Useless Objects Quotes

O Me! O life!... of the questions of these recurring; Of the endless trains of the faithless—of cities fill’d with the foolish; Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light—of the objects mean—of the struggle ever renew’d; Of the poor results of all—of the plodding and sordid crowds I see around me; Of the empty and useless years of the rest—with the rest me intertwined; The question, O me! so sad, recurring—What good amid these, O me, O life? Answer. That you are here—that life exists, and identity; That the powerful play goes on, and you will contribute a verse.

So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take a pleasure in solid objects and scraps of useless information.

I own a well-used library card and not much else, though it is true I live in a grand house full of expensive, useless objects.

Of all the priceless objects left behind, this is what we rescue. These artifacts. Memory cues. Useless souvenirs. Nothing you could auction. The scars left from happiness.

On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox... Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.

Kipple is useless objects, like junk mail or match folders after you use the last match or gum wrappers or yesterday's homeopape. When nobody's around, kipple reproduces itself. For instance, if you go to bed leaving any kipple around your apartment, when you wake up the next morning there's twice as much of it. It always gets more and more." "I see." The girl regarded him uncertainly, not knowing whether to believe him. Not sure if he meant it seriously. "There's the First Law of Kipple," he said. "'Kipple drives out nonkipple.' Like Gresham's law about bad money. And in these apartments there's been nobody here to fight the kipple." "So it has taken over completely," the girl finished. She nodded. "Now I understand." "Your place, here," he said, "this apartment you've picked--it's too kipple-ized to live in. We can roll the kipple-factor back; we can do like I said, raid the other apts. But--" He broke off. "But what?" Isidore said, "We can't win." "Why not?" [...] "No one can win against kipple," he said, "except temporarily and maybe in one spot, like in my apartment I've sort of created a stasis between the pressure of kipple and nonkipple, for the time being. But eventually I'll die or go away, and then the kipple will again take over. It's a universal principle operating throughout the universe; the entire universe is moving toward a final state of total, absolute kippleization.

A Pause of Thought I looked for that which is not, nor can be, And hope deferred made my heart sick in truth But years must pass before a hope of youth Is resigned utterly. I watched and waited with a steadfast will: And though the object seemed to flee away That I so longed for, ever day by day I watched and waited still. Sometimes I said: This thing shall be no more; My expectation wearies and shall cease; I will resign it now and be at peace: Yet never gave it o'er. Sometimes I said: It is an empty name I long for; to a name why should I give The peace of all the days I have to live?-- Yet gave it all the same. Alas, thou foolish one! alike unfit For healthy joy and salutary pain: Thou knowest the chase useless, and again Turnest to follow it.

For example, the supporters of tariffs treat it as self-evident that the creation of jobs is a desirable end, in and of itself, regardless of what the persons employed do. That is clearly wrong. If all we want are jobs, we can create any number--for example, have people dig holes and then fill them up again, or perform other useless tasks. Work is sometimes its own reward. Mostly, however, it is the price we pay to get the things we want. Our real objective is not just jobs but productive jobs--jobs that will mean more goods and services to consume.

He walked around all the useless things in the courtyard and touched them with his hands; for some reason, he wished that these would remember him, and love him. But he didn't believe they would. From childhood memories he knew how strange and sad it is after a long absence to see a familiar place again, for these unmoving objects have no memory and do not recognize the stirrings of a stranger's heart.

The physical as a symbol of the spiritual world. The people who keep old rags, old useless objects, who hoard, accumulate: are they also keepers and hoarders of old ideas, useless information, lovers of the past only, even in its form of detritus?…I have the opposite obsession. In order to change skins, evolve into new cycles, I feel one has to learn to discard. If one changes internally, one should not continue to live with the same objects. They reflect one’s mind and psyche of yesterday. I throw away what has no dynamic, living use. I keep nothing to remind me of the passage of time, deterioration, loss, shriveling.

We have now become so fragile that anything and anyone can disturb our mental peace. A huge part of our life gets lost in chasing useless objects and fighting pointless battles. It's time to slow down and reflect.

The reassuring smile was now useless. I was plastic. Everything was veiled. Objectivity, facts, hard information--these were things only in the outline stage. There was nothing tying anything together yet, so the mind built up a defense, and the evidence was restructured, and that was what I tried to do on that morning--to restructure the evidence so it made sense--and that is what I failed at.

Every industrious man, in every lawful calling, is a useful man. And one principal reason why men are so often useless is that they neglect their own profession or calling, and divide and shift their attention among a multiplicity of objects and pursuits.

A goal is a specific objective that you either achieve or don't sometime in the future. A system is something you do on a regular basis that increases your odds of happiness in the long run. If you do something every day, its a system. If you're waiting to achieve it someday in the future, it's a goal. If you achieve your goal, you celebrate and feel terrific, but only until you realize you just lost the thing that gave you purpose and direction. Your options are to feel empty and useless, perhaps enjoying the spoils of your success until they bore you, or set new goals and reenter the cycle of permanent presuccess failure. All I'm suggesting is that thinking of goals and systems as very different concepts has power. Goal-oriented people exist in a state of continuous presuccess failure at best, and permanent failure at worst if things never work out. Systems people succeed every time they apply their systems, in the sense that they did what they intended to do. The goals people are fighting the feeling of discouragement at each turn. The systems people are feeling good everytime they apply their system. That's a big difference in terms of maintaining your personal energy in the right direction.

My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all) - that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly.

For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

Having an objective for any project is highly important as we are living in a world full of data—some useful but mostly useless.

The Apocalypse can take different forms. The least dramatic, at first sight, is the one in which man perishes under an avalanche of useless objects, empty words, and excessive activity.

His silence had begun as something protective, but over the years it has transformed into something near oppressive, something that manages him rather than the other way around. Now he cannot find a way out of it, even when he wants to. He imagines he is floating in a small bubble of water, encased on all sides by walls and ceilings and floors of ice, all many feet thick. He knows there is a way out, but he is unequipped; he has no tools to begin his work, and his hands scrabble uselessly against the ice's slick. He had thought that by not saying who he was, he was making himself more palatable, less strange. But now, what he doesn't say makes him stranger, an object of pity and even suspicion.

The thing is, everything is useless, intrinsically. Nothing has value unless we grant it that value. Any object can be worth whatever we decide it to be worth.

I am not able, and I do not want, completely to abandon the world-view that I acquired in childhood. So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take pleasure in solid objects and scraps of useless information.

The gist of it was that there were two types of men who absconded from their marriages: the naughty and the needy. The naughty absconder was a simple dick-driven creature who just couldn't help himself. However much he might love his family, it always came second to his main object in life, namely, chasing women. The needy absconder was basically insecure and forever trying to prove to himself how much everybody loved him. His family was, in effect, one big love machine that needed his constant control and attention. When his kids grew older and got lives of their own and didn't need him so much, he suddenly got scared and felt old and useless. So he ran off to look for a new love machine someplace else.

Art doesn't need to be good to be valuable. I've heard it said that art is the truly useless creation - intended for no mechanical purpose. Valued only because of the perception of the people who view it. The thing is, everything is useless, intrinsically. Nothing has value unless we grant it that value. Any object can be worth whatever we decide it to be worth.

The Republican Party has used objection, obstruction, and filibustering not only to block the necessary processes of government but also in order to make ordinary Americans deeply cynical about Washington. Republicans perpetually run against government and come out on top. But, in the process, they are undermining the foundations of self-rule in a representative democracy.

If a night-moth were to concentrate its will on flying to a star or some equally unattainable object, it wouldn't succeed. Only, it wouldn't even try in the first place. A moth confines its search to what has sense and value for it, what it needs, what is indispensable to its life... if I imagined that I wanted under all circumstances to get to the North Pole, then to achieve it I would have to desire it strongly enough that my whole being was ruled by it. But if I were to decide to will that the pastor should stop wearing his glasses, it would be useless. That would be making a game of it.

