Ungrateful Family Quotes

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We Draytons are many things: pirates, witches, rogues...but nobody ever accused us of being ungrateful. A family has to have standards. Even in the Edge.
Ilona Andrews (Steel's Edge (The Edge, #4))
I'm sorry you don't like coming back here," her mother often said, to cap whatever petty dust-up they'd had. How could Emily explain: it wasn't her mother or Kersey she'd disowned, but her earlier self, that strange, ungrateful girl who strove to be first at everything and threw tantrums when she failed.
Stewart O'Nan (Emily, Alone (Emily Maxwell, #2))
What do we owe the people who grew us up, who first made up our entire world? It's complicated for the kids of immigrants. I'm not talking about the usual "my parents don't understand" thing. My parents believe in the power of choice, and they never asked me to sacrifice my dreams for theirs. Yet I feel like I should anyway. Where does this feeling come from? Is it just loyalty and strong family ties? Is it because, as part of a marginalized community, we all had to stick together to survive, and that sort of experience tends to become habit? Maybe it's about guilt. We are kids who benefited from the sacrifices our parents made when they decided to move to a richer, safer country. If we then grow up to grow apart, have we become ungrateful villains?
Uzma Jalaluddin (Hana Khan Carries On)
My ever-present loneliness only grew worse. How could I complain? I’d come from nothing. I was the luckiest girl in the world. I had a family now. How ungrateful I was, to want anything more.
Megan Chance (A Splendid Ruin)
Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.
Milan Kundera (The Unbearable Lightness of Being)
Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean!
Comte de Lautréamont (Maldoror and the Complete Works)
Some people shy away from boldly claiming what they most wish for. Maybe they fear it'll make them look pushy. Or greedy. Or ungrateful for what they have. But when you keep your dreams hidden away, when you hide them under a sofa cushion, they never get the light they need to grow
Diane Guerrero (In the Country We Love: My Family Divided)
Then why are you always complaining? Our life is fine. You’re the one who’s too blind and ungrateful to see it. But that shouldn’t come as a surprise. I should’ve known.
Etaf Rum (Evil Eye)
Billy covered his head with his blanket again. He always covered his head when his mother came to see him in the mental ward - always got much sicker until she went away... She upset Billy simply by being his mother. She made him feel embarrassed and ungrateful and weak because she had gone to so much trouble to give him life, and to keep that life going, and Billy didn't really like life at all.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...
Michel Tremblay
Their lack of empathy means that they do not really feel much emotional consequence from their wrongdoing. They are also quick to blame other people for their misfortunes. If things do go south for them, they will blame everyone around them, from “backstabbing” friends to “ungrateful” family members to a “biased” media, for making them look bad.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
On St. Patrick's Day, the traditional Irish family would rise early and find a solitary sprig of shamrock to put on their somber Sunday best. Then they'd spend the morning in church listening to sermons about how thankful they should be that St. Patrick saved such a bunch of ungrateful sinners. Nobody wore green clothing as it was considered an unlucky color not suitable for church.
Rashers Tierney (F*ck You, I'm Irish: Why We Irish Are Awesome)
We have in this parable a lively emblem of the condition and behavior of sinners in their natural state. When enriched by the bounty of the great common Father, thus do they ungratefully run from Him, 15:12. Sensual pleasures are eagerly pursued, till they have squandered away all the grace of God, 15:13. But while these pleasures continue, not a serious thought of God can find a place in their minds. And even when afflictions come upon them, 15:14, still they will endure much hardship before they will let the grace of God, concurring with His Providence, persuade them to think of a return, 15:15, 16. But when they see themselves naked, indigent, and undone, then they recover the exercise of their reason, 15:17. Then they remember the blessings they have thrown away, and pay attention to the misery they have incurred. Upon this, they resolve to return to their Father, and put the resolution immediately in practice, 15:18, 19. Behold with wonder and pleasure the gracious reception they find from Divine, injured goodness! When such a prodigal comes to his Father, He sees him afar off, 15:20. He pities, meets, embraces him, and interrupts his acknowledgments with the tokens of His returning favor, 15:21. He arrays him with the robe of a Redeemer’s righteousness, with inward and outward holiness, adorns him with all His sanctifying graces, and honors him with the tokens of adopting love, 15:22. And all this He does with unutterable delight, in that he who was lost is now found, 15:23, 24. Let no older brother murmur at this indulgence, but rather welcome the prodigal back into the family. And let those who have been thus received, wander no more, but emulate the strictest piety of those who for many years have served their heavenly Father and not transgressed His commandments.
