Glorious Mess Quotes

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One of the most glorious messes in the world is the mess created in the living room on Christmas day. Don't clean it up too quickly." ~ (1919-), American writer, producer, humorist.
Andy Rooney
People may hate us because of Jesus, but they should never hate Jesus because of us. The way we treat others should lead them to only one conclusion: “If this is how Jesus loves, then I’m in.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Once and for all the idea of glorious victories won by the glorious army must be wiped out Neither side is glorious On either side they're just frightened men messing their pants and they all want the same thing Not to lie under the earth but to walk upon it without crutches (Roux, act 1, scene 19)
Peter Weiss (The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade)
This life is not a race or a contest, there is enough abundance to go around, your seat at the table is secure, and you have incredible gifts to offer. You are not in competition with your peers.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
One of the most glorious messes in the world is the mess created in the living room on Christmas day. Don't clean it up too quickly.
Andy Rooney
You are far more than your worst day, your worst experience, your worst season, dear one. You are more than the sorriest decision you ever made. You are more than the darkest sorrow you’ve endured. Your name is not Ruined. It is not Helpless. It is not Victim. It is not Irresponsible. History is replete with overcomers who stood up after impossible circumstances and walked in freedom. You are not an anemic victim destined to a life of regret. Not only are you capable, you have full permission to move forward in strength and health.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Baking bread is as glorious as planting flowers, as doing a cardiac bypass, as teaching a child to read.
Laura Schlessinger (Ten Stupid Things Women Do to Mess Up Their Lives)
This city is alive. It has a soul, and that soul is a glorious mess of beliefs and cultures all swirling together into something precious and strange and new.
William Ritter (Ghostly Echoes (Jackaby, #3))
Loved people love people. Forgiven people forgive people. Adored people adore people. Freed people free people. But when we are still locked in our own prisons, it is impossible to crave the liberation of others. Misery prefers company.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
If you want to make good friends, be a good friend. Send kindness out in big, generous waves, send it near and far, send it through texts and e-mails and calls and words and hugs, send it by showing up, send it by proximity, send it in casseroles, send it with a well-timed “me too,” send it with abandon. Put out exactly what you hope to draw in, and expect it back in kind and in equal measure.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
G. K. Chesterton wrote: “A dead thing can go with the stream, but only a living thing can go against it.”2 Change means you’re alive, my friend.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
We are never defeated, not even when all the evidence appears to the contrary. If you are still breathing, there is always tomorrow, and it can always be new. You don't have to be who you were.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Of course, in a hundred years, no one will remember any of us and our story will be lost in obscurity, but for us, for all these years when we were kids and then grown-ups, when you were young parents and then grandparents, this is the only story that ever mattered, and it was such a marvelous one. The best story I ever imagined.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
You were born into a glorious mess, and we all have become something of a glorious mess ourselves. And in the midst of our mess, God has a thing for us. He does not despise our humanity or despair over our condition as we sometimes do. He does not turn his face away from us in our failings or our self-centeredness, as we would like to. He is not surprised.
Stasi Eldredge (Becoming Myself: Embracing God's Dream of You)
Flatten your feet, because nothing in your life is too dead for resurrection.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
A CELEBRATION OF WEIRD Don’t become a spiritual zombie, devoid of passion and deep human feeling. Let spirituality become a celebration of your uniqueness rather than a repression of it. Never lose your quirkiness, your strangeness, your weirdness – your unique and irreplaceable flavour. Don’t try or pretend to be ‘no-one’ or ‘nothing’ or some transcendent and impersonal non-entity with ‘no self’ or ‘no ego’, ‘beyond the human’ – that’s just another conceptual fixation and nobody’s buying it any more. Be a celebration of what your unique expression is and stop apologising. Fall in love with this perfectly divine, very human mess that you are. There is no authority here, and no way to get life wrong. So get it all wrong. Fail, gloriously.
Jeff Foster (Falling in Love with Where You Are: A Year of Prose and Poetry on Radically Opening Up to the Pain and Joy of Life)
THE ULTIMATE HANDS FREE LIFE HABIT BUILDER If I Live to Be 100 If I live to be 100, it won’t be because I tidied up the house before I left each day. It will be because of the glorious mess I made while I was living life.
Rachel Macy Stafford (Hands Free Life: 9 Habits for Overcoming Distraction, Living Better, and Loving More)
Most of the kids here talk constantly about the glorious day when they will finally be reunited with their families, never mind the fact that it was their screwed-up parents who messed them up and then dumped them here. That's another fact of life - it's really hard not to love your parents, even when they suck.
