Unnamed Love Quotes

A poet makes himself a visionary through a long, boundless, and systematized disorganization of all the senses. All forms of love, of suffering, of madness; he searches himself, he exhausts within himself all poisons, and preserves their quintessences. Unspeakable torment, where he will need the greatest faith, a superhuman strength, where he becomes all men the great invalid, the great criminal, the great accursed--and the Supreme Scientist! For he attains the unknown! Because he has cultivated his soul, already rich, more than anyone! He attains the unknown, and if, demented, he finally loses the understanding of his visions, he will at least have seen them! So what if he is destroyed in his ecstatic flight through things unheard of, unnameable: other horrible workers will come; they will begin at the horizons where the first one has fallen!

He let out a sigh. With my head there against his chest, I could faintly make out the sound of his heart beating through his suit coat. It seemed to be rushing. His hand, gentle as ever, reached to cup my cheek. As I looked into his eyes, I felt that unnameable feeling that was growing between us. With his eyes, Maxon asked for something we'd both agree to wait on. I was glad he didn't want to wait anymore. I gave him a tiny nod, and he bridged the small gap between us, kissing me with unimaginable tenderness.

Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.

There was a pain that came with constant disapproval; a sense of having lost something unnamed, unknown. Elsa had survived it by being quiet, by not demanding or seeking attention, by accepting that she was loved, but unliked.

I cannot project the degree of hatred required to make those women run around in crusades against abortion. Hatred is what they certainly project, not love for the embryos, which is a piece of nonsense no one could experience, but hatred, a virulent hatred for an unnamed object...Their hatred is directed against human beings as such, against the mind, against reason, against ambition, against success, against love, against any value that brings happiness to human life. In compliance with the dishonesty that dominates today's intellectual field, they call themselves "pro-life.

From Beckett's "The Unnamable": "They love each other, marry, in order to love each other better, more conveniently, he goes off to the wars, he dies at the wars, she weeps, with emotion, at having loved him, at having lost him, yep, marries again, in order to love again..., more conveniently again, they love each other, you love as many times as necessary, as necessary in order to be happy, he comes back, the other comes back, from the wars, he didn't die at the wars after all, she goes to the station, to meet him, he dies in the train, of emotion, at the thought of seeing her again, having her again, she weeps, weeps again, with emotion again, at having lost him again, yep, goes back to the house, he's dead, the other is dead, the mother-in-law takes him down, he hanged himself, with emotion, at the thought of losing her, she weeps, weeps louder, at having loved him, at having lost him, there's a story for you, that was to teach me the nature of emotion, that's called emotion, what emotion can do, given favourable conditions, what love can do, well well, so that's emotion, that's love, and trains, and the nature of trains, and the meaning of...

It was possible she might not have the right feeling after all, that she wasn't in love, wasn't in limerence, but was in some unnamed place alone.

A spy novel?” Dagmar asked. “You two are talking about a spy novel?” Annwyl threw her hands up in the air. “Not just a spy novel!” “It’s much more than that,” Ragnar argued, and when Dagmar gawked at him in disgust, he added, “I can’t read deep, meaningful, thought-provoking philosophy all the time.” “Exactly. Sometimes you have to read about a completely amoral hero whoring and killing his way across an unnamed land in the name of the queen that he’ll always love—” “—but never have.” Then both Ragnar and Annwyl sighed a little.

I desire you and love you, Cristina, and so does Mark. Stay with us.” Cristina couldn’t move. She thought again of the first time she’d seen Mark and Kieran together. The desire she’d felt. She’d thought at the time she wanted something like what they had: that she wanted that passion for herself and some unnamed boy whose face she didn’t know. But it had been a long time since any face in her dreams had not been either Mark’s or Kieran’s. Since she had imagined any eyes looking into hers that were both the same color. She had not wanted some vague approximation of what they had: She had wanted them. She looked at Mark, who seemed pinned between hope and terror. “Kieran,” he said. His voice shook. “How can you ask her that? She’s not a faerie, she’ll never talk to us again—” “But you will leave me,” she said, hearing her own voice as if it were a stranger’s. “You love each other and belong together. You will leave me and go back to Faerie.” They looked at her with expressions of identical shock. “We will never leave you,” said Mark. “We will stay as close to you as the tide to the shore,” said Kieran. “Neither of us wishes for anything else.” He reached out a hand. “Please believe us, Lady of Roses.

The idea is still there, unnameable. It waits, peacefully. Now it seems to say: “Yes? Is that what you wanted? Well, that’s exactly what you’ve never had (remember you fooled yourself with words, you called the glitter of travel, the love of women, quarrels, and trinkets adventure) and this is what you’ll never have—and no one other than yourself.” But Why? WHY?

The mind will say this forever. But I mostly fish rivers these dayas. In so doing, movement becomes stasis, flux is the constant, and everything flows around, through, and beyond me, escaping ungrasped, unnamed, and unscathed. The river's clean escape does not prevent belief in its reality. On the contrary, there is nothing I love more than the feel of a wholeness sliding toward, around, and past me while I stand like an idiot savant in its midst, focusing on tiny, idiot-savantic bits of what is so beautiful to me, and so close, yet so wondrously ungraspable.

It is not for the concept, but for the experience, that we use the term the Beloved. The experience of this enormity we falteringly label divine is unconditioned love. Absolute openness, unbounded mercy and compassion. We use this concept, not to name the unnameable vastness of being-- our greatest joy-- but to acknowledge and claim as our birthright the wonders and healings within.

There is power in naming the unnamed things. This is an important part of our decision-making practice and key to taking our next right step in love. Remember today is a plot point. See it honestly for what it is, but don't confuse the moment for the whole story.

