Undertow Quotes

We've searched our database for all the quotes and captions related to Undertow. Here they are! All 200 of them:

There comes a time when we realize that our parents cannot save themselves or save us, that everyone who wades through time eventually gets dragged out to sea by the undertow- that, in short, we are all going.
John Green (Looking for Alaska)
Grief is an ocean, and guilt the undertow that pulls me beneath the waves and drowns me.
Shaun David Hutchinson (We Are the Ants)
Undertow" "I set out one night When the tide was low There were signs in the sky But I did not know I'd be caught in the grip Of the undertow Ditched on a beach Where the sea hates to go With a child in my arms And a chill in my soul And my heart the shape Of a begging bowl
Leonard Cohen
You start to understand that grief is chronic. That it's more about remission and relapse than it is about a cure. What that means to you is that you can't simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
Now I felt like I was drifting, sucked down by an undertow, and too far out to swim back to the shore.
Sarah Dessen (Dreamland)
The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains.
Ray Bradbury
Patient endurance permits us to cling to our faith in the Lord and our faith in His timing when we are being tossed about by the surf of circumstance. Even when a seeming undertow grasps us, somehow, in the tumbling, we are being carried forward, though battered and bruised.
Neal A. Maxwell (The Neal A. Maxwell Quote Book)
Love is what fucks people up. Love is the undertow.
Robin York (Deeper (Caroline & West, #1))
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
Your dreams and goals are bigger than small minded people or the fears that they harbor. Don’t let their ocean of fear trap you in the undertow.
jaha Knight (39 Day Lifescape-Become a Better You)
Lovers' language, give me an exact and poetic comparison to say what those eyes of Capitu were like. No image comes to mind that doesn't offend against the rules of good style, to say what they were and what they did to me. Undertow eyes? Why not? Undertow. That's the notion that the new expression put in my head. They held some kind of mysterious, active fluid, a force that dragged one in, like the undertow of a wave retreating from the shore on stormy days. So as not to be dragged in, I held onto anything around them, her ears, her arms, her hair spread about her shoulders; but as soon as I returned to the pupils of her eyes again, the wave emerging from them grew towards me, deep and dark, threatening to envelop me, draw me in and swallow me up.
Machado de Assis (Dom Casmurro)
Your mouth is the best thing that ever happened to my mouth. -Zane Cutter
Cherry Adair (Undertow (Cutter Cay #1))
I found myself thinking that perhaps there was something inexorable about the way events unfolded, as if my life--which had begun to seem something not my own but rather something into which I found myself blindly toppling--was indeed something living, that existed without my knowledge but that pulled me along in its strong, insistent undertow.
Hanya Yanagihara (The People in the Trees)
Perhaps the relevant truth is that we all find ourselves in temporal currents and that unless you're paying attention you'll discover, often too late, that an undertow of weeks or of years has pulled you deep into trouble.
Joseph O'Neill (Netherland)
Then sleep reached her, a sucking undertow, and she went over backward.
Elizabeth Kostova (The Shadow Land)
For the truth is a terrible thing. You dabble your foot in it and it is nothing. But you walk a little farther and you feel it pull you like an undertow or a whirlpool. First there is the slow pull so steady and gradual you scarcely notice it, then the acceleration, then the dizzy whirl and plunge into darkness. For there is a blackness of truth, too. They say it is a terrible thing to fall into the Grace of God. I am prepared to believe that.
Robert Penn Warren (All the King's Men)
How were you supposed to explain this kind of thing? It seemed stupid to try. Even the memory was starting to seem vague and starry with unreality, like a dream where the details get fainter the harder you try to grasp them. What mattered more was the feeling, a rich sweet undertow so commanding that in class, on the school bus, lying in bed trying to think of something safe or pleasant, some environment or configuration where my chest wasn't tight with anxiety, all I had to do was sink into the blood-warm current and let myself spin away to the secret place where everything was all right.
Donna Tartt (The Goldfinch)
You took a quarter century off my age with that kidnapping stunt. No more going off with a strange men, hear me? -"You're a strange man." I'm your strange man.
Cherry Adair (Undertow (Cutter Cay #1))
pools of blood are not recreational even lifeguards drown when the undertow breaks bread with the underbelly demons disguised as sharks have not put enough thought into their costumes a wiseman stays ashore when pointed fins read like italian subtitles the end is near (...) the beginning
Saul Williams (, said the shotgun to the head.)
It is madness. And if you don't know who you are, or if your real self has drifted away from you with the undertow, madness at least gives you an identity. It's the same with self-loathing. You're probably just normal and normal-looking but that's not a real identity, not the way ugliness is. Normality, just accepting that you're probably normal-looking, lacks the force field of self-disgust. If you don't know who you are, madness gives you something to believe in.
Emma Forrest (Your Voice in My Head)
Last night I felt the approach of nothing. Not too close but on its way, like a wingbeat, like the cooling of the wind, the slight initial tug of an undertow.
Margaret Atwood (Cat’s Eye)
Each step is taken in an ocean. Blue flows at the blue hour: Colour is current, undertow. Enter the wood with care, my love, Lest you are pulled down by the hue, Lost in the depths, drowned in blue.
Robert Macfarlane (The Lost Words)
If I'd been listening closely, I'd have caught the sound of the gods having a great big old tee-hee at my expense.
Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
I slept all day, face down in the pillow, a comfortable dead-man's float only remotely disturbed by a chill undertow of reality—talk, footsteps, slamming doors—which threaded fitfully through the dark, blood-warm waters of dream.
Donna Tartt (The Secret History)
Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb. So, let us drink a cup of tea.
Muriel Barbery (The Elegance of the Hedgehog)
I look straight ahead, not answering the driver. How’s it going? It’s going fucking terribly. Mom lied my entire life about who my biological father was, I’m caught in the undertow of bulimia, I’m gonna have to do an entire press junket while missing a lower left molar, and my boyfriend’s schizophrenic. It could not be going any worse.
Jennette McCurdy (I'm Glad My Mom Died)
Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn—and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery (The Elegance of the Hedgehog)
The house, and all the objects in it, crackled with static electricity; undertows washed through it, the air was heavy with things that were known but not spoken. Like a hollow log, a drum, a church, it was amplified, so that conversations whispered in it sixty years ago can be half-heard today.
Margaret Atwood (Bluebeard's Egg)
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had no spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She said to me, over the phone She wanted to see other people I thought, Well then, look around. They're everywhere Said that she was confused... I thought, Darling, join the club 24 years old, Mid-life crisis Nowadays hits you when you're young I hung up, She called back, I hung up again The process had already started At least it happened quick I swear, I died inside that night My friend, he called I didn't mention a thing The last thing he said was, Be sound Sound... I contemplated an awful thing, I hate to admit I just thought those would be such appropriate last words But I'm still here And small So small.. How could this struggle seem so big? So big... While the palms in the breeze still blow green And the waves in the sea still absolute blue But the horror Every single thing I see is a reminder of her Never thought I'd curse the day I met her And since she's gone and wouldn't hear Who would care? What good would that do? But I'm still here So I imagine in a month...or 12 I'll be somewhere having a drink Laughing at a stupid joke Or just another stupid thing And I can see myself stopping short Drifting out of the present Sucked by the undertow and pulled out deep And there I am, standing Wet grass and white headstones all in rows And in the distance there's one, off on its own So I stop, kneel My new home... And I picture a sober awakening, a re-entry into this little bar scene Sip my drink til the ice hits my lip Order another round And that's it for now Sorry Never been too good at happy endings...
Eddie Vedder
That pull we have, the undertow of the universe always dragging us back towards each other, it has to mean something, don’t you think? That great magnetic force I’ve spent the better (or worst) part of a year fighting and defying and I feel it still, my legs trying to walk me back into his orbit — I think it means something.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
There comes a time when we realize that our parents cannot save themselves or save us, that everyone who wades through time eventually gets dragged out to sea by the undertow - that, in short, we are all going.
John Green (Looking for Alaska)
I told you once I would never let you fall, Aesa ... And you're falling. You just don't see it.' 'No, you're wrong,' I snapped ...'I've already fallen. You just don't want to see it.
