Unmade Beds Quotes

No one ever died from sleeping in an unmade bed. I have known mothers who remake the bed after their children do it because there is wrinkle in the spread or the blanket is on crooked. This is sick.

Love and loss share the same unmade bed.

Many waters cannot quench love, neither can floods drown it. What then kills love? Only this: Neglect. Not to see you when you stand before me. Not to think of you in the little things. Not to make the road wide for you, the table spread for you. To choose you out of habit not desire, to pass the flower seller without a thought. To leave the dishes unwashed, the bed unmade, to ignore you in the mornings, make use of you at night. To crave another while pecking your cheek. To say your name without hearing it, to assume it is mine to call.

She makes use of the soft of the bread for a napkin. She falls asleep at times with shoes on, on unmade beds. When a little money comes in, June buys delicacies, strawberries in the winter, caviar and bath salts.

This woman is Pocahontas. She is Athena and Hera. Lying in this messy, unmade bed, eyes closed, this is Juliet Capulet. Blanche DuBois. Scarlett O'Hara. With ministrations of lipstick and eyeliner I give birth to Ophelia. To Marie Antoinette. Over the next trip of the larger hand around the face of the bedside clock, I give form to Lucrezia Borgia. Taking shape at my fingertips, my touches of foundation and blush, here is Jocasta. Lying here, Lady Windermere. Opening her eyes, Cleopatra. Given flesh, a smile, swinging her sculpted legs off one side of the bed, this is Helen of Troy. Yawning and stretching, here is every beautiful woman across history.

And then I crawled into his unmade bed, wrapping myself in his comforter like a cocoon, surrounding myself with his smell. I took out my cannula so I could smell better, breathing him and out, the scent fading even as I lay there, my chest burning until I couldn't distinguish among the pains.

No one ever died from sleeping in an unmade bed.

You must have brought the bad weather with you The sky's the color of lead All you've left me is a feather On an unmade bed

La poésie se fait dans un lit comme l’amour Ses draps défaits sont l’aurore des choses (English) Poetry is made in bed like love Its unmade sheets are the dawn of things

But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.

Audry Hepburn on the cover of The Nun's Story was staring up at me from my unmade bed. Her hair was hidden by her snow-white wimple; her big eyes looked frightened. "What are you looking at?" I said. "Fuck you." It was the first time I'd ever said the word. I felt a brief shiver of power. Then I sat back on the bed and sobbed. Dolores Price: Lady of Sorrow.

I left the bed as she had left it, unmade and rumpled, coverlets awry, so that her body's print might rest still warm beside my own. Until the next day I did not go to bathe, I wore no clothes and did not dress my hair, for fear I might erase some sweet caress. That morning I did not eat, nor yet at dusk, and put no rouge nor powder on my lips, so that her kiss might cling a little longer. I left the shutters closed, and did not open the door, for fear the memory of the night before might vanish with the wind.

Clouds spread out over the Atlantic like soiled linens on an unmade bed.

The man named Caravaggio pushes open all the windows in the room so he can hear the noises of the night. He undresses, rubs his palms gently over his neck and for a while lies down on the unmade bed. The noise of the trees, the breaking of moon into silver fish bouncing off the leaves of asters outside. The moon is on him like skin, a sheaf of water.

The garden stretched out in a soft drift, colors jumbled any way, an unmade bed of red and yellow and pink. Then came the trees. Apple, plum, and the Japanese black pine.

We all live with expensive ghosts in memory’s unmade bed, for what we do not remember remembers us nonetheless

Hey,508! Your room is right above mine. You never said." St. Clair smiles. "Maybe I didn't want you blaming me for keeping you up at night with my noisy stomping boots." "Dude.You do stomp." "I know.I'm sorry." He laughs and holds the door open for me.His room is neater than I expected. I always picture the guys with disgusting bedrooms-mountains of soiled boxer shorts and sweat-stained undershirts,unmade beds with sheets that haven't been changed in weeks, posters of beer bottles and women in neon bikinis,empty soda cans and chip bags,and random bits of model airplanes and discarded video games.s

In my dorm the hallways were littered with shoe boxes and coat hangers, doors ajar, everything dark and quiet as the grave. I was as depressed as I have ever been in my life. I pulled down the shades and lay down on my unmade bed and went back to sleep.

