Underneath The Surface Quotes

Friendship is a simple thing, and yet complicated; friendship is on the surface, something natural, something taken for granted, and yet underneath one could find worlds.

On the surface, an intelligible lie; underneath, the unintelligible truth.

People say I make strange choices, but they’re not strange for me. My sickness is that I’m fascinated by human behavior, by what’s underneath the surface, by the worlds inside people.

Human beings do not like being pushed about by gods. They may seem to, on the surface, but somewhere on the inside, underneath it all, they sense it, and they resent it.

It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.

Be a duck, remain calm on the surface and paddle like hell underneath.

Always behave like a duck- keep calm and unruffled on the surface, but paddle like the devil underneath.

When he stepped past her, a smile flickered at the edges of his lips. There was darkness at the corners, something evil just underneath the surface, sinister. He turned and grinned at her, monstrous but beatific, holding out his hand, darkness gone. Maybe she’d just imagined it. She took his hand.

But Mike was like a Bjork song-all happy and giddy and fun on the surface, but bubbling with turmoil and pain underneath.

The girls said she was too cynical about love, but how could you not be? On the surface, relations between men and women were all soft kisses and white gowns and hand-holding. But underneath they were a scary, complicated, ugly mess, just waiting to rise to the surface.

But that's the thing with the what -if game- you really never know the answer to the question. And maybe it's better that way. Because underneath the surface what-ifs are much worse ones.

When you assess your own life, consider it with the eye of a gardener. Underneath the surface lies rich, fertile soil waiting to nurture the seeds you sow. Even more than you can imagine will grow there if given a chance.

Knowing mathematics is like wearing a pair of X-ray specs that reveal hidden structures underneath the messy and chaotic surface of the world.

The desert and the ocean are realms of desolation on the surface. The desert is a place of bones, where the innards are turned out, to desiccate into dust. The ocean is a place of skin, rich outer membranes hiding thick juicy insides, laden with the soup of being. Inside out and outside in. These are worlds of things that implode or explode, and the only catalyst that determines the direction of eco-movement is the balance of water. Both worlds are deceptive, dangerous. Both, seething with hidden life. The only veil that stands between perception of what is underneath the desolate surface is your courage. Dare to breach the surface and sink.

But that's the thing with the -what if game- you really never know the answer to the question. And maybe it's better that way. Because underneath the surface what-ifs are much worse ones.

My life and most people's lives are a series of little miracles -- strange coincidences which spring from uncontrollable impulses and give rise to incomprehensible dreams. We spend a lot of time pretending that we are normal, but underneath the surface each one of us knows that he or she is unique.

And no matter how tough he acts, the stress of whatever situation he’s in is in there somewhere. Buried deep or right underneath the surface.

I think that the best kind of change, is the change that comes from the inside and begins it's way out until it emerges on the outside; a change that is born underneath then continues and spreads until it has reached the surface. That's a true change. A powerful change. And I have found that while we are emerging, changing into something glorious; it is actually us becoming who we really are. A water lily is born underneath the water, inside the soil at the bottom of the river or lake. And the water lily has always been a water lily for that whole time that it was sprouting out of the wet soil, reaching up through the dark water towards the sunlight, stretching and grasping for the surface; where it then buds and blooms on the outside in the sunshine. It doesn't bud and bloom on the surface and then try to reach down below into the soil.

I'm tired of my life, my clothes, the things I say. I'm hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does. I am uninterested in current events. How can I justify this? How can I explain it? I don't want to have the same vocabulary I've always had. I want something richer, broader, more penetrating and powerful.

It turns out the real you is a quilt, made up of the light and the dark. The life you’ve lived in sunshine and your shadow life, stretching underneath the surface of your mind like a deep underwater world, exerting invisible power. You are a living, breathing story made up of the moments in time you cherish, all strung together, and those you hide. The moments that seem lost. Until the day they’re not.

Of our thinking it is but the upper surface that we shape into articulate thought; underneath the region of argument and conscious discourse lies the region of meditation.

That’s the scary thing about unrequited relationships – there’s no line you can draw underneath them. The love just keeps on living, bubbling away below the surface.

How are you supposed to be believed about the harm that you experience when people don't even believe that you exist? The assumption is that being a masculine man or a feminine woman is normal, and that being "us" is an accessory. Like if you remove our clothing, our makeup, and our pronouns, underneath the surface we are just men and women playing dress-up.

