Unless Famous Quotes

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Dreams are extremely important. You can’t do it unless you imagine it.
George Lucas
A familiar name on its own, however, does not carry its bearer far unless the talent is there, and the will to work.
Daphne du Maurier (The "Rebecca" Notebook: And Other Memories)
Think before you speak, unless it's urgent
Benny Bellamacina (Philosophical Uplifting Quotes and Poems)
It's all a big racket; they're playing it on themselves. I mean, a gun goes through a famous battle, like the Meuse-Argonne, and it's the same as if it hadn't, unless you know. It's in here.' He tapped his head. 'In the mind, not the gun.
Philip K. Dick (The Man in the High Castle)
James Baldwin famously said, “Not everything that is faced can be changed, but nothing can be changed unless it is faced.
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
A famous Japanese Zen master, Hakuun Yasutani Roshi, said that unless you can explain Zen in words that a fisherman will comprehend, you don’t know what you’re talking about. Some fifty years ago a UCLA professor told me the same thing about applied mathematics. We like to hide from the truth behind foreign-sounding words or mathematical lingo. There’s a saying: The truth is always encountered but rarely perceived. If we don’t perceive it, we can’t help ourselves and we can’t much help anyone else.
Jeff Bridges (The Dude and the Zen Master)
it was impossible to get into—unless you were extremely rich, famous, or high up on the criminal chain. Or, of course, a politician, which would make you all of the above.
James Dashner (The Mortality Doctrine Series: The Complete Trilogy)
From time to time, Musk will send out an e-mail to the entire company to enforce a new policy or let them know about something that’s bothering him. One of the more famous e-mails arrived in May 2010 with the subject line: Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum.
Ashlee Vance (Elon Musk: Inventing the Future)
What doesn't kill you, makes you stronger...unless it instead snaps your spine. Then it makes you a paraplegic.
Kelli Jae Baeli (Falling Through the Cracks: The Misadventures of No One Famous)
... and you know what the public is, unless they see you all the time they forget that you ever existed.
W. Somerset Maugham (Theatre)
When it comes to being famous, you’re usually the last to know, and the first to deny it. Unless you were already famous in your head. In which case, party on, Wayne! Party on, Garth!
Carroll Bryant
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
Roosevelt had never allowed himself to fear death, famously writing, “Only those are fit to live who do not fear to die.” From a very young age, he had been prepared to die in order to live the life he wanted. When a doctor at Harvard told him that his heart was weak and would not hold out for more than a few years unless he lived quietly, he had replied that he preferred an early death to a sedentary life.
Candice Millard (The River of Doubt: Theodore Roosevelt's Darkest Journey)
She cracked a sexy smile with a side of condescension. “Jack, I’m not looking to know you.” No, she wasn’t, unless you counted biblically. She was looking for the guy who indiscriminately dated and bedded famous women. A guy whose life could be reduced to adjectives, most of them unflattering. That guy.
Kate Meader (Feel the Heat (Hot in the Kitchen, #1))
Miranda v. Arizona, the most famous of all self-incrimination cases, the Supreme Court imposed procedural safeguards to protect the rights of the accused. A suspect has a constitutional right not to be compelled to talk, and any statement made during an interrogation cannot be used in court unless the police and the prosecutor can prove that the suspect clearly understood that (1) he had the right to remain silent, (2) anything said could be used against him in court, and (3) he had a right to an attorney, whether or not he could afford one. If, during an interrogation, the accused requests an attorney, then the questioning stops immediately.
John Grisham (The Innocent Man: Murder and Injustice in a Small Town)
Man has always wanted something holy, sacred. Just being kind to others, being sensitive, polite, considerate, thoughtful and affectionate: that hasn’t got depth, it hasn’t got vitality. Unless you find out in your life something really sacred which has depth, which has tremendous beauty, which is the source of everything, life becomes very superficial. You may be happily married, with children, a house and money, you may be clever and famous, but without that perfume everything becomes like a shadow that has no substance.
J. Krishnamurti
unless you were extremely rich, famous, or high up on the criminal chain. Or, of course, a politician, which would make you all of the above.
James Dashner (The Eye of Minds (The Mortality Doctrine, #1))
For men, money, like sex, is something that nearly everybody wants more of, and unless you are famous or influential, you probably have to work hard to get any.
Jarod Kintz (This Book is Not for Sale)
Becoming drunk is a journey that generally elates him in the early stages—he's good company, expansive, mischievous and fun, the famous old poet, almost as happy listening as talking. But once the destination is met, once established up there on that unsunny plateau, a fully qualified drunk, the nastier muses, the goblins of aggression, paranoia, self-pity take control. The expectation now is that an evening with John will go bad somehow, unless everyone around is prepared to toil at humouring and flattering and hours of frozen-faced listening. No one will be.
Ian McEwan (Saturday)
One of the most famous paradoxes ever articulated is often known by the title ‘the liar’s paradox’. At its simplest you can express it just by saying: ‘I am lying’. The liar’s paradox is a complicated business, discombobulating to think about because after all, if I’m lying, then my statement ‘I am lying’ must itself be a lie, unless I was actually telling the truth, in which case I would have been telling a lie.
David Boyle (Alan Turing: Unlocking the Enigma)
Everybody has got to live for something, but Jesus is arguing that, if he is not that thing, it will fail you. First, it will enslave you. Whatever that thing is, you will tell yourself that you have to have it or there is no tomorrow. That means that if anything threatens it, you will become inordinately scared; if anyone blocks it, you will become inordinately angry; and if you fail to achieve it, you will never be able to forgive yourself. But second, if you do achieve it, it will fail to deliver the fulfillment you expected. Let me give you an eloquent contemporary expression of what Jesus is saying. Nobody put this better than the American writer David Foster Wallace. He got to the top of his profession. He was an award-winning, bestselling postmodern novelist known around the world for his boundary-pushing storytelling. He once wrote a sentence that was more than a thousand words long. A few years before the end of his life, he gave a now-famous commencement speech at Kenyon College. He said to the graduating class, Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god . . . to worship . . . is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It’s the truth. Worship your own body and beauty and sexual allure, and you will always feel ugly. And when time and age start showing, you will die a million deaths before [your loved ones] finally plant you. . . . Worship power, and you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. Look, the insidious thing about these forms of worship is not that they are evil or sinful; it is that they’re unconscious. They are default settings.4 Wallace was by no means a religious person, but he understood that everyone worships, everyone trusts in something for their salvation, everyone bases their lives on something that requires faith. A couple of years after giving that speech, Wallace killed himself. And this nonreligious man’s parting words to us are pretty terrifying: “Something will eat you alive.” Because even though you might never call it worship, you can be absolutely sure you are worshipping and you are seeking. And Jesus says, “Unless you’re worshipping me, unless I’m the center of your life, unless you’re trying to get your spiritual thirst quenched through me and not through these other things, unless you see that the solution must come inside rather than just pass by outside, then whatever you worship will abandon you in the end.
Timothy J. Keller (Encounters with Jesus: Unexpected Answers to Life's Biggest Questions)
Keynesian orthodoxy started from the assumption that capitalist markets would not really work unless capitalist governments were willing effectively to play nanny: most famously, by engaging in massive deficit “pump-priming” during downturns.
David Graeber (Debt: The First 5,000 Years)
Wonder Woman once famously explained her philosophy: “We have a saying among my people. ‘Don’t kill if you can wound, don’t wound if you can subdue, don’t subdue if you can pacify. And don’t raise your hand at all unless you’ve first extended it.
Tim Federle (How I Resist: Activism and Hope for a New Generation)
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you. In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh. Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
Alistair MacLean (When Eight Bells Toll)
The idea of being famous, the idea of being rich, the idea of being me—I can’t enjoy any of it unless I’m high. And I can’t think of love without wanting to be high. I lack a spiritual connection that protects me from these feelings. That’s why I’m a seeker.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
Here,” said Autolycus, “is a settlement of curly-bearded, long-robed Assyrians, exiles from their country; and beyond stretches the land of the Chalybeans, a savage tribe famous as iron-workers, with whom I have lately traded. Soon we shall sight an islet, called the Isle of Barter, close to the Chalybean shore, where we of Sinope come in our dug-out canoes, and lay out on the rocks painted Minyan pottery and linen cloth from Colchis and sheepskin coats dyed red with madder or yellow with heather, such as the Chalybeans prize, and spear-shafts painted with vermilion. Then we row away out of sight behind rocks. As soon as we are gone, the Chalybeans venture across to the islet on rafts; they lay down beside our goods broad-bladed, well-tempered spear-heads and axe-heads, also awls and knives and sail-needles, and go away again. If on our return we are satisfied with their goods, we take them up and make for home; but if we are not satisfied, we remove apart from the rest of our merchandise whatever we think is not covered by their payment. The Chalybeans then return again and pay for this extra heap with a few more iron implements. In the end the barter is complete, unless the Chalybeans in a huff take away all their iron goods and let us sail off empty-handed; for they are a capricious race.