...because there will never be any boy's wrist to tie the balloon of your helium heart to (it has floated high far away from the heavy stone of that unnameable boy in chicago), you would never be with someone and then someone else, and you would definitely never be someone to someone else's else.

Something unnamable fit between them and for now it was too delicate to put words to. Even if Lars spoke better English.

It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.

Why did people ignore the lessons of history and their own senses, deny a law of life immutable as the seasons, and erect twisted barriers against it in their minds? He didn't know why, but they did. They wept for the goodness of half-imaginary yesterdays, yesterdays beyond altering, instead of anticipating and helping to shape the good of possible tomorrows. They found things to blame for the flow of events they wanted to stop and could not. They blamed God, their wives, government, books, fanciful combinations of unnamed men--sometimes even voices in their own heads. They lived tortured and unhappy lives, trying to dam Niagara with a teacup.

But I knew it wasn't just the cute girl on the screen that had made Eunice cry. It was her father laughing, being kind, the family momentarily loving and intact - a cruel side trip into the impossible, an alternate history. The dinner was over. The waiters were clearing the table with resignation and without a word. I knew that, according to tradition, I had to allow Dr. Park to pay for the meal, but I went into my apparat and transferred him three hundred yuan, the total of the bill, out of an unnamed account. I did not want his money. Even if my dreams were realised and I would marry Eunice someday, Dr. Park would always remain to me a stranger. After thirty-nine years of being alive, I had forgiven my own parents for not knowing how to care for a child, but that was the depth of my forgiveness.

I knew, piercingly and beyond a doubt, that my mother had always loved me, just as I already loved my yet unnamed daughter. Imperfectly, but fiercely.

pledge of a love that were better unnamed

Countless people live their whole lives without ever knowing this...this unnameable thing that we share. This exclusive and secret club that we are so blessed to be a part of. I suppose that by many people's definition, it would simply be called 'Love'. And yet, this is unlike any other love or feeling or emotion that I have ever felt. Simply calling it 'Love' would be an injustice...it would do a massive disservice to this feeling that seems to envelop me with every breath I take. It's as if wherever I go, it goes; and whichever direction I look, it sees. It moves with me as if we've been doing this dance forever...like we are one being and of one mind. It has to uncanny ability to affect change by just existing; it speaks to me and with me and through me and every time it says my name, it cloaks my entire being with a warm comforting familiar glow...like it's only ever meant to be said that way and no different. It's not just simply love...it's everything.

But the Advent hope – indeed, the Advent miracle – was that this unknowable, un-namable, utterly holy Lord chose out of his own free will and out of love for us to become known: to bear a name and meet us where we are.

His love for his children bore down on his heart with the weight of three heavy stones. There were all his unnamed fears for them, and hopes for them. There was all he was powerless to change, including who they were--one too mild, one too easily tempted to be cruel, and the little girl (it was the weight of a heavy stone against his heart) a mystery to him, impossible to say what she, through her life, would need. And soon, one more.

With his two hands he props up his jaw. He passes without a word. Perhaps he does not see me. One of these days I'll challenge him. I'll say, I don't know, I'll say something, I'll think of something when the time comes.

From the first moment we met in April 1989, there was an unnamable sentiment between us, one that arrived so quickly there was no moment to question it. It wasn't love, nor was it lust or obsession. It was something both visceral and beyond viscera.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

There was so much to life, too much, more than Beaulieu could do justice to, more than any living thing could guess at or merit. She loved it all, even humans, for without the miracle of human consciousness, love for such a world would be just one more of a billion unnamed impulses.

And the mist of snow, as he had foreseen, was still on it - a ghost of snow falling in the bright sunlight, softly and steadily floating and turning and pausing, soundlessly meeting the snow that covered, as with a transparent mirage, the bare bright cobbles. He loved it - he stood still and loved it. Its beauty was paralyzing - beyond all words, all experience, all dream. No fairy-story he had ever read could be compared with it - none had ever given him this extraordinary combination of ethereal loveliness with a something else, unnameable, which was just faintly and deliciously terrifying. ("Silent Snow, Secret Snow")

On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.

People say love changes you As if change and love are easy to do My heart is calling and I can’t shake it But a hope like you could break it Some things end before they start The moment they form, they fall apart My heart wants so badly just to say it But a hope like you could break it Told myself this story a thousand times Can’t seem to break the wants free from my mind So much of my world goes unnamed Some people can’t be tamed But maybe I should stake my claim Maybe I should claim my stake I’ve heard some hopes are worth the break Yeah, maybe I should stake my claim Maybe I should claim my stake On the chance the hope is worth the break AURORA When the seas are breaking And the sails are shaking When the captain’s praying Here comes Aurora Aurora, Aurora When the lightning is cracking And thunder is clapping When the mothers are gasping Here comes Aurora Aurora, Aurora When the wind is racing

George S. Kaufman was not Miss Astor’s last love. George had been supplanted in her affections by one of his best friends, whose name would surely have been disclosed had the hearing gone on. The scoop appeared on August 12 in the Daily Mirror, announcing that the best friend, an unnamed dashing broker and bachelor, maintained a seven-room penthouse on Park Avenue, complete with butler and maid. Kaufman had introduced Mary to “Mr. Big” in December, according to the Mirror.

