Underwater Silence Quotes

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If people were silent, they could hear the noise of their own lives better. If people were silent, it would make what they did say, whenever they chose to say it, more important. If people were silent, they could read one another's signals, the way underwater creatures flash lights at one another, or turn their skin different colors.
Ali Benjamin (The Thing About Jellyfish)
Grief, as I read somewhere once, is a lazy Susan. One day it is heavy and underwater, and the next day it spins and stops at loud and rageful, and the next day at wounded keening, and the next day numbness, silence.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
Well... I love moving in extra dimensions. Not just backwards and forwards, but up and down and around. And fins. I love swimming with fins— human feet are practically useless underwater. I love all the unique things you see on each dive. Millions of little aquatic soap operas playing out between all the creatures. And the silence. Well, it’s not really silent down there, but the roar of bubbles blocks any other sound...
Kirsten Hubbard (Wanderlove)
I wish I could live underwater. Maybe then my skin would absorb the sea’s consoling silence.
Cristina García (Dreaming in Cuban)
I’d never actually talked to a deaf person before but I’d been swimming and gotten water stuck in my ears lots of times, felt that underwater silence as I shook my head and watched people’s mouths moving without hearing the words, so I knew what it was like for her. I could empathize.
Paul Neilan
Grief, as I read somewhere once, is a lazy Susan. One day it is heavy and underwater, and the next day it spins and stops at loud and rageful, and the next day at wounded keening, and the next day at numbness, silence.
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey. To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.
Victor Hugo (The Toilers of the Sea)
Breathing Under Water,” a title taken from a telling poem by Carol Bieleck, r.s.c.j., which seemed to sum up so much of the common message. I quote it here in full:   “Breathing Under Water”   I built my house by the sea. Not on the sands, mind you; not on the shifting sand. And I built it of rock. A strong house by a strong sea. And we got well acquainted, the sea and I. Good neighbors. Not that we spoke much. We met in silences. Respectful, keeping our distance, but looking our thoughts across the fence of sand. Always, the fence of sand our barrier, always, the sand between.   And then one day, —and I still don’t know how it happened— the sea came. Without warning.   Without welcome, even Not sudden and swift, but a shifting across the sand like wine, less like the flow of water than the flow of blood. Slow, but coming. Slow, but flowing like an open wound. And I thought of flight and I thought of drowning and I thought of death. And while I thought the sea crept higher, till it reached my door. And I knew then, there was neither flight, nor death, nor drowning. That when the sea comes calling you stop being neighbors Well acquainted, friendly-at-a-distance, neighbors And you give your house for a coral castle, And you learn to breathe underwater.3
Richard Rohr (Breathing Underwater)
It was a dream,” I whispered, my voice a gunshot in the silence. “It was just a dream.” A different one from the ones I usually had. I wasn’t underwater. I didn’t scream. But I was terrified—more terrified than I had been in a long, long time.
Ana Huang (Twisted Love (Twisted, #1))
For a moment we are weightless, eyes open and locked underwater, flowers drawn down with us, swirling around us in a current of white bubbles. My hair floats around us both like black silk. His hands are still around my waist, mine pressed against his bare chest. My lamp drifts between us. Aladdin plants his feet against the bottom of the pool and kicks off, pushing us upward to burst through the surface. He gasps in air and shakes the wet hair from his eyes. Without pulling away, we float in silence, and I cannot take my gaze from him. Water runs down his cheeks and lips, dripping from his jaw. A lock of his hair is stuck to his forehead, and I gently lift it away, curling it around my finger before letting it go. “What are we doing?” he whispers, pulling me closer. I cannot reply. I don’t trust my own voice. He brings his forehead down to rest against mine, and everything outside this pool and this moment ceases to exist. All that matters is the gentle sound of our breathing, our reflections on the water, the feel of his hands around me.