Unusual Christmas Quotes

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The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Each city has its own romantic season. Once a year, a city's architectural, cultural and horticultural variables come into alignment with the solar course in such a way that men and women passing eachother in the thoroughfares few and unusual sense of romantic promise. Like Christmas time in Vienna, April in Paris and autumn in New York.
Amor Towles (Rules of Civility)
Twenty-five or thirty words are supposed to be enough in a news bullet to explain either a war or an unusual set of Christmas lights.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
Happiness and goodness, according to canting moralists, stand in the relation of effect and cause. There was never anything less proved or less probable: our happiness is never in our own hands; we inherit our constitution; we stand buffet among friends and enemies; we may be so built as to feel a sneer or an aspersion with unusual keenness and so circumstanced as to be unusually exposed to them; we may have nerves very sensitive to pain, and be afflicted with a disease very painful. Virtue will not help us, and it is not meant to help us.
Robert Louis Stevenson (A Christmas Sermon)
We are entrusted, you must know, with the revision of the English Dictionary. On the evidence of the Liverpool find of Christmas cards, in which occurred such couplets as: Just to hope the day keeps fine For you and your this Christmas time, and: I hope this stocking's in your line When stars shine bright at Christmas-time I hold that "Christmas-time" was often pronounced "Christmas-tine", and that this is a dialect variant of the older "Christmas-tide". Quant denies this, with a warmth that is unusual in him.' 'Quant is right.
Robert Graves (Seven Days in New Crete)
In Boston one day, she had an unusual experience. While Papa and Auntie Hoyt waited out of sight somewhere, she had to go by herself into a large room in a department store and listen to someone dressed like Santa Claus read a Christmas story and "Twas the Night Before Christmas. This seemed odd to her for at Thanksgiving time, she was not ready for Santa Claus. In Cranbury they got through the turkeys and the pumpkins and the Pilgrims before they brought out the Santa Clauses. She was quite relieved when the whole occasion was over.
Eleanor Estes (Ginger Pye (The Pyes, #1))
Hamish’s family were unusual in that they had always celebrated Christmas—tree, turkey, presents and all. In parts of the Highlands, like Lochdubh, the old spirit of John Knox still wandered, blasting anyone with hellfire should they dare to celebrate this heathen festival. Hamish had often pointed out that none other than Luther was credited with the idea of the Christmas tree, having been struck by the sight of stars shining through the branches of an evergreen. But to no avail. Lochdubh lay silent and dark beside the black waters of the loch.
M.C. Beaton (A Highland Christmas (Hamish Macbeth, #15.5))
He is the same chap who informed me that there are unusually high numbers of Mennonites who suffer from depression but nobody knows why. I said, Well, thank you for that! As cheerfully as if I was accepting a plate of homemade Christmas cookies from one of my students.
Miriam Toews (Swing Low)
Anyway, thanks to Bob, that Christmas, my mother bought my grandmother and myself both vibrators. Now, as unusual as a gift like this sounds, you have to admit that they are the ideal stocking stuffers. I mean, you can fit the vibrator into the long top part of the stocking and still be able to get another cute little gift in the toe. Well, I have to admit, I enjoyed mine but my grandmother refused to use hers. She was concerned that it would short-circuit her pacemaker. She said she'd gone this long without an orgasm, she might as well go the whole way. And that pacemaker, by the way, was later recalled.
Carrie Fisher (Wishful Drinking)
Twenty-five or thirty words are supposed to be enough in a news bullet to explain either a war or an unusual set of Christmas lights. Bullets are cheap and full of big dramatic pictures. Some bullets are true virtuals that allow people to experience—safely—hurricanes, epidemics, fires, and mass murder. Hell of a kick.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human. And there he stood, with his heart in his fist.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
My father, Philip Van Doren Stern, was shaving on Saturday morning, February 12, 1938, while he explored the idea for the story The Greatest Gift—which became the basis for the movie, It’s a Wonderful Life. The idea had come from a dream he had during the night. As he wrote in his notes: “The idea came to me complete from start to finish—a most unusual occurrence, as any writer will tell you, for ordinarily a story has to be struggled with, changed around and mixed up.” In contrast to his other writings, mainly on history, he said that the idea for The Greatest Gift had emerged full blown, and he had never considered changing it. What he had to do, he said, was to learn to write it.
