Upset Family Quotes

When you allow a person's words to upset you, you're giving away your power.

No one really needs me," he says, and there's no self pity in his voice. It's true his family doesn't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do," I say. "I need you." he looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, i stop his lips with a kiss.

I don't think anybody cares about unwed mothers unless they're black or poor. The question is not morality, the question is money. That's what we're upset about.

It was like someone had died- like I had died. Because it had been more than just losing the truest of true loves, as if that were not enough to kill anyone. It was also losing a whole future, a whole family- the whole life that I'd chosen... 

Let today mark a new beginning for you. Give yourself permission to say NO without feeling guilty, mean, or selfish. Anybody who gets upset and/or expects you to say YES all of the time clearly doesn’t have your best interest at heart. Always remember: You have a right to say NO without having to explain yourself. Be at peace with your decisions.

Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.

Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.

Let me list for you some of the many ways in which you might be afraid to live a more creative life: You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder

Certain people will be upset when you speak the truth. They might get mad. They might get really mad. That's because they are still living the lie you've exposed. Stay strong. Speak truth. Do not allow yourself to get pulled back into their lie just to make others happy and yourself miserable. You are free. Stay free.

Clary saw the group of lycanthropes look up, alert as a group of hunting dogs senting game. She turned- And saw Luke, tired and bloodstained, coming through the double doors of the Hall. She ran toward him. Forgetting how upset she'd been when he'd left, and forgetting how angry he'd been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him- then he smiled, and put his arms out, and picked her up as he hugged her, the way he'd done when she'd been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he'd seen him in the Hall, because that was what you did with family when you'd been worried about them, you grabbed them and held on to them and told them how much they'd pissed you off, and it was okay, becaused no matter how angry you got, they still belonged to you. And what she had said to Valentine was true. Luke was her family.

Being a homicide detective can be the loneliest job in the world. The friends of the victim are upset and in despair, but sooner or later - after weeks or months - they go back to their everyday lives. For the closest family it takes longer, but for the most part, to some degree, they too get over the grieving and despair. Life has to go on; it does go on. But the unsolved murders keep gnawing away and in the end there's only one person left who thinks night and day about the victim: it's the office who is left with the investigation.

...it's just one miss, but you're gonna have a whole lotta makes in this life, 'cause you're just that good, and it's okay to be down and upset as long as you're not down and out

We might feel that we must demonstrate explicitly when we’re upset, or not upset. This perceived need may stem from our family of origin, from how we learned to be heard when a simple “no” wasn’t enough. We may have learned to mask certain feelings, or portray feelings that weren’t ours. But as adults we each need to learn to state our personal truth without having to prove it or shout it.

Sometimes as a family we don’t like to talk about it because all this stuff is going through our heads about what could have happened to him. It upsets us because we didn’t want him to suffer. We just want to be told, you know, he died…

Don’t you want Simi to be your family?...This is the part where you say, ‘Yes, Simi, I would like to be your family.’ ‘Cause if you don’t, then I’ll have to take my mitt back and barbecue you. Akri is still upset about the last Dark-Hunter I barbecued and that was…oh, a thousand or so years ago. He part elephant when it comes to remembering things. (Simi)

If I'm confused, or upset, or angry, if I can go out and look at the stars I'll almost always get back a sense of proportion. It's not that they make me feel insignificant; it's the very opposite; they make me feel that everything matters, be it ever so small, and that there's meaning to life even when it seems most meaningless.

Kell had told his brother about the deals he struck in Grey London, and in White, and even on occasion in Red, about the various things he’d smuggled, and Rhy had stared at him, and listened, and when he spoke, it wasn’t to lecture Kell on all the ways it was wrong, or illegal. It was to ask why. “I don’t know,” said Kell, and it had been the truth. Rhy had sat up, eyes bleary from drink. “Have we not provided?” he’d asked, visibly upset. “Is there anything you want for?” “No,” Kell had answered, and that had been a truth and a lie at the same time. “Are you not loved?” whispered Rhy. “Are you not welcomed as family?” “But I’m not family, Rhy,” Kell had said. “I’m not truly a Maresh, for all that the king and queen have offered me that name. I feel more like a possession than a prince.” At that, Rhy had punched him in the face. For a week after, Kell had two black eyes instead of one, and he’d never spoken like that again, but the damage was done.

She was so upset about a blog that maybe a total of six people read yet had no compassion for her granddaughters who had suffered the physical and emotional pains of sexual abuse and whose lives were changed forever. The two cannot even be compared, yet when someone is in denial about what happened, they cannot perceive what is true. It seemed too hard for her to let her mind go there and believe her grandson could do such terrible things.

There is a predictable theme as to what upsets our matriarchs. Usually, matriarchs are known for their unified support. When it comes to kingdom matters, however, they are willing to drive out Abraham's son. (Ge 21:10) They are willing to reject Isaac's son. (Ge 27:6-13) In other words, they are not afraid to reject royalty ('shepherd-like acquaintances') to further God's kingdom goals. (Re 20:4-6)

I wasn’t reading poetry because my aim was to work my way through English Literature in Prose A–Z. But this was different. I read [in, Murder in the Cathedral by T.S. Eliot]: This is one moment, / But know that another / Shall pierce you with a sudden painful joy. I started to cry. (…)The unfamiliar and beautiful play made things bearable that day, and the things it made bearable were another failed family—the first one was not my fault, but all adopted children blame themselves. The second failure was definitely my fault. I was confused about sex and sexuality, and upset about the straightforward practical problems of where to live, what to eat, and how to do my A levels. I had no one to help me, but the T.S. Eliot helped me. So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange and stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is. It isn’t a hiding place. It is a finding place.

The neighborhood doesn’t feel nearly as safe. Not that the Garden was ever a utopia, hell no, but before I only worried about GDs and Crowns. Now I gotta worry about the cops too? Yeah, people get killed around here, and nah, it’s not always by the police, but Jay says this was like having a stranger come in your house, steal one of your kids, and blame you for it because your family was dysfunctional, while the whole world judges you for being upset.

People, especially family, get upset if you are not attached to them but that's only because we confuse love and attachment all the time.

It had seemed so foreign to me - the idea that you could move forward without a painful airing of grievances on both sides. But maybe - maybe it wasn't necessary to pick apart pain. Maybe some things just weren't worth fighting about. Some friends weren't friends anymore, but family - and there were different rules for family. It didn't make sense to sit down with family and detail all the reasons they'd upset you - for many reasons, not least among them the fact that they could whip out a checklist of your transgressions themselves. And after you'd both picked apart the carcasses, why would you want to be friends again? Maybe the important thing was to recognize that everyone felt wronged and slighted - but the point worth concentrating on was that everyone loved each other. If we worked from that premise, we should be fine. Or anyway, I hoped we would.

Research shows that arranged marriages last longer, and I wonder if it’s down to the fact that it’s other people putting you together, like when a family member buys you a gift it’s not easy to throw it away, as there’s a chance they’ll come to visit and ask where it is and get upset when you say you’ve binned it.

Death represented a failure of the medical system; it would not be permitted to upset the patients or their families.

Before being upset with someone, do first some background checks on them, sometimes people wounded in other battles may find you a handy scapegoat.

You can love your parents and be upset about how they raised you.

To enter deeply into meditation is to enter into the mystery of suffering love. It is to encounter the woundedness of our human nature. We are all deeply wounded from our infancy and bear these wounds in the unconscious. The repetition of the mantra is a way of opening these depths of the unconsciousness and exposing them to light. It is first of all to accept our woundedness and thus to realize that this is part of the wound of humanity. All the weaknesses we find in ourselves and all the things that upset us, we tend to try to push aside and get rid of. But we cannot do this. We have to accept that "this is me" and allow grace to come and heal it all. That is the great secret of suffering, not to push it back but to open the depths of the unconscious and to realize that we are not isolated individuals when we meditate, but are entering into the whole inheritance of the human family.