Kerry Kletter (The First Time She Drowned)
If understood, believed, and lived out, God’s plan would naturally place Christians at the epicenter of their communities, like hope magnets, like soft places to fall, like living sanctuaries. We’d be coveted neighbors and trusted advocates, friends to all and enemies of none. Our reputation would precede us, and we would be such a joy to the world.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
She pressed her hands against my chest and tried to push me away. "I can't think straight when you 're this close." I backed her up against the wall. "I don't like the thoughts running through your head. I plan on staying here until you look me in the eye and tell me you 're mine." "This isn't going to work. It never would have." "Bullshit. We belong together." Echo sniffed and the sound tore at me. I softened my voice. "Look at me, baby. I know you love me. Three nights ago you were willing to offer everything to me. There is no way you can walk away from us." "God Noah..." Her voice broke. "I'm a mess." A mess? "You 're beautiful." "I'm a mental mess. In two months you 're going to face some judge and convince him that you are the best person to raise your brothers. I'm a liability." "Not true. My brothers will love you and you 'll love them. You are not a liability." "But how will the judge see me? Are you really willing too take that risk? [...] What happens if the judge find out about me? What if he discovers what a mess you 're dating?" Breathing became a painful chore. Her lips turned down while her warm fingers caressed my cheek. That touch typically brought me to knees, but now it cut me open. "Did you know that when you stop being stubborn and accept i may be right on something, your eyes widen a little and you tilt your head to the side?" she asked. I forced my head straight and narrowed my eyes. "I love you." She flashed her glorious smile and then it became the saddest smile in the world. "You love your brothers more. I'm okay with that. In fact, it's one of the things i love about you. You were right the other day. I do want to be a part of a family. But i'd never forgive myself if i was the reason you didn't get yours." To my horror, tears pricked my eyes and my throat swelled shut. "No, you 're not pulling this sacrificial bullshit on me. I love you and you love me and we 're supposed to be together." Echo pressed her body to mine and her fingers clung to my hair. Water glistened in her eyes. "I love you enough to never make you choose." She pushed off her toes toward me, guiding my head down, and gently kissed my lips. No. This wouldn't be goudbye. I'd fill her up and make her realize she'd always be empty without me. I made Echo mine. My hands claimed her hair, her back. My lips claimed her mouth, her tongue. Her body shook against mine and i tasted salty wetness on her skin. She forced her lips away and i latched tighter to her. "No, baby, no," i whispered into her hair. She pushed her palms against my chest, then became a blur as she ran past. "I'm sorry.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Isolation concentrates every struggle. The longer we keep our heartaches tucked away in the dark, the more menacing they become. Pulling them into the light among trusted people who love you is, I swear, 50 percent of the recovery process.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Love refuses to deny or dismantle another’s perspective simply because I don’t share it.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
You are not anyone’s savior; you are a sister.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Embrace the glorious mess that you are
T.L. Martin (Dancing in the Dark)
It was a glorious mess, as all relationships were:
H.G. Parry (The Unlikely Escape of Uriah Heep)
I was playing a new part in a new play: the messed-up adult child coming home in a truly pitiful state in the back of her parents’ luxury sedan. It was a glorious suburban homecoming.
Inna Swinton (The Many Loves of Mila)
Henri Nouwen wrote: “Forgiveness is the name of love practiced among people who love poorly. The hard truth is that all people love poorly. We need to forgive and be forgiven every day, every hour increasingly. That is the great work of love among the fellowship of the weak that is the human family.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Desperately wanting God's kingdom to come, we lead with the law, like a sixteen-year-old girl who thought a Bible on a desk corner would represent the story of God more than the warm, safe embrace of human connection.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
It is incredibly tempting to disparage people who didn’t “change” with us. I have criticized the words of others when the same words came out of my own mouth just two years earlier, which is incredibly un-self-aware. Human insecurity wants everyone right where we are, in the same head space at the same time. We want to progress (and digress) at a comparable rate: Everyone be into this thing I’m into! Except when I’m not. Then everyone be cool. We need to get better at permission and grace. What is right for us may not be right for everyone, and we don’t have to burn down the house simply because we’ve moved our things out. Other good folks probably still live there, and until one minute ago, we did too.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
The expanding balloon in your chest requires a few things. Time, for instance. Creating takes minutes and hours. Living a creative life means making room to dream, craft, compose, produce. It often requires a firm rejection of martyrdom, and I mean that sincerely. The narrative we accept sometimes includes prioritizing all other humans, tasks, and line items to the exclusion of creativity. How dare I? we ask. There are more pressing needs in my life than this artistic expression. I am here to tell you with certainty:
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
If Jesus made the sanctuary free and available for all, we should too. If the savior of the world decided that demarkations and hierarchies and power players were no longer necessary to the health of his church, then who are we to reinstate a ranking system after Jesus rendered it obsolete?
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
God gave humanity many healing tools, and they exist far beyond circumstances. Some of them are traditionally spiritual: prayer, communion, sanctuary, Scripture. The sacraments have always brought us back home to God. But so many others are tactile, physical, of soil and earth, flesh and blood. Some are covert operators of grace, unlikely sources of joy, like a beautiful piece of art, a song, a perfectly told story around a dinner table, a pool party with friends and margaritas. These also count, they matter, they are to be consumed and enjoyed with gusto, despite suffering, even in the midst of suffering. God gives us both Good News and good times, and neither cancels out the other. What a wonderful world, what a wonderful life, what a wonderful God.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
We’re finding each other out here, and it’s beautiful and crazy and churchy and holy. We are simply getting on with it, with the work of justice and mercy, the glorious labor of reconciliation and redemption, the mess of friendship and community, the guts of walking on the water, and the big-sky dreaming of the Kingdom of God.