The egotist is all surface; underneath is a pulpy mess and a lot of self-doubt. But the egoist may be yielding and even deferential in things he doesn't consider important; in anything that touches his core he is remorseless.

I am a duck. I’m cool and calm on the surface, but underneath it all is a nonstop struggle to succeed. My feet are like orange spatulas.

Can you even understand what a beautiful life is? It isn’t about the perfect house and a keeping-up-with-the-Jones’s new car every two years and having the right landscaper and bragging at parties that you have a house cleaner. Not when all that stuff is shit. It’s surface. There’s nothing underneath.

This is the whole problem with words. There is so little surface area to reveal whom you might be underneath, how expansive and warm, how casual, how easygoing, how cool, and so it all comes out a little pathetic and awkward and choked.

...when things are very beautiful and comfortable on the surface, it can be harder to see the ugliness underneath.

Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.

I was thinking. What if the world was like one of those Russian nesting dolls? What if we only saw one surface of it, the outside, but there was all kinds of other stuff going on, too? All the time. Underneath. But we just don't see it, even if we're part of it? Even if we're in it? And what if you had a chance to see a different layer, like flipping a channel or something? Would you want to look? Even if what you saw looked like hell? Or worse?

My solitude was like a gemstone. For the most part it was sparkling and resplendent – something I wore with pride. (...) But underneath this diamond of solitude was a sharp point that I occasionally caught with my bare hands, making it feel like a perilous asset rather than a precious one. Perhaps this jagged underside was essential – what made the surface of my aloneness shine so bright. But loneliness, once just sad, had recently started to feel frightening.

Scratch the surface of any cynic, and you will find a wounded idealist underneath. Because of previous pain or disappointment, cynics make their conclusions about life before the questions have even been asked. This means that beyond just seeing what is wrong with the world, cynics lack the courage to do something about it. The dynamic beneath cynicism is a fear of accepting responsibility.

Be like a duck. Calm on the surface, but always paddling like the dickens underneath.

On the surface, there was always an impeccably realistic world, but underneath, behind the backdrop's cracked canvas, lurked something different, something mysterious or abstract.

Now and then, in philosophers or artists, one finds a passionate and exaggerated worship of 'pure forms': no one should doubt that a person who so needs the surface must once have made an unfortunate grab underneath it. Perhaps these burnt children, the born artists who find their only joy in trying to falsify life's images (as if taking protracted revenge against it-), perhaps they may even belong to a hierarchy: we could tell the degree to which they are sick of life by how much they wish to see its image adulterated, diluted, transcendentalized, apotheosized- we could count the homines religiosi among the artists, as their highest class.

People’s lives are often other than they seem to be on the surface. And sometimes, what’s underneath and hidden is the best part of all, the part of real value.

Learning to navigate the unpredictable terrain of life is an essential skill to develop. We can't live a happy life if we are unwilling to pave the path that will lead to our personal fulfillment and destiny. Learning to sit comfortably in the seat of uncertainty is challenging, but equally rewarding, because discovery is what waits just underneath the surface of that uncertainty and that gives us the chance to become fearless explorers, of our own lives.

It takes a certain amount of intelligence and imagination to realize the extraordinary queerness and mysteriousness of the world in which we live. The fools, the innumerable fools, take it all for granted, skate about cheerfully on the surface and never think of inquiring what's underneath.

These Americans, under their forthcoming manner, their surface-gush, as some might call it, have an odd reticence about what goes on underneath.

Moreover, the white backlash had always existed underneath and sometimes on the surface of American life.

Love is more than flirty feelings and fun dates. It's about what lives underneath the surface. The commitment you keep even when life gets hard and all the fuzzy feelings fade.

So the novel works by suppressing the truth of the world packing it tightly down underneath the glittering surface of the text. And we can care once again, as we do in real life, whether people break up or stay together -if and only if, we have successfully forgotten about all the things more important than that, i.e. everything.

When the shock wears off, you always hope there's understanding underneath. And with Rhiannon, it seems as if the understanding has already surfaced. Any vestige of doubt has been swept away.

We carry secrets under our skin like shrapnel. Our surface wounds heal, but the damage festers underneath while we worry what tiny pieces will work their way to the surface for the world to see.

We have been tarnished by the views of generations, painted on with society's standards, but if we wipe away the dust, and polish the heart within, you will discover that the surface underneath is lustrous.