She tried to persuade them to confine their tributes to flowers and sweets, which had at least the merit of mortality; but she was never successful, and the house was gradually filled with a collection of foot-warmers, cushions, clocks, screens, barometers and vases, a constant repetition and a boundless incongruity of useless but indestructible objects.

He eventually became an executive for a firm. This meant that he actually executed persons with showers of legal documents proving that they owed him quantities of money which they did not have. 'Firm' actually means the manufacture of useless objects which people are foolish enough to buy. The firmer the firm the more senseless talk is needed to prevent anyone noticing the unsafe structure of the business. Sometimes these firms actually sell nothing at all for a lot of money, like 'Life Insurance', a pretense that it is a soothing and useful event to have a violent and painful death.

Correct or not, he felt himself to be a useless pensioner, an impotent object of charity.

Why is art beautiful? Because it’s useless. Why is life ugly? Because it’s all aims, objectives and intentions.

Despise everything that useless toil creates as an ornament and an object of beauty. And reflect that nothing except the soul is worthy of wonder; for to the soul, if it be great, naught is great."[4]

I am not able, and I do not want, completely to abandon the worldview that I acquired in childhood. So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, to take pleasure in solid objects and scrapes of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.

I had the misfortune to be nourished by the dreams and visions of great Americans -- the poets and seers. Some other breed of man has won out. This world which is in the making fills me with dread. I have seen it germinate; I can read it like a blueprint. It is not a world I want to live in. It is a world suited for monomaniacs obsessed with the idea of progress -- but a false progress, a progress which stinks. It is a world cluttered with useless objects which men and women, in order to be exploited and degraded, are taught to regard as useful. The dreamer whose dreams are non-utilitarian has no place in this world. Whatever does not lend itself to being bought and sold, whether in the realm of things, ideas, principles, dreams or hopes, is debarred. In this world the poet is anathema, the thinker a fool, the artist an escapist, the man of vision a criminal.

In 1924, Nikola Tesla was asked why he never married? His answer was this: "I had always thought of woman as possessing those delicate qualities of mind and soul that made her in her respects far superior to man. I had put her on a lofty pedestal, figuratively speaking, and ranked her in certain important attributes considerably higher than man. I worshipped at the feet of the creature I had raised to this height, and, like every true worshiper, I felt myself unworthy of the object of my worship. But all this was in the past. Now the soft voiced gentle woman of my reverent worship has all but vanished. In her place has come the woman who thinks that her chief success in life lies on making herself as much as possible like man - in dress, voice, and actions, in sports and achievements of every kind. The world has experience many tragedies, but to my mind the greatest tragedy of all is the present economic condition wherein women strive against men, and in many cases actually succeed in usurping their places in the professions and in industry. This growing tendency of women to overshadow the masculine is a sign of a deteriorating civilization. Practically all the great achievements of man until now have been inspired by his love and devotion to woman. Man has aspired to great things because some woman believed in him, because he wished to command her admiration and respect. For these reasons he has fought for her and risked his life and his all for her time and time again. Perhaps the male in society is useless. I am frank to admit that I don't know. If women are beginning to feel this way about it - and there is striking evidence at hand that they do - then we are entering upon the cruelest period of the world's history. Our civilization will sink to a state like that which is found among the bees, ants, and other insects - a state wherein the male is ruthlessly killed off. In this matriarchal empire which will be established, the female rules. As the female predominates, the males are at her mercy. The male is considered important only as a factor in the general scheme of the continuity of life. The tendency of women to push aside man, supplanting the old spirit of cooperation with him in all the affairs of life, is very disappointing to me." Galveston Daily News, Galveston, Texas, page 23. August 10, 1924.

What rewards and punishments do is induce compliance, and this they do very well indeed. If your objective is to get people to obey an order, to show up on time and do what they’re told, then bribing or threatening them may be sensible strategies. But if your objective is to get long-term quality in the workplace, to help students become careful thinkers and self-directed learners, or to support children in developing good values, then rewards, like punishments, are absolutely useless. In fact, as we are beginning to see, they are worse than useless—they are actually counterproductive.

Poetic Terrorism WEIRD DANCING IN ALL-NIGHT computer-banking lobbies. Unauthorized pyrotechnic displays. Land-art, earth-works as bizarre alien artifacts strewn in State Parks. Burglarize houses but instead of stealing, leave Poetic-Terrorist objects. Kidnap someone & make them happy. Pick someone at random & convince them they're the heir to an enormous, useless & amazing fortune--say 5000 square miles of Antarctica, or an aging circus elephant, or an orphanage in Bombay, or a collection of alchemical mss. ... Bolt up brass commemorative plaques in places (public or private) where you have experienced a revelation or had a particularly fulfilling sexual experience, etc. Go naked for a sign. Organize a strike in your school or workplace on the grounds that it does not satisfy your need for indolence & spiritual beauty. Graffiti-art loaned some grace to ugly subways & rigid public monuments--PT-art can also be created for public places: poems scrawled in courthouse lavatories, small fetishes abandoned in parks & restaurants, Xerox-art under windshield-wipers of parked cars, Big Character Slogans pasted on playground walls, anonymous letters mailed to random or chosen recipients (mail fraud), pirate radio transmissions, wet cement... The audience reaction or aesthetic-shock produced by PT ought to be at least as strong as the emotion of terror-- powerful disgust, sexual arousal, superstitious awe, sudden intuitive breakthrough, dada-esque angst--no matter whether the PT is aimed at one person or many, no matter whether it is "signed" or anonymous, if it does not change someone's life (aside from the artist) it fails. PT is an act in a Theater of Cruelty which has no stage, no rows of seats, no tickets & no walls. In order to work at all, PT must categorically be divorced from all conventional structures for art consumption (galleries, publications, media). Even the guerilla Situationist tactics of street theater are perhaps too well known & expected now. An exquisite seduction carried out not only in the cause of mutual satisfaction but also as a conscious act in a deliberately beautiful life--may be the ultimate PT. The PTerrorist behaves like a confidence-trickster whose aim is not money but CHANGE. Don't do PT for other artists, do it for people who will not realize (at least for a few moments) that what you have done is art. Avoid recognizable art-categories, avoid politics, don't stick around to argue, don't be sentimental; be ruthless, take risks, vandalize only what must be defaced, do something children will remember all their lives--but don't be spontaneous unless the PT Muse has possessed you. Dress up. Leave a false name. Be legendary. The best PT is against the law, but don't get caught. Art as crime; crime as art.

Useless and precious objects. Taking up space. Taking up time.

The first move of any strategy of cultural production, he’d say, must be to liberate things – objects, situations, systems – into uselessness.

If you take the view that one of the chief objects in life is to remain in loving relationships with other people, straight-line power becomes useless.

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible.

To emphasize the heroism of Columbus and his successors as navigators and discoverers, and to deemphasize their genocide, is not a technical necessity but an ideological choice. It serves—unwittingly—to justify what was done. My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all)—that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable of classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly.

As for Nigel, she had no wish to burden him with useless remorse even if a note from her would have achieved that object...."Poor old Hilary," he would say, "bad luck"--and it might be that, secretly, he would be rather relieved. Because she guessed that she was, slightly, on Nigel's conscience, and he was a man who wished to feel comfortable with himself.

I did not want to worship gods as cruel as this—gods cruel enough to rape my mother after she objected to being deceived, or willing to waste the lives of hundreds, perhaps thousands of men in a useless war. I did not want to believe we could not be free.

Here again the Japanese method of interior decoration differs from that of the Occident, where we see objects arrayed symmetrically on mantelpieces and elsewhere. In Western houses we are often confronted with what appears to us useless reiteration. We find it trying to talk to a man while his full-length portrait stares at us from behind his back. We wonder which is real, he of the picture or he who talks, and feel a curious conviction that one of them must be fraud.