Amber Lynn Natusch (Undertow)
Yes, this sudden transmutation in the order of things seems to enhance our pleasure, as if consecrating the unchanging nature of a ritual established over our afternoons together, a ritual that has ripened into a solid and meaningful reality. Today, because it has been transgressed, our ritual suddenly acquires all its power; we are tasting the splendid gift of this unexpected morning as if it were some precious nectar; ordinary gestures have an extraordinary resonance, as we breathe in the fragrance of the tea, savor it, lower our cups, serve more, and sip again: every gesture has the bright aura of rebirth. At moments like this the web of life is revealed by the power of ritual, and each time we renew our ceremony, the pleasure will be all the greater for our having violated one of its principles. Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time. Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery (The Elegance of the Hedgehog)
Forty minutes later, my hatred for field hockey was in full bloom, courtesy of Nikki. Whoever thought it was a good idea to combine Tag with wooden golf clubs and a rodent-size ball should be beaten senseless.
K.R. Conway (Undertow (Undertow, #1))
His heart beating, he lifted his eyes to James. He didn’t see immediate rejection. As the seconds stretched out, he thought—maybe—maybe. Pull like an undertow: he wanted to. He wanted to tell him, to find in him a harbor, where they could be two lost souls together.
C.S. Pacat (Dark Heir (Dark Rise, #2))
Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn - and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb.
Muriel Barbery
I love you and it has transformed me. It has changed the way that blood flows through me. I would call it a fatal condition but I know it will last beyond even death.
Lara Hays (Undertow)
you can’t be permanently hysterical, so you might as well not bother getting started.
Jo Baker (The Undertow)
Everyone who wades through time eventually gets dragged out to the sea by the undertow- that, in short, we are all going.
John Green (Looking for Alaska)
Judging a rivers currents is as though judging another. You will never know until the undertow drags you down to the depths of its soul.
Zachary Koukol
The poetry I love best has words that glimmer like moon gold on dark waters, and a hidden undertow which pulls me into its delicate sadness.
John Mark Green (Taste the Wild Wonder: Poems)
What mattered more was the feeling, a rich sweet undertow so commanding that in class, on the school bus, lying in bed trying to think of something safe or pleasant, some environment or configuration where my chest wasn’t tight with anxiety, all I had to do was sink into the blood-warm current and let myself spin away to the secret place where everything was all right.
Donna Tartt (The Goldfinch)
You’ll be okay, Eila. You are stronger than you think,” he said, a tad too serious. I nodded drunkenly. “I am still worried though, about a concussion. You look a bit unstable.” I bet I did.
K.R. Conway (Undertow (Undertow, #1))
I’m not going to tell you that everything is going to be fine. I wouldn’t do it even if I was still allowed to lie. Some things are too cruel even for a sea witch. But I will tell you that what’s on the other side of that door is never going to be as bad as the undertow in your own mind.
Seanan McGuire (Night and Silence (October Daye, #12))
Your head. It’s got its own undertow, you know, and if you swim too deep, it can suck you down. You can’t chase the tide. You need to stay on the shore and let it come to you.” She shook her head. “I’m not going to tell you that everything is going to be fine. I wouldn’t do it even if I was still allowed to lie. Some things are too cruel even for a sea witch. But I will tell you that what’s on the other side of that door is never going to be as bad as the undertow in your own mind.
Seanan McGuire (Night and Silence (October Daye, #12))
He sits next to me, the veins on his neck and arms seeming more prominent than they did earlier. His mouth compresses, igniting his eyes with esoteric light, pulling me into the magnetic undertow.
Poppet (Ryan (Neuri, #2))
There comes a time when we realize that our parents cannot save themselves or save us, that everyone who wades through time eventually gets dragged out to sea by the undertow – that, in short, we are all going.
John Green (Looking for Alaska)
There comes a time when we realise that our parents cannot save themselves or save us, that everyone who wades through time eventually gets dragged out to sea by the undertow – that, in short, we are all going.
John Green (Looking for Alaska)
For the truth is a terrible thing. You dabble your foot in it and it is nothing. But you walk a little farther and you feel it pull you like an undertow or a whirlpool. First there is the slow pull so steady and gradual you scarcely notice it, then the acceleration, then the dizzy whirl and plunge to blackness. For there is a blackness of truth, too. They say it is a terrible thing to fall into the Grace of God. I am prepared to believe that.
Robert Penn Warren (All The King's Men)
Should I stop?” he said. I heard voices from far away and he stopped moving his fingers. I grabbed his wrist and pressed his hand into me. “Please,” I said, “please don’t stop.” “Oh, so I shouldn’t?” he said and chuckled. “That would be cruel of me, wouldn’t it?” I felt such pressurized pain, the tingle turned to a cold numb that made me shake. “Yes,” I said and stared into his eyes, “and you’re not cruel, are you?” He bit the side of my neck and nibbled on my earlobe as he breathed heavily into my ear. “I am the cruelest man you will ever meet, Beth,” he said into my ear, “but, I will make you feel so good, you will not care.” I stared into Declan’s eyes and knew that he told the truth. And just like he said, I did not care. His fingers went back to work and I felt as if I was being dragged out to sea by this incredible undertow. It did not matter that I was drowning or in the company of the cruelest man in the world. I only cared how he made me feel and, at that moment, I never felt better.
Ava Ayers (Pretty Hate)
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
I showered and shampooed. I even shaved the requisite legs and armpits just in case I fell in a swoon and one or the other was exposed to view. (Kinsey Millhone)
Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
You know that you will never truly be free of the grief. You know that it is something you must learn to live with, something you manage. You start to understand that grief is chronic. That it's more about remission and relapse than it is about a cure. What that means to you is that you can't simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
If you feel the undertow of depression slowly pulling you out into the depths, don’t rage at the heavens; don’t wear yourself out trying to recover. Wait on God, rest in Him, and let Him pull your spirit homeward. All the tides of this world move toward Him.
David Jeremiah (What Are You Afraid Of?: Facing Down Your Fears with Faith)
You just want to give up, he said when he was able to speak. Only you keep going. You still have to get up in the morning and pour the cereal in the bowls. You keep on breathing, whether you want to or not. Nobody's around to tell you how it's supposed to work. The usual rules just don't apply anymore. He was still talking, but she wasn't even sure if it was to her. When it started, he said, I thought nothing could be worse than those first days. And it wasn't only us, but everyone else you'd see, wandering around like they'd landed on a whole different planet. Instead of just dealing with your own heart getting ripped into pieces, wherever you looked you knew there were other people dealing with the same thing. You couldn't even be alone with it. Like you're out in the ocean and the undertow catches you and you start yelling for help, but then you look around, and all around you in the water for as far as you can see, there's all these other people flailing too. He sat there for a moment, shaking his head. You keep getting up in the morning and knowing this will continue maybe ten thousand more mornings. You wish you were the one who died. How much better would that be?
Joyce Maynard (The Usual Rules)
Manon knows what lies beneath, how people can seem normal and yet grief swirls about like an unseen tide working against the currents of life, the mourner wrong-footed by its undertow. The bereaved should wear signs, she thinks, saying GRIEF IN PROGRESS—for at least a couple of years.
Susie Steiner (Missing, Presumed (DS Manon, #1))
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Seven years ago, I joined a support group. The loneliness of my Clemlessness—privately, that’s what I called it—had become so acute that I could feel it pulling me away, like an undertow, from the people I loved who were still alive. (I angered easily. I wanted to yell at them, “You don’t fucking know!”—not just about what they might lose but about anything, everything: politics, art, laundry, taxes. I saw them as not just ignorant but smug, not just naïve but stupid.
Julia Glass (I See You Everywhere)
It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunneled the soil and molted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.
Ray Bradbury (The Illustrated Man)
A dark shadow rose from the depth of the watercourse. Forced to crawl out of the oceans rolling waves, it struggled against the pull of the undertow. Rising, it moved further up the white sandy beach away from the cold water. The creature collapsed onto the cool sand as the crescent moon above shone on his sleek gray skin revealing two immense leather-like wings protruding from his back. Exhaustion clouded his mind. The darkness of night was soothing, refreshing. Somehow he knew it would bring him strength and sustenance. The creature watched as a great rolling storm cloud sunk into the salty water before him and he tried to remember why he had come.
Alaina Stanford (As Darkness Falls (Hypnotic Journey #3))
Perhaps the relevant truth- and it's one whose existence was apparent to my wife, and I'm sure to much of the world, long before it became apparent to me-is that we all find ourselves in temporal currents and unless you're paying attention you'll discover, often too late, that an undertow of weeks or of years has pulled you deep into trouble.
Joseph O'Neill (Netherland)
He wanted me to go with him, and had cast his line, hoping to snag his most elusive catch - me.
