Ursula Burns Quotes

We've searched our database for all the quotes and captions related to Ursula Burns. Here they are! All 30 of them:

If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?" "Ah! your talk, your damned philosophy!" "Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-" "Don't be propertarian," Takver muttered. "Dear heart, don't cry." "I'm not crying. You are. Those are your tears." "I'm cold. The moonlight's cold." "Lie down." A great shiver went through his body as she took him in her arms. "I'm afraid, Takver," he whispered.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
We cried “Sisterhood is powerful!”—and they believed us. Terrified misogynists of both sexes were howling that the house was burning down before most feminists found out where the matches were.
Ursula K. Le Guin (No Time to Spare: Thinking About What Matters)
She tends the fire Burning his letters. They turn black like thin mourning dresses. Yellow names, leaping; above them a blonde woman's hair on her bare shoulders. Red hollow glowing beneath. Illusion of passion. Like fragile layers of widow weeds, matted bluish, shiny, worn and buttons, yes, cheap buttons and words. Her fingers touch the smooth skin on her breasts. She tends the fire.
Ursula Hegi
I know who you are," she said. "You're my enemy. The true believer. The righteous man with the righteous mission. The one that jails people for reading and burns the books. That persecutes people who do exercises the wrong way. That dumps out the medicine and pisses on it. That pushes the button that sends the drones to drop the bombs. And hides behind a bunker and doesn't get hurt. Shielded by God. Or the state. Or whatever lie he uses to hide his envy and self-interest and cowardice and lust for power. It took me a while to see you, though. You saw me right away. You knew I was your enemy. Was unrighteous. How did you know it?
Ursula K. Le Guin (The Telling)
I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
Listen, Tenar. Heed me. You were the vessel of evil. The evil is poured out. It is done. It is buried in its own tomb. You were never made for cruelty and darkness; you were made to hold light, as a lamp burning holds and gives its light. I found the lamp unlit; I won’t leave it on some desert island like a thing found and cast away. I’ll take you to Havnor and say to the princes of Earthsea, ‘Look! In the place of darkness I found the light, her spirit. By her an old evil was brought to nothing. By her I was brought out of the grave. By her the broken was made whole, and where there was hatred there will be peace.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
I use your love as a man burns a candle, burns it away, to light his steps.
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
The traitor, the self; the self that cries I want to live; let the world burn so long as I can live!
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
The tongue they speak there is not like any spoken in the Archipelago or the other Reaches, and they are a savage people, white-skinned, yellow-haired, and fierce, liking the sight of blood and the smell of burning towns.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
People had huddled back into the old core of the city; and once the suburbs had been looted, they burned. Like Moscow in 1812, acts of God or vandalism: they were no longer wanted, and they burned.
Ursula K. Le Guin (The Lathe of Heaven)
It’s nothing to do with eternity,” said Shevek, grinning, a thin shaggy man of silver and shadow. “All you have to do to see life whole is to see it as mortal. I’ll die, you’ll die; how could we love each other otherwise? The sun’s going to burn out, what else keeps it shining?
Ursula K. Le Guin (The Dispossessed)
You were the vessel of evil. The evil is poured out. It is done. It is buried in its own tomb. You were never made for cruelty and darkness; you were made to hold light, as a lamp burning holds and gives its light. I found the lamp unlit; I won't leave it on some desert island like a thing found and cast away. I'll take you to Havnor and say to the princes of Earthsea, 'Look! In the place of darkness I found the light, her spirit. By her an old evil was brought to nothing. By her I was brought out of the grave. By her the broken was made whole, and where there was hatred there will be peace.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
He was putting on his old clothes, and as he pulled the shirt over his head he saw the doctor stuff the blue and yellow "sleeping clothes" into the "trash" bin. Shevek puased, the collar still over his nose. He emerged fully, knelt, and opened the bin. It was empty. "The clothes are burned?" Oh, those are cheap pajamas, service issue- wear 'em and throw 'em away, it costs less than cleaning." "It costs less," Shevek repeated meditatively. He sad the words the way a paleontontologist looks at a fossil, the fossil that date a whole stratum.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
The little car was soon free of the city, for the smear of suburbia that had once lain along the western highways for miles was gone. During the Plague Years of the eighties, when in some areas not one person in twenty remained alive, the suburbs were not a good place to be. Miles from the supermart, no gas for the car, and all the split-level ranch homes around you full of the dead. No help, no food. Packs of huge status-symbol dogs—Afghans, Alsatians, Great Danes—running wild across the lawns ragged with burdock and plantain. Picture window cracked. Who’ll come and mend the broken glass? People had huddled back into the old core of the city; and once the suburbs had been looted, they burned. Like Moscow in 1812, acts of God or vandalism: they were no longer wanted, and they burned. Fireweed, from which bees make the finest honey of all, grew acre after acre over the sites of Kensington Homes West, Sylvan Oak Manor Estates, and Valley Vista Park.