So peaceful, the streets; so tranquil, so orderly; yet underneath the deceptively placid surfaces, a tremor, like that near a high-voltage power line. We’re stretched thin, all of us; we vibrate; we quiver, we’re always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.

I consider fantasy the heir of mythology, addressing a real human need to seek out answers to life’s many mysteries. It is a genre that can tell an entertaining and enthralling story on the surface, and yet deliver a potent message underneath, where everything becomes a symbol of something greater.

And still tears never feel like enough: the rinse something away, but only the surface, not whatever is underneath.

The thing about the ocean is that the surface won’t always tell you what is going on underneath.

All that glitters is not gold. Scratch the shiny surface and underneath there will be bumps and scrapes or even great gaping holes.

..the brave picture we have of humans as rational beings is utterly misleading, a kind of photograph of our surface composure and thus unreflective of-- and unattuned to-- the seismic emotional and psychic reality underneath, our true reality... The arts put onto the page or the stage or the canvas or the screen a special portraiture that does justice to our depths.

We bitch about our difficulties along the rough surface of our path, we curse every sharp stone underneath, until at some point in our maturation, we finally look down to see that they are diamonds.

We still have real jury trials, honest judges, and free elections, all the superficial characteristics of a functional, free democracy. But underneath that surface is a florid and malevolent bureaucracy that mostly (not absolutely, but mostly) keeps the rich and the poor separate through thousands of tiny, scarcely visible inequities.

After something like that . . . well, even though you try to get through it—and might seem fine on the surface—underneath you’re a wreck, and you don’t even know it. And sometimes, it takes a while to figure out that you’re still struggling with everything that happened.

Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares.

The streets were quiet and dark, and the air was oddly warm and still, and on the quays the office buildings were all lit up inside, and empty, and underneath everything, beneath the surface of everything, I began to feel it all over again--the nearness, the possibility of beauty, like a light radiating softly from behind the visible world, illuminating everything.

Underneath someone’s violent nature, there is always fear, rooted in either childhood or present circumstances. Underneath that fear lurks hurt and vulnerability. If you really want to forgive someone, look beneath the surface and see what is there.

And he came to understand that the burial of the broken wasn't eccentric — this was what people did every day, stuffing their brokenness down, pushing it down, smoothing the surface over, making the surface look like nothing was broken underneath. Because, if people see that you are broken, they will not want to stand with you. They will migrate away from you the way groups of people walking down the street will move aside when a shambling ranting man approaches. They will look at the ground and look away so that such a person becomes invisible. So if you are such a person or just an everyday person with some broken places, some places really broken, you will pull them back from view so you can mingle with others without being seen as broken. Because if you have the look of a broken thing, if you are pushed aside and turned from, you will never find your footing again in the world.

Rowing is like a beautiful duck. On the surface it is all grace, but underneath the bastard’s paddling like mad!

Be like a duck . . . keep calm and unruffled on the surface but paddle like the devil underneath. —Unknown

On the surface of the ocean there is stillness,” the monk Thich Nhat Hanh has said of the human condition, “but underneath there are currents.

I don't trust the everyday: it is a mask, a sham. It gives the illusion of permanence, of an unshatterable calm, a placid surface; and yet underneath the pot is slowly coming to a boil.

Knowing mathematics is like wearing a pair of X-ray specs that reveal hidden structures underneath the messy and chaotic surface of the world. Math is a science of not being wrong about things, its techniques and habits hammered out by centuries of hard work and argument. With the tools of mathematics in hand, you can understand the world in a deeper, sounder, and more meaningful way.

The root cause of impostor syndrome is an unhelpful picture of what people at the top of society are really like. We feel like impostors not because we are uniquely flawed, but because we can’t imagine how equally flawed the elite must necessarily also be underneath their polished surfaces.

The more we try to ground our identities in external possessions or triumphs, the more we plaster our names on everything we can accumulate, the more we cling to surface and style, the less we find underneath.

I thought of our family, sometimes, as a tapestry: a perfect blending and weaving of colored threads that produced an enviable picture on our surface, while underneath we were a tangled maze of knots and stitches, colliding and separating in our own directions, united only in the mandate to keep the outward appearances lovely.

