Ship Breaker Quotes

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Killing isn't free. It takes something out of you every time you do it. You get their life; they get a piece of your soul. It's always a trade.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
I'm a chess piece. A pawn,' she said. 'I can be sacrificed, but I cannot be captured. To be captured would be the end of the game.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
The problem with surviving was that you ended up with the ghosts of everyone you’d ever left behind riding on your shoulders.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
It’s human nature to tear one another apart. Be glad you come from such a successful line of killers.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
I do not fight battles that cannot be won. Do not confuse that with cowardice.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Your body is full of rage. Every sinew. It is easy to read. You speak volumes with a clenched fist.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
When you were alone in the rising ocean, you grabbed whatever raft passed by.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Crew up, Nailer!" Lucky Girl shouted. "You think I'm going to pull your ass up here like a damn swank?
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Blood is not destiny.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Some things, it was better not to think about. It just made you mad and angry.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
They’d blame a castoff just for breathing. You could be good as gold and they’d still blame you.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The thought burrowed into her heart as darkness fell. It coiled in her guts as she wedged herself amongst the boughs of a tree to sleep. And in the morning, it woke with her and clung to her back, riding on her shoulders as she climbed down, hungry and exhausted from nightmares.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Never beg for mercy. Accept that you have failed. Begging is for dogs and humans.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
She was too smart for his own good.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
But then, that was the problem with pretty toy stitches. When real life got hold of them, they always tore out.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
You couldn’t live close to war and not have it grab you eventually.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
You're afraid to gamble even when you're already dead
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
We waste all our money throwing dice, trying to get close to Luck, trying to get the big win... To help us find something we can keep for ourselves.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Don't tell me about worth," Nita said. "My father commands fleets." "The wealthy measure everything with the weight of their money." Tool leaned close. "Sadna once risked herself and the rest of her crew to help me escape from an oil fire... Your father commands fleets. And thousands of half-men, I am sure. But would he risk himself to save a single one?
Paolo Bacigalupi
No one else could see all the bodies she’d left behind, but they were there, looking at her. Or maybe that was just her, looking at herself, and not liking what she saw. Knowing she could never escape her own judging gaze.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
It only takes a few politicians to stoke division, or a few demagogues encouraging hatred to set your kind upon one another. And then before you know it, you have a whole nation biting on its own tail, going round and round until there is nothing left but the snapping of teeth.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Pain held no terror for him. Pain was, if not friend, then family, something he had grown up with in his crèche, learning to respect but never yield to. Pain was simply a message, telling him which limbs he could still use to slaughter his enemies, how far he could still run, and what his chances were in the next battle.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
She’d survived the Drowned Cities because she wasn’t anything like Mouse. When the bullets started flying and warlords started making examples of peacekeeper collaborators, Mahlia had kept her head down, instead of standing up like Mouse. She’d looked out for herself, first. And because of that, she’d survived.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
When people fight for ideals, no price is too high, and no fight can be surrendered. They aren't fighting for money, or power, or control. Not really. They're fighting to destroy their enemies.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
one day my best friend said to me 'Jess, you rock a lot of polka dots' and that was the deal breaker, now we're mortal enemies
Zooey Deschanel
If I was strategic, I would have figured out how to get out of this place. Would have seen everything falling apart and got out while there were still ships to sail.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
You think you are some fine predator? A swamp panther or coywolv?” He pretended to inspect her. “Where are your teeth and claws, girl?” He bared his teeth. “Where is your bite?
