Urge To Quit Quotes

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I've had more students die than I ever thought possible. My husband urges me to quit Fairfield and teach at some school without gang members who live their lives only to die or end up as drug dealers.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Any man who criticizes my suicide and passes judgment on me with an expression of superiority, declaring (without offering the least help) that I should have gone on living my full complement of days, is assuredly a prodigy among men quite capable of tranquilly urging the Emperor to open a fruit shop.
Osamu Dazai (The Setting Sun)
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
My advice to all young writers is quite simple. I would caution them never to evade a new experience. I would urge them to live life in the raw, to grapple with it bravely, to attack it with naked fists.
John Fante (Ask the Dust)
He held me tight against him until I quit struggling, and then he flicked the strap of my dress, causing it to hang off my shoulder. ''Since the word virgin came out of those beautiful lips of yours... I have a sudden urge to help you out of that dress.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
We are now perched on a strange cusp of history, a time when the world feels like it’s been turned upside down, and nothing is quite as we imagined. But uncertainty is always a precursor to sweeping change; transformation is always preceded by upheaval and fear. I urge you to place your faith in the human capacity for creativity and love, because these two forces, when combined, possess the power to illuminate any darkness.
Dan Brown (Origin (Robert Langdon, #5))
To judge is to believe that a person is capable of doing better. It's to know that people can change their behavior, even quite radically in response to what is expected of them.
Larissa MacFarquhar (Strangers Drowning: Grappling with Impossible Idealism, Drastic Choices, and the Overpowering Urge to Help)
He even let me smoke a cigarette in his office, but he urged me to quit smoking because of the health risks. He even had a pamphlet in his desk that he gave me. I now use it as a bookmark.
Stephen Chbosky (The Perks of Being a Wallflower)
Everyone has a supremely low moment somewhere along the AT, usually when the urge to quit the trail becomes almost overpowering. The irony of my moment was that I wanted to get back on the trail and didn't know how. I hadn't lost just Katz, my boon companion, but my whole sense of connectedness to the trail. I had lost my momentum, my feeling of purpose. In the most literal way I needed to find my feet again.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
We want to be clear: The skills we [teach] you for managing your emotions and controlling your urges to self-harm will never be quite as effective or satisfying as self-harm in the short run.
Kim L. Gratz (Freedom from Self-Harm: Overcoming Self-Injury with Skills from DBT and Other Treatments)
The urge to move is natural and understandable. As will be the case throughout your life, no matter how long or brief, the choice is, in the end, yours. Simply bear in mind that most every choice will have consequences, and in this instance those consequences would likely be quite grave.
Ron Currie Jr. (Everything Matters!)
That's just stupid, Tory! Quit being so damn stubborn!” “Not a chance! You've got some kind of death wish! We can't even trust our power lately. They're too erratic for a public heist.” Ben thumped the steering wheel in frustration. “Maybe for you.” I glowered at Ben from the backseat. I'd given Hi shotgun, having sensed this argument was inevitable. I didn't want to be close. The urge to slap might become overpowering. “Why don't we all use our friendly words?” Hi suggested. “Let's take five, and everyone can say something we like about each other. I'll start. Shelton, you're super at——” “Shut up, Hi!” Ben and I shouted, the first thing we'd agreed upon all morning.
Kathy Reichs (Exposure (Virals, #4))
When one has an urge to say something but wouldn't quite know 'what' & 'how' .. it is better to let it remain unsaid.
Neena Verma
Every once in a while, I get the urge. You know what I’m talking about, don’t you? The urge for destruction. The urge to hurt, maim, kill. It’s quite a thing, to experience that urge, to let it wash over you, to give in to it. It’s addictive. It’s all-consuming. You lose yourself to it. It’s quite, quite wonderful. I can feel it, even as I speak, tapping around the edges of my mind, trying to prise me open, slip its fingers in. And it would be so easy to let it happen. But we’re all like that, aren’t we? We’re all barbarians at our core. We’re all savage, murderous beasts. I know I am. I’m sure you are. The only difference between us, Mr Prave, is how loudly we roar. I know I roar very loudly indeed. How about you? Do you think you can match me?
Derek Landy
I see no reason for denying so fundamental an urge, ruin or no. It is more important to live the life one wishes to live, and to go down with it if necessary, quite contentedly, than to live more profitably but less happily. Yet to achieve content under sometimes adverse circumstances, requires first an adjustment within oneself, and this I had already made, and after that, a recognition that one is not unique in being obliged to toil and struggle and suffer. This is the simplest of all facts and the most difficult for the individual ego to accept. As I look back on those first difficult times at the Creek, when it seemed as though the actual labor was more than I could bear, and the making of a living on the grove impossible, it was old black Martha who drew aside a curtain and led me in to the company of all those who had loved the Creek and been tormented by it.
Marjorie Kinnan Rawlings (Cross Creek)
It is quite normal to see good intentions, when not carried out with moderation, urging men to actions which are truly vicious.
Michel de Montaigne (The Complete Essays)
Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves." She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse. "How awfully presumptuous of you to think I'd let you." "You will," he insisted soothingly. She gaped at him. "Please continue," he urged. "I'm aching to hear the rest." "You're as arrogant as usual." "You missed it, though." "I absolutely did not," she asserted. He grinned. "You missed my arrogance almost as much as I missed your impudence, little one." "That's absurd." "I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.
Adele Ashworth (My Darling Caroline)
Johnson is a radical skeptic, insisting, in the best Socratic tradition, that everything be put on the table for examination. By contrast, most skeptics opposed to him are selective skeptics, applying their skepticism to the things they dislike (notably religion) and refusing to apply their skepticism to the things they do like (notably Darwinism). On two occasions I’ve urged Michael Shermer, publisher of Skeptic Magazine, to put me on its editorial board as the resident skeptic of Darwinism. Though Shermer and I know each other and are quite friendly, he never got back to me about joining his editorial board.
William A. Dembski
I have just come from the East End,” he said. “Something about the stories disturbed me, for more than the obvious reasons. I went there to have a look about for myself. And what happened last night proves my theory. There have been many murders recently—all of women, women who . . .” “Prostitutes,” Tessa said. “Quite,” Gabriel said. “Tessa has such an extensive vocabulary,” Will said. “It is one of the most attractive things about her. Shame about yours, Gabriel.” “Will, listen to me.” Gabriel allowed himself a long sigh. “Spoon!” James said, running at his uncle Gabriel and jabbing him in the thigh. Gabriel mussed the boy’s hair affectionately. “You’re such a good boy,” he said. “I often wonder how you could possibly be Will’s.” “Spoon,” James said, leaning against his uncle’s leg lovingly. “No, Jamie,” Will urged. “Your honorable father has been impugned. Attack, attack!
Cassandra Clare (Tales from the Shadowhunter Academy)
If you sense that someone feels disconnected, reach out to them," the speaker urges. "buy them a soda. Compliment their new hairdo. It'll make them feel better, and you'll feel better knowing you've been a channel of grace." Jolene leans over and whispers, "My pen is feeling disconnected. Will you be a channel of grave and get it for me?" ********** Chelsea, quit picking at your scab," a girl in front of me says to her friend as we file out. "It's gross." Then she gasps in mock horror. "Or maybe it's a cry for help! Be strong, Chelsea! Stay with the living!
Lauren Myracle (Bliss (Crestview Academy, #1))
Likewise, every disturbance, whether resolved or not, is making space for an inner engagement. As a shovel digs up and displaces earth, in a way that must seem violent to the earth, an interior space is revealed for the digging. In just this way, when experience opens us, it often feels violent and the urge, quite naturally, is to refill that opening, to make it the way it was. But every experience excavates a depth, which reveals its wisdom once opened to air.
Mark Nepo (Seven Thousand Ways to Listen: Staying Close to What Is Sacred)
There is a commonplace book argument, Which glibly glides from every vulgar tongue When any dare a new light to present: 'If you are right, then everybody's wrong.' Suppose the converse of this precedent So often urged, so loudly and so long: 'If you are wrong, then everybody's right.' Was ever everybody yet so quite?
Lord Byron (Don Juan)
To learn that a man can make foolish plays for no reason whatever was a valuable lesson. It cost me millions to learn that another dangerous enemy to a trader is his susceptibility to the urgings of a magnetic personality when plausibly expressed by a brilliant mind. It has always seemed to me, however, that I might have learned my lesson quite as well if the cost had been only one million. But Fate does not always let you fix the tuition fee. She delivers the educational wallop and presents her own bill, knowing you have to pay it, no matter what the amount may be.
Jesse Livermore (Reminiscences of a Stock Operator)
Reader — supposing this book has readers some day — I am not clever and I don't possess the vivid style, the living power, that is needed to describe this immense feeling of self-respect — no, of rehabilitation, or even a new life. This figurative baptism, this bath of cleanliness, this raising of me above filth I had sunk in, this way of bringing me overnight face to face with true responsibility, quite simply changed my whole being. I had been a convict, a man who could hear his chains even when he was free and who always felt that someone was watching over him; I had been all the things that had urged me to become a marked, evil man, dangerous at all times, superficially docile yet terribly dangerous when he broke out: but all this had vanished — disappeared as though by magic. Thank you Mr. Bowen, barrister in His Majesty's courts of law, thank you for having made another man of me in so short a time!
Henri Charrière (Papillon)
Every once in a while, I get the urge. You know what I'm talking about, don't you? The urge for destruction. The urge to hurt, maim, kill. It's quite a thing to experience that urge, to let it wash over you, to give in to it. It's addictive. It's all-consuming. You lose yourself to it. It's quite, quite wonderful. I can feel it, even as I speak, tapping around the edges of my mind, trying to prise me open, slip its fingers in. And it would be so easy to let it happen. But we're all like that, aren't we? We're all barbarians at our core. We're all savage, murderous beasts. I know I am. I'm sure you are. The only difference between us, Mr. Prave, is how loudly we roar. I know I roar very loudly indeed. How about you. Do you think you can match me?