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
You can care about new things and new people and new beginnings, and until you are dead in the ground, you are not stuck. If you move with the blessing of your people, marvelous. But even if you don’t, this is your one life, and fear, approval, and self-preservation are terrible reasons to stay silent, stay put, stay sidelined.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Cooking dinner is a sacred gateway from work to rest, from seven separate lives to one shared table.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Grief cannot be sidestepped; it must be endured.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
It's so weird to live in this world. What a bizarre tension to care deeply about the refugee crisis in Syria and also about Gilmore Girls.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
But even if we disagree, perhaps even strongly, it is still possible to hold a civil dialogue where ideas find their way out into the open.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Worry less about getting recognized and more about becoming good at what you do. Take yourself seriously. Take your art seriously. You are both worth this.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
It is one thing to “feel nice feelings” toward the minority voice; it is something else entirely to challenge existing power structures to include the whole variety of God’s people.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
From beyond the grave, Hannah says that although living in the world of plurality and natality is no picnic, if we want to avoid Auschwitz or the Gulag or Stonewall or Pol Pot or Attica or ISIS, we as a species have no choice but to embrace it and endure it. In other words, there is no single answer, no single bullet of understanding to guide us, just a glorious neverending mess. The neverending mess of true human freedom.
Ken Krimstein (The Three Escapes of Hannah Arendt: A Tyranny of Truth)
It's so weird to live in this world. What a bizarre tension to care deeply about the refugee crisis in Syria and also about Gilmore Girls. It is so disorienting to fret over aged-out foster kids while saving money for a beach vacation. Is it even okay to have fun when there is so much suffering in our communities and churches and world? What does it say about us when we love things like sports, food, travel, and fashion in a world plagued with hunger and human trafficking?
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
When I’m sitting by my gay friends in church, I hear everything through their ears. When I’m with my recently divorced friend, I hear it through hers. This is good practice. It helps uncenter us (which is, you know, the whole counsel of the New Testament) and sharpens our eye for our sisters and brothers. It trains us to think critically about community, language, felt needs, and inclusion, shaking off autopilot and setting a wider table. We must examine who is invited, who is asked to teach, who is asked to contribute, who is called into leadership. It is one thing to “feel nice feelings” toward the minority voice; it is something else entirely to challenge existing power structures to include the whole variety of God’s people. This is not hard or fancy work. It looks like diversifying small groups and leadership, not defaulting to homogeny as the standard operating procedure. Closer in, it looks like coffee dates, dinner invites, the warm hand of friendship extended to women or families outside your demographic. It means considering the stories around the table before launching into an assumed shared narrative. It includes the old biblical wisdom on being slow to speak and quick to listen, because as much as we love to talk, share, and talk-share some more, there is a special holiness reserved for the practice of listening and deferring.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Oskan, do you really believe that I don’t understand exactly what my soldiers are going through? Do you really think I’m a stranger to burdens?” She almost laughed at the bitter absurdity of it all, but she controlled herself, knowing that if she started, she wouldn’t be able to stop. “They’re lucky, they only have to worry about a flogging if they break ranks and endanger their own lives again. But if I make a mistake, thousands could die, a country could be lost, and who knows what else could be inflicted on those unlucky enough to survive!” Her voice had slowly risen in strength as she spoke, and suddenly she let everything go in a glorious outpouring of emotion. “Don’t talk to me about burdens, I drew up the plans for them! How many fourteen-year-olds do you know who rule a kingdom at war, who command an army, who keep together an alliance of more species than she can remember, who’s killed more people than she can count, who waits desperately day in, day out, every living blessed second, for the arrival of allies she’s terrified are going to let her down? Please tell me, Oskan, tell me her name. I’d like to have a cozy chat with her and compare notes! I’d like that, it might make me feel just a little less isolated, and just a little less afraid that at any minute the whole sorry, ludicrous, deadly, hellish mess is going to collapse around me, and everyone will finally find out that I don’t know what I’m doing and that I’m making it up as I go along!
Stuart Hill (The Cry of the Icemark)
At family gatherings where you suddenly feel homicidal or suicidal, remember that in half of all cases, it’s a miracle that this annoying person even lived. Earth is Forgiveness School. You might as well start at the dinner table. That way, you can do this work in comfortable pants.1 — ANNE LAMOTT
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
I sincerely believe we are created by a Creator to be creative. This is part of His image we bear, this bringing forth of beauty, life, newness...It looks like art, it looks like music, it looks like community, it looks like splendor. That thing in you that wants to make something beautiful? It is holy.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
I pray that in the heat of planning, of running, of achieving and performing, that you would pause. Hear the Lord calling you to draw close to him. God loves you, and as unbelievable as it is, he wants to be with you. Find some time today to climb up in your Father’s arms, let him drive the universe, and just rest. He’s a strong dad. And you never get too big for his lap.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
You don’t have to be who you first were. That early version of yourself, that season you were in, even the phase you are currently experiencing—it is all good or purposeful or at least useful and created a fuller, nuanced you and contributed to your life’s meaning, but you are not stuck in a category just because you were once branded that way. Just because something was does not mean it will always be.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
I know too many people who muck around in the haze of being near God but never really embracing the new, wonderful, incredible, blessed life that God has for them. We have all lived in the haze from time to time. I know I have. This is the essence of our mess. And the challenge is to invite Jesus into the midst of your mess. Jesus died for your salvation in the afterlife, and you have a place in heaven for all of eternity. But Jesus also died for your freedom now.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
Instead of seeing imperfections as thorns in my decorating flesh, I want to open my eyes and see them as signs of life. These messes all stem from gifts in my life. I still clean the mud off shoes (or make my boys do it), but I also know that if a neighbor walked in and saw a trail of mud, I wouldn’t need to be embarrassed. It’s just proof of lives being lived, and houses are for living. My home is a reflection of our life, and life’s messes can be gloriously beautiful.
