“
You can't beat women anyhow and that if you are wise or dislike trouble and uproar you don't even try to.
”
”
William Faulkner
“
There is nothing stable in the world; uproar's your only music.
”
”
John Keats
“
You crave chaos. You're happiest when the world is in an uproar. You thrive on madness. Even when your magic is at its best when it's the catalyst to confusion. You still can't admit this?
”
”
A.G. Howard (Splintered (Splintered, #1))
“
He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: “Only God knows how much I loved you
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Eve: All this riot and uproar, V... is this Anarchy? Is this the Land of Do-As-You-Please?
V: No. This is only the land of take-what-you-want. Anarchy means "without leaders", not "without order". With anarchy comes an age or ordnung, of true order, which is to say voluntary order... this age of ordung will begin when the mad and incoherent cycle of verwirrung that these bulletins reveal has run its course... This is not anarchy, Eve. This is chaos.
”
”
Alan Moore (V for Vendetta)
“
What is meant by “reality”? It would seem to be something very erratic, very undependable—now to be found in a dusty road, now in a scrap of newspaper in the street, now a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech—and then there it is again in an omnibus in the uproar of Piccadilly. Sometimes, too, it seems to dwell in shapes too far away for us to discern what their nature is. But whatever it touches, it fixes and makes permanent. That is what remains over when the skin of the day has been cast into the hedge; that is what is left of past time and of our loves and hates.
”
”
Virginia Woolf (A Room of One’s Own)
“
God has fallen out of containment in religion and into human hearts—God is incarnating. Our whole unconscious is in an uproar from the God Who wants to know and to be known.
”
”
C.G. Jung
“
The least thing upset him on the links. He missed short putts because of the uproar of the butterflies in the adjoining meadows.
”
”
P.G. Wodehouse
“
When the farthest corner of the globe has been conquered
technologically and can be exploited economically; when any incident you like, in any place you like, at any time you like, becomes
accessible as fast as you like; when you can simultaneously "experience" an assassination attempt against a king in France and a symphony concert in Tokyo; when time is nothing but speed, instantaneity, and simultaneity, and time as history has vanished from all
Being of all peoples; when a boxer counts as the great man of a
people; when the tallies of millions at mass meetings are a triumph;
then, yes then, there still looms like a specter over all this uproar the
question: what for? — where to? — and what then?
”
”
Martin Heidegger (Introduction to Metaphysics)
“
Imagine the uproar if the Federal government tried to make everyone wear a radio transmitter around their neck so we can keep track of their movements. But people happily carry their cell phones in their purses and pockets.
”
”
Lee Child (A Wanted Man (Jack Reacher, #17))
“
The roar of the traffic, the passage of undifferentiated
faces, this way and that way, drugs me into dreams; rubs the
features from faces. People might walk through me. And what is
this moment of time, this particular day in which I have found
myself caught? The growl of traffic might be any uproar - forest trees or
the roar of wild beasts. Time has whizzed back an inch or two on its reel;
our short progress has been cancelled. I think also that our bodies are in truth
naked. We are only lightly covered with buttoned cloth; and beneath these
pavements are shells, bones and silence.
”
”
Virginia Woolf (The Waves)
“
You crave chaos, you are happiest when the world is in an uproar, you thrive on madness.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
so, what are you in for? MANSLAUGHTER!!! I SLAUGHTERED A MAN!! JUST LIKE A PIG!!! PUT HIM ON A SPIT AND PUT AN APPLE IN HIS MOUTH!!!!
”
”
Brian Regan (Funny Business: The Best of Uproar Comedy Vol. II)
“
Then, for more than ten days, they did not see the sun again. The ground became soft and damp, like volcanic ash, and the vegetation was thicker and thicker, and the cries of the birds and the uproar of the monkeys became more and more remote, and the world became eternally sad. The men on the expedition felt overwhelmed by their most ancient memories in that paradise of dampness and silence, going back to before original sin, as their boots sank into pools of steaming oil and their machetes destroyed bloody lilies and golden salamanders.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Mundane uproar made things worse,
Where self-awareness couldn't be thrust,
Dived deep into a jar of the arduous universe,
Unintendedly flew high to another world,
Unfit presently for the mythical realm,
Just an insane birdie, living in a sane world.
”
”
Hareem Ch (Another World)
“
There was great uproar of applause from the Dukes, who bellowed their approval. Wonderful. Pharzuph was a demon cheerleader.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
One feels even in the midst of the traffic, or waking at night, Clarissa was positive, a particular hush, or solemnity; an indescribable pause; a suspense before Big Ben strikes. There! Out it boomed. First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air. Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment in June.
”
”
Virginia Woolf (Mrs. Dalloway)
“
He says, "Keats for my Keats. Look inside."
I gently open the cover. Inside, written in pencil,is an old inscription.
1903, To my love.
-S
Underneath is more pencil, written in Brooklyn's neat print.
Even Keats speaks of chaos.
There is nothing stable in the world; uproar's your only music.
All my love,
B
”
”
Jillian Dodd (Stalk Me (The Keatyn Chronicles, #1))
“
Such fools we are, she thought, crossing Victoria Street. For Heaven only knows why one loves it so, how one sees it so, making it up, building it round one, tumbling it, creating it every moment afresh; but the veriest frumps, the most dejected of miseries sitting on doorsteps (drink their downfall) do the same; can't be dealt with, she felt positive, by Acts of Parliament for that very reason: they love life. In people's eyes, in the swing, tramp and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
”
”
Virginia Woolf
“
Well, you know that was the worst of it - this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity - like yours - the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was justly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you - you so remote from the night of first ages could comprehend.
”
”
Joseph Conrad (Heart of Darkness)
“
He waited patiently until the uproar had died away. It was amazing, he thought, how people would argue against figures on no better basis than ‘they must be wrong’.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37))
“
In the uproar, the confusion
of accents and inflections
how will you hear me when I open my mouth?
Look for me, one of the drab population
under fissured edifices, fractured
artifices. Make my various
names flock overhead,
I will follow you.
”
”
Li-Young Lee (The City in Which I Love You)
“
In people's eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Great ideas, it has been said, come into the world as gently as doves. Perhaps then, if we listen attentively, we shall hear amid the uproar of empires and nations, a faint flutter of wings, the gentle stirring of life and hope. Some will say that this hope lies in a nation; others in a man. I believe rather that it is awakened, revived, nourished, by millions of solitary individuals whose and works every day negate frontiers and the crudest implications of history.
