Underwater Creatures Quotes

If people were silent, they could hear the noise of their own lives better. If people were silent, it would make what they did say, whenever they chose to say it, more important. If people were silent, they could read one another's signals, the way underwater creatures flash lights at one another, or turn their skin different colors.

Frank couldn't breathe underwater. But where was he? Percy turned in a full circle. Nothing. Then he glanced up. Hovering above him was a giant goldfish. Frank had turned -clothes, backpack, and all- into a koi the size of a teen-aged boy. "dude." Percy sent his thoughts through the water, the way he spoke to other sea creatures. "A goldfish?" Frank's voice came back to him: "I freaked. We were talking about goldfish, so it was on my mind. Sue me.

The swallow that hibernates underwater is a creature called yearning.

Well... I love moving in extra dimensions. Not just backwards and forwards, but up and down and around. And fins. I love swimming with fins— human feet are practically useless underwater. I love all the unique things you see on each dive. Millions of little aquatic soap operas playing out between all the creatures. And the silence. Well, it’s not really silent down there, but the roar of bubbles blocks any other sound...

And if it is possible that creatures live underwater, could not creatures also live under the earth, nations of salamanders capable of arriving, through their tunnels, at the central fire that animates the planet?

The mystical underwater creature completely stretches out its eight, three-foot-long tentacles in all directions, creating an image of rays protruding from the sun.

There, at a depth to which divers would find it difficult to descend, are caverns, haunts, and dusky mazes, where monstrous creatures multiply and destroy each other. Huge crabs devour fish and are devoured in their turn. Hideous shapes of living things, not created to be seen by human eyes wander in this twilight. Vague forms of antennae, tentacles, fins, open jaws, scales, and claws, float about there, quivering, growing larger, or decomposing and perishing in the gloom, while horrible swarms of swimming things prowl about seeking their prey. To gaze into the depths of the sea is, in the imagination, like beholding the vast unknown, and from its most terrible point of view. The submarine gulf is analogous to the realm of night and dreams. There also is sleep, unconsciousness, or at least apparent unconsciousness, of creation. There in the awful silence and darkness, the rude first forms of life, phantomlike, demoniacal, pursue their horrible instincts.

Small underwater creatures that look like mini kittens covered in colorful scales. Although they have venomous fangs, murcats can be sweet once trained—though few choose them as a pet. (Linh Song adopted one recently, named Princess Purryfins.)

For more than a year and a half, since meeting Athena, since coming to know Octavia and now Kali, each time I’ve reached into the tanks where we have brought these creatures into our world, I’ve longed to enter theirs. At last, in the warm embrace of the sea, breathing underwater, surrounded by the octopus’s liquid world, my breath rising in silver bubbles like a song of praise, here I am.

As humans, our territory is on land. If we were meant to control the skies, we would have been given wings, and if we were meant to control the seas and oceans, we would have been designed to breathe underwater. The Creator created for us many natural water sources: lakes, ponds, rivers, springs, and streams — so that we would not tamper with the seas or oceans. This is why there is salt in the them, so we do not drink from them, or bother the huge creatures he put there to control the food chain. The salt content found in huge bodies of water is extremely vital to the elevation and balancing of the earth. This can be explained through basic physics or metaphysics. At the same time, wild creatures were also placed in jungles and forests to keep humans out of them. Plants are vital to purifying the atmosphere, and many wild animals rely on them as their food and medicine. Had the Creator not placed animals like tigers, wolves, bears, and other big creatures in untamed regions which are intended to remain inhabited, he knew that mankind would take over those areas — leaving nothing for the animals.

See you tomorrow, Monster.” “Nix,” he nodded his goodbye. I all but made it back home in a tornado and Googled his nickname for me, elated and terrified and pleased and joyous. Nix: A water being, half-human, half-fish, that lives in a gorgeous underwater palace and mingles with humans by assuming a variety of attractive physical forms (usually as a fair maiden). Nix was a female monster. Sam still thought of us as the same. Dark, unpredictable creatures, lurking in plain sight. Now that he let me in, I was going to destroy every single one of his walls and finally make him mine.

