Understand Me At My Worst Quotes

I wanted to explain myself to myself in an understandable way. I gave shape to my fears and made excuses. I varied my velocities, watched myselves sleep. Something's not right about what I'm doing but I'm still doing it-- living in the worst parts, ruining myself. My inner life is a sheet of black glass. If I fell through the floor I would keep falling. The enormity of my desire disgusts me.

And I want to play hide-and-seek and give you my clothes and tell you I like your shoes and sit on the steps while you take a bath and massage your neck and kiss your feet and hold your hand and go for a meal and not mind when you eat my food and meet you at Rudy's and talk about the day and type up your letters and carry your boxes and laugh at your paranoia and give you tapes you don't listen to and watch great films and watch terrible films and complain about the radio and take pictures of you when you're sleeping and get up to fetch you coffee and bagels and Danish and go to Florent and drink coffee at midnight and have you steal my cigarettes and never be able to find a match and tell you about the tv programme I saw the night before and take you to the eye hospital and not laugh at your jokes and want you in the morning but let you sleep for a while and kiss your back and stroke your skin and tell you how much I love your hair your eyes your lips your neck your breasts your arse your and sit on the steps smoking till your neighbour comes home and sit on the steps smoking till you come home and worry when you're late and be amazed when you're early and give you sunflowers and go to your party and dance till I'm black and be sorry when I'm wrong and happy when you forgive me and look at your photos and wish I'd known you forever and hear your voice in my ear and feel your skin on my skin and get scared when you're angry and your eye has gone red and the other eye blue and your hair to the left and your face oriental and tell you you're gorgeous and hug you when you're anxious and hold you when you hurt and want you when I smell you and offend you when I touch you and whimper when I'm next to you and whimper when I'm not and dribble on your breast and smother you in the night and get cold when you take the blanket and hot when you don't and melt when you smile and dissolve when you laugh and not understand why you think I'm rejecting you when I'm not rejecting you and wonder how you could think I'd ever reject you and wonder who you are but accept you anyway and tell you about the tree angel enchanted forest boy who flew across the ocean because he loved you and write poems for you and wonder why you don't believe me and have a feeling so deep I can't find words for it and want to buy you a kitten I'd get jealous of because it would get more attention than me and keep you in bed when you have to go and cry like a baby when you finally do and get rid of the roaches and buy you presents you don't want and take them away again and ask you to marry me and you say no again but keep on asking because though you think I don't mean it I do always have from the first time I asked you and wander the city thinking it's empty without you and want what you want and think I'm losing myself but know I'm safe with you and tell you the worst of me and try to give you the best of me because you don't deserve any less and answer your questions when I'd rather not and tell you the truth when I really don't want to and try to be honest because I know you prefer it and think it's all over but hang on in for just ten more minutes before you throw me out of your life and forget who I am and try to get closer to you because it's beautiful learning to know you and well worth the effort and speak German to you badly and Hebrew to you worse and make love with you at three in the morning and somehow somehow somehow communicate some of the overwhelming undying overpowering unconditional all-encompassing heart-enriching mind-expanding on-going never-ending love I have for you.

Then I dropped my forehead against his and sat there for a long time, as if I could telegraph a message through our two skulls, from my brain to his. I wanted to make him understand some things. You know all that stuff we’ve always said about you?” I whispered. “What a total pain you are? Don’t believe it. Don’t believe it for a minute, Marley.” He needed to know that, and something more, too. There was something I had never told him, that no one ever had. I wanted him to hear it before he went. Marley,” I said. “You are a great dog.

I love everything about you, Emma. I love the way I can recognize your footsteps in the hallway outside my room even when I didn't know you were coming. No one else walks or breathes or moves like you do. I love the way you gasp when you're asleep like your dreams have surprised you. I love the way when we stay together on the beach our shadows blend into one person. I love the way you can write on my skin with your fingers and I can understand it better than I could understand someone else shouting in my ear. I didn't want to love you like this. It's the worst idea in the world that I love you like this. But I can't stop. Believe me, I tried.

Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.

Close your eyes, Maxon." "What?" "Close your eyes. Somewhere in this palace, there is a woman who will be your wife. This girl? Imagine that she depends on you. She needs you to cherish her and make her feel like the Selection didn't even happen. Like if you were dropped in your own out in the middle of the country to wander around door to door, she's still the one you would have found. She was always the one you would have picked. She needs you to provide for her and protect her. And if it came to a point where there was absolutely nothing to eat, and you couldn't even fall asleep at night because the sound of her stomach growling kept you awake—" "Stop it!" "Sorry." "Is that really what it's like? Out there... does that happen? Are people hungry like that a lot?" "Maxon, I..." "Tell me the truth." "Yes. That happens. I know of families where people give up their share for their children or siblings. I know of a boy who was whipped in the town square for stealing food. Sometimes you do crazy things when you are desperate." "A boy? How old?" "Nine." "Have you ever been like that? Starving?...How bad?" "Maxon, it will only upset you more." "Probably, but I'm only starting to realize how much I don't know about my own country. Please." "We've been pretty bad. Most time if it gets to where we have to choose, we keep the food and lose electricity. The worst was when it happened near Christmas one year. May didn't understand why we couldn't exchange gifts. As a general rule, there are never any leftovers at my house. Someone always wants more. I know the checks we've gotten over the last few weeks have really helped, and my family is really smart about money. I'm sure they have already tucked it away so it will stretch out for a long time. You've done so much for us, Maxon." "Good God. When you said that you were only here for the food, you weren't kidding, were you?" "Really, Maxon, we've been doing pretty well lately. I—" "I'll see you at dinner.

I learned a lot from the stories my uncle, aunts and grandparents told me: that no one is perfect but most people are good; that people can’t be judged by their worst or weakest moments; that harsh judgements can make hypocrites of us all; that a lot of life is just showing up and hanging on; that laughter is often the best, and sometimes the only response to pain. Perhaps most important, I learned that everyone has a story – of dreams and nightmares, hope and heartache, love and loss, courage and fear, sacrifice and selfishness. All my life I’ve been interested in other people’s stories. I wanted to know them, understand them, feel them. When I grew up into politics, I always felt the main point of my work was to people a chance to have better stories. - Page 15, Paragraph 5, ‘My Life’ by Bill Clinton. –Hard cover version-

You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.

When he turned to her, the moonlight shone upon him in a way that reminded Signa of a painting, wisps of shadows like brushstrokes upon a canvas. “Because I have waited an eternity to meet you, Signa Farrow.” The words were a balm she clung to, relished. “To me, you are a song to a soul that has never known music. Light to someone who has only seen the darkness. You bring out the absolute worst in me, and I become vindictive toward those who treat you in ways I don’t care for. Yet you also bring out the best in me—I want to be better because of you. Better for you. “In all my existence, I’ve asked only for one thing—for one person who might understand me, and whom I could let myself touch. When I touch someone, I see the life they’ve lived in flashes of memories as they die. But the first time I touched you, it was your future I saw. A glimpse of you in my arms, dancing in a beautiful red dress beneath the moonlight.” He tilted her chin up and Signa shivered, savoring the touch. “You are what I want.” He drew his hand away. “I know I cannot force you to want me in return, but say that you do, and I promise that I am wholly and unequivocally yours. Say that you do, and I will make this world everything for you, Signa.

There are parts of yourself that you hate; parts that you know other people wouldn’t understand. And he knew his own worst elements had been passed on to me, this unwieldy wrath that burns through my brain, turning reason to ash. So I can’t be angry with him for leaving when I understand too well the reason.

I only wanted to . . . I mean, just now, when Mr. George interrupted us, there was something very important I wanted to say to you.” “It is about what I told you in the church yesterday? I mean, I can understand that you may think me crazy because I see these beings, but a psychiatrist wouldn’t make any difference.” Gideon frowned. “Just keep quiet for a moment, would you? I have to pluck up all my courage to make you a declaration of love . . . I’ve had absolutely no practice in this kind of thing.” “What?” “Gwyneth,” he said, perfectly seriously, “I’ve fallen in love with you.” My stomach muscles contracted as if I’d had a shock. But it was joy. “Really?” “Yes, really!” In the light of the torch I saw Gideon smile. “I do realize we’ve known each other for less than a week, and at first I thought you were rather . . . childish, and I probably behaved badly to you. But you’re terribly complicated, I never know what you’ll do next, and in some ways you really are terrifyingly . . . er. . . naïve. Sometimes I just want to shake you.” “Okay, I can see you were right about having no practice in making declarations of love,” I agreed. “But then you’re so amusing, and clever, and amazingly sweet,” Gideon went on, as if he hadn’t heard me. “And the worst of it is, you only have to be in the same room and I need to touch you and kiss you . . .” “Yes, that’s really too bad,” I whispered, and my heart turned over as Gideon took the hatpin out of my hair, tossed the feathered monstrosity into the air to fall on the floor, draw me close, and kissed me. About three minutes later, I was leaning against the wall, totally breathless, making an effort to stay upright. “Hey, Gwyneth, try breathing in and out in the normal way,” said Gideon, amused. I gave him a little push. “Stop that! I can’t believe how conceited you are!” “Sorry. It’s just such a . . . a heady feeling to think you’d forget to breathe on my account.

Has she accepted you?" "Not yet.She wants to discuss it with you first." "Thank God.Because I'll tell her that it's the worst idea I've ever heard." Leo arched a brow."You doubt I could protect her?" "I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire." "I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?" He saw from Harry's expression that only a few fragile constraints stood between him and certain death. "You seduced her deliberately," Harry managed to say. "Would you be happier if I claimed it was an accident?" "The only thing that would make me happy is to weight you with rocks and toss you into the Thames." "I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago." Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her." Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly." "That does it," Harry muttered, leaping for his throat.

But if you can't take me at my worst You don't deserve me at my best" ~ Machine Gun Kelly ft. Hallie Steinfield: "At My Best

England once there lived a big And wonderfully clever pig. To everybody it was plain That Piggy had a massive brain. He worked out sums inside his head, There was no book he hadn't read. He knew what made an airplane fly, He knew how engines worked and why. He knew all this, but in the end One question drove him round the bend: He simply couldn't puzzle out What LIFE was really all about. What was the reason for his birth? Why was he placed upon this earth? His giant brain went round and round. Alas, no answer could be found. Till suddenly one wondrous night. All in a flash he saw the light. He jumped up like a ballet dancer And yelled, "By gum, I've got the answer!" "They want my bacon slice by slice "To sell at a tremendous price! "They want my tender juicy chops "To put in all the butcher's shops! "They want my pork to make a roast "And that's the part'll cost the most! "They want my sausages in strings! "They even want my chitterlings! "The butcher's shop! The carving knife! "That is the reason for my life!" Such thoughts as these are not designed To give a pig great piece of mind. Next morning, in comes Farmer Bland, A pail of pigswill in his hand, And piggy with a mighty roar, Bashes the farmer to the floor… Now comes the rather grizzly bit So let's not make too much of it, Except that you must understand That Piggy did eat Farmer Bland, He ate him up from head to toe, Chewing the pieces nice and slow. It took an hour to reach the feet, Because there was so much to eat, And when he finished, Pig, of course, Felt absolutely no remorse. Slowly he scratched his brainy head And with a little smile he said, "I had a fairly powerful hunch "That he might have me for his lunch. "And so, because I feared the worst, "I thought I'd better eat him first.

Evening was my worst friend and my best enemy, and she never really knew me, because even in the end, she didn't understand that I would've done it without the curse.

Love is what remains when everything else is gone. This is what I should have told my children when we left Texas. What I will tell them tonight. Not that they will understand yet. How could they? I am forty years old, and I just learned this fundamental truth myself. Love. In the best of times, it is a dream. In the worst of times, a salvation. I am in love. There it is. I've written it down. Soon I will say it out loud. To him. I am in love. As crazy and ridiculous and implausible as it sounds, I am in love. And I am loved in return. And this-love-gives me the courage I need for today. The four winds have blown us here, people from all across the country, to the very edge of this great land, and now, at last, we make our stand, fight for what we know to be right. We fight for our American dream, that it will be possible again. Jack says that I am a warrior and, while I don't believe it, I know this: A warrior believes in an end she can't see and fights for it. A warrior never gives up. A warrior fights for those weaker than herself. It sounds like motherhood to me.