”
”
Albert Camus
“
Imagine the uproar when Uber’s cars start arriving without drivers.
”
”
Martin Ford (Rise of the Robots: Technology and the Threat of a Jobless Future)
“
Christianity - and that is its greatest merit - has somewhat mitigated that brutal Germanic love of war, but it could not destroy it. Should that subduing talisman, the cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman is fragile, and the day will come when it will collapse miserably. Then the ancient stony gods will rise from the forgotten debris and rub the dust of a thousand years from their eyes, and finally Thor with his giant hammer will jump up and smash the Gothic cathedrals. ... Do not smile at the visionary who anticipates the same revolution in the realm of the visible as has taken place in the spiritual. Thought precedes action as lightning precedes thunder. German thunder is of true Germanic character; it is not very nimble, but rumbles along ponderously. Yet, it will come and when you hear a crashing such as never before has been heard in the world's history, then you know that the German thunderbolt has fallen at last. At that uproar the eagles of the air will drop dead, and lions in the remotest deserts of Africa will hide in their royal dens. A play will be performed in Germany which will make the French Revolution look like an innocent idyll. (1834)
”
”
Heinrich Heine
“
Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless. Therefore the frogs, the toads, keep on singing even though we know, if they don't, that the sound of their uproar must surely be luring all the snakes and ringtail cats and kit foxes and coyotes and great horned owls toward the scene of their happiness.
”
”
Edward Abbey (Desert Solitaire)
“
But the uproar this caused was nothing compared with the uproar when Katronia noticed [Rosie] had also cut her eyelashes. Various negotiations (including, finally, such desperate measures as "supposing you ever want to eat again") eventually produced the grudging promise that, in return for Katronia keeping her hair cut short, she would leave her eyelashes alone.
”
”
Robin McKinley (Spindle's End)
“
In the frantaic world of today, with everything in a ceaseless uproar like a forest in a hurricane, it's a good thing to see that your roots go a long way down.
”
”
Thomas H. Raddall (In My Time: A Memoir)
“
Dr. Urbino caught the parrot around the neck with a triumphant sigh: ça y est. But he released him immediately because the ladder slipped from under his feet and for an instant he was suspended in the air and then he realized that he had died without Communion, without time to repent of anything or to say goodbye to anyone, at seven minutes after four on Pentecost Sunday.
Fermina Daza was in the kitchen tasting the soup for supper when she heard Digna Pardo's horrified shriek and the shouting of the servants and then of the entire neighborhood. She dropped the tasting spoon and tried to run despite the invincible weight of her age, screaming like a madwoman without knowing yet what had happened under the mango leaves, and her heart jumped inside her ribs when she saw her man lying on his back in the mud, dead to this life but still resisting death's final blow for one last minute so that she would have time to come to him. He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked for her for the last and final time with eyes more luminous, more grief-stricken, more grateful that she had ever seen them in the half century of a shared life, and he managed to say to her with his last breath:
"Only God knows how much I loved you.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
All European writers are ‘slaves of their baptism,’ if I may paraphrase Rimbaud; like it or not, their writing carries baggage from an immense and almost frightening tradition; they accept that tradition or they fight against it, it inhabits them, it is their familiar and their succubus. Why write, if everything has, in a way, already been said? Gide observed sardonically that since nobody listened, everything has to be said again, yet a suspicion of guilt and superfluity leads the European intellectual to the most extreme refinements of his trade and tools, the only way to avoid paths too much traveled. Thus the enthusiasm that greets novelties, the uproar when a writer has succeeded in giving substance to a new slice of the invisible; merely recall symbolism, surrealism, the ‘nouveau roman’: finally something truly new that neither Ronsard, nor Stendahl , nor Proust imagined. For a moment we can put aside our guilt; even the epigones begin too believe they are doing something new. Afterwards, slowly, they begin to feel European again and each writer still has his albatross around his neck.
”
”
Julio Cortázar (Around the Day in Eighty Worlds)
“
It is unthinkable and grotesque that we make the same mistake over and over again. There should be an uproar of children shouting, "What about me?" But they often can't speak and so their plight goes unnoticed...
”
”
Elizabeth Glaser
“
The town of L— represented the earth, with its sorrows and its graves left behind, yet not out of sight, nor wholly forgotten. The ocean, in everlasting but gentle agitation, and brooded over by a dove-like calm, might not unfitly typify the mind and the mood which then swayed it. For it seemed to me as if then first I stood at a distance, and aloof from the uproar of life; as if the tumult, the fever, and the strife, were suspended; a respite granted from the secret burthens of the heart; a sabbath of repose; a resting from human labours. Here were the hopes which blossom in the paths of life, reconciled with the peace which is in the grave; motions of the intellect as unwearied as the heavens, yet for all anxieties a halcyon calm: a tranquility that seemed no product of inertia, but as if resulting from mighty and equal antagonisms; infinite activities, infinite repose.
”
”
Thomas de Quincey (Confessions of an English Opium Eater)
“
I want no thunder or lightning to remind me of my God, nor am I as apt to bethink on most of all His goodness in trouble and tribulations as on a calm, solemn, quiet day in a forest, when His voice is heard in the creaking of a dead branch or in the song of a bird, as much in my ears at least as it is ever heard in uproar and gales.