Brian knows the affair is wrong. He's known from the moment Wendy first undressed in his office. But with her hot, wet tongue in his ear, and her taut, pink nipples straining against his starched white shirt, and with Mick Jagger's strident voice squawking about satisfaction on the tiny transistor radio, Brian's body refuses to obey. Instead of shoving Wendy out the door, he shoves her onto the unmade bed.

Beds unmade for days on end, piled high with bedding crumpled and disordered from the weight of dreams, stood like deep boats waiting to sail into the dank and confusing labyrinths of some dark starless Venice.

David’s mouth dripped open slowly. He stood with his heels dug into my carpet, a dashed hope, a broken dream. No amount of money could top the priceless look that gathered on his face like an unmade bed. His eyebrows crumpled and furrowed like disheveled sheets. His lips curled into an acidic smirk. Confusion and shock collided in the cornea of his dilated pupils. He was a B.B. King song, personified. His entire body sang the blues.

Jesse." My head springs up with a deep breath of panic. Alex's face appears in my blurry vision. I guess I managed to fall asleep in this old chair after all. Now I feel worse than when I sat down. "Come." She takes my hand and tugs me until I get out of the chair, leading me to the bed. It's still dark out, but the fire casts enough glow. "Wait, let me get the-" "No, this is perfect. Really." She's still whispering. the girl who drives a BMW Z8, and she wears probably two years' worth my salary on her finger, curls up on an unmade bed with an old wool blanket and says it's perfect.

Sometimes I grow afraid of long flights and street signs and a heartbeat Of open endings and reflections and chipped coffee mugs Of jingling keys and unmade beds and choked sobs Of crescent moons and dead flowers and small insects But most of all I am afraid //Of you// -An abusive relationship

The cashier had long since left for home. By now she was probably bustling by an unmade bed that was waiting in her small room like a boat to carry her off to the black lagoons of sleep, into the complicated world of dreams. The person sitting in the box office was only a wraith, an illusory phantom looking with tired, heavily made-up eyes at the empyiness of light, fluttering her lashes thoughtlessly to disperse the golden dust of drowsiness scattered by the elctric bulbs.

It looks like fallen petals, and it looks like rain. It looks like the sounds the birds make at dawn. It looks like the aisle of grocery stores when a song I love suddenly begins to play overhead, and I cannot help but dance a little dance. It looks like a sigh, a kiss, an unmade bed. It looks like Cheerios in a white bowl with a bit of silence on the side. It looks like a plain vanilla cupcake in white paper, a dance with the wind, pink toenails, warm socks. It looks like a fire against the cold of winter, and a deep lake cool against a summer sky. It looks like chick flicks, books that make you cry, and all the candles blown out on the first try.

And the way you dress reminds me of an unmade bed!" "Does that mean you'd like to lie on top of me?" he asked.

this room where Joe sleeps in this unmade bed and reads these books strewn everywhere and drinks out of these five hundred half-full glasses seemingly at once.

The most extraordinary thing about it all was how simple it was just to carry on. There were meals to be prepared and eaten; dishes to be washed; clothes to be laundered, ironed, and put on and taken off; beds to be slept in and made and unmade. The prosaic needs of day-to-day living blunted all impact of the miraculous; it demanded that the glorious be relegated. And she knew that even if she were able to convince everyone involved that she had witnessed something remarkable, had undergone a transcendental and miraculous experience, reached and returned from another world, it almost seemed like it would not ever, and could not ever, truly matter.

Sometimes, at dawn, perched on the edge of his unmade bed, drifting into sleep—he never slept lying down, now—he thought about her. Antoinette. And them. The belonging kind. Sometimes he speculated dreamily. . . . Perhaps they were like house mice, the sort of small animal evolved to live only in the walls of man-made structures.

Minds are like beds. They can be made and unmade.

