Upon A Burning Body Quotes

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We live in a society where too many women tear each other down instead of raising each other up. That's absurd to me. We need to empower one another, teach future generations of girls that it's important to stand together. Once upon a time, we had a common goal and a common enemy. We were burning bras, and fighting for the right to vote. Now we're body shaming each other on social media and blaming the mistress if our man cheats.
Elle Kennedy (The Chase (Briar U, #1))
it is an ocean of burning oil I am cast adrift upon, no sea’s repose; I pass from waking agonies… to the semiconscious trance of torment in which the smaller, earlier, deeper rings of the brain know only that the nerves scream, the body aches, and there is no one to turn crying to for comfort.
Iain Banks
Auggie said you were too sentimental for your own good sometimes." Out loud he said, "Perhaps, but you have taught me that sentiment is not always a bad thing." I stared up at that impossibly beautiful face, and felt love swell up inside me like a physical force. It filled my body, swelling upward until it made my chest ache, my throat tighten, and my eyes burn. It sounded so stupid. But I loved him. Loved all of him, but loved him more because loving me had made him better. That he would say that I had taught him about being sentimental made me want to cry. Richard reminded me at every turn that I was bloodthirsty and cold. If that were true, then I couldn't have taught Jean-Claude about sentimentality. You can't learn, if you don't have it to teach. He kissed me. He kissed me softly, with one hand lost in the hair to the side of my face. He drew back and whispered, "I never thought to see that look upon your face, not for me." "I love you," I said, and touched his hand where it lay against my face.
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
She could hear again the ripple of water, the flapping sail. She could see the glint of the moon upon the bay, and could feel the soft, gusty beating of the hot south wind. A subtle current of desire passed through her body, weakening her hold upon the brushes and making her eyes burn.
Kate Chopin (The Awakening)
I suddenly see the world as no longer viable: you are out there burning the crops with some new sublimate This morning you left the bed we still share and went out to spread impotence upon the world I hate you. I hate the mask you wear, your eyes assuming a depth they do not possess, drawing me into the grotto of your skull the landscape of bone I hate your words they make you think of fake revolutionary bills crisp imitation parchment they sell at battlefields. Last night, in this room, weeping I asked you: what are you feeling? do you feel anything? Now in the torsion of your body as you defoliate the fields we lived from I have your answer.
Adrienne Rich (Diving Into the Wreck)
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
Oh, there are those who remain proud and fierce even in hell, in spite of their certain knowledge and contemplation of irrefutable truth; there are terrible ones, wholly in communion with Satan and his proud spirit. For them hell is voluntary and insatiable; they are sufferers by their own will. For they have cursed themselves by cursing God and life. They feed on their wicked pride, as if a hungry man in the desert were to start sucking his own blood from his body. But they are insatiable unto ages of ages, and reject forgiveness, and curse God who calls to them. They cannot look upon the living God without hatred, and demand that there be no God of life, that God destroy himself and all his creation. And they will burn eternally in the fire of their wrath, thirsting for death and nonexistence. But they will not find death...
Fyodor Dostoevsky (The Brothers Karamazov)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned King with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy.
M.R. James (Ghost Stories of an Antiquary)
Tell me what to do." His warm breath tickled my ear. "Relax." "Please, Noah, I don't want to do this wrong. Tell me how to make you feel good." He shifted so that his body rested beside mine, his leg and arm still draped over me. I felt small under his warmth and strength. His chocolate-brown eyes softened. "Being with you feels good. Touching you-"he tucked a curl behind my ear"-feels good. I have never wanted anyone like I want you. There's nothing you can do wrong when just breathing makes everything right." His hand framed my face and his tone was edget with husky authority. "I want you, but only if you want me." I kissed him back, allowing my arms to wrap around him. His fingers gently massaged my neck, releasing the tension, erasing my unease. The kiss became a drug and i craved more with every touch. Our bodies twined so tightly to one another, i had no idea where i began and he ended. Noah felt strong and warm and muscular and safe and he smelled, oh, God, delicious. I couldn't stop kissing him if my life depend it upon it: his lips, his neck, his chest, and Noah seemed as hungry as me. We rolled and we touched and we shed unwanted clothes. I moaned and he moaned and my mind and soul and body stood on the edge of pure ecstasy. And i waited. I waited for that moment of pausing for protection and the burning pain my friends described, but Noah never stopped and the pain never came, not even when i whispered his name and praise God several times in a row. Both of us gasped for air while kissing each other softly and i struggled to comprehend i was still a virgin. He shifted off of me and tugged me close to him. My entire body became lazily warm, happy and sated. I listened to his heartbeat and closed my eyes, enjoying the relaxing pull of his hand in my hair. "Noah," i whispered. "I thought..." we were going to make love. He tipped my chin, forcing me to look at him. "We have forever to work up to that, Echo. Let's enjoy every step of the way." My mind drifted this way and that. Mostly between focusing on his heart, his touch and the sweetest word i had ever heard: forever. One clear thought forced my eyes open. "You 're putting me to sleep." "So?" he asked a little too innocently. I swallowed. "I'll have nightmares." "Then we 'll have an excuse to do this again.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")
Algernon Blackwood (Monster Mix)
For instance, in one play the palace of Lord Hosokawa, in which was preserved the celebrated painting of Dharuma by Sesson, suddenly takes fire through the negligence of the samurai in charge. Resolved at all hazards to rescue the precious painting, he rushes into the burning building and seizes the kakemono, only to find all means of exit cut off by the flames. Thinking only of the picture, he slashes open his body with his sword, wraps his torn sleeve about the Sesson and plunges it into the gaping wound. The fire is at last extinguished. Among the smoking embers is found a half- consumed corpse, within which reposes the treasure uninjured by the fire. Horrible as such tales are, they illustrate the great value that we set upon a masterpiece, as well as the devotion of a trusted samurai.
Kakuzō Okakura (The Book of Tea)
Anger rose like bile within his chest. It was her. Ever since he had laid eyes on her she had caused him nothing but confusion and conflict. He had allowed himself to feel … something. And she had repaid him by pointing his own gun at his face. His fingers touched upon the left side of his face. It still stung, in more ways than one. He pushed at his cheek, wanting to feel the tight, itchy burn just beneath the surface. He should find her. Bring her back. Take control of her and, in the process, himself. Is that the only reason you want her back? He thought of her soft supple body pressed against his, her arms wrapped around his midsection. He'd let her go, he'd done it through his own stupidity, but he'd let her go. And all he could think about was that she hadn't even looked back. She'd just run away... from him.
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
Was my future any more certain than hers? And did I not depend for my life upon a man bound to me—at least in part—by desire of my body? A faint wind breathed through the trees, and I hitched the blanket higher on my shoulder. The fire had burned to embers, and so high in the mountains, it was cool at night. The moon had set, but it was very clear; the stars blazed close, a net of light cast over the mountains’ peaks. No, there were differences. However unknown my future, it would be shared, and the bond between my man and me went much deeper than the flesh. Beyond all this was the one great difference, though—I had chosen to be there.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
And her heart sprang in Iseult, and she drew With all her spirit and life the sunrise through And through her lips the keen triumphant air Sea-scented, sweeter than land-roses were, And through her eyes the whole rejoicing east Sun-satisfied, and all the heaven at feast Spread for the morning; and the imperious mirth Of wind and light that moved upon the earth, Making the spring, and all the fruitful might And strong regeneration of delight That swells the seedling leaf and sapling man, Since the first life in the first world began To burn and burgeon through void limbs and veins, And the first love with sharp sweet procreant pains To pierce and bring forth roses; yea, she felt Through her own soul the sovereign morning melt, And all the sacred passion of the sun; And as the young clouds flamed and were undone About him coming, touched and burnt away In rosy ruin and yellow spoil of day, The sweet veil of her body and corporal sense Felt the dawn also cleave it, and incense With light from inward and with effluent heat The kindling soul through fleshly hands and feet. And as the august great blossom of the dawn Burst, and the full sun scarce from sea withdrawn Seemed on the fiery water a flower afloat, So as a fire the mighty morning smote Throughout her, and incensed with the influent hour Her whole soul's one great mystical red flower Burst, and the bud of her sweet spirit broke Rose-fashion, and the strong spring at a stroke Thrilled, and was cloven, and from the full sheath came The whole rose of the woman red as flame: And all her Mayday blood as from a swoon Flushed, and May rose up in her and was June. So for a space her hearth as heavenward burned: Then with half summer in her eyes she turned, And on her lips was April yet, and smiled, As though the spirit and sense unreconciled Shrank laughing back, and would not ere its hour Let life put forth the irrevocable flower. And the soft speech between them grew again
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
He told me it was for men of desperate fortunes on one hand, or of aspiring, superior fortune on the other, who when abroad upon adventures, to rise by enterprize, and make themselves famous in undertakings of a nature out of the common road; that these things were all either too far above me, or to far below me; that mine was the middle state, or what might be called the upper station of low life, which he had found by long experience was the best state in the world, the most suited to human happiness, not exposed to the miseries of hardships, the labour and sufferings of the mechanick part of mankind, and not embarrassed with the pride, luxury, ambition, and envy of the upper part of mankind. He told me I might judge of the happiness of this state by this one thing, viz. that this was the state of life which all other people envied, that kings had frequently lamented the miserable consequences of being born to great things, and wished they had been placed in the middle of the two extremes, between the mean and the great; that the wise man gave his testimony to this as the just standard of true felicity, when he prayed to have neither poverty or riches. He bid me observe it, and I should always find, that the calamities of life were shared among the upper and lower part of mankind; but that the middle station had the fewest disasters, and was not exposed to so many vicissitudes as the higher or lower part of mankind; nay, they were so subjected to so many distempers and uneasiness, either of body or mind, as those were who, by vicious living, luxury, and extravagancies on one hand, and by hard labour, want of necessaries, and mean or insufficient diet on the other hand, bring distempers upon themselves by the natural consequences of their way of living; that the middle station of life was calculated for all kinds of vertues and all kinds of enjoyments; that peace and plenty were the hand-maids of a middle fortune; that temperance, moderation, quietness, health, society, all agreeable diversion, and all desirable pleasures, were the blessing attending the middle station of life; that this way men went silently and smoothly thro’ the world, and comfortably out of it, not embarrassed with the labour of their hands or of the head, not sold to the life of slavery for daily bread, or harrast with perplexed circumstances, which rob the soul of peace and the body of rest; not enraged with the passion of envy, or secret burning lust of ambition for great things; but in easy circumstances sliding gently thro’ the world, and sensibly tasting the sweets of living without the bitter, feeling that they are happy and learning by every day’s experience to know it more sensibly.
Daniel Defoe (Robinson Crusoe)
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars. And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")
William Mudford (Reign of Terror: Great Victorian Horror Stories)
I returned to the front office, and found that the fire that I had made of large wood was nearly burned out. But as I turned and was about to take a seat by the fire, I received a mighty baptism of the Holy Ghost. Without any expectation of it, without ever having the thought in my mind that there was any such thing for me, without any recollection that I had ever heard the thing mentioned by any person in the world, the Holy Spirit descended upon me in a manner that seemed to go through me, body and soul. I could feel the impression, like a wave of electricity, going through and through me. Indeed it seemed to come in waves and waves of liquid love, for I could not express it in any other way. It seemed like the very breath of God. I can recollect distinctly that it seemed to fan me, like immense wings.
