“
Never say never,” he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little girl bed. “The gods love to toy with people who use absolutes.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
The Gods know what it is to be eternal, and they love to toy with mortals who use absolutes.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
God created things which had free will. That means creatures which can go wrong or right. Some people think they can imagine a creature which was free but had no possibility of going wrong, but I can't. If a thing is free to be good it's also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having. A world of automata -of creatures that worked like machines- would hardly be worth creating. The happiness which God designs for His higher creatures is the happiness of being freely, voluntarily united to Him and to each other in an ecstasy of love and delight compared with which the most rapturous love between a man and a woman on this earth is mere milk and water. And for that they've got to be free.
Of course God knew what would happen if they used their freedom the wrong way: apparently, He thought it worth the risk. (...) If God thinks this state of war in the universe a price worth paying for free will -that is, for making a real world in which creatures can do real good or harm and something of real importance can happen, instead of a toy world which only moves when He pulls the strings- then we may take it it is worth paying.
”
”
C.S. Lewis (The Case for Christianity)
“
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that. Ideally, though, we’re lucky, and we find our soul mate and enjoy that life-changing mother lode of happiness. But a soul mate is a very hard thing to find.
”
”
Aziz Ansari (Modern Romance)
“
The only thing Liam ever said about him was that he used to set his toys on fire when he didn't get his way
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
I never saw so much expression in an inanimate thing before, and we all know how much expression they have! I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.
”
”
Charlotte Perkins Gilman (The Yellow Wall-Paper)
“
It’s like before the Breakdown people used to spend their whole lives making cocoons for themselves out of furniture and ornaments and books and toys and pictures and any kind of shit they could find. As though they hoped they’d be born out of the cocoon as something else.
”
”
M.R. Carey (The Girl With All the Gifts)
“
Now I lay me down to sleep,
I pray the Lord my soul to keep,
And if I die before I wake,
I pray the Lord my toys will break.
So none of the other kids can use 'em....
Amen.
”
”
Shel Silverstein (A Light in the Attic)
“
He dropped the rest of the Cokes into the grave and pulled out a white
paper bag decorated with cartoons. I hadn’t seen one in years, but I
recognized it — a McDonald’s Happy Meal.
He turned it upside down and shook the fries and hamburger into the grave.
“In my day, we used animal blood,” the ghost mumbled. “It’s perfectly good enough. They can’t taste the difference.”
“I will treat them with respect,” Nico said.
“At least let me keep the toy,” the ghost said.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
I am wired by nature to love the same toys that the world loves. I start to fit in. I start to love what others love. I start to call earth "home." Before you know it, I am calling luxeries "needs" and using my money just the way unbelievers do. I begin to forget the war. I don't think much about people perishing. Missions and unreached people drop out of my mind. I stop dreaming about the triumphs of grace. I sink into a secular mind-set that looks first to what man can do, not what God can do. It is a terrible sickness. And I thank God for those who have forced me again and again toward a wartime mind-set.
”
”
John Piper (Don't Waste Your Life)
“
Walter had never liked cats. They'd seemed to him the sociopaths of the pet world, a species domesticated as an evil necessary for the control of rodents and subsequently fetishized the way unhappy countries fetishize their militaries, saluting the uniforms of killers as cat owners stroke their animals' lovely fur and forgive their claws and fangs. He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay...cats were all about using people
”
”
Jonathan Franzen (Freedom)
“
People used to play with toys.
Now the toys play with them.
”
”
Idries Shah (Reflections)
“
I used to toy with the notion that when we die we find out what our lives have amounted to, finally. I'd never imagined that we could find that out when somebody else dies.
”
”
Anne Tyler (The Beginner's Goodbye)
“
I always kinda liked our attic ghost. When I was a kid, I used to go up there and read stories to it. Show it my new toys. It's just an old spirit stuck between the worlds, right? What's to be scared of?""
~Vic
”
”
Claudia Gray
“
My friends, quite rightly, thought I was insane to have become so quickly obsessed with someone I didn’t know. But they were also used to it – me finding a new love interest had always been like a greedy child opening a toy on Christmas Day. I ripped the packaging open, got frustrated trying to make it work, played with it obsessively until it broke, then chucked the broken pieces of plastic in the back of a cupboard on Boxing Day.
”
”
Dolly Alderton (Everything I Know About Love)
“
You’re toying with one of my people,”
she said coldly, watching impassively as he lifted her hand to his mouth.
“You never used to be cruel”
“I used to have a heart," he drawled "and then someone broke it.
”
”
Sylvia Day (Afterburn (Jax & Gia, #1))
“
Many years ago I was so innocent I still considered it possible that we could become the humane and reasonable America so many members of my generation used to dream of. We dreamed of such an America during the Great Depression, when there were no jobs. And then we fought and often died for that dream during the Second World War, when there was no peace.
But I know now that there is not a chance in hell of America becoming humane and reasonable. Because power corrupts us, and absolute power corrupts us absolutely. Human beings are chimpanzees who get crazy drunk on power. By saying that our leaders are power-drunk chimpanzees, am I in danger of wrecking the morale of our soldiers fighting and dying in the Middle East? Their morale, like so many lifeless bodies, is already shot to pieces. They are being treated, as I never was, like toys a rich kid got for Christmas.
”
”
Kurt Vonnegut Jr. (A Man Without a Country)
“
It's like the day you realize dolls are dolls. I pick up my old self and I see it's silly. A toy I've played with too often. It's a little sad, like an old golliwog at the bottom of the cupboard. Innocent and used-up and proud and silly.
”
”
John Fowles (The Collector)
“
After all, I might not intend to use him for a plaything, but I could still appreciate looking through the toy-shop window.
”
”
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
“
We all do it (or I used to-yes, once in a while, Franklin, what did you think?), we all know we all do it, but it isn't customary to say, "Honey, could you keep an eye on the spaghetti sauce, because I'm going to go masturbate.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
The Times carried detailed descriptions of Sara’s ivory gown and the five-carat blue diamond on her finger, the Cravens’ reported opinions of the play, and speculation on whether Derek was truly a “reformed rake.” “There’s not a word of truth in any of it,” Derek said. “Except the part where they said you were resplendent.” “Thank you, kind sir.” Sara set down the paper and reached over to toy with one of the large soapy feet propped on the porcelain rim of the tub. She wriggled his big toe playfully. “What about the part that says you’re reformed?” “I’m not. I still do everything I used to do…except now only with you.” “And quite impressively,” she replied, her tone demure.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers and with no divine help, they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.
”
”
José Saramago (All the Names)
“
When you aren't drinking or using drugs or spending lots of money on fancy toys or basking in the glow of fame or working all the time or eating your way through the refrigerator, being hateful and angry is a very handy shield from the truth. It lets you focus on everyone else's shortcomings, and all the ways they have let you down. You can bemoan how all these broken people keep finding you somehow. That way you don't have to focus on what really matters -- the tough work of fiing what is broken inside you.
”
”
Glenn Beck (The 7: Seven Wonders That Will Change Your Life)
“
I used to have this toy, a magic slate. You wrote or drew on it and then, just by pulling up the plastic cover, everything you did disappeared and you could start new. Maybe everyone feels that on New Year's Eve: They can pull up the magic sheet and rewrite their lives.