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Tool wondered if the girl was going mad. It happened to people. Sometimes they saw too much and their minds went away. They lost the will to survive. They curled up and surrendered to madness.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Lock it away,” the half-man whispered. “You feel, after. Not now. Now you are a soldier. Now you do your duty for your pack. If you break, your Mouse will die, and you with him. Feel, after. Not now.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Maggot twitch, some people called it. If you’d seen much of the war, you had it. Some more. Some less. But everybody had it.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Hell, we’re all bullet bait sooner or later. Doubt it makes much difference. You make it to sixteen, you’re a goddamn legend.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Death is not defeat, Tool told himself. We all die. Every one of us. Rip and Blade and Fear and all the rest. We all die. So what if you are the last? You were designed to be destroyed.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Mahlia just waited. She was good at that. When you were a castoff, it didn’t do any good trying to talk to people, but sometimes, if you just kind of waited them out, people would get uncomfortable and feel like they had to do something.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Knowing all and having the necessary tools are two different things. This is hardly a hospital. We make do with what we have, and none of that is Mahlia’s fault. Tani is the victim of many evils, but Mahlia is not the beginning of that chain, nor the end. I am responsible, if anyone is.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The idea made Mahlia’s chest tighten. It was her own fantasy, the secret one she sometimes curled up to when she went to bed, knowing that it was stupid, but still wanting it, wanting it to somehow all make sense.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
No one else noticed, or cared. It was just something they did. Taking other people’s livestock. Other people’s lives. She watched the soldiers, hating them. They were different in so many ways, white and black, yellow and brown, skinny, short, tall, small, but they were all the same. Didn’t matter if they wore finger-bone necklaces, or baby teeth on bracelets, or tattoos on their chests to ward off bullets. In the end, they were all mangled with battle scars and their eyes were all dead.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The horrors of the swamps loomed, wild and hungry. Kudzu vines became coiling pythons, dropping from above. Coywolv flitted from tree to tree, pacing her. The jungle had teeth, and suddenly it had become alien and feral.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
I never turned children to war," Tool said. "Only because you fought on the side of wealth,
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Blood is not destiny, no matter what others may believe.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
Nailer smiled bitterly in the acrid wind. That was what thinking about clipper ships got you. A lungful of smoke because you weren't paying attention to what was around.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Mahlia knew the many voices of war from her father’s chant.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
You cannot bargain with me. My heart is the clock. Find medicine before it ticks dry, and buy your friend’s life. Fail and his corpse is all you will find here.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Watch your mouth,” Mahlia said, “or I’ll stitch your guts shut.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Her face was smeared with mud and blood and ash. Just another bit of debris in the wreckage of war.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Suicide is not something I owe you or yours.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Tool glanced over his shoulder, looking to see if the girl might have changed her mind, but she was gone. Swallowed up by the land. The Drowned Cities ate its children.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Debts are a heavy burden. Throw them off, and you walk free.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The Drowned Cities hadn’t always been broken. People broke it. First they called people traitors and said they didn’t belong. Said these people were good and those people were evil, and it kept going, because people always responded, and pretty soon the place was a roaring hell because no one took responsibility for what they did, and how it would drive others to respond.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Soldiers have been looting and burning for generations. Perhaps they burned the town because of you, or perhaps they did it because they disliked the whiskey. Soldiers kill and rape and loot for a thousand reasons. The one thing I am certain of is that neither you nor I did this burning.” Tool reached down and turned Mahlia’s gaze to meet his own. “Do not seek to own what others have done.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Family. It was just a word…Could see its letters all strung together. But it was a symbol, too. And people thought they knew what it meant…It was a thing everyone had an opinion about—that it was all you had when you didn’t have anything else, that family was there, that blood was thicker than water, whatever. But when Nailer thought about it, most of these words and ideas just seemed like good excuses for people to behave badly and get away with it. Family wasn’t more reliable than marriages or friendships…maybe less…The blood bond was nothing. It was the people that mattered. If they covered your back, and you covered theirs, then maybe that was worth calling family.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
A final stand, then. One last battle. At least he could say that he had fought. When he met his brothers and sisters on the far side of death, he would tell them that he had not yielded. He might have betrayed everything that they had been bred for, but he had never yielded.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Save your shaming for the girl, Doctor. If I cared for human approval, I would have been dead long ago.” He turned and started wading into the swamp. “Time is passing. I, for one, have no intention of remaining here for your betrayer to bring back the soldiers and their guns.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
On the second floor was the office in which Houston pounded an ancient typewriter with two fingers, always setting an example of unceasing hard work for his admiring students. They had no hint of the fact that their hard-driving dean had contracted tuberculosis while serving as a GI in France in Word War I. Houstan always seemed vibrant and impassioned in the chase for justice as he tried to expose his students to everything relating to the law that might give them an advantage. . . . "I never worked hard until I got to the Howard Law School and met Charlie Houston," Marshal told me. "I saw this man's dedication, his vision, his willingness to sacrifice, and I told myself, 'You either shape up or ship out.' When you are being challenged by a great human being, you know that you can't ship out." So Houston rescued Marshall and launched him into a career as one of the greatest lawyers in American history.