Charles Grandison Finney (Autobiography of Charles G. Finney)
Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
their home was the front-line trench or the foxhole—there, on the main battle line, where day after day they worried about their survival and killed their enemies in order to avoid being killed; where each man fought as a unit but in the end had to rely upon himself; where the earth around them often turned into a burning hell; where they sensed the ice-cold touch of death when a glowing hot splinter or a fizzing bullet searched out their living bodies; where the shredded corpses of their enemy were heaped in front of them; and where the piercing screams of the wounded would mix with the barely audible calls of the dying, touching them as they cowered deep within the ground and pursuing them in their nightmares. There
Gunther K. Koschorrek (Blood Red Snow: The Memoirs of a German Soldier on the Eastern Front)
I am a Roman,' he said to the king; 'my name is Gaius Mucius. I came here to kill you - my enemy. I have as much courage to die as to kill. It is our Roman way to do and to suffer bravely. Nor am I alone in my resolve against your life; behind me is a long line of men eager for the same honor. Brace yourself, if you will, for the struggle - a struggle for your life from hour to hour, with an armed enemy always at your door. That is the war we declare against you: you need fear no action in the battlefield, army against army; it will be fought against you alone, by one of us at a time.' Porsena in rage and alarm ordered the prisoner to be burnt alive unless he at once divulged the plot thus obscurely hinted at, whereupon Mucius, crying: 'See how cheap men hold their bodies when they care only for honor!' thrust his right hand into the fire which had been kindled for a sacrifice, and let it burn there as if he were unconscious of the pain. Porsena was so astonished by the young man's almost superhuman endurance that he leapt to his feet and ordered his guards to drag him from the altar. 'Go free,' he said; 'you have dared to be a worse enemy to yourself than to me. I should bless your courage, if it lay with my country to dispose of it. But, as that cannot be, I, as an honorable enemy, grant you pardon, life, and liberty.' 'Since you respect courage,' Mucius replied, as if he were thanking him for his generosity, 'I will tell you in gratitude what you could not force from me by threats. There are three hundred of us in Rome, all young like myself, and all of noble blood, who have sworn an attempt upon your life in this fashion. It was I who drew the first lot; the rest will follow, each in his turn and time, until fortune favor us and we have got you.' The release of Mucius (who was afterwards known as Scaevola, or the Left-Handed Man, from the loss of his right hand) was quickly followed by the arrival in Rome of envoys from Porsena. The first attempt upon his life, foiled only by a lucky mistake, and the prospect of having to face the same thing again from every one of the remaining conspirators, had so shaken the king that he was coming forward with proposals for peace.
Livy (The History of Rome, Books 1-5: The Early History of Rome)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
A shadow slammed into the earth before us, cracking the ice toward every horizon. Not a shadow. An Illyrian warrior. Seven red siphons glinted over his scaled black armour as Cassian tucked in his wings and snared at Eris with five centuries worth of rage. Not dead. Not hurt. Whole. His wings repaired and strong. I loosed a shuddering sob over the burning gag. Cassian's Siphons flickered in response, as if the sight of me, at Eris's hand- Another impact struck the ice behind us. Shadows skittered in its wake. Azriel. I began crying in earnest, some leash I'd kept on myself snapping free as my friends landed. As I saw that Azriel, too, was alive, was healed. As Cassian drew twin Illyrian blades, the sight of them like home, and said to Eris with lethal calm, 'I suggest you drop my lady.' Eris's grip on my hair only tightened, wringing a whimper from me. The wrath that twisted Cassian's face was world-ending. But his hazel eyes slid to mine. A silent command. He had spent months training me. Not just to attack, but to defend. Had taught me, over and over, how to get free of a captor's grasp. How to manage not only my body, but my mind. And he'd known that it was a very real possibility that this scenario would one day happen. ... Towering over me, Eris didn't so much as glance down as I twisted, spinning on the ice, and slammed my bound legs up between his. He lurched, bending over with a grunt. Right into the fisted, bound hands I drove into his nose. Bone crunched, and his hand sprang free of my hair. I rolled, scrambling away. Cassian was already there. Eris hardly had time to draw his sword as Cassian brought his own down upon him.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
In the winter of 1942–1943, the Germans began to separate the Jews not into two but into three groups: the men, the older women, and the young women. They sent the young women into the gas last, because they liked to look at their naked bodies in the cold. By then the corpses were burned rather than buried. The pyres were huge grills made from railway rails laid upon concrete pillars, some thirty meters across. By spring 1943, fires
Timothy Snyder (Bloodlands: Europe Between Hitler and Stalin)
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers. 'The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away. Small, smooth fingers pouring gold over gaping wounds. Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the craks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that nake incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes, Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won ' t let go. The Universe was built. The Universe fell. You took it apart, Draggd the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes, And now you're back. And so is the Universe, And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
The mere contemplation of revelation and the loss of its possibility, though, had shown him something important. Stephan von Namtzen both attracted and aroused him, but it was not because of his own undoubted physical qualities. It was, rather, the degree to which those qualities reminded Grey of James Fraser. Von Namtzen was nearly the same height as Fraser, a powerful man with broad shoulders, long legs, and an instantly commanding presence. However, Stephan was heavier, more crudely constructed, and less graceful than the Scot. And while Stephan warmed Grey’s blood, the fact remained that the Hanoverian did not burn his heart like living flame. He lay down finally upon his bed, and put out the candle. Lay watching the play of firelight on the walls, seeing not the flicker of wood flame, but the play of sun upon red hair, the sheen of sweat on a pale bronzed body … A brief and brutal dose of Mr. Keegan’s remedy left him drained, if not yet peaceful.
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5-1.5-2.5))
Oh, yes,” said Lord Peter. He watched the cool fingers, fascinated, and the steady approach of the needle. “Yes—I’ve had it before—and, d’you know—I don’t care frightfully about it.”   He had brought up his right hand, and it closed over the surgeon’s wrist like a vise.   The silence was like a shock. The blue eyes did not waver; they burned down steadily upon the heavy white lids below them. Then these slowly lifted; the grey eyes met the blue—coldly, steadily—and held them.   When
Dorothy L. Sayers (Whose Body?)
BAPTISM BY FIRE Scriptures for meditation: 2 Chronicles 6; 7:1-6 Confession: Jer. 20:9 PRAYER POINTS Thank God for the purifying power of the fire of the Holy Ghost. I cover myself with the blood of the Lord Jesus. Father, let Your fire that burns away every deposit of the enemy fall upon me in the name of Jesus. Holy Ghost fire, incubate me in the name of the Lord Jesus Christ. I reject any evil stamp or seal placed upon me by ancestral spirits in the name of Jesus. I release myself from every negative anointing in the name of Jesus. Let every door of spiritual leakage be closed in the name of Jesus. I challenge every organ of my body with the fire of the Holy Spirit. (Lay your right hand methodically on various parts of the body beginning from the head.) Let every human spirit attacking my own spirit release me in the mighty name of Jesus. I reject every spirit of the tail in the name of Jesus. Sing the song "Holy Ghost fire, fire fall on me". Let all evil marks on my body be burnt off by the fire of the Holy Spirit in the name of Jesus. Let the anointing of the Holy Ghost fall upon me and break every negative yoke in the name of Jesus. Let every garment of hindrance and dirtiness be dissolved by the fire of the Holy Ghost in the name of Jesus. I command all my chained blessings to be unchained in the name of Jesus. Let all spiritual cages inhibiting my progress be roasted by the fire of the Holy Spirit in the name of Jesus. Now Make this Powerful Confession Before You Proceed I boldly declare that my body is the temple of God and that the Holy Ghost is dwelling in me. I am cleansed through the blood of the Lord Jesus Christ. Therefore, whosoever wants me to go into captivity shall go into captivity. Whosoever wants me to die by the sword shall die by the sword. The strangers shall fade away and be afraid out of their close places in the mighty name of the Lord Jesus Christ. They shall lick the dust like a serpent, they shall move out of their holes like worms of the earth,
D.K. Olukoya (Pray your Way to Breakthrough)
We can stop…” Cassius said. “We can…” He felt Merrick’s breath upon his mouth. “I do not want to,” Cassius replied. “I do not want to either.” Then their mouths were lightly teasing one another. They pressed gentle kisses upon each other’s lips as though they were testing the waters again. “I felt you all day…the evidence of you being inside me. Each time I sat or moved, my body recalled taking you deep.” Cas shuddered. “I wish I could feel you inside me as well, so I would always know you there.” They were kissing again then, more hungrily. Cassius had never tasted anything as sweet as the prince on his tongue. His prick hardened, ached. He wished to embed the mixture of brandy and Merrick into his taste buds. To feel the strength of Merrick deep within his ass. To burn Merrick into the memory of his fingertips so he could recall it over and over and over again. “You wreck me, Cas,” Merrick said against his mouth. Their tongues moved together. Merrick’s hand cupped the back of his head, slid under his hat, and threaded his fingers there
Riley Hart (Ever After)
Before The Beginning Of Years" Before the beginning of years There came to the making of man Time, with a gift of tears; Grief, with a glass that ran; Pleasure, with pain for leaven; Summer, with flowers that fell; Remembrance, fallen from heaven, And madness risen from hell; Strength without hands to smite; Love that endures for a breath; Night, the shadow of light, And life, the shadow of death. And the high gods took in hand Fire, and the falling of tears, And a measure of sliding sand From under the feet of the years; And froth and the drift of the sea; And dust of the laboring earth; And bodies of things to be In the houses of death and of birth; And wrought with weeping and laughter, And fashioned with loathing and love, With life before and after And death beneath and above, For a day and a night and a morrow, That his strength might endure for a span With travail and heavy sorrow, The holy spirit of man. From the winds of the north and the south, They gathered as unto strife; They breathed upon his mouth, They filled his body with life; Eyesight and speech they wrought For the veils of the soul therein, A time for labor and thought, A time to serve and to sin; They gave him light in his ways, And love, and space for delight, And beauty, and length of days, And night, and sleep in the night. His speech is a burning fire; With his lips he travaileth; In his heart is a blind desire, In his eyes foreknowledge of death; He weaves, and is clothed with derision; Sows, and he shall not reap; His life is a watch or a vision Between a sleep and a sleep.
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)
If the Pentateuch be true, religious persecution is a duty. The dungeons of the Inquisition were temples, and the clank of every chain upon the limbs of heresy was music in the ear of God. If the Pentateuch was inspired, every heretic should be destroyed; and every man who advocates a fact inconsistent with the sacred book, should be consumed by sword and flame. In the Old Testament no one is told to reason with a heretic, and not one word is said about relying upon argument, upon education, nor upon intellectual development—nothing except simple brute force. Is there to-day a christian who will say that four thousand years ago, it was the duty of a husband to kill his wife if she differed with him upon the subject of religion? Is there one who will now say that, under such circumstances, the wife ought to have been killed? Why should God be so jealous of the wooden idols of the heathen? Could he not compete with Baal? Was he envious of the success of the Egyptian magicians? Was it not possible for him to make such a convincing display of his power as to silence forever the voice of unbelief? Did this God have to resort to force to make converts? Was he so ignorant of the structure of the human mind as to believe all honest doubt a crime? If he wished to do away with the idolatry of the Canaanites, why did he not appear to them? Why did he not give them the tables of the law? Why did he only make known his will to a few wandering savages in the desert of Sinai? Will some theologian have the kindness to answer these questions? Will some minister, who now believes in religious liberty, and eloquently denounces the intolerance of Catholicism, explain these things; will he tell us why he worships an intolerant God? Is a god who will burn a soul forever in another world, better than a christian who burns the body for a few hours in this? Is there no intellectual liberty in heaven? Do the angels all discuss questions on the same side? Are all the investigators in perdition? Will the penitent thief, winged and crowned, laugh at the honest folks in hell? Will the agony of the damned increase or decrease the happiness of God? Will there be, in the universe, an eternal auto da fe?
Robert G. Ingersoll (Some Mistakes of Moses)
God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.
A.E. Via
He took a deep breath and with that low, soothing voice, started reading about love. He read about love as if it were nature. As if it were a force that you would never want to escape. As if it were the mud and the trees and the wind and the moonlight that is cast down upon your naked body. As if it were the air you breathe and the blood that rises inside you. As if it were something beautiful, and giving, and all-encompassing. A catharsis, like screaming and crying and finally acknowledging your suffering. Something intimate. Something burning. Something warm.
Marina Vivancos (Honeythorn (Honeythorn, #1))
Logan felt like Icarus. He had never felt so free and blissfully alive as he did whenever he was with her. The closer he got to her the higher and happier he felt. Even at the mention of her name his heart would pound incessantly and all the giddy feelings he didn’t quite understand would suddenly reemerge. Every glance upon her blinding beauty cast a shadow upon every other girl for him. Everyone else paled in comparison to her. With every passing moment he had somehow discovered something new and exciting about her. With her by his side he could feel the light breeze flapping against his sides and the warmth of sunshine beating down on his handsome face. This is what it meant to be truly awake. This is what it meant to be in love. But just like Icarus he had gotten too close and had crashed and burned. As he lay crippled in the aftermath of his own destruction he wondered what hurt more the aching pangs of physical pain his body had been subjected to or the raw burning sensation he felt in his heart. He had gladly given her his heart and in return she threw it back in pieces claiming it wasn’t enough. That he wasn’t enough.