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Tsunami spotted Snail and Herring among the guards. Their eyes darted anxiously from side to side, as if they were wondering how they were still alive. Because Mother wants to make a spectacle of them, Tsunami guessed. Coral was probably waiting for the right moment to punish them in public, the way she’d punished Tortoise. Well, two can play the spectacle game, Your Majesty. “MOTHER!” Tsunami declared dramatically as the waitstaff set bowls of soup in front of each dragon. Beside her, Whirlpool jumped and nearly tipped his bowl onto himself. Even Queen Coral looked startled. “I have something DREADFULLY SHOCKING to tell you!” Tsunami announced. She wanted this to be loud, so every dragon could witness it. “Oh?” said Coral. “Could we discuss it after breakfast? In a civilized fashion?” “NO,” Tsunami said, louder than before. “This is TOO SHOCKING.” Even SeaWings not invited to the feast were starting to peer out of their caves and poke their heads out of the lake to hear what was going on. “Well, perhaps —” Coral started. “WOULD YOU BELIEVE,” Tsunami said, “that my friends — the DRAGONETS OF DESTINY, remember — were CHAINED UP? And STARVED? In YOUR CAVES? By YOUR DRAGONS?” “What?” Coral said, flapping her wings. She looked thoroughly alarmed, but Tsunami couldn’t tell whether that was because the news actually surprised her or because she was being confronted openly with what she’d done. “I KNOW!” Tsunami practically bellowed. “It’s UNBELIEVABLE. I’m sure you didn’t know anything about it, of course.” “Of course,” Coral said in a hurry. “I would never treat any dragonets that way! Especially my dearest daughter’s dearest friends. Who are part of the prophecy and everything.” “And I’m sure you’ll want to punish the dragons who disobeyed you by treating my friends so terribly,” Tsunami said. “Right? Like, for instance, the one who lied to you about keeping them well fed?” She shot a glare at Lagoon, who froze with a sea snail halfway to her mouth, suddenly realizing what was going on. “Absolutely,” said the queen. “Guards! Throw Lagoon in one of the underwater dungeons!” “But —” Lagoon said. “But I was only —” “Next time you’ll obey my orders,” said the queen. A stripe quickly flashed under her wings, but Tsunami spotted it, and it was one Riptide had taught her. Silence. Oh, Mother, Tsunami thought sadly. “Can’t I even —” Lagoon said, reaching wistfully for her cauldron of soup as the guards pulled her away. “No breakfast for you,” the queen ordered. “Think about how that feels as you sit in my dungeon.” Tsunami was fairly sure Lagoon wouldn’t actually suffer very much. Queen Coral would have her back at Council meetings before long. But Tsunami wasn’t done. “And
Tui T. Sutherland (The Lost Heir (Wings of Fire, #2))
The room quieted, the space between us sucking everything into it. His eyes dropped down to my mouth and the burning in my chest ran into the rest of my body. It found every dark, hidden place and lit it on fire. I tried to breathe, but it wouldn’t come. I was underwater, trapped beneath the frozen lake. And as soon as he moved, it broke loose and the sound of my breath rang in my ears so loud that every thought ran like a retreating army. The heat of him hit me just before his lips touched mine and I froze, trying to feel it. That stinging, throbbing pulse beneath my skin. I lifted my hands slowly, opening my eyes to look at him. My fingertips touched the lines on the sides of his face and he pulled his mouth from mine, looking back at me like he wasn’t sure I was still there. His breath touched me. Somewhere I didn’t know I could feel. Somewhere I didn’t know existed. “Fiske.” I said his name in a voice that wasn’t mine and it hung between us in the silence. He pressed his lips together. “What?” I stood at the threshold of the thought. The thought of Fiske that had been buried alive in the back of my mind. I looked over the edge of it, peering down into the darkness. It called to me. It screamed my name. And I jumped.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
Washington University found that adding a single extra gene dramatically boosted a mouse’s memory and ability. These “smart mice” could navigate mazes faster, remember events better, and outperform other mice in a wide variety of tests. They were dubbed “Doogie mice,” after the precocious character on the TV show Doogie Howser, M.D. Dr. Tsien began by analyzing the gene NR2B, which acts like a switch controlling the brain’s ability to associate one event with another. (Scientists know this because when the gene is silenced or rendered inactive, mice lose this ability.) All learning depends on NR2B, because it controls the communication between memory cells of the hippocampus. First Dr. Tsien created a strain of mice that lacked NR2B, and they showed impaired memory and learning disabilities. Then he created a strain of mice that had more copies of NR2B than normal, and found that the new mice had superior mental capabilities. Placed in a shallow pan of water and forced to swim, normal mice would swim randomly about. They had forgotten from just a few days before that there was a hidden underwater platform. The smart mice, however, went straight to the hidden platform on the first try. Since then, researchers have been able to confirm these results in other labs and create even smarter strains of mice. In 2009, Dr. Tsien published a paper announcing yet another strain of smart mice, dubbed “Hobbie-J” (named after a character in Chinese cartoons). Hobbie-J was able to remember novel facts (such as the location of toys) three times longer than the genetically modified strain of mouse previously thought to be the smartest. “This adds to the notion that NR2B is a universal switch for memory formation,” remarked