THE SENTIMENTALIZATION OF CHILDHOOD has produced a great many paradoxes. The most curious, however, may be that children have acquired more and more stuff the more useless they have become. Until the late nineteenth century, when kids were still making vital contributions to the family economy, they didn’t have toys as we know them. They played with found and household objects (sticks, pots, brooms). In his book Children at Play, the scholar Howard Chudacoff writes, “Some historians even maintain that before the modern era, the most common form of children’s play occurred not with toys but with other children—siblings, cousins, and peers.

O me! O life! of the questions of these recurring, Of the endless trains of the faithless, of cities fill'd with the foolish, Of myself forever reproaching myself, (for who more foolish than I, and who more faithless?) Of eyes that vainly crave the light, of the objects mean, of the struggle ever renew'd, Of the poor results of all, of the plodding and sordid crowds I see around me, Of the empty and useless years of the rest, with the rest me intertwined, The question, O me! so sad, recurring—What good amid these, O me, O life? Answer. That you are here—that life exists and identity, That the powerful play goes on, and you may contribute a verse.

Of all the priceless objects left behind, this is what we rescue. These artifacts. Memory cues. Useless souvenirs. Nothing you could auction. The scars left from happiness. Instead

But the larger objective, beyond specific policies, is to blanket the American public with a message of fear. As long as we are fearful, as long as there is an endless list of threats, Pentagon spending can never be cut, PATRIOT Act provisions can never be repealed, and the United States will forever have the right and duty to meddle in every corner of the world.

Not a single object seems to possess a practical use. The antechamber itself seems useless, a sort of vestibule to a barn, It is exactly the same sort of sensation I get when I enter the Comedie-Francaise or the Palaise- Royal Theatre; ; it is a world of bric-a-brac, of trap doors, of arms and busts and waxed floors, of candelabras and men in armor, of statues without eyes and love letters lying in glass cases. Something is going on, but it makes no sense; it's like finishing the half-empty bottle of Calvados because there's no room in the valise.

Something went greatly wrong in our collective history and the starting point of it was the industrial revolution. Our school systems are focussed on a single objective: to produce model citizens for society in order to feed this machine and prevent its breakdown. That’s why our school systems have no interest in developing models that actually require and stimulate useful values in people, such as courage or imagination or inventiveness. None of these are taught in our schools, on the contrary the system focuses on memorizing. Memorizing is a way of overloading the mind with mental baggage it doesn’t really need. Besides being horribly dull and stiffening the effect of 20 years of abundant memorization training is modern man: an unimaginative creature stuffed with useless knowledge and unable to clean his mind of this information dirt: our school systems are purposely constructed to deliver mental automatons that are unable to think creatively.

Suffering is always the effect of wrong thought in some direction. It is an indication that the individual is out of harmony with himself, with the Law of his being. The sole and supreme use of suffering is to purify, to burn out all that is useless and impure. Suffering ceases for him who is pure. There could be no object in burning gold after the dross had been removed, and a perfectly pure and enlightened being could not suffer.

His silence had begun as something protective, but over the years it has transformed to something near oppressive, something that manages him rather than the other way around. Now he cannot find a way out of it, even when he wants to. He imagines he is floating in a small bubble of water, encased on all sides by walls and ceilings and floors of ice, many feet thick. He knows there is a way out, but he is unequipped; he has no tools to begin his work, and his hands scrabble uselessly against the ice’s slick. He had thought that by not saying who he was, he was making himself more palatable, less strange. But now, what he doesn’t say makes him stranger, an object of pity and even suspicion.

Kaylee, For over a hundred years, magicians have been pulling objects out of hats. Rabbits, flowers... It's become such a famous trick that rabbits are known to represent magic in general. I'm a magician. I've been pulling things from hats since I learned the trick at ten years old. It's all about sleight of hand. Misdirection. Distraction. What people don't really know is it isn't the magician that makes the trick magical. It's the object. What is a zig-zag box without the blades? What is a cage without a dove? The object is the spark--the real reason why the illusion is worth seeing, worth doing, worth discovering. Sometimes magicians lose their rabbits. They get lost in the act, or the magician makes a mistake and has to coax the rabbit back out. Because without the rabbit, the trick is useless. Without the rabbit, the hat becomes insignificant. Kaylee Elizabeth Sperling, you are the rabbit to my hat, and I love you. Please forgive me for losing the spark in your trick. I will do whatever I can to make it up to you, starting with this deck of cards. 52 reasons why I love you. And I could fill another deck. Perhaps two more or three. Whatever it takes to coax my rabbit back out. -Nate

Be very sure of this--people never reject the Bible because they cannot understand it. They understand it too well; they understand that it condemns their own behavior; they understand that it witnesses against their own sins, and summons them to judgment. They try to believe it is false and useless, because they don't like to believe it is true. An evil lifestyle must always raise an objection to this book. Men question the truth of Christianity because they hate the practice of it.

Throughout Greece, it was useless to object to a politician on the ground that he took bribes from the King of Persia, because his opponents also did so if they became sufficiently powerful to be worth buying. The result was a universal scramble for personal power, conducted by corruption, street fighting, and assassination. In this business, the friends of Socrates and Plato were among the most unscrupulous. The final outcome, as might have been foreseen, was subjugation by foreign Powers.

No one can disagree with the objectives of the legislation that culminated in the 1962 amendments. Of course it is desirable that the public be protected from unsafe and useless drugs. However, it is also desirable that new drug development should be stimulated, and that new drugs should be made available to those who can benefit from them as soon as possible. As is so often the case, one good objective conflicts with other good objectives. Safety and caution in one direction can mean death in another.

Money culture recognises no currency but its own. Whatever is not money, whatever is not making money, is useless to it. The entire efforts of our government as directed through our society are efforts towards making more and more money. This favours the survival of the dullest.

It is not that the historian can avoid emphasis of some facts and not of others. This is as natural to him as to the mapmaker, who, in order to produce a usable drawing for practical purposes, must first flatten and distort the shape of the earth, then choose out of the bewildering mass of geographic information those things needed for the purpose of this or that particular map. My argument cannot be against selection, simplification, emphasis, which are inevitable for both cartographers and historians. But the map-maker's distortion is a technical necessity for a common purpose shared by all people who need maps. The historian's distortion is more than technical, it is ideological; it is released into a world of contending interests, where any chosen emphasis supports (whether the historian means to or not) some kind of interest, whether economic or political or racial or national or sexual. Furthermore, this ideological interest is not openly expressed in the way a mapmaker's technical interest is obvious ("This is a Mercator projection for long-range navigation-for short-range, you'd better use a different projection"). No, it is presented as if all readers of history had a common interest which historians serve to the best of their ability. This is not intentional deception; the historian has been trained in a society in which education and knowledge are put forward as technical problems of excellence and not as tools for contending social classes, races, nations. To emphasize the heroism of Columbus and his successors as navigators and discoverers, and to de-emphasize their genocide, is not a technical necessity but an ideological choice. It serves- unwittingly-to justify what was done. My point is not that we must, in telling history, accuse, judge, condemn Columbus in absentia. It is too late for that; it would be a useless scholarly exercise in morality. But the easy acceptance of atrocities as a deplorable but necessary price to pay for progress (Hiroshima and Vietnam, to save Western civilization; Kronstadt and Hungary, to save socialism; nuclear proliferation, to save us all)-that is still with us. One reason these atrocities are still with us is that we have learned to bury them in a mass of other facts, as radioactive wastes are buried in containers in the earth. We have learned to give them exactly the same proportion of attention that teachers and writers often give them in the most respectable of classrooms and textbooks. This learned sense of moral proportion, coming from the apparent objectivity of the scholar, is accepted more easily than when it comes from politicians at press conferences. It is therefore more deadly. The treatment of heroes (Columbus) and their victims (the Arawaks)-the quiet acceptance of conquest and murder in the name of progress-is only one aspect of a certain approach to history, in which the past is told from the point of view of governments, conquerors, diplomats, leaders. It is as if they, like Columbus, deserve universal acceptance, as if they-the Founding Fathers, Jackson, Lincoln, Wilson, Roosevelt, Kennedy, the leading members of Congress, the famous Justices of the Supreme Court-represent the nation as a whole. The pretense is that there really is such a thing as "the United States," subject to occasional conflicts and quarrels, but fundamentally a community of people with common interests. It is as if there really is a "national interest" represented in the Constitution, in territorial expansion, in the laws passed by Congress, the decisions of the courts, the development of capitalism, the culture of education and the mass media.

