifurcate in the modern world; only the true poetic intellect can end this long-established dualism.

...motherhood is not a house you live in but a warren of beautiful rooms, something like Topkapi … some well-trod but magnificent place you’re only allowed to sit in for a minute and snap a photo before you are ushered out.

It was, perhaps, the narrow limits to which he thus confined himself upon the guitar, which gave birth, in great measure, to the fantastic character of his performances.

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens...

Is it sympathy for the sheep you wish to excite? I love a sheep from the bottom of my heart...

That is another of your odd notions,’ said the Prefect, who had a fashion of calling every thing ‘odd’ that was beyond his comprehension, and thus lived amid an absolute legion of ‘oddities.

When a butler or doorman or usher would enter the room, the Trumans would introduce him to whoever happened to be sitting in the room, even if it were a King or a Prime Minister. They introduced all the staff to their visitors—something I’d never seen the Roosevelts do.

What Edith did not yet appreciate was that Wilson was now a man in love, and as White House usher Ike Hoover observed, Wilson was “no mean man in love-making when once the germ has found its resting place.

There is only one invitation it would kill me to refuse, yet I'm tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn't come in an envelope. It's ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It's the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I've seen plenty of people turn down an invitation to fully live. Turning down this invitation comes in lots of flavors. It looks like numbing yourself or distracting yourself or seeing something really beautiful as normal. It can also look like refusing to forgive or not being grateful or getting wrapped around the axle with fear or envy. I think every day God sends us an invitation to live and sometimes we forget to show up or get head-faked into thinking we haven't really been invited. But you see, we have been invited -- every day, all over again

say unbearable; for the sensation was unrelieved with the aid of any of that half of-gratifying, because poetic, sentiment, with which the mind typically gets even the sternest natural photos of the desolate or terrible.

I had arrived at that well-known portion of the story where Ethelred, the hero of the Trist, having sought in vain for peaceable admission into the dwelling of the hermit, proceeds to make good an entrance by force. Here,

During the whole of the dull, dark and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself as the shades of evening drew on, within view of the melancholy House of Usher.

Look beyond that light,' says my father. 'Look hard and you'll see people filing into the theater. You'll see ushers run up and down the aisles; people talk, programs rustle-you'll hear a murmur. When the lights start to dim, the murmur rises, and then, just a moment before the curtain goes up, the noise stops-everyone in the house holds their breath, everyone knows what is going to happen. This is the moment I've always loved most:the anticipation of magic, the expectation of illusion.

Some of my pleasantest hours were during the long rain-storms in the spring or fall, which confined me to the house for the afternoon as well as the forenoon, soothed by their ceaseless roar and pelting; when an early twilight ushered in a long evening in which many thoughts had time to take root and unfold themselves. In those driving northeast rains which tried the village houses so, when the maids stood ready with mop and pail in front entries to keep the deluge out, I sat behind my door in my little house, which was all entry, and thoroughly enjoyed its protection.

I have said that the sole effect of my somewhat childish experiment—that of looking down within the tarn—had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition—for why should I not so term it?—served mainly to accelerate the increase itself. Such, I have long known, is the paradoxical law of all sentiments having terror as a basis.

The strategy worked like a charm, and in 1980 Jimmy Carter was swept away like offal by the “Reagan Revolution,” which ushered in eight years of berserk looting of the federal treasury and the economic crippling of the middle class. That was the eighties, folks. That was the feeding frenzy of the New Rich, who found themselves wallowing in excess profits as their maximum income tax rate got chopped down to 31 percent and who were welcomed like brothers in the White House at all hours of the day or night.

A valet, of stealthy step, thence conducted me, in silence, through many dark and intricate passages in my progress to the studio of his master

[Son] cœur est un luth suspendu; Sitôt qu'on le touche il résonne. —De Béranger

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher.

What was it — I paused to think — what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered.

And before you say anything about Madeline Usher, she wasn’t a ghost. What happened in that house on the edge of the tarn was unspeakably awful, but there was nothing supernatural about it. Nature creates horrors enough all by itself.

JOY CHOSE YOU Joy does not arrive with a fanfare on a red carpet strewn with the flowers of a perfect life joy sneaks in as you pour a cup of coffee watching the sun hit your favourite tree just right and you usher joy away because you are not ready for her your house is not as it should be for such a distinguished guest but joy, you see cares nothing for your messy home or your bank balance or your waistline joy is supposed to slither through the cracks of your imperfect life that’s how joy works you cannot truly invite her you can only be ready when she appears and hug her with meaning because in this very moment joy chose you.

It is the desire of the moth for the star. It is no mere appreciation of the Beauty before us – but a wild effort to reach the Beauty above. Inspired by an ecstatic prescience of the glories beyond the grave, we struggle, by multiform combinations among the things and thoughts of Time, to attain a portion of that Loveliness whose very elements, perhaps, appertain to eternity alone.