John Wesley (The Essential Works of John Wesley)
There is no such thing as ‘calm and serene’ in our household,” Poppy said glumly. “Oh, Amelia, why must our family be so odd?” “We’re not odd.” Poppy batted her hands in a dismissive gesture. “Odd people never think they’re odd.” “I’m perfectly ordinary,” Amelia protested. “Ha.” Amelia glanced at her in surprise. “Why in heaven’s name would you say ‘ha’ to that?” “You try to manage everything and everyone. And you don’t trust anyone outside the family. You’re like a porcupine. No one can get past the quills.” “Well, I like that,” Amelia said indignantly. “Being compared to a large prickly rodent, when I’ve decided to spend the rest of my entire life looking after the family—” “No one’s asked that of you.” “Someone has to do it. And I’m the oldest Hathaway.” “Leo’s the oldest.” “I’m the oldest sober Hathaway.” “That still doesn’t mean you have to martyr yourself.” “I’m not a martyr, I’m merely being responsible. And you’re ungrateful!” “Would you prefer gratitude or a husband? Personally, I’d take the husband.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Nevertheless, in certain respects and in certain places, despite philosophy, despite progress, the spirit of the cloister lingers on, in the middle of the nineteenth century, and a bizarre new outbreak of asceticism now astounds the civilized world. The persistence of antiquated institutions in perpetuating themselves is like the stubbornness of stale scent clinging to your hair, the urgency of spoiled fish clamouring to be eaten, the oppression of childish garb expecting to clothe the adult, and the tenderness of corpses wanting to come back to kiss the living. 'Ungrateful wretch!' says the garment. 'I protected you in bad weather. Why will you have nothing more to do with me?' 'I come from the open sea,' says the fish. 'I was a rose,' says the perfume. 'I loved you,' says the corpse. 'I civilized you,' says the convent. There is only one answer to this: once upon a time. To dream of the indefinite protraction of defunct things and of embalmment as a way of governing mankind, to restore ravaged dogmas, regild shrines, patch up cloisters, re-bless reliquaries, revitalize superstitions, refuel fanaticisms, replace the handles on holy-water sprinklers and on sabres, recreate monasticism and militarism, to believe in the salvation of society by the multiplication of the parasites, to force the past on the present - this seems strange. Still, there are theorists who propound these theories. Such theorists, and they are intelligent people, have a very simple method: they put a gloss on the past, a gloss they call 'social order', 'divine right', 'morality', 'family', 'respect for elders', 'ancient authority', 'sacred tradition', 'legitimacy', 'religion', and they go about shouting, 'Look! Take this, honest people.' This logic was known to the ancients The haruspices practiced it. They rubbed a black heifer with chalk and said, 'It's white.' We ourselves respect the past in certain instances and in all cases grant it clemency, provided it consents to being dead. If it insists on being alive, we attack and try to kill it. Superstitions, bigotries, false pieties, prejudices, these spectres, for all that they are spectres, cling to life. They have teeth and nails in their vaporousness, and they must be tackled head-on, and war must be waged against them, and it must be waged constantly. For it is one of the fates of humanity to be doomed to eternal battle against phantoms. Shades are difficult to throttle and destroy.