Ursula K. Le Guin (The Lathe of Heaven)
People picked up burning knots and embers with their bare hands and hurled them into the pyre, shouting and screaming in what appeared to be pure, uncontrolled rage. The dead man’s granddaughter yelled over and over, “How could you do this to me? How could you go and die? You didn’t really love me! I’ll never forgive you!
Ursula K. Le Guin (Changing Planes: Stories)
He keeps some goats, and a garden patch. In autumn he goes wandering over the island, alone, in the forests, on the mountainsides, through the valleys of the rivers. I lived there once with him, when I was younger than you are now. I didn't stay long, I hadn't the sense to stay. I went off seeking evil, and sure enough I found it... But you come escaping evil; seeking freedom; seeking silence for a while, until you find your own way. There you will find kindness and silence, Tenar. There the lamp will burn out of the wind awhile.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Well, Denise called me later this week to make arrangements for the trip. She told me about the time change,” Mom said. “Yes, son. We’ve known something was wrong ever since Mr. Jenkins told us that you were sneaking over to work with him on the weekends,” my Dad said. “He also told us about the lie you told him about burning the skin off of his Zombie horse. And, he even told us that you lied about Ms. Ursula’s clown, and her broken window.” “Really? You knew about all that? But, how come you didn’t say anything?” “Well, Zombie. We talked it over with Mr. Jenkins and we figured that you needed to sort out those situations for yourself,” my Mom said. “And we believed in you.” “Yes, son,” my Dad said. “We knew that you would eventually choose the right course. And eventually, you did.” Wow… My parents are so cool. Man, even in the middle of a Zombie Apocalypse, I just realized that I am the luckiest Zombie in the whole world. Oh no! Mr. Jenkins!!! “Mom, Dad… Did Mr. Jenkins make it?” “Sort
Zack Zombie (Zombie's Birthday Apocalypse (Diary of a Minecraft Zombie, #9))
Wake up, Zombie, it’s almost sundown,” Steve said. When I woke up, I was hoping that everything that had happened was just a really bad dream. But, it wasn’t. I was still in the school gymnasium with all of the other parents and kids from the neighborhood. “Are the Pumpkin Heads still out there?” I asked Steve. “Yep. And now there are more than ever.” “But shouldn’t the sun have burned them to a crisp by now?” “I thought so too. But it looks like the pumpkins protect them from getting burned somehow,” Steve said. We all ran up to the Potions Brewing Lab to see if Ms. Ursula was finished with the cure. “As soon as the sun goes down, and the full moon comes out, the potion
Zack Zombie (Zombie's Birthday Apocalypse (Diary of a Minecraft Zombie, #9))
If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
He knew that he was very near achieving the General Temporal Theory that the Ioti wanted so badly for their spaceflight and their prestige. He knew also that he had not achieved it and might never do so. He had never admitted either fact clearly to anyone. Before he left Anarres, he had thought the thing was in his grasp. ... He wasn't quite sure he was ready to publish. There was something not quite right, something that needed a little refining. As he had been working ten years on the theory, it wouldn't hurt to take a little longer, to get it polished perfectly smooth. The little something not quite right kept looking wronger. A little flaw in the reasoning. A big flaw. A crack right through the foundations...The night before he left Anarres he had burned every paper he had on the General Theory. He had come to Urras with nothing. For half a year he had, in their terms, been bluffing them. Or had he been bluffing himself?
Ursula K. Le Guin
...they are a savage people, white-skinned, yellow-haired, and fierce, liking the sight of blood and the smell of burning towns.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
With a low growl, the king pushed the food off the table. Rage burned in Ursula’s chest. Is he clearing space for us to mate? Am I supposed to replace the suckling pig?