There is an anchor for the soul at the cross of Christ, and it is saying to you today, ‘I love you.’ Yes, there is freedom but I have never lost control. It is saying to you, ‘I will take the worst and use it for eternal good.’ It is saying to you, ‘I am painting on a canvas bigger than you can see or understand,’ and it’s saying to you, ‘I understand.’ That cross is saying, ‘I understand.’ And when this stuff happens, we want to run away from God and be made at God and hate God. But when you look at the cross, you can’t because you realize and you can’t stop with the question we all want to ask, ‘Why is this happening to me?’ Or if you are a believer, ‘God why are you letting this happen to me?’ When you look at the cross, another thought emerges and the thought is, ‘Jesus, this happened to you. What’s happening to me, happened to you. You know about pain. You went through loss. You suffered death. You were mistreated. You were rejected. Everything in my life, good and bad, was all put on you.

Paul. Look at me. You need to understand this. The worst thing that could have happened to me already happened." He looks up. She swallows, knowing that these are the words that stall; that may simply refuse to emerge. "Four years ago David and I went to bed like it was any other night, brushing our teeth reading our books, chatting about a restaurant we were going to the next day...and when I woke up the next morning he was there beside me, cold. Blue. I didn't...I didn't feel him go. I didn't even get to say..." There is a short silence. "Can you imagine knowing you slept through the person you love most dying next to you ? Knowing that there might have been something you could have done to help him ? To save him ? Not knowing if he was looking at you, silently begging you to..." The words fail, her breath catches, a familiar tide threatens to wash over her He reaches out his hands slowly, enfolds hers within them until she can speak again. "I thought the world had actually ended. I thought nothing good could ever happen again. I thought any thing might happen if I wasn't vigilant. I didn't eat. I didn't go out. I didn't want to see anyone. But I survived, Paul. Much to my own surprise, I got through it. And life...well, life gradually became liveable again." She leans closer to him. "So this...the painting, the house...It hit me when I heard what happened to Sophie. It's just stuff. They could take all of it, frankly. the only thing that matters is people." She looks down at his hands, and her voice cracks. "All that really matters is who you love.

[Author's Note:] When I was sixteen, two of my cousins were brutally raped by four strangers and thrown off a bridge in St. Louis, Missouri. My brother was beaten and also forced off the bridge. I wrote about that horrible crime in my first book, my memoir, A Rip in Heaven. Because that crime and the subsequent writing of the book were both formative experience in my life, I became a person who is always, automatically, more interested in stories about victims than perpetrators. I'm interested in characters who suffer inconceivable hardship, in people who manage to triumph over extraordinary trauma. Characters like Lydia and Soledad. I'm less interested in the violent, macho stories of gangsters and law enforcement. Or in any case, I think the world has enough stories like those. Some fiction set in the world of the cartels and narcotraficantes is compelling and important - I read much of it during my early research. Those novels provide readers with an understanding of the origins of the some of the violence to our south. But the depiction of that violence can feed into some of the worst stereotypes about Mexico. So I saw an opening for a novel that would press a little more intimately into those stories, to imagine people on the flip side of that prevailing narrative. Regular people like me. How would I manage if I lived in a place that began to collapse around me? If my children were in danger, how far would I go to save them? I wanted to write about women, whose stories are often overlooked.

Silence is one of worst, most vocal enemies, yet people go through many bouts of depression not sharing what is happening. People don’t understand that, but as someone who suffers from it, I can tell you that it’s difficult to be objective about the gray. I described depression to my therapist as a misty fog that surrounds me, heavy on my shoulders, pervading everything and nothing at all. I liken depression to a bird stealing into the depths of your soul, pecking at your disposition until nothing is left. And that is when you break into pieces.

I must have wondered if the police were right, if the entire story was a figment of my imagination. This is the worst impact of severe trauma: the victim loses faith in the evidence of her own senses. And this is the great gift Paul Macone gave to me. He believed what I told the police back then. He believed me enough to try to solve the case, and he did. Perhaps because I've sought out evil in this world, attempting to understand and tame it, I am particularly moved by goodness. There is a light that animates an act of generosity, when a person is kind - not to call attention to his own goodness, or to make a pact with God, but just because he feels it's right. I see this light in Paul Macone. Still, his kindness is almost too much to bear. I feel shy around him, despite this conversation. I even feel shy writing this down.

During the worst stages of my eating disorder, I was all-or-none with food—either bingeing or not eating. Much of my experience was, in fact, that if I ate anything, I would eat everything. I began to understand that this happened because I was starving myself. In starvation mode, my body literally thought I was facing a famine. It didn’t know that I was living near a grocery store and several fast-food restaurants. Thinking I was facing a real food shortage, its primal instinct was to binge on large amounts of food, conserving fat in preparation for the hard times ahead.

You will then. Listen here...I've always got this to look forward to: I'll settle down by that man's side. I'll be as virtuous as any woman. I've made up my mind to it and I'll be it. And I'll be bored stiff for the rest of my life. Except for one thing. I can torment that man. And I'll do it. Do you understand how I'll do it? There are many ways. But if the worst comes to the worst I can always drive him silly...by corrupting the child!' She was panting a little, and round her brown eyes the whites showed. 'I'll get even with him. I can. I know how, you see. And with you, through him, for tormenting me. I've come all the way from Brittany without stopping. I haven't slept...But I can...

I’m getting thirstier every minute. If it didn’t hurt you, it won’t hurt me. If my papa was here, he’d let me have some.” “You’re not going to tell him about it, are you?” said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. “I knew this would happen sooner or later. Now what am I going to do?” As he said this, there was a crashing sound among the trees and a voice called, “Jesse?” “Thank goodness!” said Jesse, blowing out his cheeks in relief. “Here comes Ma and Miles. They’ll know what to do.” And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse’s older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. “Well, boys,” she said, “here it is. The worst is happening at last.

I approached Buddhism the way I approach almost everything. I read books about it. Even though, at first, I didn't understand much of what I was reading, I found the writing soothing. Reading made me feel lighter and more positive. It somehow gentled me toward myself. I intuitively responded to Buddhist ideas. They helped me see the world and my place in it more clearly.

All the neighborhood dogs can see right through me. They know. They aren’t even barking. Out of pity, I suppose. The Carlucci’s dog is the worst barker in the neighborhood, but not today. I walk up to his gate and give it a shake. No reaction. He sits on the porch staring at me, like I ain’t nothin’. I look around and find a stick. I throw it at him. Down deep, I really didn’t intend to hit him, but the stick bounces off his rump. I cringe and cover my mouth. “Sorry,” I say. The old dog just walks to his back yard, disgusted with the whole mess. “You don’t understand,” I yell after him. “I’m having a life crisis!

It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.

Spark I always resented all the years, the hours, the minutes I gave them as a working stiff, it actually hurt my head, my insides, it made me dizzy and a bit crazy — I couldn’t understand the murdering of my years yet my fellow workers gave no signs of agony, many of them even seemed satisfied, and seeing them that way drove me almost as crazy as the dull and senseless work. the workers submitted. the work pounded them to nothingness, they were scooped-out and thrown away. I resented each minute, every minute as it was mutilated and nothing relieved the monotonous ever- structure. I considered suicide. I drank away my few leisure hours. I worked for decades. I lived with the worst of women, they killed what the job failed to kill. I knew that I was dying. something in me said, go ahead, die, sleep, become them, accept. then something else in me said, no, save the tiniest bit. it needn’t be much, just a spark. a spark can set a whole forest on fire. just a spark. save it. I think I did. I’m glad I did. what a lucky god damned thing.

Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.

My love for these books, at its purest, is not really about Peeta or anything silly and girly. I love that a young woman character is fierce and strong but hum in ways I find believable, relatable. Katniss is clearly a heroine, but a heroine with issues. She intrigues me because she never seems to know her own strength. She isn't blandly insecure the way girls are often forced to be in fiction. She is brave but flawed. She is a heroine, but she is also a girl who loves two boys and can't choose which boy she loves more. She is not sure she is up to the task of leading a revolution, but she does her best, even as she doubts herself. Katniss endures the unendurable. She is damaged and it shows. At times, it might seem like her suffering is gratuitous, but life often presents unendurable circumstances people manage to survive. Only the details differ. The Hunger Games trilogy is dark and brutal, but in the end, the books also offer hope - for a better world and a better people and, for one woman, a better life, a life she can share with a man who understands her strength and doesn't expect her to compromise that strength, a man who can hold her weak places and love her through the darkest of her memories, the worst of her damage. Of course I love the Hunger Games. The trilogy offers the tempered hope that everyone who survives something unendurable hungers for.

But let’s face it: Understanding me—I mean, really understanding me and my nutty life—isn’t so easy. That’s why it’s so hard for me to find people I can trust. The truth is, I don’t know who I can trust. So mostly I don’t trust anybody. Except my mom, Jules. (Most of the time, anyway.)

I turn and I walk my tray to the conveyor and I drop it on the belt and I start to walk out of the Dining Hall. As I head through the Glass Corridor separating the men and women, I see Lilly sitting alone at a table. She looks up at me and she smiles and our eyes meet and I smile back. She looks down and I stop walking and I stare at her. She looks up and she smiles again. She is as beautiful a girl as I have ever seen. Her eyes, her lips, her teeth, her hair, her skin. The black circles beneath her eyes, the scars I can see on her wrists, the ridiculous clothes she wears that are ten sizes too big, the sense of sadness and pain she wears that is even bigger. I stand and I stare at her, just stare stare stare. Men walk past me and other women look at me and LIlly doesn’t understand what I’m doing or why I’m doing it and she’s blushing and it’s beautiful. I stand there and I stare. I stare because I know where I am going I’m not going to see any beauty. They don’t sell crack in Mansions or fancy Department Stores and you don’t go to luxury Hotels or Country Clubs to smoke it. Strong, cheap liquor isn’t served in five-star Restaurants or Champagne Bars and it isn’t sold in gourmet Groceries or boutique Liquor stores. I’m going to go to a horrible place in a horrible neighborhood run by horrible people providing product for the worst Society has to offer. There will be no beauty there, nothing even resembling beauty. There will be Dealers and Addicts and Criminals and Whores and Pimps and Killers and Slaves. There will be drugs and liquor and pipes and bottles and smoke and vomit and blood and human rot and human decay and human disintegration. I have spent much of my life in these places. When I leave here I will fond one of the and I will stay there until I die. Before I do, however, I want one last look at something beautiful. I want one last look so that I have something to hold in my mind while I’m dying, so that when I take my last breath I will be able to think of something that will make me smile, so that in the midst of the horror I can hold on to some shred of humanity.

People say that rape is not sex, that it's violence," Lucy says, bitterly. "But it's also sex. You can't get around that," she says. "he didn't run me over with a car. He had sex with me. You're not supposed to do that. You're not supposed to have sex with an eighth-grader. You're not supposed to have sex when you're in eighth grade. It was very intimate. You can't get around it. This part of the body," she says, gesturing from her heart to her lower abdomen, though I understand she means to indicate her vagina. "If you're sitting around with a group of women, talking about various traumas, someone will say, I got beaten by my mother. But if you say, I got raped, it's a different thing." I wonder if that is true. Is rape really the worst sort of violation? I'm not sure. I often wonder why it matters whether we're penetrated or not. There is the pain, but the pain doesn't last. The shame does.