That woman,” he mused. “She’s like a …” He searched his mind for a way of describing their formidable friend. A railway engine? A bolt of lightning? A determined cow? No, that was uncomplimentary, and he did not mean to be disrespectful. A stately hippopotamus, then? No, that was worse. “She is like a matron,” said Mma Ramotswe. “Don’t you think?” “Of course. Yes.” That was it. She was like a matron and she was a matron. And we needed matrons, he thought—we needed them. He had read that hospitals were getting rid of matrons and appointing all sorts of people who were not matrons to run them—people who did not wear matrons’ blue and white uniforms and did not have watches pinned onto their fronts. How would such people know how to run a hospital—or a children’s home, for that matter? Who were these people to imagine that they could do the things that matrons had always done? No wonder hospitals were full of infections and people lying in unmade beds; matrons would never have tolerated that—not for one moment. “So what did Matron say?” he asked.

She would never again lie in bed on a Good Friday morning and relax in the blissful knowledge that there was nothing to do and nowhere to be, because for the rest of her life, there would always, always be something left undone. An unmade confession. An ugly secret.

Neither I nor the poets I love found the keys to the kingdom of prayer and we cannot force god to stumble over us where we sit. But I know that it's a good idea to sit anyway. So every morning I sit, I kneel, waiting, making friends with the habit of listening, hoping that I'm being listened to. There, I greet God in my own disorder. I say hello to my chaos, my unmade decisions, my unmade bed, my desire and my trouble. I say hello to distraction and privilege, I greet the day and I greet my beloved and bewildering Jesus. I recognize and greet my burdens, my luck, my controlled and uncontrollable story. I greet my untold stories, my unfolding story, my unloved body, my own love, my own body. I greet the things I think will happen and I say hello to everything I do not know about the day. I greet my own small world and I hope that I can meet the bigger world someday. I greet my story and hope that I can forget my story during the day, and hope that I can hear some stories, and greet some surprising stories during the long day ahead. I greet God, and I greet the God who is more God than the God I greet. Hello to you all, I say, as the sun rises above the chimneys of North Belfast. Hello.

I was afraid of other people’s houses. After school sometimes a friend might talk me into going to his house or apartment to do our homework together. It was a shock, the way people lived, other people, those who weren’t me. I didn’t know how to respond, the clinging intimacy of it, kitchen slop, pan handles jutting from the sink. Did I want to be curious, amused, indifferent, superior? Just walking past a bathroom, a woman’s stocking draped over the towel rack, pill bottles on the windowsill, some open, some capsized, a child’s slipper in the bathtub. It made me want to run and hide, partly from my own fastidiousness. The bedrooms with unmade beds, somebody’s socks on the floor, the old woman in nightclothes, barefoot, an entire life gathered up in a chair by the bed, hunched frame and muttering face. Who are these people, minute to minute and year after year? It made me want to go home and stay there.

Kami was too tired to even despair. And from the look of Jared, he was more tired still: bleeding all over the floor could not be good for him. “You need to go to bed,” Kami decided, and hauled him away and out of Lillian’s room. “Come on. Everything will still be ruined in the morning.” It was a brief walk down the narrow hall to Jared’s little room. They did not speak until they were at his door. “Can you believe that we screwed up everything about twice as much in the space of a couple hours?” Kami asked. “I can,” said Jared. “But only because I truly believe in us, the utter depths of our incompetence, and that it must inevitably lead us to our ultimate epic failure.” “Aw, sugar flower,” Kami told him. “You always know just what to say.” “And just how to poison my brother,” said Jared.

My feeling then was of forlornness, of the desperate inadequacies of this human linguistic apparatus that we employ to forestall, a little longer, aloneness, and of how futile these fumblings so often are. In the next lurch of solitude I began trying to add to the list of things not to say to someone in your marriage: Don’t ever use a pen while lying on the bed; don’t ever forget to put the cap back on a pen after using the pen; don’t ever use a pen if it’s new; put items in the refrigerator at ninety-degree angles; do not throw things in the bathroom trash if there are already a lot of things in the trash; don’t ever lie on the bed, made or unmade, in your clothes; don’t get into the bed without having showered; don’t put your bag on the bed, don’t put your bag on the chair, don’t put your bag on the counter, don’t put your bag on the table; don’t ever do the laundry; don’t bite your nails; don’t put the toilet paper facing out; don’t put the toilet paper facing in; don’t accelerate quickly; don’t wear those colors together, don’t wear those colors together, don’t wear a stripe and a plaid, don’t wear that shirt, that looks bad on you, that looks bad on you, and that looks bad on you, and that looks bad on you, and that looks bad on you too, are you sure you want to wear that, that looks bad on you; please stay out of the house one night a week, please stay out of the house a couple of nights a week so I can have some privacy; don’t put that there; don’t put that there; that plastic cup was given to me by my grandmother; don’t use my towel; don’t use my bathroom; you don’t understand your own family; you don’t understand your own role in your own family; you don’t understand what people think of you; you don’t understand other people; you don’t understand me, you don’t understand yourself; I need money for clothes, I need money for credit cards, I need money for school; don’t cut your meat on the plate, that sound is awful, cut your meat on the cutting board before putting it on your plate; don’t touch me. And when I was done

