Unreasonable Sadness Quotes

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Life is both sad and solemn. We are led into a wonderful world, we meet one another here, greet each other - and wander together for a brief moment. Then we lose each other and disappear as suddenly and unreasonably as we arrived.
Jostein Gaarder (Sophie’s World)
Life is both sad and solemn. We are let into a wonderful world, we meet one another here, greet each other—and wander together for a brief moment. Then we lose each other and disappear as suddenly and unreasonably as we arrived.
Jostein Gaarder (Sophie’s World)
I was always either so unreasonably and pointlessly happy that no one place could seem to contain me, or so melancholy, so sick and silly with sadness that there was no place I could stomach the thought of entering. I hated it here. And I have never been as happy as when I was here. And these two things together confront me with the beak and claws of the True.
David Foster Wallace (The Broom of the System)
The sad truth of history has always been that the unreasoning masses follow the powerful, and not the wise.
George R.R. Martin (Tuf Voyaging)
One of the great tragedies of life, it seems to me, is when a person classifies himself as someone who has no talents or gifts. When, in disgust or discouragement, we allow ourselves to reach depressive levels of despair because of our demeaning self-appraisal, it is a sad day for us and a sad day in the eyes of God. For us to conclude that we have no gifts when we judge ourselves by stature, intelligence, grade-point average, wealth, power, position, or external appearance is not only unfair but unreasonable.
Marvin J. Ashton
The sad engineer would never go back to England; he would become one of these elderly expatriates who hide out in remote countries, with odd sympathies, a weakness for the local religion, an unreasonable anger, and the kind of total recall that drives curious strangers away.
Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
Life is a difficult, hard, sad, unreasonable, irrational thing. So little of it makes sense. So much of it is unfair. And a lot of it simply boils down to the unsatisfying formula of good and bad luck.
Dolly Alderton (Everything I Know About Love)
The pagan, or rational, virtues are such things as justice and temperance, and Christianity has adopted them. The three mystical virtues which Christianity has not adopted, but invented, are faith, hope and charity. Now… the first evident fact, I say, is that the pagan virtues, such as justice and temperance, are the sad virtues, and that the mystical virtues of faith, hope, and charity are the gay and exuberant virtues. And the second evident fact, which is even more evident, is the fact that the pagan virtues are the reasonable virtues, and that the Christian virtues of faith, hope, and charity are in their essence as unreasonable as they can be…charity means pardoning what is unpardonable, or it is no virtue at all. Hope means hoping when things are hopeless, or it is no virtue at all. And faith means believing the incredible, or it is no virtue at all.
G.K. Chesterton
When reading the history of the Jewish people, of their flight from slavery to death, of their exchange of tyrants, I must confess that my sympathies are all aroused in their behalf. They were cheated, deceived and abused. Their god was quick-tempered unreasonable, cruel, revengeful and dishonest. He was always promising but never performed. He wasted time in ceremony and childish detail, and in the exaggeration of what he had done. It is impossible for me to conceive of a character more utterly detestable than that of the Hebrew god. He had solemnly promised the Jews that he would take them from Egypt to a land flowing with milk and honey. He had led them to believe that in a little while their troubles would be over, and that they would soon in the land of Canaan, surrounded by their wives and little ones, forget the stripes and tears of Egypt. After promising the poor wanderers again and again that he would lead them in safety to the promised land of joy and plenty, this God, forgetting every promise, said to the wretches in his power:—'Your carcasses shall fall in this wilderness and your children shall wander until your carcasses be wasted.' This curse was the conclusion of the whole matter. Into this dust of death and night faded all the promises of God. Into this rottenness of wandering despair fell all the dreams of liberty and home. Millions of corpses were left to rot in the desert, and each one certified to the dishonesty of Jehovah. I cannot believe these things. They are so cruel and heartless, that my blood is chilled and my sense of justice shocked. A book that is equally abhorrent to my head and heart, cannot be accepted as a revelation from God. When we think of the poor Jews, destroyed, murdered, bitten by serpents, visited by plagues, decimated by famine, butchered by each, other, swallowed by the earth, frightened, cursed, starved, deceived, robbed and outraged, how thankful we should be