Why is the world full of color anyway? Sunlight is white, and when it is reflected, it is still white. And so we should be surrounded by a clinical looking, optically pure landscape. That this is not what we see is because every material absorbs light differently or converts it into other kinds of radiation. Only the wavelengths that remain are refracted and reach our eyes. Therefore, the color of organisms and objects is dictated by the color of the reflected light. And in the case of leaves on trees, this color is green. But why don't we see leaves as black? Why don't they absorb all light? Chlorophyll helps leaves process light. If trees processed light super-efficiently, there would be hardly any left over-and the forest would then look as dark during the day as it does at night. Chlorophyll, however, has one disadvantage. It has a so-called green gap, and because it cannot use this part of the color spectrum, it has to reflect it back unused. This weak spot means that we can see this photosynthetic leftover, and that's why almost all plants look deep green to us. What we are really seeing is waste light, the rejected part that trees cannot use. Beautiful for us; useless for the trees. Nature that we find pleasing because it reflects trash? Whether trees feel the same way about this I don't know, but one thing is for certain: hungry beeches and spruce are as happy to see blue sky as I am.

This omnipresent cult of the body is extraordinary. It is the only object on which everyone is made to concentrate, not as a source of pleasure, but as an object of frantic concern, in the obsessive fear of failure or substandard performance, a sign and an anticipation of death, that death to which no one can any longer give a meaning, but which everyone knows has at all times to be prevented. The body is cherished in the perverse certainty of its uselessness, in the total certainty of its non-resurrection. Now, pleasure is an effect of the resurrection of the body, by which it exceeds that hormonal, vascular and dietetic equilibrium in which we seek to imprison it, that exorcism by fitness and hygiene. So the body has to be made to forget pleasure as present grace, to forget its possible metamorphosis into other forms of appearance and become dedicated to the utopian preservation of a youth that is, in any case, already lost. For the body which doubts its own existence is already half-dead, and the current semi-yogic, semi-ecstatic cult of the body is a morbid preoccupation. The care taken of the body while it is alive prefigures the way it will be made up in the funeral home.

We believe in a particular order not because it is objectively true, but because believing in it enables us to cooperate effectively and forge a better society. Imagined orders are not evil conspiracies or useless mirages. Rather, they are the only way large numbers of humans can cooperate effectively.

We believe in a particular order not because it is objectively true, but because believing in it enables us to cooperate effectively and forge a better society. Imagined orders are not evil conspiracies or useless mirages. Rather, they are the only way large numbers of humans can cooperate effectivelyy.

If the "supreme belief" remains unknown, believing is fruitless. If "the truth" has not yet been ascertained, the study of knowledge is unproductive. Even if "they" were known their study is useless. We are not the object by the perception, but by becoming it. Closing the gateways of sense is no help. Verily I will make common-sense the foundation of my teaching. Otherwise, how can I convey my meaning to the deaf, vision to the blind, and my emotion to the dead? In a labyrinth of metaphor and words, intuition is lost, therefore without their effort must be learned the truth about one's self from him who alone knows the truth . . . . yourself.

Useless, it was useless to get in since I don't want to go anywhere. Bluish objects pass the windows. In jerks all stiff, and brittle; people, walls; a house offers me its black heart through open windows; and the windows pale, all that is black becomes blue, blue this great yellow brick house advancing uncertainly, trembling, suddenly stopping and taking a nose dive.

It is easy for us to accept that the division of people into 'superiors' and 'commoners' is a figment of the imagination. Yet the idea that all humans are equal is also a myth. [...] Advocates and of equality and human rights may be outraged by this line of reasoning. Their response is likely to be 'We know that people are not equal biologically! But if we believe that we are all equal in essence, it will enable us to create a stable and prosperous society.' I have no argument with that. That is exactly what I mean by 'imagined order'. We believe in a particular order not because it is objectively true, but because believing in it enables us to cooperate effectively and forge a better society. Imagined orders are not evil conspiracies or useless mirages. Rather, they are the only way large numbers of humans can cooperate effectively. Bear in mind, though, that Hammurabi might have defended his principle of hierarchy using the same logic: 'I know that superiors, commoners and slaves are not inherently different kinds of people. But if we believe that they are, it will enable us to create a stable and prosperous society.

I have owned, I confess, thousands of objects. Even if today most of them are nothing more than memories, I continue to seek, to find, to acquire. Acquisition, being, for some mysterious reason, the most important act, like a gambler throwing dice. The idea of speculation has never crossed my mind, nor of "decoration." Collecting is for me both essential and completely useless.

So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the earth, and to take pleasure in solid objects and scraps of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.

Beating yourself up is a useless and damaging process and it is also a CHOICE. You don’t have to do it. Ask what good is it doing? Also ask is this the way that you want to deal with yourself? You can choose to look more objectively and see what you can do to improve, or accept the way that you are, with a smile. Things won’t get better by attacking and demeaning yourself. Relax and encourage yourself instead.

The end of this history saw the banality of art merge with the banality of the real world - Duchamp's act, with its automatic transference of the object, being the inaugural (and ironic) gesture in this process. The transference of all reality into aesthetics, which has become one of the dimensions of generalized exchange... All this under the banner of a simultaneous liberation of art and the real world. This 'liberation' has in fact consisted in indexing the two to each other - a chiasmus lethal to both. The transference of art, become a useless function, into a reality that is now integral, since it has absorbed everything that denied, exceeded or transfigured it. The impossible exchange of this Integral Reality for anything else whatever. Given this, it can only exchange itself for itself or, in other words, repeat itself ad infinitum. What could miraculously reassure us today about the essence of art? Art is quite simply what is at issue in the world of art, in that desperately self-obsessed artistic community. The 'creative' act doubles up on itself and is now nothing more than a sign of its own operation - the painter's true subject is no longer what he paints but the very fact that he paints. He paints the fact that he paints. At least in that way the idea of art remains intact.

It broke her heart that they had come to this: if one knew the future, all the unexpected glimpses of the beloved, one might have trouble finding the courage to go on. This was probably the reason nine-tenths of the human brain had been rendered useless: to make you stupidly intrepid. One was working with only the animal brain, the Pringle brain. The wizard-god brain, the one that could see the future and move objects without touching them, was asleep. Fucking bastard.

Within twenty years at the most, he reflected, the huge and simple question, “Was life better before the Revolution than it is now?” would have ceased once and for all to be answerable. But in effect it was unanswerable even now, since the few scattered survivors from the ancient world were incapable of comparing one age with another. They remembered a million useless things, a quarrel with a workmate, a hunt for a lost bicycle pump, the expression on a long-dead sister’s face, the swirls of dust on a windy morning seventy years ago; but all the relevant facts were outside the range of their vision. They were like the ant, which can see small objects but not large ones. And when memory failed and written records were falsified—when that happened, the claim of the Party to have improved the conditions of human life had got to be accepted, because there did not exist, and never again could exist, any standard against which it could be tested.