”
”
V.C. Andrews
“
You realize, of course, the Omegans nearly lost this Earth. They
had everything yet let it disintegrate through their rampant carelessness.
Two hundred years past they possessed the rudimentary beginnings
of the NET to bring them together. They called it the Internet.
Yet they treated it like a toy, tribalized themselves, and thus nearly lost
the planet.
“Nationalist wars, self serving ideologies, competing religions . . .
more significant, though not to the Omegans, was climate change
itself, which mattered more than any petty dogma, but they ignored
it until too late. It has ultimately determined our lives, managed now
by the CORPORATE, using the only possible tools to survive. There
were billions of Humans then. There is now but a fraction of that:
some 300 million we know in the MEGS and, of course, the uncounted
MASSes.
”
”
Brian Van Norman (Against the Machine: Evolution)
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
He turned it upside down and shook the fries and hamburger into the grave. "In my day, we used animal blood," the ghost mumbled. "It's perfectly good enough. They can't taste the difference." "I will treat them with respect," Nico said. "At least let me keep the toy," the ghost said.
”
”
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
“
The ufo is nothing more than an assertion of herself by the Goddess into history, saying to science and paternalistically governed and driven organizations: You have gone far enough. We are going to turn the world upside down. Your science is going to be shown up for what it is, nothing more than a pleasant metaphor usefully extrapolated into the production of toys for healthy children. That's what science is good for.
It is not some meta-theory at whose feet every point of view from astrology to acupressure to channeling need be laid to have the hand of science announce thumbs up or thumbs down.
”
”
Terence McKenna
“
When I was a small boy, I used to play with toy cars and dream about the day I could own a real one. Many people still play with their cars today. They are in their 20s, 40s, maybe even 70s, but they still behave like little children when it comes to purchasing an automobile.
There is a simple law at work in the universe: if it has a motor, it’s going down in value.
”
”
Celso Cukierkorn (Secrets of Jewish Wealth Revealed!)
“
How many people ruin themselves by laying out money on trinkets of frivolous utility? What pleases these lovers of toys is not so much the utility, as the aptness of the machines which are fitted to promote it. All their pockets are stuffed with little conveniences. They contrive new pockets, unknown in the clothes of other people, in order to carry a greater number. They walk about loaded with a multitude of baubles, in weight and sometimes in value not inferior to an ordinary Jew's-box, some of which may sometimes be of some little use, but all of which might at all times be very well spared, and of which the whole utility is certainly not worth the fatigue of bearing the burden.
”
”
Adam Smith (The Theory of Moral Sentiments)
“
...this is the first time in the history of humankind where we are trying to experience sexuality in the long term, not because we want 14 children, for which we need to have even more because many of them won't make it, and not because it is exclusively a woman's marital duty. This is the first time that we want sex over time about pleasure and connection that is rooted in desire.
So what sustains desire, and why is it so difficult? And at the heart of sustaining desire in a committed relationship, I think is the reconciliation of two fundamental human needs...
So reconciling our need for security and our need for adventure into one relationship, or what we today like to call a passionate marriage, used to be a contradiction in terms. Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide:
Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one.
Give me comfort, give me edge.
Give me novelty, give me familiarity.
Give me predictability, give me surprise.
And we think it's a given, and toys and lingerie are going to save us with that.
”
”
Esther Perel
“
We can pull atoms apart, peer back at the first light and predict the end of the universe with just a handful of equations, squiggly lines and arcane symbols that normal people cannot fathom, even though they hold sway over their lives. But it's not just regular folks; even scientists no longer comprehend the world. Take quantum mechanics, the crown jewel of our species, the most accurate, far-ranging and beautiful of all our physical theories. It lies behind the supremacy of our smartphones, behind the Internet, behind the coming promise of godlike computing power. It has completely reshaped our world. We know how to use it, it works as if by some strange miracle, and yet there is not a human soul, alive or dead, who actually gets it. The mind cannot come to grips with its paradoxes and contradictions. It's as if the theory had fallen to earth from another planet, and we simply scamper around it like apes, toying and playing with it, but with no true understanding.
”
”
Benjamín Labatut (When We Cease to Understand the World)
“
By definition, a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange - meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil or (since this is increasingly replacing both) the Almighty State. It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice. Evil has to exist along with good in order that moral choice may operate. Life is sustained by the grinding opposition of moral entities. This is what the television news is all about. Unfortunately there is so much original sin in us all that we find evil rather attractive. To devastate is easier and more spectacular than to create.
”
”
Anthony Burgess (A Clockwork Orange)
“
Those who work shit jobs tend to be the object of indignities; they not only work hard but also are held in low esteem for that very reason. But at least they know they’re doing something useful. Those who work bullshit jobs are often surrounded by honor and prestige; they are respected as professionals, well paid, and treated as high achievers—as the sort of people who can be justly proud of what they do. Yet secretly they are aware that they have achieved nothing; they feel they have done nothing to earn the consumer toys with which they fill their lives; they feel it’s all based on a lie—as, indeed, it is.
”
”
David Graeber (Bullshit Jobs: A Theory)
“
The problem with being the eldest of four kids is, I had to get used to sharing everything real fast. Toys. Candy. Pets. Parents.
I was an only child for almost twelve months, then Lachie came along. Right after was Sage and Raene. I’ve always been taught to share my stuff.
Being the oldest I have to lead by example, show my siblings that we aren’t self-centred savages.
But not this.
I won’t share Bexley—even if Tommy Bianchi has a prior claim.
Mine. Mine.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
Roman pressed the handkerchief against the gaping hole where his right fang should be. "Thit."
"You could use your own healing powers to seal the vein shut," Laszlo suggested.
"It would be clothed permanently. I'd be a one-thided eater for all eternity." Roman removed the bloody handkerchief from his mouth and reinserted his fang into the whole.
...
"Sir, I suggest you go to a dentist." Laszlo picked up the fang and offered it to Roman. "I've heard they can put a lost tooth back."
"Oh, right." Gregori snorted. "What's he supposed to do, waltz into a dental office and say, 'Excuse me, I'm a vampire and I lost a fang in the neck of a sex toy.' They're not going to be line up to help him.
”
”
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
“
Jeb and Morpheus have landed and are rounding up the toys they marked—the ones that got by me and Mom. Morpheus uses blue magic to walk the zombies like puppets toward Jeb, who then swings a golf club, driving them into a net they’ve propped open. Leave it to guys to make a game out of a life-and-death situation.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that.
”
”
Aziz Ansari (Modern Romance: An Investigation)
“
Toys are for men who don't know how to use their hands.
”
”
Kait Ballenger (Cowboy Wolf Trouble (Seven Range Shifters, #1))
“
If you've gone along with Morgan's plan enough to get this note, then I presume you're planning to go through with it. Let me give you some friendly advice about the toys in this case. First, if you don't know what it is, don't even think about using it. Second, if you don't know how to use it properly, don't even think about using it. (Hint: You don't know how to use the crop, the flogger, or the paddle, even if you think you do.) Third make sure Morgan always has a way to signal she wants to stop, and respect the signal if she gives it. And last but not least, if you ignore my advice, I'm going to come over there personally and kick your ass! Don't think because I'm gay I can't do it. Respect and treasure the power she's putting in your hands, and don't abuse it. (Dominic)
”
”
Jenna Black (Speak of the Devil (Morgan Kingsley, #4))
“
If you fuck her over, I’ll cut off your balls and use them as cat toys,” she hisses, and I see Wes flinch behind her as I fight my own, but I don’t respond.