”
”
James Fenimore Cooper (Pathfinder; or, the inland sea)
“
and on the other side for lack of sun there is death perhaps
waiting for you in the uproar of a dazzling whirlwind with a thousand explosive arms
stretched toward you man flower passing from the seller's hands to
those of the lover and the loved
passing from the hand of one event to the other passive and sad parakeet
the teeth of doors are chattering and everything is done with
impatience to make you leave quickly
man amiable merchandise eyes open but tightly sealed
cough of waterfall rhythm projected in meridians and slices
globe spotted with mud with leprosy and blood
winter mounted on its pedestal of night poor night weak and sterile
draws the drapery of cloud over the cold menagerie
and holds in its hands as if to throw a ball
luminous number your head full of poetry
”
”
Tristan Tzara (L'Homme approximatif)
“
They had chains which they fastened about the leg of the nearest hog, and the other end of the chain they hooked into one of the rings upon the wheel. So, as the wheel turned, a hog was suddenly jerked off his feet and borne aloft. At the same instant the ear was assailed by a most terrifying shriek; the visitors started in alarm, the women turned pale and shrank back. The shriek was followed by another, louder and yet more agonizing--for once started upon that journey, the hog never came back; at the top of the wheel he was shunted off upon a trolley and went sailing down the room. And meantime another was swung up, and then another, and another, until there was a double line of them, each dangling by a foot and kicking in frenzy--and squealing. The uproar was appalling, perilous to the ear-drums; one feared there was too much sound for the room to hold--that the walls must give way or the ceiling crack. There were high squeals and low squeals, grunts, and wails of agony; there would come a momentary lull, and then a fresh outburst, louder than ever, surging up to a deafening climax. It was too much for some of the visitors--the men would look at each other, laughing nervously, and the women would stand with hands clenched, and the blood rushing to their faces, and the tears starting in their eyes. Meantime, heedless of all these things, the men upon the floor were going about their work. Neither squeals of hogs nor tears of visitors made any difference to them; one by one they hooked up the hogs, and one by one with a swift stroke they slit their throats. There was a long line of hogs, with squeals and life-blood ebbing away together; until at last each started again, and vanished with a splash into a huge vat of boiling water. It was all so very businesslike that one watched it fascinated. It was pork-making by machinery, pork-making by applied mathematics. And yet somehow the most matter-of-fact person could not help thinking of the hogs; they were so innocent, they came so very trustingly; and they were so very human in their protests--and so perfectly within their rights! They had done nothing to deserve it; and it was adding insult to injury, as the thing was done here, swinging them up in this cold-blooded, impersonal way, without a pretence at apology, without the homage of a tear. Now and then a visitor wept, to be sure; but this slaughtering-machine ran on, visitors or no visitors. It was like some horrible crime committed in a dungeon, all unseen and unheeded, buried out of sight and of memory.
”
”
Upton Sinclair (The Jungle)
“
Straightening himself and stealthily fingering his pocket-knife he started after her to follow this woman, this excitement, which seemed even with its back turned to shed on him a light which connected them, which singled him out, as if the random uproar of the traffic had whispered through hallowed hands his name, not Peter, but his private name which he called himself in his own thoughts.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Their love was equal; on the hills they roamed together, and together they would go back to their cave; and this time too they went into the Lapith's palace side by side and side by side were fighting in the fray. A javelin (no knowing from whose hand) came from the left and wounded Cyllarus, landing below the place where the chest joins neck--slight wound, but when the point was pulled away, cold grew his damaged heart and cold his limbs. Hylonome embraced him as he died, caressed the wound and, putting lips to lips, she tried to stay his spirit as it fled. And when she saw him lifeless, she moaned words that in that uproar failed to reach my ears; and fell upon the spear that pierced her love, and, dying, held her husband in her arms.
”
”
Ovid (Metamorphoses)
“
the soul cannot remain at peace when the world beyond is in uproar.
”
”
Stefan Zweig (Montaigne)
“
I have two options as an artist; achieve success or cause an uproar. The second option is my major goal.
”
”
Efrat Cybulkiewicz
“
Fourth, a telegram from brother Mycroft: ‘Will visit at earliest possible convenience—great uproar in Whitehall. Mend quickly; your death would be most inconvenient at this time.
”
”
Lyndsay Faye (Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson)
“
When my inner child tries to hold me back, I ignore the uproar and run the other way.
”
”
Charles F. Glassman
“
My heart in an uproar.
”
”
Gabriel García Márquez (Living to Tell the Tale)
“
The uproar of mankind is intolerable and sleep is no longer possible ….” So the gods agreed to exterminate mankind.
”
”
Ronald Wright (A Short History Of Progress)
“
There are uproars and there are uproars, and this uproar stayed up for a very long time.
”
”
Terry Pratchett (Raising Steam (Discworld, #40))
“
the uproar of radios, traffic noises, the signs and people lulled him. They blotted out his inner worries.
”
”
Philip K. Dick (The Man in the High Castle)
“
--All that because Promethea is a woman? All this uproar, this trembling, this resistance?
--Yes. No. Y-Yes...Naynayno. Whynoyes.
Yes, Promethea is a woman.
Yes, but "because is a woman," that is not important.
But no it precisely its not being important that is so important.
”
”
Hélène Cixous (The Book of Promethea)
“
Let us seek the respite where it is—in the very thick of battle. For in my opinion, and this is where I shall close, it is there. Great ideas, it has been said, come into the world as gently as doves. Perhaps then, if we listen attentively, we shall hear, amid the uproar of empires and nations, a faint flutter of wings, the gentle stirring of life and hope. Some will say that this hope lies in a nation; others, in a man. I believe rather that it is awakened, revived, nourished by millions of solitary individuals whose deeds and works every day negate frontiers and the crudest implications of history. As a result, there shines forth fleetingly the ever threatened truth that each and every man, on the foundation of his own suffering and joys, builds for all.
”
”
Albert Camus (Resistance, Rebellion and Death: Essays)
“
...and the cries of the birds and the uproar of the monkeys became more and more remote, and the world became eternally sad. The men on the expedition felt overwhelmed by their most ancient memories in that paradise of dampness and silence, going back to before original sin, as their boots sank into pools of steaming oil and their machetes destroyed bloody lilies and golden salamanders.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
I did not even look at the scoreboard when my routine was done in 1976. My teammates started pointing because there was this uproar" (Nadia Comaneci). These remarks highlight an important feature of those practices that entail skilled and active engagement: one's attention is focused on standards intrinsic to the practice, rather than external goods that may be won through the practice, typically money or recognition. Can this distinction between internal and external goods inform our understanding of work?
”
”
Matthew B. Crawford (Shop Class as Soulcraft: An Inquiry Into the Value of Work)
“
It was unearthly, and the men were--No, they were not inhuman. Well, you know, that was the worst of it--this suspicion of their not being inhuman. It would come slowly to one. They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity--like yours--the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you--you so remote from the night of first ages--could comprehend.
And why not? The mind of man is capable of anything--because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valor, rage--who can tell?--but truth--truth stripped of its cloak of time.
Let the fool gape and shudder--the man knows, and can look on without a wink.
But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff--with his own inborn strength.