Along the Merced River there’s a deep sense of peace, yet it coexists with danger. No matter how sedate the river may appear, it’s as wild as the other creatures of Yosemite. Strong currents run underneath the surface. If I were to jump in, the snowmelt cold would induce hypothermia within minutes and, with a little more volume, this calm-looking river would sweep me to my death. People have drowned when it's looked quiet like this, trying to wade across. Someone died here last year, and Sadie Schaeffer, who's buried in the Pioneer Cemetery, died doing that more than a hundred years ago just a short way downriver toward El Capitan. Nature doesn’t stop and make exceptions for people who get in its way.

The two most common lies in our world are 'I'm fine' and 'You'll be okay'. They are said without harmful intent, and often said in an attempt to placate worries, but still they tell us it is not our place to make another person uncomfortable or to draw too much attention to ourselves. Over and over, we mindlessly repeat variations of the same two phrases as we hide within our lies and attempt to spare others from the miserable truth. I'm fine. I'm okay. You're fine. You'll be okay. Everything will be all right. We become our lies, but only on the surface. Underneath, we are not fine and they will not be okay. We all know this but we're afraid to speak it.

The motion of a glacier was outward in all directions from its origin, and the speed of its motion depended on the slope of its surface, not on the slope of the ground underneath. If the surface slope was great, the water within the glacier flowed downhill faster through the chinks in the ice and spread out the ice as it refroze. They grew faster when they were young, near large oceans or seas, or in mountains where the high peaks assured heavy snowfall. They slowed down after they spread out, their broad surface reflecting the sunlight away and the air above the center turning colder and drier with less snow.

Lubbock, Amarillo, and Wichita Falls are the three principal cities of the Texas plains cities that I find uniformly graceless and unattractive. In summer they are dry and hot, and winter cold, dusty, and windswept; the population is rigidly conformist on the surface and seethes underneath with Imperfectly suppressed malice.

Be like a duck. Calm on the surface, but paddling like the dickens underneath.

But underneath, in the place of dream and feeling, she is going places that she, on the surface, would not understand.

Nothing damages the good order of a house hold   More than a feud that festers underneath   The surface among its master’s faithful servants.   His commands do not, like well tuned music,   Echo back to him in the form of promptly   Executed work; no, all is jarring   Discord, self-will; in the confusion he   Himself’s confused and scolds away to no   Avail. And

I get my heroes so that they're lean and hard muscled and mocking and sardonic and tough and tigerish and single, of course. Oh and they've got to be rich and then I make it that they're only cynical and smooth on the surface. But underneath they're well, you know, sort of lost and lonely. In need of love but, when roused, capable of breathtaking passion and potency. Most of my heroes, well all of them really, are like that. They frighten but fascinate. They must be the sort of men who are capable of rape: men it's dangerous to be alone in the room with.

What anguish! Cincinnatus, what anguish! What stone anguish, Cincinnatus—the merciless bong of the clock, and the obese spider, and the yellow walls, and the roughness of the black wool blanket. The skim on the chocolate. Pluck it with two fingers at the very center and snatch it whole from the surface, no longer a flat covering, but a wrinkled brown little skirt. The liquid is tepid underneath, sweetish and stagnant. Three slices of toast with tortoise shell burns. A round pat of butter embossed with the monogram of the director. What anguish, Cincinnatus, how many crumbs in the bed!

Do the protagonists break up or stay together? In this world, what does it matter? So the novel works by suppressing the truth of the world – packing it tightly down underneath the glittering surface of the text. And we can care once again, as we do in real life, whether people break up or stay together – if, and only if, we have successfully forgotten about all the things more important than that, i.e. everything.

Winterset Hollow was one of those timeless, inimitable books that was simple and pure and patently entertaining on the surface, but so much more underneath. It spoke about life and loss and struggle, fear and bravery and sacrifice in a way that was so approachable it was almost easy to miss, and it immediately wormed its way under Eamon's skin and stayed there like good, strong ink from the day he first opened the cover.

Curl moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shine like crystal, so clear the fresh blood of sacrificed babies torn from their mothers arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children's entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it-a slight silver splinter, embedded just below the surface of her skin. And Mattie rocked and pulled-and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.

Most of the time, that is what it feels like here, far away from the war, in the still heart of the tornado. So peaceful, the streets; so tranquil, so orderly; yet underneath the deceptively placid surfaces, a tremor, like that near a high-voltage power line. We’re stretched thin, all of us; we vibrate; we quiver, we’re always on the alert. Reign of terror, they used to say, but terror does not exactly reign. Instead it paralyzes. Hence the unnatural quiet.