Lots of people do not feel and do not care, deeply. They're the sea creatures who were born to swim in the shallows. And I think that they look at those of us who come from the parts of the ocean that's pitch black and deeper than the core of the planet and they feel fascinated. They're fascinated in the way we are fascinated with eagles or with vampires. They think we're unabashedly deep and beautiful and they feel like they want to try being that way, too. It's like a fascination for a mystical creature. But I have watched these kinds of people burn out before they ever reach that depth (not even close). They burn out because they just get so exhausted! You only have the set of lungs designed for the depths of the ocean, if you are the type of creature who was born in those depths. It's not a regimen, it's not a list of rules, it's not a succession of steps to get there. It's about anatomy. There are creatures for the shallows and creatures for the deep. It is nature's designer plan. And when these people burn out, they will have these outbursts wherein they lash out at you, as if they are exasperated at why you're a mermaid in the black of the seas, and if they could, they'd drag you into a glass tank and chain you up because they don't want that kind of beauty around them, outshining them. Feeling and living in the depths of life (caring so much it hurts, feeling so much it becomes painful) is a mystical, beautiful thing but it cannot be copied and it shouldn't be copied. Everyone has their place and you are going to drown if you can't breathe underwater.

This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind. Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood. ("Before I Wake")

The time she dreamt that her throat closed up in seventh grade Social Studies class and she vomited a three-inch maggot, pale and bloated, writhing on her desk? 3: 21 a.m. The time a man stalked her on her way to 7-Eleven, whistling at her, and then cornered her in the restroom, produced a tiny handgun, and shot her in the back of the head? 3: 33 a.m. The time that tall ghost —a gray-haired woman with a floral skirt and double-jointed knees, both bending backward like a dog’s hind legs —came lurching through Darby’s bedroom window, half-floating and half-striding, weightless and ethereal, like a creature underwater? 3: 00 a.m. exactly.

In 1994, Karl Sims was doing experiments on simulated organisms, allowing them to evolve their own body designs and swimming strategies to see if they would converge on some of the same underwater locomotion strategies that real-life organisms use.5, 6, 7 His physics simulator—the world these simulated swimmers inhabited—used Euler integration, a common way to approximate the physics of motion. The problem with this method is that if motion happens too quickly, integration errors will start to accumulate. Some of the evolved creatures learned to exploit these errors to obtain free energy, quickly twitching small body parts and letting the math errors send them zooming through the water.

THE JELLIES EXHIBIT, BELOW THE TOUCH TANK, where the rest of my seventh-grade class flicked water at one another, was nearly empty. It was quiet down there, which was a relief. The room was filled with tanks of jellyfish. I saw jellies whose tentacles were finer than hair; the aquarium must have projected lights into the tank, because the animals kept changing color. Nearby, in a different tank, I looked at jellies whose tentacles swirled the way wisps of a girl’s hair might if she floated underwater. In a third tank, the jellies’ tentacles were so thick and straight it seemed like the animals had created their own prison. There was even a tank filled with brand-new baby jellies; they looked like tiny, delicate white flowers. Such strange creatures, all of them—they looked like aliens, almost. Graceful aliens. Silent ones. Like alien ballerinas who danced without needing any music. Near

In front of me girls were entering and exiting the showers. The flashes of nakedness were like shouts going off. A year or so earlier these same girls had been porcelain figurines, gingerly dipping their toes into the disinfectant basin at the public pool. Now they were magnificent creatures. Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths. The surface of the sea is a mirror, reflecting divergent evolutionary paths. Up above, the creatures of air; down below, those of water. One planet, containing two worlds. My classmates were as unastonished by their extravagant traits as a blowfish is by its quills. They seemed to be a different species. It was as if they had scent glands or marsupial pouches, adaptations for fecundity, for procreating in the wild, which had nothing to do with skinny, hairless, domesticated me.

The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended. Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.