that we are not the chosen people of God. No wonder that they longed for the slavery of Egypt, and remembered with sorrow the unhappy day when they exchanged masters. Compared with Jehovah, Pharaoh was a benefactor, and the tyranny of Egypt was freedom to those who suffered the liberty of God. While reading the Pentateuch, I am filled with indignation, pity and horror. Nothing can be sadder than the history of the starved and frightened wretches who wandered over the desolate crags and sands of wilderness and desert, the prey of famine, sword, and plague. Ignorant and superstitious to the last degree, governed by falsehood, plundered by hypocrisy, they were the sport of priests, and the food of fear. God was their greatest enemy, and death their only friend. It is impossible to conceive of a more thoroughly despicable, hateful, and arrogant being, than the Jewish god. He is without a redeeming feature. In the mythology of the world he has no parallel. He, only, is never touched by agony and tears. He delights only in blood and pain. Human affections are naught to him. He cares neither for love nor music, beauty nor joy. A false friend, an unjust judge, a braggart, hypocrite, and tyrant, sincere in hatred, jealous, vain, and revengeful, false in promise, honest in curse, suspicious, ignorant, and changeable, infamous and hideous:—such is the God of the Pentateuch.
Robert G. Ingersoll (Some Mistakes of Moses)
Within our working lives, and perhaps even amongst friends, we see deceptions played out before our eyes: people who pretend to be happy when they are aching with sadness, or to like each other when they feel nothing but contempt. Perhaps these are actions of self-preservation, driven by a will to hide our pain from a wider audience. Within a relationship, though, pretence is indeed both unreasonable and illogical. Admit to being the person you really are. Never play that deadly game of charades.
Rachel Abbott (The Back Road (DCI Tom Douglas #2))
When people are sad they usually make such unreasonable requests that, deity though I am, I am unable to fulfill them. Some pray to be made rich overnight. Some covet other people's wives. Some want to kill the people they hate. Some want the rain changed to sunny weather. Some even want the nose they were born with to be a little bigger. Everyone wants something else. They all pray in vain to Buddha and to the gods, even though their requests cannot possibly be granted, thus making nuisances of themselves.
Saikaku Ihara (Five Women Who Loved Love: Amorous Tales from 17th-century Japan)
Life is a difficult, hard, sad, unreasonable, irrational thing. So little of it makes sense. So much of it is unfair. And a lot of it simply boils down to the unsatisfying formula of good and bad luck. Life is a wonderful, mesmerizing, magical, fun, silly thing. And humans are astounding. We all know we’re going to die, and yet we still live. We shout and curse and care when the full bin bag breaks, yet with every minute that passes we edge closer to the end.
Dolly Alderton (Everything I Know About Love: A Memoir)
The uncounted days slid past while he argued with himself over the things that bothered him-problems that had made sad the soul of his breed since the first apeman had risen to self-awareness, questions never solved by full belly nor fine machinery. And the endless quiet days did no more to give him final answers than did all the soul searchings of his ancestors. Why? What shall it profit a man? No answer came back -save one: a firm unreasoned conviction that he was not intended for, or not ready for, this timeless snug harbor of ease.
Robert A. Heinlein
The painter knows, sadly enough, that experience does not suffice unto itself, has no proportion, dimension, perspective, mournfully he eats his life but is not allowed to digest it, this being reserved for others, not knowing, but who must somehow, at any sacrifice be made to know, then punished for the sight of this knowledge, by aiding it on its journey from brain to brain. It does not seem unreasonable that we invent colors, lines, shapes, capable of being, representative of existence, therefore it is not unreasonable that they, in turn, later, invent us, our ideas, directions, motivations, with great audacity, since we, ourselves having them upon our walls. What rude guests they prove to be, indeed: although paintings differ from life by energy a painter can never be a substitute for his paintings, so complete so independent as reality are they. Imagine the please they enjoy at this. They by conversion into an idea of the person, do, instantaneously destroy him. A tragic gesture that actually leads to tragedy but diabolically exists only in an absence of tragedy, nevertheless procreating it, however, they are unreasonably enough, insufficient, because they are not made of ideas, they are made of paint, all else is really us. Paintings are metaphors for reality, but instead of being an aid to realisation obscure the reality which is far more profound. The only way to circumvent painting is by absolute death.