Robert Graves (The Golden Fleece)
I can’t help but be attracted to pregnant women. Unless they’re malnourished. I’ll see a malnourished pregnant woman on the subway sometimes, big in the belly but with stick-figure arms and hair like a rat’s, and I want to buy her a space heater. I want to yell at her parents. I remember going up to this real malnourished-looking pregnant lady on the G train one time and asking her if she’d like a free dinner at Junior’s. She couldn’t believe I was trying to pick her up on the G train, a pregnant woman with a ring on her finger. I hadn’t noticed the ring. It was one hell of a big ring. I tried to convince her that I wasn’t trying to pick her up. I offered to give her fifty bucks for cooking oil. That just made matters worse. Turns out she was a famous model. I’ve seen her on billboards.
Joshua Ferris (To Rise Again at a Decent Hour)
The psychologist Abraham Maslow famously suggested that after we take care of our most basic needs, such as food, shelter, and sex, we eventually strive for “ self-actualization,” or the realization of our full potential; in his words, “[Even if all our other] needs are satisfied, we may still often (if not always) expect that a new discontent and restlessness will soon develop, unless the individual is doing what he [or she] is fitted for. A musician must make music, an artist must paint, a poet must write. What a [person] can be, he [or she] must be.
Gary F. Marcus (Guitar Zero: The Science of Becoming Musical at Any Age)
THEY SAY THAT the way to a man’s heart is through his stomach, which just goes to show they’re as confused about anatomy as they gen’rally are about everything else, unless they’re talking about instructions on how to stab him, in which case a better way is up and under the ribcage.
Terry Pratchett (Nanny Ogg's Cookbook: a beautifully illustrated collection of recipes and reflections on life from one of the most famous witches from Sir Terry Pratchett’s bestselling Discworld series)
There is no man,’ he began, ‘however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grand sons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups—assuming that one is a painter—extracted something that goes beyond them.
Marcel Proust (Within a Budding Grove, Part 2)
Few people can be happy," says a famous philosopher, "unless they hate some other person, nation or creed." "Creed" refers to what people believe, and I believe that everyone in the world should feel as welcome and safe as I did in that library. But of course that is not how the story goes. People are unwelcome and unsafe all over the world, and it is other people who make them feel that way. We all do. We are miserable at home, or at school, scared when we walk the streets, and we are terrorized in all sorts of places, ghastly and desperate, all over the globe. Not all suffering is the same, and we are not all suffering at the same time, but every person or nation or creed as had their turn, or is waiting their turn to suffer to to force suffering on us, sometimes so terribly that for some of us, at some moment somewhere in the world, the only escape is into the world of the imagination, because we cannot really imagine what is happening and what we have done.
Lemony Snicket (Poison for Breakfast)
Can two walk together, unless they are agreed?’ Amos 3:3 ‘Does This Person Belong in your Life?’ A toxic relationship is like a limb with gangrene: unless you amputate it the infection can spread and kill you. Without the courage to cut off what refuses to heal, you’ll end up losing a lot more. Your personal growth - and in some cases your healing - will only be expedited by establishing relationships with the right people. Maybe you’ve heard the story about the scorpion who asked the frog to carry him across the river because he couldn’t swim. ‘I’m afraid you’ll sting me,’ replied the frog. The scorpion smiled reassuringly and said, ‘Of course I won’t. If I did that we’d both drown!’ So the frog agreed, and the scorpion hopped on his back. Wouldn’t you know it: halfway across the river the scorpion stung him! As they began to sink the frog lamented, ‘You promised you wouldn’t sting me. Why’d you do it?’ The scorpion replied, ‘I can’t help it. It’s my nature!’ Until God changes the other person’s nature, they have the power to affect and infect you. For example, when you feel passionately about something but others don’t, it’s like trying to dance a foxtrot with someone who only knows how to waltz. You picked the wrong dance partner! Don’t get tied up with someone who doesn’t share your values and God-given goals. Some issues can be corrected through counselling, prayer, teaching, and leadership. But you can’t teach someone to care; if they don’t care they’ll pollute your environment, kill your productivity, and break your rhythm with constant complaints. That’s why it’s important to pray and ask God, ‘Does this person belong in my life?
Patience Johnson
He who would not be frustrate of his hope to write well hereafter in laudable things ought himself to be a true Poem; that is, a composition and pattern of the best and honourablest things; not presuming to sing high praises of heroic men, or famous cities, unless he have in himself the experience and practice of all that which is praise-worthy.
John Milton
A straight, cis, able-bodied white man is the only person on this planet who can travel almost anywhere (and, as the famous Louis CK bit goes, to almost any time in history), unless they’re literally dropping into a war zone, and feel fairly comfortable and safe (and, often, in charge). To the rest of us, horrors aren’t a thought experiment to be mined—they’re horrors. Bad
Lindy West (Shrill: Notes from a Loud Woman)
Dwayne's bad chemicals made him take a loaded thirty-eight caliber revolver from under his pillow and stick it in his mouth. This was a tool whose only purpose was to make holes in human beings. It looked like this: In Dwayne's part of the planet, anybody who wanted one could get one down at his local hardware store. Policemen all had them. So did the criminals. So did the people caught in between. Criminals would point guns at people and say, "Give me all your money," and the people usually would. And policemen would point their guns at criminals and say, "Stop" or whatever the situation called for, and the criminals usually would. Sometimes they wouldn't. Sometimes a wife would get so mad at her husband that she would put a hole in him with a gun. Sometimes a husband would get so mad at his wife that he would put a hole in her. And so on. In the same week Dwayne Hoover ran amok, a fourteen-year-old Midland City boy put holes in his mother and father because he didn't want to show them the bad report card he had brought home. His lawyer planned to enter a plea of temporary insanity, which meant that at the time of the shooting the boy was unable to distinguish the difference between right and wrong. · Sometimes people would put holes in famous people so they could be at least fairly famous, too. Sometimes people would get on airplanes which were supposed to fly to someplace, and they would offer to put holes in the pilot and co-pilot unless they flew the airplane to someplace else.
Kurt Vonnegut Jr. (Breakfast of Champions)
This is the woman who brought us the idea of living our best life, of becoming our most authentic selves. And yet. In 2015, Oprah Winfrey bought a 10 percent stake in Weight Watchers, an investment of $40 million. In one of her many commercials for the brand, she says, ‘Let’s make this the year of our best body.’ The implication is, of course, that our current bodies are not our best bodies, not by a long shot. It is startling to realize that even Oprah, a woman in her early sixties, a billionaire and one of the most famous women in the world, isn’t happy with herself, her body. This is how pervasive damaging cultural messages about unruly bodies are – that even as we age, no matter what material status we achieve, we cannot be satisfied or happy unless we are also thin.
Roxane Gay (Hunger: A Memoir of (My) Body)
But the launching had been a great success and now that the Space Hotel was safely in orbit, there was a tremendous hustle and bustle to send up the first guests. It was rumored that the President of the United States himself was going to be among the first to stay in the hotel, and of course there was a mad rush by all sorts of other people across the world to book rooms. Several kings and queens had cabled the White House in Washington for reservations, and a Texas millionaire called Orson Cart, who was about to marry a Hollywood starlet called Helen Highwater, was offering one hundred thousand dollars a day for the honeymoon suite. But you cannot send guests to a hotel unless there are lots of people there to look after them, and that explains why there was yet another interesting object orbiting the earth at that moment. This was the large Commuter Capsule containing the entire staff for Space Hotel “U.S.A.” There were managers, assistant managers, desk clerks, waitresses, bellhops, chambermaids, pastry chefs and hall porters. The capsule they were traveling in was manned by the three famous astronauts, Shuckworth, Shanks and Showler, all of them handsome, clever and brave. “In exactly one hour,” said Shuckworth,
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
All the most reasonable teachings of human wisdom concerning justice are summed up in that famous adage: Do unto others that which you would that others should do unto you; Do not unto others that which you would not that others should do unto you. But this rule of moral practice is unscientific: what have I a right to wish that others should do or not do to me? It is of no use to tell me that my duty is equal to my right, unless I am told at the same time what my right is.