He opened the door after letting me pound on it for almost five minutes. His truck was in the carport. I knew he was here. He pulled the door open and walked back inside without looking at me or saying a word. I followed him in, and he dropped onto a sofa I’d never seen before. His face was scruffy. I’d never seen him anything but clean-shaven. Not even in pictures. He had bags under his eyes. He’d aged ten years in three days. The apartment was a mess. The boxes were gone. It looked like he had finally unpacked. But laundry was piled up in a basket so full it spilled out onto the floor. Empty food containers littered the kitchen countertops. The coffee table was full of empty beer bottles. His bed was unmade. The place smelled stagnant and dank. A vicious urge to take care of him took hold. The velociraptor tapped its talon on the floor. Josh wasn’t okay. Nobody was okay. And that was what made me not okay. “Hey,” I said, standing in front of him. He didn’t look at me. “Oh, so you’re talking to me now,” he said bitterly, taking a long pull on a beer. “Great. What do you want?” The coldness of his tone took me aback, but I kept my face still. “You haven’t been to the hospital.” His bloodshot eyes dragged up to mine. “Why would I? He’s not there. He’s fucking gone.” I stared at him. He shook his head and looked away from me. “So what do you want? You wanted to see if I’m okay? I’m not fucking okay. My best friend is brain-dead. The woman I love won’t even fucking speak to me.” He picked up a beer cap from the coffee table and threw it hard across the room. My OCD winced. “I’m doing this for you,” I whispered. “Well, don’t,” he snapped. “None of this is for me. Not any of it. I need you, and you abandoned me. Just go. Get out.” I wanted to climb into his lap. Tell him how much I missed him and that I wouldn’t leave him again. I wanted to make love to him and never be away from him ever again in my life—and clean his fucking apartment. But instead, I just stood there. “No. I’m not leaving. We need to talk about what’s happening at the hospital.” He glared up at me. “There’s only one thing I want to talk about. I want to talk about how you and I can be in love with each other and you won’t be with me. Or how you can stand not seeing me or speaking to me for weeks. That’s what I want to talk about, Kristen.” My chin quivered. I turned and went to the kitchen and grabbed a trash bag from under the sink. I started tossing take-out containers and beer bottles. I spoke over my shoulder. “Get up. Go take a shower. Shave. Or don’t if that’s the look you’re going for. But I need you to get your shit together.” My hands were shaking. I wasn’t feeling well. I’d been light-headed and slightly overheated since I went to Josh’s fire station looking for him. But I focused on my task, shoving trash into my bag. “If Brandon is going to be able to donate his organs, he needs to come off life support within the next few days. His parents won’t do it, and Sloan doesn’t get a say. You need to go talk to them.” Hands came up under my elbows, and his touch radiated through me. “Kristen, stop.” I spun on him. “Fuck you, Josh! You need help, and I need to help you!” And then as fast as the anger surged, the sorrow took over. The chains on my mood swing snapped, and feelings broke through my walls like water breaching a crevice in a dam. I began to cry. I didn’t know what was wrong with me. The strength that drove me through my days just wasn’t available to me when it came to Josh. I dropped the trash bag at his feet and put my hands over my face and sobbed. He wrapped his arms around me, and I completely lost it.

I steal back into dreams of you, your unmade bed a huge open-faced sandwich.

An unmade bed is a common broken window, which is why “Make the bed” is one of the most popular happiness-project resolutions, and in fact, as Charles Duhigg points out in his fascinating book The Power of Habit, the habit of bed making is correlated with a sense of greater well-being and higher productivity.