It is the sheer weight of the robot that makes us feel we are living in a ‘wooden world’. We can see for example that the moment Ouspensky or Ward returned from the mystical realm of perfect freedom and found themselves ‘back in the body’ they once again found themselves saddled with all their boring old habits and worries and neuroses, all their old sense of identity built up from the reactions of other people, and above all the dreary old heaviness, as if consciousness has turned into a leaden weight. This is the sensation that made the romantics feel that life is a kind of hell — or at the very least, purgatory. Yet we know enough about the robot to know that this feeling is as untrustworthy as the depression induced by a hangover. The trouble with living ‘on the robot’ is that he is a dead weight. He takes over only when our energies are low. So when I do something robotically I get no feedback of sudden delight. This in turn makes me feel that it was not worth doing. ‘Stan’ reacts by failing to send up energy and ‘Ollie’ experiences a sinking feeling. Living becomes even more robotic and the vicious circle effect is reinforced. Beyond a certain point we feel as if we are cut off from reality by a kind of glass wall: suddenly it seems self-evident that there is nothing new under the sun, that all human effort is vanity, that man is a useless passion and that life is a horrible joke devised by some demonic creator. This is the state I have decribed as ‘upside-downness’, the tendency to allow negative emotional judgements to usurp the place of objective rational judgements. Moreover this depressing state masquerades as the ‘voice of experience’, since it seems obvious that you ‘know’ more about an experience when you’ve had it a hundred times. This is the real cause of death in most human beings: they mistake the vicious circle effects of ‘upside-downness’ for the wisdom of age, and give up the struggle.

Silence. It flashed from the woodwork and the walls; it smote him with an awful, total power, as if generated by a vast mill. It rose from the floor, up out of the tattered gray wall-to-wall carpeting. It unleashed itself from the broken and semi-broken appliances in the kitchen, the dead machines which hadn’t worked in all the time Isidore had lived here. From the useless pole lamp in the living room it oozed out, meshing with the empty and wordless descent of itself from the fly-specked ceiling. It managed in fact to emerge from every object within his range of vision, as if it—the silence—meant to supplant all things tangible. Hence it assailed not only his ears but his eyes; as he stood by the inert TV set he experienced the silence as visible and, in its own way, alive. Alive! He had often felt its austere approach before; when it came, it burst in without subtlety, evidently unable to wait. The silence of the world could not rein back its greed. Not any longer. Not when it had virtually won.

I find myself nursing keen regret at probably not being able to live long enough to explain properly to you what I do not myself pretend to know. But since it has been proved that by an extraordinary chance I have not yet lost my life since that far-off time when, filled with terror, I began the preceding sentence, I mentally calculate that it will not be useless here to construct the complete avowal of my basic impotence, especially when it is a matter (as at present) of this imposing & inaccessible question. It is, generally speaking, a singular thing that the attractive tendency which induces us to seek out (in order to then express them) the resemblances & differences concealed in the natural properties of the most conflicting objects, & on the surface sometimes the least apt to lend themselves to this kind of sympathetically curious combination, which -upon my word -gracefully add to the style of the writer, who for personal satisfaction requites himself with the impossible & unforgettable appearance of an owl grave until eternity.

the supporters of tariffs treat it as self-evident that the creation of jobs is a desirable end, in and of itself, regardless of what the persons employed do. That is clearly wrong. If all we want are jobs, we can create any number—for example, have people dig holes and then fill them up again, or perform other useless tasks. Work is sometimes its own reward. Mostly, however, it is the price we pay to get the things we want. Our real objective is not just jobs but productive jobs—jobs that will mean more goods and services to consume.

One morning Profane woke up early, couldn't get back to sleep and decided on a whim to spend the day like a yo-yo, shuttling on the subway back and forth underneath 42nd Street, from Times Square to Grand Central and vice versa. He made his way to the washroom of Our Home, tripping over two empty mattresses on route. Cut himself shaving, had trouble extracting the blade and gashed a finger. He took a shower to get rid of the blood. The handles wouldn't turn. When he finally found a shower that worked, the water came out hot and cold in random patterns. He danced around, yowling and shivering, slipped on a bar of soap and nearly broke his neck. Drying off, he ripped a frayed towel in half, rendering it useless. He put on his skivvy shirt backwards, took ten minutes getting his fly zipped and another fifteen repairing a shoelace which had broken as he was tying it. All the rests of his morning songs were silent cuss words. It wasn't that he was tired or even notably uncoordinated. Only something that, being a schlemihl, he'd known for years: inanimate objects and he could not live in peace.

As the happiness of a future life is the great object of religion, we may hear without surprise or scandal that the introduction, or at least the abuse, of Christianity had some influence on the decline and fall of the Roman empire. The clergy successfully preached the doctrines of patience and pusillanimity; the active virtues of society were discouraged, and the last remains of military spirit were buried in the cloister; a large portion of public and private wealth was consecrated to the specious demands of charity and devotion; and the soldiers' pay was lavished on the useless multitudes of both sexes, who could only plead the merits of abstinence and chastity. Faith, zeal, curiosity, and the more earthly passions of malice and ambition kindled the flame of theological discord; the church, and even the state, were distracted by religious factions whose conflicts were sometimes bloody and always implacable; the attention of the emperors was diverted from camps to synods; the Roman world was oppressed by a new species of tyranny; and the persecuted sects became the secret enemies of their country.

His ignorance was as remarkable as his knowledge. Of contemporary literature, philosophy and politics he appeared to know next to nothing. Upon my quoting Thomas Carlyle, he inquired in the naivest way who he might be and what he had done. My surprise reached a climax, however, when I found incidentally that he was ignorant of the Copernican Theory and of the composition of the Solar System. That any civilized human being in this nineteenth century should not be aware that the earth travelled round the sun appeared to be to me such an extraordinary fact that I could hardly realize it. “You appear to be astonished,” he said, smiling at my expression of surprise. “Now that I do know it I shall do my best to forget it.” “To forget it!” “You see,” he explained, “I consider that a man’s brain originally is like a little empty attic, and you have to stock it with such furniture as you choose. A fool takes in all the lumber of every sort that he comes across, so that the knowledge which might be useful to him gets crowded out, or at best is jumbled up with a lot of other things so that he has a difficulty in laying his hands upon it. Now the skilful workman is very careful indeed as to what he takes into his brain-attic. He will have nothing but the tools which may help him in doing his work, but of these he has a large assortment, and all in the most perfect order. It is a mistake to think that that little room has elastic walls and can distend to any extent. Depend upon it there comes a time when for every addition of knowledge you forget something that you knew before. It is of the highest importance, therefore, not to have useless facts elbowing out the useful ones.” “But the Solar System!” I protested. “What the deuce is it to me?” he interrupted impatiently; “you say that we go round the sun. If we went round the moon it would not make a pennyworth of difference to me or to my work.” I was on the point of asking him what that work might be, but something in his manner showed me that the question would be an unwelcome one. I pondered over our short conversation, however, and endeavoured to draw my deductions from it. He said that he would acquire no knowledge which did not bear upon his object. Therefore all the knowledge which he possessed was such as would be useful to him. I enumerated in my own mind all the various points upon which he had shown me that he was exceptionally well-informed. I even took a pencil and jotted them down. I could not help smiling at the document when I had completed it. It ran in this way— SHERLOCK HOLMES—his limits. 1. Knowledge of Literature.—Nil. 2. Philosophy.—Nil. 3. Astronomy.—Nil. 4. Politics.—Feeble. 5. Botany.—Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening. 6. Geology.—Practical, but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them. 7. Chemistry.—Profound. 8. Anatomy.—Accurate, but unsystematic. 9. Sensational Literature.—Immense. He appears to know every detail of every horror perpetrated in the century. 10. Plays the violin well. 11. Is an expert singlestick player, boxer, and swordsman. 12. Has a good practical knowledge of British law.