Pierre-Joseph Proudhon (What Is Property?)
We live in a time when lots of people want to be famous. It’s particularly a problem with young entrepreneurs. Fame has become a toxic desire for many people. Because fame is worthless unless it is a tool to glorify God. And even in the marketplace, what matters most is your ability to add value to other peoples lives. It’s about service through adding value. And the best form of payment for that is money, not fame. So a lot of people need to really forget about fame and instead focus on value.
Hendrith Vanlon Smith Jr.
When Famous Shoes finished his song he noticed that the young white man was asleep. During the day he had not trusted enough, and had worn himself out with pointless scurryings. Perhaps even then the song he had just sung was working in the young man’s dreams; perhaps as he grew older he would learn to trust mysteries and not fear them. Many white men could not trust things unless they could be explained; and yet the most beautiful things, such as the trackless flight of birds, could never be explained.
Larry McMurtry (Comanche Moon (Lonesome Dove, #4))
Another benefit of a sender filter is that it resets expectations. The most crucial line in my description is the following: “I’ll only respond to those proposals that are a good match for my schedule and interests.” This seems minor, but it makes a substantial difference in how my correspondents think about their messages to me. The default social convention surrounding e-mail is that unless you’re famous, if someone sends you something, you owe him or her a response. For most, therefore, an inbox full of messages generates a major sense of obligation. By instead resetting your correspondents’ expectations to the reality that you’ll probably not respond, the experience is transformed. The inbox is now a collection of opportunities that you can glance at when you have the free time—seeking out those that make sense for you to engage. But the pile of unread messages no longer generates a sense of obligation. You could, if you wanted to, ignore them all, and nothing bad would happen. Psychologically, this can be freeing.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
There is one terrible weakness you can have if you amusedly and self-deprecatingly describe yourself as an artist and become famous. One letdown if you become loved by millions and your work is meaningful work and that is if some of the millions that know you and love you are teenage girls. There is nothing more shaming than to be loved by teenage girls. The love of teenage girls is not merely substandard or worthless it is an active mortification to an artist. Our language is full of how little we think of artists that are loved by teenage girls, we talk of mad fans and teenyboppers and little girls wetting their knickers. Ohh, you can take those girls' money and become elevated on their devotion and enjoy them putting you at number one. You can do all those things, no band ever refused them but you do not respect those girls, you do not want to talk to them or look them in the eye, or hang out with them or love them back. You do not talk about them unless it is to turn to your cool fans, the men, and mouth "Sorry, these mad girls have crushed the party. So embarrassing!" (...)Men are the right fans to have. This is why rock is cooler than pop, acid house is cooler than disco, prog is cooler than boy bands. Things boys love are cooler than things girls love. That is a simple fact. Boys love clever things cleverly, girls love foolish things foolishly. How awful it would be love bands like teenage girls do? How awful it would be to be the wrong kind of fan? A girl. How awful it would be to be a dumb, hysterical, screaming teenage girl? How amazing it is to be a dumb, hysterical, screaming teenage girl? ...
Caitlin Moran (How to be Famous (How to Build a Girl, #2))
And then, so quickly that no one (unless they knew, as Peter did) could quite see how it happened, Edmund flashed his sword round with a peculiar twist, the Dwarf’s sword flew out of his grip, and Trumpkin was wringing his empty hand as you do after a “sting” from a cricket-bat. “Not hurt, I hope, my dear little friend?” said Edmund, panting a little and returning his own sword to its sheath. “I see the point,” said Trumpkin drily. “You know a trick I never learned.” “That’s quite true,” put in Peter. “The best swordsman in the world may be disarmed by a trick that’s new to him. I think it’s only fair to give Trumpkin a chance at something else. Will you have a shooting match with my sister? There are no tricks in archery, you know.” “Ah, you’re jokers, you are,” said the Dwarf. “I begin to see. As if I didn’t know how she can shoot, after what happened this morning. All the same, I’ll have a try.” He spoke gruffly, but his eyes brightened, for he was a famous bowman among his own people. All five of them came out into the courtyard. “What’s to be the target?” asked Peter. “I think that apple hanging over the wall on the branch there would do,” said Susan. “That’ll do nicely, lass,” said Trumpkin. “You mean the yellow one near the middle of the arch?” “No, not that,” said Susan. “The red one up above--over the battlement.” The Dwarf’s face fell. “Looks more like a cherry than an apple,” he muttered, but he said nothing out loud.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
I reach out and squeeze her hand, and remember everything we’ve lived through together. The normal things we endured as we grew from girls to women. The days in school where boys would line us up in order of our fuckability. The parties where it was normal to lie on top of a semi-conscious girl, do things to her, then call her a slut afterwards. A Christmas number-one song about a pregnant woman being stuffed into the boot of a car and driven off a bridge. Laughing when your male friends made rape jokes. Opening a newspaper and seeing the breasts of a girl who had only just turned legal, dressed in school uniform to make her look underage. Of the childhood films we grew up on, and loved, and knew all the words to, where, at the end, a girl would always get chosen for looking the prettiest compared to all the others. Reading magazines that told you to mirror men’s body language, and hum on their dick when you went down on them, that turned into books about how to get them to commit by not being yourself. Of size zero, and Atkins, and Five-Two, and cabbage soup, and juice cleanses and eat clean. Of pole-dancing lessons as a great way to get fit, and actually, if you want to be really cool, come to the actual strip club too. Of being sexually assaulted when you kissed someone on a dance floor and not thinking about it properly until you are twenty-seven and read a book about how maybe it was wrong. Of being jealous of your friend who got assaulted on the dance floor because why didn’t he pick you to assault? Boys not wanting to be with you unless you fuck them quickly. Boys not wanting to be with you because you fucked them too quickly. Being terrified to walk anywhere in the dark in case the worst thing happens to you, and so your male friend walks you home to keep you safe, and then comes into your bedroom and does the worst thing to you, and now, when you look him up online, he’s engaged to a woman who wears a feminist T-shirt and isn’t going to change her name when they get married. Of learning to have no pubic hair, and how liberating it is to pay thirty-five pounds a month to rip this from your body and lurch up in agony. Rings around famous women’s bodies saying ‘look at this cellulite’, oh, by the way, here is a twenty-quid cream so you don’t get
Holly Bourne (Girl Friends: the unmissable, thought-provoking and funny new novel about female friendship)
This is the woman who brought us the idea of living our best life, of becoming our most authentic selves. And yet. In 2015, Winfrey bought a 10 percent stake in Weight Watchers, an investment of $40 million. In one of her many commercials for the brand, she says, “Let’s make this the year of our best body.” The implication is, of course, that our current bodies are not our best bodies, not by a long shot. It is startling to realize that even Oprah, a woman in her early sixties, a billionaire and one of the most famous women in the world, isn’t happy with herself, her body. That is how pervasive damaging cultural messages about unruly bodies are—that even as we age, no matter what material successes we achieve, we cannot be satisfied or happy unless we are also thin. There
Roxane Gay (Hunger: A Memoir of (My) Body)
Unless we do conscious work on it, the shadow is almost always projected; that is, it is neatly laid on someone or something else so we do not have to take responsibility for it. This is the way things were done five hundred years ago, and most of us are still stuck in this medieval consciousness. The medieval world was based on mutual shadow projection; it thrived on a fortress mentality, armor, walled cities, possession by force, ownership of anything feminine by male prerogative, royal patronage, and city-states in perpetual siege at each other’s gates. Medieval society was almost entirely ruled by patriarchal values that are famous for their one-sidedness. Even the Church took part in shadow politics. Saints like Benedictine monasteries and some of the esoteric societies avoided the projecting game.