Principles? Principles won't do. Acquisitions, clothes, pretty rags--rags that would fly off at the first good shake. No; you want a deliberate belief. An appeal to me in this fiendish row--is there? Very well; I hear; I admit, but I have a voice too, and for good or evil mine is the speech that cannot be silenced. Of course, a fool, what with sheer fright and fine sentiments, is always safe. Who's that grunting? You wonder I didn't go ashore for a howl and a dance?
Well, no--I didn't. Fine sentiments, you say? Fine sentiments, be hanged! I had no time. I had to mess about with white-lead and strips of woolen blanket helping to put bandages on those leaky steam-pipes--I tell you.
”
”
Joseph Conrad (Heart of Darkness)
“
quietly down into the roaring streets, inseparable and blessed; and as they passed along in sunshine and shade, the noisy and the eager, and the arrogant and the froward and the vain, fretted and chafed, and made their usual uproar.
”
”
Charles Dickens (Little Dorrit)
“
The train slows and lengthens, as we approach London, the centre, and my heart draws out too, in fear, in exaltation. I am about to meet--what? What extraordinary adventure awaits me, among these mail vans, these porters, these swarms of people calling taxis? I feel insignificant, lost, but exultant. With a soft shock we stop. I will let the others get before me. I will sit still one moment before I emerge into that chaos, that tumult. I will not anticipate what is to come. The huge uproar is in my ears. It sounds and resounds under this glass roof like the surge of a sea. We are cast down on the platform with our handbags. We are whirled asunder. My sense of self almost perishes; my contempt. I become drawn in, tossed down, thrown sky-high. I step on to the platform, grasping tightly all that I possess--one bag.
”
”
Virginia Woolf
“
It has been calculated that what with salvos, royal and military politeness, courteous exchanges of uproar, signals of etiquette, formalities of roadsteads and citadels, sunrises and sunsets, saluted every day by all fortresses and all ships of war, openings and closings of ports, etc., the civilized world, discharged all over the earth, in the course of four and twenty hours, one hundred and fifty thousand useless shots. At six francs a shot, that comes to nine hundred thousand francs a day, three hundred millions a year, which vanish in smoke. This is a mere details. All this time the poor were dying of hunger.
”
”
Victor Hugo (Les Misérables)
“
One uproar after another, every day. Like the whole world’s turned upside down. Don’t you feel bad that you’re missing out? The world isn’t that easily turned upside down, Haida replied. It’s people who are turned upside down. I don’t feel bad about missing that.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
As soon as I open this door, I'll be free. FREE! No more goofy cats screaming in my face and eating my shoes. No more biting and scratching and chasing me down the street. Outside this door is a big, wonderful world where goofy cats don't turn into furry whirlwinds that hit me on the head with a spatula. And soon I will be a part of that world once again!
”
”
Nick Bruel (Bad Kitty vs Uncle Murray: The Uproar at the Front Door)
“
I can already see that you and she will be thick as thieves.”
“I do hope so.”
The dreamy look on her face made his heart catch in his throat. Oh God, what he wouldn’t give to keep the look there forever. But what if he couldn’t? What if-
“Oh no, you don’t,” Celia said. “I can already see Proud Pinter creeping in.”
He laughed. She knew him so well.
“Hand me your cravat,” she said, snapping her fingers.
“What?”
“I shall hold on to it, and if you try to deny me again, I’ll leave it in my bedclothes and make sure Minerva finds it.”
He chuckled. “No need for that.” Coming over to the bed, he bent to kiss her pouting mouth. “I swear I’ll be here as early as I can tomorrow, ready to do battle for you, my love.”
“You’d better,” she muttered. As he headed for the door, he heard her add,” I could still ring the bell, you know.”
He grinned at her. “Go ahead, my lady. I’ll stand right here while you throw the house into an uproar.”
That seemed to reassure her, for she made a face, then said, “Oh, go on with you.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Take time to leave cities, at least once in a year, and go to some natural place, hills, sea, jungles, rivers, where you see nothing but nature… His creations. Where you only hear chirping of birds, clinkering of trees, murmuring of winds, splashes of water in the river, and uproar of waterfalls.
”
”
Girdhar Joshi (Some Mistakes Have No Pardon)
“
It wasn't every day that a lion shifter next in line to the throne, dealing with a possible uproar and war in his Pride, found himself a soon-to-be father with a not-so-human potential mate after he'd left her all alone because he'd been forced to hurt her. There weren't any manuals for this sort of thing....
”
”
Carrie Ann Ryan (Prowled Darkness (Dante's Circle, #7))
“
The story is that while a child named Servius Tullius lay sleeping, his head burst into flames in the sight of many. The general outcry which so great a miracle called forth brought the king and queen to the place. One of the servants fetched water to quench the fire, but was checked by the queen, who stilled the uproar and commanded that the boy should not be disturbed until he awoke of himself. Soon afterwards sleep left him, and with it disappeared the flames. Then, talking her husband aside, Tanaquil Said: 'Do you see this child whom we are bringing up in so humble a fashion? Be assured he will one day be a lamp to our dubious fortunes, and a protector to the royal house in the day of its distress. Let us therefore rear with all solicitude one who will lend high renowen to the state and to our family.' It is said that from that moment the boy began to be looked upon as a son, and to be trained in the studies by which men are inspired to bear themselves greatly.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
In people's eyes, in the swing, tramp and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
”
”
Virginia Woolf (Mrs. Dalloway)
“
How oddly akin is the hero to the early dead. Duration
doesn't interest him. For him, only ascent matters, steadfastly
he drives on and enters the altered constellation
of his constant danger. There few would find him. But
fate, which grimly shuts us in silence, suddenly inspired
sings him into the storm of his uproaring world.
”
”
Rainer Maria Rilke (Duino Elegies)
“
In people’s eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June.
”
”
Virginia Woolf (Mrs. Dalloway (annotated): The Virginia Woolf Library Annotated Edition)
“
In those days the world teemed, the people multiplied, the world bellowed like a wild bull, and the great god was aroused by the clamor. Enlil heard the clamor and he said to the gods in council, “The uproar of mankind is intolerable and sleep is no longer possible by reason of the babel.” So the gods agreed to exterminate mankind.
”
”
Anonymous (The Epic of Gilgamesh)
“
They howled, and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages—could comprehend.