Family-centered parents do not have the emotional freedom, the power, to raise their children with their ultimate welfare truly in mind. If they derive their own security from the family, their need to be popular with their children may override the importance of a long-term investment in their children’s growth and development. Or they may be focused on the proper and correct behavior of the moment. Any behavior that they consider improper threatens their security. They become upset, guided by the emotions of the moment, spontaneously reacting to the immediate concern rather than the long-term growth and development of the child. They may yell or scream. They may overreact and punish out of bad temper. They tend to love their children conditionally, making them emotionally dependent or counterdependent and rebellious.

The biggest hurdle most scapegoats face is the fear of doing something wrong by going grey rock, no contact, or upsetting the narcissist if you distance yourself. You walk on eggshells. You don’t feel safe. You don’t know from one minute to the next how the narcissist will react to you. At any moment, they can explode!

Imagine for a moment that you do not experience yourself as a "self." From this perspective, you can understand the difficulty the NPD person has in recognizing the unique and separate existence of another "self," or person. In a sense, the narcissist views others and the world around him as an extension of himself, perhaps as you might view your arm or leg. Because the narcissist can only understand others by absorbing them into his own experience of self, he determines that others should behave and act the way that HE behaves and acts. Again, to use the analogy of the arm and leg, he unconsciously expects you to conform to his will, just as his own arm or leg would do. When your behavior deviates from his expectations, he often becomes as upset with you as he would be if his arm or leg were no longer under his control.

Since I was a small child, I have always tried to maintain my dignity in every situation. At work now, I strive to maintain my professional dignity. At home, with Thomas, I strive to maintain a certain parental dignity, to protect him from overhearing anything that might upset him, or anything untoward. Therefore, because it feels undignified, I have never enjoyed the feeling of anyone else worrying about me or being concerned for my well-being, preferring instead to give the impression that I am always fine, and that I have everything under control. Largely, I believe this image to be an honest one.

One of the few things left in the world, aside from the world itself, that sadden me every day is an awareness that you get upset if Boo Boo or Walt tells you you're saying something that sounds like me. You sort of take it as an accusation of piracy, a little slam at your individuality. Is it so bad that we sometimes sound like each other? The membrane is so thin between us. Is it so important for us to keep in mind which is whose... For us, doesn't each of our individualities begin right at the point where we own up to our extremely close connections and accept the inevitability of borrowing one another's jokes, talents, idiocies?

One helpful approach to identify whether or not the person you are involved with has a narcissistic personality disorder is to reflect on your own feelings. So, as a start, I offer you a list of questions that will assist you in detecting this problem in a particular relationship. 1. Do you frequently feel as if you exist to listen to or admire his or her special talents and sensitivities? 2. Do you frequently feel hurt or annoyed that you do not get your turn and, if you do, the interest and quality of attention is significantly less than the kind of attention you give? 3. Do you sense an intense degree of pride in this person or feel reluctant to offer your opinions when you know they will differ from his or hers? 4. Do you often feel that the quality of your whole interaction will depend upon the kind of mood he or she is in? 5. Do you feel controlled by this person 6. Are you afraid of upsetting him or her for fear of being cut off or retaliated against? 7. Do you have difficulty saying no? 8. Are you exhausted from the kind of energy drain or worry that this relationship causes you?

You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.

What was your childhood like? What was your relationship like with each parent—and were there other people with whom you were close as a child? Whom were you closest to and why? I’d ask you to give me several words that described your early relationship with each parent or caregiver, and then I’d ask for a few memories that illustrated each of those words. The questions go on: What was it like when you were separated, upset, threatened, or fearful? Did you experience loss as a child—and if so, what was that like for you and for your family? How did your relationships change over time? Why do you think your care-givers behaved as they did? When you think back on all these questions, how do you think your earliest experiences have impacted your development as an adult? And if you have children I’d ask you these questions: How do you think these experiences have affected your parenting? What do you wish for your child in the future? And finally, when your child is twenty-five, what do you hope he or she will say are the most important things he or she learned from you?

Here was one representative example of Richard Hedd’s highly esteemed Asian Communism and the Oriental Mode of Destruction: The Vietnamese peasant will not object to the use of airpower, for he is apolitical, interested only in feeding himself and his family. Bombing his village will of course upset him, but the cost is outweighed ultimately by how airpower will persuade him that he is on the wrong side if he chooses communism, which cannot protect him. (p. 126)

Whatever are Snorks?" "Don't you really know what a Snork is?" said Snufkin in amazement. "They must be the same family as you, I should think, because they look the same, except that they aren't often white. They can be any color in the world (like an Easter egg), and they change color when they get upset." Moomintroll looked quite angry. "Well!" he said. "I've never heard of that branch of the family. A real Moomintroll is always white. Changing color indeed! What an idea!

All relationship systems become anxious. People put together and inevitably anxiety will arise. Anxiety can be infectious. We can give it to others or catch it from them. What precisely triggers anxiety is unique to each system. Common Activators are significant changes and losses. They upset the stable patterns and balance of the system.

People say things when they’re upset. It doesn’t mean they don’t care if you live or die.” “We’re family. Don’t you know that?

If he can’t treat you right, he doesn’t deserve the privilege to call you family or the ability to make you upset.

Dr. Ham admitted he’d approached the story about my aunt with “asshole energy” and had perhaps been overly critical too quickly. But, he said, “In my mind, the most helpful thing for you is to be reconnected with another person. Self-regulation is a very insular thing. That’s just survival. Like, ‘I’m not going to actually learn how to be connected to you, but at least I’m going to be able to regulate how upset I get from you.’ And I don’t want you to just be self-regulating in a corner by yourself. Shame makes you want to hide and tuck away. But what if instead you were in this state where you could ask, ‘Who are you? What do you need from me right now? And what do I need from you?’ ” What would I have said to my aunt if I hadn’t been triggered? If I’d had the time and mental ability to ask all of those questions? Maybe I would have said something like: “I understand that having difficult in-laws was part of your experience, and for that I’m sorry. But I love my in-laws, and in America, they are my only family. So you saying they aren’t my real family—it’s hurtful.

These parents rule the home, with family life revolving around their wishes. A well-known example of this type is the aloof and scary father—a man with no emotional warmth for his children. Everything revolves around him, and the family instinctively tries to not upset him. With a rejecting father, it’s easy to feel apologetic for existing. But mothers can be rejecting too. Children of rejecting parents come to see themselves as bothers and irritants, causing them to give up easily, whereas more secure children tend to keep making requests or complaining to get what they want.

Billy covered his head with his blanket again. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away... She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone to so much trouble to give him life, and to keep that life going, and Billy didn't really like life at all.

Teachers find many children emotionally distracted, so upset and preoccupied by the explosive drama of their own family lives that they are unable to concentrate on such mundane matters as multiplication tables.

If you lack open communication and honesty in your life – It’s time to look within. Are you someone who handles heavy, emotional, or tough information well or do you often get excessively agitated, upset, or depressed? My rule of thumb is that no topic ‘should’ ever be off limits with a loved one. That is the goal to work towards. The point being, if you’re easy to talk to, people will talk to you! If you’re not, then they won’t!

Food isn’t just food, though. It’s comfort and memory. It’s family recipes and meals shared with friends. Food is a fulcrum of socializing and relationships, and now you don’t get to just show up to that. You have to think ahead and tell people your dietary needs and explain them again when they’re lunkheads about it or, worse, well-meaning, but very poor at understanding it. You’ll probably end up accidentally eating something that hurts you every once in a while, and going to a restaurant will sort of suck until you find places that have nice gluten-free options. It’s a big deal. It’s a disease that’s interrupted and fundamentally altered your lifestyle, impacted your relationships. It’s very valid to be upset about that.