Un mare număr de hîrţoage şi de instrumente muzicale zăceau împrăştiate pe jos, fără să izbuteascăînsă a da viaţă decorului. Simţeam că respir o atmosferă încărcată de tristeţe. O jale adîncă, amară şi de nelecuit plutea în aerul acela care învăluia totul şi pătrundea pretutindeni.

As Dougal ushered them into the dining room, he wondered if Sophia's father and her grandfather would both wish to stay at MacFarlane House with them. But as he looked into Sophia's smiling eyes, he realized it didn't matter. So long as she was by his side, life would be a grand adventure. And no man could ask for more.

One intriguing way to enter into the battle between good and evil, life and death, sanity and madness, is in the pages of fiction.

told the head usher. She could not understand why the maids and butlers were so quiet around her. She worried that they didn’t like her. She soon found

a nose of a delicate Hebrew model, but with a breadth of nostril unusual in similar formations; a

Art was, for Poe, the only method by which one could penetrate the shapeless empirical world in the search for order, and

Son cœur est un luth suspendu; Sitôt qu’on le touche il résonne. —DE BÉRANGER.

Dicebant mihi sodales, si sepulchrum amicæ visitarem, curas meas aliquar tulum fore levatas.

The Fall of the House of Usher' is a fair primer on what not to do with children.

Doors are funny things. Some lead to somewhere exciting and wonderful, while others lead to the mundane and ordinary. Some, because they are gaudy and ornate, usher us into the land of greed and money. But many look unassuming and plain, yet hidden behind their simplicity one can find love; warmth; a cozy fire; a home cooked meal and a beautiful family. It's these doors I search for in life and it's these doors that I shall find.

One of my delights in these books, on the other hand, has been to include movies not often cited as “great”—some because they are dismissed as merely popular (Jaws, Raiders of the Lost Ark), some because they are frankly entertainments (Planes, Trains and Automobiles, Rififi), some because they are too obscure (The Fall of the House of Usher, Stroszek). We go to different movies for different reasons, and greatness comes in many forms.

When his secretary ushers Katie into the attorney’s ultramodern office with its high-contrast display of ancient fired-clay horse sculptures from the Sung and T’ang dynasties, the attorney springs up from his chair as might a twenty-year-old.

By 1927, Coolidge worked no more than about four and a half hours a day—“a far lighter schedule than most other presidents, indeed most other people, have followed,” as the political scientist Robert E. Gilbert once observed—and napped much of the rest of the time. “No other President in my time,” recalled the White House usher, “ever slept so much.” When not napping, he often sat with his feet in an open desk drawer (a lifelong habit) and counted cars passing on Pennsylvania Avenue.

The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.

He said nothing. I knew when I saw him that it would be useless to ask anything while he was in that state. It meant that he had seen or heard of something so ugly or frightening that he was paralyzed as a result. He explained when we were smaller that when things were very bad his soul just crawled behind his heart and curled up and went to sleep. When it awoke, the fearful things had gone away. Ever since we read 'The Fall of the House of Usher,' we had made a pact that neither of us would allow the other to be buried without making "absolutely, positively sure" (his favorite phrase) that the person was dead. I also had to swear that when his soul was sleeping I would never try to wake it, for the shock might make it go to sleep forever. So I let him be, and after a while Momma had to let him alone too.

Er is geen twijfel mogelijk dat mijn bewustzijn van de snelle groei van mijn bijgeloof (want waarom zou ik het niet zo noemen?) de groei alleen maar scheen te versnellen. Dat is, zoals ik al lange tijd weet, de paradoxale wet van alle gewaarwordingen die angst als basis hebben.

Poe would certainly have applauded Walter Pater’s assertion that ‘all art continuously aspires to the condition of music’ – to that ideally abstract medium whose components are not distorted by material connotation, and are thus freed to create their own unique, transcendent relationships. It

Madeline lived there with her twin brother, Roderick Usher, who was nothing like the richest man in Europe. Even by Ruravia’s small, rather backward standards, the Ushers were genteelly impoverished. By the standards of the rest of Europe’s nobility, they were as poor as church mice, and the house showed it.

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.

The Restoration began with the prayer of a 14-year-old boy and a vision of the Father and the Son. The dispensation of the fulness of times was ushered in."The Restoration of the gospel brought knowledge of the premortal existence. From the scriptures, we know of the Council in Heaven and the decision to send the sons and daughters of God into mortality to receive a body and to be tested (see D&C 138:56; see also Romans 8:16). We are children of God. We have a spirit body housed, for now, in an earthly tabernacle of flesh. The scriptures say, 'Know ye not that ye are the temple of God, and that the Spirit of God dwelleth in you?' (1 Corinthians 3:16).