”
”
Joseph Conrad (Heart of Darkness)
“
Look closer at this street corner: The sun is setting. The vendor at the newspaper stand packs up the dailies and puts away the cartons of eggs. Students with laptops in their arms shuffle out of the cha chaan teng. Elderly couples and their poodles take a stroll by the pier. You can still hear the uproar of the crowds that once gathered on the steep slopes for film screenings, festivals, protests. The florists at the wet market put away the last lilies. The last tram slots itself into the station. And then the scene dissolves again. Maybe you can’t save this place; maybe it isn’t even worth saving. But for a moment, there was a sliver of what this city could have become. And that is why we’re still here.
”
”
Karen Cheung (The Impossible City: A Hong Kong Memoir)
“
You're sitting in the old arm-chair, thinking of this and that, and then suddenly you look up, and there he is. He moves from point to point with as little uproar as a jelly fish.
”
”
P.G. Wodehouse (My Man Jeeves)
“
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide.
(Is it clear I was a hero of rock'n'roll?)
Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other.
In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own.
I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel.
Is there a tunnel?" he said.
”
”
Don DeLillo
“
Hand in hand, we climb the processional stair, rising in the celebratory uproar of a capricious court. As we enter the palace, we are blinded by the ascent from sunshine into darkness.
”
”
Katherine Longshore (Tarnish (Royal Circle, #2))
“
For it seemed to me as if then first I stood at a distance and aloof from the uproar of life; as if the tumult, the fever, and the strife were suspended; a respite granted from the secret burthens of the heart; a sabbath of repose; a resting from human labours. Here were the hopes which blossom in the paths of life reconciled with the peace which is in the grave; motions of the intellect as unwearied as the heavens, yet for all anxieties a halcyon calm; a tranquillity that seemed no product of inertia, but as if resulting from mighty and equal antagonisms; infinite activities, infinite repose.
”
”
Thomas de Quincey (Confessions of an English Opium Eater)
“
You look for your faces, your history, some representation, anywhere—and you have to sort of take what you can get, badly done as it is. I got tired. No one was going to write our stories. How could I only write about the English moors and fantastical places and wait for an outsider to misrepresent my people? I want to write about those places, but I’m not going to wait for someone to write about my home. I’m going to make a lot of mistakes probably, not out of malice or deliberate ignorance, not out of lying—but I’d rather make my own mistakes than get angry when others do it for us. I’m not looking to wow or shock readers with what I write, or creating an uproar. What I care about is not being deliberately or accidentally unkind to others, or to further alienate those who are already being alienated.
”
”
Khadija Abdalla Bajaber
“
On the simplest level he could tell you in detail what he felt—what effects an aspirin had on him, what it did to the back of his neck or the inside of his mouth. I was curious about this, because for the life of them most people can’t describe what goes on inside. Alcoholics or druggies are too confused, hypochondriacs are their own terrorists, and most of us are aware only of a metabolic uproar within.
”
”
Saul Bellow (More Die of Heartbreak)
“
His coach drew up before the Duke of Stanhope’s town house, and Ian walked swiftly up the front steps, almost knocking poor Ormsley, who opened the door, off his feet in his haste to get to his grandfather upstairs. A few minutes later he strode back down and into the library, where he flung himself into a chair, his eyes riveted on the clock. Upstairs the household was in an uproar as the duke called for his valet, his butler, and his footmen. Unlike Ian, however, the duke was ecstatic. “Ormsley, Ian needs me!” the duke said happily, stripping off his jacket and pulling off his neckcloth. “He walked right in here and said it.”
Ormsley beamed. “He did indeed, your grace.”
“I feel twenty years younger.”
Ormsley nodded. “This is a very great day.”
“What in hell is keeping Anderson? I need a shave. I want evening clothes-black, I think-a diamond stickpin and diamond studs. Stop thrusting that cane at me, man.”
“You shouldn’t overly exert yourself, your grace.”
“Ormsley,” said the duke as he walked over to an armoire and flung the doors open, “if you think I’m going to be leaning on that damned cane on the greatest night of my life, you’re out of your mind. I’ll walk in there beside my grandson unaided, thank you very much. Where the devil is Anderson?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What is meant by 'reality'? It would seem something very erratic, very undependable-now to be found in a dusty road, now in a scrap of newspaper in the street, now in a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech-and then there it is again in an omnibus in the uproar of Picadilly.
”
”
Virginia Woolf (A Room of One’s Own)
“
Introduce surprise and the need to move among the spectators of the orchestra, boxes, and balcony. Some random suggestions: spread a powerful glue on some of the seats, so that the male or female spectator will stay glued down and make everyone laugh (the damaged frock coat or toilette will naturally be paid for at the door) - sell the same ticket to ten people: traffic jam, bickering, and wrangling - offer free tickets to gentlemen or ladies who are notoriously unbalanced, irritable, or eccentric and likely to provoke uproars with obscene gestures, pinching women, or other freakishness. Sprinkle the seats with dust to make people itch and sneeze, .etc.
”
”
Filippo Tommaso Marinetti (Let's Murder the Moonshine: Selected Writings)
“
Is It possible to live in such a world where everyone does what he pleases? No one is punished by God or man and no one has to earn a living? Are there such women who follow every whim? Men such foolish weaklings, who succumb to every little desire, every little dream of happiness? Where are the honest husbands who work to earn their bread, who think of the best ways to protect their children from fate and the cruel world? Where are the people who understand a piece of cheese, a glass of wine, a warm house at the end of the day is reward enough? Who are these people who yearn for some mysterious happiness? What an uproar they make of life, what tragedies they brew up out of nothing.
”
”
Mario Puzo (The Last Don (The Godfather))
“
They all gave place when the signing was done, and Little Dorrit and her husband walked out of the church alone. They paused for a moment on the steps of the portico, looking at the fresh perspective of the street in the autumn morning sun’s bright rays, and then went down. Went down into a modest life of usefulness and happiness. Went down to give a mother’s care, in the fulness of time, to Fanny’s neglected children no less than to their own, and to leave that lady going into Society forever and a day. Went down to give a tender nurse and friend to Tip for some few years, who was never vexed by the great exactions he made of her in return for the riches he might have given her if he had ever had them, and who lovingly closed his eyes upon the Marshalsea and all its blighted fruits. They went quietly down into the roaring streets, inseparable and blessed; and as they passed along in sunshine and shade, the noisy and the eager, and the arrogant and the froward and the vain, fretted and chafed, and made their usual uproar.