Amber Lynn Natusch (Undertow)
When you are lost or looking for someone suspected lost, the CROWDS of people form a threatening undertow undermining your every effort.
Craig Thompson (Blankets)
And if you don’t know who you are, or if your real self has drifted away from you with the undertow, madness at least gives you an identity.
Emma Forrest (Your Voice in My Head)
We didn't yet know about undertows and rip currents, the many ways the ocean can turn on you.
Patricia Engel (The Veins of the Ocean)
Life's a bitch and her stripper name is Karma." - quote from Diane Madden Ferguson's UNDERTOW
Diane Madden Ferguson (Undertow: A U.S. Navy Veteran's Journey Through Military Sexual Trauma)
The drag of magic reminds me of the undertow on a beach: a strip of calm, dark water that seems innocuous but, once it has you, pulls you far from land.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I can’t deal with hidden undertows or unspoken feelings.
Rosamunde Pilcher (Coming Home)
The surface of life was too exciting for anyone to do more than shrug at the possibility that this undertow would begin to pull us elsewhere.
Colm Tóibín (The Empty Family: Stories)
The same pull penetrated my body. It wrapped around me, strong as an undertow; it wanted me to come in. I wanted to go in. I wanted to go inside and shut the door behind me.
Marianna Baer (Frost)
The hallways was a riptide, pulling everyone and everything into the cafeteria. Holden and I stepped into the flow of bodies, submitting ourselves to the undertow.
Preston Norton (Where I End and You Begin)
We’re sheep, psychologically. It’s an almost irresistible, invisible undertow.
Catherine Gray (The Unexpected Joy of Being Single)
I slept all day, face down in the pillow, a comfortable deadman's float only remotely disturbed by a chill undertow of reality—talk, footsteps, slamming doors—which threaded fitfully through the dark, blood-warm waters of dream. Day ran into night, and still I slept, until finally the rush and rumble of a flushing toilet rolled me on my back and up from my sleep.
Donna Tartt (The Secret History)
It's satisfying when an expert flattens a false claim. That's how so many of us believe we'll resist the undertow of civil war, fact-checking our way back to solid ground...You can't fact check a myth.
Jeff Sharlet (The Undertow: Scenes from a Slow Civil War)
It was more like the undertow of the universe pulling me back to her. She thinks we’re in the stars but I just think she’s the current of everything and I’m always just drifting. . . Floating home to her.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
There comes a time when we realize that our parents cannot save themselves or save us, that everyone who wades through time eventually gets dragged out to sea by the undertow—that, in short, we are all going.
John Green (Looking for Alaska)
We are all regularly presented, day after day, with bad news, the worst, and I think our minds are more and more set into attitudes of foreboding and depression. But is it possible that all the bad things going on – and I don’t have to list them, for we all know what they are – are a reaction, a dragging undertow, to a forward movement in the human social evolution that we can’t easily see? Perhaps, looking back, let’s say in a century or two centuries, is it possible people will say, ‘That was a time when extremes battled for supremacy. The human mind was developing very fast in the direction of self-knowledge, self-command, and as always happens, as always has to happen, this thrust forward aroused its opposite, the forces of stupidity, brutality, mob thinking’? I think it is possible. I think that this is what is happening.
Doris Lessing (Prisons We Choose to Live Inside)
Cautiously, she let her knuckles brush against his, a slight weight, a bird's feather. He stiffened, but he didn't pull away. "I'm not ready to give up on this city, Kaz. I think it's worth saving." I think you're worth saving. Once they stood on the deck of a ship and she'd waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragging under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown, too. Back on Black Veil, he'd told her that they would fight their way out. Knives drawn, guns blazing. Because that's what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide against hers. Then his hand was in her hand, his palm was pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine. For a long while, they stood there, hands clasped, looking out at the gray expanse of sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
About heartbreak my parents gave, separately, the same advice: “You’ve got to feel all your feelings. That way, next time, when you fall in love again, it will be just as meaningful and profound.” “The first heartbreak brings up the pain of the past,” my father said. “The first big loss. Harness it.” “If something is really painful, it’s the undertow of a big, beautiful wave,” my mother said. Other people said, “Get over it,” and “Go out.
Lisa Brennan-Jobs (Small Fry)
Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and she knew it was a place she could not follow, not unless she wanted to drown too.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We are all circling the drain, he thought. Some are closer to the black hole than others. Some will see it coming and some will have no clue when the undertow of the whirlpool grabs them and pulls them down into darkness forever.
Michael Connelly (The Overlook (Harry Bosch, #13; Harry Bosch Universe, #18))
You start to understand that grief is chronic. That it’s more about remission and relapse than it is about a cure. What that means for you is that you can’t simply wait for it to be over. You have to move through it like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
You start to understand that grief is chronic. That it’s more about remission and relapse than it is about a cure. What that means to you is that you can’t simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
You start to understand that grief is chronic. That it’s more about remission and relapse than it is about a cure. What that means to you is that you can’t simply wait for it to be over. You have to move through it, like swimming in an undertow. Toward
Taylor Jenkins Reid (One True Loves)
The seductive power of this system of exploitation—tearing things out of the earth, sneering at the least objection, as though it were hopelessly unenlightened, characterizing other people as vermin in the struggle for market share, navigating without an ethical compass—traps people in a thousand exploited settlements in denial, in regret, in loneliness. If you empathize with the Jaburrara over their losses, you must sympathize with every person caught up in the undertow of this nightmare, this delusion that a for-profit life is the only reasonable calling for a modern individual.
Barry Lopez (Horizon)
Good parenting, from my perspective, is like building a three-foot retaining wall against a four-foot wave. The kids have to make up that extra foot. That wave wants to drag them into an undertow where sound judgment is suspended, where the valueless, uncaring, and ultimately nihilistic cool reigns.
Greg Gutfeld (Not Cool: The Hipster Elite and Their War on You)
I look around at the beach where I grew up. This is where everything changed for me. I was just a girl who happened to witness the arrival of a strange race of people from under the sea. One of them was the most beautiful person I ever met. He walked out of the ocean and changed my life forever. — Lyric
Michael Buckley (Heart of the Storm (Undertow, #3))
Agua brava. Furious water, an undertow that could lift you up and wash you away. That would never leave you quite in the same place it found you. That returned you slightly — but irrevocably— different. So that at night when you lay in your dry bed, you still felt the memory of that wave moving inside you.
Adriana Herrera
Ladies and gentlemen, you have made most remarkable Progress, and progress, I agree, is a boon; You have built more automobiles than are parkable, Crashed the sound-barrier, and may very soon Be setting up juke-boxes on the Moon: But I beg to remind you that, despite all that, I, Death, still am and will always be Cosmocrat. Still I sport with the young and daring; at my whim, The climber steps upon the rotten boulder, The undertow catches boys as they swim, The speeder steers onto the slippery shoulder: With others I wait until they are older Before assigning, according to my humor, To one a coronary, to one a tumor. Liberal my views upon religion and race; Tax-posture, credit-rating, social ambition Cut no ice with me. We shall meet face to face, Despite the drugs and lies of your physician, The costly euphenisms of the mortician: Westchester matron and Bowery bum, Both shall dance with me when I rattle my drum.
W.H. Auden (Thank You, Fog)
This is the thing: if you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that's how you know you're on board the ship that serves hors d'oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who've never even heard of the words hors d'oeuvres of fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause and undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefather. And the boat sails on unfettered.
Tommy Orange (There There)
It lasts only a minute or two, but it feels like a year lost in Jane's hair and Jane's lips and Jane's past, Jane's hands fisting in her curls, Jane's thigh warm and steady under her, Jane for hours, Jane for days. It pulls like an undertow, and the case is up on the surface, and August is trying to stay there too.
Casey McQuiston (One Last Stop)
The lonely drudgery of lexicography, the terrible undertow of words against which men like Murray and Minor had so ably struggled and stood, now had at least it's great reward. Twelve mighty volumes; 414,825 words defined; 1,827,306 illustrative quotations used, to which William Minor alone had contributed scores of thousands.
Simon Winchester (The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary)
I'd like a break. I'm forty-six, so the undertow is beginning to get to me." "Then what are you good for?" she asked, in a kind tone. "Oh, a man around the house has his uses. A dildo; an ear to talk to; two arms around you; a voice from the next room when you're lonesome." "I have a dog to talk to." "That might be a deal killer.