He suffered much from a morbid acuteness of the senses; the most insipid food was alone endurable; he could wear only garments of certain texture; the odours of all flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did not inspire him with horror.

And thus, as a closer and still closer intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom.

My visit to Her Highness was an agreeable surprise for me. Instead of being ushered into the presence of an over-decorated woman, sporting diamond pendants and necklaces, I found myself in the presence of a modest young woman who relied not upon jewels or gaudy dress for beauty but on her own naturally well formed features and exactness of manners. Her room was as plainly furnished as she was plainly dressed. Her severe simplicity became an object of my envy. She seemed to me an object lesson for many a prince and many a millionaire whose loud ornamentation, ugly looking diamonds, rings and studs and still more loud and almost vulgar furniture offend the taste and present a terrible and sad contrast between them and the masses from whom they derive their wealth.

I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace - Radiant palace - reared its head. In the monarch Thought's dominion - It stood there ! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow; (This - all this - was in the olden Time long ago) And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute's well-tunéd law, Round about a throne, where sitting (Porphyrogene !) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing, And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch's high estate ; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate !) And, round about his home, the glory That blushed and bloomed Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows, see Vast forms that move fantastically To a discordant melody ; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh - but smile no more.

Y de este modo, a medida que una intimidad cada vez más estrecha me introducía con menor reserva en las profundidades de su espíritu, con mayor amargura yo advertía la inutilidad de toda tentativa para alegrar a un espíritu del cual las tinieblas, como si fueran una cualidad inherente y positiva en él, se derramaban sobre todos los objetos del universo físico y moral, en una irradiación incesante de melancolía

Biden was for the Iraq War before he was against it. And he was the Senate sponsor of the Clinton White House anticrime law that had led to the mass incarceration of young black men. In addition, he’d ushered Clarence Thomas onto the Supreme Court, spent the early part of his career in the Senate trying to end school busing, and represented perhaps the most business-friendly tax haven in the nation, Delaware, for thirty-six years.

Over time, she accepted the fact that the price for this great love was this great fear. Love's unfortunate alter ego. Fear, she came to realize, was utterly enamored with love. Obsessed with it. Vying for its attention, modulating its own particularities to suit love. And love was equally accommodating to fear: creating space, ushering it in, giving it a home, the two of them operating in comparative measure and perfect synchrony; clinging to each other like warm bodies in the night.

a top hat—a deliberate act of rebellion on Ike’s part that shocked the protocol mavens. For their part, the Eisenhowers had refused to enter the White House for a pre-inauguration cup of coffee, choosing instead to wait in the car that would take both the president and president-elect to the ceremony. At least Ike didn’t meet Truman at the Capitol steps, as he’d threatened. But it was a very uncomfortable car ride. “I’m glad I wasn’t in that car,” head White House usher J. B. West said.

Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.

Later he would tell her that their story began at the Royal Hungarian Opera House, the night before he left for Paris on the Western Europe Express. The year was 1937; the month was September, the evening unseasonably cold. His brother had insisted on taking him to the opera as a parting gift. The show was Tosca and their seats were at the top of the house. Not for them the three marble-arched doorways, the façade with its Corinthian columns and heroic entablature. Theirs was a humble side entrance with a red-faced ticket taker, a floor of scuffed wood, walls plastered with crumbling opera posters. Girls in knee-length dresses climbed the stairs arm in arm with young men in threadbare suits; pensioners argued with their white-haired wives as they shuffled up the five narrow flights. At the top, a joyful din: a refreshment salon lined with mirrors and wooden benches, the air hazy with cigarette smoke. A doorway at its far end opened onto the concert hall itself, the great electric-lit cavern of it, with its ceiling fresco of Greek immortals and its gold-scrolled tiers. Andras had never expected to see an opera here, nor would he have if Tibor hadn’t bought the tickets. But it was Tibor’s opinion that residence in Budapest must include at least one evening of Puccini at the Operaház. Now Tibor leaned over the rail to point out Admiral Horthy’s box, empty that night except for an ancient general in a hussar’s jacket. Far below, tuxedoed ushers led men and women to their seats, the men in evening dress, the women’s hair glittering with jewels.

When the system of mass incarceration collapses (and if history is any guide, it will), historians will undoubtedly look back and marvel that such an extraordinarily comprehensive system of racialized social control existed in the United States. How fascinating, they will likely say, that a drug war was waged almost exclusively against poor people of color—people already trapped in ghettos that lacked jobs and decent schools. They were rounded up by the millions, packed away in prisons, and when released, they were stigmatized for life, denied the right to vote, and ushered into a world of discrimination. Legally barred from employment, housing, and welfare benefits—and saddled with thousands of dollars of debt—these people were shamed and condemned for failing to hold together their families. They were chastised for succumbing to depression and anger, and blamed for landing back in prison. Historians will likely wonder how we could describe the new caste system as a system of crime control, when it is difficult to imagine a system better designed to create—rather than prevent—crime.