The widespread use of gold in religious artifacts may be of special significance. Gold is a useless metal. It is too soft to be used in tools or cookware. It is also rare and difficult to mine and extract, especially for primitive peoples. But from the earliest times gold was regarded as a sacred metal, and men who encountered gods were ordered to supply it. Over and over again the Bible tells us how men were instructed to create solid gold objects and leave them on mountaintops where the gods could get them. The gods were gold hungry. But why? Gold is an excellent conductor of electricity and is a heavy metal, ranking close to mercury and lead on the atomic scale. We could simplify things by saying that the atoms of gold, element 79, are packed closely together. If the ancient gods were real in some sense, they may have come from a space-time continuum so different from ours that their atomic structure was different. They could walk through walls because their atoms were able to pass through the atoms of stone. Gold was one of the few earthly substances dense enough for them to handle. If they sat in a wooden chair, they would sink through it. They needed gold furniture during their visits.

Do not waste the remainder of thy life in thoughts about others, when thou dost not refer thy thoughts to some object of common utility. For thou losest the opportunity of doing something else when thou hast such thoughts as these, What is such a person doing, and why, and what is he saying, and what is he thinking of, and what is he contriving, and whatever else of the kind makes us wander away from the observation of our own ruling power. We ought then to check in the series of our thoughts everything that is without a purpose and useless, but most of all the over-curious feeling and the malignant;

Writing and other efforts to produce an enduring piece of artwork is a gallant response to the prospect of death. Every person knows that they must die, and consequently people build elaborate symbolic defenses mechanism to shield themselves from knowledge of their impermanence. Every person possesses autonomy of the will, the ability to choose how to conduct their life. The freedom to act towards objects is ultimately useless; it provides a person with no sense of meaning and supplies no purpose to life because a mere collection of objects will not transcend their physical demise. An artist does not deny their impermanence but embraces the prospect of their death by laboring to create a monument of their existence that will survive their expiry.

The objection to a philosophic life that it renders us useless to our friends would never have arisen in a modern mind: it belongs rather to classical antiquity. Antiquity knew the stronger bonds of friendship, meditated upon it, and almost took it to the grave with it. This is the advantage it has over us: we, on the other hand, can point to our idealisation of sexual love. All the great excellencies of ancient humanity owed their stability to the fact that man was standing side by side with man, and that no woman was allowed to put forward the claim of being the nearest and highest, nay even sole object of his love, as the feeling of passion would teach. Perhaps our trees do not grow so high now owing to the ivy and the vines that cling round them.

You cannot observe anything you take yourself as. A man, says the Work, before he can shift from where he is internally, must divide himself into two—an observing side and an observed side. That is, he must make his subjectivity objective. He must take himself as the object to observe. But if he remains entirely unconscious of his attitudes, how can he observe them? The most of what self-observation we can do is made useless by subsequent self-justifying. "A man", said Mr. Ouspensky, "who always justifies what he observes in himself cannot become objective to himself." That is understandable, if you reflect. But how can one observe something that is, so to speak, unobservable? One's attitudes are oneself. One takes them as oneself. No—one does not know anything about them. One does not say: "These attitudes I have acquired are me." On the contrary, one does not say anything. They are what you take for granted as you. If one could say: "These attitudes are me"—then it would mean that one has begun to become a little aware of them. That is, these attitudes would begin to be objective to you—to things in yourself that Observing 'I' can observe. But if you remain in inner darkness, how can you proceed? Well, I will end this short commentary by saying that although it is impossible to observe ingrained and fixed attitudes directly, one can begin after some time to notice the results of them. For example, you may begin to wonder why you always grunt like that when someone asks you to do something useless. You may say to yourself after a time- "I wonder why I always think that thing useless." The answer is: "Probably because of some fixed attitude that you are entirely unaware of." In this way one is led down to the fact of the existence of these attitudes in oneself. If such a merciful thing has happened to you— that is, if the Work has given you internal help—you will realize that behind this attitude, that you begin at last to become conscious of, dwells secretly this intractable factor common to us all. Remember that you cannot work on yourself unless you begin to wonder why you say what you say and do what you do and behave as you behave and feel what you feel and think what you think. To take yourself for granted, to imagine you are always right, to ascribe to yourself all that you do ascribe to yourself—all that form of sheer imagination will prevent you from seeing what esotericism means, what the Gospels mean, and what you mean.

It would be futile to delude ourselves that at present, readers find every pathography unsavory. This attitude is excused with the reproach that from a pathographic elaboration of a great man one never obtains an understanding of his importance and his attainments, that it is therefore useless mischief to study in him things which could just as well be found in the first comer. However, this criticism is so clearly unjust that it can only be grasped when viewed as a pretext and a disguise for something. As a matter of fact pathography does not aim at making comprehensible the attainments of the great man; no one should really be blamed for not doing something which one never promised. The real motives for the opposition are quite different. One finds them when one bears in mind that biographers are fixed on their heroes in quite a peculiar manner. Frequently they take the hero as the object of study because, for reasons of their personal emotional life, they bear him a special affection from the very outset. They then devote themselves to a work of idealization which strives to enroll the great men among their infantile models, and to revive through him, as it were, the infantile conception of the father. For the sake of this wish they wipe out the individual features in his physiognomy, they rub out the traces of his life's struggle with inner and outer resistances, and do not tolerate in him anything of human weakness or imperfection; they then give us a cold, strange, ideal form instead of the man to whom we could feel distantly related. It is to be regretted that they do this, for they thereby sacrifice the truth to an illusion, and for the sake of their infantile phantasies they let slip the opportunity to penetrate into the most attractive secrets of human nature.

When he had finished placing the objects that would be a part of the portrait, the artist asked his subject, "Why do you wish to include the top, milord?" He paused. “I ask this so that I may better understand its place in the portrait.” "Because, when it is set in motion, it stands by its own rules. Then it is not an inert thing, like a tree, or a rock." Westcott had smiled. "Ah! But your hand must set it in motion, milord. So it cannot be as independent as you say." "It is the symbol of a soul, Mr. Westcott. Or of a mind. Every man has one, and it is like a top, fashioned by himself. He must keep it upright, by his own hand. He must exert the effort. Otherwise it will topple, and lay inert and useless within himself, not a living thing at all. Or another hand may set it in motion, and then he will have no say in its motion or course." Hugh paused. "This top has sentimental value to me, sir, and I wish to remember it.

Regardless of psychological gymnastics, we know what we see, and many of us learn from it. It’s a rare mover who becomes a collector of anything. Even rarer is a mover who gets hung up on the “sentimental value” of objects. After more than three thousand moves I know that everyone has almost the exact same stuff and I certainly know where it’s all going to end up. It’s going to end up in a yard sale or in a dumpster. It might take a generation, though usually not, but Aunt Tillie’s sewing machine is getting tossed. So is your high school yearbook and grandma’s needlepoint doily of the Eiffel Tower. Most people save the kids kindergarten drawings and the IKEA bookcases. After the basement and attic are full it’s off to a mini-storage to put aside more useless stuff. A decade or three down the road when the estate is settled and nobody wants to pay the storage fees anymore, off it all will go into the ether. This is not anecdotal. I know because I’m the guy who puts it all into the dumpster.

You are not an evil human; you are not without intellect and education; you have everything that could make you a credit to human society. Moreover, I am acquainted with your heart and know that few are better, but you are nevertheless irritating and unbearable, and I consider it most difficult to live with you. 'All of your good qualities become obscured by your super-cleverness and are made useless to the world merely because of your rage at wanting to know everything better than others; of wanting to improve and master what you cannot command. With this you embitter the people around you, since no one wants to be improved or enlightened in such a forceful way, least of all by such an insignificant individual as you still are; no one can tolerate being reproved by you, who also still show so many weaknesses yourself, least of all in your adverse manner, which in oracular tones, proclaims this is so and so, without ever supposing an objection. 'If you were less like you, you would only be ridiculous, but thus as you are, you are highly annoying.

