Unsaid Words Quotes

We are masters of the unsaid words, but slaves of those we let slip out.

Words can break someone into a million pieces, but they can also put them back together. I hope you use yours for good, because the only words you'll regret more than the ones left unsaid are the ones you use to intentionally hurt someone.

‎True love isn't expressed in passionately whispered words an intimate kiss or a embrace; before two people are married, love is expressed in self-control, patience, even words left unsaid.

The bitterest tears shed over graves are for words left unsaid and deeds left undone.

When Great Trees Fall When great trees fall, rocks on distant hills shudder, lions hunker down in tall grasses, and even elephants lumber after safety. When great trees fall in forests, small things recoil into silence, their senses eroded beyond fear. When great souls die, the air around us becomes light, rare, sterile. We breathe, briefly. Our eyes, briefly, see with a hurtful clarity. Our memory, suddenly sharpened, examines, gnaws on kind words unsaid, promised walks never taken. Great souls die and our reality, bound to them, takes leave of us. Our souls, dependent upon their nurture, now shrink, wizened. Our minds, formed and informed by their radiance, fall away. We are not so much maddened as reduced to the unutterable ignorance of dark, cold caves. And when great souls die, after a period peace blooms, slowly and always irregularly. Spaces fill with a kind of soothing electric vibration. Our senses, restored, never to be the same, whisper to us. They existed. They existed. We can be. Be and be better. For they existed.

I answer her with my silence, understanding the full power of it for the first time. Words are weapons. Weapons are powerful. So are unsaid words. So are unused weapons.

He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears.

Words have weight, something once said cannot be unsaid. Meaning is like a stone dropped into a pool; the ripples will spread and you cannot know what back they wash against.

I'll say I love you, Which will lead, of course, to disappointment, but those words unsaid poison every next moment. I will try to disappoint you better than anyone else has.

It’s less the words they say than those they leave unsaid that split old friends apart.

And if I want to leave here without regrets, I need to know there are no more unsaid words left to haunt me. --Josh

There is no time to leave important words unsaid.

Why do you keep coming?" she asked. "Because," he said. Click on this word, he thought, and you will find links to everything it means. Because you are my oldest friend. Because, once, when I was at my lowest, you saved me. Because I might have died without you or ended up in a children's psychiatric hospital. Because I owe you. Because, selfishly, I see a future where we make fantastic games together, if you can manage to get out of bed. "Because," he repeated.

Here are the things I want for you - I want you to be happy. I want someone else to know the warmth of your smile, to feel the way I did when I was in your presence. I want you to know how happy you once made me and though you really did hurt me, in the end, I was better for it. I don't know if what we had was love, but if it wasn't, I hope to never fall in love. Because of you, I know I am too fragile to bear it. I want you to remember my lips beneath your fingers and how you told me things you never told another soul. I want you to know that I have kept sacred, everything you had entrusted in me and I always will. Finally, I want you to know how sorry I am for pushing you away when I had only meant to bring you closer. And if I ever felt like home to you, it was because you were safe with me. - I want you to know that most of all.

Altruism is for those who can't endure their desires. There's a world as ambiguous as a moan, a pleasure moan our earnest neighbors might think a crime. It's where we could live. I'll say I love you, Which will lead, of course, to disappointment, but those words unsaid poison every next moment. I will try to disappoint you better than anyone else has. --Mon Semblable

I'm talking about the ones who, for whatever reason, are as much a part of you as your own soul. Their place in your heart is tender; a bruise of longing, a pulse of unfinished business. Just hearing their names pushes and pulls at you in a hundred ways, and when you try to define those hundred ways, describe them even to yourself, words are useless. If you had a lifetime to talk, there would still be things left unsaid.

I found it strange that no word exists for a parent who loses a child. If children lose their parents, they are orphans. If a husband loses his wife, he’s a widower. But there’s no word for a parent who loses a child. I’ve come to believe that the event is just too big, too monstrous, too overwhelming for words. No word could ever describe the feeling, so we leave it unsaid.

What the dead had no speech for, when living, They can tell you, being dead: the communication Of the dead is tongued with fire beyond the language of the living.

It seems an age ago, since you have left me, time has filled me, with words unsaid; as the sadness seeps into me slowly, and I am left to face the night ahead.

why talk and say the unsaid words in haste when silence can speak the unspoken words?

He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs...

She was like the dust that clung to his shirt. She was in the silences that had become so frequent at the house, silences that welled up between their words, sometimes cold and hollow, sometimes pregnant with things that went unsaid, like a cloud filled with rain that never fell.

She knew very well that people fell out, even stormily, and then made up. But she did not know how to start - she simply did not have the trick of it, the row that cleared the air, and could never quite believe that hard words could be unsaid or forgotten.

These things he said in words. But much in his heart remained unsaid. For he himself could not speak his deeper secret.

She decided not to risk it. Words could always be said, but could rarely be unsaid.

The idea that if a thing went unsaid, it didn’t really exist, because words had power, words gave weight and shape and force, and the withholding of them could keep a thing from being real,

Words empty as the wind are best left unsaid.

She wished such words unsaid with all her heart

There it is; the light across the water. Your story. Mine. His. It has to be seen to be believed. And it has to be heard. In the endless babble of narrative, in spite of the daily noise, the story waits to be heard. Some people say that the best stories have no words. They weren't brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language.

I really did love you." Leaving out the unsaid word, once. "Me, too." Once.

Words, Kaden. Only lost unsaid words that added up to good-bye.

They should listen to the unsaid words that resonate around the edge of the poem.

Even though love covers all things, fear is what keeps us silent and keeps words unsaid. Fear keeps us standing in one place. Eventually, when it wins, it means we never got the courage to say what we needed to say.

who did I think we were. who did I think I could make you. this is the oldest mistake, to confuse wanting with magic. silence is the undoing of every spell, and we are experts in the unsaid. even now, I forget to put us in past tense. as if the air in this city were the same. as if love is anything like its speaking.

There is a moment that comes into every life when the right word, the right look even, could change the shape of the world forever. The wrong one could as well, though the resulting shape would be different. No word at all, however, and the moment slips by, and things remain unsaid that perhaps should have been said, perhaps shouldn't, and no one can ever know for sure.

In the end, it doesn’t matter what words are said or unsaid. . . .Life’s mistakes are made whether you can see them or not. What counts is how we learn to live with them.

…And you’re acting like I should be able to read something in your silence. The problem is that speech needs periods of silence to be intelligible, to separate the words and keep it from being a steady drone of noise. To frame it. The opposite is true. To find the meaning in what’s left unsaid, we need words to punctuate it.

There's nothing you can do, Sirus. No one can do this for me, and no one can swoop in and rescue me every time I'm challenged. I have to do this on my own.

I’m barely human. I’m more like a creature; to me, everything gives off a scent! Thoughts, moments, feelings, movements, words left unsaid, words barely spoken; they all have a distinct sense, distinct fragrances! Both a smell and a touch! To inhale is to capture, to experience! I can perceive and I can “touch” in so many odd ways! And so I am made up of all these scents, all these feelings! An illumination of nerve endings!

She was quiet for a moment or two. Then she said: 'Cruel words are a terrible thing, Quash. Sometimes you regret them. But what's been said cannot be unsaid.

True love isn’t just expressed in passionately whispered words or an intimate kiss or an embrace; before two people are married, love is expressed in self-control, patience, even words left unsaid.