Mrs. Agnew wasn’t the kind of woman that made me think about romance. She reminded me of an unmade bed.

returned to the flat. She had left me a note with a chocolate, voicing in her written words her concern for me. I felt grateful for her and even more so now that I had no one else except her in my life. Everyone important had deserted me in one way or another. The letter from Boyd was still lying on top of my unmade bed. I picked it up as I flung myself onto the bed and read it again and again, trying to understand what had been going on in his mind and how he expected me to just move forward with my life and forgive

Alas, as Stephen Marche writes in The Unmade Bed, “The business of correcting idealism is a parlor game in which, one by one, everybody leaves the room.” Sub out “idealism” for “orthodoxy” and you’re pretty close to some churches I know.

The interior spaces aboard the Norego were as dilapidated as her outside. The floors were chipped linoleum, the walls bare metal with large swatches of peeled paint, and the fluorescent lights mounted to the ceilings buzzed loudly. Several of them flickered at erratic intervals, casting the narrow corridor in stark shadow. Esteban led Ghami and Khatahani up a tight companionway with a loose railing and onto another short corridor. He opened the door to his office and gestured for the men to enter. The captain’s cabin could be seen through an open door on the opposite side of the office. The bed was unmade, and the sheets that spilled onto the floor were stained. A single dresser stood bolted to the wall, and the mirror above it had a jagged crack running from corner to corner. The office was a rectangular room with a single porthole so rimed with salt that only murky light came through. The walls were adorned with paintings of sad-eyed clowns done in garish colors on black velvet. Another door led to a tiny bathroom that was filthier than a public washroom in a Tehran slum. So many cigarettes had been smoked in the office that the stale smell seemed to coat everything, including the back of Ghami’s mouth. A lifelong smoker himself, even the Iranian naval officer was disgusted.

The bed is unmade, blankets still holding the moment when they were kicked away.

She loved the order and the certainty the Church gave her life, arranging the seasons for her, the weeks and the days, guiding her philosophies and her sorrows. She loved the hymns. She loved the prayers. She loved the way the Church--the priests and the Brothers and the nuns, as well as the handy threat of eternal damnation--ordered her disorderly children. But holiness bored her. She liked chaos, busyness, bustling. She liked a household strewn with clothes and dust and magazines and books, jump ropes, baseball bats, milk bottles. She like the sight and smell of overflowing ashtrays, of a man who's had a few drinks, of tabletops crowded with cloudy glasses. She loved falling into an unmade bed at the end of the long day, falling in beside her snoring husband--with maybe a child or two snagged in the covers--and never reaching, because sleep overtook her, the part of the Hail Mary that said: Now and at the hour of our death.

His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.

His gaze dropped to the studio bed: still half-unmade. On the undisturbed half, nearest the wall, there stretched out a long, colorful scatter of magazines, science-fiction paperbacks, a few hardcover detective novels still in their wrappers, a few bright napkins taken home from restaurants, and a half-dozen of those shiny little Golden Guides and Knowledge Through Color books—his recreational reading as opposed to his working materials and references arranged on the coffee table beside the bed. They'd been his chief—almost his sole—companions during the three years he'd laid sodden there stupidly goggling at the TV across the room; but always fingering them and stupefiedly studying their bright, easy pages from time to time. Only a month ago it had suddenly occurred to him that their gay casual scatter added up to a slender, carefree woman lying beside him on top of the covers—that was why he never put them on the floor; why he contented himself with half the bed; why he unconsciously arranged them in a female form with long, long legs. They were a "scholar's mistress," he decided, on the analogy of "Dutch wife," that long, slender bolster sleepers clutch to soak up sweat in tropical countries—a very secret playmate, a dashing but studious call girl, a slim, incestuous sister, eternal comrade of his writing work.

You see an unmade bed Dirty dishes in the sink and laundry strewn across the floor; I see mountains of indecision Do you know what you want? And have you sat alone in the dark just to see what comes up? I wonder if you’ve felt how fulfillment feels, and if so Could you maybe share it with me? Not so I could steal it, or any silly thing like that But so I, too, can know what the world is supposed to feel like Maybe then I’d finally find the energy to do things Like making beds and washing dishes and folding laundry.