William Gaddis (The Recognitions)
It's not really negativity or sadness anymore, it’s more just this detached, meaningless fog where you can’t feel anything about anythingeven the things you love, even fun things—and you’re horribly bored and lonely, but since you’ve lost your ability to connect with any of the things that would normally make you feel less bored and lonely, you’re stuck in the boring, lonely, meaningless void with-out anything to distract you from how boring, lonely, and meaningless it is. ...I noticed myself wishing that nothing loved me so I wouldn’t feel obligated to keep existing. The absurdity of working so hard to continue doing something you don’t like can be overwhelming. And the longer it takes to feel different, the more it starts to seem like everything might actually be hopeless bullshit. I don’t like when I can’t control what reality is doing. Which is unfortunate because reality works independently of the things I want, and I have only a limited number of ways to influence it, none of which are guaranteed to work. I still want to keep tabs on reality, though. Just in case it tries to do anything sneaky. It makes me feel like I’m contributing. The illusion of control makes the helplessness seem more palatable. And when that illusion is taken away, I panic. Because, deep down, I know how pointless and helpless I am, and it scares me. I am an animal trapped in a horrifying, lawless environment, and I have no idea what it’s going to do to me. It just DOES it to me. I cope with that the best way I know—by being completely unreasonable and trying to force everything else in the world to obey me and do all the nonsensical things I want.
Allie Brosh (Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened)
An electronic machine can carry out mathematical calculations, remember historical facts, play chess and translate books from one language to another. It is able to solve mathematical problems more quickly than man and its memory is faultless. Is there any limit to progress, to its ability to create machines in the image and likeness of man? It seems the answer is no. It is not impossible to imagine the machine of future ages and millennia. It will be able to listen to music and appreciate art; it will even be able to compose melodies, paint pictures and write poems. Is there a limit to its perfection? Can it be compared to man? Will it surpass him? Childhood memories… tears of happiness … the bitterness of parting… love of freedom … feelings of pity for a sick puppy … nervousness … a mother’s tenderness … thoughts of death … sadness … friendship … love of the weak … sudden hope … a fortunate guess … melancholy … unreasoning joy … sudden embarrassment… The machine will be able to recreate all of this! But the surface of the whole earth will be too small to accommodate this machine – this machine whose dimensions and weight will continually increase as it attempts to reproduce the peculiarities of mind and soul of an average, inconspicuous human being. Fascism annihilated tens of millions of people.
Vasily Grossman (Life and Fate)
The painter knows, sadly enough, that experience does not suffice unto itself, has no proportion, dimension, perspective, mournfully he eats his life but is not allowed to digest it, this being reserved for others, not knowing, but who must somehow, at any sacrifice be made to know, then punished for the sight of this knowledge, by aiding it on its journey from brain to brain. It does not seem unreasonable that we invent colors, lines, shapes, capable of being, representative of existence, therefore it is not unreasonable that they, in turn, later, invent us, our ideas, directions, motivations, with great audacity, since we, ourselves having them upon our walls. What rude guests they prove to be, indeed: although paintings differ from life by energy a painter can never be a substitute for his paintings, so complete so independent as reality are they. Imagine the pleasure they enjoy at this. They by conversion into an idea of the person, do, instantaneously destroy him. A tragic gesture that actually leads to tragedy but diabolically exists only in an absence of tragedy, nevertheless procreating it, however, they are unreasonably enough, insufficient, because they are not made of ideas, they are made of paint, all else is really us. Paintings are metaphors for reality, but instead of being an aid to realization obscure the reality which is far more profound. The only way to circumvent painting is by absolute death.