Much of the control exerted by the caregiver is accomplished through being indirect, such as implying expectations. The caregiver may tell the child what the child feels and thinks, particularly when he or she is upset or angry. "You don't really feel that way, do you?" is a phrase heard often in the families of people with a compressed structure. Statements like, "You want to play the piano for Aunt Martha, don't you?" are used to get the child to do what the caregiver wants without directly asking the child what he wants or not leaving the child any room to say no. The caregiver may act in a way that assumes the child feels as the caregiver feels, as if the child were an extension of the caregiver, by saying, for example, "I'm cold, put on your sweater." Children growing up in this situation become so well attuned to the feelings and will of the caregiver that the caregiver may eventually need only to shiver a little for the child to go to get a sweater for both of them.

I once read about a study that stated that men die of suicide more often than women. However, the study actually only accounted for completed suicide attempts. In fact, men are more likely to go through with suicides, whereas women are far more likely to attempt but not actually complete the act (this only applies within the gender binary). The reason why women don't actually end up completing their suicides is because they attempt them in far less violent ways. According to the study, this is because women worry about family members or loved ones finding them and being traumatized by what they see. So they try less violent, and thus less final, ways—and therefore survive more often. Thinking about what an emotional load women carry every day purely because even at the end of their ropes they can't bear the thought of upsetting other people? It breaks my heart. It makes me angry. It strengthens my conviction. Women and femmes are necessary, valid in their emotions, and strong.

Nuala, on the other hand, exerts influence over her husband and children primarily through a tendency to become irrationally anxious and ‘upset’. Much of the family life has therefore always been arranged around their collective efforts to prevent Nuala from becoming ‘upset’, which involves concealing from her, by almost any means necessary, the existence of any problems or potential conflicts within the family circle. Nuala lives, to some degree, in a fictitious world acted out for her by a special dramatic troupe consisting of her own children and husband, a world in which none of her loved ones have ever been unhappy, sick, depressed, disappointed, hurt, anxious or frightened. But this, in Anna’s view, has also had the perverse effect of making Nuala feel as if her own anxieties are in fact the only anxieties that anyone on earth has ever experienced, and that her suffering is something she alone, the only unhappy person in a world of thriving and self-confident individuals, can understand.

A MAN HITS YOU ONCE and apologizes, and you think it will never happen again. But then you tell him you’re not sure you ever want a family, and he hits you once more. You tell yourself it’s understandable, what he did. You were sort of rude, the way you said it. You do want a family someday. You truly do. You’re just not sure how you’re going to manage it with your movies. But you should have been more clear. The next morning, he apologizes and brings you flowers. He gets down on his knees. The third time, it’s a disagreement about whether to go out to Romanoff’s or stay in. Which, you realize when he pushes you into the wall behind you, is actually about the image of your marriage to the public. The fourth time, it’s after you both lose at the Oscars. You are in a silk, emerald-green, one-shoulder dress. He’s in a tux with tails. He has too much to drink at the after-parties, trying to nurse his wounds. You’re in the front seat of the car in your driveway, about to go inside. He’s upset that he lost. You tell him it’s OK. He tells you that you don’t understand. You remind him that you lost, too. He says, “Yeah, but your parents are trash from Long Island. No one expects anything from you.” You know you shouldn’t, but you say, “I’m from Hell’s Kitchen, you asshole.

To imagine I wasted time clinging to superficial ideals with a desperate want, because I was terrified of losing things, afraid of the outcome, afraid of upsetting my husband, my family or my associates. Afraid of being alone, a single unmarried woman afraid of being a failed business owner, trusting the love of a man I'm having an affair with, and believing in myself. Afraid of taking the next step, because "What will people think?" as if it were death. Here I am having lost everything, having died, yet I am still alive, still burning with existence.

It would have been possible to back out of his engagements by assuming the license of the free artistic spirit, but he loathed such arrogance. He had a number of friends who played the genius card when it suited, failing to show up to this or that in the belief that whatever local upset it caused, it could only increase respect for the compelling nature of their high calling. These types — novelists were by far the worst — managed to convince friends and families that not only their working hours, but every nap and stroll, every fit of silence, depression of drunkenness bore the exculpatory ticket of high intent.

Secondly, the Earth’s a Libra. The astrological prediction for Libra in the ‘Your Stars Today’ column of the Tadfield Advertiser, on the day this history begins, read as follows:- LIBRA. 24 September–23 October. You may be feeling run down and always in the same old daily round. Home and family matters are highlighted and are hanging fire. Avoid unnecessary risks. A friend is important to you. Shelve major decisions until the way ahead seems clear. You may be vulnerable to a stomach upset today, so avoid salads. Help could come from an unexpected quarter. This was perfectly correct on every count except for the bit about the salads.

As one book, Appalachian Odyssey, notes about the influx of hill people to Detroit: “It was not simply that the Appalachian migrants, as rural strangers ‘out of place’ in the city, were upsetting to Midwestern, urban whites. Rather, these migrants disrupted a broad set of assumptions held by northern whites about how white people appeared, spoke, and behaved . . . the disturbing aspect of hillbillies was their racialness. Ostensibly, they were of the same racial order (whites) as those who dominated economic, political, and social power in local and national arenas. But hillbillies shared many regional characteristics with the southern blacks arriving in Detroit.”10

Remember when you discovered your father owned a book called "How To Disappear and Never Be Found?" You're sure it was just research for new and creative ways of thinking, for concepts that might apply to his work, but it raised the distinct possibility that there is something very upsetting that people you love could do instead of dying.

I don't care if Todd Rand is as kind as Jesus himself, my place was with you and I will never regret that. You and Damien and Spencer gave Dominique and me an amazing life that I love more than I can ever tell you. Things worked out the way they were supposed to. This family was always the best option for me, Dante, the only option I'd ever have chosen if I'd been given the choice. This changes nothing in my heart. We were all meant to be together, meant to make up a family that defied the odds. I hope that Todd and Flynn are wonderful and that I can have relationships with both, but if they don't want to know me, I'm not going to be upset. I already have the perfect family for me, and since you're the head of this family, that's on you.

When people come to me upset and in need of advice the first thing I always suggest is to brew a nice cuppa tea. Not because this is easy advice to give, neither for lack of compassion nor understanding, but simply because I've not encountered a circumstance where tea was rendered futile. There's something concealed in the nature of tea that will consort you to a calm contemplation, a sense of purity and harmony, it lets you find your way through life's sordid deeds, and regain a sense of tranquillity, console enmity, and admire the beauty around you. I love my close friends and family so dearly that the first thing I wish upon them in a time of desperation is a nice cup of tea. So to my dearest friends, you're always invited; you, me and a cup of tea?

She ran toward him. Forgetting how upset she’d been when he’d left, and forgetting how angry he’d been with her for bringing them here, forgetting everything but how glad she was to see him. He looked surprised for a moment as she barreled toward him—then he smiled, and put his arms out, and picked her up as he hugged her, the way he’d done when she’d been very small. He smelled like blood and flannel and smoke, and for a moment she closed her eyes, thinking of the way Alec had grabbed onto Jace the moment he’d seen him in the Hall, because that was what you did with family when you’d been worried about them; you grabbed them and held on to them and told them how much they’d pissed you off, and it was okay, because no matter how angry you got, they still belonged to you.

Women with AD/HD also sometimes have difficulty with their relationships when invited to parties or family gatherings. Quite often they feel bombarded by too much stimulation, especially women without hyperactivity, and therefore withdraw, sometimes offending people without intending to as we discussed in earlier Chapter 9. They feel overloaded and exhausted, and they can’t keep up. They might have difficulty carrying on a good conversation, trying to think of what to say in the middle of so much activity. Many women with AD/HD mysteriously retreat to another room, become quiet, upset or withdrawn, or just don’t show up for these kinds of events. All these responses may give the message to others that you don’t care about them. They don’t know that you’re having a hard time or why.

He explained that when you’re very young, if you get upset or angry, you need an adult to soothe you and calm you down. Over time, as you grow up, if you’re soothed enough, you learn to soothe yourself. You internalise the reassurance and relaxation your family gave to you. But stressed out parents, through no fault of their own, find it harder to soothe their children because they are so amped up themselves.