”
”
Aurora Rose Reynolds (Until June (Until Her/Him, #3))
“
I was used, fucked, broken, toyed with and violated from the age of six.
”
”
James Rhodes (Instrumental: A Memoir of Madness, Medication, and Music)
“
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that.6
”
”
Aziz Ansari (Modern Romance: An Investigation)
“
My book was Kennedyan and accepted the notion of moral progress. What was really wanted was a Nixonian book with no shred of optimism in it. Let us have evil prancing on the page... up to the very last line... Such a book would be sensational, and so it is. But I do not think it is it fair picture of human life. I do not think so because, by definition, a human being is endowed with free will. He can use this to choose between good and evil. If he can only perform good or only perform evil, then he is a clockwork orange-meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil... It is as inhuman to be totally good as it is to be totally evil. The important thing is moral choice... Life is sustained by the grinding opposition of moral entities.
”
”
Anthony Burgess (A Clockwork Orange)
“
She stood on the end of the dock, pale and goosefleshed and shivering in the fog. In her hand, Needle seemed to whisper to her. Stick them with the pointy end, it said, and, don’t tell Sansa! Mikken’s mark was on the blade. It’s just a sword. If she needed a sword, there were a hundred under the temple. Needle was too small to be a proper sword, it was hardly more than a toy. She’d been a stupid little girl when Jon had it made for her. “It’s just a sword,” she said, aloud this time . . .
. . . but it wasn’t.
Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell’s grey walls, and the laughter of its people. Needle was the summer snows, Old Nan’s stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow’s smile. He used to mess my hair and call me “little sister,” she remembered, and suddenly there were tears in her eyes.
”
”
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
“
I hate all electronic toys: cell phones, e-mail, PalmPilots, handheld Global Positioning System equipment, and the whole raft of gadgets that intrude on solitude.
When I was a kid I used to disappear into the woods all day. Now I can walk in the wilderness without wasting my valuable time. As I hike along I can call anyone in the world, schedule an appointment, take a picture of me standing next to a tree and then send the person a map so he or she can join me there. Solitude has been snuffed out.
”
”
David Skibbins (The Eight of Swords)
“
You've won," Jack said softly. He looked at Mimi with such fiery hatred that she almost cowered at his words. But she was no weakling. She was Azrael, and Azrael did not cower, not even to Abbadon.
"I've won nothing," Mimi replied coldly. "Please remember that almost all of the Elders are dead, that the
Dark Prince is ascendant, and what is left of the Conclave is being led by a broken man who used to be the strongest of us all. And yet all you seem to care about, my darling, is that you no longer get to play with your little love toy."
Instead of answering her, Jack flew across the room and slapped her hard across the face, sending her
crashing to the floor. But before he could wield another blow, Mimi leaped up and slammed him against the window, knocking him completely out of breath.
"Is this what you want?" she hissed as she lifted him up by his shirt collar, his face turning a ghastly shade of red.
"Don't let me destroy you," he sneered.
"Just try, my sweet."
Jack twisted out of her grasp and flipped her over, kicking her down the length of the room. She sprung up with her hands clenched, her nails sharp as claws, and fangs bared. They met halfway in the air, and Jack put a hand on her throat and began to squeeze. But she scratched at his eyes and wrenched her body so that she was rolling on top of him, her sword at his throat, with the upper hand.
SUBMIT. Mimi sent.
NEVER.
”
”
Melissa de la Cruz
“
I belong here, I tell Toy. I'm hungry for every city block. Every brick building. Every crowded intersection. Electric. I feel brand new.
”
”
Erica Lorraine Scheidt (Uses for Boys)
“
A brick could be used as a sex toy. Well, I say sex toy, but the politician strapped to the bed would probably say torture device.
”
”
Jarod Kintz (Brick and Blanket Test in Brick City (Ocala) Florida)
“
The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys.
”
”
Murasaki Shikibu (The Tale of Genji)
“
It seemed to her many years since he had begun to prepare her mind for "the place," as she always called it. Her mother had died when she was born, so she had never known or missed her. Her young, handsome, rich, petting father seemed to be the only relation she had in the world. They had always played together and been fond of each other. She only knew he was rich because she had heard people say so when they thought she was not listening, and she had also heard them say that when she grew up she would be rich, too. She did not know all that being rich meant. She had always lived in a beautiful bungalow, and had been used to seeing many servants who made salaams to her and called her "Missee Sahib," and gave her her own way in everything. She had had toys and pets and an ayah who worshipped her, and she had gradually learned that people who were rich had these things. That, however, was all she knew about it.
”
”
Frances Hodgson Burnett (A Little Princess)
“
When I was growing up, Grandmamma used to say, “The Lord works in mysterious ways” or “He might not be there when you want Him, but He’s always right on time.” Evie used to say, “God will do to you what He feels like needs to be done to you.” Then Grandmamma would tell Evie to hush and remind her that getting left by a man was not the worst thing that ever happened to somebody. And Evie would say, “It’s the worst thing that ever happened to me.” She said it so much that she came down with lupus. “God wanted me to see what misery really was,” Evie said. I didn’t like all this God talk, like He was up there toying with us. I preferred more of the tenderness and acceptance my grandmother promised in her hymns. I told this to Evie when I was a little boy and she said, “You got to work with the god you were given
”
”
Tayari Jones (An American Marriage)
“
I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh, ever so many lessons to learn! No, I've made up my mind about it: if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who Am I, then? Tell me that first, and then if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else' - but oh dear!" Cried Alice, with a sudden burst of tears, " I do wish they would put their heads down! I am so very tired of being all alone here!
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Gathering, analyzing, sorting, and storing information—these functions and more the mind can perform so automatically, skillfully, and effortlessly that it makes the most sophisticated computer look like a plastic toy by comparison. But it can do infinitely more. To use the mind as it's all too commonly used, on the kinds of things that it's usually used on, is about as inefficient and inappropriate as using a magic sword to open up a can of beans. The power of a clear mind is beyond description. But it can be attained by anyone who can appreciate and utilize the value of Nothing.
”
”
Benjamin Hoff (The Tao of Pooh)
“
Sometimes, in rare occasions, when I see a man respects a woman, treats her like another valuable human being, uses a proper language when talking to her and does not consider her only as a sex-toy. I feel proud of being a man. I feel grateful of belonging to a gender category as he is.
However, the feeling is soon gone after seeing how men in general talk about women, disrespect them and insult them any way they can.
”
”
Kambiz Shabankare
“
Oh, I think my new slave is a wanton little slut. Aren’t you?”
“No, I’m a good boy,” he moaned as he pushed his ass back on my hand. “I’m not a whore!”
“You’re my whore,” I growled and fucked him with my fingers as I picked up the flogger someone had left on the table. I started spanking him hard with it. “Does my boy want to come?”
“Yes,” he hissed and jumped when I slapped him with the toy again. “Please, master? I’ll do anything you want.”
