“
Soul Alone by Hannah Baker
I meet your eyes
you don't even see me
You hardly respond
when I whisper
hello
Could be my soul mate
two kindred spirits
Maybe we're not
I guess we'll never
know
My own mother
you carried me in you
Now you see nothing
but what I wear
People ask you
how I'm doing
You smile and nod
don't let it end
there
Put me
underneath God's sky and
know me
don't just see me with your eyes
Take away
this mask of flesh and bone and
See me
for my soul
alone
”
”
Jay Asher (Thirteen Reasons Why)
“
It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.
”
”
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
“
[T.J.] I pulled my arms out from underneath her body and tucked her hair behind her ears. “I love you, Anna.”
The surprised look on her face told me she hadn’t seen that coming.
“You weren’t supposed to fall in love,” she whispered.
“Well, I did,” I said, looking into her eyes. “I’ve been in love with you for months. I’m telling you now because I think you love me too, Anna. You just don’t think you’re supposed to. You’ll tell me when you’re ready. I can wait.” I pulled her mouth down to mine and kissed her and when it ended, I smiled and said, “Happy birthday.
”
”
Tracey Garvis Graves (On the Island (On the Island, #1))
“
I sank down onto the bed against the headboard and leaned back. I crossed my legs underneath me.
"Then we'll talk." I said with a smile.
Rush sat down onto the bed and leaned back against the wall. A deep chuckle came from his chest and I watched as a real smile broke out on his face.
"I can't believe I just begged a female to sit and talk to me."
In all honesty, I couldn't either.
”
”
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
“
He glances down and notices that I'm still wearing a certain blue something, and, this time, it's HIS index finger that wraps underneath MY rubber band.
I shiver wonderfully. "I'm never taking it off."
Cricket brushes the delicate skin of my wrist. "It'll fall off."
"I'll ask you for another one."
"I'll give you another one." He smiles and touches his nose to mine.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
She smiled. “Do you know, I suspected you were a good man, deep down. Even if very, very, very deep down. In a fathomless cavern. Underneath a volcano.
”
”
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
“
I fear others will discover that I am not only imperfect; I’m not even okay. I fear that I truly am not okay. But most people who meet me never know that I am struggling. On the outside I am smiling. I am juggling all the balls of okayness: physical, emotional, mental, spiritual, existential. Underneath, I am suffocating.
”
”
Melissa Broder (So Sad Today: Personal Essays)
“
You may think you've hit rock bottom in your life but guess what—there's more crud underneath those rocks.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
When he stepped past her, a smile flickered at the edges of his lips. There was darkness at the corners, something evil just underneath the surface, sinister. He turned and grinned at her, monstrous but beatific, holding out his hand, darkness gone. Maybe she’d just imagined it. She took his hand.
”
”
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
“
My face breaks into a huge smile and i start walking in Peeta's direction. Then, as if i can't stand it another second, I start running.He catches me and spins me around and then he slips-he still isn't entirely in command of his artificial leg-and we fall into the snow, me on top of him, and that's where we have our first kiss in months.It's full of fur and snowflakes and lipstick, but underneath all that, I can feel the steadiness that Peeta brings to everything. And I know I'm not alone.As badly as I've hurt him, he won't expose me in front of the cameras. Won't condemn me with a halfhearted kiss. He's still looking out for me. Just as he did in the arena. Somehow the thought makes me want to cry. Instead I pull him to his feet, tuck my glove through the crook of his arm, and merrily pull him on our way.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
I just stood there and looked up at Rush. When I’d first laid eyes on him I’d been awed at his beauty. Never had I thought that the moody playboy could have a heart the size of his underneath all that swagger. “What changed you? You’re so completely different than that guy I met back in June,” I said, smiling at his confused face.
Rush reached out and slipped his hand into my hair and tangled his fingers around the strands. “This sweet, determined, sexy-as-hell blonde walked into my life and gave me a reason to live.
”
”
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))
“
Lillian sounds like she’s more nice than she is kind. Does that make sense? Niceness is good manners, and stopping to give someone directions, and smiling at the overworked cashier at the supermarket. These are all good things, but they have nothing to do with what’s underneath. Niceness is all about what we do when other people are looking. Kindness, on the other hand, runs deep. Kindness is what happens when no one’s looking.
”
”
Sangu Mandanna (The Very Secret Society of Irregular Witches)
“
She says she's ok but underneath her smile is her broken heart
”
”
Shardae' Shree Frenchyie Miesha Lorn Moore
“
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
Criticizing people, winding them up, making idiots of them or fooling them doesn't make people with autism laugh. What makes us smile from the inside is seeing something beautiful, or a memory makes us laugh. This generally happens when there's nobody watching us. And at night, on our own, we might burst out laughing underneath the duvet, or roar with later in an empty room ... When we don't need to think about other people or anything else, that's when we wear our aural expressions.
”
”
Naoki Higashida (The Reason I Jump: the Inner Voice of a Thirteen-Year-Old Boy with Autism)
“
There’s not a lot you can control, you know. Where you’re born. Who your family is. What people want from you, and what you are, underneath it all. When you have so little say in it all, I think it’s important to exercise a measure of control when given the opportunity.” She smiled, ducking her head. “So I blow things up.
”
”
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
“
She was sound asleep when he came to curl up next to her. She grunted.