What would have happened? Lol does not probe very deeply into the unknown into which this moment opens. She has no memory, not even an imaginary one, she has not the faintest notion of this unknown. But what she does believe is that she must enter it, that that was what she has to do, that it would always have meant, for her mind as well as her body, both their greatest pain and their greatest joy, so commingled as to be undefinable, a single entity but unnamable for lack of a word. I like to believe--since I love her--that if Lol is silent in daily life, it is because, for a split second, she believed that this word might exist. Since it does not, she remains silent. It would have been an absence-word, a hole-word, whose center would have been hollowed out into a hole, the kind of hole in which all other words would have been buried. It would have been impossible to utter, it would have been made to reverberate. Enormous, endless, an empty gong, it would have held back anyone who wanted to leave, it would have convinced them of the impossible, it would have made them deaf to any other word save that one, in one fell swoop it would have defined the moment and the future themselves. By its absence this word ruins all the others, it contaminates them, it is also the dead dog on the beach at high noon, this hole of flesh. How were other words found? Hand-me-downs from God knows how many love affairs like Lol Stein's, affairs nipped in the bud, trampled upon, and from massacres, oh! you've no idea how many their are, how many blood-stained failures are strewn along the horizon, piled up there, and, among them, this word, which does not exist, is nonetheless there: it awaits you just around the corner of language, it defies you--never having been used--to raise it, to make it arise from its kingdom, which is pierced on every side and through which flows the sea, the sand, the eternity of the ball in the cinema of Lol Stein.

What if that were true? Was that so bad? To have created love like that out of absolutely nothing—it was a sort of miracle, wasn't it? To have set that kind of example for their son—for Flash—for everyone who saw them fumbling along together, walking, talking, marveling at life. It was a kind of glory, if he thought about it, he realized. A common uncontested outright glory for mankind, he thought. Like each and every unnamed, uncontested, unsung star up there, coupling with the dark for us to contemplate in silence.

And as she looked at the pool she saw the waters gather up into a column, rushing up foaming and standing there before her startled eyes, and turn into the form of a man. Not a man, a god. So perfectly formed, so handsome, with such wisdom and desire in his eyes and such quiet joy on his lips. He was breathtakingly beautiful and Anne felt herself grow weak with some unnamable longing. His eyes met hers and caught her soul tight, and she could not look away as he read every thought in her mind. “Come,” he said to her in a voice like liquid silver, “I know your mind, and it is one with mine.” Anne could not speak, but she did not need to. Her eyebrows raised in question. He laughed, “Why to love, of course.

Gervex's painting had a lurid and well-known literary source: it was based on Alfred de Musset's poem "Rolla," published in 1833 and 1840. The poem, a paradigm of July Monarchy romanticism, chronicles the disgrace that befalls Jacques Rolla, a son of the bourgeoisie, in the big city. The narrative of his decline — he squandered his fortune and committed suicide — is interleaved with lamentations over the moral and spiritual decadence of contemporary life. Thenineteen-year-old Rolla becomes the "most debauched man" in Paris, "where vice is the cheapest, the oldest and the most fertile in the world." The poem tells a second story as well, that of Marie (or Maria or Marion), a pure young girl who becomes a degraded urban prostitute. Her story amplifies the poet's theme — a world in moral disarray - and provides the instrument of, and a sympathetic companion for, Rolla's climactic self-destruction. Musset is clear about his young prostitute's status: she was forced into a prostitution de la misère by economic circumstances ("what had debased her was, alas, poverty /And not love of gold"), and he frequently distinguishes her situation from that of the venal women of the courtesan rank ("Your loves are golden, lively and poetic; . . . you are not for sale at all"). He is also insistent about the tawdry circumstances in which the young woman had to practice her miserable profession ("the shameful curtains of that foul retreat," "in a hovel," "the walls of this gloomy and ramshackle room"). The segments of the poem from which Gervex drew his story — and which were published in press reviews of the painting — are these: With a melancholy eye Rolla gazed on The beautiful Marion asleep in her wide bed; In spite of himself, an unnameable and diabolical horror Made him tremble to the bone. Marion had cost dearly. — To pay for his night He had spent his last coins. His friends knew it. And he, on arriving, Had taken their hand and given his word that In the morning no one would see him alive. When Rolla saw the sun appear on the roofs, He went and leaned out the window. Rolla turned to look at Marie. She felt exhausted, and had fallen asleep. And thus both fled the cruelties of fate, The child in sleep, and the man in death! It was a moment of inaction, then, that Gervex chose to paint - that of weary repose for her and melancholic contemplation for Rolla, following the night of paid sex and just prior to his suicide.

I say that one must be a seer, make oneself a seer. The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses. Every form of love, of suffering, of madness; he searches himself, he consumes all the poisons in him, and keeps only their quintessences. This is an unspeakable torture during which he needs all his faith and superhuman strength, and during which he becomes the great patient, the great criminal, the great accursed—and the great learned one!—among men.—For he arrives at the unknown! Because he has cultivated his own soul—which was rich to begin with – more than any other man! He reaches the unknown; and even if, crazed, he ends up by losing the understanding of his visions, at least he has seen them! Let him die charging through those unutterable, unnameable things: other horrible workers will come; they will begin from the horizons where he has succumbed!

Suggested Reading Atkinson, Kate. Behind the Scenes at the Museum; Binchy, Maeve. Tara Road, The Copper Beech, and Evening Class; Bloom, Amy. Come to Me; Edwards, Kim. The Memory Keeper’s Daughter; Ferris, Joshua. The Unnamed; Flynn, Gillian. Gone Girl; Foer, Jonathan Safran. Extremely Loud and Incredibly Close; Franzen, Jonathan. The Corrections; Ganesan, Indira. Inheritance; Hanilton, Jane. Disobedience; Jonasson, Jonas. The 100-Year-Old Man Who Climbed Out the Window and Disappeared; Joyce, Rachel. The Unlikely Pilgrimage of Harold Fry; Kidd, Sue Monk. The Secret Life of Bees; Mapson, Jo-Ann, The Owl & Moon Cafe; McEwan, Ian. Atonement; Miller, Arthur. All My Sons; Morrison, Toni. Love; O’Neill, Eugene. Long Day’s Journey into Night; Pekkanen, Sarah. The Opposite of Me; Porter, Andrew. In Between Days; Quindlen, Anna. Blessings and One True Thing; Rosenfeld, Lucinda. The Pretty One; Sittenfeld, Curtis. Sisterland; Smith, Ali. There But For The; Tan, Amy. The Joy Luck Club; Tyler, Anne. Dinner at the Homesick Restaurant; White, Karen. The Time Between; Williams, Tennessee. Cat on a Hot Tin Roof; Woolf, Virginia. Mrs. Dalloway; Yates, Richard. The Easter Parade.