Zhi yin. Jem had told her once that it meant understanding music, and also a bond that went deeper than friendship. Jem played, and he played the years of Will's life as he had seen them. He played two little boys in the training room, one showing the other how to throw knives, and he played the ritual of parabatai: the fire and the vows and burning runes. He played two young men running through the streets of London in the dark, stopping to lean up against a wall and laugh together. He played the day in the library when he and Will had jested with Tessa about ducks, and he played the train to Yorkshire on which Jem had said that parabatai were meant to love each other as they loved their own souls. He played that love, and he played their love for Tessa, and hers for them, and he played Will saying, In your eyes I have always found grace. He played the too few times he had seen them since he had joined the Brotherhood- the brief meetings at the Institute; the time when Will had been bitten by a Shax demon and nearly died, and Jem had come from the Silent City and sat with him all night, risking discovery and punishment. And he played the birth of their first son, and the protection ceremony that had been carried out on the child in the Silent City. Will would have no other Silent Brother but Jem perform it. And Jem played the way he had covered his scarred face with his hands and turned away when he'd found out the child's name was James. He played of love and loss and years of silence, words unsaid and vows unspoken, and all the spaces between his heart and theirs; and when he was done, and he'd set the violin back in its box, Will's eyes were closed, but Tessa's were full of tears. Jem set down his bow, and came toward the bed, drawing back his hood, so she could see his closed eyes and his scarred face. And he had sat down beside them on the bed, and taken Will's hand, the one that Tessa was not holding, and both Will and Tessa heard Jem's voice in their minds. I take your hand, brother, so that you may go in peace. Will had opened the blue eyes that had never lost their color over all the passing years, and looked at Jem and then Tessa, and smiled, and died, with Tessa's head on his shoulder and his hand in Jem's.

I think about how there are certain people who come into your life, and leave a mark. I don’t mean the usual faint impression: he was cute, she was nice, they made me laugh, I wish I’d known her better, I remember the time she threw up in class. And I don’t just mean that they change you. A lot of people can change you – the first kid who called you a name, the first teacher who said you were smart., the first person who crowned you best friend. It’s the change you remember, the firsts and what they meant, not really the people. Ethan changed me, for instance, but the longer we are apart the more he sort of recedes into the distance as a real person and in his place is a cardboard cutout that says first boyfriend. I’m talking about the ones who, for whatever reason are a part of you as your own soul. Their place in your heart is tender; a bruise of longing, a pulse of unfinished business. My mom was right about that. Just hearing their names pushes and pulls at you in a hundred ways, and when you try to define those hundred ways, describe them even to yourself, words are useless. If you had a lifetime to talk, there would still be things left unsaid.

Catherine Land liked the beginnings of things. The pure white possibility of the empty room, the first kiss, the first swipe at larceny. And endings, she liked endings, too. The drama of the smashing glass, the dead bird, the tearful goodbye, the last awful word which could never be unsaid or unremembered. It was the middles that gave her pause. This, for all its forward momentum, this was a middle. The beginnings were sweet, the endings usually bitter, but the middles were only the tightrope you walked between the one and the other. No more than that.

Everything unsaid can be guessed Truth may not always be confessed

Beneath her curls, I forget the world, With a mere gaze she raises my hopes of gold. Love is as much in her heart as in mine, But she doesn’t say it, her punishment so divine.

He took a step toward me and whispered in my ear "I really did love you." Leaving out the unsaid word; Once. "Me too." Once.

It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language.

It was always the same question, over and over again. Like the start of a procession. And it took me years to recognise the unsaid words that marched silently behind. Are you okay; because I love you. Are you okay; because I need you. Are you okay; because I don’t know how to live without you.

Things, once gone, can't be put back; he knew that now. A punch, once delivered, can't be withdrawn. Words, once spoken, can't be unsaid. We may go on as if nothing has been lost, nothing done, nothing said; we may claim to forget it all; but our innermost core doesn't forget, because we have been changed forever.

We were halfway through our first joint when we heard Tom's footsteps coming down the stairs. 'Shhhh... Shhhh!' The footsteps approached my door. Silence. And then a piece of A4 paper appeared under my door. Neither of us said a word as I crept over and picked it up. It was a drawing of two stick men, each with a massive joint in their hand. And written underneath were the words 'Rule Breakers'.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me in unsaid word...

All my unsaid words went back to wherever they had been all these years.

There are some people that should stay quiet, because they understand. As there are those that should stay quiet, because they don't understand. Some things are better left unsaid or voiced.

When there is so much left unsaid, your mind is free to fill in the words that were never exchanged in a hundred thousand different ways...

The word lingered in the air once I had uttered it, dancing before me, and because he received it silently, making no comment, the word magnified itself into something heinous and appalling, a forbidden word, unnatural to the tongue. And I could not call it back, it could never be unsaid.

As suddenly as they had reached for each other, they broke apart. Tears were rolling down Robin's face. For one moment of madness, Strike yearned to say, “Come with me”, but there are words that can never be unsaid or forgotten, and those, he knew, were some of them.

She started to tell him so, but the words vanished unsaid when he abruptly thrust his hands under her skirt, all the way to her waist. Mary gave a startled shriek and jerked back, almost oversetting the chair. He glared at her, his eyes like black ice. "You don't have to worry," he snapped. "This is Saturday. I only rape on Tuesdays and Thursdays.

Positive words left unsaid are like sachets of currency notes burnt in vain. Positive deeds left undone are like deep wells filled with soil to the brim. Do the undone, say the unsaid and turn the unturned.

Her own awareness had risen like the dawn on her back.Like a leaden sunrise veiled in a swirl of storm clouds. It was no longer enough to have answers for Shiva's sake. Indeed, it had ceased to be about mere vengeance the moment Khalid's lips touched hers in the alley by the souk. She had wanted there to be a reason for this madness, needed there to be a reason, so that she could be with him. So that she could be by his side, make him smile as she laughed, weave tales by lamplight, and share secrets in the dark.So that she could fall asleep in his arms and awaken to a brilliant tomorrow. But it was too late. He was the Mehrdad of her nightmares. She had opened the door. She had seen the bodies hanging from the walls, without explanation. Without justification. And without one, Shahrzad knew what must be done. Khalid had to answer for such vile deeds. Such rampant death. Even if he was her air. Even if she loved him beyond words.

Just don't leave anything unsaid to the people who matter. It only takes a few words to change your world.

Words as empty as the wind are best left unsaid

Your eyes speak the unsaid words. And my heart understands them.

dictionary with unsaid words

you really not know the reason why I came? I came back for you. I’ll always come back for you.” He pressed his forehead to hers. His nearness tickled her senses, and she couldn’t help but hold him even tighter. Jared gently tipped Mina’s chin up, and he leaned down to press his lips to hers in a soft kiss that quickly turned into desire. So many pent-up emotions and unsaid words spilled out between them in a kiss to top all kisses. Never before had she lost all sense of time and place as her lips sought after those of her protector, her friend and her Fae prince. All thoughts of Brody disappeared as her world encompassed Jared and Jared only. He pulled away, and he was visibly shaking from the intensity of their kiss. “Mina, I want you to know that I’ve felt alone for a very long time. I was incomplete, and nothing could fill that void. Until I met you. I’ve known for a long time, but I wasn’t sure how you felt about me. At times I thought you hated me, but I wanted to tell you that I, uh, Mina, I lo—aaaarrgh!