Victor Hugo (Les Misérables)
Early on it is clear that Addie has a rebellious streak, joining the library group and running away to Rockport Lodge. Is Addie right to disobey her parents? Where does she get her courage? 2. Addie’s mother refuses to see Celia’s death as anything but an accident, and Addie comments that “whenever I heard my mother’s version of what happened, I felt sick to my stomach.” Did Celia commit suicide? How might the guilt that Addie feels differ from the guilt her mother feels? 3. When Addie tries on pants for the first time, she feels emotionally as well as physically liberated, and confesses that she would like to go to college (page 108). How does the social significance of clothing and hairstyle differ for Addie, Gussie, and Filomena in the book? 4. Diamant fills her narrative with a number of historical events and figures, from the psychological effects of World War I and the pandemic outbreak of influenza in 1918 to child labor laws to the cultural impact of Betty Friedan. How do real-life people and events affect how we read Addie’s fictional story? 5. Gussie is one of the most forward-thinking characters in the novel; however, despite her law degree she has trouble finding a job as an attorney because “no one would hire a lady lawyer.” What other limitations do Addie and her friends face in the workforce? What limitations do women and minorities face today? 6. After distancing herself from Ernie when he suffers a nervous episode brought on by combat stress, Addie sees a community of war veterans come forward to assist him (page 155). What does the remorse that Addie later feels suggest about the challenges American soldiers face as they reintegrate into society? Do you think soldiers today face similar challenges? 7. Addie notices that the Rockport locals seem related to one another, and the cook Mrs. Morse confides in her sister that, although she is usually suspicious of immigrant boarders, “some of them are nicer than Americans.” How does tolerance of the immigrant population vary between city and town in the novel? For whom might Mrs. Morse reserve the term Americans? 8. Addie is initially drawn to Tessa Thorndike because she is a Boston Brahmin who isn’t afraid to poke fun at her own class on the women’s page of the newspaper. What strengths and weaknesses does Tessa’s character represent for educated women of the time? How does Addie’s description of Tessa bring her reliability into question? 9. Addie’s parents frequently admonish her for being ungrateful, but Addie feels she has earned her freedom to move into a boardinghouse when her parents move to Roxbury, in part because she contributed to the family income (page 185). How does the Baum family’s move to Roxbury show the ways Betty and Addie think differently from their parents about household roles? Why does their father take such offense at Herman Levine’s offer to house the family? 10. The last meaningful conversation between Addie and her mother turns out to be an apology her mother meant for Celia, and for a moment during her mother’s funeral Addie thinks, “She won’t be able to make me feel like there’s something wrong with me anymore.” Does Addie find any closure from her mother’s death? 11. Filomena draws a distinction between love and marriage when she spends time catching up with Addie before her wedding, but Addie disagrees with the assertion that “you only get one great love in a lifetime.” In what ways do the different romantic experiences of each woman inform the ideas each has about love? 12. Filomena and Addie share a deep friendship. Addie tells Ada that “sometimes friends grow apart. . . . But sometimes, it doesn’t matter how far apart you live or how little you talk—it’s still there.” What qualities do you think friends must share in order to have that kind of connection? Discuss your relationship with a best friend. Enhance
Anita Diamant (The Boston Girl)
Rhys looked them each in the eye, even my sisters, his hand brushing the back of my own. 'Do you want the inspiring talk or the bleak one?' he asked. 'We want the real one,' Amren said. Rhys pushed his shoulders back, elegantly folding his wings behind him. 'I believe everything happens for a reason. Whether it is decided by the Mother, of the Cauldron, or some sort of tapestry of Fate, I don't know. I don't really care. But I am grateful for it, whatever it is. Grateful that it brought you all into my life. If it hadn't... I might have become as awful as the price we're going to face today. If I had not met an Illyrian warrior-in-training,' he said to Cassian, 'I would not have known the true depth of strength, of resilience, of honour and loyalty.' Cassian's eyes gleamed bright. Rhys said to Azriel, 'If I had not met a shadowsinger, I would not have known that it is the family you make not the one you are born into, that matters. I would not have known what it is to truly hope, even when the world tells you to despair.' Azriel bowed his head in thanks. Mor was already crying when Rhys spoke to her. 'If I had not met my cousin, I would never have learned that light can be found in even the darkest of hells. That kindness can thrive even amongst cruelty.' She wiped away her tears as she nodded. I waited for Amren to offer a retort. But she was only waiting. Rhys bowed his head to her. 'If I had not met a tiny monster who hoards jewels more fiercely than a firedrake...' A quiet laugh from all of us at that. Rhys smiled softly. 'My own power would have consumed me long ago.' Rhys squeezed my hand as he looked to me at last. 'And if I had not met my mate...' His words failed him as silver lined his eyes. He said down the bond, I would have waited five hundred more years for you. A thousand years. And if this was all the time we were allowed to have... The wait was worth it. He wiped away the tears sliding down my face. 'I believe that everything happened, exactly the way it had to... so I could find you.' He kissed another tear away. And then he said to my sisters, 'We have not known each other for long. But I have to believe that you were brought here, into our family, for a reason, too. And maybe today we'll find out why.' He surveyed them all again- and held out his hand to Cassian. Cassian took it, and held out his other for Mor. Then Mor extended her other to Azriel. Azriel to Amren. Amren to Nesta. Nesta to Elain. And Elain to me. Until we were all linked, all bound together. Rhys said, 'We will walk out onto that field and only accept Death when it comes to haul us away to the Otherworld. We will fight for life, for survival, for our futures. But if it is decided by that tapestry of Fate or the Cauldron or the Mother that we do not walk off that field today...' His chin lifted. 'The great joy and honour of my life has been to know you. To call you my family. And I am grateful- more than I can possibly say- that I was given this time with you all.' 'We are grateful, Rhysand,' Amren said quietly. 'More than you know.' Rhys gave her a small smile as the others murmured their agreement. He squeezed my hand again as he said, 'Then let's go make Hybern very ungrateful to have known us, too.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Express Gratefulness AS A FAMILY, WE resolve to weed out daily those attitudes of ungratefulness that sneak in and bring with them an air of discontent. For instance, around our house we are not allowed to say, “I’m bored.” It is an expression of ungratefulness with a person’s surroundings and a complaining attitude with the idea that one must be constantly doing something fun or entertaining in order to be happy.