Philip van Doren Stern (The Greatest Gift: A Christmas Tale)
When a Southerner took the trouble to pack a trunk and travel twenty miles for a visit, the visit was seldom of shorter duration than a month, usually much longer. Southerners were as enthusiastic visitors as they were hosts, and there was nothing unusual in relatives coming to spend the Christmas holidays and remaining until July. Often when newly married couples went on the usual round of honeymoon visits, they lingered in some pleasant home until the birth of their second child. Frequently elderly aunts and uncles came to Sunday dinner and remained until they were buried years later. Visitors presented no problem, for houses were large, servants numerous and the feeding of several extra mouths a minor matter in that land of plenty. All ages and sexes went visiting, honeymooners, young mothers showing of new babies, convalescents, the bereaved, girls whose parents were anxious to remove them from the dangers of unwise matches, girls who had reached the danger age without becoming engaged and who, it was hoped, would make suitable matches under the guidance of relatives in other places. Visitors added excitement and variety to the slow-moving Southern life and they were always welcome.
Margaret Mitchell (Gone with the Wind)
Janie ran to my side, where she tugged at the book eagerly as though she'd seen it before. "Flower book," she said, pointing to the cover. "Where did you find Mummy's book?" Katherine asked, hovering near me. Cautiously, I revealed the book as I sat on the sofa. "Would you like to look at it with me?" I said, avoiding the question. Katherine nodded and the boys gathered round as I cracked the spine and thumbed through page after page of beautiful camellias, pressed and glued onto each page, with handwritten notes next to each. On the page that featured the 'Camellia reticulata,' a large, salmon-colored flower, she had written: 'Edward had this one brought in from China. It's fragile. I've given it the garden's best shade.' On the next page, near the 'Camellia sasanqua,' she wrote: 'A christmas gift from Edward and the children. This one will need extra love. It hardly survived the passage from Japan. I will spend the spring nursing it back to health.' On each page, there were meticulous notes about the care and feeding of the camellias- when she planted them, how often they were watered, fertilized, and pruned. In the right-hand corner of some pages, I noticed an unusual series of numbers. "What does that mean?" I asked the children. Nicholas shrugged. "This one was Mummy's favorite," he said, flipping to the last page in the book. I marveled at the pink-tipped white blossoms as my heart began to beat faster. The Middlebury Pink.
Sarah Jio (The Last Camellia)
The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...
Linda H. Davis (Chas Addams: A Cartoonist's Life)
The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.
Cari Beauchamp (Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood)
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
LEPRECHAUN GOLD; FLOOR PLANS FOR GINGERBREAD HOUSES; TALKING FISH; GHOSTS OF CHRISTMAS PAST, PRESENT, AND FUTURE; TIK-TOK MEN;
Michael Buckley (The Unusual Suspects (The Sisters Grimm #2))
The Flying Dutchman sailed from Java to the Netherlands in three months,” Zulfikar marvelled. “It’s not unusual,” my grandfather observed. “Any merchant ship could do that.” “In the 1600s, it was unusual, cousin,” Zulfikar pointed out. “The Europeans were spooked by it. They said he cut a deal with the devil to sail so fast.” “Was it the devil?” Karno asked. “Of course not,” Zulfikar said. “He had help from a constant companion.
Salina Christmas (A Request For Betrayal: The Constant Companion Tales)
They started wondering and questioning what God was really up to. I think they must have had dark moments when the physical reality of their unusual circumstance pressed up against God’s promise, presenting them with doubts to match the derision they would have endured for months.