Kaz said if I proved myself I could join the Dregs when I was ready. And I did. But I didn’t take the tattoo.” Nina’s brows rose. “I didn’t think it was optional.” “Technically it isn’t. I know some people don’t understand, but Kaz told me … he said it was my choice, that he wouldn’t be the one to mark me again.” But he had, in his own way—despite her best intentions. Feeling anything for Kaz Brekker was the worst kind of foolishness. She knew that. But he’d been the one to rescue her, to see her potential. He’d bet on her, and that meant something—even if he’d done it for his own selfish reasons. He’d even dubbed her the Wraith. I don’t like it, she’d said. It makes me sound like a corpse. A phantom, he corrected. Didn’t you say I was to be your spider? Why not stick with that? Because there are plenty of spiders in the Barrel. Besides, you want your enemies to be afraid. Not think they can squash you with the toe of one boot. My enemies? Our enemies.

Then Er Lang was looking at me ruefully. “You have taken at least fifty years of my life!” I was stricken. “Take it back!” “I can’t. But fortunately, my life span is many times yours.” “How long can a dragon live?” “A thousand years, if he is lucky. Not all of us are, of course.” He raised an eyebrow. “I’m sorry.” I couldn’t look him in the eye. Instead, my gaze was drawn to the strong line of his throat. If he had given me blood, I would surely have killed him. But Er Lang was struggling to sit up. “I should have stopped you sooner. Though I now understand why men succumb to ghosts.” He spoke lightly, but my ears blazed with mortification. “You were the one who put your tongue in my mouth!” I blurted out, regretting it instantly. To talk about other people’s tongues was the worst, revealing the depths of my inexperience. And yet, the memory of his made me shiver and burn, as though I had a fever. It hadn’t been like this with Tian Bai; it was easy to understand where I stood with him. But he had been courting me, whereas Er Lang was an entirely different commodity. We did not have that sort of relationship, I reminded myself. But he merely gave me a wry glance. “I was a little carried away.” “Thank you,” I said at last. I realized it was the first time I had thanked him formally.

My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.

And my worst problem was laughter. I would go into fits of laughter and I couldn't stop. Anything could set me off. The sheer madness of my own position might set me off. This can still happen to me fairly easily. No loss, no pain, no deepening understanding of my predicament changes it. Something strikes me as funny. I begin to laugh and I can't stop.

You’ve always felt everything so intensely,” she said after a moment’s pause. “And that was something I did love about you. How much you loved your family, how you would do anything for them. But you kept your heart closed off. You didn’t trust anyone, and I don’t blame you—you took everything on yourself, and you kept so many secrets, because you thought you had to. But when you opened up the Institute for the war council, you made yourself trust other people to help you execute a plan. You didn’t hide; you let yourself be open to being hurt or betrayed so you could lead them. And when you came to me in the Silent City and you stopped me breaking the rune—” Her voice shook. “You told me to trust not just you but in the intrinsic goodness of the world. That was my worst point, my darkest point, and you were there, despite everything, with your heart open. You were there to bring me home.” He laid his fingers against the bare skin of her arm, where her parabatai rune had once been. “You brought me back too,” he said with a sort of awe. “I’ve loved you all my life, Emma. And when I felt nothing, I realized— without that love, I was nothing. You’re the reason I wanted to break out of the cage. You made me understand that love creates far more joy than any pain it causes.

Her eyes are beautiful, eloquent, and frightened, and seem to be telling the man: "You're a clumsy lover . . . You don't begin to understand me . . . I don't really know you, and you scare me . . . You sneer at everything I like . . . You lie so well! . . . You possess me completely, yet I can't trust you . . . If you knew what limpid springs you wall up within me because I fear you! 'What am I doing here at your side? Would that this music could free me of you forever! Or else that this violin would stop before I find out any more about you! You yearn for my undoing, not my happiness, and what is worst in me assures you of your victory.

You are diseased in understanding and religion. Come to me, that you may hear something of sound truth. Do not unjustly eat fish the water has given up, And do not desire as food the flesh of slaughtered animals, Or the white milk of mothers who intended its pure draught for their young, not noble ladies. And do not grieve the unsuspecting birds by taking eggs; for injustice is the worst of crimes. And spare the honey which the bees get industriously from the flowers of fragrant plants; For they did not store it that it might belong to others, Nor did they gather it for bounty and gifts. I washed my hands of all this; and wish that I Perceived my way before my hair went gray!

The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief. In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what? But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship. That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide. The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated. The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives. Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five. When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.

There are times when I wanted the worst for you, Hoping you would understand The roots of my thoughts. I needed you to feel the pain I held, But here I am Praying you never feel like I did. Hoping no one ever sees you Like the way you saw me.

I grew up fast, and that meant I started to understand at an early age that grief can create the worst sort of demons for a person to battle. I accepted that, and although it made me sad to see my daddy so sad, it didn’t make me love him any less.

Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.

My years of struggling against inequality, abusive power, poverty, oppression, and injustice had finally revealed something to me about myself. Being close to suffering, death, executions, and cruel punishments didn't just illuminate the brokenness of others; in a moment of anguish and heartbreak, it also exposed my own brokenness. You can't effectively fight abusive power, poverty, inequality, illness, oppression, or injustice and not be broken by it. We are all broken by something. We have all hurt someone and have been hurt. We all share the condition of brokenness even if our brokenness is not equivalent. The ways in which I have been hurt - and have hurt others - are different from the ways Jimmy Dill suffered and caused suffering. But our shared brokenness connected us. Thomas Merton said: We are bodies of broken bones. I guess I'd always known but never fully considered that being broken is what makes us human. We all have our reasons. Sometimes we're fractured by the choices we make; sometimes we're shattered by things we would never have chosen. But our brokenness is also the source of our common humanity, the basis for our shared search for comfort, meaning, and healing. Our shared vulnerability and imperfection nurtures and sustains our capacity for compassion. We have a choice. We can embrace our humanness, which means embracing our broken natures and the compassion that remains our best hope for healing. Or we can deny our brokenness, forswear compassion, and, as a result, deny our own humanity. I thought of the guards strapping Jimmy Dill to the gurney that very hour. I thought of the people who would cheer his death and see it as some kind of victory. I realized they were broken people, too, even if they would never admit it. So many of us have become afraid and angry. We've become so fearful and vengeful that we've thrown away children, discarded the disabled, and sanctioned the imprisonment of the sick and the weak - not because they are a threat to public safety or beyond rehabilitation but because we think it makes us seem tough, less broken. I thought of the victims of violent crime and the survivors of murdered loved ones, and how we've pressured them to recycle their pain and anguish and give it back to the offenders we prosecute. I thought of the many ways we've legalized vengeful and cruel punishments, how we've allowed our victimization to justify the victimization of others. We've submitted to the harsh instinct to crush those among us whose brokenness is most visible. But simply punishing the broken - walking away from them or hiding them from sight - only ensures that they remain broken and we do, too. There is no wholeness outside of our reciprocal humanity. I frequently had difficult conversations with clients who were struggling and despairing over their situations - over the things they'd done, or had been done to them, that had led them to painful moments. Whenever things got really bad, and they were questioning the value of their lives, I would remind them that each of us is more than the worst thing we've ever done. I told them that if someone tells a lie, that person is not just a liar. If you take something that doesn't belong to you, you are not just a thief. Even if you kill someone, you're not just a killer. I told myself that evening what I had been telling my clients for years. I am more than broken. In fact, there is a strength, a power even, in understanding brokenness, because embracing our brokenness creates a need and desire for mercy, and perhaps a corresponding need to show mercy. When you experience mercy, you learn things that are hard to learn otherwise. You see things that you can't otherwise see; you hear things you can't otherwise hear. You begin to recognize the humanity that resides in each of us.

[Daughter], I want to release you. IF you hate me or want to reject me, I understand. If you curse me, then want to atone, I also understand. I expect to be your home plate: kicked, scuffed, but always returned to. I expect to be the earth from which you spring. But if I release you too much, what will you have to fight against? You need my acceptance, but you may need my resistance more. I promise to stand firm while you come and go. I promise unwavering live while you experiment with hate. Hate is energy too -- sometimes brighter-burning energy than love. Hate is often the precondition for freedom. No matter how I try to disappear, I fear I cast too big a shadow. I would erase that shadow if I could. but if I erased it, how would you know your own shadow? And with no shadow, how would you ever fly? I want to release you from the fears that bound me, yet I know you can only release yourself. I stand here wearing my catcher's padding. I pray you won't need me to catch you if you fall. But I'm here waiting anyway. Freedom is full of fear. But fear isn't the worst thing we face. Paralysis is.

You are insufferable sometimes. You're not doing me, or yourself, any favors by pretending not to mind when you get hurt. I would have slapped you harder if I didn't know the truth--if I didn't know that you would just blush and bat your lashes as someone tied a tourniquet around your thigh and prepared to saw your leg off. Do you know why the worst thing Papa has ever done to me is push me to my knees? Because I wail and the scream and beat his chest with my fists whenever he tries to do anything more than bark orders at me from the chaise. You think he wants some mute little china doll to cook his meals and wash his sheets? No. He wants daughters with teeth. The hurting is the point. I can't believe it's taken you twenty-three years to figure out--if you even understand what I'm saying at all. It's no fun stamping through old dirty snow. People want to ruin things that are clean and new... He can't stand the idea of anyone spoiling us but him.

[From Sid Vicious's letter to Nancy Spungen's mother Deborah] P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone. The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart. Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write. I love you. I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me. His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that? I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength. I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy. NANCY You were my little baby girl And I shared all your fears. Such joy to hold you in my arms And kiss away your tears. But now you’re gone there’s only pain And nothing I can do. And I don’t want to live this life If I can’t live for you. To my beautiful baby girl. Our love will never die. I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.

You are diseased in understanding and religion. Come to me, that you may hear something of sound truth. Do not unjustly eat fish the water has given up, And do not desire as food the flesh of slaughtered animals, Or the white milk of mothers who intended its pure draught for their young, not noble ladies. And do not grieve the unsuspecting birds by taking eggs; for injustice is the worst of crimes. And spare the honey which the bees get industriously from the flowers of fragrant plants; For they did not store it that it might belong to others, Nor did they gather it for bounty and gifts. I washed my hands of all this; and wish that I Perceived my way before my hair went gray!

The worst part is understanding you’re going to die.' She looked at me, her black eyebrows raised. 'You didn’t understand that?' I shook my head. 'You think you understand it. You think that when you’re ninety-six you’ll lie down on the couch after a big Thanksgiving dinner and not wake up, but even then you’re not really sure. Maybe there’ll be some special dispensation for you. Everybody thinks that.

The news cycle never let me breathe anymore. 9/11 happened last fall, two weeks into my freshman year, and a couple of weeks later two dudes attacked me while I was walking home from school and the worst part—the worst part—was that it took me days to shake off the denial; it took me days to fathom the why. I kept hoping the explanation would turn out to be more complex, that there’d turn out to be more than pure, blind hatred to motivate their actions. I wanted there to be some other reason why two strangers would follow me home, some other reason why they’d yank my scarf off my head and try to choke me with it. I didn’t understand how anyone could be so violently angry with me for something I hadn’t done, so much so that they’d feel justified in assaulting me in broad daylight as I walked down the street. I didn’t want to understand it. But there it was.

A great wave of humiliation and shame swept over me. Shame that I belonged to a race that could be so dealt with; and shame for my country, that it, the great example of democracy to the world, should be the only civilized, if not the only state on earth, where a human being would be burned alive. My heart turned bitter within me. I could understand why Negroes are led to sympathize with even their worst criminals and to protect them when possible.

I do believe that we (autistic individuals such as myself) are very susceptible to suicidal thinking for multiple reasons that include: chronic high levels of anxiety, tendency to fixate on or get stuck on negative disturbing thoughts, low self-worth, inability to have significant or intimate relationships with others, replaying over and over again negative statements that others have said to us, feeling unable to be understood, lack [of] a solid self-identity, difficulty with expressing self to others, feelings of great isolation, feeling that you are or may be a burden to others, feeling unable to contribute to society or the greater good, etc […] I do believe that the most important thing that someone else can do for a struggling autistic individual is to affirm their self-worth, recognise and validate their struggles and affirm the things that they do that are greatly valued by others. The worst thing to do for an autistic individual, or any struggling individual for that matter, is to not believe them or to deny the validity of their struggles. My greatest and deepest hurt is that doctors, family members and important others did not believe me in my struggles, particularly when I was younger, before my diagnosis at the age of 35 years. This has been the strongest impetus for my feelings of unworthiness and suicidal thoughts. (Woman with autism)

By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.