By the time I’d made it to Get Mugged’s cross street, I was wetter and warmer, which is not as sexy as it sounds. I turned down the street and spotted the roofline of Get Mugged. The neighborhood had gone through some heavy reconstruction. Buildings had been torn down, leaving behind dirt, concrete, and gravel. There were two buildings left standing: Get Mugged and an empty warehouse with boarded-up windows. Get Mugged held down the corner of the block, a coffee-scented old broad wearing too much paint and plaster to cover her age but still turning over clients like a dime-store hooker. The warehouse looked like Get Mugged’s meth-mouthed sister, broken, rotting from the inside out, spongy, and frail. For years, people had wanted to turn this area into boutique shopping. A building would go up, something would move in, and before there was time to hang curtains, the business would bankrupt. Enough of that had left the whole block looking a little like an unmade bed.

Kassidy was a tornado-grade slob in the bedroom quadrant, a chaotic clutter of unmade bed, discarded clothes, and unfamiliar objects. She pointed out a slightly clearer

We live in haunted houses and sleep in memory’s unmade bed.

It was unmade, as always. I never saw the point in making a bed if you were just going to have to unmake it to use it.

Snakes shed their skin, cats their fur, manta rays their teeth. Man sheds used-up objects: he leaves an open Nesquik tin and a dirty glass on the kitchen counter, an open toothpaste tube, unmade beds, their sheets stained with urine; he leaves grandfather clocks, cigarette burns in the ashtrays, comics that have been scrawled on and books borrowed from the school library; he leaves clothes in the wardrobes and food in the fridge.

On that topic, how are things going with Jared?” Holly inquired. “I want to interfere horribly in my friends’ love lives and keep my own embarrassing and pathetic one private, is that so much to ask?” “Mmm,” said Holly, and gave Kami a grin that reminded Kami of when Holly had been the sunny confident school goddess she had barely known and envied a little. “Now that you know that I’m not at all interested in Jared, is it inappropriate to say that I did get the impression that he might channel all those simmering repressed emotions in a useful way. I mean being explosively good in bed.” “Viking tiger in the sack, I have no doubt,” Kami said lightly, and felt a blush stage a hostile takeover of her neck and march up to claim the territory of her face

On another day, when he was on inspection duty, Trump came upon fellow student Ted Levine’s unmade bed. Trump ripped the sheets off and threw them on the floor. Levine, a foot shorter than Trump, threw a combat boot at Donald, then hit him with a broomstick. Infuriated, Trump grabbed Levine and tried to push him out a second-floor window, Levine recalled. Two other cadets intervened to prevent Levine from falling.

so tired his face looked like an unmade bed.

She stepped back into the house. “I want to show you something.” Trying to get his legs back, his head wobbly, and his internal referee still giving him the eight count, Myron followed her silently up the stairway. She led him down a darkened corridor lined with modern lithographs. She stopped, opened a door, and flipped on the lights. The room was teenage-cluttered, as if someone had put all the belongings in the center of the room and dropped a hand grenade on them. The posters on the walls—Michael Jordan, Keith Van Horn, Greg Downing, Austin Powers, the words YEAH, BABY! across his middle in pink tie-dye lettering—had been hung askew, all tattered corners and missing pushpins. There was a Nerf basketball hoop on the closet door. There was a computer on the desk and a baseball cap dangling from a desk lamp. The corkboard had a mix of family snapshots and construction-paper crayons signed by Jeremy’s sister, all held up by oversized pushpins. There were footballs and autographed baseballs and cheap trophies and a couple of blue ribbons and three basketballs, one with no air in it. There were stacks of computer-game CD-ROMs and a Game Boy on the unmade bed and a surprising amount of books, several opened and facedown. Clothes littered the floor like war wounded; the drawers were half open, shirts and underwear hanging out like they’d been shot mid-escape. The room had the slight, oddly comforting smell of kids’ socks.