That which is unnamed was first,” it said. “But I am named, flesh queen. Remember.” Its pupils thinned. “The cold one on the ship. She was your kin.” Glorian looked at the other skull. “She fell to my flame. So will this land. We will finish the scouring, for we are the teeth that harrow and turn. The mountain is the forge and smith, and we, its iron offspring—come to avenge the first, the forebear, he who sleeps beneath.” Every warrior should know fear, Glorian Brightcry. Without it, courage is an empty boast. “You confess,” Glorian said, “that you slew the blood of the Saint.” Her voice kept breaking. “Do you then declare war on Inys?” Fyredel—the wyrm—let out a rattle. A score of complex scales and muscles shifted in its face. “When your days grow long and hot,” he said, “when the sun in the North never sets, we shall come.” On both sides of the Strondway, those who had not fled were rooted to the spot, fixated on Glorian. She realized what they must be thinking. If she died childless, the eternal vine was at its end. What she did next could define how they saw the House of Berethnet for centuries to come. Start forging your armour, Glorian. You will need it. She looked down once more at her parents’ remains, the bones the wyrms had dumped here like a spoil of war. In her memory, her father laughed and drew her close. He would never laugh again. Never smile. Her mother would never tell her she loved her, or how to calm her dreams. And where there had been fear, there was anger. “If you—If you dare to turn your fire on Inys,” Glorian bit out, “then I will do as my ancestor did to the Nameless One.” She forced herself to lift her chin in defiance. “I will drive you back with sword and spear, with bow and lance!” Shaking, she heaved for air. “I am the voice, the body of Inys. My stomach is its strength—my heart, its shield— and if you think I will submit to you because I am small and young, you are wrong.” Sweat was running down her back. She had never been so afraid in her life. “I am not afraid,” she said. At this, the wyrm unfurled its wings to their full breadth. From tip to hooked tip, they were as wide as two longships facing each other. People scrambled out of their shadow. “So be it, Shieldheart.” It steeped the word in mockery. “Treasure your darkness, for the fire comes. Until then, a taste of our flame, to light your city through the winter. Heed my words.

I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by... “That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause. “So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river. “Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure. “Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here. “Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing. “Now I can’t even leave off writing to you. “But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.

Will she be all right?” Gary asked fearfully. In spite of himself, he had checked her pulse several times. “She must be all right,” Gregori said very softly. The voice was like velvet, but there was something in it that sent a shiver of apprehension through Gary. If anything happened to Savannah, Gary realized that no one, nothing in the world, would ever be safe again from the Carpathian. He hadn’t considered that before, and he had no idea where the knowledge came from, but he knew it absolutely. He crawled from the cramped space and picked his way a small distance from the cave. The night noises bothered him, were strange and a bit daunting. Gregori gathered Savannah tenderly into his arms. Come to me, my life and breath. Wake and be with me. He gave the command, and even as he felt her heart flutter, he pressed her mouth to his throat. Feed, ma petite. Feed and replenish what you selflessly gave to me. Savannah turned her head, her first breath a sigh of warmth against his throat. She nuzzled closer, drowsy and weak from lack of blood. Her tongue tasted his skin, caressed his pulse. Gregori’s body tightened alarmingly as her teeth sent white-hot pleasure slicing through him. Slowly her skin warmed, went from ashen to a healthy glow. Her arms slipped around his neck, and she held him close, her body fitting into his, a restless ache of need and hunger. Savannah closed the pinpricks on her lifemate’s neck, feathered kisses up his throat to his jaw, then found the corner of his mouth. Gregori caught her head and held her still, his mouth dominating, taking hers with a need as elemental as the wind. “I thought I lost you,” she whispered into his heart, his soul. “I thought I lost you.” “Are you always going to be pulling me out of trouble?” he asked, some strong, unnamed emotion choking him, blocking his throat. A small smile tugged at her soft mouth. “Back you up, you mean.” He groaned at her terminology. “Je t’ àime, Savannah. More than I can ever express in words of any language.” His arms held her tight, sheltering her against his heart. She was his world, would always be his world. She was his laughter, his light. She showed him how to slip easily between both worlds. She gave him faith in humans that had never been there before.

He had given up, she thought, or he had died trying to reach her mother before she did, and in neither of those instances did she know how to find him, or how to be angry, or how to mourn. She went days and weeks without thinking of him at all, and on those occasions she did think of him, it was with an abstract sadness that transmuted disappointment, concern, and compromised love into a final resignation that as far as fathers were concerned, this—silence, mystery—was all life would have to offer her.

What they used to call soul. What they used to call spirit. Indivisible, complete, that thing made of mind, distinct from body. He thought he had one—a soul, a spirit, a nature, an essence. He thought his mind was proof of it. If mood, facial expression, hunger pain, love of color, if everything human and happenstance came not from the soul, the core of self, but from synapses firing and electrical signals, from the stuff in the brain that could be manipulated and X-rayed, what could he say about himself with any degree of certainty? Was mind just body more refined? He refused to believe that.