Edward Hoagland (In the Country of the Blind)
In the ebb and flow of my life, in years gone by, in moments now, in currents, undertows that almost did me in, someone was there, never let me go. I bathe myself in this love. Because of it I did not get lost in crossroads, curves of the years gone by. No dead-end streets, always an exit! How lucky I am—someone loves me! -Inward Journey
Robert Trabold (Watching the River Flow By: Selected Poems)
Love is like an undertow. You can fight it with every ounce of energy you have; it is far more powerful than you, and it inevitably sweeps you under. Once love takes hold, it remains. Love is what remains when life finds its ending. It is the bridge that connects where we have been, where we now reside, and where we ultimately need to travel.
Nancy Ann Healy (Falling Through Shooting Stars)
Under their feet was the ice, which was white also, and under that the river water, with its eddies and undertows, dark but unseen. This was how I pictured that time, the time before Laura and I were born – so blank, so innocent, so solid to all appearances, but thin ice all the same. Beneath the surfaces of things was the unsaid, boiling slowly.
Margaret Atwood (The Blind Assassin)
What mattered more was the feeling, a rich sweet undertow so commanding that in class, on the school bus, lying in bed trying to think of something safe or pleasant, some environment or configuration where my chest wasn’t tight with anxiety, all I had to do was sink into the blood-warm current and let myself spin away to the secret place where everything was all right. Cinnamon-colored walls, rain on the windowpanes, vast quiet and a sense of depth and distance, like the varnish over the background of a nineteenth-century painting. Rugs worn to threads, painted Japanese fans and antique valentines flickering in candlelight, Pierrots and doves and flower-garlanded hearts. Pippa’s face pale in the dark.
Donna Tartt (The Goldfinch)
Anyone used to constant forward motion can tell you that it’s not always easy slowing down. You allow yourself to feel things you’ve held at bay until this point. Those things wash over you like waves. You can try to keep your feet rooted firmly in the sand, try not to be sucked in by the undertow. But the ocean is stronger than you and the waves will come.
Brittany K. Barnett (A Knock at Midnight: A Story of Hope, Justice, and Freedom)
I’ll never let you fall again.
Amber Lynn Natusch (Undertow)
I’m not trying to hide my past,” he said in earnest. “I’ve learned a lot from it. It’s made me who I am today, and I’m proud of who I’ve become.
Amber Lynn Natusch (Undertow)
I stood when she reached the table and we did that fake kissing thing, looking like a pair of budgies about to peck each other to death.
Sue Grafton (U is for Undertow (Kinsey Millhone, #21))
I was tired of losing things. No, not losing, having things taken from me. I couldn’t handle any more of the universe’s thievery. — Lyric
Michael Buckley (Heart of the Storm (Undertow, #3))
Where your anger comes from,' {Belafonte} says, ' is less important than what you do with it.
Jeff Sharlet (The Undertow: Scenes from a Slow Civil War)
—I’m sorry, but I don’t know any stories.  
Elizabeth Bear (Undertow: A Novel)
Some people find illeism annoying (although it doesn’t bother Daniel Pink). But its existence as a style of speech and narration exemplifies the final step in the regret-reckoning process. Talking about ourselves in the third person is one variety of what social psychologists call “self-distancing.” When we’re beset by negative emotions, including regret, one response is to immerse ourselves in them, to face the negativity by getting up close and personal. But immersion can catch us in an undertow of rumination. A better, more effective, and longer-lasting approach is to move in the opposite direction—not to plunge in, but to zoom out and gaze upon our situation as a detached observer, much as a movie director pulls back the camera. After self-disclosure relieves the burden of carrying a regret, and self-compassion reframes the regret as a human imperfection rather than an incapacitating flaw, self-distancing helps you analyze and strategize—to examine the regret dispassionately without shame or rancor and to extract from it a lesson that can guide your future behavior.
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
If Trump said it was a joke, reporters reported that claim. They wanted to believe that some norms still held. Some feared that if they acknowledged just how far beyond norms he’d gone, they’d be normalizing the new American spectrum, one in which dictatorship had become not just a hyperbolic charge thrown around by each party’s most heated partisans but an actual idea.
Jeff Sharlet (The Undertow: Scenes from a Slow Civil War)
Like the sway of the sea and the tug of the tides, love is a moving, eternal thing. Let us not be afraid of the wax and the wane, the rise and the fall, the eternal undertow. Each time our souls meet, let us submerge our bodies in the bright blue cold, and let the waves make us anew.” A tear slid down the apple of her cheek. “I love you, and I have loved you, and I will love you.
Laura Steven (Our Infinite Fates)
You know that you will never truly be free of the grief. You know that it is something you must learn to live with, something you manage. You start to understand that grief is chronic. That it’s more about remission and relapse than it is about a cure. What that means to you is that you can’t simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
You know that you will never truly be free of the grief. You know that it is something you must learn to live with, something you manage. You start to understand that grief is chronic. That it’s more about remission and relapse than it is about a cure. What that means to you is that you can’t simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
You know that you will never truly be free of the grief. You know that it is something you must learn to live with, something you manage. You start to understand that grief is chronic. That it's more about remission and relapse than it is about a cure. What that means to you is that you can't simply wait for it to be over. You have to move through it, like swimming in an undertow.
Taylor Jenkins Reid (One True Loves)
Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn—and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb. So, let us drink a cup of tea.
Muriel Barbery (The Elegance of the Hedgehog)
him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the
Mark Twain (Mark Twain: Collection of 51 Classic Works with analysis and historical background (Annotated and Illustrated) (Annotated Classics))
As I traveled between Clarksburg and Chicago in that year of election, I was sometimes struck that, for all their differences, Black Chicagoans and white Appalachians had come to share a sensation that was calcifying in America’s political culture—a feeling of being trapped by an undertow of economics and history, of being ill-served by institutions, of being estranged from a political machinery that was refined, above all, to serve itself.
Evan Osnos (Wildland: The Making of America's Fury)
...'undertow'. It describes (...) how underneath our own everyday lives - the shopping and squabbles and weeding and trips to the vet - there's a sense of being dragged slowly off, not against our will but regardless of it. And fighting the undertow, as children are quick to learn, is not usually the best way of getting back to the beach. Floating along with it, on the other hand, can be fatal. It's really the struggle, the argument with oneself, that interests...
Robert Dessaix (Picador new writing)
Like the sway of the sea and the tug of the tides, love is a moving, eternal thing. Let us not be afraid of the wax and the wane, the rise and the fall, the eternal undertow. Each time our souls meet, let us submerge our bodies in the bright blue cold, and let the waves make us anew.” A tear slid down the apple of her cheek. “I love you, and I have loved you, and I will love you.” The groom pressed his warm forehead to hers. “I love you, and I have loved you, and I will love you.
Laura Steven (Our Infinite Fates)
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
I could take one wrong step off a curb and be crushed by a bus. I could choke on a piece of bread. The arteries around my heart might be clogging right now. I probably already have cancer. Someone in my apartment building might burn a frozen pizza tonight and fry me to death in my sleep. A mosquito could give me malaria. I don’t know how to tell if I’m inhaling carbon monoxide. I could be struck by lightning. I could have an aneurysm. I could starve to death. A tornado could tear me from my seat and pitch me into the sky. I could have a stroke. I could be crushed in a tsunami or an earthquake. I could get rabies. I could drown in an undertow. I could catch the plague. The earth could open up a sinkhole and swallow me. I could get typhoid… and a psychopath could kill me? The fact that a person could deliberately end another person’s life is hard for me to wrap my mind around. Given all the ways to die that are already looming over me, I have to worry about psychopaths, too?
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
The rain continued. It was a hard rain, a perpetual rain, a sweating and steaming rain; it was a mizzle, a downpour, a fountain, a whipping at the eyes, an undertow at the ankles; it was a rain to drown all rains and the memory of rains. It came by the pound and the ton, it hacked at the jungle and cut the trees like scissors and shaved the grass and tunnelled the soil and moulted the bushes. It shrank men’s hands into the hands of wrinkled apes; it rained a solid glassy rain, and it never stopped.
Ray Bradbury (The Illustrated Man)
Now my second story. Three years later, on a clear, bright, calm Sunday afternoon at Bondi Beach, also not far from where we now stood, from out of nowhere there came four freak waves, each up to twenty-five feet high. More than 200 people were carried out to sea in the undertow. Fortunately, fifty lifeguards were in attendance that day, and they managed to save all but six people. I am aware that we are talking about incidents that happened many years ago. I don’t care. My point remains: the ocean is a treacherous place.