Ross Parsley (Do You See What I See?: Exploring the Christmas of Every Day)
26 In which we say goodbye to Ophelia Jane Worthington-Whittard After the hospital, where Mr. Whittard had his arm bandaged, they went in a taxi to the hotel. They drove through the streets of the city, where it no longer snowed. Alice folded all the clothes the museum curator had given her and left them neatly on her bed. She re-dressed herself, the way she had always dressed, in jeans and a T-shirt. She applied blood-red lipstick, which was way too grown-up for her. The sun was just up. It shone everywhere on the snow and on the glistening white trees and on all the windows. Behind each window there were people waking up to Christmas Day. They would no doubt open their presents, eat, and ice-skate. They would not set a time limit; they would skate into the night, and their cheeks would burn bright, and they would smile. Somewhere a man would take a violin out and begin to play. At the airport the family’s three suitcases were checked and the large, unusually shaped package was checked as well. The unusually shaped package went through the X-ray machine, and security looked very surprised until Ophelia’s father produced his card, which read: MALCOLM WHITTARD LEADING INTERNATIONAL EXPERT ON SWORDS They took their seats and rested, waiting for takeoff. Ophelia felt for Alice’s hand, and Alice squeezed in return until they were high in the air. Ophelia looked at her watch. They would be home within a few hours. She went to calculate … and stopped. Be brave, her mother whispered in her ear, and then was gone. From the airplane window Ophelia could see the city below. All the small and winding gray cobblestone streets, all the shining silver buildings and bridges, the museum, getting smaller and smaller until it was lost. She caught just a glimpse of the vast and fabled sea before the clouds covered this world. In that tiny moment she fancied she saw blue water, perfect blue water, the whitecaps breaking. Then that view was gone, swallowed up by the whitest clouds she’d ever seen. Ophelia Jane Worthington-Whittard, brave, curious girl, closed her eyes and smiled. THE END.
Karen Foxlee (Ophelia and the Marvelous Boy)
Eve was beside herself. Whatever this is, Deene had best appreciate—why are you staring at me like that?” He closed the door and stepped closer. The room was unusual, built with a small balcony overlooking a conservatory that might have been added as an afterthought, hence its relative warmth and humidity, and the lush scent of foliage blending with all the other fragrances wafting through the house. “Looking at you like what?” “Like… you just lost your best friend? Won’t it be wonderful to go home to Flint Hall, Elijah?” Elijah was better than my lord, and because she seemed to need it, he lied for her. “Wonderful, indeed. Have you told your parents yet that you’re going to Paris?” He had the sense she was waiting for him to leave Morelands first, unwilling to have his support even tacitly. “Not… not yet.” She set the perfect little gift down. “Louisa says I must, and she grasps tactics with an intuition I can only admire. I wish…” Her gaze went to the elegant little parcel. “I wish…” While Elijah watched, Jenny lost some of that distant, preoccupied quality that had characterized her since they’d finished their paintings. She gazed on that parcel as if it held secrets and treats and even a happy ending or two. Once they completed the twenty-minute walk back to Morelands, they’d have no more private moments ever. He’d leave for London at first light; she’d sail for Paris, probably before the New Year. “What do you wish, Genevieve?” Because whatever it was, he’d give it to her. His heart, his soul, his hands, passage to Paris—passage home from Paris. How he wished she’d ask him for that, but passage home was something she could only give herself. “Will you make love with me, Elijah? You’re leaving tomorrow, I know that, and I shouldn’t ask it. I shouldn’t want it, but I do. I want you, so much. Please?
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
That wild-man look,” Jack told Erin. “Not unusual around here. Lotta farmers, loggers and ranchers don’t shave in winter. And they don’t usually wear Sunday best to chop wood or feed sheep. Ian Buchanan fits right in, and seems like a civil man. I wouldn’t worry.” Marcie
Robyn Carr (A Virgin River Christmas (Virgin River #4))
As many days old as is the moon on the first snow, there will be that many snowfalls by crop planting time. If ant hills are high in July, winter will be snowy. If the first week in August is unusually warm, the coming winter will be snowy and long. For every fog in August, there will be a snowfall the following winter. Squirrels gathering nuts in a flurry will cause snow to gather in a hurry. As high as the weeds grow, so will the bank of snow. A green Christmas = a white Easter. If the first snowfall lands on unfrozen ground, winter will be mild. If there is thunder in winter, it will snow seven days later.