Religion and revolution reverberated through northern Mexico like the thunder and lightning of its wild and fierce storms. This book reveals the motivation behind the madness and the role religion played in the very struggle for the soul of Mexico. During the revolution, many lived and died; lost in a thousand fields and unnamed pueblos, meaningless except to the few who knew and loved them, and who would never see them again. Whatever their cause, in the words of Philippians 2:8, they were faithful . . . even unto death. This book is for those who love Mexico and who want a research-based, yet highly readable account of the role religion played in the conflict. Often lost among the myths were the millions driven by forces they couldn’t comprehend. They were knights, bishops, castles, and yes, pawns – in the revolutionary chess matches that nearly resulted in the checkmate of Mexican civilization. It took Phil Stover three years to write this book, but La Llorona has been crying for her children for centuries. She sobs for all those who have been lost in Mexico’s turbulent past and present. Listen carefully, dear reader. Perhaps in the pages of this book you too will hear her cries!

As unaddressed and unnamed letter and message return to the sender; similarly, unclear love executes nothing.

Here in his arms was the girl who had lived in the house near the Varosliget, the young dancer who had loved Sandor Goldstein, the woman who loved him now. He could almost see insider her that unnameable thing that had remained the same through all of it: her I, her very life. It seemed so small, a mustard seed with one rootlet shit deep into the earth, strong and fragile at once. But it was all there needed to be. It was everything. She had given it to him, and now he held it in his hands.

I had never said those words because there were no words left. My beloved and I were both exiles from language. Our love couldn't be expressed in words. Our love had been woven into the melodies rendered by his flute, and it was subsumed in the atoms of the air we breathed. It had been consecrated in this shrine. It had never been named. It was an unnamed thing that had remained unspoken, unuttered, unsaid. I did not need to name it when he could already hear it.

An hour later he lay awake beside Loretta, staring at the firelight that played upon the walls of his lodge. Red Buffalo’s words haunted him. If Loretta had to choose, would she forsake him for her people? He knew she was awake by the sound of her breathing, but her voice still startled him when she spoke. “Hunter, what’s wrong? Surely you’re not still stewing over the scalp. It upset me, but I’m over it now.” He turned to regard her. There were shadows in her eyes, and she was as pale as bleached bones. “You lie, Blue Eyes. Many of your people are dead, by my cousin’s hand, and their spirits wail and call out to you.” “It wasn’t you who killed them. That’s all that counts.” Hunter’s chest tightened. One day he would ride into battle again--to slay White Eyes. It was inevitable. How would she feel about that? “You are Comanche now, yes?” he said hopefully. “One with us.” Indefinable emotions played across her face. “I’m married to a Comanche. I love him. But I’ll never be a Comanche.” Hunter studied her features, once so repulsive to him, now so cherished. He ran a finger up the fragile bridge of her nose, then traced the line of her brow, acutely conscious of the small bones that shaped her face. Protectiveness welled within him. “You are one with me, one with my people. You cannot stand with one foot on Comanche land and the other on tosi tivo land.” “Both my feet are here, Hunter, but part of my heart is at my wooden walls. No matter how much I love you, that will never change. You are one with me, too. Does that make you one with the tosi tivo?” An unnameable fear grew within him. He felt very much as he had several summers ago when he had been caught in a flash flood, swept along by the raging water. The Comanche struggle for survival was like that, surging forward, catching up everyone in its path. Men like Red Buffalo fed its fury.

My insistence on leaving so early is in the end a symptom of fear. In a world of randomness and surprises, it’s a technique I’ve developed to ward off anxiety and an unholy, unnameable sense of dread. I want to be on time the same way others lust for power and from a similar drive for security; it makes a little sense, though only a little, in light of the fact that I spent my childhood waiting for a father who never showed up. It’s my own crazy way of trying to stay sane.

I was a tool. My dear father used me - and Nessarose less so, because of her trouble moving about - he used me as an object lesson. Looking as I did, even singing as I can - they trusted him partly as a response to the freakiness of me. If the Unnamed God could love me, how much more responsible it'd be to the unadulterated them.

There was a pain that came with constant disapproval; a sense of having lost something unnamed, unknown. Elsa had survived it by being quiet, by not demanding or seeking attention, by accepting that she was loved, but unliked. The hurt had become so commonplace, she rarely noticed it.

As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous hesitant air, a little like done thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...

Nobody owns history, and nobody owns the movement for marriage equality. A social movement is as much the property of a legislator as it is a kid who got on a bus to go to a march. Never doubt that a small group of thoughtful, committed citizens can change the world, and never doubt that everyone together can either – the named and unnamed, the prominent and the anonymous. To those who fought for equality who are no longer with us, thank you.

As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous, hesitant air, a little like someone thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...

The People of Ice Planet Barbarians As of the end of Barbarian’s Mate (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 VEKTAL (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. GEORGIE – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. TALIE (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah – (Ses-uh) - Their youngest son Rokan – (Row-can) – Their oldest son. Adult male hunter. CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Has an unnamed child. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, and has an unnamed child. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Extremely pregnant. Cashol – (Cash-awl) – Mate to Megan. Hunter. CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Unnamed child. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Unnamed child. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli, Pashov and Dagesh. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Mated to Hemalo. No living child. Hemalo (Hee-mah-lo) – Mated to Asha. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. CAVE 20 Josie – Human woman and last one to resonate. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie

I believe that, if Jane ever loved, it was this unnamed gentleman; but the acquaintance had been short, and I am unable to say whether her feelings were of such a nature as to affect her happiness.

