Up In The Air Backpack Quotes

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After walking for a long time, he finally pulled me near a copse of bamboo that was growing near a large teak tree. He stuck his nose up in the air, smelling for who-knows-what and then wandered over to a grassy area and lay down. “Well, I guess that means this is where we sleep for the night.” I shrugged out of my backpack while grousing. “Great. No, really. It’s a lovely choice. I’d give it four stars if it included a mint.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Secondhand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. Theyd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up on a mountain where the air thinned.
Rebecca Raisin (The Little Bookshop on the Seine (The Little Paris Collection, #1; The Bookshop, #2))
If ever I was distraught or heartbroken, my mom would always say, Go read history. Her solution for everything. For so long I believed history was a thick book you carried around in your backpack, not something you could create. It was one hour in an air-conditioned portable classroom after lunch, watching Civil War reenactments.... It'd take me a long time to realize history is happening now, and we are a part of it. ...History shows you what people have endured before you...History shows that if you were in the minority, if no one believed you, it didn't mean you were wrong. Rather, it meant society was slow to catch up to you. And if those in the minority did not buckle, did not give up their truths, the world would shift below their feet.
Chanel Miller (Know My Name)
An older, inebriated Scot who looked like he'd been sitting on his barstool all day looked me up and down, then smelled the air. "Heh, neebr, goat a deid an'mal in yer bac'pac, or iz it ye tha' bloody stinks?" My brain took a moment to translate. "Actually, yes, there is a dead animal in my backpack, but I probably stink, too.
Steve Alten (The Loch)
Second hand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. They'd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. "Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had child-like scrawls on the acknowledgement page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loathe were they to damage their treasure. I loved them all. And I found it hard to part with them. Though years of book selling had steeled me. I had to let them go, and each time made a fervent wish they'd be read well, and often. Missy, my best friend, said I was completely cuckoo, and that I spent too much time alone in my shadowy shop, because I believed my books communicated with me. A soft sigh here, as they stretched their bindings when dawn broke, or a hum, as they anticipated a customer hovering close who might run a hand along their cover, tempting them to flutter their pages hello. Books were fussy when it came to their owners, and gave off a type of sound, an almost imperceptible whirr, when the right person was near. Most people weren't aware that books chose us, at the time when we needed them.
Rebecca Raisin (The Little Bookshop on the Seine (The Little Paris Collection, #1; The Bookshop, #2))
That done, a second list began to sketch itself from memory. Food, water, containers, blankets... I set three piles aside, starting with the blankets, then took what pillowcases I could find. They always made useful bags for carrying things when backpacks weren't available. One small pot for boiling, one small pan for cooking or additional self-defense. Knives, always good. One fork and a spoon for each of us. More than that, and they'd clatter inside our bags, keeping us from moving silently. No batteries. One flashlight that seemed to be working for now, even if the beam wasn't strong. The real coup would have been canned food or toilet paper, but those were truly one-in-a-million finds. "Did you forget to tell us that you're taking us camping?" I'm all four roughing it as long as that entails air-conditioning and a nice view." ... "Sorry," I muttered, forcing myself onto my feet. "Old habits.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
We pass the apartment we rented five years ago, when I swore off Florence. In summer, wads of tourists clog the city as if it's a Renaissance theme park. Everyone seems to be eating. That year, a garbage strike persisted for over a week and I began to have thoughts of plague when I passed heaps of rot spilling out of bins. I was amazed that long July when waiters and shopkeepers remained as nice as they did, given what they had to put up with. Everywhere I stepped I was in the way. Humanity seemed ugly—the international young in torn T-shirts and backpacks lounging on steps, bewildered bus tourists dropping ice cream napkins in the street and asking, “How much is that in dollars?” Germans in too-short shorts letting their children terrorize restaurants. The English mother and daughter ordering lasagne verdi and Coke, then complaining because the spinach pasta was green. My own reflection in the window, carrying home all my shoe purchases, the sundress not so flattering. Bad wonderland. Henry James in Florence referred to “one's detested fellow-pilgrim.” Yes, indeed, and it's definitely time to leave when one's own reflection is included. Sad that our century has added no glory to Florence—only mobs and lead hanging in the air.