“You’ll do it whether I let you come or not!” I pulled my fingers free and walked over to the wall of toys. I grabbed a large butt plug and quickly pushed it into his ass. Then, before he could even get used to the size of it, I slapped the flogger against it. “Admit you’re a dirty slut.”
“No! I’m a good boy,” Shely cried out again. “Please don’t breach my ass! I’ve never been with a man before.
”
”
Joyee Flynn
“
The frightening coincidence of the modern population explosion with the discovery of technical devices that, through automation, will make large sections of the population 'superfluous' even in terms of labor, and that, through nuclear energy, make it possible to deal with this twofold threat by the use of instruments beside which Hitler's gassing installations look like an evil child's fumbling toys, should be enough to make us tremble.
”
”
Hannah Arendt (Eichmann in Jerusalem: A Report on the Banality of Evil)
“
Shit jobs tend to be blue collar and pay by the hour, whereas bullshit jobs tend to be white collar and salaried. Those who work shit jobs tend to be the object of indignities; they not only work hard but also are held in low esteem for that very reason. But at least they know they're doing something useful. Those who work bullshit jobs are often surrounded by honor and prestige; they are respected as professionals, well paid, and treated as high achievers - as the sort of people who can be justly proud of what they do. Yet secretly they are aware that they have achieved nothing; they feel they have done nothing to earn the consumer toys with which they fill their lives; they feel it's all based on a lie - as, indeed, it is.
”
”
David Graeber (Bullshit Jobs: A Theory)
“
Unbreakable, would you thought they called me Mr. Glass
Look back on my life like the ghost of Christmas past
Toys R Us where I used to spend that Christmas cash
And I still won't grow up, I'm a grown ass kid
Swear I should be locked up for stupid shit that I did
But I'm a champion, so I turned tragedy to triumph
Make music that's fire, spit my soul through the wire
”
”
Kanye West
“
Toy is talking and this is why I love her. She can go on about herself ceaselessly and like the scratching of a branch against the window at night, the steady insistence of it is comforting. She has stories without beginnings, stories that trail off, stories that crisscross and contradict and dead end.
Toy is the star of her stories. Events orbit her like a constellation.
”
”
Erica Lorraine Scheidt (Uses for Boys)
“
As children we see happiness as a thing. A toy train sticking out of a basket or the plastic film around a slice of cake. or a photograph of a scene in which we are at the centre, all eyes on us.
As adults it gets more complicated. Happiness is success, work, a man or a woman. All vague, laborious things. Whether it's a word we use to describe our lives or not, it is mostly just that, a word.
Childhood taught us something different about happiness, Yui thought, that all you needed to do was reach out your hand in the right direction and you could grasp it.
”
”
Laura Imai Messina (The Phone Box at the Edge of the World)
“
You wanna come into town, give me lip for a bitch being friendly with me when I’m a single man and free to talk and fuck who I want.” Even hearing it curdled bile in his lower stomach. “Then climb all over my cock and disappear as quick as you came and came and came. Though, this is my own goddamn fault, isn’t it, baby? I asked for this, for you to use me and my dick as your own fuck toy. So, you’re gonna come home with me and you can get what you came looking for by fucking the shit out of me.
”
”
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
“
So I’ve gotten used to not complaining, and I’ve gotten used to not bothering Mom and Dad with little stuff. I’ve gotten used to figuring things out on my own: how to put toys together, how to organize my life so I don’t miss friends’ birthday parties, how to stay on top of my schoolwork so I never fall behind in class. I’ve never asked for help with my homework. Never needed reminding to finish a project or study for a test. If I was having trouble with a subject in school, I’d go home and study it until I figured it out on my own. I taught myself how to convert fractions into decimal points by going online. I’ve done every school project pretty much by myself. When Mom or Dad ask me how things are going in school, I’ve always said “good”—even when it hasn’t always been so good. My worst day, worst fall, worst headache, worst bruise, worst cramp, worst mean thing anyone could say has always been nothing compared to what August has gone through. This isn’t me being noble, by the way: it’s just the way I know it is.
”
”
R.J. Palacio
“
It’s all true.” Venom’s hair lifted up in the wind coming through his open window, his profile so astonishingly perfect that her breath caught for a second. “I’m deadlier than the deadliest snake in the world, with the ability to impact strong immortals. But you’re not too far behind.”
“Try being used as a chew toy by an insane archangel,” Holly said with a grim smile. “It does wonders for your poison, I hear.
”
”
Nalini Singh (Archangel's Viper (Guild Hunter, #10))
“
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips:
1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy.
2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously!
3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside!
4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live!
5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom!
6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true!
7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn.
8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours!
9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative!
10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
”
”
Brooke Hampton
“
You know who used to scare me when I was a little kid? Snuggle the Bear."
"Do I know Snuggle?"
"In those TV ads for that fabric softener. Somebody would say how soft their robe was or their towels, and Snuggle the teddy bear would be hiding behind a pillow or creeping around under a chair, giggling."
"He was just happy that people were pleased."
"No, it was maniacal little giggle. And his eyes were glazed. And how did he get in all those houses to hide and giggle?"
"You're saying Snuggle should've been charged with B and E?"
"Absolutely. Most of the time when he giggled, he covered his mouth with one paw. I always thought he didn't want you to see his teeth."
"Snuggle had bad teeth?" she asked.
"I figured they were rows of tiny vicious fangs he was hiding. When I was maybe four or five, I used to have nightmares where I'd be in bed with a teddy bear, and it was Snuggle, and he was trying to chew open my jugular and suck the lifeblood out of me."
She said, "So much about you suddenly makes more sense than it ever did before."
"Maybe if we aren't cops someday, we can open a toy shop."
"Can we run a toy shop and have guns?"
"I don't see why not," he said.
”
”
Dean Koontz (City of Night (Dean Koontz's Frankenstein, #2))
“
Of all times, it is Christmas when we must surely realize that there can be no true worship of Him who is the Christ without giving of ourselves. At this season let us, each one, reach out a little more generously in the spirit of the Christ. It is not enough to give toys and baubles. It is not enough to give alms to those in need. That is important, yes. But it is also important that we give of ourselves with our alms. May the real meaning of Christmas distill into our hearts, that we may realize that our lives, given us by God our Father, are really not our own, but are to be used in the service of others.
”
”
Gordon B. Hinckley
“
When I met white kids' parents, they always asked me bullshit questions about race, where our family was "from," and used words like Oriental. I was like a toy in their house, but Joey's parents were Asian so it felt like family. I never felt like I had to carry the burden of the whole Chinese diaspora, or that everything I did was a statement about my people and where we're from. (84)
”
”
Eddie Huang (Fresh Off the Boat)
“
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her.
"I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow.
"We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used.
"Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him.
"Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face.
"If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye.
She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her.
"You're not laughing at me, are you?" she asked warily, just as a precaution.
"No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard.
"But for some reason, you and I will never happen," she said, feeling calm.
"Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes."
Lucas ran his lips around her throat and let her put her arms around him, but that was all.
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
It’s that time of the month again…
As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer.
Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months.
Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him.
I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes.
And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography.
And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies.
I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery.
I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar.
And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
”
”
Molly Harper (And One Last Thing ...)