"Don't worry. I'm too drunk, I won't do anything," he murmered.
As she had her back to him, he placed his nose on her neck and slid his arm underneath her to be as close to her as possible. Short strands of her hair tickled his nostrils.
"Camille?"
Was she asleep? Was she pretending? No answer either way.
"I like being with you."
A little smile.
Was she dreaming? Was she asleep? Who knows...
”
”
Anna Gavalda (Hunting and Gathering)
“
What I am built for is falling in love slowly, page by page, like reading a favorite book. I am built for the nearness of someone, the quirk of their lips, the sincerity of their smile, the dreams just underneath their skin. I fall in love moment by moment, collecting who they are, who they were, who they want to be, into a kaleidoscope of colors.
”
”
Ashley Poston (The Princess and the Fangirl (Once Upon a Con, #2))
“
no matter how big his smile or how loud his laugh, you could hear the hurt underneath.
”
”
Kirby Larson (Hattie Big Sky (Hattie, #1))
“
Inside all of us, she reflected, were smiling bones. She would do her best to remember from now on that even on the hardest days there was always a smile underneath her skin.
”
”
Dan Rhodes (Little Hands Clapping)
“
He's gawking at me when I open the door.
"Damn girl," he says, looking me over, "what the hell are you trying to do to me?"
I look down at myself, still trying to wake up the rest of the way and realize I'm in those tiny cotton white shorts and varsity tee with no bra on underneath. Oh my God, my nipples are like beacons shining through my shirt! I cross my arms over my chest and try not to look at him i the eyes when he helps himself the rest of the way inside.
"I was going to tell you to get dressed," he goes on, grinning as he walks into the room carrying his bags and the guitar, "but really, you can go just like that if you want."
I shake my head, hiding the smile creeping up on my face.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Her taste still teased my tongue, and her touch tipped my fingers. Her smile licked my lips, and her heart beat my own. So I tugged on her sheets, like it was a cape. To me, she was a God damned super hero, and underneath, was everything I need. Her super powers on top of me.
”
”
J. Raymond
“
In the silent aftermath, I said, "We'll give them a second chance."
With my right hand, I reached to the other pocket. I had known as soon as I lifted the false bottom in the gun case and looked underneath what it meant. I had tried without ceasing to find some alternative to Attolia's ruthless advice and I had failed. Gen's gift told me that I had not failed for lack of trying. I'd lifted out the matching gun and read its archaic inscription. Realisa onum. Not 'the queen made me,' but 'I can make the king.'
Looking at Akretenesh's startled face down the long barrel of the handgun, I smiled, until I felt the scar tissue tighten. That one expression, I'd never showed him. My face gave away my humiliation, my rage, my surprise, and my embarrassment, but I had never let him see what I looked like when I smiled: my uncle.
His diplomatic mask dissolved, and he backed away.
In Attolia, I had been in front of a mirror at last, and I had understood what made Oerus back in Hanaktos ask me if my expression was a happy one or not. The smile rumpled the scar tissue under my skin, and it dragged my face askew, giving me the leer of a man who'd never had a moment of self-doubt, who'd never regretted a life lost. I'd worried that I wouldn't have the nerve to carry this off, but in the moment, it was easy. Seeing Akretenesh recoil, I laughed out loud.
”
”
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
“
What’s the point of you? Try this, for starters. And underneath there’s a long list. He’s written a long, long list, that fills the page. I’m so flustered, I can’t even read it properly, but as I scan down I catch beautiful smile and great taste in music (I sneaked a look at your iPod) and awesome Starbucks name. I give a sudden snort of laughter that almost turns to a sob and then turns to a smile, and then suddenly I’m wiping my eyes. I’m all over the place.
”
”
Sophie Kinsella (Finding Audrey)
“
I learned how to hide the scars underneath layers of makeup and a smile.
”
”
Marwa Rakha (The Poison Tree - Planted And Grown In Egypt)
“
Lots of folks would argue that Bruce hides behind his perfectly coiffed hair and ever-easy smile far more than Batman does underneath his cowl.
”
”
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
“
You could say it feels a bit like dressing up in the brightest party clothes so nobody sees how low and lost you feel underneath. You'd be surprised how easy it is to hide your true feelings with a smile and a kind word.
”
”
K.L. Slater (Safe With Me)
“
Kurogane: That's what you want, isn't it? Underneath that constant grin, you're keeping everyone away. So that nobody gets involved with you. But look. Just now you checked to see if the kid had a fever, and you're relieved that the princess doesn't see the wretched condition of this world. And in the last country, you used your magic.
Fai: *smiling* I said it, didn't I? I wasn't going to die. And so...
Kurogane: Yeah, but that was all about you not dying on your own account. Dying for somebody else... That's a whole new question. Back then, if you hadn't done anything, we would have been captured, and if we handled it wrong, we might have died. But you decided to use magic on your own. You involved yourself in their lives.
Fai: *no longer smiling, looks depressed* I... I don't want to make anyone unhappy because of their involvement with me.
”
”
Clamp
“
This was the Karachi now – barbed wires protecting consulates, the pretentious covering themselves with faces of those who were hiding behind those barbed wires. This was Karachi – gaudy and luxurious, with a façade of glamor, ignoring the truth underneath. But Sophie was no cynic, and still loved the city she had returned to. ‘You can’t hate what’s yours,’ she smiled to herself.