In 1953, Dwight D. Eisenhower returned from his inaugural parade and entered the White House for the first time as president late in the evening. As he walked into the Executive Mansion, his chief usher handed Eisenhower two letters marked “Confidential and Secret” that had been sent to him earlier in the day. Eisenhower’s reaction was swift: “Never bring me a sealed envelope,” he said firmly. “That’s what I have a staff for.” How snobbish, right? Had the office really gone to his head already? Not at all. Eisenhower recognized the seemingly insignificant event for what it was: a symptom of a disorganized, dysfunctional organization. Not everything needed to run through him. Who was to say that the envelope was even important? Why hadn’t anyone screened it? As president, his first priority in office was organizing the executive branch into a smooth, functioning, and order-driven unit, just like his military units had been—not because he didn’t want to work himself, but because everyone had a job and he trusted and empowered them to do it. As his chief of staff later put it, “The president does the most important things. I do the next most important things.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveller upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime.

To an anomalous species of terror I found him a bounden slave. “I shall perish,” said he, “I must perish in this deplorable folly. Thus, thus, and not otherwise, shall I be lost. I dread the events of the future, not in themselves, but in their results. I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed, no abhorrence of danger, except in its absolute effect—in terror. In this unnerved, in this pitiable, condition I feel that the period will sooner or later arrive when I must abandon life and reason together, in some struggle with the grim phantasm, FEAR.

I. In the greenest of our valleys, By good angels tenanted, Once a fair and stately palace— Radiant palace—reared its head. In the monarch Thought’s dominion— It stood there! Never seraph spread a pinion Over fabric half so fair. II. Banners yellow, glorious, golden, On its roof did float and flow (This—all this—was in the olden Time long ago); THE FALL OF THE HOUSE OF USHER14 And every gentle air that dallied, In that sweet day, Along the ramparts plumed and pallid, A winged odor went away. III. Wanderers in that happy valley Through two luminous windows saw Spirits moving musically To a lute’s well-tunèd law; Round about a throne, where sitting (Porphyrogene!) In state his glory well befitting, The ruler of the realm was seen. IV. And all with pearl and ruby glowing Was the fair palace door, Through which came flowing, flowing, flowing And sparkling evermore, A troop of Echoes whose sweet duty Was but to sing, In voices of surpassing beauty, The wit and wisdom of their king. V. But evil things, in robes of sorrow, Assailed the monarch’s high estate; (Ah, let us mourn, for never morrow Shall dawn upon him, desolate!) And, round about his home, the glory That blushed and bloomed EDGAR ALLAN POE 15 Is but a dim-remembered story Of the old time entombed. VI. And travellers now within that valley, Through the red-litten windows see Vast forms that move fantastically To a discordant melody; While, like a rapid ghastly river, Through the pale door, A hideous throng rush out forever, And laugh—but smile no more.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter desperation of soul which I can compare to no earthly sensation more properly than to the afterdream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

In his rapid rise, talent, opportunity, and fortune converged improbably—to many, it seemed, providentially. Patton—who earlier in the year had told Eisenhower, “You are my oldest friend”—privately claimed the initials “D.D.” stood for “Divine Destiny.” Thirty months earlier, Eisenhower had been a lieutenant colonel who had never commanded even a platoon in combat. Young Ike, the third son of a failed Midwestern merchant turned creamery worker, had chosen a military career because West Point provided a free education. After an indifferent cadetship he embarked on an ordinary career as a staff officer, stalled at the middling rank of major for sixteen years. Even his first venture into the rarefied circles he would inhabit for two decades was inauspicious: the White House usher’s log for February 9, 1942, recorded the initial visit to the Oval Office of one “P. D. Eisenhauer.

Taki As a prolific author and journalist, Taki has written for many top-rated publications, including the Spectator, the London Sunday Times, Vanity Fair, National Review, and many others. Greek-born and American-educated, Taki is a well-known international personality and a respected social critic all over the world. In June 1987, I was an usher at the wedding of Harry Somerset, Marquis of Worcester, to Tracy Ward. The wedding and ensuing ball took place in the grand Ward country house, attended by a large portion of British society, including the Prince and Princess of Wales. Late in the evening, while I was in my cups, a friend, Nicky Haslam, grabbed my arm and introduced me to Diana, who was coming off the dance floor. We exchanged pleasantries, me slurring my words to the extent that she suddenly took my hand, looked at me straight in the face, and articulated, “T-a-k-e y-o-u-r t-i-m-e.” She mistook my drunken state for a severe speech impediment and went into her queen-of-hearts routine. Nicky, of course, ruined it all by pulling her away and saying, “Oh, let him be, ma’am; he’s drunk as usual.