Ali Harper (Breaking Bedlam (Beautiful Bedlam #2))
Her eyes, unusually weird and open, held me. Held God. He flowed in as I've seen the countryside flow in. Seen men. .... She sprang up. .... Fell to her knees, and began swaying, swaying. Her body was tortured with something it could not let out. Like boiling sap it flooded arms and fingers till she shook them as if it burned her. It found her throat, and spattered inarticulately in plaintive, convulsive sounds, mingled with calls to Christ Jesus. And then she sang, brokenly. ... A child's voice, uncertain, ... It seemed to me as though she were pounding her head in anguish upon the ground.
Jean Toomer (Cane)
The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane, like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. The minds of men are at last aroused; reason looks out and justifies her own and malice finds all her work in vain. It is the whipper who is whipped and the tyrant who is undone.
Ralph Waldo Emerson (Compensation: An Excerpt from Collected Essays, First Series)
Blythe was a leech on his mind, sucking him dry of all rational thoughts. From the time he awoke crafting plans for that day's adventure to when he set his head upon his pillow and let his mind replay memories of her laughter, she engrossed him, stuck in his head like an inescapable song. Aris had fallen for someone before, and what a fool he'd been for it. For his life was infinite, and Blythe's was a short and fragile thing- It would have been better if she died now, before such feelings ensnared him. She was a parasite, one of which Aris had no idea how to free himself from. So why was it that he so desperately wanted her to live? To watch her eyes light up when she tasted the richest chocolate, and to see her fall so heartbreakingly in love with the world he thought he'd grown numb to? Aris has never minded the passing of time. He could go ages before he ever cared enough to glance up from his work and discover how many years had passed. But every moment with Blythe was one in which he found himself wishing that time could be infinite. This girl had dug herself a home beneath his skin, and his body burned every time he earned a smile from her lips. He despised her for it, and yet he could not pull himself away.
Adalyn Grace (Wisteria (Belladonna, #3))
Sunk for a long time in profound thoughts as to the value of obscurity, and the delight of having no name, but being like a wave which returns to the deep body of the sea; thinking how obscurity rids the mind of the irk of envy and spite; how it sets running in the veins the free waters of generosity and magnanimity; and allows giving and taking without thanks offered or praise given; which must have been the way of all great poets, he supposed (though his knowledge of Greek was not enough to bear him out), for, he thought, Shakespeare must have written like that, and the church builders built like that, anonymously, needing no thanking or naming, but only their work in the daytime and a little ale perhaps at night-'What an admirable life this is,' he thought, stretching his limbs out under the oak tree. 'And why not enjoy it this very moment?' The thought struck him like a bullet. Ambition dropped like a plummet. Rid of the heart-burn of rejected love, and of vanity rebuked, and all the other stings and pricks which the nettle-bed of life had burnt upon him when ambitious of fame, but could no longer inflict upon once careless of glory, he opened his eyes, which had been wide open all the time, but had seen only thoughts, and saw, lying in the hollow beneath him, his house.
Virginia Woolf (Orlando)
How is it you speak? What sound is there here?” “You must listen to my voice,” she told me, “and not to my words. What do you hear?” I did as she had instructed me, and heard the silken sliding of the sheet, the whisper of our bodies, the breaking of the little waves, and the beating of my own heart. A hundred questions I had been ready to ask, and it had seemed to me that each of the hundred might bring the New Sun. Her lips brushed mine, and every question vanished, banished from my consciousness as if it had never been. Her hands, her lips, her eyes, the breasts I pressed—all wondrous; but there was more, perhaps the perfume of her hair. I felt that I breathed an endless night … . Lying upon my back, I entered Yesod. Or say, rather, Yesod closed about me. It was only then that I knew I had never been there. Stars in their billions spurted from me, fountains of suns, so that for an instant I felt I knew how universes are born. All folly. Reality displaced it, the kindling of the torch that whips shadows to their corners, and with them all the winged fays of fancy. There was something born between Yesod and Briah when I met with Apheta upon that divan in that circling room, something tiny yet immense that burned like a coal conveyed to the tongue by tongs. That something was myself.
Gene Wolfe (The Urth of the New Sun (The Book of the New Sun, #5))
It was dark outside, and a spring chill was in the evening air. He breathed deeply and felt his body tingle in the coolness. Beyond the jagged outline of the apartment houses the town lights glowed upon a thin mist that hung in the air. At the corner a street light pushed feebly against the darkness that closed around it; from the darkness beyond it the sound of laughter broke abruptly into the silence, lingered and died. The smell of smoke from trash burning in back yards was held by the mist; and as he walked slowly through the evening, breathing the fragrance and tasting upon his tongue the sharp night-time air, it seemed to him that the moment he walked in was enough and that he might not need a great deal more.
John Williams (Stoner)
I travel your body, like the world, your belly is a plaza full of sun, your breasts two churches where blood performs its own, parallel rites, my glances cover you like ivy, you are a city the sea assaults, a stretch of ramparts split by the light in two halves the color of peaches, a domain of salt, rocks and birds, under the rule of oblivious noon, dressed in the color of my desires, you go your way naked as my thoughts, I travel your eyes, like the sea, tigers drink their dreams in those eyes, the hummingbird burns in those flames, I travel your forehead, like the moon, like the cloud that passes through your thoughts, I travel your belly, like your dreams, your skirt of corn ripples and sings, your skirt of crystal, your skirt of water, your lips, your hair, your glances rain all through the night, and all day long you open my chest with your fingers of water, you close my eyes with your mouth of water, you rain on my bones, a tree of liquid sending roots of water into my chest, I travel your length, like a river, I travel your body, like a forest, like a mountain path that ends at a cliff I travel along the edge of your thoughts, and my shadow falls from your white forehead, my shadow shatters, and I gather the pieces and go with no body, groping my way, the endless corridors of memory, the doors that open into an empty room where all the summers have come to rot, jewels of thirst burn at its depths, the face that vanishes upon recall, the hand that crumbles at my touch, the hair spun by a mob of spiders over the smiles of years ago,
Octavio Paz (Piedra de Sol = Sunstone)
I have always liked him, even though he became our enemy. Even though he is not a good person. My husband was a genuinely good person, and I loved him, and was faithful to him with my mind and my body. Yet-I know it now, though I did not until now-some little bit of me did I give to Lucius Cornelius Sulla. The bit my husband did not want, would not have known what to do with. We only kissed that once, Lucius Cornelius and I. But it was as beautiful as it was black. A passionate and engulfing mire. I did not yield. But ye gods, how I wanted to! I won a victory of sorts. Yet-did I perhaps lose a war? Whenever he walked into my comfortable little world, a gale blew in around him; if he was Apollo, he was also Aeolus, and ruled the winds of my spirit, so that the lyre at my core hummed a melody my husband never, never heard.... Oh, this is worse than the grief of death and utter parting! I have looked upon the wreckage of a dream that was as much mine as his, and he knows it, poor Lucius Cornelius. But what courage! A lesser man would have fallen upon his sword. His pain, his pain! Why am I feeling this? I am busy, practical, unimaginative. My life is sifted out and very satisfying. But now I understand what bit of myself has always belonged to him; the bird bit, that might have lifted in soaring spirals singing its heart out while all the earth below burned away to an unimportant nothing. And no, I am not sorry I kept my feet upon the earth, never soared. It suits the way I am. He and I would never have known a moment's peace. Oh, I bleed for him! I weep for him!
Colleen McCullough (Fortune's Favorites (Masters of Rome, #3))
Freddy and his brother Tesoro have not seen each other in five years, and they sit at the kitchen table in Freddy's house and have a jalapeno contest. A large bowl of big green and orange jalapeno peppers sit between the two brothers. A saltshaker and two small glasses of beer accompany this feast. When Tesoro nods his head, the two men begin to eat the raw jalapenos. The contest is to see which man can eat more peppers. It is a ritual from their father, but the two brothers tried it only once, years ago. Both quit after two peppers and laughed it off. This time, things are different. They are older and have to prove a point. Freddy eats his first one more slowly than Tesoro, who takes to bites to finish his and is now on his second. Neither says anything, though a close study of each man's face would tell you the sudden burst of jalapeno energy does not waste time in changing the eater's perception of reality. Freddy works on his second as Tesoro rips into his fourth. Freddy is already sweating from his head and is surprised to see that Tesoro's fat face has not shanged its steady, consuming look. Tesoro's long, black hair is neatly combed, and not one bead of sweat has popped out. He is the first to sip from the beer before hitting his fifth jalapeno. Freddy leans back as the table begins to sway in his damp vision. He coughs, and a sharp pain rips through his chest. Tesoro attempts to laugh at his brother, but Freddy sees it is something else. As Freddy finishes his third jalapeno, Tesoro begins to breathe faster upon swallowing his sixth. The contest momentarily stops as both brothers shift in their seats and the sweat pours down their faces. Freddy clutches his stomach as he reaches for his fourth delight. Tesor has not taken his seventh, and it is clear to Freddy that his brother is suffering big-time. There is a bright blue bird sitting on Tesoro's head, and Tesoro is struggling to laugh because Freddy has a huge red spider crawling on top of his head. Freddy wipes the sweat from his eyes and finishes his fourth pepper. Tesoro sips more beer, sprinkles salt on the tip of his jalapeno, and bites it down to the stem. Freddy, who has not touched his beer, stares in amazement as two Tesoros sit in front of him. They both rise hastily, their beer guts pushing the table against Freddy, who leans back as the two Tesoros waver in the kitchen light. Freddy hears a tremendous fart erupt from his brother, who sits down again. Freddy holds his fifth jalapeno and can't breathe. Tesoro's face is purple, but the blue bird has been replaced by a burning flame of light that weaves over Tesoro's shiny head. Freddy is convinced that he is having a heart attack as he watches his brother fight for breath. Freddy bites into his fifth as Tesoro flips his eighth jalapeno into his mouth, stem and all. This is it. Freddy goes into convulsions and drops to the floor as he tries to reach for his glass of beer. He shakes on the dirty floor as the huge animal that is Tesoro pitches forward and throws up millions of jalapeno seeds all over the table. The last thing Freddy sees before he passes out is his brother's body levitating above the table as an angel, dressed in green jalapeno robes, floats into the room, extends a hand to Tesoro, and floats away with him. When Freddy wakes up minutes later, he gets up and makes it to the bathroom before his body lets go through his pants. As he reaches the bathroom door, he turns and gazes upon the jalapeno plants growing healthy and large on the kitchen table, thick peppers hanging under their leaves, their branches immersed in the largest pile of jalapeno seeds Freddy has ever seen.
Ray Gonzalez
For the poverty in which my mother and father lived, for the failure of the mill, all the hard times, for the awful sheep, for constant tiredness, thank you, my God! For lips, which I was feeding too much, for the dirty noses of the children, for the guarded sheep, I thank you! Thank you, my God, for the prosecutor and the police commissioner, for the policemen, and for the harsh words of Father Peyramale! For the days in which you came, Mary, for the ones in which you did not come, I will never be able to thank you…only in Paradise. For the slap in the face, for the ridicule, the insults, and for those who suspected me for wanting to gain something from it, thank you, my Lady. For my spelling, which I never learned, for the memory that I never had, for my ignorance and for my stupidity, thank you. For the fact that my mother died so far away, for the pain I felt when my father instead of hugging his little Bernadette called me, “Sister Marie-Bernard”, I thank you, Jesus. I thank you for the heart you gave me, so delicate and sensitive, which you filled with bitterness. For the fact that Mother Josephine proclaimed that I was good for nothing, thank you. For the sarcasm of the Mother Superior: her harsh voice, her injustices, her irony and for the bread of humiliation, thank you. Thank you that I was the privileged one when it came to be reprimanded, so that my sisters said, “How lucky it is not to be Bernadette.” Thank you for the fact that it is me, who was the Bernadette threatened with imprisonment because she had seen you, Holy Virgin; regarded by people as a rare animal; that Bernadette so wretched, that upon seeing her, it was said, “Is that it?” For this miserable body which you gave me, for this burning and suffocating illness, for my decaying tissues, for my de-calcified bones, for my sweats, for my fever, for my dullness and for my acute pains, thank you, my God. And for this soul which you have given me, for the desert of inner dryness, for your night and your lightening, for your silences and your thunders, for everything. For you - when you were present and when you were not—thank you, Jesus.