Bill Bryson (In a Sunburned Country)
American politics tends to produce a limited emotional range, mostly positive, peppered with indignation. But Trump scrawled across the spectrum: not just anger but rage; love and, yes, hate; fear, a political commonplace, and also vengeance. It didn’t feel political. Politicians have long borrowed from religion the passion and the righteousness, but no other major modern figure had channeled the tension that makes Scripture endure, the desire, the wanting that gives rise to the closest analogue to Trumpism: the prosperity gospel, the American religion of winning.
Jeff Sharlet (The Undertow: Scenes from a Slow Civil War)
Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
Tommy Orange (There There)
Here am I, a little animal called a man--a bit of vitalized matter, one hundred and sixty-five pounds of meat and blood, nerve, sinew, bones, and brain,--all of it soft and tender, susceptible to hurt, fallible, and frail. I strike a light back-handed blow on the nose of an obstreperous horse, and a bone in my hand is broken. I put my head under the water for five minutes, and I am drowned. I fall twenty feet through the air, and I am smashed. I am a creature of temperature. A few degrees one way, and my fingers and ears and toes blacken and drop off. A few degrees the other way, and my skin blisters and shrivels away from the raw, quivering flesh. A few additional degrees either way, and the life and the light in me go out. A drop of poison injected into my body from a snake, and I cease to move--for ever I cease to move. A splinter of lead from a rifle enters my head, and I am wrapped around in the eternal blackness. Fallible and frail, a bit of pulsating, jelly-like life--it is all I am. About me are the great natural forces--colossal menaces, Titans of destruction, unsentimental monsters that have less concern for me than I have for the grain of sand I crush under my foot. They have no concern at all for me. They do not know me. They are unconscious, unmerciful, and unmoral. They are the cyclones and tornadoes, lightning flashes and cloud-bursts, tide-rips and tidal waves, undertows and waterspouts, great whirls and sucks and eddies, earthquakes and volcanoes, surfs that thunder on rock-ribbed coasts and seas that leap aboard the largest crafts that float, crushing humans to pulp or licking them off into the sea and to death--and these insensate monsters do not know that tiny sensitive creature, all nerves and weaknesses, whom men call Jack London, and who himself thinks he is all right and quite a superior being.
Jack London (The Cruise of the Snark)
The Solace of the surreal, the comfort of chaos, the great relief of all the "issues" falling away, like a body letting go, falling backward, into the Foreversville of conflict itself as the cause for which one fights. The topic—the border, guns, election "integrity," pedophiles—does not matter. Only the fight.
Jeff Sharlet (The Undertow: Scenes from a Slow Civil War)
But the bigger part of me remembers what my dad taught me about the undertow when he was trying to coax me into the water to teach me how to swim. "If you ever get caught in the undertow," he'd said, "just let it take you. Just let it pull you right out. Whatever you do, don't fight it and waste your energy and oxygen. That's how people die. The people who don't die wait it out. The undertow lets go eventually, right when you think you can't hold your breath any longer. You just have to be patient." Because right now I'm caught in an undertow. And I've got to hold my breath, be patient, until it gives me my life back.
Anna Banks (Of Triton (The Syrena Legacy, #2))
A man doesn’t seek out a woman because he wants to screw her and leave, nor does he leave her because he can’t screw her at all. That’s an asshole. A real man goes after a woman because he knows that life with her far surpasses that without her. He should be stimulated by her very presence, lack of clothing withstanding. That is a man.
Amber Lynn Natusch (Undertow)
Welcome to the party,” I say to them as more and more people gather to watch. “I’m telling my friends here that we have to fight together. We have to look after one another. This is about the end of the world, and we have to put aside our hate and fear of one another. If we can’t learn to stand together by tomorrow, we’ll all be lying together dead." — Lyric
Michael Buckley (Heart of the Storm (Undertow, #3))
The World At Large Ice-age heat wave, can't complain. If the world's at large, why should I remain? Walked away to another plan. Gonna find another place, maybe one I can stand. I move on to another day, to a whole new town with a whole new way. Went to the porch to have a thought. Got to the door and again, I couldn't stop. You don't know where and you don't know when. But you still got your words and you got your friends. Walk along to another day. Work a little harder, work another way. Well uh-uh baby I ain't got no plan. We'll float on maybe would you understand? Gonna float on maybe would you understand? Well float on maybe would you understand? The days get shorter and the nights get cold. I like the autumn but this place is getting old. I pack up my belongings and I head for the coast. It might not be a lot but I feel like I'm making the most. The days get longer and the nights smell green. I guess it's not surprising but it's spring and I should leave. I like songs about drifters - books about the same. They both seem to make me feel a little less insane. Walked on off to another spot. I still haven't gotten anywhere that I want. Did I want love? Did I need to know? Why does it always feel like I'm caught in an undertow? The moths beat themselves to death against the lights. Adding their breeze to the summer nights. Outside, water like air was great. I didn't know what I had that day. Walk a little farther to another plan. You said that you did, but you didn't understand. I know that starting over is not what life's about. But my thoughts were so loud I couldn't hear my mouth. My thoughts were so loud I couldn't hear my mouth. My thoughts were so loud.
Modest Mouse
TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.
Pattiann Rogers (Quickening Fields (Penguin Poets))
Jesus is no genie in a lamp. All the happy thoughts and positive thinking in the world will not keep life from being life. I've come to believe that, as big risks offer the potential for great reward or great failure, the biggest waves bring the swiftest undertow. As I learned to accept this principle rather than fight it, a deeper understanding of the call to perseverance, which appears so frequently in the Bible, emerged. As I learned to persevere, something mysterious began to happen: the more difficult things became, the deeper I looked at myself, sought God's guidance, and let go. It is like the scripture that reads, "And not only this, but we also exult in our tribulations, knowing that tribulation brings about perseverance; and perseverance, proven character; and proven character, hope; and hope does not disappoint because the love of God has been poured out within our hearts through the Holy Spirit who was given to us.
Joan Ball (Flirting with Faith: My Spiritual Journey from Atheism to a Faith-Filled Life)
The night candle on the bedside table burst into spontaneous flame. The golden glow revealed a creature whose pale white skin was marked with dark blue swirls, like some barbarian war paint. Fins jutted from her arms and legs, and the claws tipping fingers and toes clung to the house’s woodsiding. A host of slender tendrils squirmed around her face in place of hair, and her grin revealed row after row of shark’s teeth. Oh, thank heavens. Nothing to be afraid of after all
Jordan L. Hawk (Undertow (Whyborne & Griffin, #8.5))
When we walk to church on Sunday morning down Broadway,” her mother said, cheeks red in her light brown skin, “you see the dirty men with their shirts all out their pants, drinking the devil’s liquor and stinking to high heaven when good people are going to church. Do you know what they’ve been doing all night?” “No, ma’am.” She did know, because now this discipline had wound its way down the hills away from the music and into a familiar body, and Jennifer was well acquainted with its currents and undertow. She knew all about the good-for-nothing niggers who passed bottles back and forth and were an eyesore. But it seemed best to feign ignorance. “Staying up all night drinking and listening to music like this!” her mother screeched. “Because they are good-for-nothing niggers who don’t care about making a better life for themselves. They want to stay up all night and carry on and pretend that just because they don’t have to pick cotton they have no more duties to attend to. We can’t do anything about good-for-nothing niggers who don’t want to take their place in America, but we can watch ourselves.