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
There is no man,” he began, “however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grandsons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of
Hallgrímur Helgason
Nartok shows me an example of Arctic “greens”: cutout number 13, Caribou Stomach Contents. Moss and lichen are tough to digest, unless, like caribou, you have a multichambered stomach in which to ferment them. So the Inuit let the caribou have a go at it first. I thought of Pat Moeller and what he’d said about wild dogs and other predators eating the stomachs and stomach contents of their prey first. “And wouldn’t we all,” he’d said, “be better off.” If we could strip away the influences of modern Western culture and media and the high-fructose, high-salt temptations of the junk-food sellers, would we all be eating like Inuit elders, instinctively gravitating to the most healthful, nutrient-diverse foods? Perhaps. It’s hard to say. There is a famous study from the 1930s involving a group of orphanage babies who, at mealtimes, were presented with a smorgasbord of thirty-four whole, healthy foods. Nothing was processed or prepared beyond mincing or mashing. Among the more standard offerings—fresh fruits and vegetables, eggs, milk, chicken, beef—the researcher, Clara Davis, included liver, kidney, brains, sweetbreads, and bone marrow. The babies shunned liver and kidney (as well as all ten vegetables, haddock, and pineapple), but brains and sweetbreads did not turn up among the low-preference foods she listed. And the most popular item of all? Bone marrow.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
A famous American Freudian, commenting on a paper I had read, reported that he just had returned from Moscow. There, he said, he had found a lower frequency of neurosis as compared with the United States. He added that this might be traced to the fact that in Communist countries, as he felt, people are more often confronted with a task to complete. 'This speaks in favor of your theory,' he concluded, 'that meaning direction and task orientation are important in terms of mental health.' A year later, some Polish psychiatrists asked me to give a paper on logotherapy, and when I did so I quoted the American psychoanalyst. 'You are less neurotic than the Americans because you have more tasks to complete,' I told them. And they smugly smiled. 'But do not forget,' I added, 'that the Americans have retained their freedom also to choose their tasks, a freedom which sometimes seems to me to be denied to you.' They stopped smiling. How fine it would be to synthesize East and West, to blend tasks with freedom. Freedom then could fully develop. It really is a negative concept which requires a positive complement. And the positive complement is responsibleness. [...] Freedom threatens to degenerate into mere arbitrariness unless it is lived in terms of responsibleness. I like to say that the Statue of Liberty on the East Coast should be supplemented by a Statue of Responsibility on the West Coast.
Viktor E. Frankl (The Will to Meaning: Foundations and Applications of Logotherapy)
After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.
Hallgrímur Helgason
There is no man,” he began, “however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man — so far as it is possible for any of us to be wise — unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grandsons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world. The lives that you admire, the attitudes that seem noble to you are not the result of training at home, by a father, or by masters at school, they have sprung from beginnings of a very different order, by reaction from the influence of everything evil or commonplace that prevailed round about them. They represent a struggle and a victory. I can see that the picture of what we once were, in early youth, may not be recognisable and cannot, certainly, be pleasing to contemplate in later life. But we must not deny the truth of it, for it is evidence that we have really lived, that it is in accordance with the laws of life and of the mind that we have, from the common elements of life, of the life of studios, of artistic groups — assuming that one is a painter — extracted something that goes beyond them.
Marcel Proust (In Search of Lost Time [volumes 1 to 7])
We are foolish, and without excuse foolish, in speaking of the "superiority" of one sex to the other, as if they could be compared in similar things. Each has what the other has not: each completes the other, and is completed by the other: they are in nothing alike, and the happiness and perfection of both depends on each asking and receiving from the other what the other only can give. 68. Now their separate characters are briefly these: The man's power is active, progressive, defensive. He is eminently the doer, the creator, the discoverer, the defender. His intellect is for speculation and invention; his energy for adventure, for war, and for conquest, wherever war is just, wherever conquest necessary. But the woman's power is for rule, not for battle,—and her intellect is not for invention or creation, but for sweet ordering, arrangement, and decision. She sees the qualities of things, their claims, and their places. Her great function is Praise: she enters into no contest, but infallibly judges the crown of contest. By her office, and place, she is protected from all danger and temptation. The man, in his rough work in open world, must encounter all peril and trial: to him, therefore, must be the failure, the offense, the inevitable error: often he must be wounded, or subdued; often misled; and always hardened. But he guards the woman from all this; within his house, as ruled by her, unless she herself has sought it, need enter no danger, no temptation, no cause of error or offense. This is the true nature of home—it is the place of Peace; the shelter, not only from all injury, but from all terror, doubt, and division. In so far as it is not this, it is not home: so far as the anxieties of the outer life penetrate into it, and the inconsistently-minded, unknown, unloved, or hostile society of the outer world is allowed by either husband or wife to cross the threshold, it ceases to be home; it is then only a part of that outer world which you have roofed over, and lighted fire in. But so far as it is a sacred place, a vestal temple, a temple of the hearth watched over by Household Gods, before whose faces none may come but those whom they can receive with love,—so far as it is this, and roof and fire are types only of a nobler shade and light,—shade as of the rock in a weary land, and light as of the Pharos in the stormy sea,—so far it vindicates the name, and fulfills the praise, of home. And wherever a true wife comes, this home is always round her.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
It has to be said: there are too many great men in the world. There are too many legislators, organizers, founders of society, leaders of peoples, fathers of nations, etc., etc. Too many people put themselves above humanity in order to rule it and too many people think their job is to become involved with it. People will say to me: you yourself are becoming involved, you who talk about it. That is true. But they will agree that it is for a very different reason and from a very different point of view, and while I am taking on those who wish to reform, it is solely to make them abandon their effort. I am becoming involved with it not like Vaucanson with his automaton but like a physiologist with the human organism, in order to examine it and admire it. I am becoming involved with it in the same spirit as that of a famous traveler. He arrived among a savage tribe. A child had just been born and a host of fortune-tellers, warlocks, and quacks were crowding around it, armed with rings, hooks, and ties. One said, “This child will never smell the aroma of a pipe if I do not lengthen his nostrils.” Another said, “He will be deprived of the sense of hearing if I do not make his ears reach down to his shoulders.” A third said, “He will never see the light of the sun unless I make his eyes slant obliquely.” A fourth said, “He will never stand upright if I do not make his legs curve.” A fifth said, “He will never be able to think if I do not squeeze his brain.” “Away with you,” said the traveler. “God does His work well. Do not claim to know more than He does and, since He has given organs to this frail creature, leave those organs to develop and grow strong through exercise, experimentation, experience, and freedom.” [print edition page 146] God has also provided humanity with all that is necessary for it to accomplish its destiny. There is a providential social physiology just as there is a providential human physiology. The social organs are also constituted so as to develop harmoniously in the fresh air of freedom. Away with you, therefore, you quacks and organizers! Away with your rings, chains, hooks, and pincers! Away with your artificial means! Away with your social workshop, your phalanstery, your governmentalism, your centralization, your tariffs, your universities, your state religion, your free credit or monopolistic banks, your constraints, your restrictions, your moralizing, or your equalizing through taxes! And since the social body has had inflicted on it so many theoretical systems to no avail, let us finish where we should have started; let us reject these and at last put freedom to the test, freedom, which is an act of faith in God and in His work.
Frédéric Bastiat (The Law, The State, and Other Political Writings, 1843–1850)
As the Princess performs the impossible balancing act which her life requires, she drifts inexorably into obsession, continually discussing her problems. Her friend Carolyn Bartholomew argues it is difficult not to be self-absorbed when the world watches everything she does. “How can you not be self-obsessed when half the world is watching everything you do; the high-pitched laugh when someone is talking to somebody famous must make you very very cynical.” She endlessly debates the problems she faces in dealing with her husband, the royal family, and their system. They remain tantalizingly unresolved, the gulf between thought and action achingly great. Whether she stays or goes, the example of the Duchess of York is a potent source of instability. James Gilbey sums up Diana’s dilemma: “She can never be happy unless she breaks away but she won’t break away unless Prince Charles does it. He won’t do it because of his mother so they are never going to be happy. They will continue under the farcical umbrella of the royal family yet they will both lead completely separate lives.” Her friend Carolyn Bartholomew, a sensible sounding-board throughout Diana’s adult life, sees how that fundamental issue has clouded her character. “She is kind, generous, sad and in some ways rather desperate. Yet she has maintained her self-deprecating sense of humour. A very shrewd but immensely sorrowful lady.” Her royal future is by no means well-defined. If she could write her own script the Princess would like to see her husband go off with his Highgrove friends and attempt to discover the happiness he has not found with her, leaving Diana free to groom Prince William for his eventual destiny as the Sovereign. It is an idle pipe-dream as impossible as Prince Charles’s wish to relinquish his regal position and run a farm in Italy. She has other more modest ambitions; to spend a weekend in Paris, take a course in psychology, learn the piano to concert grade and to start painting again. The current pace of her life makes even these hopes seem grandiose, never mind her oft-repeated vision of the future where she see herself one day settling abroad, probably in Italy or France. A more likely avenue is the unfolding vista of charity, community and social work which has given her a sense of self-worth and fulfillment. As her brother says: “She has got a strong character. She does know what she wants and I think that after ten years she has got to a plateau now which she will continue to occupy for many years.” As a child she sensed her special destiny, as an adult she has remained true to her instincts. Diana has continued to carry the burden of public expectations while enduring considerable personal problems. Her achievement has been to find her true self in the face of overwhelming odds. She will continue to tread a different path from her husband, the royal family and their system and yet still conform to their traditions. As she says: “When I go home and turn my light off at night, I know I did my best.