There is no doubt that porn has many attractive and powerful properties—from sexually arousing and fulfilling you, to giving you an easy escape from your real life, to helping you feel powerful and desirable. But using porn also creates problems, many of which evolve so slowly that you don’t see them coming or feel them happening until they are quite serious. As we’ll discuss more in upcoming chapters, porn can: conflict with your values, beliefs, and life goals, compromise your ability to be honest and open in a relationship, upset and compete with an intimate partner, harm your mental and physical health, make you less attractive as a sexual partner, cause sexual desire and functioning difficulties, shape your sexual interests in destructive ways, and cause a variety of family, work, legal, and spiritual problems.

From your child’s perspective, discipline isn’t the way you teach her appropriate behavior. Rather, your child correctly sees discipline as the way you handle conflict when family members get upset or have conflicting desires. In other words, the way you discipline your child becomes her model for working out interpersonal problems. So punishment, which is the use of force, teaches her to use force against her siblings whenever there’s a problem to be solved.

The Archaeology of Desire The psychology of our desire often lies buried in the details of our childhood, and digging through the early history of our lives uncovers its archaeology. We can trace back to where we learned to love and how. Did we learn to experience pleasure or not, to trust others or not, to receive or be denied? Were our parents monitoring our needs or were we expected to monitor theirs? Did we turn to them for protection, or did we flee them to protect ourselves? Were we rejected? Humiliated? Abandoned? Were we held? Rocked? Soothed? Did we learn not to expect too much, to hide when we are upset, to make eye contact? In our family, we sense when it’s OK to thrive and when others might be hurt by our zest. We learn how to feel about our body, our gender, and our sexuality. And we learn a multitude of other lessons about who and how to be: to open up or to shut down, to sing or to whisper, to cry or to hide our tears, to dare or to be afraid.

It was not simply that the Appalachian migrants, as rural strangers ‘out of place’ in the city, were upsetting to Midwestern, urban whites. Rather, these migrants disrupted a broad set of assumptions held by northern whites about how white people appeared, spoke, and behaved . . . the disturbing aspect of hillbillies was their racialness. Ostensibly, they were of the same racial order (whites) as those who dominated economic, political, and social power in local and national arenas.

I’m sorry, too. It’s not you I’m upset with. Not really. My parents used to bring me to events back when they still had dreams of me, their glorious firstborn, carrying on the family legacy. They thought if they forced me to ‘push through’ the discomfort it would eventually go away and I would grow out of it. But unfortunately, their attempts seemed to have the opposite effect. It took me going into a full-on panic at one of his speeches when I was eight for them to stop. It was so bad I ended up in the hospital.

Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.

It was not simply that the Appalachian migrants, as rural strangers ‘out of place’ in the city, were upsetting to Midwestern, urban whites. Rather, these migrants disrupted a broad set of assumptions held by northern whites about how white people appeared, spoke, and behaved . . . the disturbing aspect of hillbillies was their racialness. Ostensibly, they were of the same racial order (whites) as those who dominated economic, political, and social power in local and national arenas. But hillbillies shared many regional characteristics with the southern blacks arriving in Detroit.”10

Marjory Gengler (white American) to Mark Mathabane (black South African) in the late 1970s-- Marjory: Why don't blacks fight to change the system [apartheid] that so dehumanizes them? Mark's Response, from his memoirs: I told her [Marjory] about the sophistication of apartheid machinery, the battery of Draconian laws used to buttress it, the abject poverty in which a majority of blacks were sunk, leaving them with little energy and will to agitate for their rights. I told her about the indoctrination that took place in black schools under the guise of Bantu Education, the self-hatred that resulted from being constantly told that you are less than human and being treated that way. I told her of the anger and hatred pent-up inside millions of blacks, destroying their minds. I would have gone on to tell Marjory about the suffering of wives without husbands and children without fathers in impoverished tribal reserves, about the high infant mortality rate among blacks in a country that exported food, and which in 1987 gave the world its first heart transplant. I would have told them about the ragged black boys and girls of seven, eight and nine years who constantly left their homes because of hunger and a disintegrating family life and were making it on their own; by begging along the thoroughfares of Johannesburg; by sleeping in scrapped cars, gutters and in abandoned buildings; by bathing in the diseased Jukskei River; and by eating out of trash cans, sucking festering sores and stealing rotting produce from the Indian traders on First Avenue. I would have told her about how these orphans of the streets, some of them my friends--their physical, intellectual and emotional growth dwarfed and stunted--had grown up to become prostitutes, unwed mothers and tsotsis, littering the ghetto streets with illegitimate children and corpses. I would have told her all this, but I didn't; I feared she would not believe me; I feared upsetting her.

Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.

As one book, Appalachian Odyssey, notes about the influx of hill people to Detroit: “It was not simply that the Appalachian migrants, as rural strangers ‘out of place’ in the city, were upsetting to Midwestern, urban whites. Rather, these migrants disrupted a broad set of assumptions held by northern whites about how white people appeared, spoke, and behaved . . . the disturbing aspect of hillbillies was their racialness. Ostensibly, they were of the same racial order (whites) as those who dominated economic, political, and social power in local and national arenas. But hillbillies shared many regional characteristics with the southern blacks arriving in Detroit.” 10

Let’s now look at the four basic types of EI parents (Gibson 2015): Emotional parents are dominated by feelings and can become extremely reactive and overwhelmed by anything that surprises or upsets them. Their moods are highly unstable, and they can be frighteningly volatile. Small things can be like the end of the world, and they tend to see others as either saviors or abandoners, depending on whether their wishes are being met. Driven parents are super goal-achieving and constantly busy. They are constantly moving forward, focused on improvements, and trying to perfect everything, including other people. They run their families like deadline projects but have little sensitivity to their children’s emotional needs. Passive parents are the nicer parents, letting their mate be the bad guy. They appear to enjoy their children but lack deeper empathy and won’t step in to protect them. While they seem more loving, they will acquiesce to the more dominant parent, even to the point of overlooking abuse and neglect. Rejecting parents aren’t interested in relationships. They avoid interaction and expect the family to center around their needs, not their kids. They don’t tolerate other people’s needs and want to be left alone to do their own thing. There is little engagement, and they can become furious and even abusive if things don’t go their way.

and confused if someone does not appreciate their niceness. Others often sense this and avoid giving them feedback not only, effectively blocking the nice person’s emotional growth, but preventing risks from being taken. You never know with a nice person if the relationship would survive a conflict or angry confrontation. This greatly limits the depths of intimacy. And would you really trust a nice person to back you up if confrontation were needed? 3. With nice people you never know where you really stand. The nice person allows others to accidentally oppress him. The “nice” person might be resenting you just for talking to him, because really he is needing to pee. But instead of saying so he stands there nodding and smiling, with legs tightly crossed, pretending to listen. 4. Often people in relationship with nice people turn their irritation toward themselves, because they are puzzled as to how they could be so upset with someone so nice. In intimate relationships this leads to guilt, self-hate and depression. 5. Nice people frequently keep all their anger inside until they find a safe place to dump it. This might be by screaming at a child, blowing up a federal building, or hitting a helpless, dependent mate. (Timothy McVeigh, executed for the Oklahoma City bombing, was described by acquaintances as a very, very nice guy, one who would give you the shirt off his back.) Success in keeping the anger in will often manifest as psychosomatic illnesses, including arthritis, ulcers, back problems, and heart disease. Proper Peachy Parents In my work as a psychotherapist, I have found that those who had peachy keen “Nice Parents” or proper “Rigidly Religious Parents” (as opposed to spiritual parents), are often the most stuck in chronic, lowgrade depression. They have a difficult time accessing or expressing any negative feelings towards their parents. They sometimes say to me “After all my parents did for me, seldom saying a harsh word to me, I would feel terribly guilty complaining. Besides, it would break their hearts.” Psychologist Rollo May suggested that it is less crazy-making to a child to cope with overt withdrawal or harshness than to try to understand the facade of the always-nice parent. When everyone agrees that your parents are so nice and giving, and you still feel dissatisfied, then a child may conclude that there must be something wrong with his or her ability to receive love. -§ Emotionally starving children are easier to control, well fed children don’t need to be. -§ I remember a family of fundamentalists who came to my office to help little Matthew with his anger problem. The parents wanted me to teach little Matthew how to “express his anger nicely.” Now if that is not a formula making someone crazy I do not know what would be. Another woman told me that after her stinking drunk husband tore the house up after a Christmas party, breaking most of the dishes in the kitchen, she meekly told him, “Dear, I think you need a breath mint.” Many families I work with go through great anxiety around the holidays because they are going to be forced to be with each other and are scared of resuming their covert war. They are scared that they might not keep the nice garbage can lid on, and all the rotting resentments and hopeless hurts will be exposed. In the words to the following song, artist David Wilcox explains to his parents why he will not be coming home this Thanksgiving: Covert War by David Wilcox