Peter Geiger (2015 Farmers' Almanac)
It is the most unusual friendship: One is pint-sized. Just nine years old and full of life. But she’s not full of life lived. She’s full of dreams and a life yet to live. The other has already lived a beautiful life. At the age of eighty-one, she wonders just where the finish line is and at what speed she’ll cross it.
Jason F. Wright (The 13th Day of Christmas)
Normalcy?” I ask, louder than is probably necessary, surprising myself with the unusual amount of animated expression in my voice. “A regular human being? Jesus, what the fuck is there in that? What does that even mean? Credit card debt, a mortgage, a nagging spouse and bratty kids and a minivan and a fucking family pet? A nine-to-five job that you hate, and that’ll kill you before you ever see your fabled 401k? Cocktail parties and parent-teacher conferences and suburban cul-de-sacs? Monogamous sex, and the obligatory midlife crisis? Potpourri? Wall fixtures? Christmas cards? A welcome mat and a mailbox with your name stenciled on it in fancy lettering? Shitty diapers and foreign nannies and Goodnight Moon? Cramming your face with potato chips while watching primetime television? Antidepressants and crash diets, Coach purses and Italian sunglasses? Boxed wine and light beer and mentholated cigarettes? Pediatrician visits and orthodontist bills and college funds? Book clubs, PTA meetings, labor unions, special interest groups, yoga class, the fucking neighborhood watch? Dinner table gossip and conspiracy theories? How about old age, menopause, saggy tits, and rocking chairs on the porch? Or better yet, leukemia, dementia, emphysema, adult Depends, feeding tubes, oxygen tanks, false teeth, cirrhosis, kidney failure, heart disease, osteoporosis, and dying days spent having your ass wiped by STNAs in a stuffy nursing home reeking of death and disinfectant? Is that the kind of normalcy you lust for so much? All of that—is that worth the title of regular human being? Is it, Helen? Is it?
Chandler Morrison (Dead Inside)
Kevin chuckled and walked over to his bike. He put up the kickstand and grabbed the handles. It was time to head home. “Nya.” Blink. “Nya?” “Nya.” Blink. Blink. Kevin looked at the wall near the distribution building—and nearly squealed upon spotting the small, cute, adorably furry animal sitting on its haunches. A black cat with big yellow eyes stared at him. Its tail swayed behind it, moving left, then right. It opened its mouth, releasing another one of those utterly endearing, if unusual, “nya” sounds. This cat reminds me of the one that I took home with me when I was in elementary school. It even nyas. How cool is that? “Kitty!” Like a child who’d just seen a new toy on Christmas Day, Kevin dropped his bike and went over to the cat, whose large incandescent orbs had yet to leave his face. He reached the feline in record time, and his hand was quick to descend upon its head. The cat didn’t seem to mind. Indeed, it reveled in the attention, purring as he gently scratched behind its left ear, which twitched with minute movements.
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
We should not judge by appearances,” thought Stella. “Time shows us who we can trust. Then, folks show us their true natures. There’s nothing worse than false friends who lead us by the hand into all kinds of dangers. They have two sides—one light, one dark. Nothing’s unusual about that. But false friends take us from our true paths. I’d rather have honest enemies or rivals. They challenge us and shape us. They help us more than they know. They give us courage—something to go against.
Suzy Davies (The Girl in The Red Cape)
Unusual is good. It opens up our minds. It’s like life, full of unexpected discoveries.
Deborah Garner (Mistletoe at Moonglow (Moonglow Christmas, #1))
Back in the car, Bridget noticed that Jake seemed unusually quiet. He’d hardly said a word during the interview with Julia Carstairs, and it was perhaps unsurprising, given the way that she’d embarrassed him. ‘What is it with these older women?’ he said at last. ‘I wish they’d act their age. I can’t understand why they’re all so desperate.’ ‘I think you’ll find that they’re lonely,’ she said. ‘It must be hard to reach a point where the best of your life seems to be behind you, and you find yourself alone, especially at Christmas.
M.S. Morris (A Darkly Shining Star (Bridget Hart, #5))