C.N. Crawford (Infernal Magic (Shadows & Flame, #1))
Little is new to me. And what I wanted from my life, I have had, and more. I have had my whole life. Days like the leaves of the forest. I’m an old hollow tree, only the roots live. And so I dream only what all men dream. I have no visions and no wishes. I see what is. I see the fruit ripening on the branch. Four years it has been ripening, that fruit of the deep-planted tree. We have all been afraid for four years, even we who live far from the yumens’ cities, and have only glimpsed them from hiding, or seen their ships fly over, or looked at the dead places where they cut down the world, or heard mere tales of these things. We are all afraid. Children wake from sleep crying of giants; women will not go far on their trading-journeys; men in the Lodges cannot sing. The fruit of fear is ripening. And I see you gather it. You are the harvester. All that we fear to know, you have seen, you have known: exile, shame, pain, the roof and walls of the world fallen, the mother dead in misery, the children untaught, uncherished. . . . This is a new time for the world: a bad time. And you have suffered it all. You have gone farthest. And at the farthest, at the end of the black path, there grows the Tree; there the fruit ripens; now you reach up, Selver, now you gather it. And the world changes wholly, when a man holds in his hand the fruit of that tree, whose roots are deeper than the forest. Men will know it. They will know you, as we did. It doesn’t take an old man or a Great Dreamer to recognize a god! Where you go, fire burns; only the blind cannot see it. But listen, Selver, this is what I see that perhaps others do not, this is why I have loved you: I dreamed of you before we met here. You were walking on a path, and behind you the young trees grew up, oak and birch, willow and holly, fir and pine, alder, elm, white-flowering ash, all the roof and walls of the world, forever renewed.
Ursula K. Le Guin (The Word for World is Forest (Hainish Cycle, #5))
There was no correct text. There was no standard version. Of anything. There was not one Arbor but many, many arbors. The jungle was endless, and it was not one jungle but endless jungles, all burning with bright tigers of meaning, endless tigers. . . .
Ursula K. Le Guin (The Telling)
What do you know about men?” the count said. “You thought they’d let you be. And you thought I’d let you burn.
Ursula K. Le Guin (The Stars Below)
You think I’m a fool,” Bord said with a grin that was not a smile, a wolf’s grin, the grin of the hunted and the hunter. “And I am one. I was a fool to warn you. You never listened. I was a fool to listen to you. But I liked to listen to you. I liked to hear you talk about the stars and the courses of the planets and the ends of time. Who else ever talked to me of anything but seed corn and cow dung? Do you see? And I don’t like soldiers and strangers, and trials and burnings. Your truth, their truth, what do I know about the truth? Am I a master? Do I know the courses of the stars? Maybe you do. Maybe they do. All I know is you have sat at my table and talked to me. Am I to watch you burn? God’s fire, they say; but you said the stars are the fires of God. Why do you ask me that, ‘Why?’ Why do you ask a fool’s question of a fool?” “I am sorry,” the astronomer said. “What do you know about men?” the count said. “You thought they’d let you be. And you thought I’d let you burn.” He looked at Guennar through the candlelight, grinning like a driven wolf, but in his blue eyes there was a glint of real amusement. “We who live down on the earth, you see, not up among the stars . . .
Ursula K. Le Guin (The Stars Below)
There is nothing worse than to remain sober around those who are drinking. Their euphoria intensifies, while you only grow quietly embarrassed for them. At some point during the evening they will intuit you are judging their follies and become self-conscious. They will despise you for depriving them of the bliss of drunken excess by virtue of your watching. The reaction is much the same from the gluttonous, rich, and powerful when one reminds them that the resources of the environment are not infinite. They might continue to plunder, but they will hate you for bringing conscience into their debauchery, for turning the light on during the orgy. Why, the house was burning down, but we were so enjoying the glow. . . - Excerpts from The Empirical Sutras of Lady Ursula
Exurb1a (Geometry for Ocelots)
huge silent glory of light burned on every twig and withered leaf
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Fire broke from the far, black peaks of the mountains called Pain, the fire that burns in the heart of the world, the fire that feeds dragons. He looked into the sky over those mountains and saw, as he and Ged had seen them once above the western sea, the dragons flying on the wind of morning.
Ursula K. Le Guin (The Other Wind (Earthsea Cycle, #6))
The relation between Guide and Itale, the bond of absolute loyalty strained impossibly by competitive pride, the understanding and hostility, the vulnerability of each to the other, all that was beyond Emanuel now as always. Whenever he came close to that passionate and essential relationship in either the son or the father he burned his fingers in the fire of it, fumbled, lost his temper, guessed wrong.
Ursula K. Le Guin (Malafrena: A Library of America eBook Classic)