I am grappling with fullness and emptiness and the unnameable something that could change everything. I am thinking of spells chosen, not cast, of polarity, of clear mirrors. I wonder at how the body can brace itself and choose surrender all at once. I contemplate the way Ink bleeds through from one page to the next, and how all the stories do this really, the way the lines of my tattoo soften into my skin over time. The way all lines blur in the end. I hold the language and complexity and sovereignty of my yes. I imagine the spaces where sacred and tender and profane and primal meet and dance. The intimacy that exists between us and how it takes me by surprise every single time. I dream of the way a future want can also feel like a memory lived, where the body inexplicably knows what it has not yet experienced. Of the way that the doing and the undoing of me are sometimes the very same thing. Of the hunger of my skin and my holy pleasure and the turning inward and the space where they collide. Of lighting seeking ground. Of the first taste of coffee in the morning and the way my body unfolds into it. Of the infinities of her and how and where I might one day find and taste them. How sometimes, when I dive into the root of what my lonely feels like, it is just that the light is so beautiful here, and I want someone else to feel it with me. Do you feel it? Tell me you do. Please. Tell me you do.

I’m sure you will be pleased to learn that I have heeded your advice and finally chosen a bride,” he said smoothly. “Although I have not yet made a formal proposal to her, I have good reason to believe that she will accept when I do.” The countess blinked in surprise, her composure faltering. Livia stared at him with a wondering smile. There was a sudden wicked enjoyment in her eyes that inclined Marcus to think she had guessed at the identity of the unnamed bride. “How lovely,” she said. “Have you finally found someone who will tolerate you, Marcus?” He grinned back at her. “It would seem so. Though I suspect it would behoove me to hasten the wedding plans before she comes to her senses and flees.” “Nonsense,” the countess said sharply. “No woman would flee from the prospect of marrying the Earl of Westcliff. You possess the most ancient title in England. On the day you marry, you will bestow on your wife more peerage dignities than any uncrowned head on the face of the earth. Now, tell me whom you have decided on.” “Miss Lillian Bowman.” The countess made a disgusted sound. “Enough of this witless humor, Westcliff. Tell me the girl’s name.” Livia fairly wriggled with delight. Beaming at Marcus, she leaned closer to her mother and said in a loud stage whisper, “I think he’s serious, Mother. It really is Miss Bowman.” “It cannot be!” The countess looked aghast. One could practically see the capillaries bursting in her cheeks. “I demand that you renounce this piece of insanity, Westcliff, and come to your senses. I will not have that atrocious creature as my daughter-in-law!” “But you will,” Marcus said inexorably. “You could have your pick of any girl here or on the continent… girls of acceptable lineage and bearing…” “Miss Bowman is the one I want.” “She could never fit into the mold of a Marsden wife.” “Then the mold will have to be broken.” -Marcus, Livia, & their mother

They love each other, marry (in order to love each other better, more conveniently). He goes to the wars, he dies at the wars. She weeps (with emotion) at having loved him, at having lost him. (Yep!) Marries again (in order to love again, more conveniently again). They love each other. (You love as many times as necessary - as necessary in order to be happy.) He come back (the other comes back) from the wars: he didn't die at the wars after all. She goes to the station, to meet him. He dies in the train (of emotion) at the thought of seeing her again, having her again. She weeps (weeps again, with emotion again) at having lost him again. (Yep!) Goes back to the house. He's dead - the other is dead. The mother-in-law takes him down: he hanged himself (with emotion) at the thought of losing her. She weeps (weeps louder) at having loved him, at having lost him.

I’m sorry if my words hurt you earlier. I thought I’d been pretty clear about my not wanting kids.” Alex winced, but tried to cover it by tucking her hair behind her right ear. “You were. I remember you saying it the first night. But we clicked on everything else and I guess I thought you might possibly start to rethink your position.” He could understand why she would think that. They had clicked on everything. She’d fit into his house as if she’d always been here. Hell, she fit into his life as if she’d always been there. All of the worries he’d had about her youth had faded. She was more mature for her age than most of the men he knew, and that was the truth. “I don’t want this,” he motioned between them, “to end because of just this one thing.” She frowned. “I hope you didn’t mean that the way it sounded, because that one thing is very important to me. I’m almost thirty-two. As trite as it is to say, my childbearing time is ticking away.” Duncan growled, pissed that he couldn’t articulate his feelings the way he needed to. He was losing her, he could see it in her eyes. “I don’t want the responsibility of children, but I don’t want our physical or emotional relationship to end. I enjoy having you in my life.” She gave him a narrow-eyed look. “It’s convenient, right? Having a woman in your house and bed, falling in love with you? I can’t just be ‘enjoyed’ Duncan, I need more that that. I felt like we had a deeper connection than that.” Scowling, he turned to look at the cold fireplace. Then her words slowly sank in. She’d said she was falling in love with him. Fuck… Alex muttered a curse under her breath and pushed to her feet to pace. Duncan watched her move, thoughts swirling in his mind. She thought she loved him, but she’d only been here a couple of days. Yes, they’d been together the entire time since she’d been here, but surely she didn’t think she loved him. Maybe she was less mature than he thought. No one could decide to tie themselves to a man that quickly, let alone a disabled veteran destined to have long-term emotional and medical issues. She paused in her pacing, as if coming to a decision. “I think I’m going to go home.” The words fell into the silence and he lost his breath. But he couldn’t blame her. She wanted more than he could give her. Once again, like with Melanie, he was being tossed over for another man, this one just so far unnamed. “If you make your reservations, I can drive you whenever you need me to.” She blinked at him, a strange expression on her face, then she shook her head as if she couldn’t believe it was ending. He couldn’t either. “All right. Goodnight.” Duncan

I am her husband!” “Then you can remain unnamed as her one great love whilst her husband looks on unwittingly.” Hamlet sighed in satisfaction. “Ah, what romance there is in the world today!” “Hamlet,” Richard said, taking his guardsman by the shoulders and giving him a sharp shake. “I wed the girl not a fortnight ago.” Hamlet blinked. “And I bedded her as well!” Hamlet began to look rather crestfallen.