—I cannot, at this place, avoid a sigh. There are days when I am visited by a feeling blacker than the blackest melancholy—contempt of man. Let me leave no doubt as to what I despise, whom I despise: it is the man of today, the man with whom I am unhappily contemporaneous. The man of today—I am suffocated by his foul breath!… Toward the past, like all who understand, I am full of tolerance, which is to say, generous self-control: with gloomy caution I pass through whole millenniums of this madhouse of a world, call it “Christianity,” “Christian faith” or the “Christian church,” as you will—I take care not to hold mankind responsible for its lunacies. But my feeling changes and breaks out irresistibly the moment I enter modern times, our times. Our age knows better… . What was formerly merely sickly now becomes indecent—it is indecent to be a Christian today. And here my disgust begins.—I look about me: not a word survives of what was once called “truth”; we can no longer bear to hear a priest pronounce the word. Even a man who makes the most modest pretensions to integrity must know that a theologian, a priest, a pope of today not only errs when he speaks, but actually lies—and that he no longer escapes blame for his lie through “innocence” or “ignorance.” The priest knows, as every one knows, that there is no longer any “God,” or any “sinner,” or any “Saviour”—that “free will” and the “moral order of the world” are lies—: serious reflection, the profound self-conquest of the spirit, allow no man to pretend that he does not know it… . All the ideas of the church are now recognized for what they are—as the worst counterfeits in existence, invented to debase nature and all natural values; the priest himself is seen as he actually is—as the most dangerous form of parasite, as the venomous spider of creation… . We know, our conscience now knows—just what the real value of all those sinister inventions of priest and church has been and what ends they have served, with their debasement of humanity to a state of self-pollution, the very sight of which excites loathing,—the concepts “the other world,” “the last judgment,” “the immortality of the soul,” the “soul” itself: they are all merely so many instruments of torture, systems of cruelty, whereby the priest becomes master and remains master… . Every one knows this, but nevertheless things remain as before. What has become of the last trace of decent feeling, of self-respect, when our statesmen, otherwise an unconventional class of men and thoroughly anti-Christian in their acts, now call themselves Christians and go to the communion-table?… A prince at the head of his armies, magnificent as the expression of the egoism and arrogance of his people—and yet acknowledging, without any shame, that he is a Christian!… Whom, then, does Christianity deny? what does it call “the world”? To be a soldier, to be a judge, to be a patriot; to defend one’s self; to be careful of one’s honour; to desire one’s own advantage; to be proud … every act of everyday, every instinct, every valuation that shows itself in a deed, is now anti-Christian: what a monster of falsehood the modern man must be to call himself nevertheless, and without shame, a Christian!—

There is nothing that the media could say to me that would justify the way they’ve acted. You can hound me. You can follow me, but in no way should you frighten those around me. To harm my wife and potentially harm my daughter—there is no excuse that could put any of you on the right side of morality. I met Rose when I was fifteen and she was fourteen, and through what she would call fate and I’d call circumstance of our hobbies, we’d cross paths dozens of times over the course of a decade. At seventeen, I attended the same national Model UN conference as Rose, and a delegate for Greenland locked us in a janitorial closet. He also stole our phones. He had to beat us dishonorably because he couldn’t beat us any other way. Rose said being locked in a confined space with me was the worst two hours of her life" They look bemused, brows furrowing. I can’t help but smile. “You’re confused because you don’t know whether she was exaggerating or whether she was being truthful. But the truth is that we are complex people with the ability to love to hate and to hate to love, and I wouldn’t trade her for any other person. So that day, stuck beside mops and dirtied towels, I could’ve picked the lock five minutes in and let her go. Instead, I purposefully spent two hours with a girl who wore passion like a dress made of diamonds and hair made of flames. Every day of my life, I am enamored. Every day of my life, I am bewitched. And every day of my life, I spend it with her.” My chest swells with more power, lifting me higher. “I’ve slept with many different kinds of people, and yes, the three that spoke to the press are among them. Rose is the only person I’ve ever loved, and through that love, we married and started a family. There is no other meaning behind this, and for you to conjure one is nothing less than a malicious attack against my marriage and my child. Anything else has no relevance. I can’t be what you need me to be. So you’ll have to accept this version or waste your time questioning something that has no answer. I know acceptance isn’t easy when you’re unsure of what you’re accepting, but all I can say is that you’re accepting me as me. I leave them with a quote from Sylvia Plath. “‘I took a deep breath and listened to the old brag of my heart.’” My lips pull higher, into a livelier smile. “‘I am, I am, I am.’” With this, I step away from the podium, and I exit to a cacophony of journalists shouting and asking me to clarify. Adapt to me. I’m satisfied, more than I even predicted. Some people will rewind this conference on their television, to listen closely and try to understand me. I don’t need their understanding, but my daughter will—and I hope the minds of her peers are wide open with vibrant hues of passion. I hope they all paint the world with color.

It is as if there are two big wolves living inside me; one is white and one is black. The white wolf is good, kind, and does no harm. He lives in harmony with all that is around him and does not take offense when no offense was intended. The good wolf, grounded and strong in the understanding of who he is and what he is capable of, fights only when it is right to do so and when he must in order to protect himself or his family, and even then he does it in the right way. He looks out for all the other wolves in his pack and never deviates from his nature. “But there is a black wolf also that lives inside me, and this wolf is very different. He is loud, angry, discontent, jealous, and afraid. The littlest thing will set him off into a fit of rage. He fights with everyone, all the time, for no reason. He cannot think clearly because his greed for more and his anger and hate are so great. But it is helpless anger, son, for his anger will change nothing. He looks for trouble wherever he goes, so he easily finds it. He trusts no one, so he has no real friends.” The old chief sits in silence for a few minutes, letting the story of the two wolves penetrate his young grandson’s mind. Then he slowly bends down, looks deeply into his grandson’s eyes, and confesses, “Sometimes it’s hard to live with these two wolves inside me, for both of them fight hard to dominate my spirit.” Riveted by his elder’s account of this great internal battle, the boy tugs on his grandfather’s breechcloth and anxiously asks, “Which one of the wolves wins, Grandfather?” And with a knowing smile and a strong, firm voice, the chief says, “They both do, son. You see, if I choose to feed only the white wolf, the black wolf will be waiting around every corner looking to see when I am off balance or too busy to pay attention to one of my responsibilities, and he will attack the white wolf and cause many problems for me and our tribe. He will always be angry and fighting to get the attention he craves. But if I pay a little attention to the black wolf because I understand his nature, if I acknowledge him for the strong force that he is and let him know that I respect him for his character and will use him to help me if we as a tribe are ever in big trouble, he will be happy, the white wolf will be happy, and they both win. We all win.

But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days." His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that." I swallow back a laugh. "I can't." "Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me." "I never said-" "You didn't have to." I inhale sharply. "Don't do this." He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..." I frown and shake my head. His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in." He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you." The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good. The pulse at his neck skips against his flesh. "Jacinda." My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before. "Don't stay away from me anymore." I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie. He opens his eyes. Stares starkly, bleakly. "I need you." He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know." Then he kisses me.

My mother looked at me. She breathed very deeply, as though letting go of something. Which was, I guess, me. Then she looked back at Tommy. “Be careful, Tommy. Please.” “I will.” “Tommy, don’t hurt my son.” I put my hand over my eyes. The worst thing Tommy could do in response to this request, I thought, would be to chuckle creepily. “I would not,” Tommy said, chuckling creepily. “And one more thing, Tommy. One more thing. No sex, Tommy, okay? Are we clear?” “Mom!” “Well, we all do.” My mother looked at him coldly for a moment. Then she took a step toward him. “What was that, Tommy?” Tommy shrugged, beginning to panic. “You know. We all do.” “I’m afraid I don’t know what this means, but I think you understand me now.” Translation: If you touch my son, I will kill you.

I was simultaneously exhausted and scared. Maybe I was wrong about my country. Maybe a life lived in the bubble had made me believe things that were not so, or not enough so to carry the day. What did anything mean if the worst happened, if brightness fell from the air, if the lies, the slanders, the ugliness, the ugliness, became the face of America. What would my story mean, my life, my work, the stories of Americans old and new, Mayflower families and Americans proudly sworn in just in time to share in the unmasking—the unmaking—of America. Why even try to understand the human condition if humanity revealed itself as grotesque, dark, not worth it. What was the point of poetry, cinema, art. Let goodness wither on the vine. Let Paradise be lost. The America I loved, gone with the wind.

You’re afraid you have no talent. You’re afraid you’ll be rejected or criticized or ridiculed or misunderstood or—worst of all—ignored. You’re afraid there’s no market for your creativity, and therefore no point in pursuing it. You’re afraid somebody else already did it better. You’re afraid everybody else already did it better. You’re afraid somebody will steal your ideas, so it’s safer to keep them hidden forever in the dark. You’re afraid you won’t be taken seriously. You’re afraid your work isn’t politically, emotionally, or artistically important enough to change anyone’s life. You’re afraid your dreams are embarrassing. You’re afraid that someday you’ll look back on your creative endeavors as having been a giant waste of time, effort, and money. You’re afraid you don’t have the right kind of discipline. You’re afraid you don’t have the right kind of work space, or financial freedom, or empty hours in which to focus on invention or exploration. You’re afraid you don’t have the right kind of training or degree. You’re afraid you’re too fat. (I don’t know what this has to do with creativity, exactly, but experience has taught me that most of us are afraid we’re too fat, so let’s just put that on the anxiety list, for good measure.) You’re afraid of being exposed as a hack, or a fool, or a dilettante, or a narcissist. You’re afraid of upsetting your family with what you may reveal. You’re afraid of what your peers and coworkers will say if you express your personal truth aloud. You’re afraid of unleashing your innermost demons, and you really don’t want to encounter your innermost demons. You’re afraid your best work is behind you. You’re afraid you never had any best work to begin with. You’re afraid you neglected your creativity for so long that now you can never get it back. You’re afraid you’re too old to start. You’re afraid you’re too young to start. You’re afraid because something went well in your life once, so obviously nothing can ever go well again. You’re afraid because nothing has ever gone well in your life, so why bother trying? You’re afraid of being a one-hit wonder. You’re afraid of being a no-hit wonder . . . Listen, I don’t have all day here, so I’m not going to keep listing fears. It’s a bottomless list, anyhow, and a depressing one. I’ll just wrap up my summary this way: SCARY, SCARY, SCARY. Everything is so goddamn scary. Defending Your Weakness Please understand that the only reason I can speak so authoritatively about fear is that I know it so intimately.

For me, real strength is going through an adverse childhood and sticking to your dreams. It’s your family telling you they won’t help you pay for your education and refusing to give up. It’s pursuing that education with the constant stress of a difficult home life. It’s not having an inherent support system and creating one for yourself. It’s experiencing the worst time in your life and hoping tomorrow will be better. It’s looking death straight in the face and saying, “Not today.” It’s calling for help when you know you need it the most. It’s making difficult decisions when you know whichever you choose will result in judgment. It’s rebuilding your life after it feels like it fell apart. It’s hearing some of your very best friends say to you they want nothing to do with you and telling them, “I understand.” Real strength, my friends, is not giving up.