What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that’s not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don’t you agree? Two-thirds of the earth’s surface is ocean, and all we can see of it with the naked eye is the surface: the skin. We hardly know anything about what’s underneath the skin.

Kuan Yin is showing me picture of a windsurfer skimming effortlessly along the ocean's surface," describes Ms. Lees. "While quite skilled, he is nevertheless very focused on the elements around him. The windsurfer is focused upon how to turn the sail. His question must always be, 'what am I going to do with the wind that is blowing right now,'" instructs Kuan Yin: “There are the waves and there is the wind, seen and unseen forces. Everyone has these same elements in their lives, the seen and unseen: karma and free will. The question is, ‘how are you going to handle what you have?’ You are riding the karmic wave underneath and the wind can shift. Everyone must take what they see and deal with that which is unseen.

I began my mindfulness exercises and focused on how the water felt against my skin, how my toes felt as I raised my feet and they came into contact with the bubbles on the surface, and the pressure of the tub against my back. I focused on my breathing and allowed it to become slower and deeper, letting my tummy rise and fall instead of my back and shoulders. Then, as I was at my most relaxed, I pushed my bum forward, opened my mouth, slipped my head underwater and took the biggest gulp of water I could until it flooded my lungs. My brain’s immediate reaction was to force myself to the surface and cough the water out, but I fought hard against it and remained underneath, thrashing about like a fish caught in a net.

Anthropologist Gary Weaver suggested looking at culture as a kind of iceberg: one portion is clearly visible above the surface of the water, while the much larger chunk of ice is hidden below. The part above the water can be considered surface culture––what we can physically see or hear, including behavior, words, customs, language, and traditions. Underneath the water, invisible to all, is the deep culture. This place includes our beliefs, values, assumptions, worldview, and thought processes.

I’ve never done hard drugs, but on the worst days I feel the way I’ve always imagined a heroin addict feels—blissful on the outside, self-hating underneath, chained to an anchor in a bottomless ocean. No way to make it to the surface. Might as well let go.

Something unwanted came to life in me. It was not passion, but something maybe worse than that: memory. Of the one and only woman in my life. I did not know how she had emerged from underneath the sediment of years; she had not been so pretty as this woman, not even similar to her. Why did the one recall the other? I was more concerned with that distant one, who no longer existed, whom I had been forgetting and recalling for twenty years. She surfaced in my memory when I neither wanted nor needed her, bitter as absinthe. She had not appeared for a long time, so why did she come now? Was it because of this woman

While we can celebrate that the civil-rights movement has come of age, we must also recognize that the basic recalcitrance of the South has not yet been broken. True, substantial progress has been made: It is deeply significant that a powerful financial and industrial force has emerged in some southern regions, which is prepared to tolerate change in order to avoid costly chaos. This group in turn permits the surfacing of middle-class elements who are further splitting the monolithic front of segregation. Southern church, labor and human-relations groups today articulate sentiments that only yesterday would have been pronounced treasonable in the region. Nevertheless, a deeply entrenched social force, convinced that it need yield nothing of substantial importance, continues to dominate southern life. And even in the North, the will to preserve the status quo maintains a rocklike hardness underneath the cosmetic surface.

Idolatry isn’t just one of many sins; rather it’s the one great sin that all others come from. So if you start scratching at whatever struggle you’re dealing with, eventually you’ll find that underneath it is a false god. Until that god is dethroned, and the Lord God takes his rightful place, you will not have victory. Idolatry isn’t an issue; it is the issue. All roads lead to the dusty, overlooked concept of false gods. Deal with life on the glossy outer layers, and you might never see it; scratch a little beneath the surface, and you begin to see that it’s always there, under some other coat of paint. There are a hundred million different symptoms, but the issue is always idolatry.