“
Slavery is not a horror safely confined to the past; it continues to exist throughout the world, even in developed countries like France and the United States. Across the world slaves work and sweat and build and suffer. Slaves in Pakistan may have made the shoes you are wearing and the carpet you stand on. Slaves in the Caribbean may have put sugar in your kitchen and toys in the hands of your children. In India they may have sewn the shirt on your back and polished the ring on your finger. They are paid nothing.
Slaves touch your life indirectly as well. They made the bricks for the factory that made the TV you watch. In Brazil slaves made the charcoal that tempered the steel that made the springs in your car and the blade on your lawnmower. Slaves grew the rice that fed the woman that wove the lovely cloth you've put up as curtains. Your investment portfolio and your mutual fund pension own stock in companies using slave labor in the developing world. Slaves keep your costs low and returns on your investments high.
”
”
Kevin Bales
“
Children have an elemental hunger for knowledge and understanding, for mental food and stimulation. They do not need to be told or “motivated” to explore or play, for play, like all creative or proto-creative activities, is deeply pleasurable in itself. Both the innovative and the imitative impulses come together in pretend play, often using toys or dolls or miniature replicas of real-world objects to act out new scenarios or rehearse and replay old ones. Children are drawn to narrative, not only soliciting and enjoying stories from others, but creating them themselves. Storytelling and mythmaking are primary human activities, a fundamental way of making sense of our world. Intelligence, imagination, talent, and creativity will get nowhere without a basis of knowledge and skills, and for this education must be sufficiently structured and focused. But an education too rigid, too formulaic, too lacking in narrative, may kill the once-active, inquisitive mind of a child. Education has to achieve a balance between structure and freedom, and each child’s needs may be extremely variable.
”
”
Oliver Sacks (The River of Consciousness)
“
Peter, Adam's Son," said Father Christmas.
"Here, sir," said Peter.
"These are your presents," was the answer, "and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present.
"Susan, Eve's Daughter," said Father Christmas. "These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. "You must use the bow only in great need," he said, "for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you."
Last of all he said, "Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. "In this bottle," he said, "there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle."
"Why, sir?" said Lucy. "I think- I don't know- but I think I could be brave enough."
"That is not the point," he said. "But battles are ugly when women fight.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
What about this, then?” The metal surface rippled at his touch, stretching and splitting into a million thin wires that made it look like a giant version of one of those pin art toys Sophie used to play with as a kid. He tapped his fingers in a quick rhythm, and the pins shifted and sank, forming highs and lows and smooth, flat stretches. Sophie couldn’t figure out what she was seeing until he tapped a few additional beats and tiny pricks of light flared at the ends of each wire, bathing the scene in vibrant colors and marking everything with glowing labels. “It’s a map,” she murmured, making a slow circle around the table. And not just any map. A 3-D map of the Lost Cities. She’d never seen her world like that before, with everything spread out across the planet in relation to everything else. Eternalia, the elvin capital that had likely inspired the human myths of Shangri-la, was much closer to the Sanctuary than she’d realized, nestled into one of the valleys of the Himalayas—while the special animal preserve was hidden inside the hollowed-out mountains. Atlantis was deep under the Mediterranean Sea, just like the human legends described, and it looked like Mysterium was somewhere in the Bermuda Triangle. The Gateway to Exile was in the middle of the Sahara desert—though the prison itself was buried in the center of the earth. And Lumenaria… “Wait. Is Lumenaria one of the Channel Islands?” she asked, trying to compare what she was seeing against the maps she’d memorized in her human geography classes. “Yes and no. It’s technically part of the same archipelago. But we’ve kept that particular island hidden, so humans have no idea it exists—well, beyond the convoluted stories we’ve occasionally leaked to cause confusion.
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Marxism criticizes the world’s dominant economic system, which allows people to amass as much wealth as they can and to spend it as they wish. Should we be surprised that this critique generates backlash? To acquire things and to use them selfishly is a big part of human nature. Technological advances—the new smartphone, the new app, the new car—make each new toy more enticing and addictive. Today technology, more than religion, has become the opium of the people. In developed and developing countries alike, people long to acquire more and consume more.
”
”
Philip Clayton (Organic Marxism: An Alternative to Capitalism and Ecological Catastrophe (Toward Ecological Civilization))
“
At home I walked through a haze of belongings that knew, at least vaguely, who they belonged to. Grampar’s chair resented anyone else sitting on it as much as he did himself. Gramma’s shirts and jumpers adjusted themselves to hide her missing breast. My mother’s shoes positively vibrated with consciousness. Our toys looked out for us. There was a potato knife in the kitchen that Gramma couldn’t use. It was an ordinary enough brown-handled thing, but she’d cut herself with it once, and ever after it wanted more of her blood. If I rummaged through the kitchen drawer, I could feel it brooding. After she died, that faded. Then there were the coffee spoons, rarely used, tiny, a wedding present. They were made of silver, and they knew themselves superior to everything else and special.
None of these things did anything. The coffee spoons didn’t stir the coffee without being held or anything. They didn’t have conversations with the sugar tongs about who was the most cherished. I suppose what they really did was physiological. They confirmed the past, they connected everything, they were threads in a tapestry.
”
”
Jo Walton (Among Others)
“
As theologian David F. Wells states so powerfully, We have turned to a God that we can use rather than a God we must obey; we have turned to a God who will fulfill our needs rather than to a God before whom we must surrender our rights to ourselves. He is a God for us and for our satisfaction, and we have come to assume that it must be so in the church as well. And so we transform the God of mercy into a God who is at our mercy. We imagine that he is benign, that he will acquiesce as we toy with his reality and co-opt him in the promotion of our ventures and careers.
”
”
R. Albert Mohler Jr. (The Conviction to Lead: 25 Principles for Leadership That Matters)
“
Part of becoming a mother is learning the fine art of dispassion. This is the ability to step back and evaluate what is going on with your child. It is a particularly useful skill to develop and will come in handy when your child is 6 and whining and crying over that toy she really wants in the grocery store or the cute kitten she wants to adopt. In a sense, you learn when to take the crying seriously and when to let it roll over you even as you provide a steady source of support and comfort. It requires the art of knowing your child’s cues and having confidence in your own judgment.
”
”
Aviva Romm (Natural Health after Birth: The Complete Guide to Postpartum Wellness)
“
[High angel] Carter's fucked-up sense of humor in action.'
[The angel] Lucinda flushed deep crimson. 'How can you use such language so carelessly? You sound like you're… like you're in a locker room!"
I smoothed down my tank top. 'No way. I'd never wear this in a locker room.'
'Yeah, it isn't even in school colors,' said Peter.
I couldn't resist toying with the guardian. 'If i were in a locker room, i'd probably have on a short cheerleader skirt. And no underwear.'
Peter continued playing off me. 'And you'd do that one cheer, right? The one with your hands splayed against the shower wall and ass sticking out?'
'That's me,' i agreed. 'Always ready to take one for the team.'
Even Cody[, the other vampire] flushed at our crassness. Lucinda was practically purple.