Although Arin wasn’t touching her, he was touching no living part of her, it felt as if a fine net had been cast over Kestrel, one that hazed her vision and shimmered against her skin. “There,” he said. Kestrel watched her reflection lift a hand to her head. She couldn’t think of what to say. Arin had drawn back, hands in his pockets. But his eyes held hers in the mirror, and his face had softened, like when she had played the piano for him. She said, “How…?” He smiled. “How did a blacksmith pick up such an unexpected skill?” “Well, yes.” “My older sister used to make me do this when I was little.” Kestrel almost asked where Arin’s sister was now, then imagined the worst. She saw Arin watch her imagine it, and saw from his expression that the worst was true. Yet his smile didn’t fade. “I hated it, of course,” he said. “The way she ordered me around. The way I let her. But now…it’s a nice memory.” She rose and faced Arin. The chair stood between them, and she wasn’t sure whether she was grateful for that barrier or not. “Kestrel, if you must go to the ball, take me with you.” “I don’t understand you,” she said, frustrated. “I don’t understand what you say, how you change, how you act one way and then come here and act another.” “I don’t always understand myself either. But I know I want to go with you tonight.” Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall. “If you think it’s stupid for me to go to the Firstwinter ball,” she said, “you can be certain that it is far worse for me to take you along.” He lifted one shoulder. “Or it could send a bold message of what we both know to be true: that you have nothing to hide.

Only One [Intro] As I lay me down to sleep I hear her speak to me [Verse 1] Hello 'Mari, how ya doin'? I think the storm ran out of rain, the clouds are moving I know you're happy, cause I can see it So tell the voice inside ya' head to believe it I talked to God about you, he said he sent you an angel And look at all that he gave you You asked for one and you got two You know I never left you Cause every road that leads to heaven's right inside you So I can say [Hook 1] Hello my only one, just like the morning sun You'll keep on rising till the sky knows your name Hello my only one, remember who you are No you're not perfect but you're not your mistakes [Verse 2] Hey, hey, hey, hey Oh the good outweighs the bad even on your worst day Remember how I'd say Hey hey one day you'll be the man you always knew you could be And if you knew how proud I was You'd never shed a tear, have a fear, no you wouldn't do that And though I didn't pick the day to turn the page I know it's not the end every time I see her face, and I hear you say [Hook 2] Hello my only one, remember who you are You got the world cause you got love in your hands And you're still my chosen one So can you understand? One day you'll understand [Bridge] So hear me out, hear me out I won't go, I won't go No goodbyes, no goodbyes Just hello, just hello And when you cry, I will cry And when you smile, I will smile And next time when I look in your eyes We'll have wings and we'll fly [Hook 3] Hello my only one, just like the morning sun You'll keep on rising till the sky knows your name And you're still my chosen one, remember who you are No you're not perfect but you're not your mistakes [Outro] Hey, hey, hey, hey Tell Nori about me, tell Nori ab- I just want you to do me a favor Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me, tell Nori about me Tell Nori about me...

His answer to the nuclear dilemma was a perfect reflection of the best and the worst in him: mercilessly logical, completely counterintuitive, and so utterly rational that it bordered on the psychopathic. The thing about my husband that people don’t understand is that he truly saw life as a game, he regarded all human endeavors, no matter how deadly or serious, in that spirit. He once told me that, just as wild animals play when they are young in preparation for lethal circumstances arising later in their lives, mathematics may be, to a large extent, nothing but a strange and wonderful collection of games, an enterprise whose real purpose, beyond any one stated outright, is to slowly work changes in the individual and collective human psyche, as a way to prepare us for a future that nobody can imagine. The problem with those games, the many terrible games that spring forth from humanity’s unbridled imagination, is that when they are played in the real world—whose rules and true purpose are known only to God—we come face-to-face with dangers that we may not have the knowledge or the wisdom to overcome.

Anna: Right. I can only imagine. Etienne: And what, exactly, ist hat supposed to mean? Anna: Forget it. Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna. Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me? Etienne: I’m sorry. Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time. Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me … Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie … Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.

—and I say you still haven't answered my question, Father Bleu." "Haven't I, dear lady? I thought I stated that death is merely the beginning of—" "No, no, no!" Her voice was as high as a harpy's. "Don't go all gooey and metaphysical. I mean to ask, what is death the act, the situation, the moment?" She watched him foxily. The priest in turn struggled to remain polite. "Madame, I'm not positive I follow." "Let me say it another way. Most people are afraid of dying, yes?" "I disagree. Not those who find mystical union with the body of Christ in—" "Oh, come off it!" Madame Kagle shrilled. "People are frightened of it, Father Bleu. Frightened and screaming their fear silently every hour of every day they live. Now I put it to you. Of what are they afraid? Are they afraid of the end of consciousness? The ultimate blackout, so to speak? Or are they afraid of another aspect of death? The one which they can't begin to foresee or understand?" "What aspect is that, Madame Kagle?" "The pain." She glared. "The pain, Father. Possibly sudden. Possibly horrible. Waiting, always waiting somewhere ahead, at an unguessable junction of time and place. Like that bootboy tonight. How it must have hurt. One blinding instant when his head hit, eh? I suggest, Father Bleu, that is what we're afraid of, that is the wholly unknowable part of dying—the screaming, hurting how, of which the when is only a lesser part. The how is the part we never know. Unless we experience it." She slurped champagne in the silence. She eyed him defiantly. "Well, Father? What have you got to say?" Discreetly Father Bleu coughed into his closed fist. "Theologically, Madame, I find the attempt to separate the mystical act of dying into neat little compartments rather a matter of hairsplitting. And furthermore—" "If that's how you feel," she interrupted, "you're just not thinking it out." "My good woman!" said Father Bleu gently. "Pay attention to me!" Madame Wanda Kagle glared furiously. "I say you pay attention! Because you have never stopped to think about it, have you? If death resembles going to sleep, why, that's an idea your mind can get hold of, isn't it? You may be afraid of it, yes. Afraid of the end of everything. But at least you can get hold of some notion of something of what it's like. Sleep. But can you get hold of anything of what it must feel like to experience the most agonizing of deaths? Your head popping open like that bootboy's tonight, say? A thousand worms of pain inside every part of you for a second long as eternity? Can you grasp that? No, you can't, Father Bleu. And that's what death is at it's worst—the unknown, the possibly harrowing pain ahead." She clamped her lips together smugly. She held out her champagne glass for a refill. A woman in furs clapped a hand over her fashionably green lips and rushed from the group. Though puzzled, Joy was still all eyes and ears. "Even your blessed St. Paul bears me out, Father." The priest glanced up, startled. "What?" "The first letter to the Corinthians, if I remember. The grave has a victory, all right. But it's death that has the sting." In the pause the furnace door behind her eyes opened wide, and hell shone out. "I know what I'm talking about, Father. I've been there." Slowly she closed her fingers, crushing the champagne glass in her hand. Weeping, blood drooling from her palm down her frail veined arms, she had to be carried out. The party broke up at once.

KNEE SURGERY I’D FIRST HURT MY KNEES IN FALLUJAH WHEN THE WALL FELL on me. Cortisone shots helped for a while, but the pain kept coming back and getting worse. The docs told me I needed to have my legs operated on, but doing that would have meant I would have to take time off and miss the war. So I kept putting it off. I settled into a routine where I’d go to the doc, get a shot, go back to work. The time between shots became shorter and shorter. It got down to every two months, then every month. I made it through Ramadi, but just barely. My knees started locking and it was difficult to get down the stairs. I no longer had a choice, so, soon after I got home in 2007, I went under the knife. The surgeons cut my tendons to relieve pressure so my kneecaps would slide back over. They had to shave down my kneecaps because I had worn grooves in them. They injected synthetic cartilage material and shaved the meniscus. Somewhere along the way they also repaired an ACL. I was like a racing car, being repaired from the ground up. When they were done, they sent me to see Jason, a physical therapist who specializes in working with SEALs. He’d been a trainer for the Pittsburgh Pirates. After 9/11, he decided to devote himself to helping the country. He chose to do that by working with the military. He took a massive pay cut to help put us back together. I DIDN’T KNOW ALL THAT THE FIRST DAY WE MET. ALL I WANTED to hear was how long it was going to take to rehab. He gave me a pensive look. “This surgery—civilians need a year to get back,” he said finally. “Football players, they’re out eight months. SEALs—it’s hard to say. You hate being out of action and will punish yourselves to get back.” He finally predicted six months. I think we did it in five. But I thought I would surely die along the way. JASON PUT ME INTO A MACHINE THAT WOULD STRETCH MY knee. Every day I had to see how much further I could adjust it. I would sweat up a storm as it bent my knee. I finally got it to ninety degrees. “That’s outstanding,” he told me. “Now get more.” “More?” “More!” He also had a machine that sent a shock to my muscle through electrodes. Depending on the muscle, I would have to stretch and point my toes up and down. It doesn’t sound like much, but it is clearly a form of torture that should be outlawed by the Geneva Convention, even for use on SEALs. Naturally, Jason kept upping the voltage. But the worst of all was the simplest: the exercise. I had to do more, more, more. I remember calling Taya many times and telling her I was sure I was going to puke if not die before the day was out. She seemed sympathetic but, come to think of it in retrospect, she and Jason may have been in on it together. There was a stretch where Jason had me doing crazy amounts of ab exercises and other things to my core muscles. “Do you understand it’s my knees that were operated on?” I asked him one day when I thought I’d reached my limit. He just laughed. He had a scientific explanation about how everything in the body depends on strong core muscles, but I think he just liked kicking my ass around the gym. I swear I heard a bullwhip crack over my head any time I started to slack. I always thought the best shape I was ever in was straight out of BUD/S. But I was in far better shape after spending five months with him. Not only were my knees okay, the rest of me was in top condition. When I came back to my platoon, they all asked if I had been taking steroids.

I remember standing in the wings when Mother’s voice cracked and went into a whisper. The audience began to laugh and sing falsetto and to make catcalls. It was all vague and I did not quite understand what was going on. But the noise increased until Mother was obliged to walk off the stage. When she came into the wings she was very upset and argued with the stage manager who, having seen me perform before Mother’s friends, said something about letting me go on in her place. And in the turmoil I remember him leading me by the hand and, after a few explanatory words to the audience, leaving me on the stage alone. And before a glare of footlights and faces in smoke, I started to sing, accompanied by the orchestra, which fiddled about until it found my key. It was a well-known song called Jack Jones that went as follows: Jack Jones well and known to everybody Round about the market, don’t yer see, I’ve no fault to find with Jack at all, Not when ’e’s as ’e used to be. But since ’e’s had the bullion left him ’E has altered for the worst, For to see the way he treats all his old pals Fills me with nothing but disgust. Each Sunday morning he reads the Telegraph, Once he was contented with the Star. Since Jack Jones has come into a little bit of cash, Well, ’e don’t know where ’e are. Half-way through, a shower of money poured on to the stage. Immediately I stopped and announced that I would pick up the money first and sing afterwards. This caused much laughter. The stage manager came on with a handkerchief and helped me to gather it up. I thought he was going to keep it. This thought was conveyed to the audience and increased their laughter, especially when he walked off with it with me anxiously following him. Not until he handed it to Mother did I return and continue to sing. I was quite at home. I talked to the audience, danced, and did several imitations including one of Mother singing her Irish march song that went as follows: Riley, Riley, that’s the boy to beguile ye, Riley, Riley, that’s the boy for me. In all the Army great and small, There’s none so trim and neat As the noble Sergeant Riley Of the gallant Eighty-eight. And in repeating the chorus, in all innocence I imitated Mother’s voice cracking and was surprised at the impact it had on the audience. There was laughter and cheers, then more money-throwing; and when Mother came on the stage to carry me off, her presence evoked tremendous applause. That night was my first appearance on the stage and Mother’s last.