Frances Mayes (Under the Tuscan Sun)
Someone stop them!” I yell. No one does. I think about Porter surrounded by people that horrible day on the beach years ago, when no one would help him save his dad from the shark. If strangers won’t help when someone is dying, they’re definitely not going to stop two kids from running out of a museum. Pulse swishing in my temples, I race around the information booth, pumping my arms, and watch them split up again. Polo is heading for the easy way out: the main exit, where there’s (1) only a set of doors to go through, and (2) Hector, the laziest employee on staff. But Backpack is headed for the ticketing booth and the connecting turnstiles. Freddy should be there, but no one’s entering the museum, so he’s instead chatting it up with Hector. The turnstiles are unmanned. Like a pro hustler who’s never paid a subway fare, Backpack hurdles over the turnstiles in one leap. Impressive. Or it would have been, had his backpack not slipped off his shoulder and the strap not caught on one of the turnstile arms. While he struggles to free it, I take the easier route and make for the wheelchair access gate. I unhitch the latch. He frees the strap. I slip through the gate, and just as he’s turning to run, I lurch forward and— I jump on his back. We hit the ground together. The air whooshes out of my lungs and my knee slams into tile. He cries out. I don’t. I freaking got him.
Jenn Bennett (Alex, Approximately)
She feels so good and welcoming, like home. Reluctantly, I relinquish her, and Bob gives me an awkward one-armed hug. He seems unsteady on his feet, and I remember that he’s hurt his leg. “Welcome back, Ana. Why you cryin’?” he asks. “Aw, Bob, I’m just pleased to see you, too.” I stare up into his handsome square-jawed face and his twinkling blue eyes that gaze at me fondly. I like this husband, Mom. You can keep him. He takes my backpack. “Jeez, Ana, what have you got in here?” That would be the Mac, and they both put their arms around me as we head for the parking lot. I always forget how unbearably hot it is in Savannah. Leaving the cool air-conditioned confines of the arrival terminal, we step into the Georgia heat like we’re wearing it. Whoa! It saps everything. I have to struggle out of Mom and Bob’s embrace so
E.L. James (Fifty Shades Trilogy Bundle (Fifty Shades, #1-3))
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
Back when I was in the emergency room, the attending had said, “I don’t know what exactly will happen next, but you know that metastases put you at stage four. This is clearly an aggressive cancer. It recurred before we even finished treating it. It’s probably time to put your affairs in order and make a bucket list, as hard as that is to hear.” I had been stumped by the bucket list. It depressed me: “Oh my God I am so lame I can’t even come up with an interesting bucket list,” I whined in the hospital. “How about a ‘fuck-it’ list?” John suggested at some point. “Sort of the opposite. What can we just say ‘fuck it’ to and send splashing off into some sewer and not bother ourselves with anymore?” The catch is: it turns out not many things. I want all of it—all the things to do with living—and I want them to keep feeling messy and confusing and even sometimes boring. The carpool line and the backpacks and light that fills the room in the building where I wait while the kids take piano lessons. Dr. Cavanaugh sitting on my bedside looking me in the eyes and admitting she’s scared. The sound of my extended family laughing downstairs. My chemo hair growing in suddenly in thick, wild chunks. Light sabers cracking Christmas ornaments. A science fair project taking shape in some distant room. The drenched backyard full of runoff, and tiny, slimy, uncertain yard critters who had expected to remain buried in months of hard mud, peeking their heads out into the balmy New Year’s air, asking, Wait, what?