On another night, in a different dream I was asking a question. “How is it that you say all are equal, yet the obvious contradictions smack us in the face: inequalities in virtues, temperances, finances, rights, abilities and talents, intelligence, mathematical aptitude, ad infinitum?” The answer was a metaphor. “It is as if a large diamond were to be found inside each person. Picture a diamond a foot long. The diamond has a thousand facets, but the facets are covered with dirt and tar. It is the job of the soul to clean each facet until the surface is brilliant and can reflect a rainbow of colors. “Now, some have cleaned many facets and gleam brightly. Others have only managed to clean a few; they do not sparkle so. Yet, underneath the dirt, each person possesses within his or her breast a brilliant diamond with a thousand gleaming facets. The diamond is perfect, not one flaw. The only differences among people are the number of facets cleaned. But each diamond is the same, and each is perfect. “When all the facets are cleaned and shining forth in a spectrum of lights, the diamond returns to the pure energy that it was originally. The lights remain. It is as if the process that goes into making the diamond is reversed, all that pressure released. The pure energy exists in the rainbow of lights, and the lights possess consciousness and knowledge. “And all of the diamonds are perfect.” Sometimes

So what is the solution for those who are struggling with the process of maintaining a positive mental attitude? Keep at it! If you plant a seed in the ground and water it every day, it starts to grow towards the surface. If you don’t know and trust that this seed is growing, you will doubt whether anything at all is happening underneath the surface. You may start to say: “I don’t believe in this! I water this piece of ground every day but I never see any results for all my hard work!” Part of life is trusting that if you put in the effort, the outcome is already happening with your very intention and then your action. Eventually, one day, that little plant breaks through the soil with its green, new stem. And from there, you watch it grow stronger and more vital every day (as long as you keep looking after it and watering it!).

In a city it's impossible to forget we live in places raised and built over time itself. The past is underneath our feet. Every day when I leave the house , I may walk over a place where a king killed a wolf in the Royal Forest of Stocket, one of the medieval hunting forests ,where alder and birch , oak and hazel,willow, cherry and aspen grew. The living trees were cut down , their wood used to fuel the city's growth , it's trade, it's life.The ancient wood ,preserved in peat, was found underneath the city(The site of the killing is fairly well buried -the wolf and the king had their encounter some time around the early years of the eleventh century)It's the same as in any other city, built up and over and round , ancient woodlands cut down , bogs drained , watercourses altered, a landscape rendered almost untraceable, vanished.Here, there's a history of 8,000 years of habitation , the evidence in excavated fish hooks and fish bone reliquaries, in Bronze Age grave-goods of arrowheads and beakers, what's still under the surface, in revenants and ghosts of gardens , of doo'cots and orchards, of middens and piggeries, plague remains and witch-hunts, of Franciscans and Carmelites, their friaries buried , over-taken by time and stone .This is a stonemasons' city , a city of weavers and gardeners and shipwrights and where I walk , there was once a Maison Dieu, a leper house; there was song schools and sewing schools, correction houses and tollboths, hidden under layers of time, still there

You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.

Her mother has been going on and on to them (well, to George, because Henry is on a computer game) about fresco structure, about how when some frescoes in a different Italian city were damaged in the 1960s in bad flooding and the authorities and restorers removed them to mend them as best they could, they found, underneath them, the underdrawing their artists had made for them, and sometimes the underdrawings were significantly different from their surfaces, which is something they’d never have discovered if there hadn’t been the damage in the first place.

She had seen Southern men, soft voiced and dangerous in the days before the war, reckless and hard in the last despairing days of the fighting. But in the faces of the two men who stared at each other across the candle flame so short a while ago there had been something that was different, something that heartened her but frightened her — fury which could find no words, determination which would stop at nothing. For the first time, she felt a kinship with the people about her, felt one with them in their fears, their bitterness, their determination. No, it wasn’t to be borne! The South was too beautiful a place to be let go without a struggle, too loved to be trampled by Yankees who hated Southerners enough to enjoy grinding them into the dirt, too dear a homeland to be turned over to ignorant people drunk with whisky and freedom. As she thought of Tony’s sudden entrance and swift exit, she felt herself akin to him, for she remembered the old story how her father had left Ireland, left hastily and by night, after a murder which was no murder to him or to his family. Gerald’s blood was in her, violent blood. She remembered her hot joy in shooting the marauding Yankee. Violent blood was in them all, perilously close to the surface, lurking just beneath the kindly courteous exteriors. All of them, all the men she knew, even the drowsy-eyed Ashley and fidgety old Frank, were like that underneath — murderous, violent if the need arose. Even Rhett, conscienceless scamp that he was, had killed a man for being “uppity to a lady.