Jill Duggar (Growing Up Duggar: It's All about Relationships)
While Papa talked about his day in court, I relived my fight with Edward. What a lousy, stinking, ungrateful coward he was. Hateful. Underhanded. Sly and dishonest. A tattle-tale. What branch of the family tree had produced a rotten apple like him?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
I could probably go back further still. Back to ancestors who fled from oppression, who hid from armies, who survived on their wits. Perhaps my mother expects the worst because her people so often experienced it. My brother and I are the first generation to know privilege, to have opportunities and advantages. It seems ungrateful to complain. But what a cross to bear—to expect the worst, to wait for the sky to fall. All my life I had been told it wasn't if the world would go to hell, just when. Tomorrow? Next week? It's best to be prepared. I didn't want to live like that. I wanted grace. And yet, I owed my existence to the fears that had made my ancestors suspicious. Those who trusted often died. Only the crafty and cynical made it out alive. Who am I to say where the line should be drawn?
Tara Austen Weaver (Orchard House: How a Neglected Garden Taught One Family to Grow)
IF I HAD KNOWN "If I had known" would be the words of a man who is ungrateful to God for him being called to serve. But in tears, I try to smile. The overwhelming need to be there for everyone. The spiritual battles and revelation with dreadful confrontation each day. Yet we are called unwise and drafted as weak. The misunderstanding by those you weep for day and night. Our discomfort to make them sleep peacefully. The fear that grips me when they say, “Leader hear my dreams. See what I saw…” and I am put into another frantic panic. My earnest prayers are to comfort those in pain, enrich those in poverty, forgive those in sin, and save those who need saving even if my life could be traded because I swore to save one soul even if it's the last thing done. The nights that require cuddles but embrace books, prayers, and constant confrontation with the wicked world. We do not even enjoy the world we live in but constantly seek to right the wrong made in the spiritual because we are set to be violent only which we can conquer. Sometimes, I say “If I had known”. But I am not ashamed of my shortcomings; even those before me had the same. Some said “if only you can take this cup away…”, some were afflicted with an incurable sickness, some were driven from their father’s land and they sort solace in Medina. Some were crucified, others tried by ordeal or burnt at the stake. Our family is far though they are close because we swore to keep those who follow our God as our brothers and sisters and love them as we love ourselves. The job of doing God’s work to me is to kill the flesh so that we can rise to glory. My flesh Oh Lord is ever before thee but be mild with it so I can enjoy the bounty of this life and the hereafter. Amen
Victor Vote
His parents hadn’t been happy, to say the least. The shouting match that followed had spanned two languages and countless old arguments about school, Gabe’s choices, and family obligations. His father had dismissed Gabe’s accomplishments—like graduating with honors and getting a scholarship to UCLA were nothing—and his mother had called Gabe ungrateful.
Alexis Daria (A Lot Like Adiós (Primas of Power, #2))
It was at that moment Stephanie became acutely aware of the paradox of the police wife. She must be humble and grateful; she had a role to play for Jason and his profession. Although what she was feeling inside was contrary to what was expected, in a way she belonged to society as a movie star belongs to their fans. She stood for hours shaking hands and hugging well-wishers, hearing generic statements that were meant to ease her pain but couldn’t, making decisions to appease the people who wanted to grieve with her, and all the while the line of mourners kept getting longer. Stephanie wasn’t ungrateful. She was numb. When you live your life simply and are suddenly thrown into the spotlight, it becomes difficult to manage, understand, and cope. Being the center of attention because of a death brings a chaos that most people will never experience. Stephanie shared her husband, her grief, and her family with the public at the most private moment of her life. She knew that it was her responsibility as the wife of a public servant. For that, they thanked her.