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Reader - supposing this book has readers one day - I am not clever and I don't possess the vivid style, the living power, that is needed to describe this immense feeling of self-respect - no, of rehabilitation, or even of a new life. This figurative baptism, this bath of cleanliness, this raising of me above the filth I had sunk in, this way of bringing me overnight face to face with true responsibility, quite simply changed my whole being. I had been a convict, a man who could hear his chains even when he was free and who always felt that someone was watching over him; I had been all the things I had seen, experienced, undergone, suffered; all the things that had urged me to become a marked, evil man, dangerous at times, superficially docile yet terribly dangerous when he broke out: but all this had vanished - disappeared as if by magic.
Henri Charrière (Papillon)
You'll have to forgive me," Dad said. His mouth was moving very little, a sign that he was tense. "I'm not...familiar with...the protocol. For boys like you. But I..." I felt my face turning red. No, no, no. Quit while you're ahead, Dad. Please. "I'm sure you have...urges," Dad went on. "All teenage boys have...urges. I don't know whether you've...tried anything--" I said please! "Just as long as you're safe. That's very important. You still have to be safe, even if you're both boys. I don't know what really...um, entails. You know. How you...do things. I could look it up for you--" I clapped my hand over Dad's mouth. I took him by his arm, my face burning, and dragged him back to the field.
Rose Christo (Looks Over (Gives Light, #2))
In truth, Serenus, I have for a long time been silently asking myself to what I should liken such a condition of mind, and I can find nothing that so closely approaches it as the state of those who, after being released from a long and serious illness, are sometimes touched with fits of fever and slight disorders, and, freed from the last traces of them, are nevertheless disquieted with mistrust, and, though now quite well, stretch out their wrist to a physician and complain unjustly of any trace of heat in their body. It is not, Serenus, that these are not quite well in body, but that they are not quite used to being well; just as even a tranquil sea will show some ripple, particularly when it has just subsided after a storm. What you need, therefore, is not any of those harsher measures which we have already left behind, the necessity of opposing yourself at this point, of being angry with yourself at that, of sternly urging yourself on at another, but that which comes last -confidence in yourself and the belief that you are on the right path, and have not been led astray by the many cross- tracks of those who are roaming in every direction, some of whom are wandering very near the path itself. But what you desire is something great and supreme and very near to being a god - to be unshaken.
Seneca (The Stoic Philosophy of Seneca: Essays and Letters)
The biographies of great artists make it abundantly clear that the creative urge is often so imperious that it battens on their humanity and yokes everything to the service of the work, even at the cost of health and ordinary human happiness. The unborn work in the psyche of the artist is a force of nature that achieves its end either with tyrannical might or with the subtle cunning of nature herself, quite regardless of the personal fate of the man who is its vehicle. The creative urge lives and grows in him like a tree in the earth from which it draws its nourishment.
C.G. Jung
...I realized that my father, of all these men, was the most obstinate, helplessly bonded to his better instincts and their excessive demands. I only then understood that he had quit his job not merely because he was fearful of what awaited us down the line should we agree like the others to be relocated, but because, for better or worse, when he was bullied by superior forces that he deemed corrupt it was his nature not to yield--in this instance, to resist either running away to Canada, as my mother urged our doing, or bowing to a government directive that was patently unjust. There were two types of strong men: those like Uncle Monty And Abe Steinheim, remorseless about their making money, and those like my father, ruthlessly obedient to their idea of fair play.
Philip Roth (The Plot Against America)
He took the slide of and, before she could stop him, removed the glass top and licked the sample. She fought the urge to gag. He didn't seem at all bothered. He stood quite still, closing his eyes, and then said, "Hmmm. A bit salty, bitter aftertaste...iron...hydroxide." He smiled then, and looked at her as if he was quite proud of himself. "Definitely iron hydroxide. That is a binding agent, is it not?" "You are insane," she said. "You can't go around...licking things that come out of a water treatment plant. That's just...unsanitary." "Life is unsanitary," he said.
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
The insane urge to ruffle his hair like I would a kid’s gripped me, just so he’d stop looking so perfect—which was quite irritating to the rest of us mere mortals—but I didn’t have a death wish, so I kept my hands planted in my lap.
Ana Huang (Twisted Love (Twisted, #1))
Hamilton found it difficult to concentrate on what Eliza was saying. Her lips were moving rapidly, but he couldn't actually decipher what the words coming out of her mouth were. It was such a lovely mouth, and he found it quite quirky, given the fact that it could assume different positions with alarming frequency. Like now, it was pursed in a most attractive manner, and now... it was moving again as if the lady could not get the words out fast enough. His gaze traveled upward, past the eyes that were flashing and settled on her hair. He couldn't help but appreciate the efforts of Mabel. The curls she'd been able to produce on Eliza's head, well, they were tantalizing. He had the strangest urge to reach out and touch them, to feel with his own hand if they were as soft as they appeared, something he'd been contemplating ever since he got a good look at her in the dining room. He pulled abruptly back to reality when Eliza poked him in the chest.
Jen Turano (A Change of Fortune (Ladies of Distinction, #1))
Giving without expectation of return was not thought to be a higher, more selfless act; quite the contrary, it was aggressive, it set the giver up as superior to the recipient, causing the recipient to lose face; it imposed a burden of gratitude without permitting the relief of reciprocation. Because a gift contained in itself something of the essence of the giver, a gift gave him power over the beneficiary. In some societies a gift retained, rather than passed along, could cause serious harm to the recipient—even death. In some ancient languages, the word “gift” had a second meaning: poison.
Larissa MacFarquhar (Strangers Drowning: Grappling with Impossible Idealism, Drastic Choices, and the Overpowering Urge to Help)
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
I took an emotional call from General John Kelly, then the secretary of Homeland Security. He said he was sick about my firing and that he intended to quit in protest. He said he didn’t want to work for dishonorable people who would treat someone like me in such a manner. I urged Kelly not to do that, arguing that the country needed principled people around this president. Especially this president.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
Margaret Atwood (Morning In The Burned House: Poems)
I've questioned this goddamn place since i could talk, some of us have depth we can't quite understand until we are much older. We rally across the world in seek of silencing this unbearable urge to speak a different tune and vibe a different energy, to fit in to a world unlike this. The isolation felt amongst thousands who don't really know you will one day have you gravitating towards a place where you can learn about yourself. Don't fight it, change with the seasons and give your life a reason. Solitude is so inviting you'll wonder why it took you this long to open its door.
Nikki Rowe
Despite your best efforts and intentions, there's a limited reservoir to fellowship before you begin to rely solely on the vapors of nostalgia. Eventually, you move on, latch on to another group of friends. Once in a while, though, you remember something, a remark or a gesture, and it takes you back. You think how close all of you were, the laughs and commiserations, the fondness and affection and support. You recall the parties, the trips, the dinners and late, late nights. Even the arguments and small betrayals have a revisionist charm in retrospect. You're astonished and enlivened by the memories. You wonder why and how it ever stopped. You have the urge to pick up the phone, fire off an email, suggesting reunion, resumption, and you start to act, but then don't, because it would be awkward talking after such a long lag, and, really, what would be the point? Your lives are different now. Whatever was there before is gone. And it saddens you, it makes you feel old and vanquished--not only over this group that disbanded, but also over all the others before and after it, the friends you had in grade and high school, in college, in your twenties and thirties, your kinship to them (never mind to all your old lovers) ephemeral and, quite possibly, illusory to begin with.
Don Lee (The Collective)
sodoyouthinkyoucouldtrustmetogotothedancetonight?" she blurted before losing her nerve. Viktor and Viveka exchanged a quick glance. Are they considering it? They are! They trust - "No," they said together. Frankie resisted the urge to spark. Or scream. Or threaten to go on a charging strike. She had prepared herself for this. It had always been a possibility. That's why she'd read 'Acting For Young Actors: The Ultimate Teenage Guide' by Mary Lou Belli and Dihah Lenney. So she could act like she understood their rejection. Act like she accepted it. And act like she would return to her room with grace. "Well, thanks for hearing me out," she said, kissing them on the cheeks and skipping off to bed. "Good night." "Good night?" Viktor responded. "That's it? No argument?" "No argument," Frankie said with a sweet smile. "You have to see this punishment through or you're not teaching me anything. I get it." "O-kay." Viktor returned to his medical journal, shaking his head as if he couldn't quite believe what he was hearing. "We love you." Viveka blew another kiss. "I love you, too." Frankie blew two back. Time for Plan B.
Lisi Harrison (Monster High (Monster High, #1))
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
the pop-psychology literature is full of gurus urging you to visualize success. It turns out that a positive mental attitude isn’t quite enough to get the job done. Maybe financial gurus shouldn’t be telling us to imagine that we’re filthy rich; instead, they should be telling us to replay the steps that led to our being poor.
Chip Heath (Made to Stick: Why Some Ideas Survive and Others Die)
You're back early from Chicago," Jim remarked, seemingly oblivious to his friend's cold reserve. "I wonder why?" "You know damned well why," Nick retorted grimly. Jim's brows lifted, but he turned his tawny, appreciative gaze on Lauren. "I'd tell you how gorgeous you look,but at the moment,Nick is already restraining the urge to knock my teeth down my throat. "Why?" Lauren gasped, her own gaze flying to Nick's granite features. Jim answered with a chuckle. "It has something to do with two dozen red roses and a kiss he witnessed.He's forgotten about a girl I was in love with once but couldn't quite get up the nerve to ask to marry me. He got tired of waiting for me to bolster my courage, so he sent Ericka two dozen-" Nick's breath exploded in laughter. "You bastard," he said good-naturedly, and this time his handclasp was sincere.