Entirely my own opinion,” said Ivanov. “I am glad that we have reached the heart of the matter soon. In other words: you are convinced that “we” – that is to say, the Party, the State and the masses behind it – no longer represent the interests of the Revolution.” “I should leave the masses out of it,” said Rubashov. […] “Leave the masses out of it, “ he repeated. “You understand nothing about them. Nor, probably, do I any more. Once, when the great “we” still existed, we understood them as no one had ever understood them before. We had penetrated into their depths, we worked in the amorphous raw material of history itself…” […] “At that time,” Rubashov went on, “we were called the Party of the Plebs. What did the others know of history? Passing ripples, little eddies and breaking waves. They wondered at the changing forms of the surface and could not explain them. But we had descended into the depths, into the formless, anonymous masses, which at all times constituted the substance of history; and we were the first to discover her laws of motion. We had discovered the laws of her inertia, of the slow changing of her molecular structure, and of her sudden eruptions. That was the greatness of our doctrine. The Jacobins were moralists; we were empirics. We dug in the primeval mud of history and there we found her laws. We knew more than ever men have known about mankind; that is why our revolution succeeded. And now you have buried it all again….” […] “Well,” said Rubashov, “one more makes no difference. Everything is buried: the men, their wisdom and their hopes. You killed the “We”; you destroyed it. Do you really maintain that the masses are still behind you? Other usurpers in Europe pretend the same thing with as much right as you….” […] “Forgive my pompousness,” he went on, “but do you really believe the people are still behind you? It bears you, dumb and resigned, as it bears others in other countries, but there is no response in their depths. The masses have become deaf and dumb again, the great silent x of history, indifferent as the sea carrying the ships. Every passing light is reflected on its surface, but underneath is darkness and silence. A long time ago we stirred up the depths, but that is over. In other words” – he paused and put on his pince-nez – “in those days we made history; now you make politics. That’s the whole difference.” […] "A mathematician once said that algebra was the science for lazy people - one does not work out x, but operates with it as if one knew it. In our case, x stands for the anonymous masses, the people. Politics mean operating with this x without worrying about its actual nature. Making history is to recognize x for what it stands for in the equation." "Pretty," said Ivanov. "But unfortunately rather abstract. To return to more tangible things: you mean, therefore, that "We" - namely, Party and State - no longer represent the interests of the Revolution, of the masses or, if you like, the progress of humanity." "This time you have grasped it," said Rubashov smiling. Ivanov did not answer his smile.

Uncle Orlando held up his hand to stop Neftalí's ranting. He walked to a mound of smoking ash and kicked it with his boot. Underneath, glowing embers pulsed like a heart. 'You are wrong. Just like Mount Llaima, there is always something burning beneath the surface. Sometimes it takes years to erupt. But, eventually, it will. Nephew, they may have silenced La Mañana, but they will never silence my pen.' He extended his outstretched hand to Neftalí. Neftalí looked into his uncle's determined face. He did not see a man defeated by exhaustion. He saw a man ready to fight another day. He did not see a man covered head to toe in soot. He saw a man covered in righteousness. He did not see a man's red and blurry eyes. He saw an intense resolve to speak for those who could not speak for themselves. Neftalí reached out and gripped his uncle's palm and held it tight. 'Nor will they silence mine.

The ghost was not a ghost at all, or so it claimed - it claimed to be a psychic energy baby, birthed in some ethereal dimension, and pulled into the phone by the powerful magnetism of phone signals. It remembered with perfect clarity how it came to be - remembered coalescing from the membranous surface of the world, streaked with reflected light, humming with surface tension under the pressure of emptiness underneath. The Psychic Energy Baby found form among the emanations of people's minds and the susurrus of their voices, it found flesh in the shapes of their lips and eyes made, the surprise of 'o's and the sibilations of 's's; its skin stretched taut like a soap bubble, forged from the wet sound of lips touching; its thoughts were the musky smells and the nerves twined around the transparent water balloons of the muscles like stems of toadflax, searching restlessly for every available crevice, stretching along cold rough surfaces. Its veins, tiny rivers, pumped heartbeats striking in unison, the dry dallying of billions of ventricular contractions. And it spoke, spoke endlessly, it spokes words that tasted of dark air and formic acid. It could speak long before it took it's final shape. And when it happened, when all the sounds and smells and words in the world, when all the thoughts had aligned so that it could become - then it found itself pulled into the wires, surrounded by taut copper and green and red and yellow insulation; twined and quartered among the cables, rent open by millions of voices that shouted and whispered and pleaded and threatened, interspersed with the rasping of breaths and tearing laughter. It traveled through the criss-crossing of the wires so fast that it felt itself being pulled into a needle, head spearing into the future while its feet infinitely receded into the past, until it came into a dark quiet pool of the black rotary phone, where it could reassemble itself and take stock.