The programme was due at any moment and I felt a bit self-conscious about barging in on some innocent family at sacred tea time. I need not have feared. A young man of about thirty opened the door to me and I asked, 'Do you watch Doctor Who in this house by any chance?' For a split second the young man looked puzzled and then he smiled, opened the door wide, and simply said 'Come in, Doctor.' And in I went. As he ushered me into the sitting room, I heard the title music and I quietly sat in the chair the man pointed to. As I took my seat, he pointed towards two little boys sitting on the sofa, eyes glued to the screen as I appeared. They watched with terrific intensity as a bit of drama unrolled and then, as someone else took up the plot, they lost interest slightly and glanced up at their dad and then at me. Just as they did so, I reappeared on the screen and they looked at me there. Their amazement was simply amazing! They were utterly gobsmacked as the two images jostled in their heads. They could not grasp how I could be in two paces at once and then, to the delight of their dad, they couldn't believe Doctor Who was in their house. What a wonderful hour or so that was.

Can't sleep so you put on his grey boots -- nothing else -- & step inside the rain. Even though he's gone, you think, I still want to be clean. If only the rain were gasoline, your tongue a lit match, & you can change without disappearing. If only he dies the second his name becomes a tooth in your mouth. But he doesn't. He dies when they wheel him away & the priest ushers you out the room, your palms two puddles of rain. He dies as your heart beats faster, as another war coppers the sky. He dies each night you close your eyes & hear his slow exhale. Your fist choking the dark. Your fist through the bathroom mirror. He dies at the party where everyone laughs & all you want is to go into the kitchen & make seven omelets before burning down the house. All you want is to run into the woods & beg the wolf to fuck you up. He dies when you wake & it's November forever. A Hendrix record melted on a rusted needle. He dies the morning he kisses you for two minutes too long, when he says Wait followed by I have something to say & you quickly grab your favorite pink pillow & smother him as he cries into the soft & darkening fabric. You hold still until he's very quiet, until the walls dissolve & you're both standing in the crowded train again. Look how it rocks you back & forth like a slow dance seen from the distance of years. You're still a freshman. You're still but he smiles anyway. His teeth reflected in the window reflecting your lips as you mouth Hello -- your tongue a lit match.

I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter desperation of soul which I can compare to no earthly sensation more properly than to the afterdream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.

Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

THIS IS MY ABC BOOK of people God loves. We’ll start with . . .           A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists.           B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group.           C: God loves Crystal meth junkies,           D: Drag queens,           E: and Elvis impersonators.           F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!”           G: God loves Greedy Guatemalan Gynecologists.           H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between.           I: God loves IRS auditors.           J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape).           K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.)           L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga.           M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus.           N: God loves Ninjas, Nudists, and Nose pickers,           O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers,           P: Pimps, Pornographers, and Pedophiles,           Q: the Queen of England, the members of the band Queen, and Queen Latifah.           R: God loves the people of Rwanda and the Rebels who committed genocide against them.           S: God loves Strippers in Stilettos working on the Strip in Sin City;           T: it’s not unusual that God loves Tom Jones.           U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher.           V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas.           W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers.           X: God loves X-ray technicians.           Y: God loves You.           Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.

ask the President and then tell the usher how many there will be. In the winter months,

The early days of Inner Sanctum gave a generous mix of classics and original stories. Boris Karloff was a regular, appearing in, among others, the Poe classics The Telltale Heart and The Fall of the House of Usher. Peter Lorre was heard in The Horla, by Maupassant, and George Coulouris, Paul Lukas, and Claude Rains were also starred performers. But Karloff propelled it: fueled by his film portrayals of Frankenstein’s monster, he appeared more than 15 times in 1941–42. While the network was under pressure from parents’ groups to curtail graphic violence, Karloff wanted even more gore. His public expected it, he argued.