His love for his children bore down on his heart with the weight of three heavy stones. There were all his unnamed fears for them, and hopes for them. There was all he was powerless to change, including who they were—one too mild, one too easily tempted to be cruel, and the little girl (it was the weight of a heavy stone against his heart) a mystery to him, impossible to say what she, through her life, would need. And soon one more. He hoped the fourth would be another boy—although he would never say so to his wife. What

As for my higher power, I never found my way. I loved Jacquie’s version of her higher power and took it on for myself. Untitled. Like your higher power could just remain unnamed because naming was presumptuous when it came to the power higher than high, the most high. It was good there. It could remain what it’d always been, it could keep its mystery, and you didn’t have to worry about a group worrying about its believability, its sects, or dogmas, or anything else required of a group deciding together on what it all ultimately means. I know there isn’t a way to know and that the need to know comes from wanting control,

Love was not to be pinned down, tamed, subdued or understood. It was wild, unpredictable, upsetting, boring, routine, uplifting, beautiful, and terrifying.

There is a sense of relief that unknown, unnamed acquaintance give you. They are the beacon of faith and hope. They set you free from social hubris.

Last night was…” "As all good nights should be." And it was Good that filled Charlie to the brim and spilled over. He'd danced like he hadn't in decades. Danced like his body wanted to shake something out of itself. The magnitude of what he felt last night wasn't his alone. It was everyone's. Big love. Broad, sweeping, and all-consuming. Love that made you dance when you didn't want to Made you laugh so hard you stopped breathing. Made you want to feel everything, pushing him to hug, and dap, and hold on to the person next to him like magnets wedged between his joints Charlie, over the course of one night, felt that he'd recovered something profound and unnamable. And as he looked over at Seraphin's luminous black-gold body, he knew what he'd found last night he yet retained.

He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.

O, wicked love,” she thought, “that has so many unnamed components.

Grief undulates, slips thin like air in and through heart, body, and soul. It moves unnamed, unknown. A fleeting thing that is, for better or worse, forever here to stay. What this book does not do—and what I could never do—is attempt to put a definitive grasp on grief. Grief cannot be quantified; it swells and looms large, only to shrivel and hide when sought out and sized. Grief is one thing to one person and presents a whole new face to another. It is emotion and embodied; it is expressed and it emits. It is body, spirit, mind, and soul. Hidden and seen. Felt and perceived. It is no one thing, for it is everything and everywhere all at once. It is in and around me. And—whether you feel it, fight it, or fear it—grief is in and around you too.

Grief comes to us in all shapes, knocking down doors of all sizes, the unanticipated guest that it is. We lose life, lose livelihood. Dreams die and bodies deteriorate with disease. Wedding bands go missing and houses fold in foreclosure. We hold our breath waiting for the bad news, waiting to hear that the world will be ripped from under our feet. We, all of us, cradle unnamed grief, crying into corners when the world isn’t looking as we wait for someone—anyone—to say it’s not too much to want to make sense of it all.

THE PEOPLE OF ICE PLANET BARBARIANS As of the end of BARBARIAN’S TOUCH (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 Vektal (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. Georgie – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. Talie (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah (Ses-uh) - Their youngest son CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Currently pregnant for a second time. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Mother to Pacy, a baby boy. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, father to Pacy. Pacy – Their infant son. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Mother to newborn Holvek. Cashol – (Cash-awl) – Mate to Megan. Hunter. Father to newborn Holvek. Holvek – (Haul-vehk) – Wee blue baby boy! CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Mother to Analay. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Father to Analay. Analay – (Ah-nuh-lay) – Their infant son. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli and Pashov. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Separated from Hemalo. No living child. Maddie – Lila’s sister. Found in second crash. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. Hemalo (Hee-mah-lo) – Separated from Asha. CAVE 20 Josie – Human woman. Mated to Haeden and newly pregnant. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie. CAVE 21 (formerly a storage cave) Rokan (Row-can) – Oldest son to Sevvah and Oshen. Brother to Aehako and Sessah. Adult male hunter. Now mated to Lila. Has ‘sixth’ sense. Lila – Maddie’s sister. Hearing impaired. Resonated to Rokan.

I've loved words and I've hated them, but I've never been indifferent to them. I've spent the last few years fearing them, the way they have the power to give life to the things you feel, things that are safer left unnamed.

James Bond’s latest outing, The Spy Who Loved Me, had featured an ill-advised and hastily-written fifth act ‘twist’ whereby the unnamed PM, played by a no-name Yorkshire character actor, had absconded and sought to take ‘State Secrets’ with him to the Russians. Roger Moore had chased him down–improbably, in a speedboat–and seen to it that he would face justice. The critics were calling for the same fate to befall the screenwriters.