Carl T. Rowan (Dream Makers, Dream Breakers: The World of Justice Thurgood Marshall)
Running. She was always running. Like a rabbit chased by coywolv. Always hunting for some new safe bolt hole, and every time, the soldier boys found her, and forced her to rabbit again. The doctor was wrong. There was no place to hide, and she’d never be safe as long as she remained close to the Drowned Cities.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Her whispering lips brushed his ear. She was praying. Soft begging words to Ganesha and the Buddha, to Kali-Mary Mercy and the Christian God...she was praying to anything at all, begging the Fates to let her walk from the shadow of death. Pleas spilled from her lips, a desperate trickle. She was broken, soon to die, but still the words slipped out in a steady whisper. Tum Karuna ke saagar Tum palankarta hail Mary full of grace Ajahn Chan Bodhisattva, release me from suffering... He drew away. Her fingers slipped from his cheek like orchid petals falling.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Fates he was tired.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
The wealthy measure everything with the weight of their money.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
They were hunters. But now, as night closed in on them, and the swamp became black and hot and close, they were becoming prey.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Alejandro saw you looking at them.” “I’m looking at you,” Mahlia said. “That mean you’re dead, too?
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Don’t go off like that,” he said. “Makes me think you’ll just tip right off.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The theater of operation built itself in Tool’s mind.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
She’d been so busy worrying about soldier boys and villagers she’d forgotten the jungle had hunters of its own, and now she was going to die for it.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
A gamble. Everything was a damn gamble. Betting against luck and the Fates, again and again, and again. She kept walking, waiting for the bullet.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Doctor Mahfouz used to say living in the Drowned Cities made people crazy. Like it came in with the tide. When the water came up, so did the killing.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The only reason you think you’ve got morals is because you don’t need money the way regular people do.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
A whole waterlogged world of optimism, torn down by the patient work of changing nature.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
That’s what the pig in the pen says when his brother gets knifed for dinner.” He shrugged. “You’re still in the pen. Still gonna die.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
You call me castoff,” Mahlia said, “Chinese throwaway, whatever.” Amaya was trying to look away, but Mahlia had her pinned, kept her eye to eye. “My old man might have been peacekeeper, but my mom was pure Drowned Cities. You want to war like that, I’m all in.” Mahlia lifted the scarred stump of her right hand, shoved it up in Amaya’s face. “Maybe I cut you the way the Army of God cut me. See how you do with just a lucky left. How’d you like that?
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
A rush of primal satisfaction flooded Tool as his opponent surrendered to death. Blackness swamped Tool’s vision, and he let go. He had conquered. Even as he died, he conquered.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
You can’t know its mind, and you can’t control it. This creature is nothing but war incarnate. If you traffic with it, you bring war into your house, and violence down upon yourself.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
If she had been born in another place, during another time, he supposed she might have been the sort of girl who concerned herself with boyfriends and parties and fashionable clothes. If she had lived in a Boston arcology or a Beijing super tower, perhaps. Instead, she carried scars, and her hand was a stump, and her eyes were hard like obsidian, and her smile was hesitant, as if anticipating the suffering that she knew awaited her, just around the corner.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Mahlia… understood Doctor Mahfouz and his blind rush into the village. He wasn’t trying to change them. He wasn’t trying to save anyone. He was just trying to not be part of the sickness. Mahlia had thought he was stupid for walking straight into death, but now, as she lay against the pillar, she saw it differently. She thought she’d been surviving. She thought that she’d been fighting for herself. But all she’d done was create more killing, and in the end it had all led to this moment, where they bargained with a demon … not for their lives, but for their souls” (p. 403)
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Doctor Mahfouz was always yammering on about how everyone had humanity in them. From Mahlia’s experience, the doctor was sliding high, but now, as she looked at this sergeant named Ocho, she wondered if there was some bit of softness in this hard scarred boy that she might be able to work.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
The man had become more unpredictable as he worked less on the crews and worked more in the shadow world of the beaches, as his drugs whittled him down to a burning core of violence and hungers.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
The blood bond was nothing. It was the people that mattered. If they covered your back, and you covered theirs, then maybe that was worth calling family. Everything else was just so much smoke and lies.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
It’s still a load. If there was balance, the soldier boys would all be dead, and we’d be sitting pretty in the middle of the Drowned Cities, shipping marble and steel and copper and getting paid Red Chinese for every kilo. We’d be rich and they’d be dead, if there was such a thing as the Scavenge God, or his scales. And that goes double for the Deepwater priests. They’re all full of it. Nothing balances out.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Why do I make room in my mind for such filth and nonsense? Do I hope that if feeling disguises itself as thought I shall feel less? Aren’t all these notes the senseless writhings of a man who won’t accept the fact that there is nothing we can do with suffering except to suffer it? Who still thinks there is some device (if only he could find it) which will make pain not to be pain. It doesn’t really matter whether you grip the arms of the dentist’s chair or let your hands lie in your lap. The drill drills on. And grief still feels like fear. Perhaps, more strictly, like suspense. Or like waiting; just hanging about waiting for something to happen. It gives life a permanently provisional feeling. It doesn’t seem worth starting anything. I can’t settle down. I yawn, I fidget, I smoke too much. Up till this I always had too little time. Now there is nothing but time. Almost pure time, empty successiveness. One flesh. Or, if you prefer, one ship. The starboard engine has gone. I, the port engine, must chug along somehow till we make harbour. Or rather, till the journey ends. How can I assume a harbour? A lee shore, more likely, a black night, a deafening gale, breakers ahead—and any lights shown from the land probably being waved by wreckers. Such was H.’s landfall. Such was my mother’s. I say their landfalls; not their arrivals.