Judith McNaught (Double Standards)
Anne was now at hand to take up her own cause, and the sincerity of her manner being soon sufficient to convince him, where conviction was at least very agreeable, he had no farther scruples as to her being left to dine alone, though he still wanted her to join them in the evening, when the child might be at rest for the night, and kindly urged her to let him come and fetch her; but she was quite unpersuadable and this being the case, she had ere long the pleasure of seeing them set off together in high spirits. They were gone, she hoped, to be happy, however oddly constructed such happiness might seem; as for herself, she was left with as many sensations of comfort, as were, perhaps ever likely to be hers. She knew herself to be of the first utility to the child; and what was it to her, if Frederick Wentworth were only half a mile distant, making himself agreeable to others!
Jane Austen (Persuasion)
We need science education to produce scientists, but we need it equally to create literacy in the public. Man has a fundamental urge to comprehend the world about him, and science gives today the only world picture which we can consider as valid. It gives an understanding of the inside of the atom and of the whole universe, or the peculiar properties of the chemical substances and of the manner in which genes duplicate in biology. An educated layman can, of course, not contribute to science, but can enjoy and participate in many scientific discoveries which as constantly made. Such participation was quite common in the 19th century, but has unhappily declined. Literacy in science will enrich a person's life.
Hans Bethe
Research has shown that people who track their progress on goals like losing weight, quitting smoking, and lowering blood pressure are all more likely to improve than those who don’t. One study . . . found that those who kept a daily food log lost twice as much weight as those who did not. The mere act of tracking a behavior can spark the urge to change it.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Lewis, anything but dull, suffered from an excess of misguided cleverness: he could disparage himself brilliantly in a matter of seconds. He knew literature, art, the theater, history; and his knowledge surpassed what a college normally provides. His knowledge led nowhere, certainly not into the world where he was supposed to earn a living. Lewis had once gone to work in the bookstore of his school because he loved handling books and looked forward to being immersed in them. He was then instructed to keep careful accounts of merchandise that might as well have been canned beans. He soon lost interest in his simple task, failed to master it, and quit after three days. Eight years later, he was still convinced of his practical incompetence. College friends familiar with his tastes would suggest modest ways for him to get started: they knew of jobs as readers in publishing houses, as gofers in theatrical productions, as caretakers at galleries. Lewis rejected them all. While he saw that they might lead to greater things, they sounded both beneath and beyond him--the bookstore again. Other chums who had gone on to graduate school urged their choice on him. Lewis harbored an uneasy scorn for the corporation of scholars, who seemed as unfit for the world as he. He remained desperate, lonely, and spoiled.
Harry Mathews (Cigarettes)
As he stood with his fingers in the iceflower bowls, he heard his mom and Cyra talking. “My son was eager for me to meet you, I could tell,” his mom said. “You must be a good friend.” “Um…yes,” Cyra said. “I think so, yes.” You think so, Akos thought, resisting the urge to roll his eyes. He’d given her clear enough labels, back in the stairwell, but she still couldn’t quite believe it.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
She sneered at the pillar of foxglove I'd painted along the edge of the table- the colours too dark and too blue, with none of the white freckling inside the trumpets, but I'd made do, even if it had killed me not to have white paint, to make something so flawed and lasting. I drowned the urge to cover up the painting with my hand. Maybe tomorrow I'd just scrape it off the table altogether.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Everything seems perfect on the surface,” I told him, “but sometimes I feel like I don’t know what I’m doing, or where I really want to be, and I’ve always had this strange unexplainable urge to escape from wherever I am, because nothing seems quite enough, and I feel incredibly frustrated sometimes, like there’s more to life out there somewhere, but I don’t know what it is, or where it is. Do you ever feel that way?
Julianne MacLean (The Color of Heaven (The Color of Heaven Series Book 1))
Even though we get a lot of people into the shop, only a small percentage of them buy anything. The best customers are the ones who just have to buy a record on a Saturday, even if there’s nothing they really want; unless they go home clutching a flat, square carrier bag they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head (‘If I don’t find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do’), and suddenly sicken themselves with the amount of time they have wasted looking for something that they don’t really want. I know that feeling well (these are my people, and I understand them better than I understand anybody in the world): it is a prickly, clammy, panicky sensation, and you go out of the shop reeling. You walk much more quickly afterwards, trying to recapture the part of the day that has escaped, and quite often you have the urge to read the international section of a newspaper, or go to see a Peter Greenaway film, to consume something solid and meaty which will lie on top of the candyfloss worthlessness clogging up your head.
Nick Hornby (High Fidelity)
The great irony is that all the religions of the world, for centuries, have been urging their followers to embrace the concepts of faith and belief. Now science, which for centuries has derided religion as superstition, must admit that its next big frontier is quite literally the science of faith and belief . . . the power of focused conviction and intention. The same science that eroded our faith in the miraculous is now building a bridge back across the chasm it created.
Dan Brown (The Lost Symbol (Robert Langdon, #3))
Well, finally it seems I've wasted my life. It's a hard age at which to drink spider-juice but I submit. Suddenly...I felt the flimsiness of all my substance, but not so much because I'd missed something. Quite the contrary -- it was because of something of which I've had all too much: myself. I doubt it ever occurs to people who are not cursed with this 'urge to create' (whatever that is) how, far from living in sublime communion with one's Muse, one grows thoroughly to hate her.
James Hamilton-Paterson (Gerontius)
Darius glided toward Tempest in his silent, intimidating way. “You are going to bed now, honey. I will not listen to any arguments.” Tempest was already lying down. “Does anyone else besides me ever get the urge to throw things at you?” She sounded drowsy, not combative. Darius hunkered down beside her so he was at eye level with her. “I do not think so. If they do, they do not have the audacity to tell me.” “Well, I think throwing something at you is the only way to go,” Tempest told him. Her eyes were already closing, and her voice was weary and sad despite her heavy words. Darius stroked the wealth of red-gold hair away from her face, his fingers soothing her scalp. “Do you? Maybe tomorrow might be a better time to try it.” “I have a very good aim,” she warned him. “It would be easier on you if you just quit giving me orders.” “That would ruin my reputation,” he objected. A smile curved the corners of her mouth, emphasizing the thin red cut at the side of her lip.
Christine Feehan (Dark Fire (Dark, #6))
Not just that every day more of our life is used up and less and less of it is left, but this too: if we live longer, can we be sure our mind will still be up to understanding the world—to the contemplation that aims at divine and human knowledge? If our mind starts to wander, we’ll still go on breathing, go on eating, imagining things, feeling urges and so on. But getting the most out of ourselves, calculating where our duty lies, analyzing what we hear and see, deciding whether it’s time to call it quits—all the things you need a healthy mind for . . . all those are gone. So we need to hurry. Not just because we move daily closer to death but also because our understanding—our grasp of the world—may be gone before we get there.
Marcus Aurelius
It’s normally agreed that the question “How are you?” doesn’t put you on your oath to give a full or honest answer. So when asked these days, I tend to say something cryptic like, “A bit early to say.” (If it’s the wonderful staff at my oncology clinic who inquire, I sometimes go so far as to respond, “I seem to have cancer today.”) Nobody wants to be told about the countless minor horrors and humiliations that become facts of “life” when your body turns from being a friend to being a foe: the boring switch from chronic constipation to its sudden dramatic opposite; the equally nasty double cross of feeling acute hunger while fearing even the scent of food; the absolute misery of gut–wringing nausea on an utterly empty stomach; or the pathetic discovery that hair loss extends to the disappearance of the follicles in your nostrils, and thus to the childish and irritating phenomenon of a permanently runny nose. Sorry, but you did ask... It’s no fun to appreciate to the full the truth of the materialist proposition that I don’t have a body, I am a body. But it’s not really possible to adopt a stance of “Don’t ask, don’t tell,” either. Like its original, this is a prescription for hypocrisy and double standards. Friends and relatives, obviously, don’t really have the option of not making kind inquiries. One way of trying to put them at their ease is to be as candid as possible and not to adopt any sort of euphemism or denial. The swiftest way of doing this is to note that the thing about Stage Four is that there is no such thing as Stage Five. Quite rightly, some take me up on it. I recently had to accept that I wasn’t going to be able to attend my niece’s wedding, in my old hometown and former university in Oxford. This depressed me for more than one reason, and an especially close friend inquired, “Is it that you’re afraid you’ll never see England again?” As it happens he was exactly right to ask, and it had been precisely that which had been bothering me, but I was unreasonably shocked by his bluntness. I’ll do the facing of hard facts, thanks. Don’t you be doing it too. And yet I had absolutely invited the question. Telling someone else, with deliberate realism, that once I’d had a few more scans and treatments I might be told by the doctors that things from now on could be mainly a matter of “management,” I again had the wind knocked out of me when she said, “Yes, I suppose a time comes when you have to consider letting go.” How true, and how crisp a summary of what I had just said myself. But again there was the unreasonable urge to have a kind of monopoly on, or a sort of veto over, what was actually sayable. Cancer victimhood contains a permanent temptation to be self–centered and even solipsistic.