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.' 'They're all there the notes the things, places, events, and even smalls, maybe spelled incorrectly, but there regardless, all have gone in this book of life I call- Sh-h as if making the most long-spun book in the world, with all my pages, are thick; all pasted, shoved and slammed together, furthermore mismatched, yet all has been said, in my enchanting written long run-ons of memories, the way I fancy to remember.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
The door was still open, so I shut it and was returning to my desk when I braked. There was a backpack resting on the other side of my desk chair. It wasn’t mine. It wasn’t Missy’s. I was pretty sure it wasn’t Holly’s or the cousin’s. “Shit,” I muttered under my breath. “Huh?” she barked, her head swinging around to me. A quick glance confirmed what I already knew. She was drunk. “Nothing.” She pulled out one of her shirts, but it wasn’t her normal pajama top. She was really drunk. I picked up Shay’s bag and checked the contents to make sure it was his. It was. I saw his planner with his name scrawled at the top, so I zipped that bag and put it in the back of my closet. No one needed to go through it. I didn’t think Missy would, but I just never knew. Dropping into my chair, I picked up my phone to text Shay as Missy fell to the floor. I looked up to watch. I couldn’t not see this. I was tempted to video it, but I was being nice. For once. As Missy wrestled with her jeans and lifted them over her head to throw into her closet, I texted Shay. Me: You left your bag here. Missy let out a half-gurgled moan and a cry of frustration at the same time. She didn’t stand, instead crawling to the closet. She grabbed another pair of pants. Those weren’t her pajamas, either. As she pulled them on—or tried since her feet kept eluding the pants’ hole—my phone buzzed back. Coleman: Can I pick it up in the morning? I texted back. Me: When? Missy got one leg in. Success. I wanted to thrust my fist in the air for her. My phone buzzed again. Coleman: Early. My playbook is in there. I groaned. Me: When is early? I’m in college, Coleman. Sleeping in is mandatory. Coleman: Nine too early for you? I can come back to get it now. Nine was doable. Me: Let’s do an exchange. You bring me coffee, and I’ll meet you at the parking lot curb with your bag. Coleman: Done. Decaf okay? I glared at my phone. Me: Back to hating you. Coleman: Never stop that. The world’s equilibrium will be fucked up. I have to know what’s right and wrong. Don’t screw with my moral compass, Cute Ass. Oh, no! No way. Me: Third rule of what we don’t talk about. No nicknames unless they reconfirm our mutual dislike for each other. No Cute Ass. His response was immediate. Coleman: Cunt Ass? A second squeak from me. Me: NO! I could almost hear him laughing. Coleman: Relax. I know. Clarke’s Ass. That’s how you are in my phone. The tension left my shoulders. Me: See you in the morning. 9 sharp. Coleman: Night. I put my phone down, but then it buzzed once again. Coleman: Ass. I was struggling to wipe this stupid grin off my face. All was right again. I plugged my phone in, pulled my laptop back toward me, and sent a response to Gage’s email. I’ll sit with you, but only if we’re in the opposing team’s section. He’d be pissed, but that was the only way. I turned the computer off, and by then Missy was climbing up the ladder in a bright pink silk shirt. The buttons were left buttoned, and her pajama bottoms were a pair of corduroy khakis. I was pretty sure she didn’t brush her teeth, but before my head even hit the pillow, she was snoring
Tijan (Hate to Love You)
He doesn’t say anything, but he points to my guitar and raises his brow. I don’t know what he wants, and he can’t tell me, so I just look at him. I don’t want to acknowledge his presence, but he’s sitting with his knee an inch from mine. When I don’t respond, he puts a hand on my guitar. He points to me and strums at the air like he’s playing a guitar. I realize I’ve stopped playing. But he did put a twenty in my case, so I suppose I owe him. I start to play “I’m Just a Gigolo.” I love that tune, and love playing it. After a minute, his eyebrows draw together, and he points to his lips. I shake my head because I don’t know what he’s asking. Either he wants me to kiss him or I have something on my face. I swipe the back of my hand across my lips. Not that. And the other isn’t going to happen. He shakes his head quickly and retrieves a small dry-erase board from his backpack. Sing, he writes. I have to concentrate really hard to read it, and there are too many distractions here in the tunnel, so I don’t want him to write anymore. I just shake my head. I don’t want to encourage him to keep writing. I could read the word sing, but I can’t read everything. Or anything, sometimes. He holds his hand up to his mouth and spreads his fingers like someone throwing up. I draw my head back, but I keep on playing. Why does he want me to sing? He can’t hear it. But I start to sing softly, anyway. He smiles and nods. And then he laughs when he sees the words of the song on my lips. He shakes his head and motions for me to continue. I forgot he can read lips. I can talk to him, but he can’t talk back.