”
”
Umair Naeem (Drowning Shadows)
“
am discovering her pretenses. She is always smiling, gay, but underneath she feels unreal, remote, detached from experience. She acts as if she were asleep. She is trying to awaken by falling into bed with anyone who invites her.
”
”
Anaïs Nin (Little Birds)
“
Poem -
I meet your eyes. You don't even see me. You hardly respond when I whisper hello. Could be my soul mate, two kindred spirits. Maybe we're not. I guess we'll never know. My own mother, you carried me in you. Now you see nothing but what I wear. People ask you how I am doing. You smile and nod. Don't let it end there. Put me underneath God's sky and know me. Don't just see me with your eyes. Take away this mask of flesh and bone and see me for my soul, alone.
”
”
Jay Asher (Thirteen Reasons Why)
“
What do you know of love or marriage?" I asked. "You were all set to marry a woman ten years older than you before the King stole her away."
"I wouldn't have married her anyway," Loki shrugged. "Not if I didn't love her."
"Now you've got integrity?" I scoffed. "You kidnapped me, and your father was a traitor."
"I've never said a nice word about my father," Loki said quickly. "And I've never done anything bad to you."
"You still kidnapped me!" I said dubiously.
"Did I?" Loki cocked his head. "Because I remember Kyra kidnapping you,and me preventing her from pummeling you to death. Then,when you were coughing up blood, I sent for the Queen to help you. When you escaped,I didn't stop you. And since I came here,I've done nothing to you. I've even been good because you told me to be. So what terrible crimes have I committed against you, Princess?"
"I-I-" I stammered. "I never said you did anything terrible."
"Then why don't you trust me, Wendy?"
He'd never called me by my name before, and the underlying affection underneath it startled me. Even his eyes, which still held their usual veil of playfulness, had something deeper brewing underneath. When he wasn't trying so hard to be devilishly handsome, he actually was.
The growing connection I felt with him unnerved me, but I didn't want him to see that. More than that,it didn't matter what feelings I might be having for him.He was leaving today, and I would probably never see him again.
"I do trust you," I admitted. "I do trust you.I just don't know why I do,and I don't know why you've been helping me."
"You want the truth?" He smiled at me, and there was something sincere and sweet underlying. "You piqued my curiosity."
"You risked your life for me because you were curious?" I asked doubtfully.
"As soon as you came to,your only conern was for helping your friends, and you never stopped," Loki said. "You were kind. And I haven't seen that much kindness in my life.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Underneath the professional smiles there is a sadness in this country that is sunk so deep in the culture you can taste it in your morning Cheerios.
”
”
Sean Wilsey (More Curious)
“
She smiled bitterly, and once again the mask she wore so well, the firm lady of strong, impatient indifference whom he’d met when he first walked into the church a week before, broke apart, revealing the vulnerable, lonely soul underneath. She’s just like me, he thought in wonder. She’s as lost as I am.
”
”
James McBride (Deacon King Kong)
“
I've taken the liberty of giving us a full moon. I've arranged for all stoplights to stay green. I've made some phone calls to make sure you keep smiling. I've reserved the space underneath our feet. I've gone all out for you, so why don't you go with me?
”
”
Joey Goebel (Torture the Artist)
“
But it has only been three weeks,” I whisper.
“Three fucking good weeks, gorgeous. Three weeks that make me want to see this through.”
…
“I will tell you this, Mac. I’m going to try and be everything you need me to be both in and out of the bedroom because I like seeing you smile. I like seeing you laugh, and I definitely like you when you’re underneath me calling out my name.
”
”
B.J. Harvey (Temporary Bliss (Bliss, #1))
“
What makes us smile from the inside is seeing something beautiful, or a memory that makes us laugh. This generally happens when there’s nobody watching us. And at night, on our own, we might burst out laughing underneath the duvet, or roar with laughter in an empty room … when we don’t need to think about other people or anything else, that’s when we wear our natural expressions.
”
”
Naoki Higashida (The Reason I Jump: The Inner Voice of a Thirteen-Year-Old Boy with Autism)
“
Because fear called her by her name. (Her own name, not fear’s name. Fear doesn’t have a name; it’s just the steady beat underneath a smile.)
”
”
Luisa Valenzuela (Dark Desires and the Others (Argentinian Literature))
“
Less a boy, more a monster. Was that all he was? The silly boy who smiled too much and felt too deeply just a mask for the monster underneath?
”
”
Emily A. Duncan (Wicked Saints (Something Dark and Holy, #1))
“
God forgive her, but underneath the smiles and the good job and the great family, she was tired. Desperately tired. Tired to the point of breaking. In the last few years the exhaustion had grown, rising up like a specter to knock on her door. No one knew, she hadn't told even Kit, but in the past year she'd begun to question her entire existence. Why was she even here? What was life? Was she even necessary?
Maybe all women had these thoughts. Maybe all women felt tired. But the thoughts confused her. Good women weren't supposed to have doubts. Good women were supposed to be strong and selfless. Instead Meg felt needy and afraid. What if there was no reward for all the hard work? What if life was just one sacrifice after another?