Christianity does not want us to reduce by one atom the hatred we feel for cruelty and treachery. We ought to hate them. Not one word of what we have said about them needs to be unsaid. But it does want us to hate them in the same way in which we hate things in ourselves: being sorry that the man should have done such things, and hoping, if it is anyway possible, that somehow, sometime, somewhere he can be cured and made human again.

The song is gone; the dance is secret with the dancers in the earth, the ritual useless, and the tribal story lost in an alien tale. Only the grass stands up to mark the dancing-ring; the apple-gums posture and mime a past corroboree, murmur a broken chant. The hunter is gone; the spear is splintered underground; the painted bodies a dream the world breathed sleeping and forgot. The nomad feet are still. Only the rider's heart halts at a sightless shadow, an unsaid word that fastens in the blood of the ancient curse, the fear as old as Cain.

Words are powerful and funny things, said or unsaid.

When words are left unsaid for too long their meaning can expire.

Avoidance sounds like such a harmless word, but that one word can cause some severe damage to a relationship. We avoided so much in our marriage, simply out of fear. We avoided communicating. We avoided talking about the challenges we faced. We avoided all the things that made us the saddest. And after time, I began to avoid the other half of my life altogether. I avoided him physically, which led to emotional avoidance, which led to a lot of feelings that were left unsaid.

I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. Some things are better left unsaid. I’d like to think they were singing about something so beautiful, it can’t expressed in words, and it makes your heart ache because of it.

At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in the garden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love.

When people speak, listen carefully and pay particular attention to what they are not saying.

I'm going to be a person who writes stories. I never told mom and dad how much I loved them. I wanna be someone who can tell a lot of people how much I love them.

The tides rolled up to crash against the shore while we sat feet from one another with the remnants of all we’d left unsaid driving us apart.

Say nothing I understand your silence.

When there is so much left unsaid, your mind is free to fill in the words that were never exchanged in a hundred thousand different ways, and believe me, I have.

You and I will always be unfinished business. There are too many words unsaid, too many thoughts unfelt and too many feelings unexpressed.

It was better to leave the space empty of words than to choose the wrong ones.

By swallowing evil word unsaid noone has ever yet harmed his stomach.

The unsaid words pushed roughly against the thoughts that we had no craft to verbalize, and crowded the room to uneasiness.

Better to regret unsaid words than repent of words I could never call back. Who

She will not tell you all her thoughts, feelings, and emotions. You have to understand her unsaid words.

Some days and nights you just need to listen to her silences. And understand her unsaid words. And just be there for her.

I left his room because, and only because, we had said all we could say. The unsaid words pushed roughly against the thoughts that we had no craft to verbalize, and crowded the room to uneasiness.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me in unsaid words...

My face becomes a strip of skin before your face in moonlight my words of praise for you are left unsaid but like a sigh they tickle open a sliding paper door and creep into your hair smelling like camellia fields and transplant seedlings of my sorrow

Listen- all that she was then, all that she is now, those gestures, everything I remember but won't or can't articulate anymore, the perfect words that are somehow made imperfect when used to describe her and all that should remain unsaid about her- it is all unsupported by reason. I know that. But that enigmatic calm that attaches itself to people in the presence of reason- it's something from which I haven't been able to take comfort, not reliably, not since her.

Morning sunlight gave everything a golden, beautiful glow. “We were supposed to have time,” she whispered, feeling tears start. How often had she imagined a new beginning for her and Papa, for all of them? They would come together after the war, Isabelle and Vianne and Papa, learn to laugh and talk and be a family again. Now it would never happen; she would never get to know her father, never feel the warmth of his hand in hers, never fall asleep on the divan beside him, never be able to say all that needed to be said between them. Those words were lost, turned into ghosts that would drift away, unsaid. They would never be the family maman had promised.

It came to me on a winter day. Life so full and rich will fade. Though I wish it were not so, One cannot run from an expected fate. And as a steady gust of wind fell upon my face, It was then when I felt a chill and thus did then know; Though I wish it were not true, Life beautiful and sweet shall ripe and pass today. As a petal falls from a rose so shall she blossom and shed; Catching each falling tear, I will not leave a word unsaid.

Rachel was becoming adept at sensing when something was going unsaid by adults: it was as if there were an invisible object sitting amid their visible words and Rachel was learning to judge its shape and size by feel alone.

The kindest word in the world is the unkind word left unsaid.

But sometimes, things are better to just hear. Some questions better left unasked. Some words better left unsaid. Because saying them doesn’t make you matter any less.

But I knew from writing Mrs. Amwell's letters that the things a person most wanted to say were often the things they should keep tucked away inside.

Now the darkness had also spoken: a word that could not be unsaid.

Forgiveness comes much later if at all Sometimes after a lifetime of negotiation With your demons Words you could have said Or left unsaid Bruises you could have hidden With a little make-up And things would have been just fine Until the next time

True love isn’t just expressed in passionately whispered words or an intimate kiss or an embrace; before two people are married, love is expressed in self-control, patience, even words left unsaid.

You can rely too much, my love, on the unspoken things. And the wry smile. I have that smile myself, and I've learned the silence too, over the years. Along with your expressions, like No notion and Of necessity. What happens, though, when it is all unsaid, is that you wake up one morning, no, it's more like late one afternoon, and it's not just unsaid, it's gone. That's all. Just gone. I remember this word, that look, that small inflection, after all this. I used to hold them, trust them, read them like a rune. Like a sign that there was a house, a billet, a civilization where we were. I look back and I think I was just there all alone. Collecting wisps and signs.

A relationship between two people is made up, for the most part, of invisible things: memories, shared experiences, hopes and fears. When one person disappears, the other is left alone, as if holding a string with no kite. Memories can do a lot to sustain you, but the invisible stuff of the relationship is lost, even as unresolved issues remain: arguments never settled, kind words never uttered, things left un-said. They become like a splinter beneath the skin-unseen, but painful nevertheless. Until they're exposed, coping with the loss is impossible.

I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. Some things are better left unsaid. I’d like to think they were singing about something so beautiful, it can’t expressed in words, and it makes your heart ache because of it. I tell you, those voices soared higher and farther than anybody in a grey place dares to dream. It was as if some beautiful bird had flapped into our drab little cage and made these walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.

Now while my lips are living Their words must stay unsaid, And will my soul remember To speak when I am dead? Yet if my soul remembered You would not heed it, dear, For now you must now listen, And then you could not hear.

That’s why I found it strange that no word exists for a parent who loses a child. If children lose their parents, they are orphans. If a husband loses his wife, he’s a widower. But there’s no word for a parent who loses a child. I’ve come to believe that the event is just too big, too monstrous, too overwhelming for words. No word could ever describe the feeling, so we leave it unsaid.

Your eyes are like windows to your soul. They shine and bedazzle as the stars do in the sky! They are like diamonds that mesmerize the person looking at them. When I look into your eyes, I keep on looking at them. I can't ever stop looking at them. Your eyes speak volumes to me. Your eyes speak unsaid words...

Just hearing their names pushes and pulls at you in a hundred ways, and when you try to define those hundred ways, describe them even to yourself, words are useless. If you had a lifetime to talk, there would still be things left unsaid.