Andrew Morton (Diana: Her True Story in Her Own Words)
Night after night, I looked up at those stars with a growing certainty that my role in this vast, magical universe was simply to be, and nothing about my being was predetermined or burdened with expectation unless I allowed others to make it that.
Joni Rodgers (First You Write: The Worst Way to Become an Almost Famous Author And The Best Advice I Got While Doing It)
The process of creating .jpgs is synonymous with the process of throwing away information. 12-bits of data per channel from the sensor gets squeezed into 8 bits of data per channel (giving up some tonality and fine shades of color). A little bit of dynamic range gets lost too.  Then Lots of visual information that the human brain cannot perceive gets thrown away, which is what’s responsible for JPG’s famously small size.  If there is a lot of high-frequency detail in the image, then that gets replaced by what’s called a .jpg compression artifact (which I describe in a couple of sections).  Then the compressed .jpg image file is written to the memory card, and then the raw information from which the .jpg was produced is discarded (unless you were wise enough to shoot in RAW + JPG mode). 
Gary L. Friedman (The Complete Guide to Sony's Alpha 77 II: Professional Insights for the Experienced Photographer)
The fracas was frequently portrayed in the media as two world-famous Harvard professors brought low by a graduate student from a lesser-known, unorthodox department. This is largely hyperbole. But the clash did illustrate an import aspect of economics—something that the profession shares with other sciences: Ultimately, what determines the standing of a piece of research is not the affiliation, status, or network of the author; it is how well it stacks up to the research criteria of the profession itself. The authority of the work derives from its internal properties—how well it is put together, how convincing the evidence is—not from the identity, connections, or ideology of the researcher. And because these standards are shared within the profession, anyone can point to shoddy work and say it is shoddy.¶¶ This may not seem particularly impressive, unless you consider how unusual it is compared to many other social sciences or much of the humanities.## It would be truly rare in those other fields for a graduate student to get much mileage challenging a senior scholar’s work, as happens with some frequency in economics. But because models enable the highlighting of error, in economics anyone can do it.
Dani Rodrik (Economics Rules: The Rights and Wrongs of the Dismal Science)
A well-lived life of virtue and work in anonymity is now perceived as “drab and undesirable,” while according to Hollywood writer, Clive James, «fame (is) found increasingly fascinating.»518 Instead of actions and virtues taking on lives greater than any one person, the cult of personality dominates—the celebrity is remembered for who he is, not for what he lived. In such circumstances, latter-day Napoleons—not Cincinnati—thrive, the former having thirsted so badly “to be famous, and…want(ing)…fame to last after. death.”519 Daniel Boorstin contrasts the heroism of values and deeds with that of celebrity:   A man’s name (previously) was not apt to become a household word unless he exemplified greatness in some way or other. The twentieth century has confused celebrity worship and hero worship. We have willingly been misled into believing. that fame—well-knowness—is. a hallmark ofgreatness.520
Michael J. Hillyard (Cincinnatus and the Citizen-Servant Ideal: The Roman Legend's Life, Times, and Legacy)
God, who has saved us and called us to a holy life—not because of anything we have done but because of his own purpose and grace. . . . 2 TIMOTHY 1:8–9 NOVEMBER 13 I remember an experience of my old friend E. Stanley Jones, the famous missionary. During his first few years in India, he labored under a heavy sense of personal inadequacy. He began to think he would have to give up his missionary career. At a meeting in Lucknow he had a remarkable experience. He was praying and he seemed to hear a voice asking, “Are you ready for this work to which I called you?” Silently, he confessed that he just didn’t seem to have the strength. Then the voice said, “If you will turn it over to Me, I will take care of it.” But there is a catch. You can’t expect God to help you repeatedly unless you help Him. The furtherance of His kingdom on earth comes about through human beings trying to help and serve. That is how He ordained it should be. God wants to have the love and help of people. Our Heavenly Father, we thank You for the great truth that we are not alone, that You are always with us and always will be, to the end of our lives and beyond. Through Jesus Christ, our Lord. Amen.
Norman Vincent Peale (Positive Living Day by Day)
More than loving themselves, Narcissists are absorbed with themselves. They feel their own desires so acutely that they can’t pay attention to anything else. Imagine their disorder as a pair of binoculars. Narcissists look at their own needs through the magnifying side, and the rest of the cosmos through the side that makes things small to the point of insignificance. It’s not so much that these vampires think they’re better than other people as that they hardly think of other people at all. Unless they need something. Narcissistic need is tremendous. Just as sharks must continually swim to keep from drowning, Narcissists must constantly demonstrate that they are special, or they will sink like stones to the depths of depression. It may look as if they are trying to demonstrate their worth to other people, but their real audience is themselves. Narcissists are experts at showing off. Everything they do is calculated to make the right impression. Conspicuous consumption is for them what religion is for other people. Narcissists pursue the symbols of wealth, status, and power with a fervor that is almost spiritual. They can talk for hours about objects they own, the great things they’ve done or are going to do, and the famous people they hang out with. Often, they exaggerate shamelessly, even when they have plenty of real achievements they could brag about. Nothing is ever enough for them. That’s why Narcissists want you, or at least your adulation. They’ll try so hard to impress you that it’s easy to believe that you’re actually important to them. This can be a fatal mistake; it’s not you they want, only your worship. They’ll suck that out and throw the rest away. To Narcissistic vampires, the objects, the achievements, and the high regard of other people mean nothing in themselves. They are fuel, like water forced across gills so that oxygen can be extracted. The technical term is Narcissistic supplies. If Narcissists don’t constantly demonstrate their specialness to themselves, they drown.
Albert J. Bernstein (Emotional Vampires: Dealing With People Who Drain You Dry)
My advice is that, inna famous words of Abraham Lincoln unless maybe it was George Washington or from a movie I saw sometime, who knows, is that the truth is your friend, even when it sure as shit don’t look that way, and now that I think of it, it mighta been what’s-his-name, Clint Eastbrook, but where I’m goin’ wit’ this is that if you’re tryin’ to get somewhere, pretty much anywhere, the shortest route is by way of the truth, which, by the way, prob’ly also has the least traffic whereas Bullshit Boulevard is always jammed.
Laurence Shames (Relative Humidity (Key West Capers Book 17))
Silicon Valley is famous for mantras like “move fast and break things” and implementing them through strategies like “minimum viable product” (MVP). These types of agile strategies can only work if you have the option to quit. You can’t put out an MVP unless you have the ability to pull it back. The whole point is to get information quickly, so you can quit the stuff that isn’t working and stick with the things that are worthwhile or develop new things that might work even better.
Annie Duke (Quit: The Power of Knowing When to Walk Away)
This was about disappearing. People, she’d come to understand, disappeared all the time. The world simply opened its jaws and swallowed them whole. They vanished, and unless they were rich or famous or particularly beautiful, they did so almost without comment. There was bitterness at murder, grief at accidents, and fury at suicide. But to disappear—well, there was only mystery. And mystery was all three of those things bundled together and made more frightening by the impossibility of it.
Stephen Markley (Ohio)
I had always coveted darker-skinned women their color. There was a mystery to their beauty that I found hypnotizing, Siren-like. They were hardly ever in Jet or Ebony or Essence, the magazines we subscribed to, unless they themselves were famous—the mom from The Fresh Prince of Bel Air, Whoopi Goldberg, Jackie Joyner, Oprah. Most of the Black women the public pronounced beautiful looked like Mama. Black Barbies. Bright. Hair wavier than curly. Petite figures.
Tara M. Stringfellow (Memphis)
To Jim, all of life’s horrors belong to him, to grind up and burn for his profit and pleasure, whether he’s personally experienced said horrors or not. A straight, cis, able-bodied white man is the only person on this planet who can travel almost anywhere (and, as the famous Louis CK bit goes, to almost any time in history), unless they’re literally dropping into a war zone, and feel fairly comfortable and safe (and, often, in charge). To the rest of us, horrors aren’t a thought experiment to be mined—they’re horrors.