On another night, in a different dream I was asking a question. “How is it that you say all are equal, yet the obvious contradictions smack us in the face: inequalities in virtues, temperances, finances, rights, abilities and talents, intelligence, mathematical aptitude, ad infinitum?” The answer was a metaphor. “It is as if a large diamond were to be found inside each person. Picture a diamond a foot long. The diamond has a thousand facets, but the facets are covered with dirt and tar. It is the job of the soul to clean each facet until the surface is brilliant and can reflect a rainbow of colors. “Now, some have cleaned many facets and gleam brightly. Others have only managed to clean a few; they do not sparkle so. Yet, underneath the dirt, each person possesses within his or her breast a brilliant diamond with a thousand gleaming facets. The diamond is perfect, not one flaw. The only differences among people are the number of facets cleaned. But each diamond is the same, and each is perfect.

And then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.

I thought a lot about death. My death. I got used to the idea of dying. I always imagined it’d be peaceful, with slow-motion scenes and a nice background melody… like in a movie. But I was wrong. I was lost in the eerie quiet. It was cold and dark. My hair floated lightly in the air. No, not in the air, but in the water. Water surrounded me from every side. Frozen water that seemed to burn in my lungs. I was drowning and couldn’t breathe. I tried to swim. Desperately, I kicked my legs and waved my hands, but I wasn’t able to reach the surface. I felt all my energies slowly leave me. It was too dark, and I was tired, but I didn’t want to give up. I didn’t want to die. I tried to push harder with my feet, hoping to feel something solid underneath me, but there was nothing but the fluctuating light and darkness. It swallowed me and I didn’t know what to do. I had always been afraid of two things in my life, water and darkness, so I wondered how the hell I had ended up here. My head was spinning due to the lack of oxygen. I kept fighting, but every cell in my body screamed to let it go. I had to breathe, so I opened my mouth and inhaled strongly. Water came into my lungs, but it had stopped hurting. I no longer felt anything when my body became numb and the darkness devoured me.

Dreams in which the dead interact with the living are typically so powerful and lucid that there is no denying contact was real. They also fill us with renewed life and break up grief or depression. In chapter 16, on communicating with the dead, you will learn how to make such dreams come about. Another set of dreams in which the dead appear can be the stuff of horror. If you have had a nightmare concerning someone who has recently passed, know that you are looking into the face of personal inner conflict. You might dream, for instance, that your dead mother is buried alive or comes out of her grave in a corrupted body in search of you. What you are looking at here is the clash of two sets of ideas about death. On the one hand, a person is dead and rotting; on the other hand, that same person is still alive. The inner self uses the appropriate symbols to try to come to terms with the contradiction of being alive and dead at the same time. I am not sure to what extent people on the other side actually participate in these dreams. My private experience has given me the impression that the dreams are triggered by attempts of the departed for contact. The macabre images we use to deal with the contradiction, however, are ours alone and stem from cultural attitudes about death and the body. The conflict could lie in a different direction altogether. As a demonstration of how complex such dreams can be, I offer a simple one I had shortly after the death of my cat Twyla. It was a nightmare constructed out of human guilt. Even though I loved Twyla, for a combination of reasons she was only second best in the hierarchy of house pets. I had never done anything to hurt her, and her death was natural. Still I felt guilt, as though not giving her the full measure of my love was the direct cause of her death. She came to me in a dream skinned alive, a bloody mass of muscle, sinew, veins, and arteries. I looked at her, horror-struck at what I had done. Given her condition, I could not understand why she seemed perfectly healthy and happy and full of affection for me. I’m ashamed to admit that it took me over a week to understand what this nightmare was about. The skinning depicted the ugly fate of many animals in human hands. For Twyla, the picture was particularly apt because we used to joke about selling her for her fur, which was gorgeous, like the coat of a gray seal. My subconscious had also incorporated the callous adage “There is more than one way to skin a cat.” This multivalent graphic, typical of dreams, brought my feelings of guilt to the surface. But the real meaning was more profound and once discovered assuaged my conscience. Twyla’s coat represented her mortal body, her outer shell. What she showed me was more than “skin deep” — the real Twyla underneath,