Myquillyn Smith (The Nesting Place: It Doesn't Have to Be Perfect to Be Beautiful)
you wait until you have natural margin to create, you will go to the grave empty-handed. I wrote my first book with two kids in diapers and one in pull-ups. It was absurd, obscene, a fool’s errand. The expanding balloon demanded my partnership, so I did what all creatives do when their art is not their profession: I figured it out. I treated it like a calling. I was not remotely set up to be a career writer, but that is not why you start creating. It can’t be. I didn’t even start with an inkling of that notion.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Furthermore, it might not mean reconciliation. Some breaches are restored and relationships mended, but some are not safe. They may never be safe. The other person may be entirely unsorry, and there is no path to harmony. Forgiving chronic abusers does not include jumping back into the fire while it is still burning; that is not grace but foolishness. Forgiveness operates in an entirely different lane than reconciliation; sometimes those roads converge and sometimes they never meet. Forgiveness is a one-man show.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
I’ve learned this deeply from friends and leaders in the black community. Previously unaware of systemic injustice, my implicit bias, and my knee-jerk reaction to black pain or outrage, I’ve since discovered that “Yeah, but . . .” or “Well, I’m not . . .” or “Okay, but what about . . .” or “No, it didn’t . . .” is the opposite of love. Love means saying to someone else’s story or pain or anger or experience: “I’m listening. Tell me more.” Love refuses to deny or dismantle another’s perspective simply because I don’t share it. At its core, love means caring more
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Dialogue is easily spooked, so you must be vigilant against fear, dismissal, manipulation, and apathy—true enemies of safe dialogue. You’ll feel it at first, deep down, the urge to rebut, rebuke, refute. It will be a cold rock in your gut, tempting you to correct or disagree, or to be offended and center yourself in that person’s story. But that instinct can be overcome, and the results of someone feeling heard and respected are immediate and palpable. It takes a fairly high level of humility, empathy, and courage to keep a space open and healthy. It is a developed skill that takes practice.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
What were you thinking of just now?” he asked instead of answering my question. He walked over to the window, stood beside me and joined me looking out. We gazed across the Elbe River, marveling at the amazing and incredible beauty spread out before us in the glorious sunny early morning. Then he continued, “When we came and opened the door, your face was so intent on some sort of dream. Not a happy one I think,” it was a very gentle tone, the loving nuances. I saw the look of longing in his eyes and my heart skipped a crazy beat. I clasped my hand more firmly and gazed toward the view of the far line that marked the edge of the Elbe river of Hamburg Harbor. I was thinking about Hamburg,” I told him. “Thinking about the escape they seem to offer.” “Escape?” he asked. “I would have said a prison, rather.” “That, too. It’s a false escape of course. I was thinking about their dangers, too. “Go on,” he said. Then I put my fancy into words. “I suppose I used to love the feeling of shutting out the world, of drawing a line of that water in the harbor around me and letting all the achingly familiar scenes stay outside the line. I started to cry. “It’s been years, Adrian. I kept everything in my heart because that’s what all was left; everything, absolutely everything. It’s completely messed up and you have no idea, at all. I was left alone to mourn.
Bea C. Pilotin (The Whys Of Us)
The glorious Good News is whosoever will "come" are beckoned to take their places before a gracious God who longs to lavish all of us personally in His generous, redeeming love. All stand side by side at the foot of the cross, no one more worthy than the other. For the Lord says, "Come, everyone who is thirsty, come to the waters; and you without money, come, buy, and eat! Come, buy wine and milk without money and without cost! . . . Seek the Lord while He may be found; call to Him while He is near. Let the wicked one abandon his way and the sinful one his thoughts; let him return to the Lord, so He may have compassion on him, and to our God, for He will freely forgive" (Isa. 55:1, 6–7).
Tammie Head (More: From Messes to Miracles)
Like Dick Whittington, who set off with his possessions in a handkerchief and a surprisingly well-trained cat at his side, young ambitious people flock to cities to live a different life from the one they grew up with. They want the construct, just as much as those who dream of a bucolic ideal want theirs. City-dwellers have museums, restaurants, cinemas, theatres: they get everything when it’s new and they can decide whether they like it before anyone else does. They can see artists, hear musicians, buy groceries in the middle of the night and books on their way home from the pub. The city, for all its failings, so carefully enumerated by Juvenal, is still wonderful. So those of us who live in one should enjoy it for what is is, and always has been: a glorious, grubby, industrial, gastronomical, cultural, social mess.