Sam Underwater, everything is quiet. Tranquil. Like heaven is all around you, caressing your body, pulling you into its embrace. Deeper and deeper, it pulls at your legs until they beg to be released. I hold my water-resistant camera in front of me and take multiple pictures of the cold depths of the ocean. Its beauty never fails to mesmerize me. But I can’t stay for too long; sooner or later, that urge to breathe always pulls me back to the surface toward the dark sky littered with a million flickering lights … back into the noise of swooshing water and rushing wind. The shore is mostly deserted, except for a few beer cans, party cups, and some clothes and trash lying scattered all around. The only other person there is Nate Wilson … the most handsome guy at school and so much more than that. He’s sitting on a few rocks near the edge of the beach with a girl by his side. I can’t stop watching. Their hands touch briefly, but then the wave overtakes me and blocks my view. When the water lowers, I shake my head, but the waves keep picking up. Still, I hold up my camera and take a few pictures. Right as he turns his head toward me, I dive underwater again. Here, there are no boys, no girls, and no secret touches. Just me and the water, and all the beautiful creatures below that need to meet my camera. A single picture says more than words ever will. No matter how powerful they are. Nate People say it only takes a few minutes for your life to be destroyed. I never believed them … until today. With just the snap of a finger, a stupid decision and a simple push, I marked my own fate. My body grows colder and colder the longer I stay in the water. It consumes me whole as I stray farther and farther away from myself. From reality. I’m so damn dizzy, but I can’t collapse here. Not now, not in the middle of the ocean. I take a deep breath and peel my eyes open, forcing myself to go. That’s when I spot her … the girl and her camera. FLASH. I cover my eyes with my hand. Salty seawater enters my nostrils and mouth as I struggle to swim. When I open my eyes again, the girl is gone; swallowed by the same waves that drag me back to the shore. As my feet sink into the sand and the water creeps up against my toes, I stop and turn around, clutching the long red hairs in my hand as though they’re my last lifeline. This is now the place where not only my life changed forever. But hers too.

After I paid my admission fee, I saw that the reptile enclosures were kept perfectly clean--the snakes glistened. I kept rescued animals myself at home. I knew zoos, and I knew the variety of nightmares they can fall into. But I saw not a sign of external parasites on these animals, no old food rotting in the cages, no feces or shed skin left unattended. So I enjoyed myself. I toured around, learned about the snakes, and fed the kangaroos. It was a brilliant, sunlit day. “There will be a show at the crocodile enclosures in five minutes,” a voice announced on the PA system. “Five minutes.” That sounded good to me. I noticed the crocodiles before I noticed the man. There was a whole line of crocodilians: alligators, freshwater crocodiles, and one big saltie. Amazing, modern-day dinosaurs. I didn’t know much about them, but I knew that they had existed unchanged for millions of years. They were a message from our past, from the dawn of time, among the most ancient creatures on the planet. Then I saw the man. A tall, solid twentysomething (he appeared younger than he was, and had actually turned twenty-nine that February), dressed in a khaki shirt and shorts, barefoot, with blond flyaway hair underneath a big Akubra hat and a black-banded wristwatch on his left wrist. Even though he was big and muscular, there was something kind and approachable about him too. I stood among the fifteen or twenty other park visitors and listened to him talk. “They can live as long as or even longer than us,” he said, walking casually past the big saltwater croc’s pond. “They can hold their breath underwater for hours.” He approached the water’s edge with a piece of meat. The crocodile lunged out of the water and snapped the meat from his hand. “This male croc is territorial,” he explained, “and females become really aggressive when they lay eggs in a nest.” He knelt beside the croc that had just tried to nail him. “Crocodiles are such good mothers.” Every inch of this man, every movement and word exuded his passion for the crocodilians he passed among. I couldn’t help but notice that he never tried to big-note himself. He was there to make sure his audience admired the crocs, not himself. I recognized his passion, because I felt some of it myself. I spoke the same way about cougars as this Australian zookeeper spoke about crocs. When I heard there would be a special guided tour of the Crocodile Environmental Park, I was first in line for a ticket. I had to hear more. This man was on fire with enthusiasm, and I felt I really connected with him, like I was meeting a kindred spirit. What was the young zookeeper’s name? Irwin. Steve Irwin.

Yet it had not always been like this, the ancient whale remembered. Once, he had a golden master who had wooed him with flute song. Then his master had used a conch shell to bray his commands to the whale over long distances. As their communication grew so did their understanding and love of each other. Although the young whale had then been almost twelve metres long, his golden master had begun to swim with him in the sea. Then, one day, his master impetuously mounted him and became the whale rider. In ecstasy the young male had sped out to deep water and, not hearing the cries of fear from his master, had suddenly sounded in a steep accelerated dive, his tail stroking the sky. In that first sounding he had almost killed the one other creature he loved. Reminiscing like this the ancient bull whale began to cry his grief in sound ribbons of overwhelming sorrow. Nothing that the elderly females could do would stop his sadness. When the younger males reported a man-sighting on the horizon it took all their strength of reasoning to prevent their leader from arrowing out towards the source of danger. Indeed, only after great coaxing were they able to persuade him to lead them to the underwater sanctuary. Even so, they knew with a sense of inevitability that the old one had already begun to sound to the source of his sadness and into the disturbing dreams of his youth.

dozen … hurrr … well … zombie-type creatures. But they bore the marks of underwater decay. As if they had been zombies at one point but then drowned. Most worrying of all was that some of them held trident-shaped weapons.