Christopher Hitchens (Mortality)
For men an orgasm is a relief,” I said, and then decided to explain. “Imagine an ache – some kind of a pain that never quite goes away. That’s what the sexual urge is in most men – it is something that lingers in the back of our mind almost constantly, so that when a man has an orgasm, he experiences temporary relief from the urge. But it’s only temporary. Eventually, that same ache will come back. For women, an orgasm is a release. The sexual urge in a woman generally starts from much deeper in their subconscious. Arousal is a longer, slower process like starting a fire. For a woman, the flame of her desire needs to be nurtured patiently until it reaches the point where it becomes conscious and instinctive. But even then a clumsy man can douse the flames in an instant. It’s not like the urge in men. For a woman, desire is created and once released as an orgasm, the spark must be reignited. Men are not so complex. For us there is always a flicker of arousal that can never quite be extinguished.
Jason Luke (In Love with a Master (Interview with a Master Book 2))
Repetition and memorization of imposed lessons are indeed tedious work for children, whose instincts urge them constantly to play and think freely, raise their own questions, and explore the world in their own ways. Children did not adapt well to forced schooling, and in many cases they rebelled. This was no surprise to the adults. By this point in history, the idea that children’s own preferences had any value had been pretty well forgotten. Brute force, long used to keep children on task in fields and factories, was transported into the classroom to make children learn. Some of the underpaid, ill-prepared schoolmasters were quite sadistic. One master in Germany kept records of the punishments he meted out in fifty-one years of teaching, a partial list of which included: “911,527 blows with a rod, 124,010 blows with a cane, 20,989 taps with a ruler, 136,715 blows with the hand, 10,235 blows to the mouth, 7,905 boxes on the ear, and 1,118,800 blows on the head.”25 Clearly he was proud of all the educating he had done.
Peter O. Gray (Free to Learn: Why Unleashing the Instinct to Play Will Make Our Children Happier, More Self-Reliant, and Better Students for Life)
Daphne turned to Simon with an amused expression. “I can’t quite decide if she is being terribly polite or exquisitely rude.” “Exquisitely polite, perhaps?” Simon asked mildly. She shook her head. “Oh, definitely not that.” “The alternative, of course, is—” “Terribly rude?” Daphne grinned and watched as her mother looped her arm through Lord Railmont’s, pointed him toward Daphne so that he could nod his good-bye, and led him from the room. And then, as if by magic, the remaining beaux murmured their hasty farewells and followed suit. “Remarkably efficient, isn’t she?” Daphne murmured. “Your mother? She’s a marvel.” “She’ll be back, of course.” “Pity. And here I thought I had you well and truly in my clutches.” Daphne laughed. “I don’t know how anyone considered you a rake. Your sense of humor is far too superb.” “And here we rakes thought we were so wickedly droll.” “A rake’s humor,” Daphne stated, “is essentially cruel.” Her comment surprised him. He stared at her intently, searching her brown eyes, and yet not really knowing what it was he was looking for. There was a narrow ring of green just outside her pupils, the color as deep and rich as moss. He’d never seen her in the daylight before, he realized. “Your grace?” Daphne’s quiet voice snapped him out of his daze. Simon blinked. “I beg your pardon.” “You looked a thousand miles away,” she said, her brow wrinkling. “I’ve been a thousand miles away.” He fought the urge to return his gaze to her eyes. “This is entirely different.” Daphne let out a little laugh, the sound positively musical. “You have, haven’t you? And here I’ve never even been past Lancashire. What a provincial I must seem.” He brushed aside her remark. “You must forgive my woolgathering. We were discussing my lack of humor, I believe?” “We were not, and you well know it.
Julia Quinn (The Duke and I (Bridgertons, #1))
When you are quite well enough to travel, Latimer, I shall take you home with me. The journey will amuse you and do you good, for I shall go through the Tyrol and Austria, and you will see many new places. Our neighbours, the Filmores, are come; Alfred will join us at Basle, and we shall all go together to Vienna, and back by Prague...' My father was called away before he had finished his sentence, and he left my mind resting on the word Prague with a strange sense that a new and wondrous scene was breaking upon me: a city under the broad sunshine, that seemed to me as if it were summer sunshine of a long-past century arrested in its course-unrefreshed for ages by dews of night, or the rushing rain-cloud; scorching the dusty, weary, time-eaten grandeur of a people doomed to live on in the stale repetition of memories, like deposed and superannuated kings in their regal gold inwoven tatters. The city looked so thirsty that the broad river seemed to me a sheet of metal; and the blackened statues, as I passed under their blank gaze, along the unending bridge, with their ancient garments and their saintly crowns, seemed to me the real inhabitants and owners of this place, while the busy, trivial men and women, hurrying to and fro, were a swarm of ephemeral visitants infesting it for a day. It is such grim, stony beings as these, I thought, who are the fathers of ancient faded children, in those tanned time-fretted dwellings that crowd the steep before me; who pay their court in the worn and crumbling pomp of the palace which stretches its monotonous length on the height; who worship wearily in the stifling air of the churches, urged by no fear or hope, but compelled by their doom to be ever old and undying, to live on in the rigidity of habit, as they live on in perpetual midday, without the repose of night or the new birth of morning. A stunning clang of metal suddenly thrilled through me, and I became conscious of the objects in my room again: one of the fire-irons had fallen as Pierre opened the door to bring me my draught. My heart was palpitating violently, and I begged Pierre to leave my draught beside me; I would take it presently. ("The Lifted Veil")
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
Honest dissent and unorthodox ideas often promote scientific knowledge. Even though more often wrong than right, unorthodox ideas are apt to stimulate some clear thinking among the orthodox. And from time to time, a doubter makes a basic discovery. But the lysenkoism is quite sterile of ideas and of suggestions for new experiments. It urges a retreat to archaic views, long abandoned with sufficient reason. In this, the lysenkoism is comparable only to the anti-evolutionism in the USA. New arguments and new facts mean just as little to the lysenkoists as they do to the anti-evolutionists.
Theodosius Dobzhansky (The Pseudoscience Wars: Immanuel Velikovsky and the Birth of the Modern Fringe)
All the seeds of Christianity -- of superstition, were sown in my mind and cultivated with great diligence and care. All that time I knew nothing of any science -- nothing about the other side -- nothing of the objections that had been urged against the blessed Scriptures, or against the perfect Congregational creed. Of course I had heard the ministers speak of blasphemers, of infidel wretches, of scoffers who laughed at holy things. They did not answer their arguments, but they tore their characters into shreds and demonstrated by the fury of assertion that they had done the Devil's work. And yet in spite of all I heard -- of all I read. I could not quite believe. My brain and heart said No. For a time I left the dreams, the insanities, the illusions and delusions, the nightmares of theology. I studied astronomy, just a little -- I examined maps of the heavens -- learned the names of some of the constellations -- of some of the stars -- found something of their size and the velocity with which they wheeled in their orbits -- obtained a faint conception of astronomical spaces -- found that some of the known stars were so far away in the depths of space that their light, traveling at the rate of nearly two hundred thousand miles a second, required many years to reach this little world -- found that, compared with the great stars, our earth was but a grain of sand -- an atom – found that the old belief that all the hosts of heaven had been created for the benefit of man, was infinitely absurd.
Robert G. Ingersoll
STOP wasting precious life listening to lies spawning from the darkness...for the darkness can never tell the truth. Instead,listen inside yourself to the compelling truth of light...for it can never lie. When darkness tells you that you're a failure...believe you're not. When its despair urges you to QUIT...DON'T!
Timothy Pina (Soul Vomit: Beating Down Domestic Violence)
I have yet to see the sauna," Rycca said. She was a damn distracting woman. He could scarcely remember what he'd been thinking about a few moments before, except that it had been ridiculous. "You can't actually see much in there," he said absently, studying how the rays of sun played in her hair. "It's dark." "Really? I guess we'll just have to go by touch then." Anticipation rippled through him and with it his merry fellow surged happily. Dragon sighed. A day begun hurtling over a horse's head might as well include a little relaxation. "Is it very hot?" Rycca asked as she ducked her head to enter the low stone building cut into the side of the hill. Vividly aware that the deep bruising he had felt only a short time before was eclipsed by far more urgent sensations, Dragon smiled. "Extremely." She looked at him over her shoulder. "I won't get burned,will I?" "Quite probably," he said and came up close behind her,urging her into the chamber.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I took the bottle and poured another drink. Already it was quite clear to me that I was completely drunk and that I should not take any more. Even so, the urge to go on drinking was stronger. The coloured web in my brain enticed me, the dark untrodden jungles of my inner self tempted me; from afar, a soft seductive voice was calling.
Hans Fallada (The Drinker)
I’ve never quite mastered the art of holding my liquor,” she replied. He watched her root around in her purse a moment, before pulling out a tube of lip balm. As Jonas watched her apply it, he nearly got distracted from her answer. Leaning forward, Jonas murmured, “Can’t hold your liquor, huh?” She replaced the cap and dropped it back into her purse. “Not so much. I tend to get a bit too happy.” His eyebrows shot up and his cock came to full-alert status. Happy--he liked the sound of that. “And that’s a bad thing?” To his utter shock, Deanna blushed. “In my case it is.” Curiosity got the better of him. “Care to explain?” The waiter returned with the check, forcing Jonas to drop the conversation while he fished out his credit card. Once they were alone again, Jonas waited, hoping Deanna would go into more detail. She didn’t disappoint him. “All my inhibitions disappear. It’s not a comfortable feeling for me.” She was killing him. An immediate picture of a carefree Deanna sprang to mind. He liked it a hell of a lot. “Most people enjoy letting it all hang out every once in a while. Taking life too seriously leads to an early grave.” “Maybe, but if I suddenly develop the urge, I’d rather be coherent.” “You don’t like to give up control,” he surmised. She cocked her head to the side, as if unsure how to respond at first. “It’s not that,” she said. “I guess if I’m in the mood to go romping naked through a forest, for example, then I don’t want alcohol to blur the memorable event for me.” She laughed. “I mean, I’d want to remember a crazy moment like that. Wouldn’t you?” No doubt about it, Jonas liked the way the lady’s mind worked. “You had me at ‘running naked’.” Deanna snorted. “You need serious help.