Somewhere buried deep in my heart was a longing for him, for us, for all that had remained unfinished. I only wished that my heart understood the way my mind did, that some questions could never be answered, that some words needed to remain unsaid, that some of our most significant relationships needed to be severed.

I see you, flawed and humble and road weary and proud and still in spite of the deep ache, somehow sure you’ve done all you can. I see all you feel but cannot speak. I see the way the words grow and swell, expanding your chest and pressing against the confines in your throat until they form the most unbearable pain, and the air around you so heavy with the weight of words unsaid. I see the way your chest caves in and your shoulders curl around and your arms hold your knees so tight that you circle in upon yourself. I see how in spite of this you are expanding, even though others wish you small and in spite of your own efforts to keep peace. I see that you are a wild thing, not meant for containment.

Did subsequent generations ineluctably start where previous ones had given up, absorbing all of their disappointments and unfulfilled dreams? Was the present moment a mere continuation of the past, every word an afterword to what had already been said or left unsaid?

Truth, she believed, lies in what is said as much as in what isn't, in the same way that a melody not only is a sequence of audible notes but encompasses the spaces and pauses in between. When listening to music, you must learn to take in even the atmosphere of an echo.

Eyes reveal the unsaid things. The innocence, the flirtations, and the naughtiness all emanate from the eyes.

But this did not bother Robin. This was how things had always been between them: conversations unfinished, words best left unsaid.

Eu também tenho em mim palavras apagadas que deveria ter dito e já não sei mais o que significam.

An untold truth is the only illusion that can't be changed.

Love never remains unanswered. When words disappear within the unsaid, the answer will reveal itself.. in silence.. and in time.

Yet, the most wonderful in my heart remains unsaid and it will remain so forever!

Spoken words never worried me. It was the words that went unsaid that haunted me and kept me up at night.

Words said can never be recalled. So it is best, oftimes, not to speak too quickly. Yet words left unsaid are worse. We wear them like weights around our hearts.

Harriet Beecher Stowe wrote, The bitterest tears shed over graves are for words left unsaid and deeds left undone.

Better to regret unsaid words than repent of words I could never call back.

was slipping, and his face had gone as white as my own. He looked down again, avoiding my stricken gaze. “I suppose all I was wondering,” he murmured, “was…was he…was he different from me?” I saw him bite his lip as though wishing the words unsaid, but it was far too late

I believe the essence of translation lies in taking what is unsaid in a work from one language to another. Words have memories, a history of their own. There are no two words with exactly the same meaning. To recreate the unspoken in another language, one needs to understand what went into making the original; then one must dismantle it and rebuild it in the other language.

I think about how much of a good story seems to happen elsewhere, off the canvas or screen or page, in Europe or a backwater New Brunswick town, in what is left unsaid. A word on the tip of the tongue, ungraspable. The teasing smush of a feather boa over naked breasts in a striptease.

You speak as if you envied him." "And I do envy him, Emma. In one respect he is the object of my envy." Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying, "You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment." "Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself." "Thank you," said he, in an accent of deep mortification, and not another syllable followed. Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house. "You are going in, I suppose?" said he. "No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think." "As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?" He stopped in his earnestness to look the question, and the expression of his eyes overpowered her. "My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.

She made her voice as firm as possible. “Don’t let them catch you.” He hesitated, clearly surprised by her words. Then he smiled again, inclining his head in a shallow bow, acknowledging everything she’d left unsaid. “Traveling with you was a delight worth any delay, but I can delay no longer.

The idea that if a thing went unsaid, it didn’t really exist, because words had power, words gave weight and shape and force, and the withholding of them could keep a thing from being real, could . . .

She was saying words she didn’t totally believe yet. And maybe I was, too. But I wanted them to be true. For the first and only time in my life, I wanted to belong to someone and have that person belong to me.

I wish I could hold time in my hands. I wish I could talk to it. Oh, how I would ask it to give me just a few more increments of its elusive power. How can something we can’t touch or see have so much control over our lives. It was time that took you too soon, too young, before I got to say all of the things I wanted to, needed to. Things you will never know. And I carry them like a weight, these words, these sentences, right in the middle of my chest, because they have nowhere else to go. If only time had allowed me to understand the things I would want to say after you were gone. That’s the thing. They told me “don’t leave anything unsaid.” But I didn’t know what I wanted to say until it was too late, until you were gone. It was the time afterward that held all the wisdom.

Even his voice had accrued a certain rancour as though the detritus of words long left unsaid inside the cave of his mouth had become rusty and scattered in tiny bits on the top of his tongue whenever he opened his mouth to speak.

Mariana might not be a detective, but she was a therapist, and she knew how to listen. To listen not only to what was being said, but also to everything unsaid, all the words unspoken—the lies, evasions, projections, transferences, and other psychological phenomena that occurred between two people, and that required a special kind of listening.

Denial—that’s what it was called. The idea that if a thing went unsaid, it didn’t really exist, because words had power, words gave weight and shape and force, and the withholding of them could keep a thing from being real, could . . .

[...] to catch those unrecorded gestures, those unsaid or half-said words, which form themselves, no more palpably than the shows of moths on the ceiling, when women are alone, unlit by the capricious and coloured light of the other sex.

What's the word for when you're sitting at a table with someone you don't know all that well and they maybe just implied that you're gay and you are gay and you think they were trying to be inclusive or something but you kind of shut them down because they asked out your crush earlier and you really don't want to be having this conversation and now there's all this weird, unsaid stuff in the air that's making it hard to focus on your debate prep? Is there a word for that?

An awkward silence descended between us. Where did that phrase come from? I wonder. Silence descended. Descended from where exactly? Was it hovering over us like the alien spaceship in Independence Day? Maybe it wasn't really silence so much as it was the smothering weight of something unsaid, words we'd kept at bay, kept in the air, by talking about other things.

Procession He used to ask me all the time if I was okay. As though he never knew for sure. He would ask me when he was tired or frustrated or when he felt helpless. He would ask me when he was afraid. He asked me that same question, long after we stopped being lovers—when we became something less yet somehow more. Are you okay? He would whisper on the phone late at night, when his girlfriend was asleep or had gone to her mother’s for the weekend. Are you okay? He hasn’t asked me in years, but I know he still thinks it. I know the question still reverberates in his mind like a broken record and he will keep looking for answers long after there is nothing left to appease him. It was always the same question, over and over again. Like the start of a procession. And it took me years to recognize the unsaid words that marched silently behind. Are you okay; because I love you. Are you okay; because I need you. Are you okay; because I don’t know how to live without you.

I love you with the words I left unsaid, with the silence that I often spoke, that you still understood. I love you for the constant push and pull of my dissonance, for every internal battle that ensued because of you.I love you for the heights of irrationality you have driven me, for making me lose control. But most of all, I love you because you‘re not mine — because we almost happened. because I would never find out what would happen next… because you‘ll always be a question without an answer.

That’s why I found it strange that no word exists for a parent who loses a child. If children lose their parents, they are orphans. If a husband loses his wife, he is a widower. But there is no word for a parent who loses a child. I’ve come to believe that the event is just too big, too monstrous, too overwhelming for words. No word could ever describe the feeling, so we leave it unsaid.