Bernadette Soubirous
THREE HUNDRED YEARS AFTER JESUS DIED ON A ROMAN cross, the emperor Theodosius made Christianity the official religion of the Roman Empire. Christians, who had once been persecuted by the empire, became the empire, and those who had once denied the sword took up the sword against their neighbors. Pagan temples were destroyed, their patrons forced to convert to Christianity or die. Christians whose ancestors had been martyred in gladiatorial combat now attended the games, cheering on the bloodshed. Lord, have mercy. Christ, have mercy. On July 15, 1099, Christian crusaders lay siege to Jerusalem, then occupied by Fatimite Arabs. They found a breach in the wall and took the city. Declaring “God wills it!” they killed every defender in their path and dashed the bodies of helpless babies against rocks. When they came upon a synagogue where many of the city’s Jews had taken refuge, they set fire to the building and burned the people inside alive. An eyewitness reported that at the Porch of Solomon, horses waded through blood. Lord, have mercy. Christ, have mercy. Through a series of centuries-long inquisitions that swept across Europe, hundreds of thousands of people, many of them women accused of witchcraft, were tortured by religious leaders charged with protecting the church from heresy. Their instruments of torture, designed to slowly inflict pain by dismembering and dislocating the body, earned nicknames like the Breast Ripper, the Head Crusher, and the Judas Chair. Many were inscribed with the phrase Soli Deo Gloria, “Glory be only to God.” Lord, have mercy. Christ, have mercy. In a book entitled On Jews and Their Lies, reformer Martin Luther encouraged civic leaders to burn down Jewish synagogues, expel the Jewish people from their lands, and murder those who continued to practice their faith within Christian territory. “The rulers must act like a good physician who when gangrene has set in proceeds without mercy to cut, saw, and burn flesh, veins, bone, and marrow,” he wrote. Luther’s writings were later used by German officials as religious justification of the Holocaust. Lord, have mercy. Christ, have mercy.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
1150 AD, the north of England Melina avoided the eyes of her bodyguard. It was something she was becoming adept at, since her father had brought him into the household and given him the task of keeping watch over her all day, every day, and sleeping across the threshold to her chamber every night. But it was no use. Even with her head turned she could feel his dark eyes upon her. Deep dark pools that drew her into their depths, making her skin burn and her heart flutter. The one and only time she’d made the mistake of gazing into those eyes she’d paid the price, losing her wits entirely for several heartbeats. The man was handsome in a rugged way, his body hard and strong like a warrior’s should be, but it was more than that. There was something . . . Was it the look of him, the scent of him, the taste of him? Not that she’d touched his skin with her tongue yet, but she’d thought about it. At night, in her chamber, in her luxurious bed with its furs and curtains, all alone with him outside her door. Oh yes, Melina had the makings of a sensual woman and that was the trouble.
Evie North (A Knight of Temptation (Knights of Passion, #1))
And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.
C.S. Lewis (The Chronicles of Narnia Complete 7-Book Collection: All 7 Books Plus Bonus Book: Boxen)
While Edna worked she sometimes sang low the little air, " Ah! si tu savais! " It moved her with recollections. She could hear again the ripple of the water, the flapping sail. She could see the glint of the moon upon the bay, and could feel the soft, gusty beating of the hot south wind. A subtle current of desire passed through her body, weakening her hold upon the brushes and making her eyes burn. There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested. There were days when she was unhappy, she did not know why—when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation. She could not work on such a day, nor weave fancies to stir her pulses and warm her blood.
Kate Chopin (The Awakening)
He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  
Gary Haynes (State of Honour)
And when the day closes, I shall know I have done my part. To every soul, who feels that there's a bunch of dreams left unrealised, remember that as long as the Life remains, the possibility to dream remains. Remember that sometimes some dreams that we paint in our hearts are not meant to grow us in our journey of Life and then while we walk along the path, even the detours and broken dreams pave way to a whole lot of waking dreams that only the heart of gratitude can see and feel. I have seen and felt, that sometimes some souls have to go through a lot of trials and tribulations, lessons and sufferings, and even then they never fail to wear kindness and grace simply because they know that what happens around them should not intrude upon what is inside their heart. To know that we are here for a purpose and to not live idly, to know that the purpose is as simple as to stay kind and open to every possibility is as beautiful as the sky who knows no matter how dark the night is the stars would always lit her face. In a world where everything comes at a price, if you're choosing to stay kind, if you're choosing to value your dignity and your integrity, if your choosing to understand and embrace the smile of Solitude, if you're choosing to employ your faculties to understand the real questions of Life, then you're alive, much more alive than your human dreams could have made you feel. Because no matter what, when sunset hits the night, and the day comes to a close you know you've done your part, you know you have embraced one more day with gratitude and grace, with a formidable zeal for Life and an invincible spirit of human understanding that stands firm pillared with Hope and Faith. And then no matter how many voices shrill your mind, the echo of your soul would pierce through your heart and enlighten every inch of your mind, body and soul, and you would know how proud the Universe must be to see the faithfulness, the strength and resilience in your soul, the very mould that was shaped in the fire of the Stardust that shines upon the sky, sometimes becoming a beacon to others while sometimes lying beautifully hidden but always there, always alive. And so each time, I look at the sky with a bunch of stars, I know I am alive, burning with all that Life is made up of. And someday when the day closes for another dawn altogether, I shall know that I have done my part, pretty well.
Debatrayee Banerjee
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
Sunk for a long time in profound thoughts as to the value of obscurity, and the delight of having no name, but being like a wave which returns to the deep body of the sea; thinking how obscurity rids the mind of the irk of envy and spite; how it sets running in the veins the free waters of generosity and magnanimity; and allows giving and taking without thanks offered or praise given; which must have been the way of all great poets, he supposed (though his knowledge of Greek was not enough to bear him out), for, he thought, Shakespeare must have written like that, and the church builders built like that, anonymously, needing no thanking or naming, but only their work in the daytime and a little ale perhaps at night-'What an admirable life this is,' he thought, stretching his limbs out under the oak tree. 'And why not enjoy it this very moment?' The thought struck him like a bullet. Ambition dropped like a plummet. Rid of the heart-burn of rejected love, and of vanity rebuked, and all the other stings and pricks which the nettle-bed of life had burnt upon him when ambitious of fame, but could no longer inflict upon one careless of glory, he opened his eyes, which had been wide open all the time, but had seen only thoughts, and saw, lying in the hollow beneath him, his house.
Virginia Woolf (Orlando)
Love, genuine passionate love, was his for the first time. This he had never experienced at Judge Miller’s down in the sun-kissed Santa Clara Valley. With the Judge’s sons, hunting and tramping, it had been a working partnership; with the Judge’s grandsons, a sort of pompous guardianship; and with the Judge himself, a stately and dignified friendship. But love that was feverish and burning, that was adoration, that was madness, it had taken John Thornton to arouse. This man had saved his life, which was something; but, further, he was the ideal master. Other men saw to the welfare of their dogs from a sense of duty and business expediency; he saw to the welfare of his as if they were his own children, because he could not help it. And he saw further. He never forgot a kindly greeting or a cheering word, and to sit down for a long talk with them (“gas” he called it) was as much his delight as theirs. He had a way of taking Buck’s head roughly between his hands, and resting his own head upon Buck’s, of shaking him back and forth, the while calling him ill names that to Buck were love names. Buck knew no greater joy than that rough embrace and the sound of murmured oaths, and at each jerk back and forth it seemed that his heart would be shaken out of his body so great was its ecstasy. And when, released, he sprang to his feet, his mouth laughing, his eyes eloquent, his throat vibrant with unuttered sound, and in that fashion remained without movement, John Thornton would reverently exclaim, “God! you can all but speak!
Jack London (The Call of the Wild / White Fang)
On the table was a closed book. Oh how my heart beat! Never but then have I known the feeling of utter preciousness in a thing possessed. What doubts and fears would not this one lovely, oh unutterably beloved volume, lay at rest for ever! How my eyes would dwell upon every stroke of every letter the hand of the dearest disciple had formed! Nearly eighteen hundred years—and there it lay!—and there WAS a man who DID hear the Master say the words, and did set them down! I stood motionless, and my soul seemed to wind itself among the leaves, while my body stood like a pillar of salt, lost in its own gaze. At last, with sudden daring, I made a step towards the table, and, bending with awe, stretched out my hand to lay it upon the book. But ere my hand reached it, another hand, from the opposite side of the table, appeared upon it—an old, blue-veined, but powerful hand. I looked up. There stood the beloved disciple! His countenance was as a mirror which shone back the face of the Master. Slowly he lifted the book, and turned away. Then first I saw behind him as it were an altar whereon a fire of wood was burning, and a pang of dismay shot to my heart, for I knew what he was about to do. He laid the book on the burning wood, and regarded it with a smile as it shrunk and shrivelled and smouldered to ashes. Then he turned to me and said, while a perfect heaven of peace shone in his eyes: 'Son of man, the Word of God liveth and abideth for ever, not in the volume of the book, but in the heart of the man that in love obeyeth him. And therewith I awoke weeping, but with the lesson of my dream.
George MacDonald (Thomas Wingfold, Curate)
Sometimes we woke in the night, huddled against the cold. Then, in the darkness, the world and everything in it became as skinless as water, no boundaries to show where one wave ended and the next began, our bodies like paired oars, each movement driving us further into the unknown. Time and sensation blurred. Tiny moments of golden brilliance, gossamer-thin and stretched to breaking, in a life otherwise steeped in grim shadow. I did not simply hold Pétur in my arms; I embraced him with blood and bone, clasped him with muscle and spirit, everything that I was and hoped to be. God might strike me down, but I felt saved and whole. Afterwards, we fell asleep intertwined. In those last moments of wakefulness, blinking up at the stars, as I sensed Pétur’s sweat cooling on my skin, I felt utterly human and fallen, and utterly content. And in those heat-soaked rags of time, I wished for every mountain in Iceland to shudder down rocks upon us, concealing us for ever from the gaze of the world. If we were ever found, our bodies would be dragged from the rubble together: tangled, knotted – inseparable. But such moments of savage contentment are as fleeting as the reflection of the swelling moon blinking upon the surface of the sea. Only ever minutes old, they dissolve with a passing cloud, or a gust of wind. In every human heart glows a tiny flame of hope that tomorrow will bring a love that might satisfy the smouldering yearning to be known. In some hearts, that fire is greedy and becomes a devouring inferno. It leaves only dead ash and dry dust behind. The wind whirls it into emptiness. But there is such heat while it burns … And the light is infinite.
Caroline Lea (The Glass Woman)
General Mario Vargas Salinas, now retired from Bolivia’s Eighth Army Division, was one of the young army officers present at Guevara’s burial. It was his duty to accompany an old dump truck carrying the bodies of the six dead rebels, including that of “Che” Guevara, to the airstrip in Vallegrande, Bolivia. Knowing that the facts surrounding the burials were leaking out, he decided that after 28 years the world should know what had happened to “Che” Guevara’s body. At the time, Captain Vargas, who had also led the ambush in which Tamara “Tania” Bunke, Guevara’s lover, was shot dead, said that Guevara was buried early on the morning of October 11th, 1967, at the end of the town’s landing strip. After the gruesome facts became known, the Bolivian government ordered the army to find Guevara's remains for a proper burial. General Gary Prado Salmón, retired, had been the commander of the unit that had captured Guevara. He confirmed General Vargas’ statement and added that the guerrilla fighters had been burned, before dumping their bodies into a mass grave, dug by a bulldozer, at the end of the Vallegrande airstrip. He explained that the body of “Che” Guevara had been buried in a separate gravesite under the runway. The morning after the burials, “Che” Guevara’s brother arrived in Vallegrande, hoping to see his brother’s remains. Upon asking, he was told by the police that it was too late. Talking to some of the army officers, he was told lies or perhaps just differing accounts of the burial, confusing matters even more. The few peasants that were involved and knew what had happened were mysteriously unavailable. Having reached a dead end, he left for Buenos Aires not knowing much more than when he arrived….