Anne Rainey (Pleasure Bound (Hard to Get, #2))
Well, let me put it this way: the only thing about the King of Wands that doesn’t quite fit with you is that he is a man of fiery passions.” He raised his brows. “And I am not?” She smirked at him. “I don’t know. Are you?” Such a question. He dismissed it as rhetorical until she laid the king on the table and locked eyes with him. Boldly. And as he studied her expression, he sensed an invitation. A dare. A challenge for him to answer her about whether he was a man of fiery passions. He nearly succumbed to the temptation to show her just how fiery his passions could be. Restraint, Charles. Hold yourself in check. He sobered, as temperance, his lifelong, rational, and calming friend, curbed his urge to kiss the question right off her lips.
Anna Durbin (King of Wands)
Fucking dammit. This kid. This rude, demanding, unrepentant boy. The mess of it is, Aberforth does like the boy, likes him a hell of a lot more than he likes most people, and hell of a lot more than ever liked his brother. Aberforth just might be one of the few people in this world—maybe the only one—who preferred Regulus to Sirius even when they were just dumb little shits building snow forts that blocked the sidewalks, which Aberforth had to shovel out the way, grunting and grumbling under his breath the whole time. Maybe it was because Regulus reminded him of Ariana, and himself; maybe it was because Sirius reminded him of Albus. He doesn't know what it was, but Aberforth has found himself thankful many times since Albus died that it was Sirius who gave the killing blow, not Regulus. It's easier to hate Sirius. For Aberforth, hating Regulus isn't quite working out. He doesn't particularly care that the boy is getting married, and Aberforth had no urge to even attend the damn wedding, but then the boy showed up to demand he officiate it. The impulse to do so now, just because it matters that much, just because he matters that much to someone, still, to someone alive…it's strong. The impulse is really strong, except Sirius will be there, and Aberforth swore to never go back to district six until he was a pile of ashes. He won't, not even for the boy, arguably the last person in this world Aberforth even cares about on a personal level, and that's a bit of a stretch as it is.
Zeppazariel (Crimson Rivers)
Don’t be out of temper, my dear,’ urged Fagin, submissively. ‘I have never forgot you, Bill; never once.’ ‘No! I’ll pound it that you han’t,’ replied Sikes, with a bitter grin. ‘You’ve been scheming and plotting away, every hour that I have laid shivering and burning here; and Bill was to do this; and Bill was to do that; and Bill was to do it all, dirt cheap, as soon as he got well: and was quite poor enough for your work. If it hadn’t been for the girl, I might have died.’ ‘There now, Bill,’ remonstrated Fagin, eagerly catching at the word. ‘If it hadn’t been for the girl! Who but poor ould Fagin was the means of your having such a handy girl about you?’ ‘He says true enough there!’ said Nancy, coming hastily forward. ‘Let him be; let him be.
Charles Dickens (Oliver Twist)
The Raccoon It happened in the dead of night while I was slicing bread for a guilty snack. My attention was caught by the scuttering of a raccoon outside my window. That was, I believe, the first time I noticed my strange tendencies as an unordinary human. I gave the raccoon a piece of bread, my subconscious well aware of the consequences. Well aware that a raccoon that is fed will always come back for more. The enticing beauty of my cutting knife was the symptom. The bread, my hungry curiosity. The raccoon, an urge. The moon increments its phase and reflects that much more light off of my cutting knife. The very same light that glistens in the eyes of my raccoon friend. I slice the bread, fresh and soft. The raccoon becomes excited. Or perhaps I'm merely projecting my emotions onto the newly-satisfied animal. The raccoon has taken to following me. You could say that we've gotten quite used to each other. The raccoon becomes hungry more and more frequently, so my bread is always handy. Every time I brandish my cutting knife, the raccoon shows me its excitement. A rush of blood. Classic Pavlovian conditioning. I slice the bread. And I feed myself again.
Dan Salvato
Equally disagreeable is the man who, when leaving in the middle of the night, takes care to fasten the cord of his headdress. This is quite unnecessary; he could perfectly well put it gently on his head without tying the cord. And why must he spend time adjusting his cloak or hunting costume? Does he really think that someone may see him at this time of night and criticize him for not being impeccably dressed? A good lover will behave as elegantly at dawn as at any other time. He drags himself out of bed with a look of dismay on his face. The lady urges him on: “Come, my friend, it’s getting light. You don’t want anyone to find you here.” He gives a deep sigh, as if to say that the night has not been nearly long enough and that it is agony to leave. Once up, he does not instantly pull on his trousers. Instead, he comes close to the lady and whispers whatever was left unsaid during the night. Even when he is dressed, he still lingers, vaguely pretending to be fastening his sash. Presently he raises the lattice, and the two lovers stand together by the side door while he tells her how he dreads the coming day, which will keep them apart; then he slips away. The lady watches him go, and this moment of parting will remain among her most charming memories. Indeed, one’s attachment to a man depends largely on the elegance of his leave-taking. When he jumps out of bed, scurries about the room, tightly fastens his trouser-sash, rolls up the sleeves of his Court cloak, over-robe, or hunting costume, stuffs his belongings into the breast of his robe and then briskly secures the outer sash—one really begins to hate him.
Sei Shōnagon (The Pillow Book)
So far, so good, but what about the man who rushes headlong into the fire to save a complete stranger? The stranger is probably not genetically related to the man who helps him, so this act must surely be truly unselfish and altruistic? The answer is Yes, but only by accident. The accident is caused by the rapid growth of human populations in the last few thousand years. Previously, for millions of years, man was tribal and any inborn urge to help his fellow-men would have meant automatically that he was helping gene-sharing relatives, even if only remote ones. There was no need for this urge to be selective, because there were no strangers around to create problems. But with the urban explosion, man rapidly found himself in huge communities, surrounded by strangers, and with no time for his genetic constitution to alter to fit the startlingly new circumstances. So his altruism inevitably spread to include all his new fellow-citizens, even though many of them may have been genetically quite unrelated to him. Politicians, exploiting this ancient urge, were easily able to spread the aid-system even further, to a national level called patriotism, so that men would go and die for their country as if it were their ancient tribe or their family.
Desmond Morris (Peoplewatching: The Desmond Morris Guide to Body Language)
Through neglect of this rule, many men of genius and great scholars have become weak-minded and childish, or even gone quite mad, as they grew old. To take no other instances, there can be no doubt that the celebrated English poets of the early part of this century, Scott, Wordsworth, Southey, became intellectually dull and incapable towards the end of their days, nay, soon after passing their sixtieth year; and that their imbecility can be traced to the fact that, at that period of life, they were all led on? by the promise of high pay, to treat literature as a trade and to write for money. This seduced them into an unnatural abuse of their intellectual powers; and a man who puts his Pegasus into harness, and urges on his Muse with the whip, will have to pay a penalty similar to that which is exacted by the abuse of other kinds of power. And
Arthur Schopenhauer (The Essays of Arthur Schopenhauer; Counsels and Maxims)
We are now perched on a strange cusp of history,” Edmond continued, “a time when the world feels like it’s been turned upside down, and nothing is quite as we imagined. But uncertainty is always a precursor to sweeping change; transformation is always preceded by upheaval and fear. I urge you to place your faith in the human capacity for creativity and love, because these two forces, when combined, possess the power to illuminate any darkness.
Dan Brown (Origin (Robert Langdon, #5))
I want economists to quit concerning themselves with allocation problems, per se, with the problem, as it has been traditionally defined. The vocabulary of science is important here, and as T. D. Weldon once suggested, the very word "problem" in and of itself implies the presence of "solution." Once the format has been established in allocation terms, some solution is more or less automatically suggested. Our whole study becomes one of applied maximization of a relatively simple computational sort. Once the ends to be maximized are provided by the social welfare function, everything becomes computational, as my colleague, Rutledge Vining, has properly noted. If there is really nothing more to economics than this, we had as well turn it all over to the applied mathematicians. This does, in fact, seem to be the direction in which we are moving, professionally, and developments of note, or notoriety, during the past two decades consist largely in improvements in what are essentially computing techniques, in the mathematics of social engineering. What I am saying is that we should keep these contributions in perspective; I am urging that they be recognized for what they are, contributions to applied mathematics, to managerial science if you will, but not to our chosen subject field which we, for better or for worse, call "economics.
James M. Buchanan
What happened on that tiny island off the coast of Cuba called Flowering Cay at times seems like a half-remembered dream, one of those groggy remembrances that you’re never quite certain you didn’t just imagine. Other times I can recall it with such clarity it is as if it happened yesterday. Sitting in front of my typewriter as the palms sway gently at the urging of the trade winds, I almost wish I could forget everything. But then I think of Faith.