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I look down at it, and the words blur for me. I try to unscramble them, but it’s too hard. I shove the board back toward him. He narrows his eyes at me and scrubs the board clean. He writes one word and turns it around. You, it says. He points to me. I point to myself. “Me?” He nods and swipes the board clean. He writes another word and shows it to me. “Can’t,” I say. He nods and writes another word. He’s spacing the letters far enough apart that they’re not jumbled together in my head, but it’s still hard. My lips falter over the last word, but I say, “Read.” Then I realize that I just told him I can’t read. “Wait! I can read!” I protest. He writes another word: Well. He knows I can read. Air escapes me in a big, gratified rush. “I can read,” I repeat. “I can’t read well, but…” I let my words trail off. He nods quickly, as though he’s telling me he understands. He points to me and then at the board, moving two fingers over it like a pair of eyes, and then he gives me a thumbs-up. My heart is beating so fast it’s hard to breathe. I read the damn words, didn’t I? “At least I can talk!” I say. I want to take the words back as soon as they leave my lips, but it’s too late. I slap a hand over my lips when his face falls. He shakes his head, bites his lip, and gets up. “I’m sorry,” I say. I am. I really am. He walks away, but he doesn’t take his backpack with him.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
You could run a fingertip along the spines, smell that glorious old book scent, flick them open, and unbend a dog-eared page. Read someone else’s notes in the margin, or a highlighted passage, and see why that sentence or metaphor had dazzled the previous owner. Secondhand books had so much life in them. They’d lived, sometimes in many homes, or maybe just one. They’d been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned.
Rebecca Raisin (The Little Bookshop on the Seine)
Uchenna Devereaux normally left her house with one shoe untied, half her homework still under the bed upstairs, playing air guitar, and singing a song she’d made up that morning in the shower. But not today. She opened her front door and looked down her street in both directions before slipping out into the cool autumn morning. She put her backpack over her shoulders, pulled the straps tight, and began walking, warily, to school. Yesterday had been a weird day. She had made a new friend named Elliot. He wasn’t exactly cool—he got nervous easily, he memorized entire books about things that could kill him, and he was definitely not rock-and-roll. But he was smart and funny, and Uchenna liked him. Also, they’d met a Jersey Devil and been invited by the school’s weirdest teacher to join a secret society. This secret society had very rich and very powerful enemies: the Schmoke brothers, two billionaires who owned businesses all over the world, and half their little town.
Adam Gidwitz (The Basque Dragon (The Unicorn Rescue Society Book 2))
Graham went to the gym to work out, as he does almost every day. There's a pile of unfolded clothes on the couch beside me and a bag of cheese puffs in my lap. I love it when he goes to the gym, if only because I can be the massive sloth I naturally am in peace. If he were here, he'd be eyeing up my laundry and staring at the edible garbage in my lap and on my fingers, internally freaking out over the possibility of powdery cheese getting on the furniture. One hand in the bag, one hand wrapped around the stem of my wine glass—this is my idea of perfection. 