How many times, she reflected ruefully, she had sought to understand a wounded wild creature. But it was another matter entirely to penetrate the mystery of a human being. Reaching Christopher’s door, she knocked softly. When there came no response, she let herself inside. To her surprise, the room brimmed with daylight, the late August sun illuminating tiny floating dust motes by the window. The air smelled like liquor and smoke and bath soap. A portable bath occupied one corner of the room, sodden footprints tracking across the carpet. Christopher reclined on the unmade bed, half propped on a haphazard stack of pillows, a bottle of brandy clasped negligently in his fingers. His incurious gaze moved to Beatri and held, his eyes becoming alert. He was clad in a pair of fawn-colored trousers, only partially fastened, and…nothing more. His body was a long golden arc on the bed, lean and complexly muscled. Scars marred the sun-browned skin in places…there was a ragged triangular shape where a bayonet had pierced his shoulder, a liberal scattering of marks from shrapnel, a small circular depression on his side that must have been caused by a bullet. Slowly Christopher levered himself upward and placed the bottle on the bedside table. Half leaning on the edge of the mattress, his bare feet braced on the floor, he regarded Beatrix without expression. The locks of his hair were still damp, darkened to antique gold. How broad his shoulders were, their sturdy slopes flowing into the powerful lines of his arms. “Why are you here?” His voice sounded rusty from disuse. Somehow Beatrix managed to drag her mesmerized gaze away from the glinting fleece on his chest. “I came to return Albert,” she said. “He appeared at Ramsay House today. He says you’ve been neglecting him. And that you haven’t taken him on any walks lately.” “Has he? I had no idea he was so loose-tongued.

All this reductionist commentary might have been fair game, had it been directed at all the primary candidates: say, Senator Joe Biden’s obvious hair transplants; or Senator John Edwards’s resemblance to a Ken doll; or Governor Mitt Romney’s capped teeth and dyed hair; or Senator John McCain’s special shoes to make him taller; or Governor Bill Richardson’s resemblance to an unmade bed; or Senator Obama’s ears, about which he himself made jokes. But it wasn’t.

Creativity is not copywriting or art directing, creativity is not interior, graphic, or fashion design, creativity is not mimicry or doodle, is not gesture or token, is not a clever text message, a new and even sillier pair of trousers, or an unmade bed, it’s not your shitty computer music, or your shitty homemade films, or your shitty Web site with a flashing cock. Creativity is . . . creativity is a massive and serious lifetime’s endeavor to further humankind’s fundamental understanding of itself.

Behind her, cotton sheets lay rumpled atop an unmade bed—the remains of an empty white canvas upon which she had intended to paint the landscape of home. And love. And family. But no such masterpiece exists

Beds were unmade in three rooms. The third room had a perfectly made bed.

With her love of finery, her unmade beds, her litters of unfinished scrapbooks, her taboos, superstitions, and prudishness, her remarkable dignity, her pity for the persecuted, her awe of the gentry, and her detailed knowledge of the family trees of all the Royal Houses of Europe, she was a disorganized mass of unreconciled denials, a servant girl born to silk. Yet in spite of all this, she fed our oafish wits with steady, imperceptible shocks of beauty. Though

Lifelong commitment is not what everyone thinks it is. It's not waking up early every morning to make breakfast and eat together. It's not cuddling in bed together until both of you peacefully fall asleep. It's not a clean home and a homemade meal every day. It's someone who steals all the covers or snores like a chainsaw. It's sometimes slammed doors, and a few harsh words, disagreeing, and the silent treatment until your hearts heal. Then...forgiveness! It's coming home to the same person every day that you know loves and cares about you, in spite of and because of who you are. It's laughing about the one time you accidentally did something stupid. It's about dirty laundry and unmade beds without finger pointing. It's about helping each other with the hard work of life! It's about swallowing the nagging words instead of saying them out loud. It's about eating the easiest meal you can make and sitting down together at 10 p.m. to eat because you both had a crazy day. It's when you have an emotional breakdown, and your love lays with you and holds you and tells you everything is going to be okay, and you believe them. It's when "Netflix and Chill" literally means you watch Netflix and hang out. It's about still loving someone even though sometimes they make you absolutely insane, angry, and hurt your feelings. Who loves you fat or thin, happy or mad, young or old living with the person you love is not perfect, and sometimes it's hard, but it's amazing, comforting, and one of the best things you'll ever experience.

All marriages endure an adjustment period at some point. Even I struggled with having an unmade bed and disarrayed closet on most days. For neither circumstance did I feel my marriage was doomed.

She was seventy-three, a widow, came in every night looking like the Queen, drank her body weight in gin and left looking like an unmade bed.