Bobby Underwood (Havana)
One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
Erich Maria Remarque
Fifteen years ago, a business manager from the United States came to Plum Village to visit me. His conscience was troubled because he was the head of a firm that designed atomic bombs. I listened as he expressed his concerns. I knew if I advised him to quit his job, another person would only replace him. If he were to quit, he might help himself, but he would not help his company, society, or country. I urged him to remain the director of his firm, to bring mindfulness into his daily work, and to use his position to communicate his concerns and doubts about the production of atomic bombs. In the Sutra on Happiness, the Buddha says it is great fortune to have an occupation that allows us to be happy, to help others, and to generate compassion and understanding in this world. Those in the helping professions have occupations that give them this wonderful opportunity. Yet many social workers, physicians, and therapists work in a way that does not cultivate their compassion, instead doing their job only to earn money. If the bomb designer practises and does his work with mindfulness, his job can still nourish his compassion and in some way allow him to help others. He can still influence his government and fellow citizens by bringing greater awareness to the situation. He can give the whole nation an opportunity to question the necessity of bomb production. Many people who are wealthy, powerful, and important in business, politics, and entertainment are not happy. They are seeking empty things - wealth, fame, power, sex - and in the process they are destroying themselves and those around them. In Plum Village, we have organised retreats for businesspeople. We see that they have many problems and suffer just as others do, sometimes even more. We see that their wealth allows them to live in comfortable conditions, yet they still suffer a great deal. Some businesspeople, even those who have persuaded themselves that their work is very important, feel empty in their occupation. They provide employment to many people in their factories, newspapers, insurance firms, and supermarket chains, yet their financial success is an empty happiness because it is not motivated by understanding or compassion. Caught up in their small world of profit and loss, they are unaware of the suffering and poverty in the world. When we are not int ouch with this larger reality, we will lack the compassion we need to nourish and guide us to happiness. Once you begin to realise your interconnectedness with others, your interbeing, you begin to see how your actions affect you and all other life. You begin to question your way of living, to look with new eyes at the quality of your relationships and the way you work. You begin to see, 'I have to earn a living, yes, but I want to earn a living mindfully. I want to try to select a vocation not harmful to others and to the natural world, one that does not misuse resources.' Entire companies can also adopt this way of thinking. Companies have the right to pursue economic growth, but not at the expense of other life. They should respect the life and integrity of people, animals, plants and minerals. Do not invest your time or money in companies that deprive others of their lives, that operate in a way that exploits people or animals, and destroys nature. Businesspeople who visit Plum Village often find that getting in touch with the suffering of others and cultivating understanding brings them happiness. They practise like Anathapindika, a successful businessman who lived at the time of the Buddha, who with the practise of mindfulness throughout his life did everything he could to help the poor and sick people in his homeland.
Thich Nhat Hanh (Creating True Peace: Ending Violence in Yourself, Your Family, Your Community, and the World)
My answer to Ona's question 'do boys of thirteen and fourteen pose a threat to the girls and women of Molotschna colony?' was yes. Possibly. Every one of us, male or female, poses a potential threat. Thirteen and fourteen-year-old boys are capable of causing great damage to girls and women and to each other. It is a brash age; these boys are possessed of wreckless urges, physical exuberance, an intense curiosity that often results in injury, unbridled emotion including deep tenderness and empathy and not quite enough experience or brain development to fully understand or appreciate the consequences of their actions or words. They are similar to the yearlings, young, awkward, gleeful, and powerful. They are tall, muscular, sexually inquisitive creatures with little to no impulse control. They are children. They are children and they can be taught. I'm a two-bit schoolteacher, a failed farmer, a "shinda", an effeminate man and above all a believer. I believe that with direction, firm love and patience these boys aged thirteen and fourteen are capable of relearning their roles as males in the Molotschna colony
Miriam Toews (Women Talking)
As he stood with his fingers in the iceflower bowls, he heard his mom and Cyra talking. “My son was eager for me to meet you, I could tell,” his mom said. “You must be a good friend.” “Um…yes,” Cyra said. “I think so, yes.” You think so, Akos thought, resisting the urge to roll his eyes. He’d given her clear enough labels, back in the stairwell, but she still couldn’t quite believe it. That was the problem with being so convinced of your own awfulness--you thought other people were lying when they didn’t agree with you. “I have heard that you have a talent for death,” his mom said. At least Akos had warned Cyra about Sifa’s lack of charm.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Most intellectuals and most artists belong to the same type. Only the strongest of them force their way through the atmosphere of the bourgeois earth and attain to the cosmic. The others all resign themselves or make compromises. Despising the bourgeoisie, and yet belonging to it, they add to its strength and glory; for in the last resort they have to share their beliefs in order to live. The lives of these infinitely numerous persons make no claim to the tragic; but they live under an evil star in a quite considerable affliction; and in this hell their talents ripen and bear fruit. The few who break free seek their reward in the unconditioned and go down in splendor. They wear the thorn crown and their number is small. The others, however, who remain in the fold and from whose talents the bourgeoisie reaps much gain, have a third kingdom left open to them, an imaginary and yet a sovereign world, humor. The lone wolves who know no peace, these victims of unceasing pain to whom the urge for tragedy has been denied and who can never break through the starry space,who feel themselves summoned thither and yet cannot survive in its atmosphere—for them is reserved, provided suffering has made their spirits tough and elastic enough, a way of reconcilement and an escape into humor. Humor has always something bourgeois in it, although the true bourgeois is incapable of understanding it. In its imaginary realm the intricate and manyfaceted ideal of all Steppenwolves finds its realisation. Here it is possible not only to extol the saint and the profligate in one breath and to make the poles meet, but to include the bourgeois, too, in the same affirmation. Now it is possible to be possessed by God and to affirm the sinner, and vice versa, but it is not possible for either saint or sinner (or for any other of the unconditioned) to affirm as well that lukewarm mean, the bourgeois. Humor alone, that magnificent discovery of those who are cut short in their calling to highest endeavor, those who falling short of tragedy are yet as rich in gifts as in affliction, humor alone (perhaps the most inborn and brilliant achievement of the spirit) attains to the impossible and brings every aspect of human existence within the rays of its prism. To live in the world as though it were not the world, to respect the law and yet to stand above it, to have possessions as though "one possessed nothing," to renounce as though it were no renunciation, all these favorite and often formulated propositions of an exalted worldly wisdom, it is in the power of humor alone to make efficacious.
Hermann Hesse
She also taught me to write, by which I mean not simply organizing a set of sentences into a series of paragraphs, but organizing them as a means of investigation. When I was in trouble at school (which was quite often) she would make me write about it. The writing had to answer a series of questions: Why did I feel the need to talk at the same time as my teacher? Why did I not believe that my teacher was entitled to respect? How would I want someone to behave while I was talking? What would I do the next time I felt the urge to talk to my friends during a lesson? I have given you these same assignments. I gave them to you not because I thought they would curb your behavior—they certainly did not curb mine—but because these were the earliest acts of interrogation, of drawing myself into consciousness. Your grandmother was not teaching me how to behave in class. She was teaching me how to ruthlessly interrogate the subject that elicited the most sympathy and rationalizing—myself. Here was the lesson: I was not an innocent. My impulses were not filled with unfailing virtue. And feeling that I was as human as anyone, this must be true for other humans. If I was not innocent, then they were not innocent. Could this mix of motivation also affect the stories they tell? The cities they built? The country they claimed as given to them by God?
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Play it, Eddie, don't be foolish;' she urges. 'Now's the time, break the spell once and for all, prove to yourself that it can't hurt you. If you don't do it now, you'll never get over the idea. It'll stay with you all your life. Go ahead. I'll dance it just like I am.' 'Okay,' he says. He taps. It's been quite some time, but he can rely on his outfit. Slow and low like thunder far away, coming nearer. Boom-putta-putta-boom! Judy whirls out behind him, lets out the first preliminary screech, Eeyaeeya! She hears a commotion in back of her and stops as suddenly as she began. Eddie Bloch's fallen flat on his face and doesn't move again after that. They all know, somehow. There's an inertness, a finality about it that tells them. The dancers wait a minute, mill about, then melt away in a hush. Judy Jarvis doesn't scream, doesn't cry, just stands there staring, wondering. That last thought - did it come from inside his own mind just now - or outside? Was it two months on its way, from the other side of the grave, looking for him, looking for him, until it found him tonight when he played the Chant once more and laid his mind open to Africa? No policeman, no detective, no doctor, no scientist, will ever be able to tell her. Did it come from inside or from outside? All she says is: 'Stand close to me, boys - real close to me, I'm afraid of the dark.' ("Papa Benjamin" aka "Dark Melody Of Madness")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!