Hank Bracker
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful.   The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin.   The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend.   The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat.   The Universe is made of eyes; “Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won t  let  go.   The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes.   And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
I shouted over the music, 'I don't need a keeper"' I wanted to spin and spin and spin. 'No, you don't,' Tamlin said, never once stumbling over his playing. How his bow did dance upon the strings, his fingers sturdy and strong, no sign of those claws that I had come to stop fearing... 'Dance, Feyre,' he whispered. So I did. I was loosened, a top whirling around and around, and I didn't know who I danced with or what they looked like, only that I had become the music and the fire and the night, and there was nothing that could slow me down. Through it all, Tamlin and his musicians played such joyous music that I didn't think the world could contain it all. I sashayed over to him, my faerie lord, my protector and warrior, my friend, and danced before him. He grinned at me, and I didn't break my dancing as he rose from his seat and knelt before me in the grass, offering up a solo on his fiddle to me. Music just for me- a gift. He played on, his fingers fast and hard upon the strings of his fiddle. My body slithering like a snake, I tipped my head back to the heavens and let Tamlin's music fill all of me. There was a pressure at my waist and I was swept away in someone's arms as they whisked me back into the ring of dancing. I laughed so hard I thought I'd combust, and when I opened my eyes, I found Tamlin there, spinning me round and round. Everything became a blur of colour and sound, and he was the only object in it, tethering me to sanity, to my body, which glowed and burned in every place he touched. I was filled with sunshine. It was like I'd never experienced summer before, like I'd never known who was waiting to emerge from that forest of ice and snow. I didn't want it to end- I never wanted to leave this hilltop.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
To escape the Prison, I made myself mortal. Immortal as you are, but... mortal compared to- to what I was. And what I was... I did not feel the way you do. The way I do now. Some things- loyalty and wrath and curiosity- but not the full spectrum.' Again, that faraway look. 'I was perfect, according to some. I did not regret, did not mourn- and pain... I did not experience it. And yet... yet I wound up here, because I was not quite like the others. Even as- as what I was, I was different. Too curious. Too questioning. The day the rip appeared in the sky... it was curiosity that drove me. My brothers and sisters fled. Upon the orders of our ruler, we had just laid waste to twin cities, smote them wholly into rubble on the plain, and yet they fled from that rip in the world. But I wanted to look. I wanted. I was not built or bred to feel such selfish things as want. I'd seen what happened to those of my kind who strayed, who learned to place their needs first. Who developed... feeling. But I went through the tear in the sky. And here I am.' 'And you gave all that up to get out of the Prison?' Mor asked softly. 'I yielded my grace- my perfect immortality. I knew that once I did... I would feel pain. And regret. I would want, and I would burn with it. I would... fall. But I was- the time locked away down there... I didn't care. I had not felt the wind on my face, had not smelled the rain... I did not even remember what they felt like. I did not remember sunlight.' It was to Azriel that her attention drifted- the shadowsinger's darkness pulled away to reveal eyes full of understanding. Locked away. 'So I bound myself into this body. I shoved my burning grace deep into me. I gave up everything I was. The cell door just... unlocked. And so I walked out.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
More than once, Mr. Dimmesdale had gone into the pulpit, with a purpose never to come down its steps until he should have spoken words like the above. More than once he had cleared his throat, and drawn in the long, deep, and tremulous breath, which, when sent forth again, would come burdened with the black secret of his soul. More than once—nay, more than a hundred times—he had actually spoken! Spoken! But how? He had told his hearers that he was altogether vile, a viler companion of the vilest, the worst of sinners, an abomination, a thing of unimaginable iniquity, and that the only wonder was that they did not see his wretched body shrivelled up before their eyes by the burning wrath of the Almighty! Could there be plainer speech than this? Would not the people start up in their seats, by a simultaneous impulse, and tear him down out of the pulpit which he defiled? Not so, indeed! They heard it all, and did but reverence him the more. They little guessed what deadly purport lurked in those self–condemning words. “The godly youth!” said they among themselves. “The saint on earth! Alas! if he discern such sinfulness in his own white soul, what horrid spectacle would he behold in thine or mine!” The minister well knew—subtle, but remorseful hypocrite that he was!—the light in which his vague confession would be viewed. He had striven to put a cheat upon himself by making the avowal of a guilty conscience, but had gained only one other sin, and a self–acknowledged shame, without the momentary relief of being self–deceived. He had spoken the very truth, and transformed it into the veriest falsehood. And yet, by the constitution of his nature, he loved the truth, and loathed the lie, as few men ever did. Therefore, above all things else, he loathed his miserable self!
Nathaniel Hawthorne (The Scarlet Letter)
Observe the condescension of this fact. This Man, who towers above all other men, holy, harmless, undefiled, and separate from sinners--this Man receiveth sinners. This Man, who is no other than the eternal God, before whom angels veil their faces--this Man receiveth sinners. It needs an angel's tongue to describe such a mighty stoop of love. That any of us should be willing to seek after the lost is nothing wonderful--they are of our own race; but that he, the offended God, against whom the transgression has been committed, should take upon himself the form of a servant, and bear the sin of many, and should then be willing to receive the vilest of the vile, this is marvellous. "This Man receiveth sinners;" not, however, that they may remain sinners, but he receives them that he may pardon their sins, justify their persons, cleanse their hearts by his purifying word, preserve their souls by the indwelling of the Holy Ghost, and enable them to serve him, to show forth his praise, and to have communion with him. Into his heart's love he receives sinners, takes them from the dunghill, and wears them as jewels in his crown; plucks them as brands from the burning, and preserves them as costly monuments of his mercy. None are so precious in Jesus' sight as the sinners for whom he died. When Jesus receives sinners, he has not some out-of-doors reception place, no casual ward where he charitably entertains them as men do passing beggars, but he opens the golden gates of his royal heart, and receives the sinner right into himself--yea, he admits the humble penitent into personal union and makes him a member of his body, of his flesh, and of his bones. There was never such a reception as this! This fact is still most sure this evening, he is still receiving sinners: would to God sinners would receive him.
Charles Haddon Spurgeon (MORNING AND EVENING: DAILY READINGS)
The crowd as silent,holding their breaths.Hot wind rustled in the trees as the ax gleamed in the sun.Luce could feel that the end was coming,but why? Why had her soul dragged her here? What insight abouther past,or the curse, could she possibly gain from having her head cut off? Then Daniel dropped the ax to the ground. "What are you doing?" Luce asked. Daniel didn't answer.He rolled back his shoulders, turned his face toward the sky, and flung out her arms. Zotz stepped forward to interfere,but when he touched Daniel's shoulder,he screamed and recoiled as if he'd been burned. And then- Daniel's white wings unfurled from his shoulders.As they extended fully from his sides,huge and shockingly bright against the parched brown landscape, they sent twenty Mayans hurtling backward. Shouts rang out around the cenote: "What is he?" "The boy is winged!" "He is a god! Sent to us by Chaat!" Luce thrashed against the ropes binding her wrists and her ankles.She needed to run to Daniel.She tried to move toward him,until- Until she couldn't move anymore. Daniel's wings were so bright they were almost unbearable. Only, now it wasn't just Daniel's wings that were glowing. It was...all of him. His entire body shone.As if he'd swallowed the sun. Music filled the air.No,not music, but a single harmonious chord.Deafening and unending,glorious and frightening. Luce had heard it before...somewhere. In the cemetery at Sword&Cross, the last night she'd been there,the night Daniel had fought Cam,and Luce hadn't been allowed to watch.The night Miss Sophia had dragged her away and Penn had died and nothing had ever been the same.It had begun with that very same chord,and it was coming out of Daniel.He was lit up so brightly,his body actually hummed. She swayed where she stood,unable to take her eyes away.An intense wave of heat stroked her skin. Behind Luce,someone cried out.The cry was followed by another,and then another,and then a whole chorus of voices crying out. Something was burning.It was acrid and choking and turned her stomach instantly. Then,in the corner of her vision,there was an explosion of flame, right where Zotz had been standing a moment before. The boom knocked her backward,and she turned away from the burning brightness of Daniel,coughing on the black ash and bitter smoke. Hanhau was gone,the ground where she'd stood scorched black.The gap-toothed man was hiding his face,trying hard not to look at Daniel's radiance.But it was irresistible.Luce watched as the man peeked between his fingers and burst into a pillar of flame. All around the cenote,the Mayans stared at Daniel.And one by one,his brilliance set them ablaze.Soon a bright ring of fire lit up the jungle,lit up everyone but Luce. "Ix Cuat!" Daniel reached for her. His glow made Luce scream out in pain,but even as she felt as if she were on the verge of asphyxiation, the words tumbled from her mouth. "You're glorious." "Don't look at me," he pleaded. "When a mortal sees an angel's true essence, then-you can see what happened to the others.I can't let you leave me again so soon.Always so soon-" "I'm still here," Luce insisted. "You're still-" He was crying. "Can you see me? The true me?" "I can see you." And for just a fraction of a second,she could.Her vision cleared.His glow was still radiant but not so blinding.She could see his soul. It was white-hot and immaculate,and it looked-there was no other way to say it-like Daniel. And it felt like coming home.A rush of unparalleled joy spread through Luce.Somewhere in the back of her mind,a bell of recognition chimed. She'd seen him like this before. Hadn't she? As her mind strained to draw upon the past she couldn't quite touch,the light of him began to overwhelm her. "No!" she cried,feeling the fire sear her heart and her body shake free of something.
Lauren Kate (Passion (Fallen, #3))
What?' He cried, darting at him a look of fury: 'Dare you still implore the Eternal's mercy? Would you feign penitence, and again act an Hypocrite's part? Villain, resign your hopes of pardon. Thus I secure my prey!' As He said this, darting his talons into the Monk's shaven crown, He sprang with him from the rock. The Caves and mountains rang with Ambrosio's shrieks. The Daemon continued to soar aloft, till reaching a dreadful height, He released the sufferer. Headlong fell the Monk through the airy waste; The sharp point of a rock received him; and He rolled from precipice to precipice, till bruised and mangled He rested on the river's banks. Life still existed in his miserable frame: He attempted in vain to raise himself; His broken and dislocated limbs refused to perform their office, nor was He able to quit the spot where He had first fallen. The Sun now rose above the horizon; Its scorching beams darted full upon the head of the expiring Sinner. Myriads of insects were called forth by the warmth; They drank the blood which trickled from Ambrosio's wounds; He had no power to drive them from him, and they fastened upon his sores, darted their stings into his body, covered him with their multitudes, and inflicted on him tortures the most exquisite and insupportable. The Eagles of the rock tore his flesh piecemeal, and dug out his eyeballs with their crooked beaks. A burning thirst tormented him; He heard the river's murmur as it rolled beside him, but strove in vain to drag himself towards the sound. Blind, maimed, helpless, and despairing, venting his rage in blasphemy and curses, execrating his existence, yet dreading the arrival of death destined to yield him up to greater torments, six miserable days did the Villain languish. On the Seventh a violent storm arose: The winds in fury rent up rocks and forests: The sky was now black with clouds, now sheeted with fire: The rain fell in torrents; It swelled the stream; The waves overflowed their banks; They reached the spot where Ambrosio lay, and when they abated carried with them into the river the Corse of the despairing Monk.