C.S. Lewis (A Grief Observed)
Her father would return from China. He’d come back with all his soldiers. He’d pick her up in his strong arms and say that he’d never meant to leave, that he hadn’t meant to sail away and leave her and her mother alone in the canals of the Drowned Cities as the Army of God and the UPF and the Freedom Militia came down like a hammer on every single person who’d ever trafficked with the peacekeepers. A stupid little dream for a stupid little war maggot. Mahlia hated herself for dreaming it. But sometimes she curled in on herself and held the stump of her right hand to her chest and pretended that none of it had happened. That her father was still here, and she still had a hand, and everything was going to get better.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Why did they give up?” Nailer asked. “Sometimes people learn,” Tool said. From that, Nailer took him to be saying that mostly people didn’t. The wreckage of the twin dead cities was good evidence of just how slow the people of the Accelerated Age had been to accept their changing circumstances.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
It was one of those things everyone had an opinion about—that it was what you had when you didn’t have anything else, that family was always there, that blood was thicker than water, whatever. But when Nailer thought about it, most of those words and ideas just seemed like good excuses for people to behave badly and think they could get away with it. Family wasn’t any more reliable than marriages or friendships or blood-sworn crew, and maybe less.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Mouse took an idle whack at some kudzu as he passed, but his face was serious. “Hell, I don’t know. Why do you care? That was right after our farm burned. They got everyone. Mom and Dad. Simon. Shane got recruited. I saw that. They shot Simon because he was too little, but they took Shane.” He knocked aside more kudzu. “Maybe I was hoping they’d just shoot me and get it over with. I was so sick of hiding and scavenging. I think I wanted the bullet.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Weddings are friendship deal breakers if the friendship is weak. There are too many favors, too many tasks, too much required devotion and Aqua Net for imposters like me. I tried to make eye contact with Francine, to give her a knowing good-bye smile like a ghost of a loved one in a movie. It was no usue, I decided to cut my final pink wire. There would be no more yearly "happy birthdays" and certainly no more bonding with the girl in the duct tape dress. That ship had sailed.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
You will die.” “I guess. I don’t know.” She shook her head, trying to pick through her feelings. “I used to think I was alive just because I kept getting away. If someone didn’t put a bullet in my head, I was winning. I was still breathing, right?” She looked at the blackened land around her, feeling tired and sad and alone. “But now I’m thinking it ain’t like that. Now I’m thinking that once you got enough dead looking over your shoulder, you’re dead anyway. Don’t matter if you’re still walking and talking, they weigh you down.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
I don't buy that." Pearly shook his head. "What have you got without your promises? You're nothing. Less than nothing.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
Family wasn’t any more reliable than marriages or friendships or blood-sworn crew, and maybe less.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
He was going to drown, but hey, he could read.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
Certainly I’m qualified to crash a dirigible.
Paolo Bacigalupi (Tool of War (Ship Breaker Book 3))
The boy started to thrash and cry. A tiny bundle of bones and scars, freckles and red hair. Just another human who would grow up to become a monster.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Half-men don’t fight like people. More like hurricanes.