Not much time will be gained, O Athenians, in return for the evil name which you will get from the detractors of the city, who will say that you killed Socrates, a wise man; for they will call me wise even although I am not wise when they want to reproach you. If you had waited a little while, your desire would have been fulfilled in the course of nature. For I am far advanced in years, as you may perceive, and not far from death. I am speaking now only to those of you who have condemned me to death. And I have another thing to say to them: You think that I was convicted through deficiency of words - I mean, that if I had thought fit to leave nothing undone, nothing unsaid, I might have gained an acquittal. Not so; the deficiency which led to my conviction was not of words - certainly not. But I had not the boldness or impudence or inclination to address you as you would have liked me to address you, weeping and wailing and lamenting, and saying and doing many things which you have been accustomed to hear from others, and which, as I say, are unworthy of me. But I thought that I ought not to do anything common or mean in the hour of danger: nor do I now repent of the manner of my defence, and I would rather die having spoken after my manner, than speak in your manner and live. For neither in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death. I am old and move slowly, and the slower runner has overtaken me, and my accusers are keen and quick, and the faster runner, who is unrighteousness, has overtaken them. And now I depart hence condemned by you to suffer the penalty of death, and they, too, go their ways condemned by the truth to suffer the penalty of villainy and wrong; and I must abide by my award - let them abide by theirs. I suppose that these things may be regarded as fated, - and I think that they are well.

You’re wild now, too. And brave. What else do you want to be?” “I want to be with you.” The words slipped out before I could stop them and I heard him suck in a sharp breath. The brittle silence told me I’d done something I couldn’t ever undo. I’d changed everything.

I can feel you In the air I breathe I can hear you In the sounds unimagined I can see you In the mists of fantasies I can touch you In the hollowness of space I can think of you In the movement of time I can find you In the words unsaid I can have you In my heart for beauty

What would you have me do? A knight doesn’t look for a princess among the garbage.” “My Sam had no use for me when he first met me.” That Maddie couldn’t believe. “You are Sam’s princess in the tower.” “I was Sam’s pain in the—” Bella smiled and tapped her behind, leaving the word unsaid.

It’s easier to let fear win. Even though love covers all things, fear is what keeps us silent and keeps words unsaid. Fear keeps us standing in one place. Eventually, when it wins, it means we never got the courage to say what we needed to say. But the words are needed. They won’t always fix things or mend things or make things better. They won’t bring someone back. They won’t stop a good-bye. They won’t be perfect. But they’ll be true. And maybe that is all we have ever needed from one another: true words written with a love that feels too big to pin down to a page with measly little syllables.

The bad bones have been bad, so they are better left unsaid. They are better left unsaying. But they were never happy, they always wanted more, they were always hungry. They can smell the words, the words coming out of your mouth all warm and yeasty. They want some words of their own. They’ll be back.

They walked along in silence, that silence just before parting where everything has been left unsaid and it is too late now to say it. Fern felt as if her stomach was full of words, words burning to be spoken, but her lips refused to unclose and the words remained inside her, seething, like a bad case of indigestion.

Not want you?” His voice was rough. “Everett, I'd lay you down right now in this thin blanket of snow and take you.” Everett's eyes widened, but Alex's mind was racing, the images coming at him too quick for him to hold them back. “The cold air would touch you and then my mouth.” He moved back into Everett's space, and Everett groaned. “My hands. Naked, Everett. I could bite your long limbs and lick the grace from your words and shock the neighbors with what obscenities I'd drive from your lips.

Katrina,” he said, his mouth going dry. “I’m feeling like Winnie. I’m ready to cry.” He slid down his bars to the mesh of the floor, feeling even more gloomy than ever before.   Katrina went over to offer some cheer, to say something kind into Mortimer’s ear. But what could she say? What could she do for a friend who felt so inconsolably blue? So gently, she rested her hand on his head. Because sometimes our words… … are best left unsaid.

There’s a sadness in his eyes, something left unsaid between his words.

Words said in anger or when emotional are often regretted and best left unsaid

These things he said in words. But much in his heart remained unsaid.

This was how things had always been between them: conversations unfinished, words best left unsaid.

Some words were left unsaid Oh Layla, as you slept peacefully in my arms, and the stars kept on peeping into the room to glance at your smile!

The things left unsaid to people we care about, and the void those unspoken words leave, often have more impact than what is said.

We sit in silence, the air between bristling with words unsaid.

Too many words left unsaid, instead of everything could come at once and break you all for once.

Because words unsaid can change a course as surely as words said.

I hold you in my mouth, in the words that contain you, in the unsaid and the haunts, in all the forms your name.

Our lives are determined by the words we choose, whether spoken or unsaid. Sometimes in life, when something goes without saying, that is all the more reason to say it.

Her past, like a mangy, rabid dog, had followed her home that night.

Some things are just better left unsaid.

It’s funny how quickly life can change. You hear about tragedies on the news and you think to yourself it will never happen to you. Until it does. Until that tragedy becomes your life.

There is a moment that comes into every life when the right word, the right look even, could change the shape of the world forever. The wrong one could as well, though the resulting shape would be different. No word at all, however, and the moment slips by, and things remain unsaid that perhaps should have been said, perhaps shouldn’t, and no one can ever know for sure.

Some people say that the best stories have no words. They weren’t brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case always the wrong size to fit the template called language.

How was it that her whole life could be distilled down to that simple truth? Words mattered. Her life had been defined by things said and unsaid, and now her marriage was being undermined by silence.

I wish this story were different. I wish it were more civilized. I wish it showed me in a better light, if not happier, then at least more active, less hesitant, less distracted by trivia. I wish it had more shape. I wish it were about love, or about sudden realizations important to one's life, or even about sunsets, birds, rainstorms, or snow. Maybe it is about those things, in a way; but in the meantime there is so much else getting in the way, so much whispering, so much speculation about others, so much gossip that cannot be verified, so many unsaid words, so much creeping about and secrecy. And there is so much time to be endured, time heavy as fried food or thick fog; and then all at once these red events, like explosions, on streets otherwise decorous and matronly and somnambulent.

Now it would never happen; she would never get to know her father, never feel the warmth of his hand in hers, never fall asleep on the divan beside him, never be able to say all that needed to be said between them. Those words were lost, turned into ghosts that would drift away, unsaid. They would never be the family maman had promised. “Papa,” she said; it was such a big word suddenly, a dream in its entirety.

I want to know who she is particularly close to among the staff here.” Who is besotted with her. Hell, they probably all were. Except Donald, who rarely broke his stoic façade. And Andreas. “And what questions she asks.” Donald inclined his head, hair slipping a fraction more. “It will be done.” He watched Andreas for a moment. “And she and her family will be safe here,” he said, gaze steady, eyes just an extra bit bright. Andreas nodded sharply back, dismissed him quickly, all while trying to hold back the curses layering his tongue at the words that were both said and unsaid. Donald was infected too. Goddamn biscuits.

He doesn't know and he never will. I will never tell him that he is the fire that lights my soul, that he is the moon to my sky, that he is the beat to my heart.. He will never know because I will never tell him.

Because we chose to tell the truth (The cool of age, the rage of youth) And stand against the lies of old (The whispers soft, the tales untold) We find ourselves the walking dead (The love unkept, the words unsaid) And in the crypt of all we've known (The broken blade, the breaking stone) We know that we were in the right (The coming dawn, the ending night). So here is when we stop the lies. The time is come. We have to Rise.