Natalie Haynes (The Ancient Guide to Modern Life)
All I ever wanted to do was live my own life. And I’m having damn little success at that.” She laughed low. “Only because you keep standing back from it. And turning aside from it. And avoiding it.” She shook her head. “Trell, Trell. Open your eyes. This horrible mess is your life. There is no sense in waiting for it to get better. Stop putting it off and live it.” She laughed again. Her voice seemed to go afar. “Everyone thinks that courage is about facing death without flinching. But almost anyone can do that. Almost anyone can hold their breath and not scream for as long as it takes to die. True courage is facing life without flinching. I don’t mean the times when the right path is hard, but glorious at the end. I’m talking about enduring boredom, and the messiness, and the inconvenience of doing what is right.” p. 250: Brashen Trell and Amber
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Motherhood often feels like a game of guilt management. Sometimes the guilt is overwhelming and debilitating. Sometimes just a low simmer, but it always feels right there. There is never any shortage of fuel to feed the beast, so the whole mechanism is constantly nourished to administer shame and a general feeling of incompetency. Add our carefully curated social media world, which not only affects our sense of success and failure, but also furnishes our children with an unprecedented brand of expectations, and BOOM – we’re the generation that does more for our kids than ever in history, yet feels the guiltiest. Virtually every one of my friends provides more than they had growing up, and still the mantra we buy into is ‘not enough, not enough, not enough.’ Meanwhile, if we developed the chops to tune out the ordinary complaints of children, we’d see mostly happy kids, loved and nurtured, cared for and treasured.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
How would our lives change if we knew what to listen for? What effect would it have if we learned how to listen for his voice in the midst of our dailiness, our everyday work and play? According to the witness of Scripture, God does have a call on our lives, a purpose, a plan, a message, and he does care about our moment-by-moment existence. This is an incredibly exciting prospect! And potentially a frightening one as well.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
Many of us are living contradictions. I’ve done some empirical probing in my own life and have determined this to be true. We want God to speak to us, but we’re petrified he’ll call us to something uncomfortable, or difficult, or worse . . . something uncool.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
love God, love people, serve the world, care for creation, live in the truth, and share the Good News of God’s love revealed in Jesus.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
His Call Will Not Go against His Word or His Character
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
God’s call will never involve temptation or evil or selfishness.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
If you are trying to figure out if something is God’s call on your life, ask these questions: Who would this be helping? What good is it?
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
As you ascertain the validity of the call you believe God is placing on your life, search your heart for any sinful motivation, any thoughts of power, greed, or pride. If you find it, repent and get humble again before Jesus, because his call won’t involve manipulation. His Call Will Involve the Desire of Your Heart
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
I hope you see how this changes the definition of success. Suddenly success is primarily about having a bold enough faith to follow God’s call, no matter what the outcome. Mother Teresa said, “I do not pray for success, I ask for faithfulness.” Of course, we want both! But if that isn’t possible, it is important to remember that faithless success isn’t success at all. The call of God required Jonah to take a step of faith. He had to have faith that God had spoken, faith that God knew better than Jonah did, and faith that God would provide for the adventure he was sending Jonah on.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
God knew you’d pick up this book. God knows you. He knows what you think about, what drives you nuts, when you obsess about the parts of your body, how your significant other drives you crazy sometimes, how frustrated you get with yourself for not being all that you would like to be. In your mess, God showcases his glory. God also knows the incredible plans he has for you—the empowered and abundant and fruitful life to which he calls you. We are imperfect. His love is unending.
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
Jonah 3:1: “The word of the Lord came to Jonah a second time
Mike Howerton (Glorious Mess: Encountering God's Relentless Grace for Imperfect People)
I’m guessing this one is about a hundred years old,” he said. “Then it’s ancient.” He nodded. “If I’m lucky, I’ll get twenty thousand feet of board out of it. Twelve feet long by an inch thick. Good solid board.” She took a step away from him, her face a mask of shock. “What’s the matter?” “How could you even think about destroying this glorious, magnificent, beautiful tree?” For a long moment he could only stare at her, baffled. “It’s my job. What did you think we’re doing out here? Digging for gold?” “Oh, I know perfectly well what you’re doing. You’ll take all you can get from this land, and then you’ll leave behind a chaotic mess.” “We parcel off the land and sell it to farmers.” “You know that’s not happening.” “Maybe not everywhere.” She planted her fists on her hips. “I’ve traveled around enough of Michigan this winter to see what the land looks like after lumber companies pull out and head somewhere else.” “Oh, come on, Lily.” Exasperation tugged at him. “What would our country do without the supply of lumber we’re providing? If we stop our operations, we’ll deprive the average family of affordable means for building homes.” She arched her brow. “Affordable?” “Compared to brick homes? Yes.” She obviously didn’t know anything about the industry. “As a matter of fact, hundreds of thousands of people in growing midwestern towns rely upon our boards and shingles for their homes. And on the other products that come from these trees.” He patted the pine. “I don’t care.” She reached for the tree, caressing it almost as if it were a living being, trailing her fingers in the deep grooves of the bark. “These trees, this land—they don’t deserve to be ravaged.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