”
”
Jane Porter (The Good Woman (A Brennan Sisters, #1))
“
There's not a lot you can control, you know. Where you're born. Who your family is. What people want from you, and what you are, underneath it all. When you have so little say in it all, I think it's important to exercise a measure of control when given the opportunity." She smiled, ducking her head "So I blow things up."
"Did you hear that? You almost said something profound. You came so close .
”
”
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
“
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs.
Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?”
“In a shoe box.”
He flicks John’s smiling face. “Punk.”
“Peter!”
“Just kidding,” he says.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I touched Loki's chest, running my fingers over the bumps of his scar. I didn't know why exactly, but I felt compelled to, as if the scar connected us somehow.
"You just couldn't wait to get me naked, could you, Princess?" Loki asked tiredly. I started to pull my hand back, but he put his own hand over it, keeping it in pace.
"No,I-I was checking for wounds," I stumbled. I wouldn't meet his gaze.
"I'm sure." He moved his thumb, almost caressing my hand, until it hit my ring. "What's that?" He tried to sit up to see it, so I lifted my hand, showing him the emerald-encrusted oval on my finger. "Is that a wedding ring?"
"No, engagement." I lowered my hand, resting it on the bed next to him. "I'm not married yet."
"I'm not too late, then." He smiled and settled back in the bed.
"Too late for what?" I asked.
"To stop you, of course." Still smiling, he closed his eyes.
"Is that why you're here?" I asked, failing to point out how near we were to my nuptials.
"I told you why I'm here," Loki said.
"What happened to you, Loki?" I asked, my voice growing thick when I thought about what he had to have gone through to get all those marks and bruises.
"Are you crying?" Loki asked and opened his eyes.
"No, I'm not crying." I wasn't, but my eyes were moist.
"Don't cry." He tried to sit up, but he winced when he lifted his head, so I put my hand gently on his chest to keep him down.
"You need to rest," I said.
"I will be fine." He put his hand over mine again, and I let him. "Eventually."
"Can you tell me what happened?" I asked. "Why do you need amnesty?"
"Remember when we were in the garden?" Loki asked.
Of course I remembered. Loki had snuck in over the wall and asked me to run away with him. I had declined, but he'd stolen a kiss before he left, a rather nice kiss. My cheeks reddened slightly at the memory, and that make Loki smile wider.
"I see you do." He grinned.
"What does that have to do with anything?" I asked.
"That doesn't," Loki said, referring to the kiss. "I meant when I told you that the King hates me. He really does, Wendy." His eyes went dark for a minute.
"The Vittra King did this to you?" I asked, and my stomach tightened. "You mean Oren? My father?"
"Don't worry about it now," he said, trying to calm the anger burning in my eyes. "I'll be fine."
"Why?" I asked. "Why does the King hate you? Why did he do this to you?"
"Wendy, please." He closed his eyes. "I'm exhausted. I barely made it here. Can we have this conversation when I'm feeling a bit better? Say, in a month or two?"
"Loki," I said with a sigh, but he had a point. "Rest. But we will talk tomorrow. All right?"
"As you wish, Princess," he conceded, and he was already drifting back to sleep again.
I sat beside him for a few minutes longer, my hand still on his chest so I could feel his heartbeat pounding underneath. When I was certain he was asleep, I slid my hand out from under his, and I stood up.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Perhaps it is to fulfill this primal urge that runners and joggers get up every morning and pound the streets in cities all over the world. To feel the stirring of something primeval deep down in the pits of our bellies. To feel "a little bit wild." Running is not exactly fun. Running hurts. It takes effort. Ask any runner why he runs, and he will probably look at you with a wry smile and say, "I don't know." But something keeps us going. We may obsess about our PBs and mileage count, but these things alone are not enough to get us out running... What really drives us is something else, this need to feel human, to reach below the multitude of layers of roles and responsibilites that societ y has placed on us, down below the company name tags, and even the father, husband, and son, labels, to the pure, raw human being underneath. At such moments, our rational mind becomes redundant. We move from thought to feeling.
”
”
Adharanand Finn (Running with the Kenyans: Passion, Adventure, and the Secrets of the Fastest People on Earth)
“
One of the reasons circus clowns terrify sensitive individuals is because their image triggers an instinctual response within us concerning a collective archetypal folk memory of the potential evil which might lay behind the painted-on smile. We know the smile of the circus clown is fake and that underneath the expression can be a malicious sneer.
”
”
Thomas Sheridan (Puzzling People: The Labyrinth of the Psychopath)
“
but one thing I've noticed over the years is that some people are nice and some people are kind. Does that make sense? Niceness is good manners, and stopping to give someone directions, and smiling at the overworked cashier at the supermarket. These are all good things, but they have nothing to do with what's underneath. Niceness is all about what we do when other people are looking. Kindness on the other hand, runs deep. Kindness happens when no one is looking.
