Ceramic Wall Quotes

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They lay together in a sheltered place among the ruins of Brasilia while deathbeams from Chinese EMVs played like blue searchlights on broken ceramic walls.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
People in coats and ties were milling around the Talley gallery, and on the wall were the minimally rendered still lifes by Giorgio Morandi, most of them no bigger than a tea tray. Their thin browns, ashy grays, and muted blues made people speak softly to one another, as if a shouted word might curdle one of the paintings and ruin it. Bottles, carafes, and ceramic whatnots sat in his paintings like small animals huddling for warmth, and these shy pictures could easily hang next to a Picasso or Matisse without feeling inferior.
Steve Martin (An Object of Beauty)
Mismatched wooden shelves crammed with dusty glass vials, tiny reed baskets, and crumbling ceramic jars covered the walls. Lengths of dried herbs, animal parts, and objects she couldn't identify hung from the ceiling while clay amphorae competed for the small amount of floor space. Yaqub knew his inventory like the lines of his palms, and listening to his stories of ancient Magi or the hot spice lands of the Hind transported her to worlds she could hardly imagine.
S.A. Chakraborty (The City of Brass (The Daevabad Trilogy, #1))
Centering, however, is easier said than done. This I learned from a ceramics class I once took. The teacher made throwing a pot look easy, but the thing is, it takes lots of precision and skill. You slam the ball of clay down in the absolute center of the pottery wheel, and with steady hands you push your thumb into the middle of it, spreading it wider a fraction of an inch at a time. But every single time I tried to do it, I only got so far before my pot warped out of balance, and every attempt to fix it just made it worse, until the lip shredded, the sides collapsed, and I was left with what the teacher called “a mystery ashtray,” which got hurled back into the clay bucket. So what happens when your universe begins to get off balance, and you don’t have any experience with bringing it back to center? All you can do is fight a losing battle, waiting for those walls to collapse, and your life to become one huge mystery ashtray.
Neal Shusterman (Challenger Deep)
Number 99 was an eviscerated ceramics plant. During the war a succession of blazing explosions had burst among the stock of thousands of chemical glazes, fused them, and splashed them into a wild rainbow reproduction of a lunar crater. Great splotches of magenta, violet, bice green, burnt umber, and chrome yellow were burned into the stone walls. Long streams of orange, crimson, and imperial purple had erupted through windows and doors to streak the streets and surrounding ruins with slashing brush strokes. This became the Rainbow House of Chooka Frood.
Alfred Bester (The Demolished Man)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
From around the periphery of the city the Marine battalion staffs arrived in small clusters of Humvees and LAVs, dismounting outside the walls of the MEF, striding in tight groups through the makeshift plywood door into the alcove of the stone mansion that served as the regi-mental HQ, draping their ceramic armor vests and Kevlar helmets over the wooden racks that lined the wall outside the conference room. Several carried M4 carbines or M16s, while others wore pistols on their hips or in shoulder holsters. It was like a meeting of knights in the fifteenth century—large, purposeful men neatly arraying their armor before sitting down at the banquet table to discuss the business of making war. The mood was upbeat, with many smiles exchanged. The dickering was over. It was time to finish the task. They stood talking until Col Toolan strode in; then they took seats around a long, square table with a huge photomap of Fallujah on the wall.
Bing West (No True Glory: Fallujah and the Struggle in Iraq: A Frontline Account)
On the first day, he’d completed the stucco walls for a small structure the size of his stallion’s box stall, and the other Sorias had been pleased. On the second day, he’d torn free a section of abandoned railroad and melted it into a beautifully intricate metal gate, and the other Sorias had been pleased. On the third day, he’d fired one thousand ceramic tiles with the heat of his own belief and installed a roof made of them, and the other Sorias had been pleased. On the fourth day, the Virgin had appeared again, this time surrounded by owls; he’d carved a statue of her in this state to place inside the Shrine, and the other Sorias had been pleased. On the fifth day, he’d made a rich pigment from some sky that had gotten too close to him and used it to paint the Shrine’s exterior turquoise, and the other Sorias had been pleased. On the sixth day, he’d held up a passenger train, robbed the passengers, killed the sheriff on board, and used the sheriff’s femurs to fashion a cross for the top of the shrine. The Sorias had not been pleased.
Maggie Stiefvater (All the Crooked Saints)
Katherine couldn’t have cared less about furniture or ceramics at that moment, but she felt glad that she was not the only one in London appalled by what the Lord Mayor had unleashed. She took a deep breath, then quickly explained what she and Bevis had heard in the Engineerium about MEDUSA and the next step in Crome’s great plan, the attack on the Shield-Wall. “But that’s terrible!” they whispered when she had finished. “Shan Guo is a great and ancient culture, Anti-Traction League or no Anti-Traction League. Batmunkh Gompa can’t be blown up …!” “Think of all those temples!” “Ceramics!” “Prayer-wheels …” “Silk paintings …” “F-f-furniture!” “Think of the people!” said Katherine angrily. “We must do something!” “Yes! Yes!” they agreed, and then all looked sheepishly at her. After twenty years of Crome’s rule they had no idea how to stand up to the Guild of Engineers. “But what can we do?” asked Pomeroy at last. “Tell people what is happening!” urged Katherine. “You’re Acting Head Historian. Call a meeting of the Council! Make them see how wrong it is!” Pomeroy shook his head. “They won’t listen, Miss Valentine. You heard the cheering last night.” “But that was only because Panzerstadt-Bayreuth had been going to eat us! When they learn that Crome plans to turn his weapon on yet another city …” “They’ll just cheer all the louder,” sighed Pomeroy. “He has packed the other Guilds with his allies, anyway,” observed Dr. Karuna. “All the great old Guildsmen are gone; dead or retired or arrested on his orders. Even our own apprentices are as besotted with old-tech as the Engineers, especially since Crome foisted his man Valentine on us as Head Historian…. Oh, I mean no offense, Miss Katherine….” “Father isn’t Crome’s man,” said Katherine angrily. “I’m sure he’s not! If he knew what Crome was planning he would never have helped him. That’s probably why he was packed off on this reconnaissance mission, to get him out of the way. When he gets home and finds out he’ll do something to stop it. You see, it was he who found MEDUSA in the first place. He would be horrified to think of it killing
Philip Reeve (Mortal Engines (The Hungry City Chronicles, #1))
Even today, with no spaces left on the shelves and walls, my octo-genarian mother builds stock off fanciful garden decor: a patch of copper whirligigs among the crepe myrtles, concrete tortoises creeping around the succulents, a ceramic Mediterranean pot that could house a small family.