Lindy West (Shrill: Notes from a Loud Woman)
The Tiger King’s Gift Long ago, in the days of the ancient Pandya kings of South India, a father and his two sons lived in a village near Madura. The father was an astrologer, but he had never become famous, and so was very poor. The elder son was called Chellan; the younger Gangan. When the time came for the father to put off his earthly body, he gave his few fields to Chellan, and a palm leaf with some words scratched on it to Gangan. These were the words that Gangan read: ‘From birth, poverty; For ten years, captivity; On the seashore, death. For a little while happiness shall follow.’ ‘This must be my fortune,’ said Gangan to himself, ‘and it doesn’t seem to be much of a fortune. I must have done something terrible in a former birth. But I will go as a pilgrim to Papanasam and do penance. If I can expiate my sin, I may have better luck.’ His only possession was a water jar of hammered copper, which had belonged to his grandfather. He coiled a rope round the jar, in case he needed to draw water from a well. Then he put a little rice into a bundle, said farewell to his brother, and set out. As he journeyed, he had to pass through a great forest. Soon he had eaten all his food and drunk all the water in his jar. In the heat of the day he became very thirsty. At last he came to an old, disused well. As he looked down into it, he could see that a winding stairway had once gone round it down to the water’s edge, and that there had been four landing places at different heights down this stairway, so that those who wanted to fetch water might descend the stairway to the level of the water and fill their water pots with ease, regardless of whether the well was full, or three-quarters full, or half full or only one-quarter full. Now the well was nearly empty. The stairway had fallen away. Gangan could not go down to fill his water jar so he uncoiled his rope, tied his jar to it and slowly let it down. To his amazement, as it was going down past the first landing place, a huge striped paw shot out and caught it, and a growling voice called out: ‘Oh Lord of Charity, have mercy! The stair is fallen. I die unless you save me! Fear me not.
Ruskin Bond (The Laughing Skull)
Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton is beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.
Roland Burisch (Another TIME in a VACUUM)
Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton has been beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.
Roland Burisch (Another TIME in a VACUUM)
Take for instance a phenomenon called frustrated spontaneous emission. It sounds like an embarrassing sexual complaint that psychotherapy might help with. In fact, it involves the decay of radioactive particles, which ordinarily takes place at a predictably random rate. The exception, however, is when radioactive material is placed in an environment that cannot absorb the photons that are emitted by decay. In that case, decay ceases—the atoms become “frustrated.” How do these atoms “know” to stop decaying until conditions are suitable? According to Wharton, the unpredictable decay of radioactive particles may be determined in part by whatever receives their emitted photons in the future.20 Decay may not really be random at all, in other words. Another quantum mystery that arguably becomes less mysterious in a retrocausal world is the quantum Zeno effect. Usually, the results of measurements are unpredictable—again according to the famous uncertainty believed to govern the quantum kingdom—but there is a loophole. Persistent, rapid probing of reality by repeating the same measurement over and over produces repetition of the same “answer” from the physical world, almost as if it is “stopping time” in some sense (hence the name of the effect, which refers to Zeno’s paradoxes like an arrow that must first get halfway to its target, and then halfway from there, and so on, and thus is never able to reach the target at all).21 If the measurement itself is somehow influencing a particle retrocausally, then repeating the same measurement in the same conditions may effectively be influencing the measured particles the same way in their past, thereby producing the consistent behavior. Retrocausation may also be at the basis of a long-known but, again, hitherto unsatisfyingly explained quirk of light’s behavior: Fermat’s principle of least time. Light always takes the fastest possible path to its destination, which means taking the shortest available path through different media like water or glass. It is the rule that accounts for the refraction of light through lenses, and the reason why an object underwater appears displaced from its true location.22 It is yet another example of a creature in the quantum bestiary that makes little sense unless photons somehow “know” where they are going in order to take the most efficient possible route to get there. If the photon’s angle of deflection when entering a refractive medium is somehow determined by its destination, Fermat’s principle would make much more sense. (We will return to Fermat’s principle later in this book; it plays an important role in Ted Chiang’s short story, “Story of Your Life,” the basis for the wonderful precognition movie Arrival.) And retrocausation could also offer new ways of looking at the double-slit experiment and its myriad variants.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
I'm fine," I said. Unless you count the fact that I've opened a portal to the spirit world, I'm being stalked by a ghost, and my aura is the color of dirty rainwater. Other than that, things are awesome.
Katie Alender (Famous Last Words)
A man of 97, unless he is a fool, has no message . 100 years
Joshua Prager (100 Years: Wisdom From Famous Writers on Every Year of Your Life)
Many Silicon Valley insiders predicted that it would only get worse. One of its most famous investors, Paul Graham, wrote: “Unless the forms of technological progress that produced these things are subject to different laws than technological progress in general, the world will get more addictive in the next forty years than it did in the last forty.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
...of the sheets held up around the terrible car crash he saw, so people couldn't see the dead bodies when they pulled them out. Was dead bodies redundant? When do people ever refer to it as a body unless it's a dead one? Pop songs, maybe? Get your body on the dance floor- that's what I was doing now, but it had to be qualified, the body had to belong to someone. No one sang about "the body"- just "your body" or "my body" and if you were addressing someone about their body on yours, you were both alive, right? Get the body on the dance floor was way more sinister. The implied emptiness. The body was vacant. No one was home.
Emma Mills (Famous in a Small Town)
You’re not going to have kids?” Carson asks. “I would have thought you needed someone to carry on the famous Orson Ass.” I pause, my mind reeling. Holy. Fuck. “Hell, I didn’t even think about that.” I grip my forehead in distress. “Great, look what you just did,” Knox says while I pick up my phone to text Dottie. “Don’t text Dottie, Carson was just being a dick.” “No, this is not something we considered. We need to talk about this, right away.” I excuse myself from the table and weave my way through the restaurant until I find a quiet corner near the bathrooms. I dial “Bae’s” phone number and wait impatiently for her to answer. “Hey, aren’t you are at brunch with the boys?” she asks when she answers. “Dottie, we didn’t talk about something really important and now I’m freaking the fuck out.” “What did we not talk about?” she calmly asks. “You know that conversation we had awhile back about not having any kids?” “Yesss,” she drags out. I glance around to make sure no one is listening to me, stuff my hand in my pocket and quietly ask, “What about my butt?” Silence. Then . . . “Uh, what about your butt?” “You know . . .” “I really don’t know and I have a meeting in ten minutes, so if you can speed this up, I’d appreciate it.” “Dottie, if we don’t have kids, my butt dies with me.” “Your butt is dying with you either way, unless you have some sort of insane idea that I get your butt molded in gold or something, which although I wouldn’t put that past you, it’s not happening. Is that what you mean? You want to mold your butt and give it to our kids? You know I’m all about weird gifts but that’s just not something you should give your offspring.” “I’m not talking about that, but thanks for the idea, writing that in my will.” I hear her exaggerated breath. “I’m saying if we don’t have kids, I won’t pass my butt genes on to anyone and is that really fair to the human race? To stop my butt here?” “You’re serious?” “Dead serious. The butt can’t end with me. And what about my potato salad recipe? No one will say hey, you know what, I have my grandpa’s potato salad recipe I can make to bring to the barbeque. And that’s sacrilege.
Meghan Quinn (The Brentwood Boys (The Brentwood Boys, #1-3))
George Washington had said that “virtue or morality is a necessary spring of popular government.” John Adams had insisted that public virtue, “the only foundation of republics,” could not “exist in a nation without private” virtue. Alexander Hamilton had written that “virtue and honor” were the “foundation of confidence” that underpinned “the institution of delegated power.” The contemporary Anglo-Irish philosopher Edmund Burke had famously declared that “society cannot exist unless a controlling power upon will and appetite be placed somewhere, and the less of it there is within, the more there must be without. It is ordained in the eternal constitution of things, that men of intemperate minds cannot be free.” Trump had said to hell with all that. And he had gotten elected anyway. It’s true that many presidents seem petty when measured against the founders. But Trump was different even from prior unsavory men who had attained the presidency. They had at least feigned that they cared about these values and expectations. Trump had campaigned against them and won on that basis.
Susan Hennessey (Unmaking the Presidency: Donald Trump's War on the World's Most Powerful Office)
Pagett is a famous Job’s comforter. He displays a certain gloomy satisfaction that maddens me. Also, he has taken advantage of my perturbation to saddle me with the stationery trunk. Unless he is careful, the next funeral he attends will be his own.