”
”
Sangu Mandanna (The Very Secret Society of Irregular Witches)
“
The last person to come through the line was Chiron himself, pushed in his wheelchair by Rachel Dare. The old centaur gave Leo a warm, fatherly smile. “My boy, I am so pleased to have you back. And you freed Calypso, I see. Well done, and welcome, both of you!” Chiron spread his arms for a hug. “Uh, thanks, Chiron.” Leo leaned forward. From underneath Chiron’s lap blanket, his equine foreleg shot out and implanted a hoof in Leo’s gut. Then, just as quickly, the leg disappeared. “Mr. Valdez,” Chiron said in the same kindly tone, “if you ever pull a stunt like that again—” “I got it, I got it!” Leo rubbed his stomach. “Dang, for a teacher, you got a heck of a high kick.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
I used to know everything about you. What made you laugh, what made you upset. The way you bounced on your toes when you were excited about something." He smiled. "I knew the real you. Underneath everything you layered on yourself, I knew who you were inside." He reached out a hand, then let it drop to his side. "It's been twenty years, Jessie. I want...you. So much it hurts. That has never changed. Not since the very first day.
”
”
Lauren K. Denton (Glory Road)
“
If I take a chamois and rub real hard on the bone, right on the ledge of your cheek bone, some of the black will disappear. It will flake away into the chamois and underneath there will be gold leaf. I can see it shining through the black. I know it is there…
[...] And if I take a nailfile or even Eva’s old paring knife - that will do - and scrape away at the gold, it will fall away, it will fall away and there will be alabaster. The alabaster is what gives your face its planes, its curves. That is why your mouth smiling does not reach your eyes. Alabaster is giving it a gravity that resists a total smile.
[...] Then I can take a chisel and small tap hammer and tap away at the alabaster. It will crack then like ice under the pick, and through the breaks I will see the loam, fertile, free of pebbles and twigs. For it is the loam that is giving you that smell.
”
”
Toni Morrison (Sula)
“
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled.
”
”
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
“
Isolation, anchoring, distraction, and sublimation are among the wiles we use to keep ourselves from dispelling every illusion that keeps us up and running. Without this cognitive double-dealing, we would be exposed for what we are. It would be like looking into a mirror and for a moment seeing the skull inside our skin looking back at us with its sardonic smile. And beneath the skull—only blackness, nothing. Someone is there, so we feel, and yet no one is there—the uncanny paradox, all the horror in a glimpse. A little piece of our world has been peeled back, and underneath is creaking desolation—a carnival where all the rides are moving but no patrons occupy the seats. We are missing from the world we have made for ourselves. Maybe if we could resolutely gaze wide-eyed at our lives we would come to know what we really are. But that would stop the showy attraction we are inclined to think will run forever.8
”
”
Thomas Ligotti (The Conspiracy Against the Human Race: A Contrivance of Horror)
“
Under the mellowing influence of good food and good music, Adam relaxed, and I discovered that underneath that overbearing, hot-tempered Alpha disguise he usually wore was a charming, over-bearing, hot-tempered man. He seemed to enjoy finding out that I was as stubborn and disrespectful of authority as he’d always suspected.
He ordered dessert without consulting me. I’d have been angrier, but it was something I could never have ordered for myself: chocolate, caramel, nuts, ice cream, real whipped cream, and cake so rich it might as well have been a brownie.
“So,” he said, as I finished the last bit, “I’m forgiven?”
“You are arrogant and overstep your bounds,” I told him, pointing my clean fork at him.
“I try,” he said with false modesty. Then his eyes darkened and he reached across the table and ran his thumb over my bottom lip. He watched me as he licked the caramel from his skin.
I thumped my hands down on the table and leaned forward. “That is not fair. I’ll eat your dessert and like it—but you can’t use sex to keep me from getting mad.”
He laughed, one of those soft laughs that start in the belly and rise up through the chest: a relaxed, happy sort of laugh.
To change the subject, because matters were heating up faster than I was comfortable with, I said, “So Bran tells me that he ordered you to keep an eye out for me.”
He stopped laughing and raised both eyebrows. “Yes. Now ask me if I was watching you for Bran.”
It was a trick question. I could see the amusement in his eyes. I hesitated, but decided I wanted to know anyway. “Okay, I’ll bite. Were you watching me for Bran?”
“Honey,” he drawled, pulling on his Southern roots. “When a wolf watches a lamb, he’s not thinking of the lamb’s mommy.”
I grinned. I couldn’t help it. The idea of Bran as a lamb’s mommy was too funny. “I’m not much of a lamb,” I said.
He just smiled.
”
”
Patricia Briggs (Moon Called (Mercy Thompson, #1))
“
What does it feel like?"
"It feels like..." I begin hesitantly, "...falling from the sky."
As I suspected, confusion registers on Kaelen's face.
"Thrilling and terrifying at the same time," I add.
Kaelen ponders for a while. "Falling from the sky equals death."
I bite my lip to keep from laughing. "Only if there's a ground underneath you," I counter.
"There is."
I shrug. “But what if there wasn't? What if you simply fell forever? Never knowing if there was a ground beneath you or not."
"It's not possible," Kaelen rationalizes. "Unless you were falling in a vacuum."
I smile. "So maybe that's what love is. Falling in a vacuum.
”
”
Jessica Brody (Unforgotten (Unremembered, #2))
“
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.”
He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face.
He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.”
I tried to change the subject. “What does sundari mean?”
“It means ‘most beautiful.’”
I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments.
We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his.
I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.”
“I don’t mind. I’m sure you found my room the least interesting.”
“Actually, I was curious about the note I found. Did you write it?”
“A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.”
“Oh. I…also noticed a ribbon. Is it mine?”