Colson Whitehead (John Henry Days)
Guilt isn’t an emotion. It’s a living, breathing organism. It’s another man living deep inside you, screaming so loud sometimes that you wish you could tear off your skin and let him escape. But you can’t. And there’s nothing you can do to silence him. Nothing at all. There are things that you think will help you. Wicked, beautiful things. Sex. Narcotics. Alcohol. They all sing their sweet siren songs to you, hoping you don’t recognize the evil underneath. They are a temptress, promising to alleviate your pain, promising you a soft, warm hug. They promise you the world. And they deliver. They always keep their promise. Maybe for a moment, maybe for a few hours, they let you be taken by the undertow. That’s why you keep going back. Because they don’t lie. And because the next day the guilt has multiplied. You’re an even worse person than you were before, as if that was even possible. As if the hate inside you for yourself could ever deepen. But it does. Again and again. Day in and day out. And there’s only one way to get through it. To dull the pain. Mask the sorrow. Numb the hate. You do it to yourself again. Until it’s the rest of your life. But I don’t want it to be the rest of my life. Because
Karina Halle (The Play)
You know those short, brown-toned South American immigrants that pick your fruit, slaughter your meat, and bus your tables? Would you—a respectable person with a middle-class upbringing—ever consider going on a date with one of them? It's a rude question, because it affects to inquire into what everyone gets to know at the cost of forever leaving it unspoken. But if you were to put your unspoken thoughts into words, they might sound something like this: Not only are these people busing the tables, slaughtering the meat, and picking the fruit; they are the descendants of the people who bused the tables, slaughtered the meat, and picked the fruit of the Aztecs and Incas. The Spanish colonisers slaughtered or mixed their blood with the princes, priests, scholars, artisans, warriors, and beautiful women of the indigenous Americas, leaving untouched a class of Morlocks bred for good-natured servility and thus now tailor-made to the demands of an increasingly feudal postindustrial America. That's, by the way, part of the undertow of the immigration debate, the thing that makes an honest appraisal of the issue impossible, because you can never put anything right without first admitting you're in the wrong.
Wesley Yang (The Souls of Yellow Folk)
Think of a power cut and how it brings into focus the eerie quiet that befalls a house when the various mechanical drones that our brains are so adept at tuning out - the low hum of central heating, the buzz of the refrigerator, the churn of the dryer - actually stop. The removal without forewarning of the small domestic symphony we seldom otherwise notice has a disquieting effect. But enough of the dishwasher. What of the cosmic infinity? What of the godhead? I'm sitting in my kitchen with a cup of tea, listening to the sound the universe made as it expanded 600,000 years after the Big Bang. It sounds like Hawkwind.
Harry Sword (Monolithic Undertow: In Search of Sonic Oblivion)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. Withfinocchioin fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Christina died of a stroke in the fall of 1971, at the age of sixty-one. June watched the nurses take her mother's body away. Standing there in the hospital, June felt like she'd been caught in an undertow. How had she ended up here? One woman all alone, with four kids, and a restaurant she had never wanted. The day after the funeral, June took the kids to school. She dropped Kit off at the elementary building and then drove Nina, Jay, and Hud to junior high. When they pulled into the drop-off circle, Jay and Hud took off. But Nina turned back, put her hand on the door handle, and looked at her mother. 'Are you sure you're OK?' Nina asked. 'I could stay home. Help you at the restaurant.' 'No, honey,' June said, taking her daughter's hand. 'If you feel up for going to school, then that's where you should be.' 'OK,' Nina said. 'But if you need me, come get me.' 'How about we think of it the other way around?' June said, smiling. 'If you need me, have the office call me.' Nina smiled. 'OK' June felt herself about to cry and so she put her sunglasses over her eyes and pulled out of the parking lot. She drove, with the window down, to Pacific Fish. She pulled in and put on the parking brake. She took a deep breath. She got out of the car and stood there, staring up at the restaurant with a sense of all that she had inherited. It was hers now, whatever that meant. She lit a cigarette.
Taylor Jenkins Reid (Malibu Rising)
Just so surely as we tend to disintegrate these nuclei of nationalistic culture do we tend to create hordes of men and women without a spiritual country, cultural outlaws, without taste, without standards but those of the mob. We sentence them to live on the most rudimentary planes of American life. The influences at the centre of the nuclei are centripetal. They make for the intelligence and the social values which mean an enhancement of life. And just because the foreign-born retains this expressiveness is he likely to be a better citizen of the American community. The influences at the fringe, however, are centrifugal, anarchical. They make for detached fragments of peoples. Those who came to find liberty achieve only license. They become the flotsam and jetsam of American life, the downward undertow of our civilization with its leering cheapness and falseness of taste and spiritual outlook, the absence of mind and sincere feeling which we see in our slovenly towns, our vapid moving pictures, our popular novels, and in the vacuous faces of the crowds on the city street. This is the cultural wreckage of our time, and it is from the fringes of the Anglo-Saxon as well as the other stocks that it falls. America has as yet no impelling integrating force. It makes too easily for this detritus of cultures. In our loose, free country, no constraining national purpose, no tenacious folk-tradition and folk-style hold the people to a line.
Randolph Bourne
The only point that everyone I spoke with in Rome agrees upon is that Armando al Pantheon is one of the city's last true trattorie. Given the location, Claudio and his family could have gone the way of the rest of the neighborhood a long time ago and mailed it in with a handful of fresh mozzarella and prosciutto. But he's chosen the opposite path, an unwavering dedication to the details- the extra steps that make the oxtail more succulent, the pasta more perfectly toothsome, the artichokes and favas and squash blossoms more poetic in their expression of the Roman seasons. "I experiment in my own small ways. I want to make something new, but I also want my guests to think of their mothers and grandmothers. I want them to taste their infancy, to taste their memories. Like that great scene in Ratatouille." I didn't grow up on amatriciana and offal, but when I eat them here, they taste like a memory I never knew I had. I keep coming back. For the cacio e pepe, which sings that salty-spicy duet with unrivaled clarity, thanks to the depth charge of toasted Malaysian peppercorns Claudio employs. For his coda alla vaccinara, as Roman as the Colosseum, a masterpiece of quinto quarto cookery: the oxtail cooked to the point of collapse, bathed in a tomato sauce with a gentle green undertow of celery, one of Rome's unsung heroes. For the vegetables: one day a crostini of stewed favas and pork cheek, the next a tumble of bitter puntarelle greens bound in a bracing anchovy vinaigrette. And always the artichokes. If Roman artichokes are drugs, Claudio's are pure poppy, a vegetable so deeply addictive that I find myself thinking about it at the most inappropriate times. Whether fried into a crisp, juicy flower or braised into tender, melting submission, it makes you wonder what the rest of the world is doing with their thistles.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
When we go to tell our stories, people think we want it to have gone different. People want to say things like “sore losers” and “move on already,” “quit playing the blame game.” But is it a game? Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered. If you were fortunate enough to be born into a family whose ancestors directly benefited from genocide and/or slavery, maybe you think the more you don’t know, the more innocent you can stay, which is a good incentive to not find out, to not look too deep, to walk carefully around the sleeping tiger. Look no further than your last name. Follow it back and you might find your line paved with gold, or beset with traps.
Tommy Orange (There There)
Load the sailboat with bottles of white wine, olive oil, fishing rods, and yeasty, dark-crusted bread. Work your way carefully out of the narrow channels of the Cabras port on the western shore of Sardinia. Set sail for the open seas. Navigate carefully around the archipelago of small boats fishing for sea bass, bream, squid. Steer clear of the lines of mussel nets swooping in long black arcs off the coastline. When you spot the crumbling stone tower, turn the boat north and nuzzle it gently into the electric blue-green waters along ancient Tharros. Drop anchor. Strip down to your bathing suit. Load into the transport boat and head for shore. After a swim, make for the highest point on the peninsula, the one with the view of land and sea and history that will make your knees buckle. Stay focused. You're not here to admire the sun-baked ruins of one of Sardinia's oldest civilizations, a five-thousand-year-old settlement that wears the footprints of its inhabitants- Phoenicians, Greeks, Romans- like the layers of a cake. You're here to pick herbs growing wildly among the ancient tombs and temples, under shards of broken vases once holding humans' earliest attempts at inebriation. Taste this! Like peppermint, but spicy. And this! A version of wild lemon thyme, perfect with seafood. Pluck a handful of finocchio marino,sea fennel, a bright burst of anise with an undertow of salt. With finocchio in fist, reboard the transport vessel and navigate toward the closest buoy. Grab the bright orange plastic, roll it over, and scrape off the thicket of mussels growing beneath. Repeat with the other buoys until you have enough mussels to fill a pot. In the belly of the boat, bring the dish together: Scrub the mussels. Bring a pot of seawater to a raucous boil and drop in the spaghetti- cento grammi a testa. While the pasta cooks, blanch a few handfuls of the wild fennel to take away some of the sting. Remove the mussels from their shells and combine with sliced garlic, a glass of seawater, and a deluge of peppery local olive oil in a pan. Take the pasta constantly, checking for doneness. (Don't you dare overcook it!) When only the faintest resistance remains in the middle, drain and add to the pan of mussels. Move the pasta fast and frequently with a pair of tongs, emulsifying the water and mussel juice with the oil. Keep stirring and drizzling in oil until a glistening sheen forms on the surface of the pasta. This is called la mantecatura, the key to all great seafood pastas, so take the time to do it right.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
What can I do? Blay wondered to himself. Qhuinn’s eyes searched his face. “Do you really want me to answer that?” Apparently he’d spoken out loud. “Yeah, I do.” Qhuinn’s dagger hand reached out and cupped the side of Blay’s jaw. “You sure?” The vibe instantly shifted. The tragedy was still very much with them, but that powerful sexual undertow came back between one heartbeat and the next. Qhuinn’s stare started to burn, his lids dropping low. “I need…an anchor right now. I don’t know how else to explain it.” Blay’s body responded instantly, his blood spiking to the boiling point, his cock thickening, growing long. “Let me kiss you.” Qhuinn groaned as he leaned in. “I know I don’t deserve it, but please…it’s what you can do for me. Let me feel you….” Qhuinn’s mouth brushed his own. Came back for more. Lingered. “I’ll beg for it.” More with the caress of those devastating lips. “If that’s what it takes. I don’t give a fuck, I’ll beg….” Somehow, that wasn’t going to be necessary.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
This latest betrayal by the country joins with the underlying trauma caused by all the previous betrayals. That trauma carried over, and it shapes implicitly how we imagine and respond to our current days. This is the undertow of black politics: traumatic memories that cling to our choices like ghosts who can’t find peace as white America refuses to change again.