The geisha and the temple maiden of the Hindus, Persians, Mayas, or Inca present the sovereignty of idle beauty, completely withdrawn from the world of work. Living in idleness, she preserves those soft and fluid forms of the voice, of the smile, of the whole body, that captivate without resisting what they touch. Her beauty does not triumph in the endurance of stern physical tasks; it does not endure; it is as ephemeral as the flowers that bloom in the night and die when the sun rises. She makes herself an object by covering herself with brilliant and fluid garments, jewels, and perfumes. The working man is stopped in his tracks, contemplating a body set apart, remote from his laborious concerns, ostentatious and alluring. Her sumptuous dress, jewelry of precious stones, plumes of exotic birds, and perfumes made of fields of rare flowers represent values, represent the dissipation of human labor in useless splendor. This intense consumption exerts a dangerous fascination. She tempts the worker to the follies and excesses of passion and dispossession.

…They arrived when the sober grey of twilight had clad every object. Amanda viewed the dark and stupendous edifice, the gloom of which was now heightened by the shadows of evening, with venerable awe; the solitude, the silence, which reigned around, the melancholy murmur of the waves, as they dashed against the rocks, all heightened the sadness of her mind; yet it was not quite an unpleasing sadness, for with it was mingled a degree of that enthusiasm, which plaintive and romantic spirits are so peculiarly subject to feel in viewing the venerable grandeur of an ancient fabric renowned in history. As she entered a spacious hall, curiously wainscoted with oak, ornamented with coats of arms, spears, lances, and old armour, she could not avoid casting a retrospective eye to former times, when perhaps in this very hall, bards sung the exploits of those heroes, whose useless arms now hung upon the walls; and she wished, in the romance of the moment, some grey bard near her, to tell the deeds of other times, of kings renowned in our land, and chiefs we behold no more.

At the beginning of this chapter we identified several practical threats to liberalism. The first is that humans might become militarily and economically useless. This is just a possibility, of course, not a prophecy. Technical difficulties or political objections might slow down the algorithmic invasion of the job market. Alternatively, since much of the human mind is still uncharted territory, we don’t really know what hidden talents humans might discover in themselves, and what novel jobs they might create to offset the loss of others. That, however, may not be enough to save liberalism. For liberalism believes not just in the value of human beings – it also believes in individualism. The second threat facing liberalism is that, while the system might still need humans in the future, it will not need individuals. Humans will continue to compose music, teach physics and invest money, but the system will understand these humans better than they understand themselves and will make most of the important decisions for them. The system will thereby deprive individuals of their authority and freedom

It is thus a very useless commonplace to assert that a religion is necessary for the masses, because all political, divine, and social creeds only take root among them on the condition of always assuming the religious shape -- a shape which obviates the danger of discussion. Were it possible to induce the masses to adopt  atheism, this belief would exhibit all the intolerant ardour of a religious sentiment,  and in its exterior forms would soon become a cult. The evolution of the small  Positivist sect furnishes us a curious proof in point. What happened to the Nihilist  whose story is related by that profound thinker Dostoïewsky has quickly  happened to the Positivists. Illumined one day by the light of reason he broke the images of divinities and saints that adorned the altar of a chapel, extinguished the  candles, and, without losing a moment, replaced the destroyed objects by the works of atheistic philosophers such as Büchner and Moleschott, after which he piously relighted the candles. The object of his religious beliefs had been transformed, but can it be truthfully said that his religious sentiments had changed?

The very forces of matter, in their blind advance, impose their own limits. That is why it is useless to want to reverse the advance of technology. The age of the spinning-wheel is over and the dream of a civilization of artisans is vain. The machine is bad only in the way that it is now employed. Its benefits must be accepted even if its ravages are rejected. The truck, driven day and night, does not humiliate its driver, who knows it inside out and treats it with affection and efficiency. The real and inhuman excess lies in the division of labor. But by dint of this excess, a day comes when a machine capable of a hundred operations, operated by one man, creates one sole object. This man, on a different scale, will have partially rediscovered the power of creation which he possessed in the days of the artisan. The anonymous producer then more nearly approaches the creator. It is not certain, naturally, that industrial excess will immediately embark on this path. But it already demonstrates, by the way it functions, the necessity for moderation and gives rise to reflections on the proper way to organize this moderation. Either this value of limitation will be realized, or contemporary excesses will only find their principle and peace in universal destruction.

Sobakevich inclined his head slightly, preparing to hear what the little business was about. Chichikov began somehow very remotely, touched generally on the entire Russian state, and spoke in great praise of its vastness, saying that even the most ancient Roman monarchy was not so big, and foreigners are rightly astonished… Sobakevich went on listening, his head bent. And that according to the existing regulations of this state, unequaled in glory, the souls listed in the census, once their life’s path has ended, are nevertheless counted equally with the living until the new census is taken, so as not to burden the institutions with a quantity of petty and useless documents and increase the complexity of the already quite complex state machinery… Sobakevich went on listening, his head bent—and that, nevertheless, for all the justice of this measure, it was often somewhat burdensome for many owners, obliging them to pay taxes as if for the living object, and that he, feeling a personal respect for him, would even be ready to take this truly heavy responsibility partly upon himself. […] “And so…?” said Chichikov, waiting not without some anxiety for an answer. “You want dead souls?” Sobakevich asked quite simply, without the least surprise, as if they were talking about grain.

Knowledge cannot be passed, like some material substance, from one person to another. Thoughts are not things which may be held and handled. They are the unseen and silent acts of the invisible mind. Ideas, the products of thought, can only be communicated by inducing in the receiving mind action correspondent to that by which these ideas were first conceived. In other words, ideas can only be transmitted by being rethought. It is obvious, therefore, that something more is required than a passive presentation of the pupil’s mind to the teacher’s mind as face turns to face. The pupil must think. His mind must work, not in a vague way, without object or direction, but under the control of the will, and with a fixed aim and purpose; in other words, with attention. It is not enough to look and listen. The learner’s mind must work through the senses. There must be mind in the eye, in the ear, in the hand. If the mental power is only half aroused and feeble in its action, the conceptions gained will be faint and fragmentary, and the knowledge acquired will be as inaccurate and useless as it will be fleeting. Teacher and text-book may be full of knowledge, but the learner will get from them only so much as his power of attention, vigorously exercised, enables him to shape in his own mind. Knowledge is inseparable from the act of knowing. If the power of knowing is small, the actual knowledge acquired will also be small.

6-30. “I will now tell you the truth of the objective world, as it is. What is seen is absolutely nothing but sight. I shall now give you the proof of this statement. Listen with attention. All that is seen has an origin and there must therefore be an antecedent cause for it. What is origin except that the thing newly appears? The world is changing every moment and its appearance is new every moment and so it is born every moment. Some say that the birth of the universe is infinite and eternal each moment. Some may contest the point saying that the statement is true of a specific object or objects but not of the world which is the aggregate of all that is seen. The scholiasts of Vijnana answer them thus: The external phenomena are only momentary projections of the anamnesis of the continuous link, namely, the subject and the worldly actions which are based on them. But the intellect which collates time, space and phenomena is infinite and eternal at each moment of their appearance and it is called Vijnana by them. Others say that the universe is the aggregate of matter—mobile and immobile. (The atomists maintain that the universe is made up of five elements, earth, air, fire, water and ether which are permanent and of things like a pot, a cloth, etc., which are transient. They are still unable to prove the external existence of the world, because they admit that happenings in life imply their conceptual nature. It follows that the objects not so involved are useless.)