Judith McNaught (Almost Heaven (Sequels, #3))
His knee pressed between her legs then, rubbing against her and making her cry out into his mouth, and he did it again with the same result. Then his leg shifted and his hand replaced it, his fingers gliding through the folds to find her most sensitive spot. Claray stilled briefly, and then begun to suck frantically on his tongue as he began to rub his fingers gently over, then around, the treasure he'd found. Within moments she was panting, and writhing beneath him, some fine string inside her body tightening as taut as a bow. So caught up was she in that feeling that she hardly noticed when he broke their kiss and began sliding down her body, his mouth grazing over one breast and the other and then licking and nipping his way down across her stomach. She was vaguely aware of him urging her legs to open wider, so that he could settle between them. However, it wasn't until his fingers stopped their caressing and his head dipped down between her spread legs that she took notice. She was glancing down with confusion when he nuzzled his face between her thighs and lashed her most sensitive area with his tongue. When Claray gasped and bucked in shock, Conall grasped her upper thighs to hold her in place and pressed his mouth between her legs again. For one moment, she was too stunned to feel anything else as he began to caress the sensitive nub with his tongue, and then suckled at the lips around it. But that soon passed as her body responded to his hungry feasting. It was like nothing she'd ever experienced before, nothing she'd even imagined, It was all so raw and carnal and overwhelming and she didn't know what to do. Claray was quite sure this was not something the church would approve of. He could not give her his seed like this. This was--- "Oh God," she gasped, her thoughts scattering on the breeze as he began to suck on the most sensitive part of her. And then it became a mantra. "Oh God, oh God, oh God." She felt his finger push into her, and struggled against the hands holding her, wanting to move her hips, though she had no idea why, and couldn't with him holding her down. He was still caressing her with his mouth even as he withdrew the finger. He then pushed in again and again until something inside of Claray snapped and she cried out breathlessly, her body suddenly thrashing as pleasure overwhelmed her.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
When Roosevelt was elected, rumors spread that Coughlin was in line for a high administrative post and would quit the church to enter government service. But this failed to materialize, and Coughlin became disenchanted with Roosevelt as well. His first public break with Roosevelt came in 1934, when he urged payment of a soldiers’ bonus and the president publicly threatened to veto it. By 1935 Coughlin’s break with Roosevelt was complete; by 1937 his attacks on the president had become so violent that they led, ultimately, to a rebuke from the pope. Roosevelt, whose own radio persona was highly developed, found Coughlin a formidable adversary. The priest had a staff of confidential investigators in Washington, headed by a former Hearst journalist, and his advisers in financial matters consisted of bankers and brokers in New York.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
the case is even stronger, and the parallel with madness is yet more strange. For it was our case against the exhaustive and logical theory of the lunatic that, right or wrong, it gradually destroyed his humanity. Now it is the charge against the main deductions of the materialist that, right or wrong, they gradually destroy his humanity; I do not mean only kindness, I mean hope, courage, poetry, initiative, all that is human. For instance, when materialism leads men to complete fatalism (as it generally does), it is quite idle to pretend that it is in any sense a liberating force. It is absurd to say that you are especially advancing freedom when you only use free thought to destroy free will. The determinists come to bind , not to loose . They may well call their law the "chain" of causation. It is the worst chain that ever fettered a human being. You may use the language of liberty, if you like, about materialistic teaching, but it is obvious that this is just as inapplicable to it as a whole as the same language when applied to a man locked up in a mad-house. You may say, if you like, that the man is free to think himself a poached egg. But it is surely a more massive and important fact that if he is a poached egg he is not free to eat, drink, sleep, walk, or smoke a cigarette. Similarly you may say, if you like, that the bold determinist speculator is free to disbelieve in the reality of the will. But it is a much more massive and important fact that he is not free to raise, to curse, to thank, to justify, to urge, to punish, to resist temptations, to incite mobs, to make New Year resolutions, to pardon sinners, to rebuke tyrants, or even to say "thank you" for the mustard.
G.K. Chesterton (Orthodoxy)
Come to It Empty-Handed Compassion is not hard to come by when the heart is not filled with the cunning things of the mind. It is the mind with its demands and fears, its attachments and denials, its determinations and urges, that destroys love. And how difficult it is to be simple about all this! You don’t need philosophies and doctrines to be gentle and kind. The efficient and the powerful of the land will organize to feed and clothe the people, to provide them with shelter and medical care. This is inevitable with the rapid increase of production; it is the function of well-organized government and a balanced society. But organization does not give the generosity of the heart and hand. Generosity comes from quite a different source, a source beyond all measure. Ambition and envy destroy it as surely as fire burns. This source must be touched, but one must come to it empty-handed, without prayer, without sacrifice
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
As he stood with his fingers in the iceflower bowls, he heard his mom and Cyra talking. “My son was eager for me to meet you, I could tell,” his mom said. “You must be a good friend.” “Um…yes,” Cyra said. “I think so, yes.” You think so, Akos thought, resisting the urge to roll his eyes. He’d given her clear enough labels, back in the stairwell, but she still couldn’t quite believe it. That was the problem with being so convinced of your own awfulness--you thought other people were lying when they didn’t agree with you. “I have heard that you have a talent for death,” his mom said. At least Akos had warned Cyra about Sifa’s lack of charm. He glanced at Cyra. She held her armored wrist against her gut. “I suppose I do,” she said. “But I don’t have a passion for it.” Vapor slipped from the nose of the water kettle, not yet thick enough for Akos to pour. Water had never boiled so slowly. “You two have spent a lot of time together,” his mom said. “Yes.” “Are you to blame for his survival these past few seasons?” “No,” Cyra said. “Your son survives because of his own will.” His mom smiled. “You should defensive.” “I don’t take credit for other people’s strength,” Cyra said. “Only my own.” His mom’s smile got even bigger. “And a little cocky.” “I’ve been called worse.” The vapor was thick enough. Akos grabbed the hook with the wooden handle that hung next to the stove, and attached it to the kettle. It caught, and locked in place as he poured water in each of the mugs. Isae came forward for one, standing on tiptoe so she could whisper in his ear. “If it hasn’t already, it should be dawning on you right about now that your girl and your mother are very similar people,” she said. “I will pause as that irrefutable fact chills you to the core.” Akos eyed her. “Was that humor, Chancellor?” “On occasion, I have been known to make a humorous remark.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
And growth has no end. One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
Erich Maria Remarque (The Road Back)
He stepped back, looked up. Cut into the stone above his head were the words RUE MARAT. For a moment he had the urge to turn back around the corner, climb the stairs, shout to the servants not to bother unpacking, they’d be returning to Arcis in the morning. He looked up to the lighted windows above his head. If I go up there, he thought, I’ll never be free again. If I go up there I commit myself to Max, to joining with him to finish Hébert, and perhaps to governing with him. I commit myself to fishing Fabre out of trouble—though God alone knows how that’s to be managed. I put myself once more under the threat of assassination; I recommence the blood feuds, the denunciations. His face hardened. You can’t stand in the street calling into question the last five years of your life, just because they’ve changed the street name; you can’t let it alter the future. No, he thought—and he saw it clearly, for the first time—it’s an illusion, about quitting, about going back to Arcis to farm. I’ve been lying to Louise: once in, never out.
Hilary Mantel (A Place of Greater Safety)
America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, 'It ain’t no disgrace to be poor, but it might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'if you’re so smart, why ain’t you rich?' There will also be an American flag no larger than a child’s hand – glued to a lollipop stick and flying from the cash register. America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves To quote the American humorist Kin Hubbard, 'It ain't no disgrace to be poor, but might as well be.' It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: 'If you're so smart, why ain't You rich? ' There will also be an American flag no larger than a child's hand-glued to a lollipop stick and, flying from the cash register. Americans, like human beings everywhere, believe many things that are obviously untrue, the monograph went on. Their most destructive untruth is that it is very easy for any American to make money. They will not acknowledge how in fact hard money is to come by, and, therefore, those who have no money blame and blame and blame themselves. This inward blame has been a treasure for the rich and powerful, who have had to do less for their poor, publicly and privately, than any other ruling class since, say, Napoleonic times. Many novelties have come from America. The most startling of these, a thing without precedent, is a mass of undignified poor. They do not love one another because they do not love themselves. Once this is understood the disagreeable behavior of American enlisted men in German prisons ceases to be a mystery. Every other army in history, prosperous or not, has attempted to clothe even its lowliest soldiers so as to make them impressive to themselves and others as stylish experts in drinking and copulation and looting and sudden death. The American Army, however, sends its enlisted men out to fight and die in a modified business suit quite evidently made for another man, a sterilized but unpressed gift from a nose-holding charity which passes out clothing to drunks in the slums. When a dashingly-clad officer addresses such a frumpishly dressed bum, he scolds him, as an officer in an army must. But the officer's contempt is not, as in 'other armies, avuncular theatricality. It is a genuine expression of hatred for the poor, who have no one to blame for their misery but themselves. A prison administrator dealing with captured American enlisted men for the first time should be warned: Expect no brotherly love, even between brothers. There will be no cohesion between the individuals. Each will be a sulky child who often wishes he were dead.
Kurt Vonnegut Jr. (Breakfast of Champions)
To Harry James Potter,’” he read, and Harry’s insides contracted with a sudden excitement, “‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.’” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour. “No idea,” said Harry. “For the reasons you just read out, I supposed . . . to remind me what you can get if you . . . persevere and whatever it was.” “You think this a mere symbolic keepsake, then?” “I suppose so,” said Harry. “What else could it be?” “I’m asking the questions,” said Scrimgeour, shifting his chair a little closer to the sofa. Dusk was really falling outside now; the marquee beyond the windows towered ghostly white over the hedge. “I notice that your birthday cake is in the shape of a Snitch,” Scrimgeour said to Harry. “Why is that?” Hermione laughed derisively. “Oh, it can’t be a reference to the fact Harry’s a great Seeker, that’s way too obvious,” she said. “There must be a secret message from Dumbledore hidden in the icing!” “I don’t think there’s anything hidden in the icing,” said Scrimgeour, “but a Snitch would be a very good hiding place for a small object. You know why, I’m sure?” Harry shrugged. Hermione, however, answered: Harry thought that answering questions correctly was such a deeply ingrained habit she could not suppress the urge. “Because Snitches have flesh memories,” she said. “What?” said Harry and Ron together; both considered Hermione’s Quidditch knowledge negligible. “Correct,” said Scrimgeour. “A Snitch is not touched by bare skin before it is released, not even by the maker, who wears gloves. It carries an enchantment by which it can identify the first human to lay hands upon it, in case of a disputed capture. This Snitch”—he held up the tiny golden ball—“will remember your touch, Potter. It occurs to me that Dumbledore, who had prodigious magical skill, whatever his other faults, might have enchanted this Snitch so that it will open only for you.” Harry’s heart was beating rather fast. He was sure that Scrimgeour was right. How could he avoid taking the Snitch with his bare hand in front of the Minister? “You don’t say anything,” said Scrimgeour. “Perhaps you already know what the Snitch contains?” “No,” said Harry, still wondering how he could appear to touch the Snitch without really doing so. If only he knew Legilimency, really knew it, and could read Hermione’s mind; he could practically hear her brain whirring beside him. “Take it,” said Scrimgeour quietly. Harry met the Minister’s yellow eyes and knew he had no option but to obey. He held out his hand, and Scrimgeour leaned forward again and placed the Snitch, slowly and deliberately, into Harry’s palm. Nothing happened. As Harry’s fingers closed around the Snitch, its tired wings fluttered and were still. Scrimgeour, Ron, and Hermione continued to gaze avidly at the now partially concealed ball, as if still hoping it might transform in some way. “That was dramatic,” said Harry coolly. Both Ron and Hermione laughed. “That’s all, then, is it?” asked Hermione, making to prise herself off the sofa. “Not quite,” said Scrimgeour, who looked bad-tempered now. “Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Hermione and Ron both stiffened. Harry looked around for a sign of the ruby-encrusted hilt, but Scrimgeour did not pull the sword from the leather pouch, which in any case looked much too small to contain it.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
As he stood with his fingers in the iceflower bowls, he heard his mom and Cyra talking. “My son was eager for me to meet you, I could tell,” his mom said. “You must be a good friend.” “Um…yes,” Cyra said. “I think so, yes.” You think so, Akos thought, resisting the urge to roll his eyes. He’d given her clear enough labels, back in the stairwell, but she still couldn’t quite believe it. That was the problem with being so convinced of your own awfulness--you thought other people were lying when they didn’t agree with you. “I have heard that you have a talent for death,” his mom said. At least Akos had warned Cyra about Sifa’s lack of charm. He glanced at Cyra. She held her armored wrist against her gut. “I suppose I do,” she said. “But I don’t have a passion for it.” Vapor slipped from the nose of the water kettle, not yet thick enough for Akos to pour. Water had never boiled so slowly. “You two have spent a lot of time together,” his mom said. “Yes.” “Are you to blame for his survival these past few seasons?” “No,” Cyra said. “Your son survives because of his own will.” His mom smiled. “You should defensive.” “I don’t take credit for other people’s strength,” Cyra said. “Only my own.” His mom’s smile got even bigger. “And a little cocky.” “I’ve been called worse.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg. The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice. “Yes, thank you.” Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again. Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.” Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee. Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.” Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
Judith McNaught (Almost Heaven (Sequels, #3))
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation. “Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part. The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?” “Do you want to make it into one?” Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.” “Why not?” “You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.” “They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.” His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape. “How do you remember it?” he teased as his lips came closer. “Show me.