Sleepless nights, infinite random thoughts, Remembering those moments, he had much to say, an urge to talk to someone, to be cared, to be loved, to be understood !! She was gone by now, And he was lost !! There it was, A white paper note, a pen, and the dark clouds forcing him to spill out !! Yes Words did most of talking, the unsaid words took the paper form .. Strange it was, the way Love was lost somewhere in the Library stacks !!

Have you got a birthday?” Aurelius asked. “Yes. I’ve got a birthday.” All my unsaid words went back to wherever they had been all these years. “I’ll make a note of it, shall I?” he said brightly. “Then I can send you a card.” I feigned a smile. “It’s coming up soon, actually. “ Aurelius opened a little blue notebook divided into months. “The nineteenth,” I told him, and he wrote it down with a pencil so small it looked like a toothpick in his huge hand.

I didn't need to come out ot her. I never said those declarative words - and I didn't even know them at the time. Vocabulary like trans would come much later in my life. All I needed was to hear the pride in Mama's voice as she called me beautiful. Sometimes the things that go unsaid are more powerful than anything that can be uttered aloud: emotions that pierce your soul, moments of connection that mean so much more than binary answers and direct responses.

You never know what your last words to someone are going to be, and it's hard to reconcile it when the deed is done and the person is gone. For years I tried to think of something else I might have said to Charlie, something that would've let him know how much I looked up to him, how much I loved him. Words I don't think he ever heard from me. But I've lived so many years with the memory that the last words my brother heard were not words of love or encouragement, but words of anger, stained by my own embarrassment. The last thing I said to Ruthie didn't even have the dignity of being a word. A finger pushing into my lips, a shush to keep my secret. Words are powerful and funny things, said or unsaid.

The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.

I wish this story were different. I wish it were more civilized. I wish it showed me in a better light, if not happier, then at least more active, less hesitant, less distracted by trivia. I wish it had more shape. I wish it were about love, or about sudden realizations important to one’s life, or even about sunsets, birds, rainstorms, or snow. Maybe it is about those things, in a way; but in the meantime there is so much else getting in the way, so much whispering, so much speculation about others, so much gossip that cannot be verified, so many unsaid words, so much creeping about and secrecy. And there is so much time to be endured, time heavy as fried food or thick fog; and then all at once these red events, like explosions, on streets otherwise decorous and matronly and somnambulent. I’m sorry there is so much pain in this story. I’m sorry it’s in fragments, like a body caught in crossfire or pulled apart by force. But there is nothing I can do to change it.

You know what else is adorable? When I can clearly see you having a furious discussion in your own head.” “That’s visible?” Oh, God, how mortifying. “Kit, you practically mouth the words.” “I do not,” I protest, but now I’m not so sure. No one’s ever said this to me before. I was always certain that my silence was taken for a lack of things to say, instead of the opposite: sometimes, there are so many things I want to say that they overwhelm me. I’ve got years of unsaid conversations in my head.

talk is for communicating need-to-know information; quiet and introspection are signs of deep thought and higher truth. Words are potentially dangerous weapons that reveal things better left unsaid. They hurt other people; they can get their speaker into trouble.

How to Sleep at Night Try to think of nothing. That's the secret. Try to think of nothing. Do not think of work not done, or of promises unkept, calls to return, or agendas you have failed to prepare for meetings yet unheld. Think of nothing. Do not think of words said and unsaid, or minor scandals and major investigations, of humiliations endured, insults suffered, or retorts that did not spring to mind in time. Think of nothing. Do not think of your wife, of lonely children and their reproachful demands, or the smile of the pretty woman whose handshake lingered just a shade too long in your palm. Think of nothing. Do not think of newspaper headlines, of the insistent transience of the shortwave radio, or the seductive stridency of the TV microphones thrust so thrillingly into your face. Think of nothing. Do not think of the waif on the foreign sidewalk, her large eyes open in supplication, her ragged shift stained by dirt and dust, stretching her despairing hand towards you in hope No, do not think of the solitary tear, the broken limb, the rubble-strewn home, the choking scream; never think of piled up bodies, blazing flames, shattered lives, or sundered souls. Do not think of the triumph of the torturer, the wails of the hungry, the screams of the mutilated, or the indifferent smirk of the sleek. Think of nothing. then you will be able to sleep.

Isn't one of the first lessons of good elocution that there's nothing one can say in any rambling, sprawling rant that can't, through some effort, be said shorter and better with a little careful editing? Or that, in writing, there's nothing you can describe in any page-filling paragraph that can't be captured better in just a sentence or two? Perhaps even nothing in any sentence which cannot better be refined in a single, spot-on word? Does it not follow, then, that there's likely nothing one can say in any word - in saying anything at all - that, ultimately, isn't better left unsaid? (attrib: F.L. Vanderson)

How much longer should I wait? The answer came to me. Wait as long as you need to. The waiting is as important as doing; it's the time you spent training and the rest in between; it's painting the subject and the space in between; it's the reading and the thinking about what you've read; it's the written words that , what is said, what is left unsaid, the space between the thoughts on the page, that makes the story, and it's the space between the notes, the intervals between fast and slow, that makes the music. It's the love of being together, the spacing, the tension of being apart, that brings you back together.

Things, once gone, can’t be put back; he knew that now. A punch, once delivered, can’t be withdrawn. Words, once spoken, can’t be unsaid. We may go on as if nothing has been lost, nothing done, nothing said; we may claim to forget it all; but our innermost core doesn’t forget, because we have been changed for ever.

Naming (“christening,” “deeming”) is more than a performative moral act; it is linguistic and aesthetic as well. Identifying the emergence and establishment of anti-sacrificial moral practices will take on a form distinctive to a particular social order; the consolidation of the originary “belief” or gesture should therefore be represented in ways that make it inseparable from the entirety of that order. Naming commemorates earlier establishments of practices of deferral, and by enhancing the self-referentiality of the social order as a whole makes it impossible to think outside of that order. It should be kept in mind that all social orders do this—orders in the liberal tradition simply deny they are doing so, and therefore do it haphazardly and in violent fits and starts. Every social order, however small or transient, develops its own “idiom,” because any exchange of signs involves the respective participants taking up the words, phrases and expressions of the others for both phatic purposes and as a “multiplier” of meanings—if I repeat what another has said with slight changes in wording and tone, I not only say what I have said, but create a complex relationship between what I have said and what the other has said (and whatever others he was responding to have said—and left unsaid), a relationship that remains largely tacit but all the more difficult to shake or exit for that very reason.

Talking with Merritt was like slipping into one of those silk-lined borrowed coats from the Challons. Comfortable, luxurious. She was whip-smart, understanding the details, the unsaid words. She had a way of wrapping people in empathy that extended to everyone from the duke down to the young assistant groundskeeper. It was the kind of charm that made people feel wittier, more attractive, more interesting, in her reflected glow. Keir was doing his level best to resist her lure. But he was so drawn to her, so damn besotted. He adored her fancy words... "prevarication"... "resplendent"... her easy smiles... her perfumed wrists and throat. She was like a beautiful gift that begged to be unwrapped. Just being near her made the blood sing in his veins.

talk is for communicating need-to-know information; quiet and introspection are signs of deep thought and higher truth. Words are potentially dangerous weapons that reveal things better left unsaid. They hurt other people; they can get their speaker into trouble. Consider, for example, these proverbs from the East: The wind howls, but the mountain remains still. —JAPANESE PROVERB

Reading means stripping yourself of every purpose, every foregone conclusion, to be ready to catch a voice that makes itself heard when you least expect it, a voice that comes from an unknown source, from somewhere beyond the book, beyond the author, beyond the conventions of writing: from the unsaid, from what the world has not yet said of itself and does not yet have the words to say

Loftus Hall was yet again empty and abandoned as many years before. But echoes of sadness, hopes, and memories lingered in the deafening silence. The woman closed her eyes and silently prayed for those who remained within its walls. She felt deeply for them; their unfinished stories and words unsaid. Unable to say goodbye and now in the realm of the dead, she could feel their heartbeats as strongly as her own.