The concept of absolute time—meaning a time that exists in “reality” and tick-tocks along independent of any observations of it—had been a mainstay of physics ever since Newton had made it a premise of his Principia 216 years earlier. The same was true for absolute space and distance. “Absolute, true, and mathematical time, of itself and from its own nature, flows equably without relation to anything external,” he famously wrote in Book 1 of the Principia. “Absolute space, in its own nature, without relation to anything external, remains always similar and immovable.” But even Newton seemed discomforted by the fact that these concepts could not be directly observed. “Absolute time is not an object of perception,” he admitted. He resorted to relying on the presence of God to get him out of the dilemma. “The Deity endures forever and is everywhere present, and by existing always and everywhere, He constitutes duration and space.”45 Ernst Mach, whose books had influenced Einstein and his fellow members of the Olympia Academy, lambasted Newton’s notion of absolute time as a “useless metaphysical concept” that “cannot be produced in experience.” Newton, he charged, “acted contrary to his expressed intention only to investigate actual facts.”46 Henri Poincaré also pointed out the weakness of Newton’s concept of absolute time in his book Science and Hypothesis, another favorite of the Olympia Academy. “Not only do we have no direct intuition of the equality of two times, we do not even have one of the simultaneity of two events occurring in different places,” he wrote.

Origin of Justice.—Justice (reasonableness) has its origin among approximate equals in power, as Thucydides (in the dreadful conferences of the Athenian and Melian envoys) has[112] rightly conceived. Thus, where there exists no demonstrable supremacy and a struggle leads but to mutual, useless damage, the reflection arises that an understanding would best be arrived at and some compromise entered into. The reciprocal nature is hence the first nature of justice. Each party makes the other content inasmuch as each receives what it prizes more highly than the other. Each surrenders to the other what the other wants and receives in return its own desire. Justice is therefore reprisal and exchange upon the basis of an approximate equality of power. Thus revenge pertains originally to the domain of justice as it is a sort of reciprocity. Equally so, gratitude.—Justice reverts naturally to the standpoint of self preservation, therefore to the egoism of this consideration: "why should I injure myself to no purpose and perhaps never attain my end?"—So much for the origin of justice. Only because men, through mental habits, have forgotten the original motive of so called just and rational acts, and also because for thousands of years children have been brought to admire and imitate such acts, have they gradually assumed the appearance of being unegotistical. Upon this appearance is founded the high estimate of them, which, moreover, like all estimates, is continually developing, for whatever is highly esteemed is striven for, imitated,[113] made the object of self sacrifice, while the merit of the pain and emulation thus expended is, by each individual, ascribed to the thing esteemed.—How slightly moral would the world appear without forgetfulness! A poet could say that God had posted forgetfulness as a sentinel at the portal of the temple of human merit!

than the clerk. But after all, my dear, it was but seeking for a new service. She had seen you and Ada a little while before, and it was natural that you should come into her head. She merely proposed herself for your maid, you know. She did nothing more.” “Her manner was strange,” said I. “Yes, and her manner was strange when she took her shoes off and showed that cool relish for a walk that might have ended in her death-bed,” said my guardian. “It would be useless self-distress and torment to reckon up such chances and possibilities. There are very few harmless circumstances that would not seem full of perilous meaning, so considered. Be hopeful, little woman. You can be nothing better than yourself; be that, through this knowledge, as you were before you had it. It is the best you can do for everybody’s sake. I, sharing the secret with you—“ “And lightening it, guardian, so much,” said I. “—will be attentive to what passes in that family, so far as I can observe it from my distance. And if the time should come when I can stretch out a hand to render the least service to one whom it is better not to name even here, I will not fail to do it for her dear daughter’s sake.” I thanked him with my whole heart. What could I ever do but thank him! I was going out at the door when he asked me to stay a moment. Quickly turning round, I saw that same expression on his face again; and all at once, I don’t know how, it flashed upon me as a new and far-off possibility that I understood it. “My dear Esther,” said my guardian, “I have long had something in my thoughts that I have wished to say to you.” “Indeed?” “I have had some difficulty in approaching it, and I still have. I should wish it to be so deliberately said, and so deliberately considered. Would you object to my writing it?” “Dear guardian, how could I object to your writing anything for me to read?” “Then see, my love,” said he with his cheery smile, “am I at this moment quite as plain and easy—do I seem as open, as honest and old-fashioned—as I am at any time?” I answered in all earnestness, “Quite.” With the strictest truth, for his momentary hesitation was gone (it had not lasted a minute), and his

The Nobel Prize winner Elie Wiesel had lived only for God during his childhood in Hungary; his life had been shaped by the disciplines of the Talmud, and he had hoped one day to be initiated into the mysteries of Kabbalah. As a boy, he was taken to Auschwitz and later to Buchenwald. During his first night in the death camp, watching the black smoke coiling to the sky from the crematorium where the bodies of his mother and sister were to be thrown, he knew that the flames had consumed his faith forever. He was in a world which was the objective correlative of the Godless world imagined by Nietzsche. “Never should I forget that nocturnal silence which deprived me, for all eternity, of the desire to live,” he wrote years later. “Never shall I forget these moments which murdered my God and my soul and turned my dreams to dust.”33 One day the Gestapo hanged a child. Even the SS were disturbed by the prospect of hanging a young boy in front of thousands of spectators. The child who, Wiesel recalled, had the face of a “sad-eyed angel,” was silent, lividly pale and almost calm as he ascended the gallows. Behind Wiesel, one of the other prisoners asked: “Where is God? Where is He?” It took the child half an hour to die, while the prisoners were forced to look him in the face. The same man asked again: “Where is God now?” And Wiesel heard a voice within him make this answer: “Where is He? Here He is—He is hanging here on this gallows.”34 Dostoevsky had said that the death of a single child could make God unacceptable, but even he, no stranger to inhumanity, had not imagined the death of a child in such circumstances. The horror of Auschwitz is a stark challenge to many of the more conventional ideas of God. The remote God of the philosophers, lost in a transcendent apatheia, becomes intolerable. Many Jews can no longer subscribe to the biblical idea of God who manifests himself in history, who, they say with Wiesel, died in Auschwitz. The idea of a personal God, like one of us writ large, is fraught with difficulty. If this God is omnipotent, he could have prevented the Holocaust. If he was unable to stop it, he is impotent and useless; if he could have stopped it and chose not to, he is a monster. Jews are not the only people who believe that the Holocaust put an end to conventional theology.

From the first moment of life, men ought to begin learning to deserve to live; and, as at the instant of birth we partake of the rights of citizenship, that instant ought to be the beginning of the exercise of our duty. If there are laws for the age of maturity, there ought to be laws for infancy, teaching obedience to others. [...] Public education, therefore, under regulations prescribed by the government, and under magistrates established by the Sovereign, is one of the fundamental rules of popular or legitimate government. If children are brought up in common in the bosom of equality; if they are imbued with the laws of the State and the precepts of the general will; if they are taught to respect these above all things; if they are surrounded by examples and objects which constantly remind them of the tender mother who nourishes them, of the love she bears them, of the inestimable benefits they receive from her, and of the return they owe her, we cannot doubt that they will learn to cherish one another mutually as brothers, to will nothing contrary to the will of society, to substitute the actions of men and citizens for the futile and vain babbling of sophists, and to become in time defenders and fathers of the country of which they will have been so long the children. I shall say nothing of the Magistrates destined to preside over such an education, which is certainly the most important business of the State. It is easy to see that if such marks of public confidence were conferred on slight grounds, if this sublime function were not, for those who have worthily discharged all other offices, the reward of labour, the pleasant and honourable repose of old age, and the crown of all honours, the whole enterprise would be useless and the education void of success. For wherever the lesson is not supported by authority, and the precept by example, all instruction is fruitless; and virtue itself loses its credit in the mouth of one who does not practise it. But let illustrious warriors, bent under the weight of their laurels, preach courage: let upright Magistrates, grown white in the purple and on the bench teach justice. Such teachers as these would thus get themselves virtuous successors, and transmit from age to age, to generations to come, the experience and talents of rulers, the courage and virtue of citizens, and common emulation in all to live and die for their country.