'Girls Chase Boys' by Ingrid Michaelson is presently keeping me company from the stereo system. When my phone rings from where it resides on the back of the couch, I jump and send the bag flying. Orange confetti falls to the floor and I swallow, knowing I am so dead if Graham walks in the door right now. “What?” is my less than friendly greeting. “What'd you do?” How does he know me so well? I guess because he made me. “I just let off a bomb of cheese puffs. Although, technically, I'm blaming it on you since it was your phone call that scared me into dumping the bag over.” “Your mother is knitting again.” Eyes glued to the orange blobs on the pale carpet, I reply, “Oh? I'm sure it's marvelous, whatever it is.” Are they seeping into the carpet as I watch, even now becoming an irremovable part of it? Graham is going to majorly freak out over this. “Looks like a yellow condom.” I choke on nothing. “I have to go, Dad.” He grunts a goodbye. I fling the phone away and dive to my knees, hurriedly scooping up the abused deliciousness into my hands. Of course this is when Graham decides to come home—when my ass is in the air facing the door and I look like I'm eating processed food off the floor. I groan and let my head fall forward, smashing a cheese puff with my forehead. He doesn't say anything for a really, really long time, and I refuse to move or look at him, so it gets sort of awkward. “Never thought I'd come home to this scene. Ever.” Just to rile him up, I shove a cheese puff in my mouth and chomp away. “I can't believe you just ate that!” I get to my feet as I pop another into my mouth. “Mmm.” Graham's face is twisted with horror, his backpack dropping to the floor. Sweat clings to him in a delicious way, his hair damp with it. “Do you know how dirty the carpet is?” “You clean it almost every day. It can't be that dirty.” “I don't get everything out of it!” he exclaims, slapping the remaining puffs from my hands. “Go brush your teeth. No. Wait. Induce vomiting. Immediately.” I look at him and laugh. “You're crazy.” “Just...go drink water or something. I'll clean this up.” “I am perfectly capable of cleaning up my own messes.” He just looks at me. “Okay, so not as well as you, but still.” He remains mute. “Fine.” I toss my hands in the air and carefully walk over the splotches of orange beneath me. As I leave the living room, I pause by a framed photograph of a lemon tree, sliding it off-center on the wall. “I saw that,” he calls after me. “Just giving you something to do!” I smirk as I saunter into the bathroom. “I'll give you something to do.” I cock my head at that, wondering if that was meant to be sexual or not. I'm thinking not. I flip the light switch up in the bathroom and scream. Even with the distance between us, I can hear him laughing. The mirror is covered in what looks like blood, spelling out R – E – D. I put my face close to it and sniff. Ketchup. What a waste of a good condiment. “Not funny!” “So funny!
Lindy Zart (Roomies)
thin glasses that seemed to get lost on his wide red face. His balding forehead glared in the overhead lights. He reminded Bryan a little of that Muppet—the puffy-faced science guy with glasses but no eyeballs on his melon head. “For example, the next time that bell rings, all of you will immediately forget everything I’ve told you. You will scramble for your backpacks, and you will rush out that door without so much as a simple thank-you for all the mind-blowing knowledge I bestowed upon you today. You will do so mindlessly, as you have for the last several weeks of school, because it is a conditioned response. The bell is a stimulus and you are conditioned to act a certain way when you hear it.” Like ducking behind someone taller as soon as you spot Tank Wattly coming down the hall, Bryan thought. Or losing your ability to say anything witty or intelligent whenever this one girl in particular so much as looks at you. “We are all conditioned by our environment. We are all creatures of instinct, driven by our need to survive, but capable of learning through experience. In that way we are actually no different,” Tomlins said, reaching beneath him and pulling up a wire cage from under the table, “from mice.” Susan Onesacker screamed, but the rest of the class bent forward to get a better look at the tufts of white fur huddled against one another in the cage. There had to be at least a dozen of them in there. Beady little red eyes. Twitching noses. Some of the mice lifted their snouts to the air. Others started clawing to find an exit. They didn’t
John David Anderson (Insert Coin to Continue)
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
There,” said Tessa, halting the trek. “Sheriff’s department!” she shouted at the shack up ahead. “Please come out with your hands where we can see them!” Silence. Tessa repeated her demand. Henry would have responded. Bile rose in the back of Cate’s throat, and she wondered if they were on a fruitless search. After a few more moments of silence, they approached. Tessa entered with her weapon at ready as Isla and Logan checked the perimeter of the building. Tessa was back a few moments later, her face grim. “All clear. I’ve found the third brother. He’s dead.” “No Henry?” Cate blurted out. Tessa shook her head. The four of them entered the little building, and Cate took in the air mattresses and backpacks. “What were they thinking? How long did they believe they could last here?” She followed Tessa into an adjacent room and caught her breath. The third brother lay on a mattress, sleeping bags covering him, his eyes closed as if he were asleep. Medical debris covered the floor. Ripped-open packaging,