”
”
Charles Dickens (Little Dorrit)
“
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops…
Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
”
”
Rick Bass
“
The thing that got Daley mad," one of the delegates said later, "was that Ribicoff had been ass-kissing him just a day or two before. He came over and pushed for McGovern to our delegation and made a big speech about what a great guy Daley was. Then he got up there and played the hero for the TV cameras."
Daley was on his feet, his arms waiving, his mouth working. The words were lost in the uproar, but it was later asserted by Mayday, an almost-underground Washington paper, that a lip-reader had determined that he said: "Fuck you, you Jew son of a bitch, you lousy motherfucker, go home.
”
”
Mike Royko (Boss: Richard J. Daley of Chicago)
“
It has been calculated that what with salvos, royal and military politenesses, courteous exchanges of uproar, signals of etiquette, formalities of roadsteads and citadels, sunrises and sunsets, saluted every day by all fortresses and all ships of war, openings and closings of ports, etc., the civilized world, discharged all over the earth, in the course of four and twenty hours, one hundred and fifty thousand useless shots. At six francs the shot, that comes to nine hundred thousand francs a day, three hundred millions a year, which vanish in smoke. This is a mere detail. All this time the poor were dying of hunger.
”
”
Victor Hugo (Les Misérables)
“
On the way out again, I suddenly saw everything clearly: Sigmund Feud painting his cocaine onto his septum, the rising uproar of the past hour and a half, the idling Audi full of rash behavior that lay ahead, the detonating summer; and because it was a drunken perception, it was perfect, entire, and lasted about half a second.
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
...A great night, yes sir, exclaimed one of them licking his chops and another confirmed, Those seven were worth fourteen, it's true that one of them was no great shakes, but in the middle of all that uproar who noticed, their men are lucky sods, if they're man enough for them. It would be better if they weren't, then they'd be more eager. From the far end of the ward, the doctor's wife said, There are no longer seven of us, Has one of you vamoosed, someone in the group asked, laughing, She didn't vamoose, she died, Oh, hell, then you lot will have to work all the harder next time, It wasn't much of a loss, she was no great shakes, said the doctor's wife. Disconcerted, the messengers did not know how to respond, what they had just heard struck them as indecent, some of them even came round to thinking that when all is said and done all women are bitches, such a lack of respect, to refer to a woman like that, just because her tits weren't in the right place and she had no arse to speak of.
”
”
José Saramago (Blindness)
“
Just then, the music stopped. The band needed a break from Mike’s requests. As they were exiting the stage, a sudden uproar--an explosion--erupted from the first floor of the country club.
ASU had shocked the world by beating Nebraska. The final score: 19--0.
September twenty-first was about to go down in history as the most memorable date of Marlboro Man’s life.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
For myself, I have no aim. I have no ambition. I will let myself be carried on by the general impulse. The surface of my mind slips along like a pale-grey stream reflecting what passes. I cannot remember my past, my nose, or the colour of my eyes, or what my general opinion of myself is. Only in moments of emergency, at a crossing, at a kerb, the wish to preserve my body springs out and seizes me and stops me, here, before this omnibus. We insist, it seems, on living. Then again, indifference descends. The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And, what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar – forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
”
”
Virginia Woolf
“
Mary!”
Mrs. Cattermole looked over her shoulder. The real Reg Cattermole, no longer vomiting but pale and wan, had just come running out of a lift.
“R-Reg?”
She looked from her husband to Ron, who swore loudly.
The balding wizard gaped, his head turning ludicrously from one Reg Cattermole to the other.
“Hey--what’s going on? What is this?”
“Seal the exit! SEAL IT!”
Yaxley had burst out of another lift and was running toward the group beside the fireplaces, into which all of the Muggle-borns but Mrs. Cattermole had now vanished. As the balding wizard lifted his wand, Harry raised an enormous fist and punched him, sending him flying through the air.
“He’s been helping Muggle-borns escape, Yaxley!” Harry shouted.
The balding wizard’s colleagues set up an uproar, under cover of which Ron grabbed Mrs. Cattermole, pulled her into the still-open fireplace, and disappeared. Confused, Yaxley looked from Harry to the punched wizard, while the real Reg Cattermole screamed. “My wife! Who was that with my wife? What’s going on?”
Harry saw Yaxley’s head turn, saw an inkling of the truth dawn in that brutish face.
“Come on!” Harry shouted at Hermione; he seized her hand and they jumped into the fireplace together as Yaxley’s curse sailed over Harry’s head. They spun for a few seconds before shooting up out of a toilet into a cubicle. Harry flung open the door; Ron was standing there beside the sinks, still wrestling with Mrs. Cattermole.
“Reg, I don’t understand--”
“Let go, I’m not your husband, you’ve got to go home!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
The majority never has right on its side. Never, I say! That is one of these social lies against which an independent, intelligent man must wage war. Who is it that constitute the majority of the population in a country? Is it the clever folk, or the stupid? I don’t imagine you will dispute the fact that at present the stupid people are in an absolutely overwhelming majority all the world over. But, good Lord! — you can never pretend that it is right that the stupid folk should govern the clever ones I (Uproar and cries.) Oh, yes — you can shout me down, I know! But you cannot answer me. The majority has might on its side — unfortunately; but right it has not. I am in the right — I and a few other scattered individuals. The minority is always in the right. (Renewed uproar.)
”
”
Henrik Ibsen
“
When John Robinson, Bishop of Woolwich, published Honest to God in 1963, stating that he could no longer subscribe to the old personal God “out there,” there was uproar in Britain. A similar furor has greeted various remarks by David Jenkins, Bishop of Durham, even though these ideas are commonplace in academic circles. Don Cupitt, Dean of Emmanuel College, Cambridge, has also been dubbed “the atheist priest”: he finds the traditional realistic God of theism unacceptable and proposes a form of Christian Buddhism, which puts religious experience before theology. Like Robinson, Cupitt has arrived intellectually at an insight that mystics in all three faiths have reached by a more intuitive route. Yet the idea that God does not really exist and that there is Nothing out there is far from new.