'You–you two have no sense of decency! None at all.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Yokoi had no desire (or capability) to compete with electronics companies that were racing one another to invent some entirely new sliver of dazzling technology. Nor could Nintendo compete with Japan’s titans of traditional toys—Bandai, Epoch, and Takara—on their familiar turf. With that, and Drive Game, in mind, Yokoi embarked on an approach he called “lateral thinking with withered technology.” Lateral thinking is a term coined in the 1960s for the reimagining of information in new contexts, including the drawing together of seemingly disparate concepts or domains that can give old ideas new uses. By “withered technology,” Yokoi meant tech that was old enough to be extremely well understood and easily available, so it didn’t require a specialist’s knowledge. The heart of his philosophy was putting cheap, simple technology to use in ways no one else considered.
”
”
David Epstein (Range: Why Generalists Triumph in a Specialized World)
“
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches.
And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo.
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995).
But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
”
”
Dolly Alderton (Good Material)
“
I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
”
”
Louis Zamperini (Devil at My Heels)
“
My desire to live a meaningful life was getting forestalled by the petty, day-to-day demands of all my stuff.
As I stood in my garage, I realized that it was not just that all the stuff created a mess, requiring valuable time to clean up. That was true, but that wasn't the worst of it. I realized it was not the clutter, the over accumulation of things, but rather the things themselves that were taking my attention away from what mattered in my life. Camping gear was getting my attention, not being outside. Tools were taking up my time, not using them to be creative. Toys were distracting me from the fun of playing. My things were not doing what they were meant to do: serve a greater purpose than possession alone.
”
”
Dave Bruno (The 100 Thing Challenge: How I Got Rid of Almost Everything, Remade My Life, and Regained My Soul)
“
So it all moves in a pageant towards the ending, it's own ending. Everywhere, imperceptibly or otherwise, things are passing, ending, going. And there will be other summers, other band concerts, but never this one, never again, never as now. Next year I will not be the self of this year now. And that is why I laugh at the transient, the ephemeral; laugh, while clutching, holding, tenderly, like a fool his toy, cracked glass, water through fingers. For all the writing, for all the invention of engines to express & convey & capture life, it is the living of it that is the gimmick. It goes by, and whatevere dream you use to dope up the pains and hurts, it goes. Delude yourself about printed islands of permanence. You've only got so long to live. You're getting your dream. Things are working, blind forces, no personal spiritual beneficent ones except your own intelligence and the good will of a few other fools and fellow humans. So hit it while it's hot.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Through The Mecca I saw that we were, in our own segregated body politic, cosmopolitans. The black diaspora was not just our own world but, in so many ways, the Western world itself.
Now, the heirs of those Virginia planters could never directly acknowledge this legacy or reckon with its power. And so that beauty that Malcolm pledged us to protect, black beauty, was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black five-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit. Serious history was the West, and the West was white. This was all distilled for me in a quote I once read from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?” Bellow quipped. Tolstoy was “white,” and so Tolstoy “mattered,” like everything else that was white “mattered.” And this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I love you." He combed her fingers through her hair,drawing her head back so that their eyes met. "I don't like it, I may never get used to it, but I love you." With a sigh,he brought her close again. "You make my head swim."
With her cheek against his chest, Gennie closed her eyes. "You can take time to get used to it," she murmured. "Just promise you won't ever be sorry it happened."
"Not sorry," he agreed on a long breath. "A little crazed, but not sorry." As he ran a hand down her hair, Grant felt a fresh need for her, softer, calmer than before and no less vibrant. He nuzzled into her neck because he seemed to belong there. "Are you really in love with me, or did you say that because I made you mad?"
"Both.I decided this morning I'd have to bend to your ego and let you tell me first."
"Is that so?" With his brows drawn together, he tilted her head back again. "My ego."
"It tends to get in the way because it's rather oversized." She smiled, sweetly.In retaliation, he crushed his mouth to hers.
"You know," he managed after a moment. "I've lost my appetite for breakfsat."
Smiling again, she tilted her face back to his. "Have you reall?"
"Mmm. And I don't like to mention it..." He took his fingertips to the lapel of the robe,toying with it before he slid them down to the belt. "But I didn't say you could use my robe."
"Oh, that was rude of me." The smile became saucy. "Would you like it back now?"
"No hurry." He slipped his hand into hers and started toward the steps. "You can wait until we get upstairs.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Your letter has drawn me from the solitude in which I had shut myself up for nearly nine months, and from which I found it hard to stir. You will not guess what I have been about. I will tell you for such things do not happen every day. I have been making a list of from two to three hundred radical words of the Russian language, and have had them translated into as many languages and jargons as I could find. Their number exceeds already the second hundred. Every day I took one of these words and wrote it out in all the languages which I could collect. This has taught me that Celtic is like the Ostiakian: that what means sky in one language means cloud, fog, vault, in others; that the word God in certain dialects means Good, the Highest, in others, sun or fire...I asked Professor Pallas to come to me, and after making an honest confession of my sin, we agreed to publish these collections, and thus make them useful to those who like to occupy themselves with the forsaken toys of others.
- Letter from Catherine the Great, dated 9 May 1785, from Curious Versions of Modernity, D.l. Martin, MIT Press 2011
”
”
Catherine II
“
There are people like Senhor José everywhere, who fill their time, or what they believe to be their spare time, by collecting stamps, coins, medals, vases, postcards, matchboxes, books, clocks, sport shirts, autographs, stones, clay figurines, empty beverage cans, little angels, cacti, opera programmes, lighters, pens, owls, music boxes, bottles, bonsai trees, paintings, mugs, pipes, glass obelisks, ceramic ducks, old toys, carnival masks, and they probably do so out of something that we might call metaphysical angst, perhaps because they cannot bear the idea of chaos being the one ruler of the universe, which is why, using their limited powers [...], they attempt to impose some order on the world, and for a short while they manage it, but only as long as they are there to defend their collection, because when the day comes when it must be dispersed, and that day always comes, either with their death or when the collector grows weary, everything goes back to its beginnings, everything returns to chaos.
”
”
José Saramago (All the Names)
“
I hadn't told him the news yet, but in that same preternatural way he was always aware of what I was feeling or thinking, he could smell my lies a mile away. He was just giving me time to come to him.
To tell him I'd be baking his bun for the next seven and a half months.
''I'm okay."
Dex's chuckle filled my ears as he wrapped his arms around my chest from behind, his chin resting on the top of my head. "Just okay?"
He was taunting me, I knew it.
This man never did anything without a reason. And this reason had him resembling a mama bear. A really aggressive, possessive mama bear. Which said something because Dex was normally that way. I couldn't even sit around Mayhem without him or Sonny within ten feet.
I leaned my head back against his chest and laughed. "Yeah, just okay."
He made a humming noise deep in his throat. "Ritz," he drawled in that low voice that reached the darkest parts of my organs. "You're killin' me, honey."
Oh boy.
Did I want to officially break the news on the side of the road with chunks of puke possibly still on my face? Nah. So I went with the truth. "I have it all planned out in my head. I already ordered the cutest little toy motorcycle to tell you, so don't ruin it."
A loud laugh burst out of his chest, so strong it rocked my body alongside his. I friggin' loved this guy. Every single time he laughed, I swear it multiplied. At this rate, I loved him more than my own life cubed, and then cubed again.
"All right," he murmured between these low chuckles once he'd calmed down a bit. His fingers trailed over the skin of the back of my hand until he stopped at my ring finger and squeezed the slender bone. "I can be patient."