They’ll think the worst,” she said. “I don’t want them to think ill of me, Vim. Mr. Charpentier, oh—bother. What do I call you?” He stopped short in the process of turning Kit loose among his blankets. “If I’m to call you Lady Sophia, you might consider calling me Lord Sindal.” Her brows flew up, then down. “You’re titled?” “A courtesy title, much like your own, but humbler. I’m heir to the Rothgreb viscountcy. Baron Sindal.” “Oh. My goodness.” She did meet his gaze then, and he saw understanding and relief in her eyes. “You did not tell me because you thought I was just a what… a lady’s companion? A housekeeper?” “Something like that. Mostly I thought you were lovely.” He still did. “What do we tell your brothers, Sophie? They’ve left us these few moments out of respect for you, but they’ll be in here any minute, crockery be damned.” “I suppose we tell them as little as possible.” It wasn’t what he’d wanted to hear, though the constraints of honor allowed him one further attempt to secure his heart’s desire. “I will offer for you, if that’s what you want.” Offer for her again. He kept the hope from his voice only with effort. Though from the severe frown Sophie displayed, a renewed offer wasn’t what she sought from him. “I won’t ask it of you.” He

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

What It’s Like to Be a Six I’m always imagining and planning for the worst. I often don’t trust people who are in authority. People say I am loyal, understanding, funny and compassionate. Most of my friends don’t have as much anxiety as I do. I act quickly in a crisis, but when things settle down I fall apart. When my partner and I are doing really well in our relationship I find myself wondering what will happen to spoil it. Being sure I’ve made the right decision is almost impossible. I’m aware that fear has dictated many of my choices in life. I don’t like to find myself in unpredictable situations. I find it hard to stop thinking about the things I’m worried about. I’m generally not comfortable with extremes. I usually have so much to do it’s hard for me to finish tasks. I’m most comfortable when I’m around people who are pretty much like me. People tell me I can be overly pessimistic. I am slow to start, and once I do get started I find myself continuing to think about what could go wrong. I don’t trust people who give me too many compliments. It helps me to have things in some kind of order. I like to be told I am good at my job, but I get very nervous when my boss wants to add to my responsibilities. I have to know people for a long time before I can really trust them. I am skeptical of things that are new and unknown.

You travel to a place because you have this picture of it and you want to couple with the whole country. Then you find that you and its natives haven’t a thing in common. You don’t understand the basic signals which you’d always assumed all humanity shared. You decide it was all a mistake, that it was all in your head. Then you dig a bit deeper and you find that, despite your reasonable suspicions, you still desire them all, but you don’t know what it is exactly you want from them, or what they seem to want from you, because they too, it turns out, are all looking at you with what could only be one thing on their mind. But you tell yourself you’re imagining things. And you’re ready to pack up and go back to Rome because all of these touch-and-go signals are driving you mad. But then something suddenly clicks, like a secret underground passageway, and you realize that, just like you, they are desperate and aching for you as well. And the worst thing is that, with all your experience and your sense of irony and your ability to overcome shyness wherever it threatens to crop up, you feel totally stranded. I didn’t know their language, didn’t know the language of their hearts, didn’t even know my own. I saw veils everywhere: what I wanted, what I didn’t know I wanted, what I didn’t want to know I wanted, what I’d always known I wanted. This is either a miracle. Or it is hell.

Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out—My God, why dost thou shame me? Hopelessly ascendant in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.

Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep. Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.

VW Valley is one of the final mountains one climbs on Selection--but it’s among the worst. VW stands for Voluntary Withdrawal, and when you see the mountain you can understand why people have often quit here. Steep, windswept, and boggy--and at mile thirty it is the point where many recruits quit and remove themselves from the course--broken by the sheer distance, weight, and speed. But not me. Not now. On my backside, I slid down the first steep reentrant leading into the bowl of the valley. I was using the butt of my weapon to steer me as I glissaded down the snow, and I finally slowed at the bottom, near an iced-over stream. I crossed it and started straight up the face with Trucker behind me. On and on and on--until finally at the crest I collapsed and waited for him. Trux’s feet were both badly swollen. Later on he discovered that he’d broken both of his big toes somewhere around this point. It was purely from the incessant pounding his feet were taking. He was in agony. I heard him muttering under his breath. He was mumbling Bible verses to himself. We had often both quietly prayed together before the big marches. Now we needed that help more than ever. “I am holding you by your right hand…Do not be afraid. I am here to help you.” Isaiah, 41:13. If ever I needed to hear such words it was now. It is easy to be cynical and to think you do not need help when all is going your way; but if Selection taught me anything it is that we all have our limits. To push beyond those limits sometimes requires something beyond just ourselves. That is what my faith has given me--a secret strength and help when I have needed it most.

Would she have enjoyed a more natural parent-child fit if she’d been an introvert herself? Not necessarily. Introverted parents can face challenges of their own. Sometimes painful childhood memories can get in the way. Emily Miller, a clinical social worker in Ann Arbor, Michigan, told me about a little girl she treated, Ava, whose shyness was so extreme that it prevented her from making friends or from concentrating in class. Recently she sobbed when asked to join a group singing in front of the classroom, and her mother, Sarah, decided to seek Miller’s help. When Miller asked Sarah, a successful business journalist, to act as a partner in Ava’s treatment, Sarah burst into tears. She’d been a shy child, too, and felt guilty that she’d passed on to Ava her terrible burden. “I hide it better now, but I’m still just like my daughter,” she explained. “I can approach anyone, but only as long as I’m behind a journalist’s notebook.” Sarah’s reaction is not unusual for the pseudo-extrovert parent of a shy child, says Miller. Not only is Sarah reliving her own childhood, but she’s projecting onto Ava the worst of her own memories. But Sarah needs to understand that she and Ava are not the same person, even if they do seem to have inherited similar temperaments. For one thing, Ava is influenced by her father, too, and by any number of environmental factors, so her temperament is bound to have a different expression. Sarah’s own distress need not be her daughter’s, and it does Ava a great disservice to assume that it will be. With the right guidance, Ava may get to the point where her shyness is nothing more than a small and infrequent annoyance.

The definition of morality; Morality is the idiosyncrasy of decadents, actuated by a desire to avenge themselves with success upon life. I attach great value to this definition. 8 [Pg 141] Have you understood me? I have not uttered a single word which I had not already said five years ago through my mouthpiece Zarathustra. The unmasking of Christian morality is an event which unequalled in history, it is a real catastrophe. The man who throws light upon it is a force majeure, a fatality; he breaks the history of man into two. Time is reckoned up before him and after him. The lightning flash of truth struck precisely that which theretofore had stood highest: he who understands what was destroyed by that flash should look to see whether he still holds anything in his hands. Everything which until then was called truth, has been revealed as the most detrimental, most spiteful, and most subterranean form of life; the holy pretext, which was the "improvement" of man, has been recognised as a ruse for draining life of its energy and of its blood. Morality conceived as Vampirism.... The man who unmasks morality has also unmasked the worthlessness of the values in which men either believe or have believed; he no longer sees anything to be revered in the most venerable man—even in the types of men that have been pronounced holy; all he can see in them is the most fatal kind of abortions, fatal, because they fascinate. The concept "God" was invented as the opposite of the concept life—everything detrimental, poisonous, and slanderous, and all deadly hostility to life, wad bound together in one horrible unit in Him. The concepts "beyond" and "true world" were invented in order to depreciate the only world that exists—in order that no goal or aim, no sense or task, might be left to earthly reality. The concepts "soul," "spirit," and last of all the concept "immortal soul," were invented in order to throw contempt on the body, in order to make it sick and "holy," in order to cultivate an attitude of appalling levity towards all things in life which deserve to be treated seriously, i.e. the questions of nutrition and habitation, of intellectual diet, the treatment of the sick, cleanliness, and weather. Instead of health, we find the "salvation of the soul"—that is to say, a folie circulate fluctuating between convulsions and penitence and the hysteria of redemption. The concept "sin," together with the torture instrument appertaining to it, which is the concept "free will," was invented in order to confuse and muddle our instincts, and to render the mistrust of them man's second nature! In the concepts "disinterestedness" and "self-denial," the actual signs of decadence are to be found. The allurement of that which is [Pg 142] [Pg 143] The Project Gutenberg eBook of Ecce Homo, by Friedrich Nietzsche. detrimental, the inability to discover one's own advantage and self-destruction, are made into absolute qualities, into the "duty," the "holiness," and the "divinity" of man. Finally—to keep the worst to the last—by the notion of the good man, all that is favoured which is weak, ill, botched, and sick-in-itself, which ought to be wiped out. The law of selection is thwarted, an ideal is made out of opposition to the proud, well-constituted man, to him who says yea to life, to him who is certain of the future, and who guarantees the future—this man is henceforth called the evil one. And all this was believed in as morality!

In all the seconds of life that beat solemnly from my heart, in all the hours of waiting for the release that binds us, in all the months of moons that guided our hopes, of all the years of yesterday that taught us the path of which we walk today: Today, I am true. Today I will write without release; without questions or care of the minds that do not understand the words that will lie before me in this letter. Licentia. The release of anything that covers my ears or blinds my eyes. Oh, licentia. The people shall call me insane because I have proven to remain unrelenting in the belief that freedom and justice and truth are all subject to change, but that the ideas are the spark which light the fire to continue my journey. These words have no value unless given an idea, and that is the only part that is bounded in this world: the idea. The idea to be free; no matter the cost of autonomy and decisions and conscious state of mind. The idea to have justice; without a governance to proclaim what it defines. The idea to seek truth; no matter how many lies claim to hold the reality. Licentia. The release of anything that covers my ears or blinds my eyes. Oh, licentia. It is the fear that controls the grip which lacerates our brains and chains our souls. It is the fear that without power or an entity that seeks it, that we will be dangerous. It is the fear of our ourselves that binds us. But once we are no longer afraid of the mirror that grants us our reflection, we begin to understand that the fear was simply an illusion. It is the pain that scares us into submission and breaks our vows to our hearts. It is the pain that makes an honest man beg on his knees to the wolves that seek to devour his ideas. It is the pain that creates the stage to which only fools applaud and puppets play. It is the pain that makes us see the ugliness of our soul. But once we are in pain, we realize that it was never the worst feeling to behold, but that the betrayal of our minds and the minds of others is. Licentia. The release of anything that covers my ears or blinds my eyes. Oh, licentia.

August 18, 2006 It was so nice to talk to you tonight. I always wind up in a better mood after talking to you. Somehow you always manage to brighten my life even when in a hell hole like this. You are the greatest woman ever, and I will never understand how I got so lucky to have been blessed with you. I appreciate all you do. You are the strongest person I know, and I admire you, and respect you. I am always extremely proud of you. I know with all that has happened with Marc and Biggles, you have gone out of your way to try to make everyone feel better. Even though I know that is your worst nightmare. I don’t know many people who could be there, and put themselves through the pain just to make someone you don’t even know more comfortable. You are an angel sent by God. Now you have given me two more angels. Remember Satan was once an angel of God, so Bubba is an angel, but just which side is sometimes debatable. Just joking. I know he can be very trying sometimes, and you have kept your cool way better than I ever could have. Our kids are so lucky to have you as their mother. So am I. I cannot wait to get back into your arms. Talking about it tonight felt so good. Knowing that this whole thing is coming to an end. I dream about the day I step off that plane to see you. Hope you have no plans for the rest of your life, because you’re gonna be a little busy. I miss you so much!!! I loved talking to Bubba tonight. I love hearing him tell me he loves me, but I also don’t want to force him to say it. I know inside that he loves me. He just gets a little busy with everything going on around him. I can’t wait to play with him and chase him around the house. I was also thinking, all this time I’ve been wanting to talk to Bubba because he can talk back to me, but I want Angel to hear my voice, too. I want her to be a little familiar with me if at least my voice. Anyway, I love you with all my heart, and can’t wait to see you again. I am gonna smother you like crazy. You’ll be begging me to go on another deployment so you can get a little break. Too bad. You’re stuck with me now. I love you, sexy! XOXOXOXOXOXOOX

As we pulled up at the big school gates, I saw tears rolling down my dad’s face. I felt confused as to what part of nature or love thought this was a good idea. My instinct certainly didn’t; but what did I know? I was only eight. So I embarked on this mission called boarding school. And how do you prepare for that one? In truth, I found it really hard; there were some great moments like building dens in the snow in winter, or getting chosen for the tennis team, or earning a naval button, but on the whole it was a survival exercise in learning to cope. Coping with fear was the big one. The fear of being left and the fear of being bullied--both of which were very real. What I learned was that I couldn’t manage either of those things very well on my own. It wasn’t anything to do with the school itself, in fact the headmaster and teachers were almost invariably kind, well-meaning and good people, but that sadly didn’t make surviving it much easier. I was learning very young that if I were to survive this place then I had to find some coping mechanisms. My way was to behave badly, and learn to scrap, as a way to avoid bullies wanting to target me. It was also a way to avoid thinking about home. But not thinking about home is hard when all you want is to be at home. I missed my mum and dad terribly, and on the occasional night where I felt this worst, I remember trying to muffle my tears in my pillow while the rest of the dormitory slept. In fact I was not alone in doing this. Almost everyone cried, but we all learned to hide it, and those who didn’t were the ones who got bullied. As a kid, you can only cry so much before you run out of tears and learn to get tough. I meet lots of folks nowadays who say how great boarding school is as a way of toughening kids up. That feels a bit back-to-front to me. I was much tougher before school. I had learned to love the outdoors and to understand the wild, and how to push myself. When I hit school, suddenly all I felt was fear. Fear forces you to look tough on the outside but makes you weak on the inside. This was the opposite of all I had ever known as a kid growing up. I had been shown by my dad that it was good to be fun, cozy, homely--but then as tough as boots when needed. At prep school I was unlearning this lesson and adopting new ways to survive. And age eight, I didn’t always pick them so well.