For this woman,” Arkadian Porphyrich continues, seeing how intently you are drinking in his words, “reading means stripping herself of every forgone conclusion, to be ready to catch a voice that comes from an unknown source, from somewhere beyond the book, beyond the author, beyond the conventions of writing: from the unsaid, from what the world has not yet said of itself and does not yet have the words to say.

EPIGRAPH “There was a very strange connection. One of those odd collisions that happen. We were a little alike; I was an unhealthy child that was kept at home. So there was an unsaid feeling between us that was wonderful, an utter naturalness. We’d sit for hours and not say a word, and then she’d say something, and I’d answer her. A reporter once asked her what we talked about. She said, ‘Nothing foolish.’” —Andrew Wyeth

after Neruda a bronze song, something undone, salvia, a crushed butterfly. It is the blood on a light bulb, the seventh sadness, a fluctuation that closes oceans and eyes. The vermilion and solitary luminary shimmies and singes the feathers of the aviary. Moon, the clock’s word, dear mother, ruin, rain. — Simone Muench, “Elegy for the Unsaid,” Lampblack & Ash: Poems. (Sarabande Books; First Edition edition November 1, 2005)

We sat within the farm-house old, Whose windows, looking o'er the bay, Gave to the sea-breeze damp and cold, An easy entrance, night and day. Not far away we saw the port, The strange, old-fashioned, silent town, The lighthouse, the dismantled fort, The wooden houses, quaint and brown. We sat and talked until the night, Descending, filled the little room; Our faces faded from the sight, Our voices only broke the gloom. We spake of many a vanished scene, Of what we once had thought and said, And who was changed, and who was dead; And all that fills the hearts of friends, When first they feel, with secret pain, Their lives thenceforth have separate ends, And never can be one again; The first slight swerving of the heart, That words are powerless to express, And leave it still unsaid in part, Or say it in too great excess. The very tones in why we spake, Had something strange, I could but mark; The leaves of memory seemed to make A mournful rattling in the dark. Oft died the words upon our lips, As suddenly, from out the fire Built of the wreck of stranded ships, The flames would leap and then expire. And, as their splendor flashed and failed, We thought of wrecks upon the main, Of ships dismasted, that were hailed And sent no answer back again. The windows, rattling in their frames, The ocean, roaring up the beach, The gusty blast, the bickering flames, All mingled vaguely in our speech; Until they made themselves a part Of fancies floating through the brain, The long-lost ventures of the heart, That send no answers back again. O flames that glowed! O hearts that yearned! They were indeed too much akin, The drift-wood fire without that burned, The thoughts that burned and glowed within.

You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all." She held his gaze but was wise enough not to interrupt. If she had... He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged." Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die." Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity." Smiling, he closed his hand about hers. "Mine to protect for our eternity." Yes. Neither said the word, yet the sense of it vibrated in the air all around them. A high-pitched giggle broke the spell, had them both looking along the path. TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them. Reaching them, laughing with delight, the pair whooped and circled. Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated. Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be. "You're getting married!" Lucilla crowed. Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy." Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward." "I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.

I sleep—I sleep long. I do not know it—it is without name—it is a word unsaid, It is not in any dictionary, utterance, symbol. Something it swings on more than the earth I swing on, To it the creation is the friend whose embracing awakes me. Perhaps I might tell more. Outlines! I plead for my brothers and sisters. Do you see O my brothers and sisters? It is not chaos or death—it is form, union, plan—it is eternal life—it is Happiness. from "Song of Myself," Strophe 50.

Why, that you lived at Manderley and—and that you had lost your wife.” There, I had said it at last, the word that had hovered on my tongue for days. Your wife. It came out with ease, without reluctance, as though the mere mention of her must be the most casual thing in all the world. Your wife. The word lingered in the air once I had uttered it, dancing before me, and because he received it silently, making no comment, the word magnified itself into something heinous and appalling, a forbidden word, unnatural to the tongue. And I could not call it back, it could never be unsaid.

He’s moved by a desire to describe in words exactly how she looks and speaks. Her hair and clothing. The copy of Swann’s Way she reads at lunchtime in the school cafeteria, with a dark French painting on the cover and a mint-colored spine. Her long fingers turning the pages. She’s not leading the same kind of life as other people. She acts so worldly at times, making him feel ignorant, but then she can be so naive. He wants to understand how her mind works. If he silently decides not to say something when they’re talking, Marianne will ask “what?” within one or two seconds. This “what?” question seems to him to contain so much: not just the forensic attentiveness to his silences that allows her to ask in the first place, but a desire for total communication, a sense that anything unsaid is an unwelcome interruption between them. He writes these things down, long run-on sentences with too many dependent clauses, sometimes connected with breathless semicolons, as if he wants to re-create a precise copy of Marianne in print, as if he can preserve her completely for future review. Then he turns a new page in the notebook so he doesn’t have to look at what he’s done.

Boosting your self-confidence is a key step in ridding your life of comparison as it gives you agency over your actions and ownership of your thoughts and behaviour. It allows you to leverage your own resources, no matter how plentiful or scarce they happen to be, and it ultimately allows you the impetus to use your inner power to work towards what is important to you. Without self-confidence, words go unsaid, ideas undeveloped and your time is often spent on the wrong things, with the wrong people, because we feel too scared to make a change or we hope the change will magically make itself. This naturally leads to a growing sense of discontent and in those conditions, comparison thrives, and the vicious circle continues.

The family that had once welcomed him and been his as well, especially after his father deteriorated, took a step back. And he found he was instantly isolated, separated by their loyalty to Julia. No one ever said anything directly; no acknowledgement was ever made of how she was found. They were grieving the loss of their sister, their child. He was alone in grieving the loss of his marriage as well. The gap widened. An unspoken hostility grew between them, built from the unsaid words; a kind of defensiveness on both sides, which gradually hardened into a wall. Had they believed he had something to do with her infidelity? That he’d driven her to it through some neglect or unfaithfulness of his own? Had she confided in them about her lack of marital satisfaction? And so it spread outwards like a kind of web; extending to embrace her friends – friends he’d thought of as belonging to him too until they struggled to make eye contact with him at the funeral or no longer bothered to ring. He hadn’t been the one who’d cheated. But he was the one who felt punished for the affair. The one who was left. ‘It’s time you moved on,’ people began to say, as little as six months later. ‘You need to let go of that now.’ Yes, he needed to let go of it, accept it, and endure the increasing indifference of those he thought had loved him. He needed to grow up, get on. Life wasn’t fair. Who ever said life was fair? So she cheated. Time to get a girlfriend; buy a house…start again. Yet