Karen Rodwill Solomon (The Price They Pay)
My eyes roved over each and every one of the horses, approximating their age and probably stage in training, assessing their form and temperament and noting their reproductive potential. Eventually it dawned on me that silence had fallen. I turned toward Grayden to offer some excuse, but to my surprise, he was gazing at me with affection and sympathy in his green eyes. He smiled and produced a small box, which he extended to me. “What’s this?” I asked, thoroughly confused. He shrugged. “A token of friendship. I would be honored if you would accept it.” Curiously, I took the box from his hand. Anticipating jewelry, I prepared for a show of fake enthusiasm. Such a gift would be a sweet gesture, and undoubtedly beautiful, but I was not one for baubles. The box did contain jewelry, but not of the type I supposed. On a lovely chain of gold hung a small, golden horse, head high, legs outstretched in a gallop. I looked at Grayden, stupefied, although I didn’t need to feign my pleasure. “As I said, your uncle told me of your love for horses,” he explained almost shyly. “That it was a love you shared with your father.” “But I…I don’t understand. What are you…?” Seeing how flustered I was, he reached out and took my hand. “I’m not asking for anything, Shaselle. I just…I think you’re used to being seen as a problem. Maybe it’s presumptuous of me to say that, but your family apologized for so many things about you that I can’t help drawing the conclusion.” Not sure how to react, I opted to remain silent. “I think you’re only a problem for those people who are trying to turn you into something you’re not.” “A lady?” I wryly suggested, regaining my sense of humor. I leaned back on the fence, certain he would agree. “No,” he said, and there was conviction in his voice. “They need to stop trying to turn a free spirit into a traditional wife.” I couldn’t move, couldn’t speak. Could he truly believe what he was saying? Men played games to placate women. But I knew of no man other than my father who would enjoy seeing a horse pendant around the neck of the woman he was courting. “I do have a question for you,” Grayden said, leaning against the fence next to me. He hesitated, obviously uncertain about where our relationship stood. “The Harvest Festical is approaching. If you have no other plans to attend, would you consider accompanying me?” My eyes again filled with tears. There was no good reason--why should I be breaking down now, when Grayden was being so understanding, so tolerant of my eccentricities? “Come,” he said softly. “I’ll take you back to your cousin.” I let him escort me into the house, feeling like an ungrateful fool. I hadn’t even thanked him for his gift, and I desperately wanted to do so. But I couldn’t conjure the words to convey how I was feeling, and so I murmured farewell at the door.
Cayla Kluver (Sacrifice (Legacy, #3))
In some ways, the neighborhood was the poster child for bad zoning. There were shiny glass-and-steel condominiums across from corrugated and I-beam parking garages. Single-family homes perched alongside recycling plants and foundries. A new multistory school turned its proud granite façade away from its neighbor, a dilapidated relic of a car repair shop, like an ungrateful child ashamed of an ailing parent.
Barry Eisler (A Lonely Resurrection (John Rain #2))
Complaining     “I am not saying this because I am in need, for I have learned to be content whatever the circumstances” (Philippians 4:11).     God hates complaining. In the Old Testament, God rescued the Israelites from 400 years of slavery in Egypt. They had a miraculous escape through the Red Sea and were on their way to the Promised Land. Yet only two of the original group actually arrived at the final destination. The rest perished in the desert. Why? One contributing factor was their complaining.   First, they complained that they had no food so God graciously provided manna. This was food that miraculously appeared each morning for them to collect for their families for the day. However, it wasn’t long before they complained about the manna. They even went so far as to say that they preferred their lives of slavery in Egypt to another day of eating manna.   I’m disgusted by their ungratefulness. They were a complaining, grumbling bunch that couldn’t see how good they actually had it. They were constantly looking for the bad in their situation instead of focusing on how God had favoured them, heard their cries, saved them from slavery, and provided for them on their way to the Promised Land.   However, it’s easy for me to pass judgment on them as I read about their story in the Bible. It’s obvious to me what they did wrong. But I was recently convicted of my own behaviour. Some days I am no better than those complainers.   I can think specifically of a job I received. This job was a miracle from God in itself. My two co-workers had been waiting over three years to get this job – I had just applied a month before. It was only part-time hours so it allowed me to continue to pursue my other interests and hobbies. It was close to my home, within the hours that my children were at school and doing what I love to do – teach.   However, when I was first offered the job I complained about the topic I would be teaching – accounting. It was not my first love. I would have preferred to teach creative writing or marketing – something fun. But accounting? I balked. Then I complained about the cost of parking. Then I complained that I had to share an office. Then I complained that my mailbox was too high, the water was too cold, the photocopier was too far away, the computer was too slow – well, you get the point. Instead of focusing on the answer to prayer, I focused on the little irritants about which to complain.   Finally, I started to complain about the students – one particular student. She would come to class with a snarl and sit in the back of the classroom with her arms crossed, feet up and a scowl that would scare crows away. It seemed to me that she not only hated the topic I was teaching, but she also hated the teacher.   Each day, I returned home and complained to my husband about this particular student. Things didn’t improve. She became more and more despondent and even poisoned the entire class with her sickly attitude. I complained more. I complained to other teachers and my friends; anyone who dared to ask the question, “How do you enjoy teaching?”  