Kendra Elliot (Bone Deep (Widow's Island #9))
The next morning, Roy traded seats on the school bus to be closer to the front door. When the bus turned onto the street where he had seen the running boy, Roy slipped his backpack over his shoulders and scouted out the window, waiting. Seven rows back, Dana Matherson was tormenting a sixth grader named Louis. Louis was from Haiti and Dana was merciless. As the bus came to a stop at the intersection, Roy poked his head out the window and checked up and down the street. Nobody was running. Seven kids boarded the bus, but the strange shoeless boy was not among them. It was the same story the next day, and the day after that. By Friday, Roy had pretty much given up. He was sitting ten rows from the door, reading an X-Man comic, as the bus turned the familiar corner and began to slow down. A movement at the corner of his eye made Roy glance up from his comic book—and there he was on the sidewalk, running again! Same basketball jersey, same grimy shorts, same black-soled feet. As the brakes of the school bus wheezed, Roy grabbed his backpack off the floor and stood up. At that instant, two big sweaty hands closed around his neck. “Where ya goin’, cowgirl?” “Lemme go,” Roy rasped, squirming to break free. The grip on his throat tightened. He felt Dana’s ashtray breath on his right ear: “How come you don’t got your boots on today? Who ever heard of a cowgirl wearing Air Jordans?” “They’re Reeboks,” Roy squeaked. The bus had stopped, and the students were starting to board. Roy was furious. He had to get to the door fast, before the driver closed it and the bus began to roll. But Dana wouldn’t let go, digging his fingers into Roy’s windpipe. Roy was having trouble getting air, and struggling only made it worse. “Look at you,” Dana chortled from behind, “red as a tomato!” Roy knew the rules against fighting on the bus, but he couldn’t think of anything else to do. He clenched his right fist and brought it up blindly over his shoulder, as hard as he could.
Carl Hiaasen (Hoot)
A week before the fair, Andy had to turn in all of her notes and photographs to Dr. Finney to prove that she had actually done all of the work herself. She was laying out the dubious evidence on the teacher’s desk when Cleet Laraby walked in. Andy had to clasp together her hands to keep them from trembling when Cleet stopped to look at the photos. “Meg Ryan,” Cleet said. “I dig it. Blow up the bitch, right?” Andy felt a cold slice of air cut open her lips. “My girlfriend loves that stupid movie. The one with the angels?” Cleet showed her the sticker on his backpack. “They wrote that shitty song for the soundtrack, man. That’s why I keep this here, to remind me never to sell out my art like those faggots.” Andy didn’t move. She couldn’t speak. Girlfriend. Stupid. Shitty. Man. Faggots.
Karin Slaughter (Pieces of Her)
Secondhand books had so much life in them. They’d lived, sometimes in many homes, or maybe just one. They’d been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had childlike scrawls on the acknowledgment page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loath were they to damage their treasure. I loved them all.
Rebecca Raisin (The Little Bookshop on the Seine)
Living is a like waiting for a bus, with no posted schedule, that comes once every day. You're not waiting for #168, you're waiting for happiness. Sometimes you catch the bus, but it never takes you as far as you want to go, as far as you need to go. What good is a five minute ride when you have eight hours ahead? If anything, the ride pisses you off; you're zooming at seventy miles an hour, comfortable, air-conditioned and laid-back, when suddenly you get kicked out, into the blazing sun, to carry your heavy backpack the rest of the way. The bus can drop you off at indifference, insignificance, loneliness, anxiety, anger, or depression. Some three-hundred pound thug kicks you off and lets another wanderer on. You walk for hours with an aching back, sweating like a pig, hopeless and helpless, and all the while you're thinking, god damn, this would have taken 20 minutes on the bus. You whine and moan hoping someone will lend a helping hand, hoping someone will reach out to you and save you, but everyone only has trite, meaningless expressions to give. Let me clear up a common misconception: you will never help anybody by telling them to "feel better." "Feel better" isn't an air-conditioned ride. What happens when you arrive, eight hours later, at the end of the road? I don't know either. I doubt you ever get there.