two entertainers got together to create a 90-minute television special. They had no experience writing for the medium and quickly ran out of material, so they shifted their concept to a half-hour weekly show. When they submitted their script, most of the network executives didn’t like it or didn’t get it. One of the actors involved in the program described it as a “glorious mess.” After filming the pilot, it was time for an audience test. The one hundred viewers who were assembled in Los Angeles to discuss the strengths and weaknesses of the show dismissed it as a dismal failure. One put it bluntly: “He’s just a loser, who’d want to watch this guy?” After about six hundred additional people were shown the pilot in four different cities, the summary report concluded: “No segment of the audience was eager to watch the show again.” The performance was rated weak. The pilot episode squeaked onto the airwaves, and as expected, it wasn’t a hit. Between that and the negative audience tests, the show should have been toast. But one executive campaigned to have four more episodes made. They didn’t go live until nearly a year after the pilot, and again, they failed to gain a devoted following. With the clock winding down, the network ordered half a season as replacement for a canceled show, but by then one of the writers was ready to walk away: he didn’t have any more ideas. It’s a good thing he changed his mind. Over the next decade, the show dominated the Nielsen ratings and brought in over $1 billion in revenues. It became the most popular TV series in America, and TV Guide named it the greatest program of all time. If you’ve ever complained about a close talker, accused a partygoer of double-dipping a chip, uttered the disclaimer “Not that there’s anything wrong with that,” or rejected someone by saying “No soup for you,” you’re using phrases coined on the show. Why did network executives have so little faith in Seinfeld? When we bemoan the lack of originality in the world, we blame it on the absence of creativity. If only people could generate more novel ideas, we’d all be better off. But in reality, the biggest barrier to originality is not idea generation—it’s idea selection. In one analysis, when over two hundred people dreamed up more than a thousand ideas for new ventures and products, 87 percent were completely unique. Our companies, communities, and countries don’t necessarily suffer from a shortage of novel ideas. They’re constrained by a shortage of people who excel at choosing the right novel ideas. The Segway was a false positive: it was forecast as a hit but turned out to be a miss. Seinfeld was a false negative: it was expected to fail but ultimately flourished.
Adam M. Grant (Originals: How Non-Conformists Move the World)
Absolutely no one understands all this like you, Jesus, and absolutely no one redeems these messes but you. We pray with hope, in your great and glorious name. Amen.
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
A gun would be too violent. A noose would be too ancient. And a knife blade to the wrist would be too silent. So, the question became, How could a once-glorious life be ended swiftly and precisely, with minimum mess yet maximum impact?
Robin S. Sharma (The 5 AM Club: Own Your Morning. Elevate Your Life)
He still had the problem with getting the album finished. Now was definitely not the time to be messing around with a reporter or a woman. And now he had both those things rolled into one glorious package. He just hoped he survived them both.
Samantha Chase (This Is Our Song (The Shaughnessy Brothers, #4))
Except for a year or two in my parenting tenure, I’ve always been a working mom. Sometimes part time, sometimes from home, sometimes full time, but always working. With five kids, this means putting my head down and handling it while they are at school.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
But every once in a great while, the pull of her heritage would hit her, and Grand-mere would cook something real. I could never figure out what it was that triggered her, but I would come home from school to a glorious aroma. An Apfel-strudel, with paper-thin pastry wrapped around chunks of apples and nuts and raisins. The thick smoked pork chops called Kasseler ribs, braised in apple cider and served with caraway-laced sauerkraut. A rich baked dish with sausages, duck, and white beans. And hoppel poppel. A traditional German recipe handed down from her mother. I haven't even thought of it in years. But when my mom left, it was the only thing I could think to do for Joe, who was confused and heartbroken, and it was my best way to try to get something in him that didn't come in a cardboard container. I never got to learn at her knee the way many granddaughters learn to cook; she never shared the few recipes that were part of my ancestry. But hoppel poppel is fly by the seat of your pants, it doesn't need a recipe; it's a mess, just like me. It's just what the soul needs. I grab an onion, and chop half of it. I cut up the cold cooked potatoes into chunks. I pull one of my giant hot dogs out, and cut it into thick coins. Grand-mere used ham, but Joe loved it with hot dogs, and I do too. Plus I don't have ham. I whisk six eggs in a bowl, and put some butter on to melt. The onions and potatoes go in, and while they are cooking, I grate a pile of Swiss cheese, nicking my knuckle, but catching myself before I bleed into my breakfast. By the time I get a Band-Aid on it, the onions have begun to burn a little, but I don't care. I dump in the hot dogs and hear them sizzle, turning down the heat so that I don't continue to char the onions. When the hot dogs are spitting and getting a little browned, I add the eggs and stir up the whole mess like a scramble. When the eggs are pretty much set, I sprinkle the cheese over the top and take it off the heat, letting the cheese melt while I pop three slices of bread in the toaster. When the toast is done, I butter it, and eat the whole mess on the counter, using the crispy buttered toast to scoop chunk of egg, potato, and hot dog into my mouth, strings of cheese hanging down my chin. Even with the burnt onions, and having overcooked the eggs to rubbery bits, it is exactly what I need.
Stacey Ballis (Recipe for Disaster)
We need not fear that He will say, “You loved too greatly, too liberally, too generously, too shockingly.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Back then, there weren’t channels dedicated to subcategories of the population. There was no Disney channel, no Food Network, no ESPN, no Bravo. There was Sam Donaldson, Peter Jennings, and, my personal crush, Tom Brokaw on the news, and we got cartoons for three hours on Saturday mornings until CBS switched to golf at 11:00 after the Smurfs. Oh sure, MTV hit the scene in 1981, but we couldn’t watch it because of the devil. Apparently we could watch a show starring two outlaw brothers, their half-naked cousin, and a car painted with the Confederate flag but couldn’t watch Madonna sing “Like a Virgin” because we might get secondhand pregnant.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
BENJAMIN
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
What is not to love about a guy who pulled children onto His lap and saved a failing party and touched the untouchables and told off the religious elite?