One aspect of Ellony’s behavior was a certain feyness that manifested itself at Sisterhood gatherings. Sometimes, she would go into a trance and say strange things. She told of underwater realms of disturbing beauty, where creatures she could not describe writhed like eels among fallen marble columns. She spoke of the dragons, and then she would become agitated and flecks of foam would gather at the corners of her mouth. Pharinet thought that for Ellony the sea dragons had become a personal horror: a haunting she both welcomed and feared. No wonder she walked at night.

For the past 15 years, the Earthwatch volunteer program had provided the sole financial support for the decadelong photo-identification survey of the beaked whales here in the Bahamas and of the killer whales in the Pacific Northwest. The Earthlings, as Ken and Diane called them, traveled from across the United States and around the world to assist their survey and to catch a fleeting glance of the deepest-diving creatures in the ocean: the beaked whales that lived inside the underwater canyon offshore from Sandy Point. For the most part, they were altruistic tourists, from teenagers to golden-agers, looking for a useful vacation from the winter doldrums up north. At Sandy Point, they could learn a little about whales, lend a hand in a righteous eco-science project, and enjoy the Bahamian sunshine.

For the gaming fishermen there was the Whatoosie River and its native cocka-snoek, the main game fish of the resident Skegg’s Valley Dynamite Fishing Club. Cocka-snoek were wily and tough and rather too bright for mere fish. You wouldn’t catch much with a rod around here. Many inexperienced visitors would find the bait stolen from their hooks, which punctuated the discovery that their lines had somehow got snagged and tangled irretrievably around some underwater obstruction – sometimes tied together with neat little bows. Often, several direct hits with hand grenades were needed to stun the creatures long enough just to catch them, gut them and fry them, but these former military types had become experts at it. For a modest fee, tours could be arranged via the booking office, which included an overnight stay on the banks of the river where one could drop off to a great night’s sleep after a satisfying meal of cocka-snoek done on an open fire, and the sound the bits of shrapnel made rattling in your stomach.

All of the real original stories, all of the best stories, were first told by the animals. The bears were superb story-tellers; so were the deep-space geese (they took nine generations to make a migration, laying eggs on the space journey and hatching out of them on the space journey, for the summer-land of their migrations was not on Earth). The brindled cave-cats were very good story-tellers. Among the stories were well-established genre stories. The seals told under-water stories that they learned from river-and-ocean creatures; and the golden weasels, who really came from the moon, told all sorts of space stories. So the Neanderthals, who learned the stories from the animals, had a very good stock of tales.

Take for instance a phenomenon called frustrated spontaneous emission. It sounds like an embarrassing sexual complaint that psychotherapy might help with. In fact, it involves the decay of radioactive particles, which ordinarily takes place at a predictably random rate. The exception, however, is when radioactive material is placed in an environment that cannot absorb the photons that are emitted by decay. In that case, decay ceases—the atoms become “frustrated.” How do these atoms “know” to stop decaying until conditions are suitable? According to Wharton, the unpredictable decay of radioactive particles may be determined in part by whatever receives their emitted photons in the future.20 Decay may not really be random at all, in other words. Another quantum mystery that arguably becomes less mysterious in a retrocausal world is the quantum Zeno effect. Usually, the results of measurements are unpredictable—again according to the famous uncertainty believed to govern the quantum kingdom—but there is a loophole. Persistent, rapid probing of reality by repeating the same measurement over and over produces repetition of the same “answer” from the physical world, almost as if it is “stopping time” in some sense (hence the name of the effect, which refers to Zeno’s paradoxes like an arrow that must first get halfway to its target, and then halfway from there, and so on, and thus is never able to reach the target at all).21 If the measurement itself is somehow influencing a particle retrocausally, then repeating the same measurement in the same conditions may effectively be influencing the measured particles the same way in their past, thereby producing the consistent behavior. Retrocausation may also be at the basis of a long-known but, again, hitherto unsatisfyingly explained quirk of light’s behavior: Fermat’s principle of least time. Light always takes the fastest possible path to its destination, which means taking the shortest available path through different media like water or glass. It is the rule that accounts for the refraction of light through lenses, and the reason why an object underwater appears displaced from its true location.22 It is yet another example of a creature in the quantum bestiary that makes little sense unless photons somehow “know” where they are going in order to take the most efficient possible route to get there. If the photon’s angle of deflection when entering a refractive medium is somehow determined by its destination, Fermat’s principle would make much more sense. (We will return to Fermat’s principle later in this book; it plays an important role in Ted Chiang’s short story, “Story of Your Life,” the basis for the wonderful precognition movie Arrival.) And retrocausation could also offer new ways of looking at the double-slit experiment and its myriad variants.