Byron Bernstein
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
One entire wall was taken up by Hello Kitty merchandising. HK was interspersed throughout the whole room, but one entire wall had only Hello Kitty-branded objects. Backpacks, dresses, hats, ears, lunchboxes, decorative flowers, dog leashes, cat leashes, surface-to-air missiles, elder signs, sex toys, poker visors, hash pipes, soccer balls, blue balls, chainsaws, black books of diabolical import – you name it, it was branded with Hello Kitty or one of the associated characters. I saw what must have been a homemade green sculpture of Cthulhu that someone had replaced the Old One’s ugly mug with the mouthless cuteness of Hello Kitty. He and I stared at each other for one long and foreboding moment. The stars were indeed right.
Dennis Liggio (Damned Lies Strike Back (Damned Lies #2))
Excuse me,” I call to his retreating back. I sound like I swallowed Kermit, so I clear my throat. “Excuse me,” I call again. I run to catch up with him and tug on his backpack. He looks back over his shoulder, but then he keeps right on walking. “Wait!” I say, trying to keep up. “Damn it, would you stop?” He stops very quickly and I slam into his back. He rocks forward and I grab onto his pack to stay upright, feeling like I have two left feet. I am usually more graceful than this. My mother would kill me if she saw me right now, making a public spectacle of myself in the quad. He turns, grabs me by the shoulders and steadies me, then he bends down to look into my eyes. His are bright blue and full of questions. “Are you all right?” he asks, his voice gruff. I’ve never heard him do more than grunt in class, so hearing him make a full sentence, albeit a short one, is startling. “I’m fine,” I gasp, a little winded from chasing him. “You’re really fast.” He grins. “Sweetheart, you haven’t seen fast.” My heart skips a beat. I am in such big trouble. I don’t know why I thought I could approach a man like this, but I did, and now I don’t know how to ask for what I want. “Cat got your tongue?” he asks. A grin tips one corner of his lips. He’s pretty enough to take my breath away. His blond hair flops across his forehead and he shakes his head to swing it back from his eyes. I open my mouth to speak, but only a squeak comes out. He looks around the quad, looking behind me like he’s trying to figure out where the hell I came from. When he sees that no one is chasing me, he takes my shoulders in his hands and gives me a gentle squeeze, bending so he can stare into my eyes. “Hey,” he says softly, like I’m a stray dog he’s trying to trap. “Are you okay?” I thrust out my hand. “Madison Wentworth,” I say. “I just wanted to introduce myself.” His eyes narrow and he stares at me, but he doesn’t stick his hand out to shake mine. I let mine hang there in the air between us until it becomes so heavy with disappointment that I have to tuck it into the pocket of my jeans. “Guess not.” I sigh. “I’m very sorry for taking up your time.” “Which one of those fuckers put you up to this?” he asks. He grinds his teeth as he waits for my response. “What?” “Those frat boys you hang out with, the ones with more money than sense. Which one put you up to this?” He glares at me. “No one put me up to this,” I say. “Listen, sweetheart,” he says, his face very close to mine. I can smell the cigarette he just smoked and the coffee he must have had before it. “You don’t want to mess with a man like me.” “Okay,” I whisper. I clear my throat. “Fine. Have a nice day.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Janner propped himself on one elbow and rubbed his eyes. In the faint light he could see Tink asleep with his head on Podo’s leg and Leeli curled up beside Nia with her backpack cuddled to her chest the way she used to hold Nugget. Janner crept from the tent. The clearing was soft with dewy mist. Chunks of rubble rose out of the fog like gravestones, but the effect wasn’t unpleasant. He had been awake for many sunrises before, but never so close to the cliffs that he could watch the fiery ball lift itself from the sea. He walked through wet grass and sat with his feet dangling over the cliff. The Dark Sea of Darkness wasn’t dark at all at this hour. Feathery clouds at the edge of the world glowed orange and savage yellow. Birds wheeled in the bright air far below. Janner thought of his life only weeks ago, in the dregs of summer, when hay needed baling, the hogpig needed feeding, the garden needed weeding, and life was boring. So much had happened to the Janner he used to be. His life had been in danger countless times. More tears had been shed in these last weeks than in his whole life before.
Andrew Peterson (North! or Be Eaten)