Agatha Christie
Now, I famously hate salad bars. I don’t like buffets (unless I’m standing on the serving side: buffets are like free money for cost-conscious chefs). When I see food sitting out, exposed to the elements, I see food dying. I see a big open petri dish that every passing serial sneezer can feel free to drool on and fondle with spittle-flecked fingers. I see food not held at ideal temperature, food rotated (or not) by person or persons unknown, left to fester in the open air unprotected from the passing fancies of the general public.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
it would have all availed me nothing, had I been “some poor body,” before this absolute, domineering tribunal. But they saw that I would not go, unless “vi et armis,” and they knew that I had friends and interest enough at home to make them suffer for any injustice they might do me. It was probably this that turned the matter; for the captain changed his tone entirely, and asked me if, in case any one went in my place, I would give him the same sum that S—— gave Harris to exchange with him. I told him that if any one was sent on board the brig, I should pity him, and be willing to help him to that, or almost any amount; but would not speak of it as an exchange. “Very well,” said he. “Go forward about your business, and send English Ben here to me!
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
Mess up all my plans, Harlow. Because I don’t want to be part of any plans unless they include you. I need you in my life, for anything to mean something. When I play in my first pro game, I want you to be behind the bench wearing my jersey. If you’re not, it’ll just be another hockey game.
C.W. Farnsworth (Famous Last Words (Holt Hockey, #1))
There is no man,’ he began, ‘however wise, who has not at some period of his youth said things, or lived in a way the consciousness of which is so unpleasant to him in later life that he would gladly, if he could, expunge it from his memory. And yet he ought not entirely to regret it, because he cannot be certain that he has indeed become a wise man—so far as it is possible for any of us to be wise—unless he has passed through all the fatuous or unwholesome incarnations by which that ultimate stage must be preceded. I know that there are young fellows, the sons and grand sons of famous men, whose masters have instilled into them nobility of mind and moral refinement in their schooldays. They have, perhaps, when they look back upon their past lives, nothing to retract; they can, if they choose, publish a signed account of everything they have ever said or done; but they are poor creatures, feeble descendants of doctrinaires, and their wisdom is negative and sterile. We are not provided with wisdom, we must discover it for ourselves, after a journey through the wilderness which no one else can take for us, an effort which no one can spare us, for our wisdom is the point of view from which we come at last to regard the world.
Marcel Proust (Within a Budding Grove, Part 2)
Fine, fine,” Phaedra huffed. “I’m rather famous in some circles for having special talents. I can steal the secrets that people take to their graves. Havelock here thought that if I paid our prince’s corpse a visit, I might learn some of his secrets, including who killed him. But Apollo didn’t have any secrets. And everyone has secrets, even if it’s just a secret fear of caterpillars or a tiny white lie they told to a neighbor. That’s when we realized Apollo wasn’t dead. Whatever toxin was used on him didn’t kill him, it put him in this suspended state.” “What’s a suspended state?” Evangeline asked. “It pauses life,” Phaedra said. “Unless he’s revived, Prince Apollo could stay like this for centuries without aging. There aren’t a lot of stories about it. It’s believed Honora Valor used to use it as part of her healing—for people who she couldn’t help immediately. Unfortunately, no one knows how she did it or how to wake someone up from it. The practice of it was believed to have been lost with her death. But we thought you might be able to help.” Phaedra looked up at Evangeline the same way people had looked at her right after she’d returned from being stone, as if she were the hero the papers all claimed.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
Fear of unwanted pregnancy existed in all classes of people. Henry VIII’s fifth wife, Katherine Howard, was famously reported to have said ‘a woman might meddle with a man and yet conceive no child unless she would herself.
Carol McGrath (Sex and Sexuality in Tudor England)
She told the Chicago Tribune at the real dirty words in Hollywood are not swear words. 'The F-word is "famous," the C-word is "celebrity" and the S-word is "star," she said, continuing, 'famous, celebrity and star, I think, are misused. Unless you're George Clooney and can't go to a baseball game without feeling smothered, you're not allowed to use those words [to describe yourself].
Joe Allan (Becoming Divergent: An Unofficial Biography of Shailene Woodley and Theo James)
Here is Martin Luther thinking and standing in the power of God before his examiners at Worms: “Unless I am convicted by Scripture and plain reason—I do not accept the authority of popes and councils, for they have contradicted each other—my conscience is captive to the Word of God. I cannot and will not recant anything, for to go against conscience is neither right nor safe. God help me. Amen.” The earliest printed version of his statement added the famous words: “Here I stand, I cannot do otherwise.”4
Dallas Willard (Renovation of the Heart: Putting On the Character of Christ)
Unless you acknowledge your vulnerability for sin, you won’t pray against it and you’ll end up experiencing defeat. The most effective weapon the enemy has against you - is you
Patience Johnson (Why Does an Orderly God Allow Disorder)
Rarely are youth challenged to take up their cross and follow Jesus down the narrow road called faith—but even when they are, they can’t imagine what that really means unless someone famous makes a movie out of it. Without
Sarah Arthur (The God-Hungry Imagination: The Art of Storytelling for Postmodern Youth Ministry)
Truth be told, I don’t think most thru-hikers hike the 3.5 miles of trail outside of Monson. Shaw’s, the famous hiker hostel in town, runs a morning shuttle right to the 100-Mile Wilderness trailhead on Route 15, and it’s easy to miss these miles unless you’re an AT purist and make a point to hike every step from Georgie to Maine.
Kathryn Fulton (Hikers' Stories from the Appalachian Trail)
For generations, the Stafford men had been known throughout the ton for their appearance—the epitome of tall, dark, and handsome. Alex’s father was a mere six feet tall, and was teased relentlessly by his brothers and cousins as “the diminutive duke.” His sons did not suffer the same fate—all standing taller than six feet, four inches, proving that the next crop of Staffords would reclaim their statuesque heritage. The sons in question—William, twenty-three, Nicholas, twenty-one, and Christopher, nineteen—shared other familial qualities with their father, however: They were devilishly handsome, with the dark-as-midnight hair, strong jaws, regal noses, and full lips that had made the Staffords legendary since the early days of the kingdom. But it wasn’t their good looks that stopped women in their tracks. It was the famous Stafford eyes. For as long as anyone could remember, Stafford men had been blessed with eyes the color of clearest emeralds. One could get lost in those eyes—they were windows on emotion, glittering with humor, flashing with anger, fiery with passion. These were eyes that wreaked havoc on the women around them—unless the woman in question was a sister. In which case, they served to simply exasperate.
Sarah MacLean (The Season)
It depends what you mean by ‘really good’,” said Mrs. Millard thoughtfully. “If you mean is it a work of art which will enrol you in the annals of fame it isn’t good at all. Alas, my poor Jane, you will never see your sculptured bust displayed on a marble column in the British Museum — or wherever it is that they display sculptured busts of the famous — but, unless I am very much mistaken, you will see a great many copies of The Mulberry Coach on the shelves of libraries and the counters of bookstalls all over the country — and probably in America as well if you have the temerity to cross the Atlantic Ocean. You see, my dear Jane, The Mulberry Coach provides an escape from the drabness of the modern world.” She
D.E. Stevenson (Anna and Her Daughters)
2,000–3,000 PEOPLE, NOT GENERAL FAME This is one of the messages Eric burned into my brain last year, and it’s guided many decisions since. We were sitting in a large soaking tub talking about the world (as mathematicians and human guinea pigs do in San Francisco), and he said: “General fame is overrated. You want to be famous to 2,000 to 3,000 people you handpick.” I’m paraphrasing, but the gist is that you don’t need or want mainstream fame. It brings more liabilities than benefits. However, if you’re known and respected by 2–3K high-caliber people (e.g., the live TED audience), you can do anything and everything you want in life. It provides maximal upside and minimal downside. GOOD QUESTION TO ASK YOURSELF WHEN TACKLING INCUMBENT COMPANIES (OR IDEAS) “How is their bread buttered?” “What is it that they can’t afford to say or think?” “CONSENSUS” SHOULD SET OFF YOUR SPIDEY SENSE “Somehow, people have to learn that consensus is a huge problem. There’s no ‘arithmetic consensus’ because it doesn’t require a consensus. But there is a Washington consensus. There is a climate consensus. In general, consensus is how we bully people into pretending that there’s nothing to see. ‘Move along, everyone.’ I think that, in part, you should learn that people don’t naturally come to high levels of agreement unless something is either absolutely clear, in which case consensus isn’t present, or there’s an implied threat of violence to livelihood or self.” TF: I start nearly every public presentation I give with a slide that contains one quote: “Whenever you find yourself on the side of the majority, it’s time to pause and reflect.” —Mark Twain. This isn’t just for my audience. It’s also a reminder for me.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Dialogue Should Move the Story Forward, Provide Information, or Enhance Characterization, Unless You’re Really Witty The best dialogue can do all three. This is a rule that’s often broken by great writers, but before you can get away with breaking it, you have to understand why it exists. Recently, I reread one of my first stories. I thought it would be fun to reread, but I was disappointed in much of the dialogue. In the middle of a scene, my heroine Mildred and the housekeeper broke into an exchange about what my heroine wanted for dinner. I think they were the only two people in the world who cared about it. Readers never even got to see them eat this dinner, and the exchange had no point. It didn’t advance the plot, and it told us nothing about Mildred except that she hated sour beef and dumplings. But let’s say you’re writing a romantic mystery where several people are poisoned by arsenic in the sour beef and dumplings. Suddenly that exchange becomes crucial because the reader knows Mildred was spared because she didn’t like the dish — does this mean the killer poisoned that dish because he didn’t want her to die? Or let’s say the point of the scene is that Mildred’s late father is a famous chef whose specialty was sour beef and dumplings, and Mildred confesses that no longer eats this dish because it brings back too many memories. Now the scene tells us something about Mildred’s personality, not just about her food intake. It wouldn’t take much work to use this exchange to move the plot forward while telling us something about Mildred and sharing the information about the food she likes. Are you a witty author? Are you sure? If so, then you can get away with writing dialogue that doesn’t advance the plot, doesn’t tell us anything about the character, and doesn’t provide information to the reader. But even if you can get away with it, why should you do this? Even the most sparkling dialogue won’t help your story if it’s completely empty of anything but wit.