Kimberley Payne (Feed Your Spirit: A Collection of Devotionals on Prayer (Meeting Faith Devotional Series Book 2))
The Awakening Land" p615 What was the world coming to and what hearty pleasures folks today missed out of life! One bag of meal her pap said, used to make a whole family rejoice. Now folks came ungrateful from the store, grumbling they had to carry such a heavy market basket. Was that the way this great new country of hers was going to go? The easier they made life, the weaker and sicker the race had to get? Once a majority of the men got weak and soft, what weak, harmful ways would they vote the country into then? Well, her pap's generation could get down on their knees and thank the Almighty they lived and died when they did. How would they ever have come and settled this wild country if they said to each other, "Ain't you afeard?" How would her pappy have fetched them the long way out here on foot if he'd kept asking all the time, "Are you all right! How do ye feel? Do ye reckon ye kin make it?" No, those old time folks she knew were scared of nothing, or if they were, they didn't say so. They knew they ran bad risks moving into Indian country, but they had to die some time. They might as well live as they pleased and let others bury them when the time came. Now Libby's generation, it seemed, lived mostly to study and fret about ailing and dying.
Conrad Richter
Smiling, Hearba offered her palms to the woman in greeting. “I thank you,” she said, when the greeting was completed, “for your kindness in coming to help us find our way about in this huge nid-place on this long day, which has left us quite exhausted. But perhaps you should quickly show us where we are to eat and sleep, as the night rains will soon begin and you will be unable to reach your own nid-place.” “You do not understand,” Ciela said. “My nid-place is here. I am assigned. You will find that with your special duties and responsibilities as the parents of a Chosen, you will have little time for such tasks as nid-weaving and food preparation.” “Valdo?” Hearba said questioningly, clearly asking him to intervene, and Raamo easily pensed her distress at the thought of sharing their nid-place with a stranger. But when Valdo responded by offering his thanks to Ciela, Hearba tried again. “We have always cared for our own—” she was saying when Ciela interrupted. “You have never had the care of so large a nid-place,” Ciela said, “nor the many responsibilities of a Chosen family. I think you will find that you need my help.” “Who is it that sends—” Hearba began haltingly, and then paused, troubled that the stranger might find her thoughtless and ungrateful. “By whom was I assigned?” Ciela asked. “By the Ol-zhaan. There is a helper assigned by the Ol-zhaan to the family of every Chosen, as I have been assigned to you.” Hearba bowed her head to signify her acceptance of the wisdom of the Ol-zhaan, the holy leaders of Green-sky. In the days that followed, Raamo remained with his family in the new nid-place. Just as before, his father and mother went daily to work as harvester and embroiderer, and Pomma returned to her classes at the Garden. But there were many differences. The D’ok family members were now persons of honor, and as such they found many differences in old familiar situations and relationships. People with whom they had long worked and played—friends with whom they had, only a few weeks before, danced and sung in the grund-halls, beloved friends with whom, in their Youth Hall days, they had once daily practiced rituals of close communion, even those with whom, as infants, they had once played Five-Pense—all these now stepped aside to let them pass and even asked them for advice in important matters—as if they had suddenly become authorities on everything from the nesting habits of trencher birds to the best way to cure an infant of fits of tearfulness.
Zilpha Keatley Snyder (Below the Root)
wet cap and lets it drip on the table. “Bag of cash!” he scoffs. “She’s still buying into Strycker’s case. Strycker’s all about appealing to clichés: The bag of cash. The American Dream. The inhuman laborer. The ambitious and ungrateful son who can’t appreciate what’s been done for him.