Dr. Tsien. “It’s like taking Michael Jordon and making him a super Michael Jordan,” said graduate student Deheng Wang. There are limits, however, even to this new mice strain. When these mice were given a choice to take a left or right turn to get a chocolate reward, Hobbie-J was able to remember the correct path for much longer than the normal mice, but after five minutes he, too, forgot. “We can never turn it into a mathematician. They are rats, after all,” says Dr. Tsien. It should also be pointed out that some of the strains of smart mice were exceptionally timid compared to normal mice. Some suspect that, if your memory becomes too great, you also remember all the failures and hurts as well, perhaps making you hesitant. So there is also a potential downside to remembering too much.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
In the pass the muttering sickness leaped into our throats, coughing and spitting in the silver morning, frost on our bones. Most of the ape forms died there on the treeless slopes, dumb animal eyes on "me" brought the sickness from white time caves frozen in my throat to hatch in the warm steamlands spitting song of scarlet bursts in egg flesh, beyond the pass, limestone slopes down into a high green savanna and the grass-wind on our genitals, came to a swamp fed by hot springs and mountain ice. and fell in flesh heaps, sick apes spitting blood laugh, sound bubbling in throats torn with the talk sickness, faces and bodies covered with pus foam, animal hair thru the purple sex- flesh, sick sound twisted thru body, underwater music bubbling in blood beds, human faces tentative flicker in and out of focus. We waded into the warm mud-water, hair and ape flesh off in screaming strips, stood naked human bodies covered with phosphorescent green jelly, soft tentative flesh cut with ape wounds, peeling other genitals, fingers and tongues rubbing off the jelly-cover, body melting pleasure-sounds in the warm mud. till the sun went and a blue wind of silence touched human faces and hair. When we came out of the mud we had names. In the pass muttering arctic flowers, gusts of frost wind, bones and most of the ape still felt, invisible slopes, spitting the bloodbends human bones out of focus, and ape-flesh naked human body. Caves frozen in my throat, green jelly genitals. Limestone slopes cover our bodies melting in savanna and grass mud. shit and sperm fed hot till the sun went. The mountain touched human bubbling throats. Torn we crawled out of the mud. faces and bodies covered the purple sex-flesh, and the sickness leaped into our body underwater music bubble in the silver morning frost, faces tentative flicker in ape forms, into the warm mud and water slopes, cold screaming sickness from white time, covered with phosphorescent shed in the warm lands, spitting ape wounds, feeling egg flesh, green pleasure-sounds warm our genitals, blue wind of silence. Apes spitting sound faces thru pus foam, the talking sickness had names. The sound stood naked in the grass, music bubbling in the blood, quivering frog eggs and sound thru our throats and swap we had names for each other, tentative flicker-laugh and laughing washed the hairs off. down to his genitals. Human our bodies melted into when we crawled out. And the other did not want to touch me because of the white worm-thing inside but no one could refuse if I wanted and ate the fear-softness in other men. The cold was around us in our bones. And I could see the time before the thing when there was green around and the green taste in my mouth and the green plant-shit on my legs, before the cold. . . And some did not eat flesh and died because they could not live with the thing inside. . . Once we caught one of the hairy men with our vine nets and tied him over a slow fire and left him there until he died and the thing sucked his screams moving in my face like smoke and no one could eat the flesh-fear of the hairy man and there was a smell in the cave bent us over
William S. Burroughs (The Soft Machine (The Nova Trilogy #1))
She drifted down into the water, letting it engulf her body until even her face was underwater. The silence was delicious, just the sound of her own heartbeat in her ears.
Crissi Langwell (The Road to Hope (Hope #1))
Affresco della notte palombara Fresco of the underwater night Immersa nel recinto di figure Sunk in a knot of figures Strette all’attore, custodia di parole Surrounding the actor, keeper of words; Fame e miniera di nostalgia alle due Hunger and quarry of longing Del pomerrigio, l’ora di mezzo At 2 pm, the middle hour Priva di preghiere, che non presume Without prayer that doesn’t presume Ma si affatica strana dietro l’immensita But labors strangely over the afternnon’s Del pommerigio, molto o popolata immensita Hugeness, crowded hugeness Di guarigione, che si allontana Of healing that drifts off; Insieme al tuo silenzio intento e affacendato And your focused silence bent on A togliermi dal sole, mio sole virtuoso Taking my sun, my virtuous son Per il quale io son quel che sono Thanks to which I am what I am In piena luce, sono el mondo In daylight, I am in the world Assieme agile atra, agli atra quasi uguale. With others, others almost like me.