Research from Brunel University shows that chess students who trained with coaches increased on average 168 points in their national ratings versus those who didn’t. Though long hours of deliberate practice are unavoidable in the cognitively complex arena of chess, the presence of a coach for mentorship gives players a clear advantage. Chess prodigy Joshua Waitzkin (the subject of the film Searching for Bobby Fischer) for example, accelerated his career when national chess master Bruce Pandolfini discovered him playing chess in Washington Square Park in New York as a boy. Pandolfini coached young Waitzkin one on one, and the boy won a slew of chess championships, setting a world record at an implausibly young age. Business research backs this up, too. Analysis shows that entrepreneurs who have mentors end up raising seven times as much capital for their businesses, and experience 3.5 times faster growth than those without mentors. And in fact, of the companies surveyed, few managed to scale a profitable business model without a mentor’s aid. Even Steve Jobs, the famously visionary and dictatorial founder of Apple, relied on mentors, such as former football coach and Intuit CEO Bill Campbell, to keep himself sharp. SO, DATA INDICATES THAT those who train with successful people who’ve “been there” tend to achieve success faster. The winning formula, it seems, is to seek out the world’s best and convince them to coach us. Except there’s one small wrinkle. That’s not quite true. We just held up Justin Bieber as an example of great, rapid-mentorship success. But since his rapid rise, he’s gotten into an increasing amount of trouble. Fights. DUIs. Resisting arrest. Drugs. At least one story about egging someone’s house. It appears that Bieber started unraveling nearly as quickly as he rocketed to Billboard number one. OK, first of all, Bieber’s young. He’s acting like the rock star he is. But his mentor, Usher, also got to Billboard number one at age 18, and he managed to dominate pop music for a decade without DUIs or egg-vandalism incidents. Could it be that Bieber missed something in the mentorship process? History, it turns out, is full of people who’ve been lucky enough to have amazing mentors and have stumbled anyway.

You name the moment, man, and I shall usher all from the house so you may enjoy your wife, as I can plainly see you wish to.” “Is such a thing so terrible?” Nathaniel chuckled. “All in good time.” Thomas took a sip. “I am very pleased.” “Pleased?” “Aye.” Thomas smirked. “’Tis no secret, I’m sure. You must know Eliza and I have always wished the two of you would marry.” “Did you?” Nathaniel tried to jest, but all humor remained subdued under the peaceful serenity of the moment. “Then I suppose I ought to thank you and your wife for hoping such, for I can assure you this union is more joyful than I could ever have imagined.”  Thomas cupped his arm. “And may your joy be ever constant, my friend.

If you stay in your place they’ll leave you alone—and did our best not to offend. Still, they gave us a hard time. Their men slapped our husbands on the back and shouted out, “So solly!” as they knocked off our husbands’ hats. Their children threw stones at us. Their waiters always served us last. Their ushers led us upstairs, to the second balconies of their theaters, and seated us in the worst seats in the house. Nigger heaven, they called it. Their barbers refused to cut our hair. Too coarse for our scissors.

I’d never believed musicians should be paid by the church. Their roles are vital, but so are the ushers and nurses who keep a watchful eye on the sanctuary during service, being sure all comfort needs are met. And other roles that kept the house of God functioning,

The Song explains spiritual things for spiritual people (1 Cor. 2:13). And it is enfleshed in man and woman, with all of nature joining in. Then all the other matters fall into place. In Jesus Christ, heaven and earth come together—he leaves his “mother’s house,” the heavenly realm, to cling to his bride and usher her into his inner chambers (Gen. 2:24).

The GIF butts in her House, smell like Angola.

And yet the bawling voice, the black gown, the tramp of feet on the stone, the mace and the dingy felt hats somehow suggest, better than scarlet and trumpets, that the Commons are taking their seats in their own House to proceed with the business of governing their own country. Vague though our history may be, we somehow feel that we common people won this right centuries ago, and have held it for centuries past, and the mace is our mace and the Speaker is our speaker and we have no need of trumpeters and gold and scarlet to usher our representative into our own House of Commons.

Two hours I’ve been searching for you boys. Having fun?” The captain was irked, but that didn’t forestall Galen. “Yes, sir,” he declared, with an impudent grin. Cannan almost rolled his eyes, then he dropped his volume. “The manor house, half an hour. Understood?” Steldor and Galen nodded, then Cannan’s eyes fell on me. “Shaselle, you should go back to the faire,” he decreed, a warning underlying his tone. I knew I should obey, and I certainly knew Cannan wasn’t likely to give me permission to remain with Steldor and Galen. Still, something was up, and I wanted to be a part of it. I stayed put, peering sheepishly up at him. “Shaselle,” he prompted. “I’d like to come,” I murmured, fearful of his reaction. “I’ll stay out of the way and won’t cause any trouble.” The captain crossed his arms. “No, there is too much at risk.” “Uncle, please! I may be able to help. Perhaps messages need to be delivered. You might all be under surveillance, but no one would be watching me.” “She already knows where we’re meeting,” Steldor pointed out, an argument that had not yet come to me. “So there’s not much point in trying to keep her away,” Galen finished, looking at me with understanding in his eyes. He had heard my confession about Saadi and probably wanted to show that he still trusted me. Cannan glared at his son by blood and his son by familiarity and responsibility. To my astonishment, he relented. “She can come, but one of you takes her when we split up. I don’t want her getting lost.” I bounced on the balls of my feet, exhilarated by the captain’s decision, then froze when his stern eyes fell on me. He did not see this as cause for celebration. “Half an hour,” he grumbled in reminder, walking away. I went with Steldor, and we surreptitiously departed the festival grounds, heading up the hillside and stopping a few times to talk with folks. I worried we would be late, but my cousin was not bothered. “Trust me, stealth is much more important here than punctuality,” he told me with a smirk. When the crowd began to thin, my heartbeat calmed, for we were making better progress. We passed through the Market District only to be slowed once more when we reached the thoroughfare. “We are late by now,” I harassed. “My father will either assume we’re dead or that I’m up to my usual tricks. If I’m not worried, you shouldn’t be.” His eyes glinted wickedly, suggesting he enjoyed needling his father, perhaps even to the same extent he enjoyed his popularity. I shrugged, keeping my silence the rest of the trek to Cannan’s manor house, where Steldor had grown up. He rapped four times on the door and we were ushered inside by Galen, who locked the door before heading through the kitchen and down a flight of stairs into a cellar. Only a single torch was lit in the small, clammy space, making it difficult to distinguish the faces of the men who had gathered. “Delayed?” Cannan asked with a touch of sarcasm. “Come now, Father. I had baggage,” Steldor shot back, and I shoved him, not appreciating his gibe.