“Yes. If you’d like it back, you can take it.”
“Why would you want it?”
He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.”
“A token? Like a fair maiden giving her handkerchief to a knight in shining armor?”
He grinned. “Exactly.”
I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.”
He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.”
“Why?”
“A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.”
I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces.
Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.”
Ren smiled understandingly. “Then it means even more to me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
If I had only known, it was the last walk in the rain
I'd keep you out for hours in the storm
I would hold your hand, like a life line to my heart
Underneath the thunder we'd be warm
If I had only known, it was our last walk in the rain
If I had only known, I'd never hear your voice again
I'd memorize each thing you ever said
And on those lonely nights, I could think of them once more
And keep your words alive inside my head
If I had only known, I'd never hear your voice again
You were the treasure in my hand
You were the one who always stood beside me
So unaware, I foolishly believed that you would always be there
But then there came a day and I turned my head and you slipped away
If I had only known, it was my last night by your side
I'd pray a miracle would stop the dawn
And when you'd smile at me, I would look into your eyes
And make sure you know my love, for you goes on and on
If I had only known, if I had only known
Oh the love I would've shown, if I had only known
”
”
Jana Stanfield
“
Why are you smiling?"
His smile turned into a grin. "There's no need to sound so suspicious. I do occasionally smile. In this instance, I'm doing so because underneath your sensible and rather terrifying character is a lady possessed of a caring nature and an ability to see the best in some of the most difficult people."
She waved that straight aside. "Well, for heaven's sake, don't tell anyone that. I'm having enough difficulties dissuading ladies and gentlemen from approaching me as it is.
”
”
Jen Turano (A Match in the Making (The Matchmakers, #1))
“
He stretches his legs out underneath the table and checks Facebook on his phone. It tells him things he doesn’t need to know about people he hasn’t seen in years. He absorbs their aggressively worded opinions and quasi-political hate-speak. He sees a photograph of his ex-girlfriend with her new boyfriend smiling at a picnic and he realises, with a strange cascade of emptiness, that she is pregnant and wearing an engagement ring. The comments are jubilant. He reads every word before he forces himself to put his phone down. A loneliness descends. He feels its familiar talons grabbing him violently out of his chair and hanging him, swinging, up by the ceiling. Pete
”
”
Kae Tempest (The Bricks that Built the Houses)
“
Niceness is good manners, and stopping to give someone directions, and smiling at the overworked cashier at the supermarket. These are all good things, but they have nothing to do with what's underneath. Niceness is all about what we do when other people are looking. Kindness, on the other hand, runs deep. Kindness is what happens when no one's looking.
”
”
Sangu Mandanna (The Very Secret Society of Irregular Witches)
“
That brought the smile back to the old woman’s face. “This one at least is honest,” she announced, “but you, ser … I have known a dozen Westerosi knights and a thousand adventurers of the same ilk, but none so pure as you would paint yourself. Men are beasts, selfish and brutal. However gentle the words, there are always darker motives underneath. I do not trust you, ser.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
”
”
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
“
Eric had fang showing.
"Hello, Eric," Quinn said calmly. His deep voice rumbled along my spine. "Sookie, you look good enough to eat." He smiled at me, and the tremors along my spine spread into another area entirely. I would never have believed that in Eric's presence I could think another man was attractive. I'd have been wrong to think so.
"You look very nice, too," I said, trying not to beam like an idiot. It was not cool to drool.
Eric said, "What have you been telling Sookie, Quinn?"
The two tall men looked at each other. I didn't believe I was the source of their animosity. I was a symptom, not the disease. Something lay underneath this.
"I've been telling Sookie that the queen requires Sookie's presence at the conference as part of her party, and that the queen's summons supercedes yours," Quinn said flatly.
"Since when has the queen given orders through a shifter?" Eric said, contempt flattening his voice.
"Since this shifter performed a valuable service for her in the line of business," Quinn answered, with no hesitation. "Mr. Cataliades suggested to Her Majesty that I might be helpful in a diplomatic capacity, and my partners were glad to give me extra time to perform any duties she might give me."
I wasn't totally sure I was following this, but I got the gist of it.
Eric was incensed, to use a good entry from my Word of the Day calendar. In fact, his eyes were almost throwing sparks, he was so angry. "This woman has been mine, and she will be mine," he said, in tones so definite I thought about checking my rear end for a brand.
”
”
Charlaine Harris (Definitely Dead (Sookie Stackhouse, #6))
“
Wipe that smarmy, lying smile off your face.” His voice was as dead as his eyes, but it had a razor-sharp bite behind it. She kept her smarmy, lying smile. “I don’t know what you’re talking about.” He stepped toward her, the canines coming out this time. “Here’s your first lesson, girl: cut the horseshit. I don’t feel like dealing with it, and I’m probably the only one who doesn’t give a damn about how angry and vicious and awful you are underneath.” “I don’t think you particularly want to see how angry and vicious and awful I am underneath.” “Go ahead and be as nasty as you want, Princess, because I’ve been ten times as nasty, for ten times longer than you’ve been alive.” She didn’t let it out—no, because he didn’t truly understand a thing about what lurked under her skin and ran claws down her insides—but she stopped any attempt to control her features. Her lips pulled back from her teeth. “Better. Now shift.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Underneath the helmet was something neon orange [...], a windbreaker that was almost brighter than the stadium paint.