Paolo Bacigalupi (Ship Breaker (National Book Award Finalist))
I’m sure whoever first started questioning their political opponents’ patriotism thought they were being quite clever.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker Book 2))
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother] The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower. Dear Friends: I am going to do that which the dead oft promised he would do for me. The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west. He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust. Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death. This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day. He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts. He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers. Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing. He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead. And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust. Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
Robert G. Ingersoll (Some Mistakes of Moses)
If we are pack, then conquest is our sustenance, sister. He plunged his hand into the coywolv’s frame. With a wet tearing, the heart came out, glistening and full of blood, veins and arteries torn. The muscle of life. Tool held it out to her. “Our enemies give us strength.” Blood ran from his fist. Mahlia saw the challenge in the half-man’s eye. She limped over to the battle-scarred monster and held out her hand. The heart was surprisingly heavy as Tool poured it into her palm. She lifted the muscle to her lips and bit deep. Blood ran down her chin.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
I’m like a sailor, born and bred in the deck of a privateer. Storm and battle are a part of his life, and if he’s cast ashore he pines in boredom, indifferent to the pleasures of shady woods and peaceful sunshine. All day long he walks the beach listening to the steady murmur of the incoming waves and gazing for the sight of a ship in the distant haze. He looks longingly at the pale strip between the ocean blue and the grey clouds, in hopes of seeing a sail, first like a seagull’s wing, that then gradually stands out against the foaming breakers and runs in steadily towards the desolate haven.
Mikhail Lermontov (A Hero of Our Time)
You should remember that, all of you. If you're just smart or just lucky, it's not worth a copper yard. You got to have both, or you're just like Sloth down at those bonfires, begging for someone to find a use for you.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
the women used these Enigma messages—along with files on individual U-boats and their commanders—to track, with pins, every U-boat and convoy whose location was known. At another desk, several other Goucher women, including Jacqueline Jenkins (later the mother of Bill Nye, aka Bill Nye the Science Guy), tracked “neutral shipping” based on daily position reports.
Liza Mundy (Code Girls: The Untold Story of the American Women Code Breakers of World War II)
Do we see the hundred-thousandth part of what exists? Look here; there is the wind, which is the strongest force in nature. It knocks down men, and blows down buildings, uproots trees, raises the sea into mountains of water, destroys cliffs and casts great ships on to the breakers; it kills, it whistles, it sighs, it roars. But have you ever seen it, and can you see it? Yet it exists for all that.
Le Horla by Guy de Maupassant
I belong to myself. Always. Eternally. Without question. My own safe house. My own sheltered harbor. I am my own solid ground. I am the lighthouse beacon. I call the ships safely home from sea. I am the North Star and the compass. I am my own port in the wildest storm. I am the spell caster and the spell breaker. I am a witch of alchemy and transformation. I am the pages in the grimoire of knowledge, I am the source of all the magic ever known. I am the kiss that wakes us all from slumber. I am the white horse knight in shining armor. I am my own happily ever after fairytale godmother. I am my own rest stop on the longest journey of living. The final destination on every treasure map I will ever need. I am my own primary relationship, my own till death do us part. I am my own center and saving grace, my own best-kept secret. I am the lineage of wisdom itself, the home of my own belonging. I am my own. And my own. And always my own.
Jeanette LeBlanc
If there are other beings besides ourselves on this earth, how comes it that we have not known it for so long a time, or why have you not seen them? How is it that I have not seen them?” He replied: “Do we see the hundred-thousandth part of what exists? Look here; there is the wind, which is the strongest force in nature. It knocks down men, and blows down buildings, uproots trees, raises the sea into mountains of water, destroys cliffs and casts great ships on to the breakers; it kills, it whistles, it sighs, it roars. But have you ever seen it, and can you see it? Yet it exists for all that.
Guy de Maupassant (The Complete Short Stories)
with trembling fingers is set down in the log—shoals, rocks, and breakers hereabouts: beware! And for years afterwards, perhaps, ships shun the place; leaping over it as silly sheep leap over a vacuum, because their leader originally leaped there when a stick was held. There's your law of precedents; there's your utility of traditions; there's the story of your obstinate survival of old beliefs never bottomed on the earth, and now not even hovering in the air! There's orthodoxy! Thus, while in the life the great whale's body may have been a real terror to his foes, in his death his ghost becomes a powerless panic to a world.
Herman Melville (Moby Dick: or, the White Whale)
was common for local authorities, knowing the unpopularity of the press, to dump their undesirables. But these conscripts were wretched, and the volunteers were little better. An admiral described one bunch of recruits as being “full of the pox, itch, lame, King’s evil, and all other distempers, from the hospitals at London, and will serve only to breed an infection in the ships; for the rest, most of them are thieves, house breakers, Newgate [Prison] birds, and the very filth of London.” He concluded, “In all the former wars I never saw a parcel of turned over men half so bad, in short they are so very bad, that I don’t know how to describe it.
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)