Do you like my brother?" And there goes Dan's confidence. He keeps his eyes resolutely on the field. "Uh... yes? I mean... I think everyone likes your brother, don't they?" She leans over and gives him a little hip check. "No, you know what I mean. Do you /like/ him?" Dan just states out at the horses, hoping that one of them will do something, anything, to distract this girl from her question. But the horses just keep grazing and Tat continues. "'Cause he likes you. I mean, he likes Jeff, too, but... you can like two people at once, right?" "Uh... yes? I think you can like two people at once." "Yeah. I know it's none of my business or whatever, but... I just wanted to make sure you know... if you like him, that's cool with me. I mean, I like Jeff too, but... you know." Dan has a brief moment of wanting to shake her. No, he /doesn't/ know. Is everything really so clear to everyone but him? Is he just adding extra complications where they don't need to be? Then he remembers that he's talking to a fifteen-year-old girl. Maybe she shouldn't be the arbiter of what's simple or complicated. He realizes that she's still waiting for a response from him. "Okay, well... thanks for letting me know." "Are you guys going to, like... date?" "Sweet Jesus, Tat, I don't know!" Possibly that's a bit of an overreaction, but she looks more amused than upset. "All right, all right...." She gets a mischievous look in her eyes.

The Boston marathon bombings, which took place on April 15, 2013, resulted in injuries to 264 people and the deaths of 3 people. In the ensuing police chase, one of the perpetrators, Tamerian Tsarnaev, was shot several times and run over by his own brother Dzhokhar. When the dust finally settled, the Boston funeral home that had volunteered to care for Tamerian’s body required a round the clock police guard. However, no cemetery in New England would accept the body. Weeks later, in desperation, the Boston police department appealed to the public to help them find a cemetery. In rural Virginia, Martha Mullen, sipping coffee at Starbucks, heard that appeal and said to herself, “Somebody needs to do something about that.” She decided to be that somebody. Through her efforts, Tsarnaev’s body finally found a burial place at the end of a long, quiet gravel road off Sadie Lane in Doswell, Virginia. Needless to say, when this was discovered by the local community, all sorts of controversy arose. The people of her county were upset, and the family members of others buried in that cemetery rose up in anger. Reached by reporters from the AP by phone, she was asked what her response was to all of the hubbub. Her explanation was simple. Martha calmly said, “Jesus said love your enemies.” He did say precisely that, and that revolutionary call echoed through two millennia of time to minister to a dead Muslim’s grieving family in Boston. Is it ministering to anybody around you?

We have some great museums. You'd love the lake." "I don't know that I can enjoy any kind of water anymore." "Why not?" I already knew. "After that little girl, little Ann Nash, was left in the creek to drown." She paused to take a sip of her iced tea. "I knew her, you know." Amma whined and began fidgeting in her seat. "She wasn't drowned though," I said, knowing my correction would annoy her. "She was strangled. She just ended up in the creek." "And then the Keene girl. I was fond of both of them. Very fond." She stared away wistfully, and Alan put his hand over hers. Amma stood up, released a little scream the way an excited puppy might suddenly bark, and ran upstairs. "Poor thing," my mother said. "She's having nearly as hard a time as I am." "She actually saw the girls every day, so I'm sure she is," I said peevishly in spite of myself. "How did you know them?" "Wind Gap, I need not remind you, is a small town. They were sweet, beautiful little girls. Just beautiful." "But you didn't really know them." "I did know them. I knew them well." "How?" "Camille, please try not to do this. I've just told you that I am upset and unnerved, and instead of being comforting, you attack me." "So. You've sworn off all bodies of water in the future, then?" My mother emitted a quick, creaky sound. "You need to shut up now, Camille." She folded the napkin around the remains of her pear like a swaddling and left the room. Alan followed her with his manic whistling, like an old-time piano player lending drama to a silent movie.

The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961

1. You are constantly second-guessing yourself. 2. You ask yourself, “Am I too sensitive?” a dozen times a day. 3. You often feel confused and even crazy at work. 4. You’re always apologizing to your mother, father, boyfriend, boss. 5. You wonder frequently if you are a “good enough” girlfriend/wife/employee/friend/daughter. 6. You can’t understand why, with so many apparently good things in your life, you aren’t happier. 7. You buy clothes for yourself, furnishings for your apartment, or other personal purchases with your partner in mind, thinking about what he would like instead of what would make you feel great. 8. You frequently make excuses for your partner’s behavior to friends and family. 9. You find yourself withholding information from friends and family so you don’t have to explain or make excuses. 10. You know something is terribly wrong, but you can never quite express what it is, even to yourself. 11. You start lying to avoid the put-downs and reality twists. 12. You have trouble making simple decisions. 13. You think twice before bringing up certain seemingly innocent topics of conversation. 14. Before your partner comes home, you run through a checklist in your head to anticipate anything you might have done wrong that day. 15. You have the sense that you used to be a very different person—more confident, more fun-loving, more relaxed. 16. You start speaking to your husband through his secretary so you don’t have to tell him things you’re afraid might upset him. 17. You feel as though you can’t do anything right. 18. Your kids begin trying to protect you from your partner. 19. You find yourself furious with people you’ve always gotten along with before. 20. You feel hopeless and joyless.

When Camilla and her husband joined Prince Charles on a holiday in Turkey shortly before his polo accident, she didn’t complain just as she bore, through gritted teeth, Camilla’s regular invitations to Balmoral and Sandringham. When Charles flew to Italy last year on a sketching holiday, Diana’s friends noted that Camilla was staying at another villa a short drive away. On her return Mrs Parker-Bowles made it quite clear that any suggestion of impropriety was absurd. Her protestations of innocence brought a tight smile from the Princess. That changed to scarcely controlled anger during their summer holiday on board a Greek tycoon’s yacht. She quietly simmered as she heard her husband holding forth to dinner-party guests about the virtues of mistresses. Her mood was scarcely helped when, later that evening, she heard him chatting on the telephone to Camilla. They meet socially on occasion but, there is no love lost between these two women locked into an eternal triangle of rivalry. Diana calls her rival “the rotweiller” while Camilla refers to the Princess as that “ridiculous creature”. At social engagements they are at pains to avoid each other. Diana has developed a technique in public of locating Camilla as quickly as possible and then, depending on her mood, she watches Charles when he looks in her direction or simply evades her gaze. “It is a morbid game,” says a friend. Days before the Salisbury Cathedral spire appeal concert Diana knew that Camilla was going. She vented her frustration in conversations with friends so that on the day of the event the Princess was able to watch the eye contact between her husband and Camilla with quiet amusement. Last December all those years of pent-up emotion came flooding out at a memorial service for Leonora Knatchbull, the six-year-old daughter of Lord and Lady Romsey, who tragically died of cancer. As Diana left the service, held at St James’s Palace, she was photographed in tears. She was weeping in sorrow but also in anger. Diana was upset that Camilla Parker Bowles who had only known the Romseys for a short time was also present at such an intimate family service. It was a point she made vigorously to her husband as they travelled back to Kensington Palace in their chauffeur-driven limousine. When they arrived at Kensington Palace the Princess felt so distressed that she ignored the staff Christmas party, which was then in full swing, and went to her sitting-room to recover her composure. Diplomatically, Peter Westmacott, the Wales’s deputy private secretary, sent her avuncular detective Ken Wharfe to help calm her.