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
People want to say things like “sore losers” and “move on already,” “quit playing the blame game.” But is it a game? Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they’re winning when they say “Get over it.” This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
Tommy Orange (There There)
Clarke’s Law—“any increasingly complex technology will look like magic“—signified the undertow which in the Age of Limbaugh
Arthur C. Clarke (The Collected Stories of Arthur C. Clarke)
Our words were a few colorful leaves afloat on a very old silence, the kind with a terrifying undertow, and we stood right at its edge, wrapping ourselves in our own arms because of the chill, and with old voices called back and forth across all those years until we could bear it no longer, and turned from each other, and walked away into our countries.
Ted Kooser (Splitting an Order)
Funny, how a man can be a cad and all will laugh at him, but a woman’s indiscretion is an undertow.
Julia Fine
But I am here, and I am alive, and maybe the bubble does exist if I’m still here today, and I will still get to prove my mother wrong and set off my art career and fall in love and graduate and grow old with my best friend.
Katia Miyamoto (The Undertow of Healing)
Quiet people are not trusted. Quiet peo- ple know things. We are observant, quick to think on our feet, nimble, and able to slip by unknown.
Katia Miyamoto (The Undertow of Healing)
What do you wear when you’re about to meet someone’s parents?
Katia Miyamoto (The Undertow of Healing)
This color is richer, deeper, so deep I can feel honey melt down my throat and coat my tongue with its gritty sweetness.
Katia Miyamoto (The Undertow of Healing)
It used to be easy. We would fight about the dumbest things—who got to be which monster truck when we were playing in my bedroom in the first grade, why he got me out in dodgeball, who was faster at the mile. A quick and simple sorry had always fixed it, sometimes with an awkward shoulder pat-hug if it was really bad. But I don’t know how to fix the real things.
Katia Miyamoto (The Undertow of Healing)
I tumbled into a sleep so heavy my dreams were an undertow that dragged me down, down, down until I couldn't escape them.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There’s always been an undertow-like grip in Cecelia’s gaze. A grip and drag I’ve successfully managed to dodge—until tonight—when she glanced up at me from where she knelt at another unknown enemy’s feet, her empathy and humanity on full display. Whoosh. Whoosh. That exchange was a bitch slap, forcing me to finally acknowledge everything I’ve been purposefully overlooking when it comes to Cecelia.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
This is the undertow of black politics: traumatic memories that cling to our choices like ghosts who can’t find peace as white America refuses to change again. Like Baldwin, we have to bear witness to it all and tell the story of how we got here—and then, just maybe, we can muster the resolve and will to push this damn rock up the hill again.
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
When you’re an idea that walks like a woman, you get to be simple if you want to. Persephone is simple. All the divinities I’ve met have been simple. Oh, they have depths and undertows. They can get complicated real fast if that’s what they feel they need to do. But on a basic, “how difficult do I need this to be” level, they’re simple.
Seanan McGuire (Angel of the Overpass (Ghost Roads, #3))
The warm night air-her own continued existence shocked her as much as brightness would have if she’d been drowning, and somehow kicked herself into daylight again before the black water could suck her down.
Elizabeth Bear (Undertow)
He scampered across the surface of the virtual timestreams, testing them with palps and toetips, the movement of the spider controlled by the fine twitches of his gloved hands.
Elizabeth Bear (Undertow)
You aren’t you. You aren’t the you you were this morning. Your consciousness provides a semblance of continuity, but if you’ve been an infinite number between then and now.
Elizabeth Bear (Undertow)
Se companions hadn’t found the captives, or any sign, on the fleeing barge that the Company humen used a village-heart. They had taken Caeti, and se would not leave Caeti in their dry, rough hands. So se had attached self to the humen leader’s heliocopter as it fled the overrun barge. And se clung there, water slashing in se brood pouch, se hand and toefingers wrapped in a deathgrip on wet metal until bone ran with traced flame and digits cramped in claws.
Elizabeth Bear (Undertow)
Stop,” she said, not unkindly. “You’re chasing the tide again, and you’re never going to catch it.” “Excuse me?” “Your head. It’s got its own undertow, you know, and if you swim too deep, it can suck you down. You can’t chase the tide. You need to stay on the shore and let it come to you.” She shook her head. “I’m not going to tell you that everything is going to be fine. I wouldn’t do it even if I was still allowed to lie. Some things are too cruel even for a sea witch. But I will tell you that what’s on the other side of that door is never going to be as bad as the undertow in your own mind.” I
Seanan McGuire (Night and Silence (October Daye, #12))
You paid your money and you picked your poison.
Elizabeth Bear (Undertow)
He loved her, and she didn’t love him, but that didn’t mean they had to be assholes about it.
Elizabeth Bear (Undertow)
People had secrets. You lived with it or you didn’t.
Elizabeth Bear (Undertow)
Se was not a greatparent. Se did not have the skill of making luck.
Elizabeth Bear (Undertow)
Was it different if you went in knowing you had made the decision to kill? Was it different if you did it in self-defense? In defense of another? In defense of a species?
Elizabeth Bear (Undertow)
Bad enough to be here, doing this. Worse to have to stop and think about it.
Elizabeth Bear (Undertow)
but the undertow of her illness seemed to have pulled her far away, and she had emerged on some new, remote shore from which he was visible only as an outline.
Hernan Diaz (Trust)
Life was a racing river of many currents, yet all the undertows and raging rapids were not merely survivable but were also experiences that made her still stronger.
Dean Koontz (Devoted)
At moments like this the web of life is revealed by the power of ritual, and each time we renew our ceremony, the pleasure will be all the greater for our having violated one of its principles. Moments like this act as magical interludes, placing our hearts at the edge of our souls: fleetingly, yet intensely, a fragment of eternity has come to enrich time. Elsewhere the world may be blustering or sleeping, wars are fought, people live and die, some nations disintegrate, while others are born, soon to be swallowed up in turn—and in all this sound and fury, amidst eruptions and undertows, while the world goes its merry way, bursts into flames, tears itself apart and is reborn: human life continues to throb. So, let us drink a cup of tea.
Muriel Barbery (The Elegance of the Hedgehog)
You can make it on your own time? / Laid-back and laughing? Oh no!’ he’d admonished during the album’s grand finale. It was just his way of letting the culture know that the upcoming seventies were going to be very tricky indeed, that all that sixties sweet-talk no longer applied to what lay ahead, and that it was time, for him at least, to get to grips with the dark, deadly undertow of the Aquarian age.
Nick Kent (The Dark Stuff: Selected Writings on Rock Music 1972-1993)
I feel like I am drowning in a sea of quicksand, being pulled by the undertow of all the things people want from me. -Poppy Monroe, Christmas in Greer
Jennifer Jorski Ebert
When Morrow called Closs, it was a cause for concern. When she called him at home and didn’t waste time on pleasantries, it was nearly a cause to panic.
Elizabeth Bear (Undertow)
Rim had kept secrets from the Core. The Core kept secrets from Rim: no surprises there. One of the stranger benefits of having once been someone else was that the someone she had been knew how much was concealed. And sometimes even had a general idea of what not to ask about in order to ensure everyone’s comfort or continued peace of mind. Or, in this case, where exactly to shine the light.