William Gaddis (The Recognitions)
He was reading a little shiny book with covers mottled like a plover’s egg. Now and again, as they hung about in that horrid calm, he turned a page. And James felt that each page was turned with a peculiar gesture aimed at him: now assertively, now commandingly; now with the intention of making people pity him; and all the time, as his father read and turned one after another of those little pages, James kept dreading the moment when he would look up and speak sharply to him about something or other. Why were they lagging about here? he would demand, or something quite unreasonable like that. And if he does, James thought, then I shall take a knife and strike him to the heart. He had always kept this old symbol of taking a knife and striking his father to the heart. Only now, as he grew older, and sat staring at his father in an impotent rage, it was not him, that old man reading, whom he wanted to kill, but it was the thing that descended on him—without his knowing it perhaps: that fierce sudden black-winged harpy, with its talons and its beak all cold and hard, that struck and struck at you (he could feel the beak on his bare legs, where it had struck when he was a child) and then made off, and there he was again, an old man, very sad, reading his book. That he would kill, that he would strike to the heart. Whatever he did—(and he might do anything, he felt, looking at the Lighthouse and the distant shore) whether he was in a business, in a bank, a barrister, a man at the head of some enterprise, that he would fight, that he would track down and stamp out—tyranny, despotism, he called it—making people do what they did not want to do, cutting off their right to speak. How could any of them say, But I won’t, when he said, Come to the Lighthouse. Do this. Fetch me that. The black wings spread, and the hard beak tore. And then next moment, there he sat reading his book; and he might look up—one never knew—quite reasonably. He might talk to the Macalisters. He might be pressing a sovereign into some frozen old woman’s hand in the street, James thought; he might be shouting out at some fisherman’s sports; he might be waving his arms in the air with excitement. Or he might sit at the head of the table dead silent from one end of dinner to the other.
Virginia Woolf (Virginia Woolf: The Complete Works)
Stand tough. You can only become the kind of person you admire through surviving hardship. As human beings, we usually only learn to take life seriously when our world comes into question. So although a mob attack might seem like a worst-case scenario, recognize that it’s actually an opportunity for growth and self-discovery. Then act upon it. Never apologize. This means having the courage of your convictions, right when the pile-on is at its most intense. At this point, it might be tempting to wave the white flag of surrender and apologize, but don’t do it. This is the precise moment when you must keep going with your head held high. Accept that you’ll lose friends. Everything clicks once you start figuring out who you are, but the process of self-discovery is often painful, requiring you to let go of people. Fight hard to maintain your friendships, especially the old ones, but don’t be anyone’s doormat. At some point you may have to let someone go. This is very sad, but embrace it like you would any breakup. And believe it or not, you’ll make new friends who’ll accept you exactly for who you are.