Lan Samantha Chang (The Family Chao)
Freud can help here. He reminds us that what the psyche cannot handle, the mind represses. In a world where one does not exist, being ignored and, at the same time, being the subject of daily acts of violence, is difficult if not impossible. The mind, or rather the psyche, represses the reality of what is happening in order to survive. Furthermore, one’s psyche may also repress the truth that one is working-class in order to survive. The working-class artist who trades in her past, her history, family, community, and self for a sleeker, more palatable version of herself, who tries to pass as middle-class (or upper-middle class in Anthony’s case), is only doing what culture and society tells her to do. Neoliberalism assures us that we are all born equal, each of us with the same access to material, cultural, and social capital — and that there are no social classes. To insist otherwise is to appear ungrateful, negative, depressing, and often mentally ill. Indeed, to blame one’s inability to “succeed” in neoliberal society (to blame systemic forces rather than one’s own personal failure) is to set one’s self outside the all-pervasive neoliberal system. Pointing out the unfairness of the system, is, in a sense, a form of giving up and dropping out of the game. The “boot-straps” trope is just that — a trope, a lie. And yet it’s what most people still believe. This splitting of the self speaks to the contradictory nature of this book and its subject.
Cynthia Cruz (The Melancholia of Class: A Manifesto for the Working Class)
Guilt lances through my gut. They’re not wrong. I really am being an ungrateful brat. And I know that they’ve done all of this out of love, to impress Nathan’s family for my sake. But still! Argh!
Jesse Q. Sutanto (Four Aunties and a Wedding (Aunties, #2))
The girl who had purportedly escaped a violent assault on her family home in civil-war-stricken Somalia, and departed the dangerous, ramshackle, jungle-like conditions of a Kenyan camp for America, was amazingly ungrateful.
Benjamin Weingarten (American Ingrate: Ilhan Omar and the Progressive-Islamist Takeover of the Democratic Party)
You just can’t imagine what’s happened to me!” she exclaimed. “I’m a full-time nurse to the most miserable, ungrateful man you can possibly imagine. Nothing I do is good enough for him. He never expresses appreciation; he hardly even acknowledges me. He constantly harps at me and finds fault with everything I do. This man has made my life miserable and I often take my frustration out on my family. The other nurses feel the same way. We
Stephen R. Covey (The 7 Habits of Highly Effective People)
Anna returned to supper preparations, wondering what on earth she had managed to fill her time with before having children. ‘BC’, they jokingly described it. She loved all of them to bits. But there were times when she longed to escape from the bedlam of family life. Lately she felt constantly tired. Some mornings she forced herself to put one foot in front of the other to confront the day. And she was putting on weight despite being careful with her diet. She worried there might be something seriously wrong, but it was easier to push nagging thoughts to the back of her mind. She craved one week on her own: one week of blissful quiet without the confusion and togetherness Italians craved. To go to bed late if she wanted without a 6 a.m. alarm call. Time to read a whole book in one sitting or drink wine in the middle of the day, without the responsibility of being the afternoon chauffeur to one of her children: for swimming lessons, music clubs, gymnastics and now regional tennis coaching, for which Davide had been selected. And a week of sleeping in a bed on her own might be good, she thought – without having to get up to soothe a child’s nightmares or being kept awake by Francesco’s snores or his hand stroking her thigh, when sex was the very last thing on her mind… ‘Penny for them?’ Francesco had crept up behind her, folding her in a hug, nuzzling the back of her neck as she tried to concentrate on chopping parsley and celery for a meat sauce. ‘You wouldn’t want to know,’ she said, thinking that he really wouldn’t and that she was an ungrateful cow to fantasise about a life without them. ‘Mamma, Babbo, stop it!’ Rosanna and Emilia were trying to insinuate themselves between their parents to break up their embrace. ‘Is supper nearly ready?’ Emilia, always hungry, asked.
Angela Petch (A Tuscan Memory)
A few interviewees talked about the experience of family mobbing, whereby narcissistic and toxic parents would organize the other family members and curry their favor to scapegoat one child within the family system, and if that person decided to distance himself or herself from the family, he or she was written off as ungrateful, aloof, or a “problem child.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
I am happy when I eat fresh fruit, when I burst out laughing, when I discover a new song, when I finish a good book, when I wake up and feel relaxed. I’m glad to have friends, family, a home, food when I’m hungry, hot water when I shower. I love being able to live and see the seasons change, to have gifts at Christmas and at my birthday, to travel sometimes, to have a good education and a great access to culture. I’m flattered when people compliment me, when people smile at me, when people are polite to me. There are so many things that make life so simple and easy and I will always think about them more than all the bad things that will happen to me. I do not have time to be sad every day and ungrateful; I have every reason in the world to be happy.