The artifacts are often what people latch on to most in a church, though they are expressions of so much beneath the surface. Imagine growing up in a healthy church. The church is generous, kind, nurturing, full of truth, and loving. You grow up loving your church. This church happens to have some programs that have deeply impacted you. Maybe it was a children’s program or a great worship ministry. In your mind, even without realizing it, your affinity for belief of the church is connected to the visible expressions of the church. Now, years long past that first church experience, artifacts that seem nearest to those original expressions will just feel right. Because of this, people are often really attached to the artifacts. While changing actual beliefs is the most difficult task, changing artifacts often creates the most pain. In order to understand culture, it is critical to recognize the differences in the layers. It is faster to correct unwanted behaviors or artifacts in a culture, but only addressing behavior is insufficient. Unless all the layers of culture are addressed, other deviant behaviors will pop up in the place of recently addressed ones. This game of behavioral whack-a-mole becomes an endless cycle of battling unnamed enemies underneath the surface. The unwanted behaviors are symptoms; an unhealthy culture is the sickness. Wherever we find stubborn sticking points in a church culture, there is always inconsistency between the actual beliefs and values and the stated ones. If there are deeply held assumptions and beliefs within the culture that are incompatible with the desired future that leaders are leading toward, then the beliefs beneath the surface must be addressed. If our churches are going to have strong cultures, there must be actual beliefs driven deeply into the church that are articulated and then expressed in artifacts. There will be harmony and congruence between all three layers of culture. The church won’t settle for mere alignment between the articulated values and the artifacts. The leaders will push for the actual beliefs to be deeply rooted in the church. The true beliefs and assumptions of a church culture are not only written on signs, posters, and e-mail footers. The truly embraced convictions of a local church are written in the lives of believers as they interact with one another and the world. Church leaders often

Though many publications continued to publish exposés based on in-depth investigation and on-the-record evidence, others were running stories that relied on a single source or unnamed accusers, much lower standards. Once published, some of those stories flushed out additional allegations and more evidence of wrongdoing. But other stories appeared thin and one-sided, raising questions of fairness to those facing accusations. So did allegations leveled on social media without any backup or response from the accused. “Believe Women” grew into one of the catchphrases of the day. Jodi and Megan were sympathetic to the spirit behind that imperative: They had spent their careers getting women’s stories into print. But the obligation of journalists was to scrutinize, verify, check, and question information. (A former editor of Megan’s displayed a sign on his desk that read: IF YOUR MOTHER TELLS YOU SHE LOVES YOU, CHECK IT OUT.) The Weinstein story had impact in part because it had achieved something that, in 2018, seemed rare and precious: broad consensus on the facts.” Excerpt From: Jodi Kantor. “She Said.

I have to say that J. K. Rowling’s incredible imagination has made teaching shame a lot easier and way more fun. The allegorical power of Harry Potter lends itself to talking about everything from the struggle between light and dark to the hero’s journey and why vulnerability and love are the truest marks of courage. Having spent so long trying to describe and define unnamed emotions and experiences, I find that Harry Potter has given me a treasure trove of characters, monsters, and images to use in my teaching. For that, I’ll be forever grateful.

There is power in naming the unnamed things. This is an important part of our decision-making practice and key to taking our next right step in love. Remember today is a plot point. See it honestly for what it is, but don’t confuse the moment for the whole story.

A PRAYER Father, you hear everything, even the things we are afraid to say. For all the ways we’ve experienced healing, we know there is still much within us that remains unseen and unnamed. Give us the courage to face what we have so long tried to ignore. Shine the warm light of grace into the shadows and be the courage we need to respond. Hold shame, fear, and anger back with your powerful hand and extend to us your Father-kindness, we pray. As we turn our face to you, may we see our true self reflected in your gaze, not as people who have a spirit of fear but one of power, love, and a sound mind. Be our peace as we take one step forward and do our next right thing in love. Remind us that, in Christ, we live a narrative of joy.

I want to tell him that I learned to write when I was barely old enough to read, because the pain took me straight out of my body, both evading and yet demanding speech. I want to show him where it dropped me: the wasteland where words pant dry, where meanings wander hollowed of their sound-bodies, where new-born and unnamed realities mouth hungrily towards the sun, waiting to be seen into meaning.

Can an unnamed thing be said to exist? Yes, but we can’t speak of it even in hushed voices. We can only dance around the invisible enemy. We can only evade.

Psalm 46:10 is an invitation to be still and know he is God. There’s a reason why God invites us to be still first: the stillness makes way for the knowing. It creates space in the same way becoming a soul minimalist makes way for the naming of unnamed things. When I am constantly in motion, my body rehearses anxiety rather than practicing the unforced rhythms of grace. Ironically, in choosing to finally stop chasing something we don’t think we have, we may end up finding what was always there. Having an uncluttered soul isn’t a one-time declarative statement but an ongoing way of being. Sometimes I feel centered in the early morning only to lose it by breakfast. Rather than being a scattered person unable to do anything, I want to be a gathered person equipped to do her next right thing in love.

Conspiracy theorists, skeptics, and revolutionaries love to accuse unnamed cabals of hidden white men of running the country, while oblivious or innocent thinkers point to the Constitution and the idea of democracy and denounce these notions. The truth is somewhere in between.

He paid me to discover ways to express the unnameable; to get to the bottom of an utterance; to find words for the things for which there were no words yet, thereby bringing them into existence, committing them to paper, projecting them into the future. The work was part drudgery, part deity.

She doesn't know what to call it—this free-falling sensation she feels every time she looks at Taylor, like her hands are closing again and again on emptiness—but she thinks she knows better than to call it love.

She loved it all, even humans, for without the miracle of human consciousness, love for such a world would be just one more of a billion unnamed impulses.

In the hands of a good dancer, love was not just about simpering femininity. It always seemed to suggest something more. There was the hint of a human condition too unnamable to be told except through the language of archetype.

their dynamic is untrappable, unnameable, and unofficial. It was simultaneously more than a friendship and less; was as profound and rare as true love, as profound and rare as true hate.

Somewhere, there are orcas. Somewhere, there is a living bristlecone pine that stood when the pyramids were built at Giza. Somewhere, an unnamed creature swims in dark waters and has never witnessed an electric light. This is where we live. This is our world.