OUR PAST BRINGS US TO OUR FUTURE “I will repay you for the years the locusts have eaten.” —Joel 2:25 I believe in a very deep way that our past is what brings us to our future. I understand the temptation to draw an angry X through a whole season or a whole town or a whole relationship, to crumple it up and throw it away, to get it as far away as possible from a new life, a new future. In my worst moments, I want to slam the door on the hard parts of our life in Grand Rapids. Deadbolt it, forget it, move forward, happier without it. But I don’t want to lose six years of my own history behind a slammed door. These days I’m walking over and retrieving those years from the trash, erasing the X, unlocking the door. It’s the only way that darkness turns to light. I’m mining through, searching for light, and the more I look, the more I find all sorts of things Grand Rapids gave me. I see moments of heartbreak that led to honesty about myself I wouldn’t have been able to get to any other way. I am thankful for what I learned, what I became, what God gave me and what God took away during that season. WHAT HAVE the hard, dark seasons of your life yielded in light and insight and growth and gifts? Have you sifted through those times, looking for those gifts? Ask God to bring light out of that darkness. May 11 WHY WE WRITE Shout for joy to the LORD, all the earth. —Psalm 100:1 A writer friend came over yesterday. She’s written a novel. She brought over a fat, beautiful binder full of story, and I can’t wait to read it. We talked about publication and agents and sharing your work, about marketing and the internet and a million other things. And we talked about why we write. You know those conversations when you think you’re helping someone, sharing from your vast well of knowledge, only to realize that this person is actually instructing you, reminding you of something fundamental that you’ve forgotten? My friend sat across the table from me, and it seemed like she could have combusted into flames, burning with sheer, clean passion about this story. After she left, I realized that some days I forget why we write, and she reminded me. I write because other writers’ words changed my life a million and one ways, and I want to be a part of that. I began writing because there were things I wanted to say with so much urgency and soul I would have climbed a tower and shouted them, would have written them in skywriting, would have spelled them out in grains of rice if I had to.

It is easy to mourn the lives we aren't living. Easy to wish we'd developed other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let's be kind to the people in our own existence. Let's occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.

In everything I quickly saw the opposite, the contradiction, and between the real and the unreal the irony, the paradox. I was my own worst enemy. There was nothing I wished to do which I could just as well not do. Even as a child, when I lacked for nothing, I wanted to die: I wanted to surrender because I saw no sense in struggling. I felt that nothing would be proved, substantiated, added or subtracted by continuing an existence which I had not asked for. Everybody around me was a failure, or if not a failure, ridiculous. Especially the successful ones. The successful ones bored me to tears. I was sympathetic to a fault, but it was not sympathy that made me so. It was a purely negative quality, a weakness which blossomed at the mere sight of human misery. I never helped any one expecting that it would do any good; I helped because I was helpless to do otherwise. To want to change the condition of affairs seemed futile to me; nothing would be altered, I was convinced, except by a change of heart, and who could change the hearts of men? Now and then a friend was converted; it was something to make me puke. I had no more need of God than He had of me, and if there were one, I often said to myself, I would meet Him calmly and spit in His face. From the very beginning I must have trained myself not to want anything too badly. From the very beginning I was independent, in a false way. I had need of nobody because I wanted to be free, free to do and to give only as my whims dictated. The moment anything was expected or demanded of me I balked. That was the form my independence took. I was corrupt, in other words, corrupt from the start. It's as though my mother fed me a poison, and though I was weaned young the poison never left my system. Even when she weaned me it seemed that I was completely indifferent, most children rebel, or make a pretense of rebelling, but I didn't give a damn, I was a philosopher when still in swaddling clothes. I was against life, on principle. What principle? The principle of futility. Everybody around me was struggling. I myself never made an effort. If I appeared to be making an effort it was only to please someone else; at bottom I didn't give a rap. And if you can tell me why this should have been so I will deny it, because I was born with a cussed streak in me and nothing can eliminate it. I heard later, when I had grown up, that they had a hell of a time bringing me out of the womb. I can understand that perfectly. Why budge? Why come out of a nice warm place, a cosy retreat in which everything is offered you gratis?

I’m mean? That’s the worst you can throw at me?” “Mean and self-pitying. Does that make it better?” “And what are you, Astrid?” he shouted. “A smug know-it-all! You point your finger at me and say, ‘Hey, Sam, you make the decisions, and you take all the heat.’” “Oh, it’s my fault? No way. I didn’t anoint you.” “Yeah, you did, Astrid. You guilted me into it. You think I don’t know what you’re all about? You used me to protect Little Pete. You use me to get your way. You manipulate me anytime you feel like it.” “You really are a jerk, you know that?” “No, I’m not a jerk, Astrid. You know what I am? I’m the guy getting people killed,” Sam said quietly. Then, “My head is exploding from it. I can’t get my brain around it. I can’t do this. I can’t be that guy, Astrid, I’m a kid, I should be studying algebra or whatever. I should be hanging out. I should be watching TV.” His voice rose, higher and louder till he was screaming. “What do you want from me? I’m not Little Pete’s father. I’m not everybody’s father. Do you ever stop to think what people are asking me to do? You know what they want me to do? Do you? They want me to kill my brother so the lights will come back on. They want me to kill kids! Kill Drake. Kill Diana. Get our own kids killed. “That’s what they ask. Why not, Sam? Why aren’t you doing what you have to do, Sam? Tell kids to get eaten alive by zekes, Sam. Tell Edilio to dig some more holes in the square, Sam.” He had gone from yelling to sobbing. “I’m fifteen years old. I’m fifteen.” He sat down hard on the edge of the bed. “Oh, my God, Astrid. It’s in my head, all these things. I can’t get rid of them. It’s like some filthy animal inside my head and I will never, ever, ever get rid of it. It makes me feel so bad. It’s disgusting. I want to throw up. I want to die. I want someone to shoot me in the head so I don’t have to think about everything.” Astrid was beside him, and her arms were around him. He was ashamed, but he couldn’t stop the tears. He was sobbing like he had when he was a little kid, like when he had a nightmare. Out of control. Sobbing. Gradually the spasms slowed. Then stopped. His breathing went from ragged to regular. “I’m really glad the lights weren’t on,” Sam said. “Bad enough you had to hear it.” “I’m falling apart,” he said. Astrid gave no answer, just held him close. And after what felt like a very long time, Sam moved away from her, gently putting distance between them again. “Listen. You won’t ever tell anyone…” “No. But, Sam…” “Please don’t tell me it’s okay,” Sam said. “Don’t be nice to me anymore. Don’t even tell me you love me. I’m about a millimeter from falling apart again.” “Okay.

She thinks no one would ever marry ‘a reckless society miss’ and a ‘troublemaker.’” He winced to hear his own words thrown back at him. Celia was all that…and so much more. Not that he dared tell her. Bad enough that he’d revealed too much of how he felt yesterday. For now, she could chalk it up to mere desire. If he started paying her compliments, she might guess how far his feelings went, and that wouldn’t do. So he tempered his remarks. “Your grandmother is merely worried that you will waste yourself on some man who doesn’t deserve you.” Like a bastard Bow Street Runner. “I suspect that if you tell her you’re going to marry the duke, she won’t be a bit surprised. And she certainly won’t agree to rescind the ultimatum, now that she’s finally achieved what she wanted.” “Yes, I’ve come to that conclusion myself. And besides…well…it wouldn’t be fair to involve him in such a plot behind his back when he’s a genuinely nice man offering marriage. If word got out that he had offered and I’d accepted, only to turn him down, people would assume I’d done it because of the madness in his family. That would just be cruel.” Now that Jackson knew she wasn’t actually going to marry the duke, he could be open-minded. “It certainly wouldn’t be kind,” he agreed. “But I’d be more worried that if word got out, you’d be painted as the worst sort of jilt.” She shrugged that off. “I wouldn’t care, as long as it freed me from Gran’s ultimatum.” It took him a moment to digest that. “So you lied when you said at our first discussion of your suitors that you had an interest in marriage?” “Of course I didn’t lie.” Her cheeks pinkened again. “But I want to marry for love, and not because Gran has decided I’m taking too long at it. I want my husband to genuinely care for me.” Her voice shook a little. “And not just my fortune.” She cut him a sidelong glance. “Or my connections.” He stiffened in the saddle. “I understand.” Oh yes, he understood all right. Any overtures he made would be construed as mercenary. Her grandmother had made sure of that by telling her of his aspirations. Not that it mattered. If he married her, he risked watching her lose everything. A Chief Magistrate made quite a lofty sum for someone of Jackson’s station, but for someone of hers? It was nothing. Less than nothing. “So what do you plan to do?” he asked. “About your grandmother’s ultimatum, I mean.” She shook her head. “If presenting her with an offer and begging her forbearance didn’t work, my original plan was just to marry whichever of the three gentlemen had offered.” “And now?” “I can’t bring myself to do it.” He stopped clenching the reins. “Well, that’s something then.” “So I find myself back where I started. I suppose I shall have to drum up some more suitors.” She slanted a glance at him. “Any ideas?

When I Want a Gentle and Quiet Spirit Do not let your adornment be merely outward—arranging the hair, wearing gold, or putting on fine apparel—rather let it be the hidden person of the heart, with the incorruptible beauty of a gentle and quiet spirit, which is very precious in the sight of God. 1 PETER 3:3-4 IT’S GOOD TO TAKE CARE of yourself and make a consistent effort to always look good for your husband. But while you tend to your health and do what you should to stay attractive to him in what you wear and how you care for your skin and hair, you cannot neglect your inner self, where your lasting and ever-increasing beauty is found. The Bible says that the beauty of a gentle and quite spirit cannot be lost and is always pleasing to God. Having a quiet spirit doesn’t mean you barely talk above a whisper. God has given you a voice, and He intends for you to use it. But it is the quiet and peaceful spirit behind your voice that communicates you are not in an internal uproar. A gentle spirit doesn’t mean you are weak. It means that you aren’t brash, obnoxious, or rude. It means you are godly in nature and have love and respect for the people around you. What is in your heart shows on your face. The attractiveness of inner peace and gentleness in you will always manifest as beauty externally as well. And that is appealing to everyone—especially your husband. Pray that God’s Spirit in you will be the most important part of who you are, and that you will reflect the beauty of the Lord, which is beyond compare. His gentle and quiet Spirit in you will be more attractive to others than anything else. My Prayer to God LORD, I pray You would give me a gentle and quiet spirit, which I know is precious in Your sight. Enable me to have the inner beauty that is incorruptible, which comes from Your Spirit of peace dwelling in me. Only You can fill me with all I need in order to become as You want me to be. Show me how to always be attractive to my husband in the way I dress and look, but more importantly, help me to remember and understand where true and lasting beauty comes from. Enable me to be perceived by him and others as beautiful because of Your beautiful reflection in me. Help me to never be offensive or undesirable to be around. Keep me from allowing anyone to bring out the worst in me. Let the beauty of Your Spirit in me shine through and above all the fleshly parts of me that I am still dealing with and trying to allow You to perfect. Fill my heart with Your love, peace, and joy so that they are what always show on my face. Pour Your Spirit over me and in me so that what is seen on my face is not anger, concern, worry, or sadness, but rather contentment, calm, peace, and happiness. I depend on You to accomplish this in me because I know I cannot achieve this on my own. I worship You, Lord, as the Savior, Restorer, and Beautifier of my life. In Jesus’ name I pray.