Tania Runyan (Making Peace With Paradise: an autobiography of a California girl)
God established the first distinct nations, beginning  about 4500 BC in an area in which an early city was known as Babylon. The city grew over time, and by about 1700 BC, it flourished under the reign of Hammurabi, who developed the world’s first written legal code, pre-dating Moses by about 200 years. Nebuchadnezzar II built Babylon into a magnificent city. Its hanging gardens ranked as one of the Seven Wonders of the World. He ruled for 43 years, until he died in 562 BC. Babylon took Israel captive during his reign in 600 BC, where Israel languished for seventy years. Persia, under Cyrus, conquered Babylon in 539 BC (fulfilling the ‘handwriting on the wall’ – Daniel 5), and Babylon remained under Persian rule, until 332 BC, when Alexander the Great conquered Babylon. As rivers swelled and desert sands shifted, Babylon crumbled. Colonial powers carted away Babylon’s artifacts. The Germans took the Ishtar Gate, the French grabbed ceramics, and the Turks used the bricks, some of which still bore Nebuchadnezzar’s name, to build dams on the Euphrates.
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
Dana, was a preschool teacher who collected gnomes: ceramic and wooden gnomes of all sizes and styles, standing on the floor and on tables and shelves, their backs to the wall, their dull eyes turned on the center of the room. Certainly, it seemed
Anonymous
Large glass windows had been installed in the exhibit, and the orangutans took to pitching rocks at them. San Diego officials, thinking quickly, instituted an exchange program. One non-thrown stone would get you a banana. But the orangutans were not interested and kept trying to break the windows. The park finally had to bring in a contractor to dig up the entire ground floor of the exhibit in order to remove all of the rocks, as each shattered window cost the zoo $900 to replace. What happened next? The orangutans began to tear the ceramic insulators off of the wall and threw them instead. Evidently, these animals really wanted out.
Jason Hribal (Fear of the Animal Planet: The Hidden History of Animal Resistance (Counterpunch))
Spring-loaded, ceramic bolts shot home, the impact shivering through the walls of the world.
Elizabeth Bear
I learned that a pommeau à douche is a showerhead. The tuyau à douche is the shower hose that’s attached with a crochet (holder) to the mur en faïence (a tile wall, not to be confused with a mûre en faïence, which would be a ceramic blackberry) using les vis cruciformes (screws). It’s a lot to remember when leafing through catalogs of French plumbing fixtures, but harder when you’re in a hardware store and the perplexed salesperson doesn’t understand why you’d want to attach a showerhead to a ceramic berry.
David Lebovitz (L'Appart: The Delights and Disasters of Making My Paris Home)
I heard a story about a former Under Secretary of Defense who gave a speech at a large conference. He took his place on the stage and began talking, sharing his prepared remarks with the audience. He paused to take a sip of coffee from the Styrofoam cup he’d brought on stage with him. He took another sip, looked down at the cup and smiled. “You know,” he said, interrupting his own speech, “I spoke here last year. I presented at this same conference on this same stage. But last year, I was still an Under Secretary,” he said. “I flew here in business class and when I landed, there was someone waiting for me at the airport to take me to my hotel. Upon arriving at my hotel,” he continued, “there was someone else waiting for me. They had already checked me into the hotel, so they handed me my key and escorted me up to my room. The next morning, when I came down, again there was someone waiting for me in the lobby to drive me to this same venue that we are in today. I was taken through a back entrance, shown to the greenroom and handed a cup of coffee in a beautiful ceramic cup.” “But this year, as I stand here to speak to you, I am no longer the Under Secretary,” he continued. “I flew here coach class and when I arrived at the airport yesterday there was no one there to meet me. I took a taxi to the hotel, and when I got there, I checked myself in and went by myself to my room. This morning, I came down to the lobby and caught another taxi to come here. I came in the front door and found my way backstage. Once there, I asked one of the techs if there was any coffee. He pointed to a coffee machine on a table against the wall. So I walked over and poured myself a cup of coffee into this here Styrofoam cup,” he said as he raised the cup to show the audience. “It occurs to me,” he continued, “the ceramic cup they gave me last year . . . it was never meant for me at all. It was meant for the position I held. I deserve a Styrofoam cup. “This is the most important lesson I can impart to all of you,” he offered. “All the perks, all the benefits and advantages you may get for the rank or position you hold, they aren’t meant for you. They are meant for the role you fill. And when you leave your role, which eventually you will, they will give the ceramic cup to the person who replaces you. Because you only ever deserved a Styrofoam cup.
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)