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Life is scary, and it’s glorious. You’re never going to get it all right. You’ll get it deliciously messed up, and that will be part of figuring out who you are.
Shaun Usher (Letters of Note: Mothers)
Welcome to California. It's a glorious, fucked-up mess, and I'm just along for the ride.
Daniel Ruczko (Pieces of a Broken Mind)
One of the most glorious messes in the world is the mess created in the living room on Christmas day. Don’t clean it up too quickly. Savor and enjoy the moment. Merry Christmas!
Nitya Prakash
You’ve been in my head from the minute you first kissed me and threw me against that damn wall in that car park over a year ago. Yeah, it’s been hard between us, I know that. But it’s been hard because it mattered—it fucking mattered, Reuben, it always did. We knew we had something from the start, and all I ever wanted was all of it. Every real, messed-up, glorious second of it. A secret slice, eaten in the closet, was never going to be enough for me—not of you, not of us.
Jay Hogan (Crossing the Touchline (Auckland Med. #2))
Don’t be intimidated by successful makers; be inspired by them. Creativity doesn’t divide but multiply, finding new expressions in everyone inspired by someone else’s gift.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
It can be difficult to envision a new start but impossible to deny one.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
I was a hot mess. But it was like God had reached down, wrapped his arms around me and whispered, "I've always loved you, just the way you are". And this life, with the ups and downs and pain and sorrow and beauty? It was glorious.
Natasha Metzler (Love, Paris (Women of Promise Book 2))
AMANDA: Do you realize that we're living in sin? ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were. AMANDA: Yes, dear, but we're not Catholics. ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are. AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially. ELYOT: Who cares? AMANDA: Are we going to marry again, after Victor and Sibyl divorce us? ELYOT: I suppose so. What do you think? AMANDA: I feel rather scared of marriage really. ELYOT: It is a frowsy business. AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before. ELYOT: That, and not knowing bow to manage each other. AMANDA: Do you think we know how to manage each other now? ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all. AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks. ELYOT: All right. AMANDA: Darling, you do look awfully sweet in your little dressing-gown. ELYOT: Yes, it's pretty ravishing, isn't it? AMANDA: Do you mind if I come round and kiss you? [...] AMANDA: We're tormenting one another. Sit down, sweet, I'm scared. ELYOT [Slowly]: Very well. [He sits down thoughtfully.] AMANDA: We should have said Sollocks ages ago. ELYOT: We're in love all right. [...] AMANDA: [Victor] had a positive mania for looking after me, and protecting me. ELYOT: That would have died down in time, dear. AMANDA: You mustn't be rude; there's no necessity to be rude. ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement. AMANDA: Your voice was decidedly bitter. ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears. AMANDA: Don't be silly. ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow. AMANDA: I never saw him on the pillow. ELYOT: I'm surprised to hear it. AMANDA [angrily]: Elyot! ELYOT: There's no need to be cross. AMANDA: What did you mean by that? ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor. AMANDA: Now listen Elyot, once and for all --, ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks. AMANDA: But -- ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing. AMANDA: It was my fault. I'm terribly sorry, darling. ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him. AMANDA: That's downright handsome of you. Sweetheart! [She kisses him.] ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up. [She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her shoulder.]
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
The middle place still has a lot of life left, so we'll store up these years like a treasure, remembering them one day just as fondly as the first phase of our family when we were dirty kids drinking water out of the backyard hose.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
What were you thinking of just now?” He asked instead of answering my question. He walked over to the window, stood beside me and joined me looking out. We gazed across the Elbe River, marveling at the amazing and incredible beauty spread out before us in the glorious sunny early morning. Then he continued, “When we came and opened the door, your face was so intent on some sort of a dream. Not a happy one I think,” it was a very gentle tone, the loving nuances. I saw the look of longing in his eyes and my heart skipped a crazy beat. I clasped my hand more firmly and gazed toward the view of the far line that marked the edge of the Elbe river of Hamburg Harbor. I was thinking about you- us, thinking everything about us,” Then I put my fancy into words. “I suppose I used to love the feeling of shutting out the world, of drawing a line of that water in the harbor around me and letting all the achingly familiar scenes stay outside the line. I started to cry. “It’s been years, Adrian. I kept everything in my heart because that’s what all was left; everything, absolutely everything. It’s completely messed up and you have no idea, at all. I was left alone to mourn.