MacIver notes that octopuses, while underwater creatures, seem to maximize the extent of their sensory capacities. They have very large eyes, and tend to remain still while executing complex tasks. It’s dangerous being an octopus; from the point of view of a predatory sea-dweller, you are a vulnerable bag of delicious nutrients. To survive, they have had to develop innovative defensive strategies, camouflaging themselves by changing skin color and emitting clouds of ink when forced to flee. Intelligence is a part of that defensive arsenal; an octopus will hide among rocks and coral when it sleeps, often arranging pieces so as to better shield itself from view. Perhaps the evolutionary pressure that led to large octopus brains was of a completely different type from that which led to land-dwelling animals.

Rahab could swim the waters above and below the firmament. It was all her territory. But her special domain was the Abyss. From there, she could access every body of water that ultimately connected to this underwater abode. Her birth waters were Lake Urimiya, where Elohim created her and held her at bay when he established the heavens and the earth. She was in the Lake again at that moment. She had returned to this sacred ground to give birth to her own spawn. The Nephilim paddled on the surface of the water. They were unaware of the nemesis below, a protective mother sea dragon and her very hungry newborn offspring, Leviathan. Leviathan was every bit the armored sea serpent as its parent. Even so young, it was already about half the size of Rahab. But it had something its progenitor did not: seven heads. Seven dragon heads on seven snakelike necks with seven times the predator’s snapping jaws, and seven times the rows of razor teeth. Leviathan’s strike zone was wide and it was more agile and speedier than Rahab. And it had seven times the fury. The Nephilim were oblivious to the shadowy forms approaching them from the darkness below. They filled the waters with their crafts The lead skiffs were only two thirds of the way across. The first casualties came at the front of the line. A huge explosion of water erupted. Pontoons snapped in two, throwing Nephilim into the water. Yahipan screamed, “RAHAB!!” The Nephilim stopped rowing and looked about the water. The huge serpentine armor broke the surface again, crushing a slew of the flatboats and dragging Nephilim into the depths. The spiny back cut through the water and disappeared. The Rephaim yelled orders. The Nephilim rowed for their lives. But it was an easy feast for the monsters of the deep. Rahab simply opened her mouth and scooped up dozens of Nephilim like so many minnows. Leviathan came next, with the seven dragon heads snapping up Nephilim faster than they could get out of the way. Leviathan might be a newborn and smaller than its mother, but already armor covered it. It was even able to launch small pillars of fire from its nostrils. Its youth and speed made up for its size as it darted and dodged around, all of its heads coordinated in a bloodbath of feeding. Inanna wondered where all that food went. Some Nephilim tried to fight back But it was futile and the smart ones made for the shoreline. They hoped they might get lucky and be overlooked by their serpentine predators. That was only the beginning. The sorry paddlers were no match for the worst of all Elohim’s creatures. Another creature came up from the depths. Its body could not be seen, only tentacles bursting from the water and crushing demigods in its grip. Yahipan and Thamaq were in the middle of the mayhem and counted eight of these snakelike appendages grabbing hapless soldiers.

A novel is like a mountain. Like Mount Rainier. You ever seen Mount Rainier? It's like you're looking at God. It's so gorgeous and dynamic and powerful and meaningful. Then as you walk toward it, Things change. At one point, it's not even a mountain anymore. There's an incline, but you don't see the whole thing. There are different levels. When you get to the top, you look out from the mountain and it's just as majestic because now you're looking from God's point of view. So the novel is a mountain. Now, the short story is an island --- some trees and a beach and a little creature running around. You go on the island, but then you realize that underneath it is a mountain, but it's just underwater, so you never see it. You have to describe the whole mountain, but only from the point of view of that island. Whatever detritus gets washed up, whatever the weather is there, whatever is happening underneath, you have to somehow give that to the reader without making it explicit.