Matthew Gregory Lewis
The best way to get a handle on the subject would be to ask the experts, but one does not simply walk into a church or synagogue and ask to speak with a demonologist. There are not that many of them; their names are confidential, and they are obliged to report their experiences only to their superiors. Even Ed Warren will not tell all about these horrendous black spirits that come in the night bearing messages and proclamations of blasphemy. When pressed on the matter, in fact, Ed’s reply is: “There are things known to priests and myself that are best left unsaid.” Upon what, then, does Ed Warren base his opinions? Is there proper evidence or corroboration to substantiate his claims? “People who aren’t familiar with the phenomenon sometimes ask me if I’m not involved in a sort of ultrarealistic hallucination, like Don Quixote jousting with windmills. Well, hallucinations are visionary experiences. This, on the other hand, is a phenomenon that hits back. My knowledge of the subject is no different than that of learned clergymen, and they’ll tell you as plainly as I will that this isn’t something to be easily checked off as a bad dream. “I can support everything I say with bona fide evidence,” Ed goes on, “and testimony by credible witnesses and blue-ribbon professionals. There is no conjecture involved here. My statements about the nature of the demonic spirit are based on my own firsthand experiences over thirty years in this work, backed up by the experiences of other recognized demonologists, plus the experiences of the exorcist clergy, plus the testimony of hundreds of witnesses who’ve been these spirits’ victims, plus the full weight of hard physical evidence. Theological dogma about the demonic simply proves consistent with my own findings about these spirits in real life. But let me be more specific. “The inhuman spirit often identifies itself as the devil and then—through physical or psychological means—proves itself to be just that. Again speaking from my own personal experiences, I have been burned by these invisible forces of pandemonium. I have been slashed and cut; these spirits have gouged marks and symbols on my body. I’ve been thrown around the room like a toy. My arms have been twisted up behind me until they’ve ached for a week. I’ve incurred sudden illnesses to knock me out of an investigation. Physicalized monstrosities have manifested before me, threatening death,
Gerald Brittle (The Demonologist: The Extraordinary Career of Ed and Lorraine Warren)
experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He snorts and pitches away the stub of his cigar. “But of course. Honor and glory, to be sure,” he says, and I look into his eyes and I know that he is thinking of what he has seen in the way of war—the mud, the filth, the hunger, the burning towns, the ravaged women, the murdered children, the battles where men fall rank upon rank before the merciless cannons like wheat before a scythe, and, finally, after it’s all over and the butcher’s bill is added up, the sickening sweet stink of the honored dead as their bodies lie rotting on the battlefield.
L.A. Meyer (My Bonny Light Horseman: Being an Account of the Further Adventures of Jacky Faber, in Love and War (Bloody Jack, #6))
Let us pass over my return to the camp just as the sun was beginning to set. The sight of bodies strewn about like broken dolls. The smell of blood and burning hair. How I wandered aimlessly about, too disoriented for proper panic, numb with shock and dread. I would pass over the whole of that evening, in fact. I would spare you the burden of any of it if one piece were not necessary to the story. It is vital. It is the hinge upon which the story pivots like an opening door. In some ways, this is where the story begins. So let’s have done with it. Scattered patches of smoke hung in the still evening air. It was quiet, as if everyone in the troupe was listening for something. As if they were all holding their breath. An idle wind tussled the leaves in the trees and wafted a patch of smoke like a low
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
But the laws of the schools were aimed at something distant and vague. What did it mean to, as our elders told us, “grow up and be somebody”? And what precisely did this have to do with an education rendered as rote discipline? To be educated in my Baltimore mostly meant always packing an extra number 2 pencil and working quietly. Educated children walked in single file on the right side of the hallway, raised their hands to use the lavatory, and carried the lavatory pass when en route. Educated children never offered excuses—certainly not childhood itself. The world had no time for the childhoods of black boys and girls. How could the schools? Algebra, Biology, and English were not subjects so much as opportunities to better discipline the body, to practice writing between the lines, copying the directions legibly, memorizing theorems extracted from the world they were created to represent. All of it felt so distant to me. I remember sitting in my seventh-grade French class and not having any idea why I was there. I did not know any French people, and nothing around me suggested I ever would. France was a rock rotating in another galaxy, around another sun, in another sky that I would never cross. Why, precisely, was I sitting in this classroom? The question was never answered. I was a curious boy, but the schools were not concerned with curiosity. They were concerned with compliance. I loved a few of my teachers. But I cannot say that I truly believed any of them. Some years after I’d left school, after I’d dropped out of college, I heard a few lines from Nas that struck me: Ecstasy, coke, you say it’s love, it is poison Schools where I learn they should be burned, it is poison That was exactly how I felt back then. I sensed the schools were hiding something, drugging us with false morality so that we would not see, so that we did not ask: Why—for us and only us—is the other side of free will and free spirits an assault upon our bodies? This is not a hyperbolic concern. When our elders presented school to us, they did not present it as a place of high learning but as a means of escape from death and penal warehousing. Fully 60 percent of all young black men who drop out of high school will go to jail. This should disgrace the country. But it does not, and while I couldn’t crunch the numbers or plumb the history back then, I sensed that the fear that marked West Baltimore could not be explained by the schools. Schools did not reveal truths, they concealed them. Perhaps they must be burned away so that the heart of this thing might be known.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
No remorse dimmed his face. “You once told me at Mistward that if I ever took a whip to you, then you’d skin me alive.” His eyes didn’t stray from hers as he said with lethal quiet, “I took it upon myself to bestow that fate on Cairn on your behalf. And when I was done, I took the liberty of removing his head from his body, then burning what remained.” A pause, a ripple of doubt. “I’m sorry I didn’t give you the chance to do it yourself.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
It was natural, as he stood there looking out, that his gaze fall upon a structure that rested like a special penthouse upon the great Group Masters building. It was there, in six days, that Trask must report for execution. The main section of the protuberance was low-built, and unbeautiful in its square solidity. Barred windows gave the usual bleak, repressive appearance of a prison. At either end twin shafts of metal and concrete rose straight up several hundred feet. Here were the muffling chambers of the converters, where step by step the radioactivity of the secondary materials was either rechanneled or suppressed, or—if nothing else availed—the affected compounds were automatically packed in safe containers and removed to distant burial grounds. From where he stood, Marin could not see the powerhouse itself or the power broadcasting antennae. The former was an extension of the “penthouse” and the latter was located in a raised section that he could not see from this window. But he knew that somewhere in the vaulted underground of this structure was the relay which—when activated—could affect a burning sensation in the shoulders of Trask’s body, and so by the pain it created draw him inexorably to his doom.
A.E. van Vogt (The Mind Cage (Masters of Science Fiction))
I am a descendant of Ranthia Drahl, Queen of Embers. She is with me now and I am not afraid.” Lehabah glowed, bright as the heart of a star. “My friends are behind me, and I will protect them.” The top of the bathroom door began to curl open. And Lehabah unleashed her power. Three blows. Perfectly aimed. Not to the bathroom door and Archangel behind it. No, Lehabah couldn’t slow Micah. But a hundred thousand gallons of water would. Lehabah’s shimmering blasts of power slammed into the glass tank. Right on top of the crack that Bryce had made when the nøkk threw her into it. The creature, sensing the commotion, rose from the rocks. And recoiled in horror as Lehabah struck again. Again. The glass cracked further. And then Lehabah hurled herself against it. Pushed her tiny body against the crack. She kept whispering the words over and over again. They morphed together into one sentence, a prayer, a challenge. “My friends are with me and I am not afraid.” Hunt wrested control of his body enough that he was able to put a hand over his heart. The only salute he could make as Lehabah’s words whispered through the speakers. “My friends are with me and I am not afraid.” One by one, the angels in the 33rd rose to their feet. Then Ruhn and his friends. And they, too, put their hands on their hearts as the smallest of their House pushed and pushed against the glass wall, burning gold as the nøkk tried to flee to any place it might survive what was about to come. Over and over, Lehabah whispered, “My friends are with me and I am not afraid.” The glass spiderwebbed. Everyone in the conference room rose to their feet. Only Sandriel, her attention fixed on the screen, did not notice. They all stood, and bore witness to the sprite who brought her death down upon herself, upon the nøkk—to save her friends. It was all they could offer her, this final respect and honor. Lehabah still pushed. Still shook with terror. Yet she did not stop. Not for one heartbeat. “My friends are with me and I am not afraid.” The bathroom door tore open, metal curling aside to reveal Micah, glowing as if newly forged, as if he’d rend this world apart. He surveyed the library, eyes landing on Lehabah and the cracked tank wall. The sprite whirled, back pressed against the glass. She hissed at Micah, “This is for Syrinx.” She slammed her little burning palm into the glass. And a hundred thousand gallons of water exploded into the library.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
With the burning weight of Rowan’s attention upon her, she turned to show them the back—the roaring gold dragon clawing up her body. She looked over her shoulder in time to see Rowan’s eyes again slide south, and linger. Slowly, his gaze lifted to hers. And she could have sworn that hunger—ravenous hunger—flickered there.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The myth of the starving artist was a hoax. Once you realized that everything was a hoax you got wise and began to bleed and burn your fellow man. I’d build an empire upon the broken bodies and lives of helpless men, women, and children—I’d shove it to them all the way. I’d show them!
Charles Bukowski (Factotum)
It was a strike against the edifice of policy and politics coming to rest upon Keynesian concepts of savings and consumption. Years later, Friedman spelled out the ultimate implications. Dorothy and Rose’s paper fed into a much larger body of research, the permanent income hypothesis, that “removes completely one of the pillars of the ‘secular stagnation’ thesis.” It also had implications for the Keynesian proposition that there was “no automatic force in a monetary economy to assure the existence of a full-employment equilibrium.”9 On the surface, Dorothy and Rose had published a basic research report. Considered in the bigger picture, their conclusions spoke to the politically charged question of consumption. Was the paper deliberately framed as an attack upon Keynes?10 Both women were dedicated empiricists, and the problem in the data was compelling. At the same time, the solution they came up with dovetailed nicely with each woman’s intellectual inclinations. The paper’s emphasis on relative income reflected the traditional approach of consumption research that Dorothy knew well. Dorothy’s long tenure in reformist D.C. agencies suggests that like most consumption economists, she was probably sympathetic to New Deal social spending. By contrast, although Rose has left little trace of her thinking in this period, she was among the most loyal of Frank Knight’s students. His teachings would have primed her to be skeptical of both the New Deal and the Keynesian concepts that were newly popular among economists.
Jennifer Burns (Milton Friedman: The Last Conservative)
Once upon a time we had a common goal and a common enemy. We were burning bras and fighting for the right to vote. Now we are body shaming each other on social media and blaming the mistress if the man cheats. But I know what's stopping us: jealousy.
Elle Kennedy (The Chase (Briar U, #1))
She shrugged. “I never liked the stories. Too gruesome for a kid. I used to tell him so. All the time. But he made me listen to them.” “I’m sorry. That must have been hard for you. But I’m sure he meant well.” “Right. And he means well, now, too, I suppose. When I was young, he told me the monsters in the stories weren’t real, and if I was going to fear anything, it should be the monsters in real life. I’m pretty sure he gave me the book as a reminder of that.” “But you aren’t a kid anymore.” The leer Scott gave her was purely predatory, his smile a wolfish grin. She felt his gaze rake over her body as sure as she’d feel his hands. Her face flamed under his attention, and she opened her coat and flapped the lapels to fan her burning cheeks. “Yes, well … No. No, I’m not a child. Dad still wants me to see the world his way, though. And the stories in that book are his way of making his point. They’re the original versions, a lot more violent than the Disney versions we get today. Dad knows them all by heart. Tried to make sure I did, too, though I’ve blocked some of the more gruesome details from memory.” “Sounds like his experience could be beneficial to your investigation. Have you spoken to him about the case?” Chelsea nodded. “I have. A little. When he’s not lecturing me, we’ve discussed it. In fact, it was something he said that led me here.” “Yeah,” McPherson said, “that was helpful. But it was a little too late. By the time you played his message this morning, we had already been called to the scene.” One of Scott’s eyebrows arched. “What time did you start work today?” Chelsea’s cheeks were still burning from earlier. Now they practically flamed.
Nolon King (Once Upon a Crime (Once Upon a Crime, #1))
Whenever I looked upon a peaceful scene, it seemed to be part of my DNA to superimpose miserable images over what I saw. Hideous images became superimposed over a relaxed, happy landscape. Shards of glass, blood dotting my white sneakers and the cement floor, skin stinging as if I'd been sprayed with salt, cows stumbling and dying, a long mirror showing the backs of cancer patients, people burning up in flames, women wailing, acid rain, and my body scattering in all directions.