That earned him a laugh from me. Patience? Dex? Even after more than three years, that would still never be a term I'd use to describe him. And it probably never would. He'd started to lose his shit during our layover when Trip had called for instructions on how to set the alarm at the new bar.
"Dex, Ris, and Baby Locke, you done?" Sonny yelled, peeping out from over the top of the car door.
"Are you friggin' kidding me?" I yelled back. Did everyone know?
That slow, seductive smile crawled over his features. Brilliant and more affectionate than it was possible for me to handle, it sucked the breath out of me. When he palmed my cheeks and kissed each of my cheeks and nose and forehead, slowly like he was savoring the pecks and the contact, I ate it all up. Like always, and just like I always would.
And he answered the way I knew he would every single time I asked him from them on, the way that told me he would never let me down. That he was an immovable object. That he'd always be there for me to battle the demons we could see and the invisible ones we couldn't.
"Fuckin' love you, Iris," he breathed against my ear, an arm slinking around my lower back to press us together. "More than anything.
”
”
Mariana Zapata (Under Locke)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?"
Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips.
He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?"
"N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you."
His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse."
Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?"
"No."
Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain."
"Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied."
She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?"
He kissed her then. Really kissed her.
He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly.
And she was lost.
Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
Shaking, I pushed at him and managed to turn my head long enough to gasp, “I can’t. No. That’s enough, Jack.”
He stopped at once. But he kept me against him, his chest moving hard and fast.
I couldn’t look at him. My voice was hoarse as I said, “That shouldn’t have happened.”
“I’ve wanted this since the first second I saw you.” His arms tightened, and he bent over me until his mouth was close to my ear. Gently he whispered, “You did, too.”
“I didn’t. I don’t.”
“You need some fun, Ella.”
I let out an incredulous laugh. “Believe me, I don’t need fun, I need—” I broke off with a gasp as he pressed my hips closer to his. The feel of him was more than my dazzled senses could handle. To my mortification, I hitched up against him before I could stop myself, heat and instinct winning out over sanity.
Feeling the reflexive response, Jack smiled against my scarlet cheek. “You should take me on. I’d be good for you.”
“You are so full of yourself . . . and you would not be good for me, with your steaks and power tools and your attention-deficit libido, and . . . I’ll bet you’re a card-carrying member of the NRA. Admit it, you are.” I couldn’t seem to shut up. I was talking too much, breathing too fast, jittering like a wind-up toy that had been wound to the limits of its mechanism.
Jack nuzzled into a sensitive place behind my ear. “Why does that matter?”
“Is that a yes? It must be. God. It matters because— stop that. It matters because I would only go to bed with a man who respected me and my views. My—” I broke off with an inarticulate sound as he nibbled lightly at my skin.
“I respect you,” he murmured. “And your views. I think of you as an equal. I respect your brains, and all those big words you like to use. But I also want to rip your clothes off and have sex with you until you scream and cry and see God.” His mouth dragged gently along my throat. I jerked helplessly, muscles jolting with pleasure, and his hands gripped my hips, keeping me in place. “I’m gonna show you a good time, Ella. Starting with some take-no-prisoners sex. The kind when you can’t remember your own name after.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Fuchsia took three paces forward in the first of the attics and then paused a moment to re-tie a string above her knee. Over her head vague rafters loomed and while she straightened her-self she noticed them and unconsciously loved them. This was the lumber room. Though very long and lofty it looked relatively smaller than it was, for the fantastic piles of every imaginable kind of thing, from the great organ to the lost and painted head of a broken toy lion that must one day have been the plaything of one of Fuchsia's ancestors, spread from every wall until only an avenue was left to the adjacent room. This high, narrow avenue wound down the centre of the first attic before suddenly turning at a sharp angle to the right. The fact that this room was filled with lumber did not mean that she ignored it and used it only as a place of transit. Oh no, for it was here that many long afternoons had been spent as she crawled deep into the recesses and found for herself many a strange cavern among the incongruous relics of the past. She knew of ways through the centre of what appeared to be hills of furniture, boxes, musical instruments and toys, kites, pictures, bamboo armour and helmets, flags and relics of every kind, as an Indian knows his green and secret trail. Within reach of her hand the hide and head of a skinned baboon hung dustily over a broken drum that rose above the dim ranges of this attic medley. Huge and impregnable they looked in the warm still half-light, but Fuchsia, had she wished to, could have disappeared awkwardly but very suddenly into these fantastic mountains, reached their centre and lain down upon an ancient couch with a picture book at her elbow and been entirely lost to view within a few moments.
”
”
Mervyn Peake (The Gormenghast Novels (Gormenghast, #1-3))
“
A throbbing ache started to grow in her womb. She wanted more, wanted something...
"Rothbury, please," she begged. "Please."
And then his fingers were there, delving inside, spreading her moisture up and down and around her opening. Her hips circled and dipped along with his movements. She moaned, saying his name. He groaned, panting along with her. Expertly, he handled her. Rhythmically, sweetly, he tortured her.
"Open my trousers," he breathed.
She complied.
Soon he was freed, his hardness jutting upward, seeking her heat.
"Look at me," he bit out through his teeth.
As if through a haze, she met his heated, intense gaze.
"This is the only time in my life I will ever hurt you."
Her brow scrunched and it was on the tip of her tongue to ask him just what exactly he meant, when the tip of his manhood pulsed at the opening of her center.
"Hold on," he said, his voice strained.
Charlotte gripped his shoulders. Rothbury gripped her hips. Lifting her, he hesitated for a moment.
"Do you want it?"
She nodded and made some sort of noise, half whimper and half the word "yes."
He bent his head to suckle one of her breasts again. For long moments, he held her poised above him as he toyed with her nipples, flicking, lapping, and gently running the bottom row of his teeth against them.
When she started to wriggle, he impaled her in one smooth, swift motion.
She cried out, nearly surging off of him.
"Shh. Shh." He kissed her eyelids, the apples of her cheeks. "Only this time, my angel. Only this time it hurts."
He kept very still, waiting for some sort of response from her, she imagined.
Where there was once only pleasure, she now felt a stabbing pain. It seemed to radiate around his arousal. Her breathing slowed. This couldn't be it. There had to be more...
And then she felt a sort of tickling. She looked down at their joined bodies to find Rothbury using his thumb to flick quickly against a tiny nubbin of flesh hidden in her folds. It felt... wonderful.
Like magic, her hips began to move of their own accord. Her breathing increased and the throbbing, damp pleasure returned. She rocked against him.
"There you are, Charlotte," he murmured against her throat. "Better?"
She nodded shakily, tiny shivers shimmering down her upper body as he nipped at her earlobe.
His large hands held her backside tightly against him, controlling, rolling her with him in a primal rhythm.