A few years back, I had a long session with a psychiatrist who was conducting a study on post-traumatic stress disorder and its effects on reporters working in war zones. At one point, he asked me: “How many bodies have you seen in your lifetime?” Without thinking for too long, I replied: “I’m not sure exactly. I've seen quite a few mass graves in Africa and Bosnia, and I saw a well crammed full of corpses in East Timor, oh and then there was Rwanda and Goma...” After a short pause, he said to me calmly: “Do you think that's a normal response to that question?” He was right. It wasn't a normal response. Over the course of their lifetime, most people see the bodies of their parents, maybe their grandparents at a push. Nobody else would have responded to that question like I did. Apart from my fellow war reporters, of course. When I met Marco Lupis nearly twenty years ago, in September 1999, we were stood watching (fighting the natural urge to divert our gaze) as pale, maggot-ridden corpses, decomposed beyond recognition, were being dragged out of the well in East Timor. Naked bodies shorn of all dignity. When Marco wrote to ask me to write the foreword to this book and relive the experiences we shared together in Dili, I agreed without giving it a second thought because I understood that he too was struggling for normal responses. That he was hoping he would find some by writing this book. While reading it, I could see that Marco shares my obsession with understanding the world, my compulsion to recount the horrors I have seen and witnessed, and my need to overcome them and leave them behind. He wants to bring sense to the apparently senseless. Books like this are important. Books written by people who have done jobs like ours. It's not just about conveying - be it in the papers, on TV or on the radio - the atrocities committed by the very worst of humankind as they are happening; it’s about ensuring these atrocities are never forgotten. Because all too often, unforgivably, the people responsible go unpunished. And the thing they rely on most for their impunity is that, with the passing of time, people simply forget. There is a steady flow of information as we are bombarded every day with news of the latest massacre, terrorist attack or humanitarian crisis. The things that moved or outraged us yesterday are soon forgotten, washed away by today's tidal wave of fresh events. Instead they become a part of history, and as such should not be forgotten so quickly. When I read Marco's book, I discovered that the people who murdered our colleague Sander Thoenes in Dili, while he was simply doing his job like the rest of us, are still at large to this day. I read the thoughts and hopes of Ingrid Betancourt just twenty-four hours before she was abducted and taken to the depths of the Colombian jungle, where she would remain captive for six long years. I read that we know little or nothing about those responsible for the Cambodian genocide, whose millions of victims remain to this day without peace or justice. I learned these things because the written word cannot be destroyed. A written account of abuse, terror, violence or murder can be used to identify the perpetrators and bring them to justice, even though this can be an extremely drawn-out process during and after times of war. It still torments me, for example, that so many Bosnian women who were raped have never got justice and every day face the prospect of their assailants passing them on the street. But if I follow in Marco's footsteps and write down the things I have witnessed in a book, people will no longer be able to plead ignorance. That is why we need books like this one.

A Letter to the Reader I thought my dog dying was going to kill me. If I’m being honest, I still think it, some days. Most days. If I’m being honest, I still think it every day. Soul-mutt. Best friend. Not everyone understands, or will. That’s fine. I’ve never been one to want to share in grief, never been one to share much of anything. Only child, writer. A dog removes itself from the pack to lick wounds clean. A dog goes off, alone, to die. But we all know it—a family member, a friend, the sudden glazing of the eyes, the feel of a heart stopping beneath our hand. Our souls and selves dropping pieces each time someone exits this earth. Our identities, foundations shaken. Even sometimes bulldozed to nothing. This one brought me to my knees. At the time of writing this note, I can honestly say, I have never felt anything like this. I am truly surprised it hasn’t killed me. I always knew Barghest was going to die. Barghest’s death was (with the deaths of the others) the worst thing I could think of, and my job as I see it is to explore all the worsts. And all the bests, too. This book, or more accurately, an early, now unrecognizable version of it, was the first thing I ever seriously wrote. It was also what got me started on this path of Writer. Someone read this early snippet and believed in it, in me. This was a story that I wanted to tell from day one, ideas that hounded me then and have for all the years since. It’s taken ten years, an education, all the events of a decade of life, and more drafts than I’d like to count for me to tell this story in a way that felt right. In a way that is (I hope) befitting of you, most precious reader. And these dogged questions of guilt, shame, faith have nipped at my heels through everything. Funny, how they always draw just enough blood to keep us from running full tilt. But now. In the wake of a loss that has shaken me more than any I’ve lived through before, in a moment in which I find myself, like Sophie, questioning everything, questioning what the point of being here is at all, I have to say, It all feels very human and very small to confine and bind ourselves to anything that seeks to diminish us. This world and universe and existence is so expansive and evolving, and we choose to let ourselves be crippled by someone else’s ideas. We share life with mortality. We will die. Everyone we love will die. We will all face the dark. Together, or separate. We just don’t know. There is no self-help book, no textbook, no how-to that can tell us, definitively, what comes after. By the time any of us has the answers, we won’t be here to write them. None of us knows, even if we think we do. But here is what I do know: We live with death. And horror chooses not to turn away from it. Horror looks the darkness in the eyes. Horror dances with the absence, the loss. Explores ways for us—you, the reader, and me—to take it in our arms and spin around together. Ways to embrace the centrifugal force that is human striving, human searching. Mortal life. Dogs die. Humans die. We live with it, whether we want to or not. But from choosing to look, choosing not to turn away, from our embrace in the darkness, I hope that guilt and shame and any idea invented to hold you down in this glorious, nearly blinding existence, will seem, at the end of it all, very, very small. You, and me, spinning too fast for them to catch us. Thank you for continuing on this journey with me. With my characters, who are of course, now yours. These questions and worlds that I humbly share with you. That now belong to you. And while we keep hurtling through the unknown, as we spin round and round, I want to say, Here’s to dancing, book by book, question by question, through this vast, shining existence. Together.

Now, there’s a pathetic family portrait you don’t want to be a part of, believe me. More on the unfortunate Village Police incident later. I need to work myself up to tell you that disaster story. So anyway, ta-da, here it is, book fans, and all of you in need of AR points at school, the true autobio of my life so far. The dreaded middle school years. If you’ve ever been a middle schooler, you understand already. If you’re not in middle school yet, you’ll understand soon enough. But let’s face it: Understanding me—I mean, really understanding me and my nutty life—isn’t so easy. That’s why it’s so hard for me to find people I can trust. The truth is, I don’t know who I can trust. So mostly I don’t trust anybody. Except my mom, Jules. (Most of the time, anyway.) So… let’s see if I can trust you. First, some background. That’s me, by the way, arriving at “prison”—also known as Hills Village Middle School—in Jules’s SUV. The picture credit goes to Leonardo the Silent.

I think anyone who has experienced a major personal or theological shift can understand exactly why book writing freaks me the fuck out. It’s because our beliefs tend to change over time, so much that in many ways I’m not even the same person I was when I first fell in love with Jesus. I mean, if I met 1998 Christian me, with her gold-cross necklace and her mom bob and her cheap, cheesy platitudes today? I’d probably give her the finger. That’s the inherent problem with writing a book centered on life and faith. It’s that, in the end, my own perception of God is subjective and insufficient and ever changing. I’m still in the middle of this process and I will undoubtedly continue to change, but this book won’t be changing with me. In ten years this is all just gonna be a big fat public record of how dumb I was when I wrote it, so I might as well just get the apologies out of the way right now.

When I’m being love, I don’t get drained, and I don’t need people to behave a certain way in order to feel cared for or to share my magnificence with them. They’re automatically getting my love as a result of me being my true self. And when I am nonjudgmental of myself, I feel that way toward others. In light of this, I’ve learned that it’s important not to be too hard on myself if I’m experiencing challenges. Oftentimes, the problem isn’t the cause of the apparent conflict. Instead, it’s the judgment I have for myself. When I stop being my own worst enemy and start loving myself more, I automatically have less and less friction with the world around me. I become more tolerant and accepting. When we’re each aware of our own magnificence, we don’t feel the need to control others, and we won’t allow ourselves to be controlled. When I awoke into my infinite self, I was amazed to understand that my life could be dramatically different just by realizing that I am love, and I always have been. I don’t have to do anything to deserve it. Understanding this means that I’m working with life-force energy, whereas performing at being loving is working against it. Realizing that I am love was the most important lesson I learned, allowing me to release all fear, and that’s the key that saved my life.

People expect me to be cynical because of my job,' Gamache found himself saying, 'but they don't understand. It's exactly as you've said. I spend my days looking into the last room in the house, the one we keep barred and hidden even from ourselves. The one with all our monsters, fetid and rotting and waiting. My job is to find people who take lives. And to do that I have to find out why. And to do that I have to get into their heads and open that last door. But when I come out again,' he opened his arms in an expansive movement, 'the world is suddenly more beautiful, more alive, more lovely than ever. When you see the worst you appreciate the best.

How’d you like that valentine I sent you?” “You sent me?” said Sister. “You sent me this valentine?” “Yep,” said Billy. “I saved up for weeks to get it.” Sister was confused. She didn’t know what to say, so she just said, “Thanks.” She was still confused that evening when she showed Billy’s valentine to Mama. “Well, it certainly is beautiful,” said Mama, “and I understand your puzzlement. It takes me back to when I was a cub your age. There was this awful boy, just like Billy Grizzwold. He was just awful. The things he did! One time he chased me with a thousand-legger.” “Yuck!” said Sister. “And that wasn’t the worst of it,” continued Mama. “Once he put a giant bullfrog in my lunch box. It scared me half to death when it jumped out. It scared the whole class. It got me in a peck of trouble.” “How about that awful boy?” asked Sister. “Didn’t he get in trouble?” “Oh, yes. From time to time!” said Mama. “But after a while, he straightened out, got married, and raised a family. He became a solid citizen.” “Do I know him?” asked Sister. “Yes,” said Mama. “He’s sitting right over there. It was your papa.” Sister looked over at Papa, whose face was buried in the newspaper.

This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.

I am not ashamed of the wealth I have accumulated through Starbucks’ success. But I have never been interested in broadcasting my personal net worth. I’m very private in that regard. Money is not a measure by which I judge myself or want others to judge me. At the end of the day, we must each close our eyes and find peace with the decisions we have made. Among the things I have come to understand is how money can too easily amplify the best and worst of human nature. People with vast wealth are not immune to the heartbreaks of life, some of which are brought about by that wealth. There are also emotional aches that no amount of money can possibly ease. And while money can afford us our dreams, it can also imbue our failures with the destructive breadth of a tsunami.

It's not a "choice" I've made, like Nell seems to think. When I'm behaving my worst, it actually means I'm struggling the most. I feel like I'm often not listened to or seen properly by people, they just see "challenging" Tally. People just don't understand me, but I guess how can they if I don't explain what it's like to be me and also what I need at these times?

And here’s the thing about soul mates…at least what I’ve come to understand. There isn’t one person I’m fated to love. My soul mate mirrors me. He’s an extension of my heart, and he awakens my soul. He’s seen me at my best and loved me at my worst. So, Mr. MacKlenna was right. Thomas was my soul mate. He was my love, my guiding light—” “But he’s not your soul mate now?” “He is not, but that doesn’t mean I don’t still love him. It just means that special bond we had no longer exists.

Now I understand that my grumbling and complaining is a lack of faith and a reproach to God at best, and possibly blasphemy, at worst. I consider that our present sufferings are not worth comparing with the glory that will be revealed in us (Romans 8:18 NIV).

Difficult times have helped me to understand better than before how infinitely rich and beautiful life is in every way and that so many things that one goes worrying about are of no importance whatsoever. —Isak Dinesen