Now I’m no art critic, but in a time seen as a bridge between the late middle ages and the early renaissance, where the church played such a substantial part in the day to day running of people's lives, Bosch’s Garden of Earthly Delights, which is painted on oak with a square middle panel flanked by two doors that close over the centre like shutters, is rather racy. When the outer shutters are folded over they show a grisaille painting of the earth during creation. But it’s the three scenes of the inner triptych that fascinate me. If you’re unfamiliar with the painting, I’ll do my best to describe it for you. Apologies in advance if I miss anything out. It’s regular sort of stuff, you know, naked women being fondled by demons, a bloke being kissed by a pig dressed as a nun, another bloke being eaten by some kind of story book character while loads of blackbirds fly out of his arse, a couple locked in a glass sphere and – let’s not beat about the Bosch here – locked in each other’s embrace as well. There are loads of people feeding each other fruit, doing handstands, hatching out of eggs, climbing up ladders to get inside the bodies of other people and looking at demon’s arses. There’s a couple getting caught shagging by giant birds, and a white bloke and a black Rastafarian with ‘locks (400 years before the Rastafari movement was founded) about to have a snog. You’ve got God giving Eve to a very puny-looking, limp-dicked Adam, and there’s a bunch of people sitting around a table inside the body of another bloke while an old woman fills up on wine from a decent-sized barrel while a kind of giant metal face pukes out loads of naked blokes who go running into a trumpet and another bloke being fed a cherry by a giant bird while a white bloke shows a black lady something in the sky. It’s all going on! There's loads of those ‘living dead’ mateys walking about, and a bloke carrying giant grapes past a topless girl with, it has to be said, pretty decent tits. She’s balancing a giant dice on her head while doing something strange to another bloke’s arse while a rabbit in clothes walks past. You can’t see what she’s doing because there’s a table in the way but beside them is a serpent-type creature with just one massive boob and a pretty pert nipple. One huge tit the size of his chest! Of all things, he’s holding a backgammon board up in the air. I’d say Bosch was a tit man, wouldn’t you? But there’s more. There’s a crowd of naked girls – black & white - in a water pool, all balancing cherries on their heads; read into that what you will. There are just LOADS of naked women in this water pool, including one of the black girls who’s balancing a peacock on her head. There are dozens of nudists riding horses around them in a circle. Some are sharing the same horse, so I must admit that in places it appears to be a little intimate. And now what have we got! There’s a couple cavorting inside a giant shell which is being carried on the back of another bloke. Why doesn’t he just put it down and climb in and have a threes-up? There are people with wings, creatures reading books and just more and more nudists. There’s a naked woman lying back, and this other bloke with his face extremely close to her nether regions! What on earth does the blighter think he’s playing at? There’s loads of grey half men-half fish, some balancing red balls on their heads like seals, and another fellow doing a handstand underwater while holding onto his nuts. You’ve got a ball in a river with people climbing all over it, while a bloke inside the ball is touching a lady in what appears to be a very inappropriate manner! There’s a kind of platypus-type fish reading a book underground and Theresa May triggering Article 50 of Brexit (just kidding about the Theresa May bit).

Whales existed before man, but they have been known to us only for two or three generations: until the invention of underwater photography, we hardly knew what they looked like. It was only after we had seen the Earth from orbiting spaceships that the first free-swimming whale was photographed underwater. The first underwater film of sperm whales, off the coast of Sri Lanka, was not taken until 1984; our images of these huge placid creatures moving gracefully and silently through the ocean are more recent than the use of personal computers. We knew what the world looked like before we knew what the whale looked like.

Creatures of the Deep v1.89 MOD APK (Unlocked Everything) Welcome to “Creatures of the Deep,” a special fishing game where you can explore, relax, and have fun competing with others. If you want to catch the biggest fish, this game is perfect for you. There’s some strange news from all around the world about mysterious monsters in the deep sea. As a player, your job is to talk to local people, investigate, and do it quickly! Join other anglers from different parts of the world and travel to cool fishing spots. Throw your fishing line, catch big fish, find sea creatures, discover treasures underwater, and maybe even meet some legendary monsters. This game gives you a mix of excitement and relaxation as you fish and explore the secrets under the ocean. “Creatures of the Deep” is waiting for you to start your adventure.

Anxiety creeps up my neck like a cold, crinkly black insect with a stinger. Do you know the creature I’m talking about? It’s hard to explain the feeling when it nests on your back. It’s like dying but you’re still alive. Like trying to breathe underwater. Like being cursed.