Linda told me all about the party. She's having boys!" Meg stared. "At a slumber party? You're making that up!" "Of course not at the slumber party, silly." Gracie giggled. "She's having a boy-girl party first, and then some of us--her best friends--will stay for the slumber party. Wait'll you see her house!" "What's it like?" Meg was trying to ignore the steady chorus of "who-cares" pounding through her brain.

There is only one invitation it would kill me to refuse, yet I’m tempted to turn it down all the time. I get the invitation every morning when I wake up to actually live a life of complete engagement, a life of whimsy, a life where love does. It doesn’t come in an envelope. It’s ushered in by a sunrise, the sound of a bird, or the smell of coffee drifting lazily from the kitchen. It’s the invitation to actually live, to fully participate in this amazing life for one more day. Nobody turns down an invitation to the White House, but I’ve seen plenty of people turn down an invitation to fully live. Turning

Chapter Four   Mitch   The following day, I arrive at Paige’s house shortly before eleven in the morning. When Mrs. Nichols answers the door and ushers me in, she’s all big smiles and warm greetings. It’s obvious she still doesn’t know I knocked up her only daughter. As

She would berate anyone, whether her personal attaché, lawyer, brand management people, all the way to regular White House Residence Staff and ushers or security like me.

Why won’t you give up this silly idea of homesteading?” Gertrude went on. Her tone of voice was moderate, but her blue eyes were snapping. “I can’t help thinking you’re just being stubborn, Lily. Caleb is well able to provide for you, I assure you. He comes from one of the finest families in Pennsylvania—I’ve known the Hallidays a long time.” Lily looked down at the floor for a moment, gathering her courage. “You wouldn’t understand,” she said softly. Gertrude sighed. “Do sit down,” she told Lily kindly, taking a chair herself. “Now what is it that I would find so difficult to understand?” “I love Caleb very much,” Lily began in a shaky voice, “but I’m not the woman for him.” Mrs. Tibbet raised her eyebrows. “Oh? And why not?” Lily leaned forward in her chair and lowered her voice to a whisper. “I think I may be like my mother.” “How so?” Mrs. Tibbet asked, smoothing her skirts. “She was—she drank. And there were men. Lots of men.” “Oh, dear,” said Mrs. Tibbet seriously. “And you drink?” Lily swallowed. “Well—no.” “Then there are men.” “Only Caleb,” Lily said quietly. “But he can make me do and say the most shameful things. I’m so afraid it’s because I’m—er—hot-blooded.” Mrs. Tibbet looked as though she might be trying to suppress a smile. “You wouldn’t be the first girl who’d given herself to a man before marriage, Lily. It isn’t a wise course of action, but it happens often enough.” Lily drew in a deep breath. “I suppose the drinking would come later,” she said, discounting Mrs. Tibbet’s remarks as mere kindness. “And then the men. No, I’m sure I’m better off going on with my life just as I’ve planned.” There was a rap at the door, and then Velvet put her head inside. “Pardon, missus, but dinner’s ready, and the men say they’re going to eat without you if you don’t hurry.” “We’ll be there in a moment,” Mrs. Tibbet answered. “And tell the men that if they don’t wait, they’ll have me to deal with.” “Yes, ma’am,” Velvet replied with a hint of laughter in her voice. The door closed with a click. Mrs. Tibbet turned back to her guest. “If you were my own daughter, Lily, I would tell you the same thing. You couldn’t do better than Caleb Halliday if you searched the world over for a man. Don’t throw away a chance at real happiness—it might be the only one you get.” Lily pushed herself out of her chair and went to stand at the window. From there she could see the moon rising above the roof of the house next door; it looked as though it had just squeezed out of the chimney. “Sometimes I think I know what I want. I’ll decide that I want to marry Caleb and forget all about having a homestead. But then I remember what Mama was like.” “Lily, you’re not your mother.” “No,” Lily agreed sadly, turning to face Mrs. Tibbet, her hands clasped in front of her. “But Mama was young and happy once, and she must have thought she was in love with my father. She married him, she had his children. And then something changed, and she began to drink. Papa went away—I don’t even remember him—and the men started coming around, one after the other …” Gertrude came to take Lily’s hands in her own. “Things will be different for you,” she said quietly. “You’re strong, and so is Caleb. Oh, Lily, don’t be afraid to take a chance.” At that moment the colonel thundered from the hallway that he was going to have his supper right then whether the women cared to come to the table or not, and Lily smiled. “I promise I’ll think things through very carefully, Mrs. Tibbet.” “Don’t take too long,” Gertrude answered, ushering her toward the door of the study. “Fate can take the strangest twists and turns, sealing us off from someone when we least expect it.” At