Judith McNaught (Almost Heaven (Sequels, #3))
Subject of Thought Number of Times Thought Occurred per Year (in descending order) L. 580.0 Family 400.0 Brushing tongue 150.0 Earplugs 100.0 Bill-paying 52.0 Panasonic three-wheeled vacuum cleaner, greatness of 45.0 Sunlight makes you cheerful 40.0 Traffic frustration 38.0 Penguin books, all 35.0 Job, should I quit? 34.0 Friends, don't have any 33.0 Marriage, a possibility? 32.0 Vending machines 31.0 Straws don't unsheath well 28.0 Shine on moving objects 25.0 McCartney more talented than Lennon? 23.0 Friends smarter, more capable than I am 19.0 Paper-towel dispensers 19.0 "What oft was thought, but ne'er" etc. 18.0 People are very dissimilar 16.0 Trees, beauty of 15.0 Sidewalks 15.0 Friends are unworthy of me 15.0 Indentical twins separated at birth, studies of traits 14.0 Intelligence, going fast 14.0 Wheelchair ramps, their insane danger 14.0 Urge to kill 13.0 Escalator invention 12.0 People are very similar 12.0 "Not in my backyard" 11.0 Straws float now 10.0 DJ, would I be happy as one? 9.0 "If you can't get out of it, get into it" 9.0 Pen, felt-tip 9.0 Gasoline, nice smell of 8.0 Pen, ballpoint 8.0 Stereo systems 8.0 Fear of getting mugged again 7.0 Staplers 7.0 "Roaches check in, but they don't check out" 6.0 Dinner roll, image of 6.0 Shoes 6.0 Bags 5.0 Butz, Earl 4.0 Sweeping, brooms 4.0 Whistling, yodel trick 4.0 "You can taste it with your eyes" 4.0 Dry-cleaning fluid, smell of 3.0 Zip-lock tops 2.0 Popcorn 1.0 Birds regurgitate food and feed young with it 0.5 Kant, Immanuel 0.5
Nicholson Baker (The Mezzanine)
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!” As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better. I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break. John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing. Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps. I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks. “Please!” John practically pushes Stormy into Mr. Morales’s arms. “Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her. John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name. “Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?” I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance. “I want to see the young people dance!” Normal yells. John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.” I feign hesitation and then nod. My pulse is racing. Target acquired.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
There are two fundamentally different ways for the strong to bend down to the weak, for the rich to help the poor, for the more perfect life to help the “less perfect.” This action can be motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one’s own life and existence. All this unites into the clear awareness that one is rich enough to share one’s being and possessions. Love, sacrifice, help, the descent to the small and the weak, here spring from a spontaneous overflow of force, accompanied by bliss and deep inner calm. Compared to this natural readiness for love and sacrifice, all specific “egoism,” the concern for oneself and one’s interest, and even the instinct of “self-preservation” are signs of a blocked and weakened life. Life is essentially expansion, development, growth in plenitude, and not “self-preservation,” as a false doctrine has it. Development, expansion, and growth are not epiphenomena of mere preservative forces and cannot be reduced to the preservation of the “better adapted.” ... There is a form of sacrifice which is a free renunciation of one’s own vital abundance, a beautiful and natural overflow of one’s forces. Every living being has a natural instinct of sympathy for other living beings, which increases with their proximity and similarity to himself. Thus we sacrifice ourselves for beings with whom we feel united and solidary, in contrast to everything “dead.” This sacrificial impulse is by no means a later acquisition of life, derived from originally egoistic urges. It is an original component of life and precedes all those particular “aims” and “goals” which calculation, intelligence, and reflection impose upon it later. We have an urge to sacrifice before we ever know why, for what, and for whom! Jesus’ view of nature and life, which sometimes shines through his speeches and parables in fragments and hidden allusions, shows quite clearly that he understood this fact. When he tells us not to worry about eating and drinking, it is not because he is indifferent to life and its preservation, but because he sees also a vital weakness in all “worrying” about the next day, in all concentration on one’s own physical well-being. ... all voluntary concentration on one’s own bodily wellbeing, all worry and anxiety, hampers rather than furthers the creative force which instinctively and beneficently governs all life. ... This kind of indifference to the external means of life (food, clothing, etc.) is not a sign of indifference to life and its value, but rather of a profound and secret confidence in life’s own vigor and of an inner security from the mechanical accidents which may befall it. A gay, light, bold, knightly indifference to external circumstances, drawn from the depth of life itself—that is the feeling which inspires these words! Egoism and fear of death are signs of a declining, sick, and broken life. ... This attitude is completely different from that of recent modern realism in art and literature, the exposure of social misery, the description of little people, the wallowing in the morbid—a typical ressentiment phenomenon. Those people saw something bug-like in everything that lives, whereas Francis sees the holiness of “life” even in a bug.
Max Scheler (Ressentiment (Marquette Studies in Philosophy))
A few years back, I had a long session with a psychiatrist who was conducting a study on post-traumatic stress disorder and its effects on reporters working in war zones. At one point, he asked me: “How many bodies have you seen in your lifetime?” Without thinking for too long, I replied: “I’m not sure exactly. I've seen quite a few mass graves in Africa and Bosnia, and I saw a well crammed full of corpses in East Timor, oh and then there was Rwanda and Goma...” After a short pause, he said to me calmly: “Do you think that's a normal response to that question?” He was right. It wasn't a normal response. Over the course of their lifetime, most people see the bodies of their parents, maybe their grandparents at a push. Nobody else would have responded to that question like I did. Apart from my fellow war reporters, of course. When I met Marco Lupis nearly twenty years ago, in September 1999, we were stood watching (fighting the natural urge to divert our gaze) as pale, maggot-ridden corpses, decomposed beyond recognition, were being dragged out of the well in East Timor. Naked bodies shorn of all dignity. When Marco wrote to ask me to write the foreword to this book and relive the experiences we shared together in Dili, I agreed without giving it a second thought because I understood that he too was struggling for normal responses. That he was hoping he would find some by writing this book. While reading it, I could see that Marco shares my obsession with understanding the world, my compulsion to recount the horrors I have seen and witnessed, and my need to overcome them and leave them behind. He wants to bring sense to the apparently senseless. Books like this are important. Books written by people who have done jobs like ours. It's not just about conveying - be it in the papers, on TV or on the radio - the atrocities committed by the very worst of humankind as they are happening; it’s about ensuring these atrocities are never forgotten. Because all too often, unforgivably, the people responsible go unpunished. And the thing they rely on most for their impunity is that, with the passing of time, people simply forget. There is a steady flow of information as we are bombarded every day with news of the latest massacre, terrorist attack or humanitarian crisis. The things that moved or outraged us yesterday are soon forgotten, washed away by today's tidal wave of fresh events. Instead they become a part of history, and as such should not be forgotten so quickly. When I read Marco's book, I discovered that the people who murdered our colleague Sander Thoenes in Dili, while he was simply doing his job like the rest of us, are still at large to this day. I read the thoughts and hopes of Ingrid Betancourt just twenty-four hours before she was abducted and taken to the depths of the Colombian jungle, where she would remain captive for six long years. I read that we know little or nothing about those responsible for the Cambodian genocide, whose millions of victims remain to this day without peace or justice. I learned these things because the written word cannot be destroyed. A written account of abuse, terror, violence or murder can be used to identify the perpetrators and bring them to justice, even though this can be an extremely drawn-out process during and after times of war. It still torments me, for example, that so many Bosnian women who were raped have never got justice and every day face the prospect of their assailants passing them on the street. But if I follow in Marco's footsteps and write down the things I have witnessed in a book, people will no longer be able to plead ignorance. That is why we need books like this one.
Janine Di Giovanni