[...] "Dan commissioned them her first year here. She said she was tired of everyone trying to look past us. People want to pretend people like us don't exist, you know? Everyone hopes we're someone else's problem to solve." Nicky reached out and fingered the material. "They don't understand, so they don't know where to start. They feel overwhelmed and give up before they've taken the first step."
Nicky gave himself a small shake and smiled, melancholy instantly replaced by cheer. "You know we donate a portion of ticket sales to charity? Our tickets cost a little more than anyone else's because of it. [...]
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
glimpse of him. Once things got hot, I tended pretty much to my own knittin. I glanced around just once and saw him upstreet beyond them Swedes under the Bijou’s marquee, ” Mr. Keene said. “He wasn’t wearing a clown suit or nothing like that. He was dressed in a pair of farmer’s biballs and a cotton shirt underneath. But his face was covered with that white greasepaint they use, and he had a big red clown smile painted on. Also had these tufts of fake hair, you know. Orange. Sorta comical.
”
”
Stephen King (It)
“
She turned to him, lifted her eyes, and smiled. “Want to hear a joke?” “Dying to.” “A soldier is being led to his execution,” Tatiana began. “‘Some bad weather we’re having,’ he says to his convoy. ‘Look who’s complaining,’ they say. ‘We have to go back.’” Alexander laughed so instantly and loudly, his merry eyes never leaving her face, that Tatiana felt herself—just a little bit—melting within. “That’s funny, Tania,” he said. “Thank you.” She smiled and said quickly, “I have another joke: ‘General, what do you think about the upcoming battle?’” Alexander said, “I know this one. The general says, ‘God knows it will be lost.’” Tatiana continued, “‘Then why should we try?’” And Alexander finished, “‘To find out who is the loser.’” They both smiled and looked away from each other. “Your straps are untied,” she heard him say. “My what?” “Your straps. At the back of the dress. They’ve come undone. Here, turn your back to me a little more. I’ll tie them for you.” She turned her back to him and felt his fingers pulling on the satin ribbons. “How tight do you want them?” “That’s good,” she said hoarsely, not breathing. It occurred to her that he must be seeing down to the small of her bare back underneath the straps, and she became suddenly and keenly self-conscious.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
You’re killing me in this proper little suit,” he said, skating a heated look over her shirt. “My place or yours?”
She swallowed thickly, the hand against his chest beginning to sweat. “I-I’m busy.”
“You’re gonna be,” he said, smiling. “Need to know what bed you’re gonna be in, though. Bringing my A game.”
“Don’t you think—?”
“About you underneath me? Only every other minute. Now answer me, or else I’ll throw you on the nearest desk.”
Heat burst onto her cheeks. He noticed.
“Oh, really?” He smiled down at her.
”
”
Jessica Lemmon (If You Dare)
“
Embracing this beautiful morning,
I open up my eyes with lucid dream
A promise to be with joy forever
Vividly in my heart, I say with loud scream!
Sun shines brightly touching my feet
Says if I reach you, why can’t you fleet
Underneath my lips, now there is a big smile
A simple message though depths in pile!
Holding my life to a distinct side,
I sing and dance with just love inside
Nothing to say, nothing to hope for
Just being happy and all fears aside!
Amazing start of this enthralling day
Resonating birds all over the place
Embracing this morning again,
I would love to be who I am today!
”
”
Halcyon
“
I looked across at Alex and a wicked twinkle appeared in his eyes.
“How is it that you’re still so sexy after all this time?” he mused.
I shrugged my shoulders and raised an eyebrow but remained
silent, a lascivious smile creeping across my features. I teased the
strap of my dress slightly off the shoulder and he growled. He dipped
a hand underneath the table and reached for my knee, pushing my
dress up as far as he could. It appeared he had just remembered that I
had chosen not to wear any underwear. I quickly devoured the last of
the Champagne as the waitress appeared and ushered us to our table.
”
”
Kitty Mulholland (Fierce & Fabulous Volume One)
“
Unglamoured, my skin is the pale blue-grey of hydrangea blooms, smeared with dirt along one cheek and across my nose. My hair is so woven with leaves and twigs and mud that it would be almost impossible to know that underneath it is an even darker blue. I have the same pointy chin I had when I thought I was mortal. A thin face, with large eyes, and an expression of startlement, as though I expect someone else when I look in the mirror.
At least my eyes could pass for human. They're green, deep and dark.
I smile a little to see the awfulness of my sharp teeth. A mouth full of knives. They make even the Folk flinch.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
welcome sign that shouted: “We love visitors in Sunshine, Texas! Stay for a while—we’ll make you smile!” Underneath that horrible threat was the number of idiots who lived here: 403. I was already claustrophobic. I preferred big cities with their bad drivers, polluted skies, shitty attitudes, and endless cheap motel and diner options.
”
”
Mandy M. Roth (Taming the Monster)
“
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles. “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs. “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed. “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me. “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place. I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured. Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach. The scent of my sex. “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
”
”
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
“
I felt my face going blank, my eyes going empty. For just an instant I let Marks see the gaping hole where my conscience was supposed to be. I didn't really mean to, but I couldn't seem to help it. Maybe I was more shaken up from the room and its survivors than I thought. It's the only excuse I can give.