Taki As a prolific author and journalist, Taki has written for many top-rated publications, including the Spectator, the London Sunday Times, Vanity Fair, National Review, and many others. Greek-born and American-educated, Taki is a well-known international personality and a respected social critic all over the world. In June 1987, I was an usher at the wedding of Harry Somerset, Marquis of Worcester, to Tracy Ward. The wedding and ensuing ball took place in the grand Ward country house, attended by a large portion of British society, including the Prince and Princess of Wales. Late in the evening, while I was in my cups, a friend, Nicky Haslam, grabbed my arm and introduced me to Diana, who was coming off the dance floor. We exchanged pleasantries, me slurring my words to the extent that she suddenly took my hand, looked at me straight in the face, and articulated, “T-a-k-e y-o-u-r t-i-m-e.” She mistook my drunken state for a severe speech impediment and went into her queen-of-hearts routine. Nicky, of course, ruined it all by pulling her away and saying, “Oh, let him be, ma’am; he’s drunk as usual.” We occasionally met after that and always had a laugh about it. But we never got further than that rather pathetic incident. In 1994, I began writing the “Atticus” column for the Sunday Times, the bestselling Sunday broadsheet in Britain. By this time Diana and Charles had separated, and Diana had gone on the offensive against what was perceived by her to be Buckingham Palace plotting. As a confirmed monarchist, I warned in one of my columns that her popularity was enough to one day bring down the monarchy. I also wrote that she was bonkers. One month or so later, at a ball given in London by Sir James Goldsmith and his daughter Jemima Khan, a mutual friend approached me and told me that Princess Diana would like to speak with me. As luck would have it, yet again I was under the weather. When I reached her table, she pulled out a seat for me and asked me to sit down. The trouble was that I missed the chair and ended up under the table. Diana screamed with laughter, pulled up the tablecloth, looked underneath, and asked me pointblank: “Do you really think I’m mad?” For once I had the right answer. “All I know is I’m mad about you.” It was the start of a beautiful friendship, as Bogie said in Casablanca.

Liberty is a revolving door, which explains the reality of downward mobility. The door ushers some in while it escorts others out into the cold. It certainly allows for, even encourages, exploitation. Through a process of rationalization, people have long tended to blame failure on the personal flaws of individuals—this has been the convenient refrain of Republicans in Congress in the second decade of the twenty-first century, when former Speaker of the House John Boehner publicly equated joblessness with personal laziness.

dear laurence, thankyou for your gorgeous and charming letter, you brighten up my dim life. i read the whole fucking thing, dear. of course, i'd love to see you in your black dress and your white socks too. but most of all i want to see you take a deep breath and do whatever you must to survive and find something to be that you can love. you're obviously a bright fucking chick, w/ a big heart too and i want to wish you a (belated) HAPPY HAPPY HAPPY 21st b'day and happy spirit. i was very miserable and fighting hard on my 21st b'day, too. people booed me on the stage, and i was staying in someone else's house and i was scared. it's been a long road since then, but pressure never ends in this life. 'perforation problems' by the way means to me also the holes that will always exist in any story we try to make of our lives. so hang on, my love, and grow big and strong and take your hits and keep going. all my love to a really beautiful girl. that's you laurence. iggy pop

They hurried away, Westley’s hand on her elbow as he ushered her away from the house. “As I was saying.” Westley cleared his throat. They were walking across the grassy area in front of the castle, headed back to the road that would take them to the meadow and the festival. “Yes?” “Would you ever consider marrying me, a man without a title, if it meant defying the king?” “Yes. I would consider it.” Did he say what she thought he said? It was not exactly a proposal of marriage, but very nearly. Her insides seemed to go numb at the thought of being so close to her greatest wish coming true. They stared into each other’s eyes.