Upstream Color Quotes

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Unkar Delta at Mile 73 The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke’s description of “raspberry-red color, tempered with a what-not of mauve, heliotrope, and violet.” Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified.
Ann Zwinger (Downcanyon: A Naturalist Explores the Colorado River through the Grand Canyon)
was not a blue stream with white rapids. The water in the slower stretches was opaque, and the color of rust. In the rapids and waterfalls it foamed bright shades of pink. Classic Martian tones, caused, Diana said, by the fines that were suspended in the water like glacial silt—also by the reflected color of the sky, which was today a kind of hazy mauve, going lavender around the veiled sun, as yellow as the iris of a tiger’s eye. But no matter the color of the water—it was a running river, in an obviously riverine valley, placid in some places, agitated in others, with gravel fords, sandbars, braided sections, crumbling lemniscate islands, there a big deep lazy oxbow, frequent rapids, and far upstream, a couple of small falls.
Kim Stanley Robinson (Green Mars (Mars Trilogy, #2))
A cloud in the sky suddenly lighted as if turned on by a switch; its reflection just as suddenly materialized on the water upstream, flat and floating, so that I couldn’t see the creek bottom, or life in the water under the cloud. Downstream, away from the cloud on the water, water turtles smooth as beans were gliding down with the current. I didn’t know whether to trace the progress of one turtle…or scan the mud bank in hope of seeing a muskrat, or follow the last of the swallows who caught at my heart and trailed it after them…But shadows spread, and deepened, and stayed. Things were going on. I couldn’t see whether that sere rustle I heard was a distant rattlesnake, slit-eyed, or a nearby sparrow kicking at debris….Tremendous action roiled the water everywhere I looked, big action, inexplicable… At last I stared upstream where only the deepest violet remained of the cloud, a cloud so high its underbelly still glowed feeble color from a hidden sky lighted in turn by sun halfway to China. And out of that violet, a sudden enormous black body arced over the water. I saw only a cylindrical sleekness. Head and tail, if there was a head and tail, were both submerged in a cloud. I saw only one ebony fling, a headlong dive to darkness; then the waters closed and the lights went out. I walked home in a shivering daze, uphill and down. Later I lay open-mouthed in bed, my arms flung wide at my sides to steady the whirling darkness. At this latitude I’m spinning 836 miles an hour round the earth’s axis; I often fancy I feel my sweeping fall as a breakneck arc like the dive of dolphins, and the hollow rushing of wind raises hair on my neck and the side of my face. In orbit around the sun I’m moving 64,800 miles an hour. The solar system as a whole, like a merry-go-round unhinged, spins, bobs, and blinks at the speed of 43,200 miles an hour along a course set east of Hercules. Someone has piped, and we are dancing a tarantella until the sweat pours. I open my eyes and I see dark, muscled forms curl out of water, with flapping gills and flattened eyes. I close my eyes and I see stars, deep stars giving way to deeper stars, deeper stars bowing to deepest stars at the crown on an infinite cone.
Annie Dillard (Pilgrim at Tinker Creek)
In relationships, secrets are termites that feast on intimacy, self-value, and trust until the raw material of love loses its structure and disintegrates. Whatever Liv and I shared was eroded by dishonesty until it collapsed on itself. That I’d known it would never last was the biggest lie and perhaps even a subconscious motivation to destroy it. It wasn’t calculated, but all the secrets I carried made it impossible for me to love and be loved. I made many mistakes and now I’m looking across the delta at the landscape destruction built. If we get honest, the wreckage of secrets can guide us toward safe harbor if we’re brave enough to stare into ourselves and understand what we hide and why. The secrets we keep are the pieces of ourselves we deem unlovable. But when we embrace them, they lose their potency and no longer hold power over us, releasing us downstream, and I think I know why Steve is always looking that way. Downstream is the future, and if we choose honesty, the future is always hopeful. We’re never outside the reach of rebuilding and forgiving the mistakes we’ve made upstream. It’s frightening work but worth every mile we travel. With enough time and courage, the mistakes of our past become the unshakable bedrock of a better future.
Cory Richards (The Color of Everything: A Journey to Quiet the Chaos Within)