Kang Young-sook (At Night He Lifts Weights)
It is incumbent upon us to list you your fears lest you forget them: that of being needy; of being clingy; of being odd; of being invisible; of being visible; of being shamed; of being shunned; of being deceived; of being bullied, of being abandoned; of being hit; of being talked about; of being pitied; of being mocked; of being thought both "child" and at the same time "old woman"; of anger; of others; of making mistakes; of knowing instinctively; of sadness; of loneliness; of failure; of loss; of love; of death. If not death, then of living - of the body, its needs, its bits, its daring bits, its unwanted bits. Then the shudders, the ripples, our legs turning to pulp because of those shudders and ripples. On a scale of one to ten, nine and nine-tenths of us believe in the loss of our power and in succumbing to weakness, also in the slyness of others. In instability too, we believe. Nine and nine-tenths of us think we are spied upon, that we replay old trauma, that we are tight and unhappy and numb in our facial expression. These are our fears, Dear Susannah Eleanor Lizabetta Effie. Note them please. Remember these points please. Susannah, oh our Susannah. We are afraid.
Anna Burns (Milkman)
We are all following dreams and visions; we who are cursed and graced by this fire called hope. However, I will not be a slave to dreams and visions; I will lead myself. I am strong and I am a singularity. I am a builder of self, in wisdom, body and spirit. I have the faith to believe in and cast judgment upon myself.   I will stand the line between the light and the darkness. I will master myself for as long as I am lost in the gray.   Those unwilling to stand the line should know: if you should find you have not the strength to judge your own heart, I will not be there to help you. If you fall weak and succumb to despair, I will not save you and lend you my hand. If you are maligned by evil, and fear the darkness may overcome you, it is only you that can stand amid that darkness and become its master. You have within you the potential to reach your salvation. Find your purpose and do not rest until it burns within you like a fire. We all must have the strength and courage to pass judgment upon this world and upon ourselves. We can only be in harmony and free from each other once we are all accountable.   But remember, if you allow your weakness to pollute a world inhabited by others, you may find yourself standing alone in shadow. Those you have wronged may face you, and you may see their eyes go red.   I go forth with my love, knowing nothing can stop me now. I have judged this world, I have judged myself, and I have found my purpose…
Dylan Lee Peters (As The Darkness Waits (Everflame, #4))
The Right Intake Protein, protein, protein. Is there any other food group that causes so much angst? Have too little and you may be in trouble, have too much and you may be in greater trouble. Proteins are the main building blocks of the body making muscles, organs, skin and also enzymes. Thus, a lack of protein in your diet affects not only your health (think muscle deficiency and immune deficiency) but also your looks (poor skin and hair). On the other hand, excess protein can be harmful. “High protein intake can lead to dehydration and also increase the risk of gout, kidney afflictions, osteoporosis as well as some forms of cancer,” says Taranjeet Kaur, metabolic balance coach and senior nutritionist at AktivOrtho. However, there are others who disagree with her. "In normal people a high-protein natural diet is not harmful. In people who are taking artificial protien supplements , the level of harm depends upon the kind of protein and other elements in the supplement (for example, caffiene, etc.) For people with a pre- existing, intestinal, kidney or liver disease, a high-protein diet can be harmful," says leading nutritionist Shikha Sharma, managing director of Nutri-Health.  However, since too much of anything can never be good, the trick is to have just the right amount of protein in your diet.  But how much is the right amount? As a ballpark figure, the US Institute of Medicine recommends 0.8 gm of protein per kilogram of body weight. This amounts to 56 gm per day for a 70 kg man and 48 gm per day for a 60 kg woman.  However, the ‘right’ amount of protein for you will depend upon many factors including your activity levels, age, muscle mass, physical goals and the current state of health. A teenager, for example, needs more protein than a middle-aged sedentary man. Similarly, if you work out five times a day for an hour or so, your protein requirement will go up to 1.2-1.5 gm per kg of body weight. So if you are a 70kg man who works out actively, you will need nearly 105 gm of protein daily.   Proteins are crucial, even when you are trying to lose weight. As you know, in order to lose weight you need to consume fewer calories than what you burn. Proteins do that in two ways. First, they curb your hunger and make you feel full. In fact, proteins have a greater and prolonged satiating effect as compared to carbohydrates and fats. “If you have proteins in each of your meals, you have lesser cravings for snacks and other such food items,” says Kaur. By dulling your hunger, proteins can help prevent obesity, diabetes and heart disease.   Second, eating proteins boosts your metabolism by up to 80-100 calories per day, helping you lose weight. In a study conducted in the US, women who increased protein intake to 30 per cent of calories, ended up eating 441 fewer calories per day, leading to weight loss. Kaur recommends having one type of protein per meal and three different types of proteins each day to comply with the varied amino acid requirements of the body. She suggests that proteins should be well distributed at each meal instead of concentrating on a high protein diet only at dinner or lunch. “Moreover, having one protein at a time helps the body absorb it better and it helps us decide which protein suits our system and how much of it is required by us individually. For example, milk may not be good for everyone; it may help one person but can produce digestive problems in the other,” explains Kaur. So what all should you eat to get your daily dose of protein? Generally speaking, animal protein provides all the essential amino acids in the right ratio for us to make full use of them. For instance, 100 gm of chicken has 30 gm of protein while 75gm of cottage cheese (paneer) has only 8 gm of proteins (see chart). But that doesn’t mean you need to convert to a non-vegetarian in order to eat more proteins, clarifies Sharma. There are plenty of vegetarian options such as soya, tofu, sprouts, pulses, cu
Anonymous
The cause is within us. The cure is within us. When we know this our concept of disease is no longer that of something fixed upon the body cells which must be purged, cut or burned away. It is not something coming in from the outside which we cannot prevent. Rather it is a change from within, and we must find the reason why the body changes its perfect pattern to vibrate to discord rather than to harmony.
Rebecca Beard
Pelewen still wanders the night Under the canopy of long-dead days, A knight sword-sworn to duty and might, A knight faith-sealed with truth and right.   Nerena still wanders the misty eve, Under the canopy of long-dead days, A witch evil-sworn to lies believe, A witch dark-sealed to darkness wreathe.   What brought you, knight, to wander that wood? What brought the thieves who cut you down? Where, dark witch, did you find the good, To succor he who for goodness stood?   With secrets whispered in secluded shade, She healed you, knight, your life returned, With kisses, witch, the first he gave, Your soul was healed and holy made.   Love, you too we see this night Under the canopy of long-dead days; A blessing sworn to the good and right, A love that sealed a witch and knight.   What partings made upon the morn, Under wind and sun and forest song: One body whole and one soul born, Four eyes wet and two hearts torn.   What drove you, Knight, to the distant glade? What drove you to confess, dear maid? Why, Knight, did heart turn horse ‘round again? And why, Pureman, could you not forgive her stain?   One maid burned at morning’s light. One horse rides through ash at night. One soul to tell the Knight the tale. One Knight upon his sword impaled.   Death, you too we see this eve, Under the canopy of long-dead days; A death dark-sworn to love bereave, A death dark-sealed to sadness wreathe.   “Well, that was depressing,” Chertanne derided
Brian Fuller (Duty (The Trysmoon Saga, #2))
Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...
DragonPoetikFly© & Roger Brightley©
His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. “Tell me what you know,” he said, his breath searing her lips. “Or I’ll do worse than this. I’ll take you here and now. Is that what you want?” As a matter of fact… However, recalling that this was supposed to be a punishment, a coercion, Beatrix managed a languid, “No. Stop.” His mouth ravished hers again. She sighed and melted against him. He kissed her harder, pressing her back against the slatted side of the stall, his hands roaming indecently. Her body was laced and compressed and concealed in layers of feminine attire, frustrating his attempts to caress her. His garments, however, presented far fewer obstacles. She slid her arms inside his coat, fumbling to touch him, tugging ardently at his waistcoat and shirt. Reaching beneath the straps of his trouser braces, she managed to pull part of his shirt free of the trousers, the fabric warm from his body. They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the texture of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence. Instinctively Beatrix tried to draw him inside herself, pulling at his lips and tongue with her own. Christopher broke the kiss abruptly, panting. Cradling her head in his hands, he pressed his forehead against hers. “Is it you?” he asked hoarsely. “Is it?” Beatrix felt tears slip from beneath her lashes, no matter how she tried to blink them back. Her heart was ablaze. It seemed that her entire life had led to this man, this moment of unexpressed love. But she was too frightened of his scorn, and too ashamed of her own actions, to answer. Christopher’s fingertips found the tear marks on her damp skin. His mouth grazed her trembling lips, lingering at one soft corner, sliding up to the verge of a salt-flavored cheek. Releasing her, he stepped back and stared at her with baffled anger. The desire exerted such force between them that Beatrix belatedly wondered how he could maintain even that small distance. A shaken breath escaped him. He straightened his clothes, moving with undue care, as if he were intoxicated. “Damn you.” His voice was low and strained. He strode out of the stables. Albert, who had been sitting by a stall, began to trot after him. Upon noticing Beatrix wasn’t going with them, the terrier dashed over to her and whimpered. Beatrix bent to pet him. “Go on, boy,” she whispered. Hesitating only a moment, Albert ran after his master. And Beatrix watched them both with despair.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
General Gary Prado Salmón, retired, had been the commander of the unit that had captured Guevara. He confirmed General Vargas’ statement and added that the guerrilla fighters had been burned, before dumping their bodies into a mass grave, dug by a bulldozer, at the end of the Vallegrande airstrip. He explained that the body of “Che” Guevara had been buried in a separate gravesite under the runway. The morning after the burials, “Che” Guevara’s younger brother, Juan Martin Guevara, arrived in Vallegrande, hoping to see his brother’s remains. Upon asking, he was told by the police that it was too late. Talking to some of the army officers, he was told lies or perhaps just differing accounts of the burial, confusing matters even more. The few peasants that were involved and knew what had happened were mysteriously unavailable. Having reached a dead end, he left for Buenos Aires not knowing much more than when he arrived.
Hank Bracker
The door opened and Kitty jerked free from the remaining bands of sleep, hurling back to the dank night that surrounded her. Struggling to her feet, she gripped her stomach as the soldier entered. Closing the door, he stalked forward. Fear raged through her like a rabid animal.  She pressed harder against the wood. “Don’t touch me!” He lunged and covered her mouth. “Quiet!” Kitty writhed under his strong hands, struggling to get free. She tried to scream but his grasp was too tight. “Be still, Kitty, please!” All fight left her limbs in an instant and she dropped her arms to her sides. Blinking, she tried to clear the dream from her vision. It couldn’t be… He removed his hand from her mouth and stroked her cheek, his husky tone warm with concern. “Are you hurt?” She could hardly breathe. “I... I don’t believe it.” Her words quivered as much as her body.  “Believe.” Nathaniel studied her face and tucked a lock of hair behind her ear. “’Tis I.” Kitty took in quick short bursts of air and her voice cracked as tears burned her eyes. “I thought... I thought...”  “I was a fool.” He tugged her to him, holding her hard against his chest. His deep whisper caressed her heart. “Forgive me.” “Nay.” She pushed away from him, gazing up into his shadowed face. The words she harbored for so many weeks suddenly poured from her mouth like a river surging beyond its banks. “’Tis I who must beg forgiveness—” “Shhh.” He placed a finger to her lips. “There isn’t time, my love.” “But I must explain—” “Later. Come, we must take you away from here.” He tugged her toward the door.  “Not yet.” Kitty tugged at his arm. “I must get to Plymouth. They must know what’s coming.” “Nay, you mustn’t worry about Plymouth.” Nathaniel’s tone dropped. “The British believe you are the second courier.” A smile tilted one side of his mouth. “But you are not.” The meaning of his words settled upon her like dew. “So, the message has gotten through.” Nathaniel nodded and the solemn expression in his eyes softened to longing as his gaze lowered to her mouth. ***
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Aedion, facing her in a fine tunic of deep green, was the first to notice. He let out a low whistle. “Well, if you didn’t already scare the living shit out of me, you’ve certainly done it now.” Rowan turned to her. He went completely and utterly still as he took in the dress. The black velvet hugged every curve and hollow before pooling at her feet, revealing each too-shallow breath as Rowan’s eyes grazed over her body. Down, then up—to the hair she’d swept back with golden bat-wing-shaped combs that rose above either side of her head like a primal headdress; to the face she’d kept mostly clean, save for a sweep of kohl along her upper eyelid and the deep red lips she’d painstakingly colored. With the burning weight of Rowan’s attention upon her, she turned to show them the back—the roaring golden dragon clawing up her body. She looked over her shoulder in time to see Rowan’s eyes again slide south, and linger. Slowly, his gaze lifted to hers. And she could have sworn that hunger—ravenous hunger—flickered there.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Hunter found Warrior down by the river, teaching Pony Girl to swim. Sitting beneath a cottonwood, Hunter pressed his back to the trunk and rested his forearm on his upraised knee. “Warrior, I must make a short trip,” he began. “Will you watch my woman and her sister while I’m gone?” Distracted by the question, Warrior forgot to watch his niece and turned. “Another trip? You’ve only just returned.” Hunter’s gaze dropped to Pony Girl, and his eyes widened in alarm. Shooting to his feet, he yelled, “Warrior, she’s going under!” Warrior snatched a handful of the child’s dripping hair and pulled her up for air. Giving his head a shake, he moved toward shore. “I don’t know. Maybe she’s too young. Maiden insists she isn’t, but I don’t recall the other two being this hard to teach.” “I taught Turtle, and Maiden taught Blackbird,” Hunter reminded him. Warrior squatted in front of the whining, coughing child, trying to comfort her with body-shaking pats on her lower back. Hunter thanked the Great Ones that Pony Girl’s burns had healed. “Maybe that’s what the problem is, eh?” Warrior mused. “I’m a lousy teacher. Hunter, why don’t you teach her?” “I’m leaving on a journey.” “Ah, yes, a journey. Where are you going?” Hunter ignored the question. It was one thing to surrender to his woman, but quite another to admit it to his brother. “Maybe I’ll teach her when I return. A swap, yes?” Warrior looked relieved. “That sounds like a fair trade. I’ll gladly watch your woman if I can get out of this swimming chore Maiden has pressed upon me. At the rate I’m going, I’ll have to change this one’s name to Pebble. She sure enough sinks like one.