”
”
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
“
Likewise, we “trusted the process,” but the process didn’t save Toy Story 2 either. “Trust the Process” had morphed into “Assume that the Process Will Fix Things for Us.” It gave us solace, which we felt we needed. But it also coaxed us into letting down our guard and, in the end, made us passive. Even worse, it made us sloppy. Once this became clear to me, I began telling people that the phrase was meaningless. I told our staff that it had become a crutch that was distracting us from engaging, in a meaningful way, with our problems. We should trust in people, I told them, not processes. The error we’d made was forgetting that “the process” has no agenda and doesn’t have taste. It is just a tool—a framework. We needed to take more responsibility and ownership of our own work, our need for self-discipline, and our goals. Imagine an old, heavy suitcase whose well-worn handles are hanging by a few threads. The handle is “Trust the Process” or “Story Is King”—a pithy statement that seems, on the face of it, to stand for so much more. The suitcase represents all that has gone into the formation of the phrase: the experience, the deep wisdom, the truths that emerge from struggle. Too often, we grab the handle and—without realizing it—walk off without the suitcase. What’s more, we don’t even think about what we’ve left behind. After all, the handle is so much easier to carry around than the suitcase. Once you’re aware of the suitcase/handle problem, you’ll see it everywhere. People glom onto words and stories that are often just stand-ins for real action and meaning. Advertisers look for words that imply a product’s value and use that as a substitute for value itself. Companies constantly tell us about their commitment to excellence, implying that this means they will make only top-shelf products. Words like quality and excellence are misapplied so relentlessly that they border on meaningless. Managers scour books and magazines looking for greater understanding but settle instead for adopting a new terminology, thinking that using fresh words will bring them closer to their goals. When someone comes up with a phrase that sticks, it becomes a meme, which migrates around even as it disconnects from its original meaning. To ensure quality, then, excellence must be an earned word, attributed by others to us, not proclaimed by us about ourselves. It is the responsibility of good leaders to make sure that words remain attached to the meanings and ideals they represent.
”
”
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
“
They stood around a bleeding stump of a man lying on the ground. His right arm and left leg had been chopped off. It was inconceivable how, with his remaining arm and leg, he had crawled to the camp. The chopped-off arm and leg were tied in terrible bleeding chunks onto his back with a small wooden board attached to them; a long inscription on it said, with many words of abuse, that the atrocity was in reprisal for similar atrocities perpetrated by such and such a Red unit—a unit that had no connection with the Forest Brotherhood. It also said that the same treatment would be meted out to all the partisans unless, by a given date, they submitted and gave up their arms to the representatives of General Vitsyn’s army corps.
Fainting repeatedly from loss of blood, the dying man told them in a faltering voice of the tortures and atrocities perpetrated by Vitsyn’s investigating and punitive squads. His own sentence of death had been allegedly commuted; instead of hanging him, they had cut off his arm and leg in order to send him into the camp and strike terror among the partisans. They had carried him as far as the outposts of the camp, where they had put him down and ordered him to crawl, urging him on by shooting into the air.
He could barely move his lips. To make out his almost unintelligible stammering, the crowd around him bent low. He was saying: “Be on your guard, comrades. He has broken through.”
“Patrols have gone out in strength. There’s a big battle going on. We’ll hold him.”
“There’s a gap. He wants to surprise you. I know. ... I can’t go on, men. I am spitting blood. I’ll die in a moment.”
“Rest a bit. Keep quiet.—Can’t you see it’s bad for him, you heartless beasts!”
The man started again: “He went to work on me, the devil. He said: You will bathe in your own blood until you tell me who you are. And how was I to tell him, a deserter is just what I am? I was running from him to you.”
“You keep saying ‘he.’ Who was it that got to work on you?”
“Let me just get my breath. ... I’ll tell you. Hetman, Bekeshin. Colonel, Strese. Vitsyn’s men. You don’t know out here what it’s like. The whole town is groaning. They boil people alive. They cut strips out of them. They take you by the scruff of the neck and push you inside, you don’t know where you are, it’s pitch black. You grope about—you are in a cage, inside a freight car. There are more than forty people in the cage, all in their underclothes. From time to time they open the door and grab whoever comes first—out he goes. As you grab a chicken to cut its throat. I swear to God. Some they hang, some they shoot, some they question. They beat you to shreds, they put salt on the wounds, they pour boiling water on you. When you vomit or relieve yourself they make you eat it. As for children and women—O God!”
The unfortunate was at his last gasp. He cried out and died without finishing the sentence. Somehow they all knew it at once and took off their caps and crossed themselves.
That night, the news of a far more terrible incident flew around the camp.
Pamphil had been in the crowd surrounding the dying man. He had seen him, heard his words, and read the threatening inscription on the board.
His constant fear for his family in the event of his own death rose to a new climax. In his imagination he saw them handed over to slow torture, watched their faces distorted by pain, and heard their groans and cries for help. In his desperate anguish—to forestall their future sufferings and to end his own—he killed them himself, felling his wife and three children with that same, razor-sharp ax that he had used to carve toys for the two small girls and the boy, who had been his favorite.
The astonishing thing was that he did not kill himself immediately afterward.
”
”
Boris Pasternak (Doctor Zhivago)
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell."
Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two.
"I know," he says. "That's what I'm trying to do now-if she'll let me."
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying.
His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it."
"Jeez," Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen...
I start, jerk a little.
I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him.
But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought...
Not if you have Will.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you.
"You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes.
"Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people.
"Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you.
"Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
”
”
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
“
I can hardly believe that our nation’s policy is to seek peace by going to war. It seems that President Donald J. Trump has done everything in his power to divert our attention away from the fact that the FBI is investigating his association with Russia during his campaign for office. For several weeks now he has been sabre rattling and taking an extremely controversial stance, first with Syria and Afghanistan and now with North Korea. The rhetoric has been the same, accusing others for our failed policy and threatening to take autonomous military action to attain peace in our time.
This gunboat diplomacy is wrong. There is no doubt that Secretaries Kelly, Mattis, and other retired military personnel in the Trump Administration are personally tough. However, most people who have served in the military are not eager to send our young men and women to fight, if it is not necessary. Despite what may have been said to the contrary, our military leaders, active or retired, are most often the ones most respectful of international law. Although the military is the tip of the spear for our country, and the forces of civilization, it should not be the first tool to be used. Bloodshed should only be considered as a last resort and definitely never used as the first option. As the leader of the free world, we should stand our ground but be prepared to seek peace through restraint. This is not the time to exercise false pride!
Unfortunately the Trump administration informed four top State Department management officials that their services were no longer needed as part of an effort to "clean house." Patrick Kennedy, served for nine years as the “Undersecretary for Management,” “Assistant Secretaries for Administration and Consular Affairs” Joyce Anne Barr and Michele Bond, as well as “Ambassador” Gentry Smith, director of the Office for Foreign Missions. Most of the United States Ambassadors to foreign countries have also been dismissed, including the ones to South Korea and Japan. This leaves the United States without the means of exercising diplomacy rapidly, when needed. These positions are political appointments, and require the President’s nomination and the Senate’s confirmation. This has not happened! Moreover, diplomatically our country is severely handicapped at a time when tensions are as hot as any time since the Cold War.
Without following expert advice or consent and the necessary input from the Unites States Congress, the decisions are all being made by a man who claims to know more than the generals do, yet he has only the military experience of a cadet at “New York Military Academy.” A private school he attended as a high school student, from 1959 to 1964. At that time, he received educational and medical deferments from the Vietnam War draft. Trump said that the school provided him with “more training than a lot of the guys that go into the military.” His counterpart the unhinged Kim Jong-un has played with what he considers his country’s military toys, since April 11th of 2012. To think that these are the two world leaders, protecting the planet from a nuclear holocaust….
”
”
Hank Bracker