Patrizia Cavalli (My Poems Won't Change the World: Selected Poems (Italian and English Edition))
reddie still looked angry. But not at her. “Go on.” Tilted his chin at water. “Hunt.” Hunt. Yes. She knew that. Understood that. Not like so much on land. She sank underwater. Heard Freddie’s voice again. Loud. Commanding. Like alpha. “Showtime!” Perdita grinned. Felt excited. And felt normal for the first time in too long. Let herself sink. The tip of her tail brushed the sand. She halted. Turned her face above. Moments passed. She could pretend she was home again. Silence. Indigo waters. Diamond lights dancing above her. Felt the same rush that always came with hunts. Different this time. There would be prey. But no companions. Unnatural. Her heart lurched. Almost physical pain. Home. Her pack. Heart ached again. She wondered if alphas had sent a search party. Or if they had moved on. Putting their survival first. Perdita could not blame them if they had. Every day was a fight. Fight to stay alive. Fight for food. For territory. To breathe the cleanest water they could find. To flee from monsters that bled poison.
Minerva Hart (Primal Instinct)
Mom was excited to get back to the island, watching as it appeared in the distance. Her anticipation turned to dread, and she gasped, her hands on her mouth, when she saw the dock they had worked so hard on before gone. “What happened?” she asked, breaking her silence for the first time. “I’m pretty sure this was Ortho's work. He seemed to really hate villagers and destroyed every village he came across,” Dad said with a frown. Mom’s face softened. “I’m glad he can't do that anymore. This is so sad.” They pulled up to the island, stretching as they stepped from their boats. “We should probably fix up a shelter,” Dad said. “We’ll need a place for when it gets dark. Then I think we should strategize for this ocean monument trip we have to make.” “Oooh!” Kate said. “We should have turtle shell helmets!” Mom gasped. “Kate! Why would you do that to the poor turtles?” Kate giggled. “No Mom, baby turtles drop scute when they grow into big turtles, then you can collect it and make turtle shell helmets. They’re cool because they let you breathe underwater a bit longer. Plus, you can enchant them with...um. I forgot the name. But there’s an enchantment that helps you breathe longer, too.” “And one for mining underwater,” Jack added. “Why would you need that?” Dad asked. “Can’t you just mine like normal?” Jack shook his head. “Have you ever tried to swing a pickaxe underwater?” Dad blinked. “Oh. Yeah, I guess that makes sense. Sorry to dredge that up.” He wiggled his eyebrows. Mom was about to give Dad ‘The Look’ but Kate beat her to it. “No Dad, Jack already did a bunch of jokes.” “What?” Dad looked offended. “I’m supposed to do the Dad jokes!” “You are,” Jack said. “That’s why I did Jack Jokes.” Dad snorted out a laugh. “Were they punny?” Jack grinned. “Definitely. They worked great for our new villager friends when they helped us on the farm. They were real ice-breakers.” Dad laughed extra loud. “That’s it, I’m done!” Kate said. “Come on Mom, let’s go get some turtle scute.” “I’m right there with you girl. Let’s go.” Dad waved. “We’ll make sure we have shelter, and we’ll give it a nice outfit.” Dad winked. Jack cocked his head. “What does a house wear?” Dad grinned. “Address!” Jack laughed, and the girls rolled their eyes. “We’ll make sure not to build a house like a penguin though. They just igloo them together.” Kate and Mom groaned and hurried off towards the turtles. “Don’t run in front of a car!” Jack yelled. “You might get tired!” “Run faster, Mom,” Kate yelled. Dad and Jack laughed at their fleeing forms. Chapter 18 By the time Mom and Kate came back from their turtle excursion, Dad and Jack had fixed up a house
Pixel Ate (The Accidental Minecraft Family: Book 27)
Clicks and chatter disturb the cathedral hush. The air is so twilight-green she feels like she’s underwater. It rains particles—spore clouds, broken webs and mammal dander, skeletonized mites, bits of insect frass and bird feather. . . . Everything climbs over everything else, fighting for scraps of light. If she holds still too long, vines will overrun her. She walks in silence, crunching ten thousand invertebrates with every step, watching for tracks in a place where at least one of the native languages uses the same word for footprint and understanding. The earth gives beneath her like a shot mattress.
Richard Powers (The Overstory)