First, you cannot make it your central goal to call a pastor who will not bore you. The people in your community are drowning. They don’t need someone to row out beside them and entertain them. They need the life preserver of God’s Word. The people in your pews face great trials today and will in the days to come. Their most desperate need in life, even more important than whether or not they have a warm bed and food, is to hear from God. Whatever you do as a search committee, you must call a pastor who will preach the Word. Second, if you do call a pastor who preaches the Word in a biblical way, then you will not be bored. People may get upset. A few may use the sermon time to catch up on their sleep. But if you call a truly Word-centered pastor, you can expect your church family as a whole to look forward to a weekly event where the Word is exposited and lives are changed.

The Arab world has done nothing to help the Palestinian refugees they created when they attacked Israel in 1948. It’s called the ‘Palestinian refugee problem.’ This is one of the best tricks that the Arabs have played on the world, and they have used it to their great advantage when fighting Israel in the forum of public opinion. This lie was pulled off masterfully, and everyone has been falling for it ever since. First you tell people to leave their homes and villages because you are going to come in and kick out the Jews the day after the UN grants Israel its nationhood. You fail in your military objective, the Jews are still alive and have more land now than before, and you have thousands of upset, displaced refugees living in your country because they believed in you. So you and the UN build refugee camps that are designed to last only five years and crowd the people in, instead of integrating them into your society and giving them citizenship. After a few years of overcrowding and deteriorating living conditions, you get the media to visit and publish a lot of pictures of these poor people living in the hopeless, wretched squalor you have left them in. In 1967 you get all your cronies together with their guns and tanks and planes and start beating the war drums. Again the same old story: you really are going to kill all the Jews this time or drive them into the sea, and everyone will be able to go back home, take over what the Jews have developed, and live in a Jew-free Middle East. Again you fail and now there are even more refugees living in your countries, and Israel is even larger, with Jerusalem as its capital. Time for more pictures of more camps and suffering children. What is to be done about these poor refugees (that not even the Arabs want)? Then start Middle Eastern student organizations on U.S. college campuses and find some young, idealistic American college kids who have no idea of what has been described here so far, and have them take up the cause. Now enter some power-hungry type like Yasser Arafat who begins to blackmail you and your Arab friends, who created the mess, for guns and bombs and money to fight the Israelis. Then Arafat creates hell for the world starting in the 1970s with his terrorism, and the “Palestinian refugee problem” becomes a worldwide issue and galvanizes all your citizens and the world against Israel. Along come the suicide bombers, so to keep the pot boiling you finance the show by paying every bomber’s family twenty-five thousand dollars. This encourages more crazies to go blow themselves up, killing civilians and children riding buses to school. Saudi Arabia held telethons to raise thousands of dollars to the families of suicide bombers. What a perfect way to turn years of military failure into a public-opinion-campaign success. The perpetuation of lies and uncritical thinking, combined with repetitious anti-Jewish and anti-American diatribes, has produced a generation of Arab youth incapable of thinking in a civilized manner. This government-nurtured rage toward the West and the infidels continues today, perpetuating their economic failure and deflecting frustration away from the dictators and regimes that oppress them. This refusal by the Arab regimes to take an honest look at themselves has created a culture of scapegoating that blames western civilization for misery and failure in every aspect of Arab life. So far it seems that Arab leaders don’t mind their people lagging behind, save for King Abdullah’s recent evidence of concern. (The depth of his sincerity remains to be seen.)

Lucas de Heere’s painting from the 1570s, now at Sudeley Castle, its subject precisely Henry VIII’s family (see Plate 4). It is a portrait with no sense of chronology. The old king sits in full vigour on his throne, handing over his sword to an Edward who is well into his teens. On the king’s right hand is his elder daughter Mary, with the husband who by the 1570s was something of an embarrassing national memory, Philip II of Spain. While Philip and Mary are depicted with perfect fairness, and in what might be considered the position of honour, they yield in size and in body language to the star of the picture, Queen Elizabeth I, who upstages everyone else. The only figure as big as her is the lady whom she appears to be introducing to the gratified company, the personification of Peace. The message is clear: after all the upsets caused by her jovial but terrifying parent and her unsatisfactory siblings, Elizabeth is complacently pointing (literally) to her own achievement, a nation united in harmony.

How old am I? Over thirty, indeed? What cream do I use on my face? How many children do I have? Really—none? They offer condolences and smack their lips over my bad luck. My husband’s family must be very upset—I am married, of course? No? Again, they offer their regrets: a great shame that nobody wanted me. They understand—it is known to happen to some girls. Usually the very ugly or poor ones. Their concern extends to my parents: They must be unhappy, ashamed even, to have an old, unmarried daughter. And the relatives, horribly embarrassed, certainly? By now, I try to insist it may not be a complete disaster to be unmarried, but Setareh feels the need to intervene and freestyle the translation a little. She explains to the girls that, in her personal view, it is indeed a little tragic for my family. That concession renders sympathetic faces all around.When Sakina steps out of the room, questions become juicier: In the West, do I walk around almost naked in the streets? And have I “had relations” with a thousand men?

A lady told me about one of her husband’s relatives who was very opinionated. He was always making these cutting, demeaning remarks about her. This couple hadn’t been married that long. Every time they went to family get-togethers, this relative would say something to offend her. She would get all upset and it would ruin the day. She reached the point where she refused to even go to family events. Finally, she told her husband, “You’ve got to do something about that man. He’s your relative.” She was expecting her husband to say, “You’re right, honey. He shouldn’t talk to you like that. I will set him straight.” But the husband did just the opposite. He said, “Honey, I love you but I cannot control him. He has every right to have his opinion. He can say what he wants to, but you have every right to not get offended.” At first she couldn’t understand why her husband wouldn’t really stick up for her. Time and time again she would become upset. If this relative was in one room she would go to another. If he went outside she would make sure she stayed inside. She was always focused on avoiding this man. One day she realized she was giving away her power. It was like a light turned on in her mind. She was allowing one person with issues to keep her from becoming who she was meant to be. When you allow what someone says or does to upset you, you’re allowing them to control you. When you say, “You make me so mad,” what you’re really doing is admitting that you’re giving away your power. As long as that person knows they can push this button and you’ll respond this way, you are giving them exactly what they want. When you allow what someone says or does to upset you, you’re allowing them to control you. People have a right to say what they want, to do what they want, as long as it’s legal. But we have a right to not get offended. We have a right to overlook it. But when we get upset and go around angry, we change. What’s happening is we’re putting too much importance on what they think about us. What they say about you does not define who you are. Their opinion of you does not determine your self-worth. Let that bounce off of you like water off of a duck’s back. They have every right to have their opinion, and you have every right to ignore it.

Although Golden Boy is a work of fiction, the situations portrayed in it are real. The first materials that Habo and Davu read together in the library are all real. The children’s book they read aloud is a real book, True Friends: A Tale from Tanzania, by John Kilaka. All of the newspaper headlines they read came from real newspapers. Sadly, the stories of the people with albinism in Golden Boy are real as well. The two members of parliament that Habo sees on TV are real people, and so was Charlie Ngeleja. He died in Mwanza the way Auntie describes to Habo’s family. Charlie’s is just one story, but there are too many like his. When I came across a news story in 2009 that told about the kidnapping, mutilation, and murder of African albinos for use as good-luck talismans, I was upset that I had never heard about the tragedy before. I started looking for books on the subject and found none. The most I could find were a few articles from international newspapers and a documentary produced by Al Jazeera English: Africa Uncovered: Murder & Myth. This haunting documentary touched a nerve and sent me down the path of writing Golden Boy.