Elizabeth Bear (Undertow)
Whatever her life was now, Cricket had made her own mistakes in the past-was still making them, if André Deschênes was any indication-and frankly, she’d class some of them as mistakes only because she got caught.
Elizabeth Bear (Undertow)
Three explosions in three days, and not even one of them had been Closs’s idea.
Elizabeth Bear (Undertow)
She was fashionably thin, the line of her jaw sharp as the detail on a porcelain horse, the tendons in her throat vanishing under the ivory silk collar of her suit.
Elizabeth Bear (Undertow)
The common factor linking all of my unhappy romances is me.
Elizabeth Bear (Undertow)
He’s so bad he can be sweet as ice cream every second and nobody forgets for any one of those seconds that he’s the baddest man in the room. That’s what I like. Men who could beat up my dad. They make me feel safe.
Elizabeth Bear (Undertow)
I sense something deep inside me drawing me in, tugging at me like an undertow. I want to give in to it, be seized by it. I want to give up my bearings, slip out of who I am, shed everything, the way a snake discards old skin. P 317
Hosseini, Khaled
Machiavelli’s outlook had not been so much simplistic as limited by his times.
Elizabeth Bear (Undertow)
He was paying the immemorial price of apprenticeship: things concealed, games of trust.
Elizabeth Bear (Undertow)
Yelena’s song is the most beautiful of all. I don’t know anything about music, so I can’t describe why or how it has such an effect on me. It starts slowly, subtly. Then it builds and builds, with a pull like an undertow, dragging me under. The music swirls all around the room, filling every bit of space from floor to ceiling. It’s wild and haunting, melancholic but insistent. It’s something inside of her calling out to something inside of me, demanding that I listen. Demanding that I understand.
Sophie Lark (Heavy Crown (Brutal Birthright, #6))
The Atlantic pulls at my heartstrings, as fondly as a bouquet of jasmine blossoms tied up in a bow. I fall before the rising waves, collecting the pearlescent seafoam. It's sacred, just for me, like a gift from a lover or my dearest friend. When I was little, I used to run into the Pacific for a moment of peace. It scared my mother silly watching her only daughter dive into the water's wrath. But I adored the sharp cold, the strength of the undertow, the reckless rush of the currents. The ocean could never hurt me. We were one. We still are, no matter how far from home I've come. My mother always said that, like the sea, I was chaos incarnate.
Kiana Krystle (Dance of the Starlit Sea)
Jill sighed. “Me either. I started hiding from life so long ago that I think I forgot how to live it. At least a large part of it. I guess I didn’t realize how much I was missing out on until I was forced out of the secure but isolated nest I’d built.
Jana Deleon (Undertow (A Tempest Island Novel Book 3))
food:
Michael Buckley (Raging Sea (Undertow, #2))
Along with his familiar confidence, there was an unfamiliar undertow of agitation pulling everything he said in the opposite direction. He
Jonathan Rosen (The Best Minds: A Story of Friendship, Madness, and the Tragedy of Good Intentions)
As usual, there was a soft ebb of pleasure as I let the anger out, followed by the cold tide of guilt and self-loathing; a deep undertow of shame.
Laura Steven (The Society For Soulless Girls)
Sometimes you linger days upon a word, a single, uncontaminated drop of sound; for days it trembles, liquid to the mind, then falls: mere denotation dimming the undertow of language.
John Burnside (Common Knowledge)
In the beginning, I only wanted to know, love, and serve God and understand the Bible. What harm could that possibly bring?
Charlene L. Edge (Undertow: My Escape from the Fundamentalism and Cult Control of The Way International)
Every time you hop down to a new curve, you have the opportunity to recalibrate the metrics by which you gauge yourself. Just as a business moves from the messiness of start-up life to codifying process in order to scale, as you start to identify the metrics that measure what matters to you deeply, you'll be able to lock and load, then barrel up the y-axis of success. I don't know how you'll define success. Mine is best described by paraphrasing Samuel Johnson: the ultimate result of all ambition is to be happy at home. As you look to tip the odds of success in your favor, beware the undertow of the status quo—current stakeholders in your life and career, including family members, may encourage you to just keep doing what you are doing. The metrics you've always used to measure yourself are comfortable, and so are your established habits; performing well on your current path is practically automatic. You can almost convince yourself that staying put is the right thing. But there really is no such thing as "standing still."14 The "use it or lose it" principle applies to our brain cells just as it does to the muscles in our bodies. Neuroplasticity has a reverse function. Connections recede through lack of activation, while continual stimulation of neural pathways keeps them healthy and active, including—and especially—when you step back, down, or sideways.
Whitney Johnson (Disrupt Yourself: Putting the Power of Disruptive Innovation to Work)
I think I took him to the beach that winter's day to show him that it offered a truer image of the human condition. One's foundations continually shift here; the sea regularly breaks through in new places, constantly forming new inlets, closing off old ones, running in new currents. The beach teaches us the need to adapt continually to change, always to be watching for undertows and rogue waves, to dance nimbly along its edges. If I have learned anything from living here, it is that this world is not geared for large answers, and certainly not for final ones.
Robert Finch - The Outer Beach
At a very young age, as children do, I had to make sense out of my life, so I came to the conclusion that I was bad and God knew I was bad, so God made me handicapped to punish me. I thought that the undertow of sadness in my family was because of me.
Alcoholics Anonymous (Alcoholics Anonymous)
Elijah?” “Love?” She kissed him and peered at him with the sort of intensity Elijah suspected had to do with questions a newly engaged woman found difficult to keep to herself. How many children did he want? A special license or St. George’s or a wedding in the Morelands chapel? Would they reside with his family at Flint Hall, or live for a time at Bernward Manor? When would he speak to her father? She brushed his hair back from his forehead, a wifely caress if Elijah had ever felt one. “When I go to Paris, I will miss my family, but I will also miss… this.” She kissed him again, sweetly, gently. “I will miss you so very much.” Elijah’s hands stopped moving on her back; his lungs stopped drawing in air. When she went to Paris… When she went to Paris, exactly as planned, as if this night, as if he, meant nothing more than a passing whim. As if he’d completely misconstrued her words, her glances, her intentions, and seen them through a haze of lust and longing that had obliterated his judgment. But not his pride. Anger welled up, at her, at himself, at Paris, and following immediately after, like an undertow follows a wave, despair surged—for himself and for her. He did not want to go to Paris, much less in the company of a woman whose view of their dealings was radically different from his own. Jenny
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Burnaby bobbed to the surface of the water after a few minutes, seemingly “unscathed” as journalists would report. A “universal cheer” went up as the daredevil with the shaved, painted head swam toward the base of Luna Island; would-be rescuers reached out for him even as, when Burnaby was less than ten feet from shore, a powerful undertow sucked him down into the swift, green-tinged water. Eyewitnesses would claim that, as he was sucked down, Burnaby cried, “Darling, goodbye! Kiss the baby for me!” to his young wife who watched helplessly, their eight-month infant in her arms, from a platform on Goat Island. That infant would one day be Dirk Burnaby’s father. The
Joyce Carol Oates (The Falls (P.S.))
Like what?Glass?Drugs?Oregano?" Come on, sweetheart. Lighten up and have some fun.
Cherry Adair (Undertow (Cutter Cay #1))
Every day since Wyatt died, a tsunami of grief assaulted me, sent me crashing into memories, and sucked my dreams away in its undertow. I didn’t know when or how I’d ever experience the soft swell of happiness and comfort without him.
Christa Allan (Since You've Been Gone)
Teetering in the space between light and dark…awake and asleep…death and immortality, she was buffeted by the continuous ebb and flow of the tide. Where the white rippling surf had once gently kissed her feet, the undertow now swept her away.
Luna Saint Claire (The Sleeping Serpent)
Like waves on the ocean shore, God's new age has come thundering in through the resurrection of Jesus Christ, but the present age acts as a powerful undertow, preventing the incoming waves from having their full force. The undertow of the continuing present age does its best to persuade those who through faith and baptism are already part of the age to come that in fact nothing much has changed, and that they should simply continue on as they were, living the same life that everyone else is living. 'The way the world is' is a powerful, insidious force, and it takes all the energy of new creation, not least of faith and hope, to remind oneself that the age to come really is already here, with all its new possibilities and prospects.
N.T. Wright (After You Believe: Why Christian Character Matters)