Taylor chose the right side first. She stood in the doorway and looked into the room, running her Maglite over the dimness. She didn’t need the overhead to see the blood. Copious amounts of red, startling against the contiguous white theme, was very defining. From her vantage point at the doorway, she could see blood everywhere, cast off on the unmade bed and headboard, washed across the wall, soaking the carpet. In the middle of the bed, a dark-haired woman lay on her stomach, facedown on the sheets, which were nearly black. Exsanguination, her mind told her. The woman’s legs were akimbo, the left twisted under the right as if she’d fallen at an angle onto the mattress. Taylor couldn’t see her arms. She

didn't thank didn't wave goodbye didn't flutter the air with kisses a mound of gifts unwrapped bed unmade no appetite always elsewhere though it was raining elsewhere though strangers peopled the streets though we at home slaved and baked and wept and hung ornaments and perfumed the dark did he marvel did he thank was he grateful did he know was he human was he there always elsewhere: didn't thank didn't kiss toothbrush stiffened with unuse puppy whining in the hall car battery dead sweaters unraveled was that human? Went where?

The “preaching-as-leading” factor: You can establish a preaching diet for the church that sets direction and feeds souls. The “follow him” factor: People talk about the impact you have on their lives. Other gifted people want to glean from your life. The “make it happen” factor: When you see a need or a problem, you think solutions and action. The “can you see it” factor: You can see the big picture and have confidence for the future. And when you talk to other people, they see it too. The “order from chaos” factor: You understand the value of planning, organization, and efficiency. Your life doesn’t look like an unmade bed. The “mobilize the troops” factor: You know the best way to have impact is not to do it all yourself. You love to put people in places where they can be effective and fruitful. The “learn to lead” factor: You’re not content with what you know. You study in order to grow in understanding. The “godly ambition” factor: You’re not interested in settling in or shrinking back from challenges. You want to do all you can for the advance of the kingdom of God.

Bow of moon I see, I see Through dense canopy of groves, Level sound I hear, I hear Of the free horse's hooves. What? And you don't want to sleep, In a year could you forget Me, nor are you used to find Empty and unmade your bed? Not with you then do I speak Through sharp cries of hunting birds, Not in your eyes do I look From white pages full of words? Why you circle, like a thief At the quiet habitat? Or recall the verdict and Wait for me alive like that? I'm asleep. In dense dark, moon Threw a blade just like a dart. There is knocking. In this way Beats my warm and precious heart.

Life is beautiful: a whole existence of old papers and office dust; the bed in my hotel room which often remained unmade from morn till night when I came home from the office, because of the dearth of hired help, the only maid being an aged hunchback who did the best she could. The rude awakenings in the morning; the mad rush to the office in the hope of still finding my time card; the joy at reaching the office on time so that I could sign it; the anger and frustration on those mornings when I reached the office thirty seconds after the card had been taken away - all that seemed to me to be enveloped in a kind of happiness that I had not previously noted, as all of a sudden I found a kind of beauty in the dust, the crowded street, the mass of people hurrying like me to work, the hundreds and hundreds of gray faces, faces which were but clouds doubtless concealing the sun that we all bear within us, if only we knew it. The past is always tender and beautiful, something to be looked upon with sorrow, whose qualities we notice only when they are gone. We need a certain perspective, and that goes for pen-pushers and statesmen alike, millionaires or tramps. It’s true, it’s true: we all contain within ourselves a world full of sunshine, a world in which joy is constantly ready and waiting to unfurl, if only we realized it, I mean if only we realized it in time. How lovely ugliness is, how happy sadness, and boredom is due only to our ignorance! The iciest cold cannot resist the warmth of the human heart. Assuming one knows which button to push in order to light it. In short, we look back nostalgically on everything, which proves without question that it was beautiful.

Emin’s My Bed, which was nominated for the prestigious Turner Prize, consisted of an unmade bed complete with bottles of vodka, used prophylactics, and bloodied undergarments. While on display at the Tate Gallery in 1999, the bed was vandalized by two nude men who proceeded to jump on it and drink the vodka. The world of modern art being what it is, everyone at the gallery applauded, assuming that the vandalism was part of the show. Emin is now employed as a professor at the European Graduate School.

I was there, where the pale words, like light on a wave. Where the forgotten music was still played. The lovers, gone. Their beds unmade.