Dave Rubin (Don't Burn This Book: Thinking for Yourself in an Age of Unreason)
Linus: Okay sorry, what is this called ? Scotty: "Huaqiangbei" *laughs* Linus: fantastic, alright so i'm here at Scotty: "Huaqiangbei" Linus: yeah perfect thank you, with Scotty From 'Strange Parts', so I'm "getting me some strange parts" In China Which is actually exactly what we're doing So, in this, like, gigantic tech mall-thing They have everything from components like switches To.. Computer parts, to drones, to cryptocurrency-crap Mobile phones.. Pretty much you name it, they got it here. So I don't really have any objective, other than go shopping and see exactly what it is That I can buy with my little stack of 'Canadian Rubles' here. So, uhh.. Wish me luck. And hopefully that's not for me. Scotty: No, I think we're good. [chuckles] [Intro music: Laszlo - Supernova] Linus: This video is brought to you by Corsair's Obsidian 500D It's a mid-tower gaming case, featuring: Premium tempered glass an aluminium construction Removable top fan trays and more! Check it out at the link below. Scotty: I think this is going to be an uphill battle, To get them to even recognize what those are, let alone know the value of them. Linus: They are gonna be like "what is this $H!T?!" Yeah, no, it's okay; there's an ATM. This is the world's most helpful error message: "Transaction is cancelled for some reason" "Operation Timeout" "Thank you!" Okay.. So like this is the kind of stuff that I wish we had a shop like this. We were trying to do a piece a little while ago Where we wanted lit.. Uhh.. Buttons! Or like.. Like.. Big fun buttons we could press And if we could have just walked into a mall and bought them That would have made my Christmas. Scotty: The cool thing about here, particularly for buttons, is you can actually come in and touch them, right. So, like, the button-feel is super important Linus: Oh my god, I already found something I need. Entire bags of like, motherboard standoffs. I was trying to buy just a bag of computer screws Only place I could find for it was eBay Pricing was just totally unreasonable. Scotty: Yeah and it will be very reasonable here. Linus: Smartwatches, totally 100% real Beats. Scotty: These are probably, like, semi-real Linus: Semi-real? Scotty: Yeah, like refurb-ed type. Linus: Right, okay. Wow. This place is enormous. Scotty: It's crazy, right? This is probably one of twenty buildings Linus: Honestly, it's overwhelming. Scotty: Yeah. Linus: Okay, so here's stuff I mostly recognize. Scotty: "Right!" Linus: There's like A bunch of mining gear.. Like Antminers and.. What else do they got? Mining Power supplies ROG.. Something something Looks like Very similar SKU's Linus: I'm just looking. Linus: just looking Linus: Uhh.. Linus: No, I don't.. Necessarily wanna get lead in here. Linus: Hi! Nah, I'm just looking around, it's okay. Linus: Thank you. [Sad Music] I mean this is the kind of thing you would never find in a retail store back home This is like, dual socket, like server boards and stuff like that. Can you ask how much this 1800W Xfurbish
Vinay 2.O
Wishes Mindfulness is nevermore a good thing, as any other accident-prone fumbler would accept. No one wants a floodlight when they're likely to stumble on their face. Moreover, I would extremely pointedly be asked- well, ordered really-that no one gave me any presents this year. It seemed like Mr. Anderson and Ayanna weren't the only ones who had decided to overlook that. I would have never had much wealth, furthermore, that had never more disturbed me. Ayanna had raised me on a kindergarten teacher's wage. Mr. Anderson wasn't getting rich at his job, either; he was the police chief here in the tiny town of Pittsburgh. My only personal revenue came from the four days a week I worked at the local Goodwill store. In a borough this small, I was blessed to have a career, after all the viruses in the world today having everything shut down. Every cent I gained went into my diminutive university endowment at SNHU online. (College transpired like nothing more than a Plan B. I was still dreaming for Plan A; however, Marcel was just so unreasonable about leaving me, mortal.) Marcel ought to have a lot of funds I didn't even want to think about how much. Cash was involved alongside oblivion to Marcel or the rest of the Barns, like Karly saying she never had anything yet walked away with it all. It was just something that swelled when you had extensive time on your hands and a sister who had an uncanny ability to predict trends in the stock market. Marcel didn't seem to explain why I objected to him spending bills on me, why it made me miserable if he brought me to an overpriced establishment in Los Angeles, why he wasn't allowed to buy me a car that could reach speeds over fifty miles an hour, approximately how? I wouldn't let him pay my university tuition (he was ridiculously enthusiastic about Plan B.) Marcel believed I was being gratuitously difficult. Although, how could I let him give me things when I had nothing to retaliate amidst? He, for some amazing incomprehensible understanding, wanted to be with me. Anything he gave me on top of that just propelled us more out of balance. As the day went on, neither Marcel nor Olivia brought my birthday up again, and I began to relax a little. Then we sat at our usual table for lunch. An unfamiliar kind of break survived at that table. The three of us, Marcel, Olivia, including myself hunkered down on the steep southerly end of the table. Now that is ‘superb’ and scarier (in Emmah's case, unquestionably.) The Natalie siblings had finished. We were gazing at them; they're so odd, Olivia and Marcel arranged not to seem quite so intimidating, and we did not sit here alone. My other compatriots, Lance, and Mikaela (who were in the uncomfortable post-breakup association phase,) Mollie and Sam (whose involvement had endured the summertime...) Tim, Kaylah, Skylar, and Sophie (though that last one didn't count in the friend category.) Completely assembled at the same table, on the other side of an interchangeable line. That line softened on sunshiny days when Marcel and Olivia continuously skipped school times before there was Karly, and then the discussion would swell out effortlessly to incorporate me.