Bea C. Pilotin
We have these magnificent minds and hands and ideas and visions, and they beg us to pay attention, give them permission, give them life. I sincerely believe we are created by a Creator to be creative. This is part of His image we bear, this bringing forth of beauty, life, newness. This bears out in one thousand different ways: we write, sculpt, paint, speak, dance, craft, film, design, photograph, draw, bring order, beautify, garden, innovate, produce, cook, invent, fashion, sing, compose, imagine. It looks like art, it looks like music, it looks like community, it looks like splendor. That thing in you that wants to make something beautiful? It is holy.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
How could we imagine that a God who created wildflowers and waterfalls and pine trees and hummingbirds and warm sand and mountain ranges and tulips thinks beauty is nonsense? He
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Tell me more about that. Tell me how your thoughts progressed in this. I appreciate your experience with this. I’m listening. I hear what you are saying. I would love to learn from you. I care about how you feel and your perspective here. I understand that. I identify with that. What do you think of __________? I hadn’t thought of it in that way. Thank you for that angle. Let me think about that a bit before I respond. Thanks for your transparency.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
academia has its place but can atrophy a real life. I need to see and smell and travel and put my arms around human beings. I cannot write a good story if I am not living one. Doctors put in the work to be good doctors. Teachers
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
No one can wound us more than those supposed to nurture: our parents, our spouses, our churches. The chasm between expectation and reality is particularly grim in supposed safe places.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Second, forgiveness comes easier to people who regularly ask forgiveness themselves. It is mature Christian practice to own our offenses and remain humble enough to apologize when we’ve wounded, intentionally or not. This posture makes a tender people, a safer family with softer edges. All of us love poorly at some point, and infusing our community with ownership and repentance is contagious. Say you’re sorry. Ask forgiveness. This leads not only to stronger relationships but to better humans, and this world needs better humans.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
Jen Hatmaker is the author of the New York Times bestseller For the Love (plus eleven other books) and happy hostess of a tightly knit online community where she reaches millions of people each week. She is a high-functioning introvert who lives her home life in yoga pants and her travel life in fancy yoga pants. She and her husband, Brandon, founded the Legacy Collective, a giving community that granted more than a million dollars in its first year and funds sustainable solutions to systemic problems locally and globally. They also starred in the popular series My Big Family Renovation on HGTV and stayed married through a six-month remodel. Jen is a mom to five, a sought-after speaker, and a delighted resident of Austin, Texas, where she and her family are helping keep Austin weird. For more information, visit jenhatmaker.com.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)
He moved into a large sitting area, past a sunken bath that could fit ten and through a set of double doors, where he tossed her on the bed. She bounced as she hit and looked up. He didn’t break eye contact as he shed his jacket, tossing it over on a chair. “Strip.” “You first.” Frank toed off his shoes and loosened his tie, pulling it over his head then dropping it to the floor. “Tell you what. Whoever’s naked first, gets to be on top.” He gave her a lecherous grin and was rewarded with a rosy blush, coloring her cheeks. “Okay.” She climbed off the bed. “On the count of three.” “One,” Frank said and lifted his hands to the top of his dress shirt. She did the same, bracing for the count like a racer on the blocks, her hands behind her neck. “Three.” Frank unbuttoned the collar, and tugged the shirt over his head, including the T-shirt underneath. “That’s cheating,” she said, as she fumbled with the hooks down the back of her blouse. “You had a head start. I’m evening the field.” He ripped his belt off and undid his fly and dropped his boxers and pants all at once. She froze and gasped, staring, hunger in her eyes, snapped out of the spell and tossed her blouse and bra to the side, moving fast, but not fast enough. Her skirt puddled around her ankles as Frank stood, as bare as the day he was born. “I win.” She kicked her garment to the side and placed her hands on her hips. Her chest rose and fell, pebbled nipples displayed against gloriously soft skin and full breasts. Her eyes were wild and her soft blonde hair tousled, like she’d already taken a roll in the sack. Man, did he want to make a bigger mess of it.
D.L. Jackson (My Boogie Woogie Bugle Guy)
A naval officer in a crisp blue uniform gave us a speech about the traditions of the sea, and how we were to uphold them throughout our upcoming careers. It all sounded glorious, but to us it seemed to drag on forever. There were others who added to these sentiments, also in glowing terms. In contrast to us, the officers all looked very professional and sharp in their dress uniforms. It made me very aware that I still didn’t even have my working boots, a belt or a white gob hat, but never mind, most of us were still out of uniform. I guess that’s why we were called muggs! Now with my right hand up, I swore to uphold the Constitution of the United States and obey the lawful orders of those appointed over me, which was just about everybody. Flash bulbs went off and suddenly, I was in the Navy! Wow! I was now a Midshipman in the U.S. Naval Reserve and did I ever feel proud. Unfortunately there wasn’t much time to bask in this solitary ray of light. The swearing in ceremony was hardly over and already I was late for lunch. I had to run double time between buildings, squaring all the corners along the way. So, doing my best to observe all of these new rules, I ran as fast as I could to the mess hall. Getting there just before they slammed the windows shut, I got the last two pre-made, soggy sandwiches. The sandwiches were wet and crushed, and I could swear they had greasy fingerprints on them. This sad excuse for food only looked appetizing because of my extreme hunger. With no time to waste, I washed lunch down with a glass of warm “jungle juice” reminiscent of Camp Wawayanda, before scurrying off to my next appointment, which was at the barbershop, also in the basement of Richardson Hall.
Hank Bracker
Send kindness out in big, generous waves, send it near and far, send it through texts and e-mails and calls and words and hugs, send it by showing up, send it by proximity, send it in casseroles, send it with a well-timed “me too,” send it with abandon.
Jen Hatmaker (Of Mess and Moxie: Wrangling Delight Out of This Wild and Glorious Life)