Once upon a time, there were two youngsters, a boy and a girl. Their families hated each other. But the boy snuck into a party hosted by the girl’s family because he was kind of a dick. The girl sees the boy, and angels sing so sweetly to her lady-parts that she instantly falls in love with him. Just like that. And so he sneaks into her garden and they decide to get married the next freaking day, because, you know, that’s totally practical, especially when your parents want to murder each other. Jump ahead a few days. Their families find out about the marriage and throw a shit-fit. Mercutio dies. The girl is so upset that she drinks a potion that will put her to sleep for two days. But, unfortunately, the young couple hasn’t learned the ins and outs of good marital communication yet, and the young girl totally forgets to mention something about it to her new husband. The young man therefore mistakes his new wife’s self-induced coma for suicide. He then totally loses his marbles and he commits suicide, thinking he’s going to be with her in the afterlife or some shit. But then she wakes up from her two-day coma, only to learn that her new husband has committed suicide, so she has the exact same idea and kills herself too. The end. Romeo

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.

The BFMSS [British False Memory Syndrome Society] The founder of the 'false memory' movement in Britain is an accused father. Two of his adult daughters say that Roger Scotford sexually abused them in childhood. He denied this and responded by launching a spectacular counter-attack, which enjoyed apparently unlimited and uncritical air time in the mass media and provoke Establishment institutions that had made no public utterance about abuse to pronounce on the accused adults' repudiation of it. p171-172 The 'British False Memory Syndrome Society' lent a scientific aura to the allegations - the alchemy of 'falsehood' and 'memory' stirred with disease and science. The new name pathologised the accusers and drew attention away from the accused. But the so-called syndrome attacked not only the source of the stories but also the alliances between the survivors' movement and practitioners in the health, welfare, and the criminal justice system. The allies were represented no longer as credulous dupes but as malevolent agents who imported a miasma of the 'false memories' into the imaginations of distressed victims. Roger Scotford was a former naval officer turned successful property developer living in a Georgian house overlooking an uninterrupted valley in luscious middle England. He was a rich man and was able to give up everything to devote himself to the crusade. He says his family life was normal and that he had been a 'Dr Spock father'. But his first wife disagrees and his second wife, although believing him innocent, describes his children's childhood as very difficult. His daughters say they had a significantly unhappy childhood. In the autumn of 1991, his middle daughter invited him to her home to confront him with the story of her childhood. She was supported by a friend and he was invited to listen and then leave. She told him that he had abused her throughout her youth. Scotford, however, said that the daughter went to a homeopath for treatment for thrush/candida and then blamed the condition on him. He also said his daughter, who was in her twenties, had been upset during a recent trip to France to buy a property. He said he booked them into a hotel where they would share a room. This was not odd, he insisted, 'to me it was quite natural'. He told journalists and scholars the same story, in the same way, reciting the details of her allegations, drawing attention to her body and the details of what she said he had done to her. Some seemed to find the detail persuasive. Several found it spooky. p172-173

The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here? When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy. I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too. Dad spoke first. “Son, are you ready to change?” Everything else seemed to go silent and fade away, and all I heard was my dad’s voice. “I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.” He paused for a second then went on, a little quieter. “Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.” I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment. My breath left me in a rush, and I fell to my knees in front of them all and started crying. “Dad, what took y’all so long?” I burst out. I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too. I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord. Suddenly, I felt guilty. “Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.” “No, son,” he answered. “You’ve told me enough.” I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.” “I know. I want to come back home,” I said. I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found. By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.” “My prodigal son has returned,” Dad said, with tears of joy streaming down his face. It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness. A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment. That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment. “Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.

There’s an additional depressing reason why stress fosters aggression—because it reduces stress. Shock a rat and its glucocorticoid levels and blood pressure rise; with enough shocks, it’s at risk for a “stress” ulcer. Various things can buffer the rat during shocks—running on a running wheel, eating, gnawing on wood in frustration. But a particularly effective buffer is for the rat to bite another rat. Stress-induced (aka frustration-induced) displacement aggression is ubiquitous in various species. Among baboons, for example, nearly half of aggression is this type—a high-ranking male loses a fight and chases a subadult male, who promptly bites a female, who then lunges at an infant. My research shows that within the same dominance rank, the more a baboon tends to displace aggression after losing a fight, the lower his glucocorticoid levels.78 Humans excel at stress-induced displacement aggression—consider how economic downturns increase rates of spousal and child abuse. Or consider a study of family violence and pro football. If the local team unexpectedly loses, spousal/partner violence by men increases 10 percent soon afterward (with no increase when the team won or was expected to lose). And as the stakes get higher, the pattern is exacerbated: a 13 percent increase after upsets when the team was in playoff contention, a 20 percent increase when the upset is by a rival.79

Ave Maria BY FRANK O'HARA Mothers of America let your kids go to the movies! get them out of the house so they won’t know what you’re up to it’s true that fresh air is good for the body but what about the soul that grows in darkness, embossed by silvery images and when you grow old as grow old you must they won’t hate you they won’t criticize you they won’t know they’ll be in some glamorous country they first saw on a Saturday afternoon or playing hookey they may even be grateful to you for their first sexual experience which only cost you a quarter and didn’t upset the peaceful home they will know where candy bars come from and gratuitous bags of popcorn as gratuitous as leaving the movie before it’s over with a pleasant stranger whose apartment is in the Heaven on Earth Bldg near the Williamsburg Bridge oh mothers you will have made the little tykes so happy because if nobody does pick them up in the movies they won’t know the difference and if somebody does it’ll be sheer gravy and they’ll have been truly entertained either way instead of hanging around the yard or up in their room hating you prematurely since you won’t have done anything horribly mean yet except keeping them from the darker joys it’s unforgivable the latter so don’t blame me if you won’t take this advice and the family breaks up and your children grow old and blind in front of a TV set seeing movies you wouldn’t let them see when they were young

some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds

I was, however, still very much an emotional wreck and sometimes this resulted in misdirected anger. Unfortunately, my sisters bore the brunt of that. Sometimes I would just blow up without reason or warning. Once, my sister Sara was in the room and she was just moving things around, trying to clean up, and I blew up at her. She was so stunned and upset, she just walked out of the room and into the hallway to cry. Another soldier in a wheelchair came by and asked if she was okay. Through sobs and tears she choked out a “yeah.” “Did your soldier yell at you?” he asked. She nodded yes and he said, “I don’t know why we do that. But don’t take it personally. We’re all going through it.” She calmed down and walked back in. She stood squarely in front of my bed and told me that I really pissed her off. Clearly I’d already forgotten I yelled at her because I looked at her with a bewildered expression and managed to push out through my wired jaw, “What’s wrong with you?” She glared at me and spat back, “You son of a bitch, you’re what’s wrong!” I was clueless. In fact, I pissed off my family members on a pretty regular basis until they figured out how to deal with it. They’d just control when I got to talk. My jaw was wired shut, but I could talk a little bit with some help. I’d had a tracheotomy so I had a hole in my throat. I had this little purple plastic piece that I could put in the hole that would keep the air from coming out so I could talk. Every time I woke up, the purple plastic piece was clear across the room. They didn’t keep it near me. I had to put my fingers over the hole so I could wheeze out, “Gimme…gimme…the…thing.” I think this amused them.

The doctor gave him a look of sympathy. “We won’t have a choice. If left untreated, both mother and child could die. The only cure for eclampsia is delivery of the baby. We’re doing tests to determine the lung maturity of the baby. At thirty-four weeks’ gestation, the child has a very good chance of survival without complications.” Ryan dug a hand into his hair and closed his eyes. He’d done this to her. She should have been cherished and pampered during her entire pregnancy. She should have been waited on hand and foot. Instead she’d been forced to work a physically demanding job under unimaginable stress. And once he’d brought her back, she’d been subjected to scorn and hostility and endless emotional distress. Was it any wonder she wanted to wash her hands of him and his family? “Will…will Kelly be all right? Will she recover from this?” He didn’t realize he held his breath until his chest began to burn. He let it out slowly and forced himself to relax his hands. “She’s gravely ill. Her blood pressure is extremely high. She could seize again or suffer a stroke. Neither is good for her or the baby. We’re doing everything we can to bring her blood pressure down and we’re monitoring the baby for signs of stress. We’re prepared to take the baby if the condition of either mother or child deteriorates. It’s important she remain calm and not be stressed in any way. Even if we’re able to bring down her blood pressure and put off the delivery until closer to her due date, she’ll be on strict bed rest for the remainder of her pregnancy.” “I understand,” Ryan said quietly. “Can I see her now?” “You can go in but she must remain calm. Don’t do or say anything to upset her.” Ryan nodded and turned to walk the few steps to Kelly’s room. He paused at the door, afraid to go in. What if his mere presence upset her? His hand rested on the handle and he leaned forward, pressing his forehead to the surface. He closed his eyes as grief and regret—so much regret—swamped him.