”
”
Karen Armstrong (A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam)
“
The fact that the information platform requires an extension of sensors means that it is countering the tendency towards a lean platform. These are not asset-less companies – far from it; they spend billions of dollars to purchase fixed capital and take other companies over. Importantly, ‘once we understand this [tendency], it becomes clear that demanding privacy from surveillance capitalists or lobbying for an end to commercial surveillance on the Internet is like asking Henry Ford to make each Model T by hand’.15 Calls for privacy miss how the suppression of privacy is at the heart of this business model. This tendency involves constantly pressing against the limits of what is socially and legally acceptable in terms of data collection. For the most part, the strategy has been to collect data, then apologise and roll back programs if there is an uproar, rather than consulting with users beforehand.16 This is why we will continue to see frequent uproars over the collection of data by these companies.
”
”
Nick Srnicek (Platform Capitalism (Theory Redux))
“
Finally, the Bishop of Oxford, Samuel Wilberforce, rose to speak. Wilberforce had been briefed (or so it is generally assumed) by the ardent anti-Darwinian Richard Owen, who had been a guest in his home the night before. As nearly always with events that end in uproar, accounts of what exactly transpired vary widely. In the most popular version, Wilberforce, when properly in flow, turned to Huxley with a dry smile and demanded of him whether he claimed attachment to the apes by way of his grandmother or grandfather.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
Savage. Let us explain this word. When these bristling men, who in the early days of the revolutionary chaos, tattered, howling, wild, with uplifted bludgeon, pike on high, hurled themselves upon ancient Paris in an uproar, what did they want? They wanted an end to oppression, an end to tyranny, an end to the sword, work for men, instruction for the child, social sweetness for the woman, liberty, equality, fraternity, bread for all, the idea for all, the Edenizing of the world. Progress; and that holy, sweet, and good thing, progress, they claimed in terrible wise, driven to extremities as they were, half naked, club in fist, a roar in their mouths. They were savages, yes; but the savages of civilization.
They proclaimed right furiously; they were desirous, if only with fear and trembling, to force the human race to paradise. They seemed barbarians, and they were saviours. They demanded light with the mask of night.
Facing these men, who were ferocious, we admit, and terrifying, but ferocious and terrifying for good ends, there are other men, smiling, embroidered, gilded, beribboned, starred, in silk stockings, in white plumes, in yellow gloves, in varnished shoes, who, with their elbows on a velvet table, beside a marble chimney-piece, insist gently on demeanor and the preservation of the past, of the Middle Ages, of divine right, of fanaticism, of innocence, of slavery, of the death penalty, of war, glorifying in low tones and with politeness, the sword, the stake, and the scaffold. For our part, if we were forced to make a choice between the barbarians of civilization and the civilized men of barbarism, we should choose the barbarians.
”
”
Victor Hugo
“
They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity — like yours — the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you — you so remote from the night of first ages — could comprehend. And why not? The mind of man is capable of anything — because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valour, rage — who can tell? — but truth — truth stripped of its cloak of time. Let the fool gape and shudder—the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff — with his own inborn strength. Principles won't do. Acquisitions, clothes, pretty rags — rags that would fly off at the first good shake. No; you want a deliberate belief.
”
”
Joseph Conrad (Heart of Darkness)
“
I am an American, proud to be an American, proud to be a black American. I’m not African-American. I’ve never been to Africa. I’m an American that is black and my – and I’m proud to be a black that submits to my Christianity. I am proud to be just a man. I mean a man’s man, not a metro sexual, not one that gets his nails done. I mean a man that used to get out there and knock heads and get his fingernails dirty. I’m proud of being a man, but my manhood submits to my Christianity, but I don’t see that in Al Sharpton. Any time anything happens that attacks his blackness, he fears it and – because he has nothing else to stand on. Thus, when the real civil rights movement of everyone steps up, when we’re saying the Tea Party, don’t take being discriminated against. If a black person was kicked out of a hotel for being black down in Florida, it would be an uproar, but since the Tea Party was kicked out because of their political views, that’s going against America. That’s why we’re here going against the Constitution, with certain unalienable rights. That is the true fight we must start and we must fight today like never before.
”
”
Ken Hutcherson
“
The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the
features from faces. People might walk through me. And what is this moment of time, this particular day in which I have found
myself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
”
”
Virginia Woolf (The Waves)
“
The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar - forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
”
”
Virginia Woolf (The Waves)
“
Sometimes substituting race for gender also is an interesting exercise. Say a country, a close Western ally and trading partner, had a population half white, half black. The whites had complete control of the blacks. They could beat them if they disobeyed. They deprived them of the right to leave the house without permission; to walk unmolested without wearing the official segregating dress; to hold any decent job in the government, or to work at all without the permission of the white in control of them. Would there have been uproar in our countries by now? Would we have imposed trade sanctions and subjected this country to international opprobrium? You bet. Yet countries such as Saudi Arabia, which deprive half their population of these most basic rights, have been subjected to none of these things. It
”
”
Geraldine Brooks (Nine Parts of Desire: The Hidden World of Islamic Women)
“
The train slows and lengthens, as we approach London, the centre, and my heart draws out too, in fear, in exultation. I am about to meet -- what? What extraordinary adventure waits me, among these mail vans, these porters, these swarms of people calling taxis? I feel insignificant, lost, but exultant. With a soft shock we stop. I will let the others get out before me. I will sit still one moment before I emerge into that chaos, that tumult. I will not anticipate what is to come. The huge uproar is in my ears. It sounds and resounds, under this glass roof like the surge of a sea. We are cast down on the platform with our handbags. We are whirled asunder. My sense of self almost perishes; my contempt. I have become drawn in, tossed down, thrown sky-high. I step out onto the platform, grasping tightly all that I possess -- one bag.