I’m all right.” She smiled up at him. “Or as nearly all right as I can be when you love me witless.” “I do, you know.” He tried to keep the sadness from his voice, from his eyes, from his smile. “Love you.” He dipped his head to kiss her again, covering her mouth just as she inhaled on a gasp. “You must not say such things.” “I mustn’t keep it unsaid, but I won’t belabor the point.” He kissed her again but knew he’d blundered—she certainly hadn’t returned the sentiment, now had she? But she deserved the words, and it had been a relief to say them, even if only the once. It had been sheer relief to acknowledge he loved somebody, that he could love somebody other than the people he’d known since birth. She would always have his gratitude for that, if nothing else. And

Language... is a highly ambiguous business. So often, below the word spoken, is the thing known and unspoken... You and I, the characters which grow on a page, most of the time we're inexpressive, giving little away, unreliable, elusive, obstructive, unwilling. But it's out of these attributes that a language arises. A language, I repeat, where under what is said, another thing is being said... There are two silences. One when no word is spoken. The other when perhaps a torrent of language is being employed. The speech we hear is an indication of that which we don't hear. It is a necessary avoidance, a violent, sly, anguished or mocking smokescreen. When true silence falls, we are still left with echo but are nearer nakedness. One way of looking at speech is to say that it is a constant stratagem to cover nakedness. We have heard many times that tired, grimy phrase, "failure of communication", and this phrase has been fixed to my work quite consistently. I believe the contrary. I think that we communicate only too well, in our silence, in what is unsaid, and that what takes place is a continual evasion, desperate rearguard attempts to keep ourselves to ourselves. Communication is too alarming. To enter into someone else's life is too frightening. To disclose to others the poverty within us is too fearsome a possibility. I am not suggesting that no character in a play can ever say what he in fact means. Not at all. I have found that there invariably does come a moment when this happens, when he says something, perhaps, which he has never said before. And where this happens, what he says is irrevocable, and can never be taken back.

Why [...] must we still be human and long for further fate? [...] because to be here means so very much. Because this fleeting sphere appears to need us [...], us… the most fleeting of all. Once and once only for each thing – then no more. For us as well. Once. Then no more… ever. But to have been as one, though but the once, with this world, never can be undone. So we persevere, attempting to resolve it and contain it in our grasp [...] We cannot take our insight with us into the other realm, no matter how painfully gathered. Nor anything which happened. Not one thing; neither suffering nor the heaviness of our lot. Not the hard earned lore of love, nor that which is beyond speaking. What can these things matter, later, underneath the stars? Better these things remain unsaid. When the rambler returns from the mountain to the vale, he carries no esoteric clump of soil, but some hard won word, pure and simple: a blossom of gentian, yellow and blue. Could it not be that we are here to say: house, bridge, cistern, gate, pitcher, flowering tree, window-or at most: monolith… skyscraper? But to say them in a way they, themselves, never knew themselves to be? [...]

Fathers and sons, probably one of the most emotionally deep, human relationships. Probably one of the most intense human equations. Words alone cannot describe what a father and son feel for each other, simply because there are such few words in this relationship. So much is left unsaid between the two of them. Communication, or rather a lack of it, always broadens the gap between the two of them. There’s always a gap between a father and son, always a gap between a name and a surname. I’ve always asked myself and today I address this question to all of you sons out there: Why did you stop hugging your father after a certain age? Why did you stop expressing, and being affectionate to your father after a certain age? Why is there this inexplicable awkwardness between a father and son? Why are all your emotions, your innermost thoughts, your tears, always reserved for your mother, your sister and then your wife? Why? Because you then become a father, and then you bottle up, just like your father did, and this vicious circle continues. Who is going to break this vicious circle? I realized, and I’m sure this applies to all of you as well, that, like everybody else, I too had issues, minor issues with my father, like every other son. You could call it a generation gap, you could call it a difference of opinion, you could call it anything. But what I also realized was that I was subconsciously being the man my father is. I was talking like him, feeling like him, loving like him—I was just being him. I then realized that a father not only gives his son his name, he also gives him his personality. So somewhere, if you have a problem with your father, you actually have a problem with yourself. Ladies and gentlemen, I’ve had this realization and this opportunity to express myself, and I wish with all my heart, that one day you do too. My father is my conscience, my father is my strength, my father is my support, my father is my hero. I don’t say it often enough to you, Dad, but what better than this global platform to say, I love you. I love you very, very, very much. And I wish I could love you as much as you love me, but I don’t think I’m capable of such unconditional love. I love you. You are my world. And then Amit uncle, who was there, said: ‘Ladies and gentlemen, I think whatever needed to be said about Mr Yash Johar, his son Karan has very ably done.

Nude Descending a Soapbox It was hard to take her seriously. The issues were real I know But so was the show of thigh the smooth swagger of hips the ripple of tender tissue as it flexed and unflexed before the listening eye. She had a point to make strong arguments too but she had curves that flashed into the afternoon light and a bend in her back that took three beats out of the heart's every four. She aroused with her conviction entertained with her wit and reasoned soundly but as the nude stepped down from her soapbox the utterance of her flesh the parlance of her posture the two pronouncements of her breasts spoke with a diction that was far more convincing than any jargon rhetorical. In the end it was the appeal of the succulent spaces that shaped her ankles that lasted and left one believing that no lifetime would be wasted in pursuit of her out-takes on a quest for the mysteries of and beyond her flesh. Sometimes the only available hold is language. The body begs translation of what words approximate because the meaning of things said and unsaid like the line of her neck is exactly what renders one satisfied and speechless.

He pictured himself lying sick unto death and his aunt bending over him beseeching one little forgiving word, but he would turn his face to the wall, and die with that word unsaid. Ah, how would she feel then? And he pictured himself brought home from the river, dead, with his curls all wet, and his sore heart at rest. How she would throw herself upon him, and how her tears would fall like rain, and her lips pray God to give her back her boy and she would never, never abuse him any more! But he would lie there cold and white and make no sign—a poor little sufferer, whose griefs were at an end. He so worked upon his feelings with the pathos of these dreams, that he had to keep swallowing, he was so like to choke; and his eyes swam in a blur of water, which overflowed when he winked, and ran down and trickled from the end of his nose. And such a luxury to him was this petting of his sorrows, that he could not bear to have any worldly cheeriness or any grating delight intrude upon it; it was too sacred for such contact; and so, presently, when his cousin Mary danced in, all alive with the joy of seeing home again after an age-long visit of one week to the country, he got up and moved in clouds and darkness out at one door as she brought song and sunshine in at the other.

Now that she was twenty-two, the words were there in her head, jumbled. The feeling was still too hot to approach but was slowly beginning to make sense. If she would just give herself the time and space to think about it, to examine the thing she’d spent her whole life avoiding, she would realize that what she wanted to say to her mother was that she was the one who had no idea—no idea how badly Ky and people like Ky needed a break. No idea how speaking perfect English and having an office job and being born in Australia didn’t mean what any of them thought it would mean. No idea how hard it was to walk the narrow path where everyone expected her to be quiet and smart and hardworking and good—a narrow path not even laid out by her or people like her. No idea how it felt to suffer the slow death of a thousand cuts: from the things people said, from the way people looked at her. The looks she got when she knocked on doors, walked into a room, boarded a flight; the way they saw her skin before they saw her, wanted her to shut up and be grateful, expected her to take a joke when she was the joke. The way she was expected to feel lucky, so lucky, like her life was abundant and full, when all she felt was depleted and diminished. It made her feel crazy to be called lucky, and her mother had no idea.