But even in Gavle I went on digging into the case." "I don't suppose that Henrik would ever let up." "That's true, but that's not the reason. The puzzle about Harriet still fascinates me to this day. I mean... it's like this: every police officer has his own unsolved mystery. I remember from my days in Hedestad how older colleagues would talk in the canteen about the case of Rebecka. There was one officer in particular, a man named Torstensson - he's been dead for years - who year after year kept returning to that case. In his free time and when he was on holiday. Whenever there was a period of calm among the local hooligans he would take out those folders and study them." "Was that also a case about a missing girl?" Morell looked surprised. Then he smiled when he realised that Blomkvist was looking for some sort of connection. "No, that's not why I mentioned it. I'm talking about the soul of a policeman. The Rebecka case was something that happened before Harriet Vanger was even born, and the statute of limitations has long since run out. Sometime in the forties a woman was assaulted in Hedestad, raped, and murdered. That's not altogether uncommon. Every officer, at some point in his career, has to investigate that kind of crime, but what I'm talking about are those cases that stay with you and get under your skin during the investigation. This girl was killed in the most brutal way. The killer tied her up and stuck her head into the smouldering embers of a fireplace. One can only guess how long it took for the poor girl to die, or what torment she must have endured." "Christ Almighty." "Exactly. It was so sadistic. Poor Torstensson was the first detective on the scene after she was found. And the murder remained unsolved, even though experts were called in from Stockholm. He could never let go of that case." "I can understand that." "My Rebecka case was Harriet. In this instance we don't even know how she died. We can't even prove that a murder was committed. But I have never been able to let it go." He paused to think for a moment. "Being a homicide detective can be the loneliest job in the world. The friends of the victim are upset and in despair, but sooner or later - after weeks or months - they go back to their everyday lives. For the closest family it takes longer, but for the most part, to some degree, they too get over their grieving and despair. Life has to go on; it does go on. But the unsolved murders keep gnawing away and in the end there's only one person left who thinks night and day about the victim: it's the officer who's left with the investigation.

You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.

Dear Mom and Dad How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is. We killed the lawn. We killed it dead. You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life. We killed the lawn. Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good. We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine. A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission. We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning. Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck. Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you. Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain? So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault. Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese. Love always Peter, James & Carmine

Damn It Feels Good To Be A Gangsta Verse 1 Damn it feels good to be a gangsta A real gangsta-ass nigga plays his cards right A real gangsta-ass nigga never runs his f**kin mouth Cuz real gangsta-ass niggas don't start fights And niggas always gotta high cap Showin' all his boys how he shot em But real gangsta-ass niggas don't flex nuts Cuz real gangsta-ass niggas know they got em And everythings cool in the mind of a gangsta Cuz gangsta-ass niggas think deep Up three-sixty-five a year 24/7 Cuz real gangsta ass niggas don't sleep And all I gotta say to you Wannabe, gonnabe, cocksuckin', pussy-eatin' prankstas 'Cause when the fire dies down what the f**k you gonna do Damn it feels good to be a gangsta Verse 2 Damn it feels good to be a gangsta Feedin' the poor and helpin out with their bills Although I was born in Jamaica Now I'm in the US makin' deals Damn it feels good to be a gangsta I mean one that you don't really know Ridin' around town in a drop-top Benz Hittin' switches in my black six-fo' Now gangsta-ass niggas come in all shapes and colors Some got killed in the past But this gangtsa here is a smart one Started living for the lord and I last Now all I gotta say to you Wannabe, gonnabe, pussy-eatin' cocksuckin' prankstas When the sh*t jumps off what the f**k you gonna do Damn it feels good to be a gangsta Verse 3 Damn it feels good to be a gangsta A real gangta-ass nigga knows the play Real gangsta-ass niggas get the flyest of the b**ches Ask that gangsta-ass nigga Little Jake Now b**ches look at gangsta-ass niggas like a stop sign And play the role of Little Miss Sweet But catch the b**ch all alone get the digit take her out and then dump-hittin' the ass with the meat Cuz gangsta-ass niggas be the gang playas And everythings quiet in the clique A gangsta-ass nigga pulls the trigger And his partners in the posse ain't tellin' off sh*t Real gangsta-ass niggas don't talk much All ya hear is the black from the gun blast And real gangsta-ass niggas don't run for sh*t Cuz real gangsta-ass niggas can't run fast Now when you in the free world talkin' sh*t do the sh*t Hit the pen and let the mothaf**kas shank ya But niggas like myself kick back and peep game Cuz damn it feels good to be a gangsta Verse 4 And now, a word from the President! Damn it feels good to be a gangsta Gettin voted into the White House Everything lookin good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who So voters of the world keep supportin' me And I promise to take you very far Other leaders better not upset me Or I'll send a million troops to die at war To all you Republicans, that helped me win I sincerely like to thank you Cuz now I got the world swingin' from my nuts And damn it feels good to be a gangsta

When I Know I Must Speak Pleasant Words Pleasant words are like a honeycomb, sweetness to the soul and health to the bones. PROVERBS 16:24 WHAT ARE THE FIRST WORDS you speak to your spouse when you both get up in the morning? Are they pleasant and positive? Are they covered with the love and joy of the Lord? Or are they powered by yesterday’s resentments, disappointments, and unfulfilled expectations? It is of utmost importance that a wife sets the tone of the day for the entire family, but especially for her husband. It is easy for you as a wife to not be ahead of your emotions and thoughts before you talk to your husband in the morning, especially when you have a lot on your plate, too much to do, you don’t feel well, you’re upset at your husband, or you haven’t had enough time with the Lord to get your heart right. And if you have been up in the night, for whatever reason, and haven’t had enough sleep, your mind can be set on a negative track long before your husband wakes up. You may have already thought up many things you want to communicate to him that do not include pleasant words. If you dive in with these issues before he is ready to talk, it can set the day on the wrong course. The thing to do, right when you wake up in the morning, is ask God to give you pleasant words that bring “sweetness to the soul” of your husband when you first see him—even if you don’t think he deserves it at that moment. When God gives you the right attitude first thing in the morning, you’ll see what a difference it makes in your day and night. Your husband will respond differently than he would if your words were harsh. A soft word can turn away much suffering and bring great healing. It’s not worth it to start your day any other way. My Prayer to God LORD, I pray You would help me to pause every morning when I wake up to thank You for the day and ask You to fill me afresh with Your love and joy, so that the first words that come out of my mouth to my husband are pleasant. Help me to hesitate before I speak to him for the first time in order to plan how I can set a positive tone for the day. Make me to be a woman with a gentle and loving spirit so that uplifting words flow naturally from me. I pray that the next time I see or talk to my husband, my words will bring sweetness to his soul and health to his body. May they also bring sweetness and health to the very soul of our marriage. I know there are times when pleasant and sweet is not my first reaction. I realize I can sometimes worry and allow thoughts and words that are not glorifying to You. At those times I depend on You to transform me so that I can be a strong conduit for Your love to my husband and family. Help me to be a person he wants to be around. Break in me any bad habits of negative, faithless, or critical thinking. Help me to forgive anything he has done or said that is still in my mind. I release the past to You so I can do what is right today. Help me to always consider the state of my heart before I speak. In Jesus’ name I pray.

Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same. Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night. Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote. Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means? Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up. I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey. Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep. Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that? Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.