Usha Vance Quotes

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There was no Mamaw to comfort me. But there were my two dogs on the floor, and there was the love of my life lying in bed. Tomorrow I would go to work, take the dogs to the park, buy groceries with Usha, and make a nice dinner. It was everything I ever wanted. So I patted Casper's head and went back to sleep
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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tried to go to a counselor, but it was just too weird. Talking to some stranger about my feelings made me want to vomit. I did go to the library, and I learned that behavior I considered commonplace was the subject of pretty intense academic study. Psychologists call the everyday occurrences of my and Lindsay’s life “adverse childhood experiences,” or ACEs. ACEs are traumatic childhood events, and their consequences reach far into adulthood. The trauma need not be physical. The following events or feelings are some of the most common ACEs: •​being sworn at, insulted, or humiliated by parents •​being pushed, grabbed, or having something thrown at you •​feeling that your family didn’t support each other •​having parents who were separated or divorced •​living with an alcoholic or a drug user •​living with someone who was depressed or attempted suicide •​watching a loved one be physically abused. ACEs happen everywhere, in every community. But studies have shown that ACEs are far more common in my corner of the demographic world. A report by the Wisconsin Children’s Trust Fund showed that among those with a college degree or more (the non–working class), fewer than half had experienced an ACE. Among the working class, well over half had at least one ACE, while about 40 percent had multiple ACEs. This is really striking—four in every ten working-class people had faced multiple instances of childhood trauma. For the non–working class, that number was 29 percent. I gave a quiz to Aunt Wee, Uncle Dan, Lindsay, and Usha that psychologists use to measure the number of ACEs a person has faced. Aunt Wee scored a seven—higher even than Lindsay and me, who each scored a six. Dan and Usha—the two people whose families seemed nice to the point of oddity—each scored a zero. The weird people were the ones who hadn’t faced any childhood trauma. Children with multiple ACEs are more likely to struggle with anxiety and depression, to suffer from heart disease and obesity, and to contract certain types of cancers. They’re also more likely to underperform in school and suffer from relationship instability as adults. Even excessive shouting can damage a kid’s sense of security and contribute to mental health and behavioral issues down the road. Harvard pediatricians have studied the effect that childhood trauma has on the mind. In addition to later negative
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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A couple of years ago, I was driving in Cincinnati with Usha, when somebody cut me off. I honked, the guy flipped me off, and when we stopped at a red light (with this guy in front of me), I unbuckled my seat belt and opened the car door. I planned to demand an apology (and fight the guy if necessary), but my common sense prevailed and I shut the door before I got out of the car. Usha was delighted that I’d changed my mind before she yelled at me to stop acting like a lunatic (which has happened in the past), and she told me that she was proud of me for resisting my natural instinct. The other driver’s sin was to insult my honor, and it was on that honor that nearly every element of my happiness depended as a child—it kept the school bully from messing with me, connected me to my mother when some man or his children insulted her (even if I agreed with the substance of the insult), and gave me something, however small, over which I exercised complete control. For the first eighteen or so years of my life, standing down would have earned me a verbal lashing as a “pussy” or a “wimp” or a “girl.” The objectively correct course of action was something that the majority of my life had taught me was repulsive to an upstanding young man. For a few hours after I did the right thing, I silently criticized myself. But that’s progress, right? Better that than sitting in a jail cell for teaching that asshole a lesson about defensive driving.
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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During that second year of law school, Usha and I traveled to D.C. for follow-up interviews with a few law firms. I returned to our hotel room, dejected that I had just performed poorly with one of the firms I really wanted to work for. When Usha tried to comfort me, to tell me that I’d probably done better than I expected, but that even if I hadn’t, there were other fish in the sea, I exploded. “Don’t tell me that I did fine,” I yelled. “You’re just making an excuse for weakness. I didn’t get here by making excuses for failure.” I stormed out of the room and spent the next couple of hours on the streets of D.C.’s business district. I thought about that time Mom took me and our toy poodle to Middletown’s Comfort Inn after a screaming match with Bob. We stayed there for a couple of days, until Mamaw convinced Mom that she had to return home and face her problems like an adult. And I thought about Mom during her childhood, running out the back door with her mother and sister to avoid another night of terror with her alcoholic father. I was a third-generation escaper. I was near Ford’s Theatre, the historic location where John Wilkes Booth shot Abraham Lincoln. About half a block from the theater is a corner store that sells Lincoln memorabilia. In it, a large Lincoln blow-up doll with an extraordinarily large grin gazes at those walking by. I felt like this inflatable Lincoln was mocking me. Why the hell is he smiling? I thought. Lincoln was melancholy to begin with, and if any place invoked a smile, surely it wouldn’t be a stone’s throw away from the place where someone shot him in the head. I turned the corner, and after a few steps I saw Usha sitting on the steps of Ford’s Theatre. She had run after me, worried about me being alone. I realized then that I had a problem—that I must confront whatever it was that had, for generations, caused those in my family to hurt those whom they loved. I apologized profusely to Usha. I expected her to tell me to go fuck myself, that it would take days to make up for what I’d done, that I was a terrible person. A sincere apology is a surrender, and when someone surrenders, you go in for the kill. But Usha wasn’t interested in that. She calmly told me through her tears that it was never acceptable to run away, that she was worried, and that I had to learn how to talk to her. And then she gave me a hug and told me that she accepted my apology and was glad I was okay. That was the end of it. Usha hadn’t learned how to fight in the hillbilly school of hard knocks.
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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A couple of years ago, I was driving in Cincinnati with Usha, when somebody cut me off. I honked, the guy flipped me off, and when we stopped at a red light (with this guy in front of me), I unbuckled my seat belt and opened the car door. I planned to demand an apology (and fight the guy if necessary), but my common sense prevailed and I shut the door before I got out of the car. Usha was delighted that I’d changed my mind before she yelled at me to stop acting like a lunatic (which has happened in the past), and she told me that she was proud of me for resisting my natural instinct. The other driver’s sin was to insult my honor, and it was on that honor that nearly every element of my happiness depended as a child—it kept the school bully
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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A sincere apology is a surrender, and when someone surrenders, you go in for the kill. But Usha wasn't interested in that. She calmly told me through her tears that it was never acceptable to run away, that she was worried, and that I had to learn how to talk to her. And then she gave me a hug and told me that she accepted my apology and was glad I was okay. That was the end of it.
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)