Anne Marble
Readers can only read so many books in a month. And unless you give them a really good reason to read your book, they'll prefer to read some other, more famous book. You're competing for the reader's attention. And if you don't even know that, you've already lost.
Oliver Markus Malloy (The Ugly Truth About Self-Publishing: Not another cookie-cutter contemporary romance (On Writing and Self-Publishing a Book, #2))
Remember, therefore, when reading aloud the statement of your desire (through which you are endeavoring to develop a “money consciousness"), that the mere reading of the words is of NO CONSEQUENCE—UNLESS you mix emotion, or feeling with your words. If you repeat a million times the famous Emil Coué formula, “Day by day, in every way, I am getting better and better, “ without mixing emotion and FAITH with your words, you will experience no desirable results. Your subconscious mind recognizes and acts upon ONLY thoughts which have been well-mixed with emotion or feeling.
Napoleon Hill (Think and Grow Rich: Granddaddy of All Motivational Literature)
Standing out from the (New York City) map's delicate tracery of gridirons representing streets are heavy lines, lines girdling the city or slashing across its expanses. These lines denote the major roads on which automobiles and trucks move, roads whose very location, moreover, does as much as any single factor to determine where and how a city's people live and work. With a single exception, the East River Drive, Robert Moses built every one of those roads. (...) Only one borough of New York City—the Bronx—is on the mainland of the United States, and bridges link the island boroughs that form metropolis. Since 1931, seven such bridges were built, immense structures, some of them anchored by towers as tall as seventy-story buildings, supported by cables made up of enough wire to drop a noose around the earth. (...) Robert Moses built every one of those bridges. (He also built) Lincoln Center, the world's most famous, costly and imposing cultural complex. Alongside another stands the New York Coliseum, the glowering exhibition tower whose name reveals Moses' preoccupation with achieving an immortality like that conferred on the Caesars of Rome. The eastern edge of Manhattan Island, heart of metropolis, was completely altered between 1945 and 1958. (...) Robert Moses was never a member of the Housing Authority and his relationship with it was only hinted at in the press. But between 1945 and 1958 no site for public housing was selected and no brick of a public housing project laid without his approval. And still further north along the East River stand the buildings of the United Nations headquarters. Moses cleared aside the obstacles to bringing to New York the closest thing to a world capitol the planet possesses, and he supervised its construction. When Robert Moses began building playgrounds in New York City, there were 119. When he stopped, there were 777. Under his direction, an army of men that at times during the Depression included 84,000 laborers. (...) For the seven years between 1946 and 1953, no public improvement of any type—not school or sewer, library or pier, hospital or catch basin—was built by any city agency, even those which Robert Moses did not directly control, unless Moses approved its design and location. To clear the land for these improvements, he evicted the city's people, not thousands of them or tens of thousands but hundreds of thousands, from their homes and tore the homes down. Neighborhoods were obliterated by his edict to make room for new neighborhoods reared at his command. “Out from the heart of New York, reaching beyond the limits of the city into its vast suburbs and thereby shaping them as well as the city, stretch long ribbons of concrete, closed, unlike the expressways, to trucks and all commercial traffic, and, unlike the expressways, bordered by lawns and trees. These are the parkways. There are 416 miles of them. Robert Moses built every mile. (He also built the St. Lawrence Dam,) one of the most colossal single works of man, a structure of steel and concrete as tall as a ten-story apartment house, an apartment house as long as eleven football fields, a structure vaster by far than any of the pyramids, or, in terms of bulk, of any six pyramids together. And at Niagara, Robert Moses built a series of dams, parks and parkways that make the St. Lawrence development look small. His power was measured in decades. On April 18, 1924, ten years after he had entered government, it was formally handed to him. For forty-four years thereafter (until 1968), he held power, a power so substantial that in the field s in which he chose to exercise it, it was not challenged seriously by any (of 6) Governors of New York State or by any Mayor of New York City.
Robert Caro
I heard a famous author say once that the hardest part of writing a book was making yourself sit down at the typewriter. I know what he meant. Unless a writer works constantly to improve and refine the tools of his trade they will be useless instruments if and when the moment of inspiration, of revelation, does come. This is the moment when a writer is spoken through, the moment that a writer must accept with gratitude and humility, and then attempt, as best he can, to communicate to others.
Madeleine L'Engle
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her." -Oliver Markus  
Diana Mauer (German Wisdom: Funny, Inspirational and Thought-Provoking Quotes by Famous Germans)
From time to time, Musk will send out an e-mail to the entire company to enforce a new policy or let them know about something that’s bothering him. One of the more famous e-mails arrived in May 2010 with the subject line: Acronyms Seriously Suck: There is a creeping tendency to use made up acronyms at SpaceX. Excessive use of made up acronyms is a significant impediment to communication and keeping communication good as we grow is incredibly important. Individually, a few acronyms here and there may not seem so bad, but if a thousand people are making these up, over time the result will be a huge glossary that we have to issue to new employees. No one can actually remember all these acronyms and people don’t want to seem dumb in a meeting, so they just sit there in ignorance. This is particularly tough on new employees. That needs to stop immediately or I will take drastic action—I have given enough warnings over the years. Unless an acronym is approved by me, it should not enter the SpaceX glossary. If there is an existing acronym that cannot reasonably be justified, it should be eliminated, as I have requested in the past. For example, there should be no “HTS” [horizontal test stand] or “VTS” [vertical test stand] designations for test stands. Those are particularly dumb, as they contain unnecessary words. A “stand” at our test site is obviously a *test* stand. VTS-3 is four syllables compared with “Tripod,” which is two, so the bloody acronym version actually takes longer to say than the name! The key test for an acronym is to ask whether it helps or hurts communication. An acronym that most engineers outside of SpaceX already know, such as GUI, is fine to use. It is also ok to make up a few acronyms/contractions every now and again, assuming I have approved them, eg MVac and M9 instead of Merlin 1C-Vacuum or Merlin 1C-Sea Level, but those need to be kept to a minimum. This
Ashlee Vance (Elon Musk: Inventing the Future)
You probably know what Sherlock Holmes had to say about inference, the most famous thing he ever said that wasn’t “Elementary!”: “It is an old maxim of mine that when you have excluded the impossible, whatever remains, however improbable, must be the truth.” Doesn’t that sound cool, reasonable, indisputable? But it doesn’t tell the whole story. What Sherlock Holmes should have said was: “It is an old maxim of mine that when you have excluded the impossible, whatever remains, however improbable, must be the truth, unless the truth is a hypothesis it didn’t occur to you to consider.” Less pithy, more correct. The
Jordan Ellenberg (How Not To Be Wrong: The Hidden Maths of Everyday)
You can't solve a problem unless you know the problem.
Sheeja Jose (Goodbye Girl)