Anonymous
Oh, Amelia, why must our family be so odd?” “We’re not odd.” Poppy batted her hands in a dismissive gesture. “Odd people never think they’re odd.” “I’m perfectly ordinary,” Amelia protested. “Ha.” Amelia glanced at her in surprise. “Why in heaven’s name would you say ‘ha’ to that?” “You try to manage everything and everyone. And you don’t trust anyone outside the family. You’re like a porcupine. No one can get past the quills.” “Well, I like that,” Amelia said indignantly. “Being compared to a large prickly rodent, when I’ve decided to spend the rest of my entire life looking after the family—” “No one’s asked that of you.” “Someone has to do it. And I’m the oldest Hathaway.” “Leo’s the oldest.” “I’m the oldest sober Hathaway.” “That still doesn’t mean you have to martyr yourself.” “I’m not a martyr, I’m merely being responsible. And you’re ungrateful!” “Would you prefer gratitude or a husband? Personally, I’d take the husband.” “I don’t want a husband.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Share the Blame As we discussed earlier, how both partners can be at fault. Although the cheating partner should take 100% of the blame as they could have always talked it out with you and let you know of your intentions beforehand, you should also take responsibility for keeping them in an unhappy or ungrateful union. If the infidelity happened because the partner felt less heard or unappreciated, then the wronged partner must accept it and know that some part of the hurt and isolation that they have brought upon themselves is because of the way they treated their spouse. This knowledge and acceptance can help the process of healing and allow them to be more emotionally available for their partner the next time around. Set Some Ground Rules Before forgiving the adulterous spouse, the wronged partner must lay down some ground rules for how things will be between them from now on. It doesn’t have to be a revenge list since the goal is to get back together. Point out how they can earn back the lost trust and respect in your eyes. Some other rules can be keeping no secrets between them from now on, making more time for the family, removing passwords from their phone and laptop, allowing the other person to see what they are doing without hiding or closing the tabs, etc. If they comply to all of these, it means they really are up for going at the relationship again. It also gives you some power over them and makes them feel like dictated and dominated, which is great at the end of the day because let’s face it, they brought it upon themselves.
Rachael Chapman (Healthy Relationships: Overcome Anxiety, Couple Conflicts, Insecurity and Depression without therapy. Stop Jealousy and Negative Thinking. Learn how to have a Happy Relationship with anyone.)
How did the senator know that children meant happiness? Could he see into their souls? What if, the moment they were out of sight, three of them jumped the fourth and began beating him up? The senator had only one argument in his favor: his feeling. When the heart speaks, the mind finds it indecent to object. In the realm of kitsch, the dictatorship of the heart reigns supreme. The feeling induced by kitsch must be a kind the multitudes can share. Kitsch may not, therefore, depend on an unusual situation; it must derive from the basic images people have engraved in their memories: the ungrateful daughter, the neglected father, children running on the grass, the motherland betrayed, first love. Kitsch causes two tears to flow in quick succession. The first tear says: How nice to see children running on the grass! The second tear says: How nice to be moved, together with all mankind, by children running on the grass! It is the second tear that makes kitsch kitsch. The brotherhood of man on earth will be possible only on a base of kitsch. And no one knows this better than politicians. Whenever a camera is in the offing, they immediately run to the nearest child, lift it in the air, kiss it on the cheek. Kitsch is the aesthetic ideal of all politicians and all political parties and movements. Those of us who live in a society where various political tendencies exist side by side and competing influences cancel or limit one another can manage more or less to escape the kitsch inquisition: the individual can preserve his individuality; the artist can create unusual works. But whenever a single political movement corners power, we find ourselves in the realm of totalitarian kitsch. When I say totalitarian, what I mean is that everything that infringes on kitsch must be banished for life: every display of individualism (because a deviation from the collective is a spit in the eye of the smiling brotherhood); every doubt (because anyone who starts doubting details will end by doubting life itself); all irony (because in the realm of kitsch everything must be taken quite seriously); and the mother who abandons her family or the man who prefers men to women, thereby calling into question the holy decree Be fruitful and multiply. In this light, we can regard the gulag as a septic tank used by totalitarian kitsch to dispose of its refuse.
Milan Kundera (The Unbearable Lightness of Being)
The waiting began to take its toll. “It’s a terrifying place,” he said to Parvis. “Pressure from the past, pressure from the future. They say too much of either is a mental illness.” Parvis nodded. This was a common complaint among refugees: the future brings anxiety because you don’t belong, and can’t move forward. The past brings depression, because you can’t go home, your memories fade, and everything you know is gone. “I’m standing on a thin border between the past and future, waiting for madness to come.” Kambiz missed his big family, all noisy and living on top of each other in a small house. He missed his sisters running around, making a mess of things. He even missed his mother’s daily moaning about his aunt.
Dina Nayeri (The Ungrateful Refugee)