Marcel Ray Duriez (Nevaeh Hard to Let Go)
Life is both sad and solemn. We are led into a wonderful world, we meet one another here, greet each other - and wander together for a brief moment. Then we lose each other and disappear as suddenly and unreasonably as we arrived.” ― Jostein Gaarder, Sophie's World
Jostein Gaarder
time. Up in the air, above the situation, he asks if it is really the end of the world if he doesn’t get the job. The answer is ‘No, it isn’t’ and although it is very disappointing, he can deal with the disappointment and consequences because he is an adult Human and not a Chimp or child. He also knows logically that he may still be able to do something about the situation and must not allow the Chimp to think catastrophically. Step 5: He now goes into Human mode and asks himself, ‘What can I do about the situation?’ He answers: ‘I can choose the emotions I want and I can choose to act like an adult. Being emotional isn’t going to help anything, least of all me. I can’t think of anything practical to do at this point in time – this I must accept. I can choose to accept the situation rather than keep on saying “what if” or “this shouldn’t have happened” or even worse, “life should be fair”.’ Step 6: Eddie decides to put his Human in charge and decides to actively change his emotional approach to the situation. On a practical point he considers his options to either wait in the hope that another bus appears or to go home and phone the interview organiser. Step 7: Despite his disappointment he might manage a smile and be thankful that the sun will still rise tomorrow. He remains focused on the solution and not the problem. Of course, you may want to react differently or deal with the situation differently if you were in his position. It is just an example of how it might go. Clearly there are endless possibilities. The main point is that he has decided to act as a Human and not as a Chimp and to choose positive emotions despite the setback. Choice despite seriousness The scenario above was not so serious but what happens if a real crisis occurs? Imagine a young man who has had an accident on a motorbike and has been left paralysed from the waist down. Sadly this is not an uncommon event. How does he deal with this type of crisis? This time when he gets up into the helicopter and tries to gain perspective the answer is not so good. His whole life has just changed and not for the better. It would be totally unreasonable for anyone to say to him get a perspective and smile. He will need to go through a grieving process. All of us respond differently to the same situation, so there are no rights or wrongs when responding to a severe crisis. It is about understanding your response and making choices about how you want to manage it. The simple steps described are helpful for minor crises and immediate and transient stress but they need modifying
Steve Peters (The Chimp Paradox: The Acclaimed Mind Management Programme to Help You Achieve Success, Confidence and Happiness)
There was just no helping some people, she acknowledged to herself sadly. In fact, she thought, with a spurt of resentment, some people could be just downright unreasonable.
Faith Martin (The Teatime Mystery (Jenny Starling, #6))
When I was a kid people used to say one could travel the entire world just by sitting in a library and reading books. Sadly, in the age of billionaire-controlled social media functioning and governing bodies and minds based on carefully engineered algorithms, I don’t believe this is true anymore. The saying should be revised in our times to be ‘one could hate the entire world and see everyone as a villain or an enemy just by browsing through reels and social posts carefully selected to confirm one’s limited knowledge, perspective, and prejudices.’ With that in mind, we need more than ever to master the art of traveling, whether we go near or far. We need to undo the unreasonable, amplified, and exaggerated fear of strangers." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]
Louis Yako