”
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Virginia Woolf (The Waves)
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But then they hand you your beautiful baby, and the baby gazes up at you and says hello, and your heart just melts.” “It talks?” Sophie asked, then remembered Alden telling her months earlier that elvin babies spoke from birth. It sounded even stranger now that she could picture it. “Your speaking caused quite the uproar,” Mr. Forkle told her. “Though luckily no one could understand the Enlightened Language, so they thought you were babbling. I spent the majority of your infancy inventing excuses for the elvin things you did.” “Okay,” Sophie said, wishing he’d stop with the weird-info overload. “But what I mean is . . . I’ve been counting my age from my birthday.” Mr. Forkle didn’t look surprised. “Why didn’t you tell me?” she asked. “How could I? Humans built everything around their birthdays. As long as you were living with them I had to let you do the same. And since you’ve been in the Lost Cities, we’ve had so little contact. I assumed someone would notice, since your proper ID is on your Foxfire record—and in the registry. But I don’t think anyone realized you were counting differently.” “Alden wouldn’t have thought to check,” Della agreed. “Neither of us knew humans didn’t count inception.” “So wait,” Biana jumped in, “does that mean that by our rules Sophie is—” “Thirty-nine weeks older than she’s been saying,” Mr. Forkle finished for her. Fitz cocked his head as he stared at Sophie, like everything had turned sideways. “So then you’re not thirteen . . .” “Not according to the way we count,” Mr. Forkle agreed. “Going by Sophie’s ID, she’s fourteen and a little more than five months old.” Keefe laughed. “Only Foster would find a way to age nine months in a day. Also, welcome to the cool fourteen-year-olds club!” He held out his hand for a high five.
”
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Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
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Politicians seldom if ever get [into public office] by merit alone, at least in democratic states. Sometimes, to be sure, it happens, but only by a kind of miracle. They are chosen normally for quite different reasons, the chief of which is simply their power to impress and enchant the intellectually underprivileged… Will any of them venture to tell the plain truth, the whole truth and nothing but the truth about the situation of the country, foreign or domestic? Will any of them refrain from promises that he knows he can’t fulfill — that no human being could fulfill? Will any of them utter a word, however obvious, that will alarm or alienate any of the huge pack of morons who cluster at the public trough, wallowing in the pap that grows thinner and thinner, hoping against hope?
Answer: maybe for a few weeks at the start… But not after the issue is fairly joined, and the struggle is on in earnest… They will all promise every man, woman and child in the country whatever he, she or it wants. They’ll all be roving the land looking for chances to make the rich poor, to remedy the irremediable, to succor the unsuccorable, to unscramble the unscrambleable, to dephlogisticate the undephlogisticable. They will all be curing warts by saying words over them, and paying off the national debt with money no one will have to earn. When one of them demonstrates that twice two is five, another will prove that it is six, six and a half, ten, twenty, n.
In brief, they will divest themselves from their character as sensible, candid and truthful men, and simply become candidates for office, bent only on collaring votes. They will all know by then, even supposing that some of them don’t know it now, that votes are collared under democracy, not by talking sense but by talking nonsense, and they will apply themselves to the job with a hearty yo-heave-ho. Most of them, before the uproar is over, will actually convince themselves. The winner will be whoever promises the most with the least probability of delivering anything.
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H.L. Mencken (A Mencken Chrestomathy)
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A breathtaking vision in emerald silk, she was too exquisite to be flesh and blood; too regal and aloof to have ever let him touch her. He drew a long, strangled breath and realized he hadn’t been breathing as he watched her. Neither had the four men beside him. “Good Lord,” Count Dillard breathed, turning clear around and staring at her, “she cannot possibly be real.”
“Exactly my thoughts when I first saw her,” Roddy Carstairs averred, walking up behind them.
“I don’t care what gossip says,” Dillard continued, so besotted with her face that he forgot that one of the men in their circle was a part of that gossip. “I want an introduction.”
He handed his glass to Roddy instead of the servant beside him and went off to seek an introduction from Jordan Townsende.
Watching him, it took a physical effort for Ian to maintain his carefully bland expression, tear his gaze from Dillard’s back, and pay attention to Roddy Carstairs, who’d just greeted him. In fact, it took several moments before Ian could even remember his name. “How are you, Carstairs?” Ian said, finally recollecting it.
“Besotted, like half the males in here, it would seem,” Roddy replied, tipping his head toward Elizabeth but scrutinizing Ian’s bland face and annoyed eyes. “In fact, I’m so besotted that for the second time in my jaded career I’ve done the gallant for a damsel in distress. Your damsel, unless my intuition deceives me, and it never does, actually.”
Ian lifted his glass to his lips, watching Dillard bow to Elizabeth. “You’ll have to be more specific,” he said impatiently.
“Specifically, I’ve been saying that in my august opinion no one, but no one, has ever besmirched that exquisite creature. Including you.” Hearing him talk about Elizabeth as if she were a morsel for public delectation sent a blaze of fury through Ian.
He was spared having to form a reply to Carstairs’s remark by the arrival of yet another group of people eager to be introduced to him, and he endured, as he had been enduring all night, a flurry of curtsies, flirtatious smiles, inviting glances, and overeager hanshakes and bos.
“How does it feel,” Roddy inquired as that group departed and another bore down on Ian, “to have become, overnight, England’s most eligible bachelor?”
Ian answered him and abruptly walked off, and in so doing dashed the hopes of the new group that had been heading toward him. The gentleman beside Roddy, who’d been admiring Ian’s magnificently tailored claret jacket and trousers, leaned closer to Roddy and raised his voice to be heard above the din. “I say, Roddy, how did Kensington say it feels to be our most eligible?”
Roddy lowered his glass, a sardonic smile twisting his lips. “He said it is a pain in the ass.” He slid a sideways glance at his staggered companion and added wryly, “With Hawthorne wed and Kensington soon to be-in my opinion-the only remaining bachelor with a dukedom to offer is Clayton Westmoreland. Given the uproar Hawthorne and Kensington have both created with their courtships, one can only look forward with glee to observing Westmoreland’s.
”
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Judith McNaught (Almost Heaven (Sequels, #3))
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I might disagree with them, but accept that they have some purpose to play in God’s larger plan,
Then Iluvatar arose, and the Ainur perceived that he smiled; and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Ilu´ vatar arose, and the Ainur perceived that his countenance was stern; and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies; but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Iluvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern.
In the midst of this strife, whereat the halls of Iluvatar shook and a tremor ran out into the silences yet unmoved, Ilu´ vatar arose a third time, and his face was terrible to behold. Then he raised up both his hands, and in one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Iluvatar, the Music ceased.
Then Ilu´ vatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Iluvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.’
Then the Ainur were afraid, and they did not yet comprehend the words that were said to them; and Melkor was filled with shame, of which came secret anger. But Iluvatar arose in splendour, and he went forth from the fair regions that he had made for the Ainur; and the Ainur followed him.
”
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J.R.R. Tolkien (The Silmarillion)