Catherine Anderson (Comanche Moon (Comanche, #1))
She arched up, opened her legs to accommodate him, as he guided himself into her. So thick and hard and shockingly masculine. She gasped when he was deeply seated. But then he lowered himself over her and with languid, graceful ease rolled the two of them so that they faced each other. And side by side, legs entangled, he moved inside her. His hips rocked almost languorously; they rippled together like a flame. Their eyes locked. Their mouths met and parted, caressed and left each other in distraction, as pleasure banked in each. "I want to watch you come," he whispered against her mouth. "I want you to watch me come." It was so coarse and shockingly intimate, and it ought to have appalled her, she supposed, but it was frantically erotic. She understood his temptation to turn away when he revealed something important, for she felt- she knew- he could see right through her, had penetrated her body and her mind if not her heart. She felt exposed, raw. But she bravely kept her eyes open; she was both lost and found in the soft, burning depths of his eyes. But their mingled breath became a low roar as release came upon them. His eyes became brilliant and intent and inwardly focused; he was lost to her. She closed hers as her head thrashed back, because she only wanted to feel what was coming upon her, not see, not think. An impulse entirely new. And she was keening from the urgent press of her release, which came from everywhere in her body, roared toward escape like a molten river. He knew his was upon him, too. She was arching against him, shattering into bliss and he drew himself from her body with a gasp.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
She slipped her hands into her apron pockets and stood very still, the sunlight warming her skin, glistening upon her bright, reddish-gold hair. She tensed her body tightly, trying to get rid of the well-hidden tension that plagued her, then forced her shoulders to relax and took deliberate pleasure in gazing upon the vase of dried hydrangeas that she had arranged just yesterday. The flowers graced the center of the table. Beside them lay the elegant silk purses she was sewing as Christmas gifts for a few of her London friends, and her delicate japanning tools, perched well out of Harry's reach. Her latest piece, an intricate jewel box, sat in a middle stage of completion. All of her hobbies ran in an artistic vein, but in her heart, she knew in a sense they were merely distractions, her way of trying to burn off her restlessness.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
Prominent among such teachers was Pierre de Brueys, an able and diligent preacher who for twenty years, braving all dangers, travelled throughout Dauphiny, Provence, Languedoc, and Gascony, drawing multitudes from the superstitions in which they had been brought up, back to the teachings of Scripture, until he was burned at St. Gilles (1126). He showed from Scripture that none should be baptised until they had attained to time full use of their reason; that it is useless to build churches, as God accepts sincere worship wherever offered; that crucifixes should not be venerated, but rather looked upon with horror, as representing the instrument on which our Lord suffered; that the bread and wine are not changed into the body and blood of Christ, but are symbols commemorative of His death; and that the prayers and
E.H. Broadbent (The Pilgrim Church: Being Some Account of the Continuance Through Succeeding Centuries of Churches Practising the Principles Taught and Exemplified in The New Testament)
FIRST KISS   I lean in to kiss her. But instead of reaching for her lips I draw mine just passed them, firmly and gently planting my love against her smooth face. I commence to let her know with my love that I will wait for her out of respect and most importantly out of love. I can feel her heart sink deep into the unknown where only there she becomes fully aware in mind, body, and spirit. As my lips begin to pull away she draws herself closer to me, allowing me to seal another kiss firmly against her forehead.   Reaching to finger my lips with both her hands she carefully inches closer to me as if she is about to be kissed for the first time. A heart propelling uprush of seismic energy fills my body and soul with a radiance that burns before our lips even begin to touch. As my lips fall upon hers I am welcomed by all that her heart covets. Only in her kiss do I receive the one answer to all that matters. Only here am I offered a way to live when I would have rather died. In the hold of her lips am I found secure from the rest of the world. For even having known her within this single moment has my life been made full. Now watching her peacefully come down from where she has ascended, I am taken by the energy disseminating from around her body with excitement. I am taken by her touch and that look that remains constant in her eyes.
Luccini Shurod
I have had my homes razed, raided and burned to the ground, my towers gutted, marauded, and blasted, and my castles pillaged, defiled, and demolished. I have been imprisoned in the Astral Plane, entombed in stone, had my spirit bound within a phylactery, and had my mind trapped within a crystal prism. I have been held for ransom by bandits, robbed by nobility, and dispossessed by extradimensional thieves. I have been threatened, cajoled, berated, cursed (both literally and actually), abused, and blackmailed. I have been stabbed, bludgeoned, whipped, tortured, burned, shocked, flayed, and worse.1 I have been possessed, mind-controlled, robbed of my body and volition, and rendered incorporeal. I have been turned into a newt, transmogrified into a frog, changed into a toad, and transformed into creatures slimier still.2 I have been charmed, bewitched, hexed, ensorcelled, enchanted, mesmerized, spellbound, and let’s not even talk about what happened while I was under the influence of hostile supernatural entities and agents. I have been abandoned by friends, forgotten by allies, scorned by compatriots, and turned upon by companions. I have had intimates taken, comrades killed, family members persecuted, and kith imprisoned. I have fought with incomprehensible daemons face to face, been engulfed by dragons’ raging hellfires, clashed with greater Powers, and been laid low by alien intelligences. I have been trapped within the bowels of forgotten ruins, lost within haunted crypts, striven through extradimensional labyrinths, delved over and through the hearts of uncharted planets, and foundered within the darkest and deepest wilds. I have had my identity erased, my memories taken, my will sapped, and my spirit broken. And these were on some of my better days. I am a wizard.
Joseph J. Bailey (Mulogo's Treatise on Wizardry (Exceptional Advice for Adventurers Everywhere #1))
The fire had eaten her lower body and swollen the rest, cooking it until the skin split and here the gods sat still, as if in shock, in slivers of lurid red and patches of peeled black. Her long hair had been thrown forward, over the top of her head. Parts of it had burned, curling into fragile white nests. The rest was motionless midnight, with hints of reflected blue, like rainbows on oil. She was, mercifully, lying face down. One rupture upon her back was different, larger, and where the others had burst outward this one pushed inward. A sword had done that. The
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
Image Streaming Image streaming is a method claiming to use the subconscious mind to burn a memory into the subconscious. This method attempts to train the subconscious mind to be able to remember former things more effectively. Image streaming also uses a concept of imagining, feeling, and channeling energy around your body. The thought is that by imagining a mysterious force around you, you can increase your ability to remember things. It’s like exercising the mind. The biggest problem with this method is that some of it can be loosely associated with other religions such as witchcraft, although the authors of such books would never tell you that. Witchcraft uses an imaginary energy around the body to cast spells. Likewise image streaming stretches out with their feelings, like the force and Star Wars, using this energy to help strengthen and exercise the mind. In this they are attempting to exercise their mind through imagination. However, the concept is apparently drawn upon by people of other religions. Needless to say this is not an effective method for memorizing Christian doctrine.
Adam Houge (How To Memorize The Bible Quick And Easy In 5 Simple Steps)
Rancorous ivy. On the other side of the wall, at the edge of the river, the sand burned. The river lay afire. Kingfishers fell like spots across the eyes and laughter was yellow. Every Sunday Omensetter strolled by the river with his wife, his daughters, and his dog. They came by wagon, spoke to people who were off to church, and while Furber preached, they sprawled in the gravel and trailed their feet in the water. Lucy Omensetter lay her swollen body on a flat rock. Furber felt the sun lapping at her ears. It was like a rising blush, and his hands trembled when he held them out to make the bars of the cross. May the Lord bless you and keep you . . . He closed his eyes, drifting off. They would see how moved he was, how intense and sincere he was. Cause His light to shine upon you . . . He would find the footprints of the dog and imprint of their bodies. All the days of your life . . . The brazen parade of her infected person. Watchman. Rainbows like rings of oil around her. Watchman. Shouldn’t we be? I spy you, Fatty, behind the tree. He wanted to rub the memory from his eyes. Glittering. Beads of water stood on her skin and drop fled into drop until they broke and ran, the streaks finally fading. Her navel was inside out—sweet spot where Zeus had tied her. She was so white and glistening, so . . . pale, though darker about the eyes, the nipples dark. Open us to evil. He made a slit in his lids. Burn our hearts. Shawls of sunlight spilled over the backs of the pews. Nay-ked-nessss. The droplets gathered at the point of her elbow and hung there, the sac swelling until it fell and spattered on her foot. Nay . . . nay. To enclose her like the water of the creek had closed her. Nay . . . Proper body for a lover. Joy to be a stone. Please, the peep-watch is over. Please hurry now. Hurry. Get out of my church.
William H. Gass (Omensetter's Luck)
Kiril glanced around the darkened room. He walked to a leather chair and sat, stretching his legs out in front of him and crossing his ankles. “Did you know that during the Fae Wars the Dark took two Dragon Kings? At different times, of course.” “I suppose they escaped as well? Are you telling me we don’t know how to hold a Dragon King?” “The Dark did . . . things to my brethren. One completely lost his mind and attacked us, which is what the Dark wanted. He had to be killed. The other King knew what was happening to him, but he couldna stop it. He came to us and begged to be killed before he could harm one of us.” Shara sipped her whisky before she said, “You lost two Kings and I lost seven siblings.” “And the Light the Dark took?” “The Dark take the Light and the Light take the Dark.” Kiril let his gaze drift down her body. How he itched to have her long legs wrapped around him. Things would be so much easier if he didn’t desire her as he did, but there wasn’t a switch he could flip and turn off his body’s reaction. The more he tried to ignore the growing desire, the more it raged uncontrollably within him. He gave himself a mental shake and returned to their conversation. “What’s the plan, then? Will the Dark storm in here and try to capture me?” Shara walked around the room, her hand skimming along the backs of the chairs. “No.” “No?” Kiril set aside his glass on the table next to him and silently rose to his feet. He followed her as if a string tied them together. “What then?” “You don’t really want to know.” Kiril spun her around so hard that her glass flew from her hand and landed upon a rug, spilling the whisky but not breaking the crystal. “Tell me,” he demanded in a soft, deadly voice. “My job is to seduce you.” She held her stance for a heartbeat before she retreated, taking two steps back. He tracked her until she was once more in the entryway. The shadows darkened everything, and yet the smallest sliver of moonlight found her, illuminating her in a pale blue glow. No longer could he deny what he wanted. Perhaps it was her confession. Maybe it was because he hadn’t taken to the skies in weeks. Whatever it was, all he knew was that he had to have her or go up in flames. “Then seduce me.
Donna Grant (Burning Desire (Dark Kings, #3))