Marks' face went from fading laughter to something like concern. He gave me cop eyes, but underneath that was an uncertainty that was almost fear.
"Smile, Lieutenant. It's a good day. No one died."
I watched the thought spill through his face. He understood exactly what I meant. You should never even hint to the police that you're willing to kill, but I was tired, and I still had to go back into the room. Fuck it.
Edward spoke in his own voice, low and empty, "And you wonder why I compete with you?
”
”
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
“
Today, take a moment to celebrate you. Your beauty. Your style. Your sense of inner mischief. The way you glow in the sunlight. Your strut in those badass boots. The way the dress hugs your soft curves. The gleam in your eye. The curve of your irrepressible smile. The line of your collarbone. The way you know, underneath all the doubts and insecurities and demons that you are, in fact, magic. And what’s more? You always have been. You don’t need someone else to say so. This isn’t for likes or comments. You don’t need to book a photoshoot for this celebration. This is between you and you. For you to take the time to see yourself. To smile at your own beauty. Find a spot where you feel the energy. Where the sun hits just so. Where the colors or textures make you feel more alive, more you. Find somewhere to prop your phone and set the timer on your camera. You don’t need special equipment. And then just see what happens. Be open and curious about what wants to be seen. If someone sees you and stares or laughs or has the nerve to judge, you just ground down and rise up even more. They are just missing out on how good it can feel to see and know your own magic and beauty. And yes. If you want, and it feels good, you should share it. Because we want to see you and celebrate you too.
”
”
Jeanette LeBlanc
“
One night, around the campfire after a dinner of bully-beef stew, someone opened an extra bottle of rum. ‘As it grew
darker, the men began to sing, at first slightly self-conscious and shy, but picking up confidence as the song spread.’
Their songs were not the martial chants of warriors, but the schmaltzy romantic popular tunes of the time: ‘I’ll Never
Smile Again’, ‘My Melancholy Baby’, ‘I’m Dancing with Tears in My Eyes’. The bigger and burlier the singer, Pleydell
noted, the more passionate and heartfelt the singing. Now the French contingent struck up, with a warbling rendition
of ‘Madeleine’, the bittersweet song of a man whose lilacs for his lover have been left to wilt in the rain. Then it was
the turn of the German prisoners who, after some debate, belted out ‘Lili Marleen’, the unofficial anthem of the Afrika
Korps, complete with harmonies: ‘Vor der Kaserne / Vor dem grossen Tor / Stand eine Laterne / Und steht sie noch
davor …’ (Usually rendered in English as: Underneath the lantern, by the barrack gate, darling I remember, how you
used to wait.) As the last verse died away, the audience broke into loud whistles and applause.
To his own astonishment, Pleydell was profoundly moved. ‘There was something special about that night,’ he wrote
years later. ‘We had formed a small solitary island of voices; voices which faded and were caught up in the wilderness.
A little cluster of men singing in the desert. An expression of feeling that defied the vastness of its surroundings … a
strange body of men thrown together for a few days by the fortunes of war.’
The doctor from Lewisham had come in search of authenticity, and he had found it deep in the desert, among hard
soldiers singing sentimental songs to imaginary sweethearts in three languages.
”
”
Ben Macintyre (Rogue Heroes: The History of the SAS, Britain's Secret Special Forces Unit That Sabotaged the Nazis and Changed the Nature of War)
“
Aidan: "From the moment I laid eyes on her she was trouble to my concentration, my libido, and my mental health. After six weeks of pursuit, I’d trapped her between my upraised arms against a book case, somewhere betwixt Shakespeare and Voltaire. “I want the witchcraft in your lips,” I’d whispered. Instead of arguing, she grabbed me by the ears. She’d been soft lips, liberal tongue and nipping teeth. I’d contributed a willing body and a vulgar groan. She’d drawn away, licked her lips and ducked underneath my arms. When she was about three yards from me, she’s tilted her head up like a siren on the bow of a ship and pursed a devil-may-care smile at me before she bowed. She’d challenged me to pursue her, and I’d intended to, but when I pushed off, the bookcase fell backwards. I tumbled into a heap of literary tombs. I could still hear her laughing when the library’s elevator door chimed closed.
”
”
Elizabeth Marx (Binding Arbitration (Chicago #2))
“
Victor Noir. He was a journalist shot by Pierre Bonaparte," St. Clair says, as if that explains anything. He pulls The Hat up off his eyes. "The statue on his grave is supposed to help...fertility."
"His wang us rubbed shiny," Josh elaborates. "For luck."
"Why are we talking about parts again?" Mer asks. "Can't we ever talk about anything else?"
"Really?" I ask. "Shiny wang?"
"Very," St. Clair says.
"Now that's something I've gotta see." I gulp my coffee dregs, wipe the bread crumbs from my mouth, and hop up. "Where's Victor?"
"Allow me." St. Clair springs up to his feet and takes off. I chase after him. He cuts through a stand of bare trees, and I crash through the twigs behind him. We're both laughing when we hit the pathway and run smack into a guard. He frowns at us from underneath his military-style cap. St. Clair gives an angelic smile and a small shrug. The guard shakes his head but allows us to pass.
St. Clair gets away with everything.
We stroll with exaggerated calm, and he points out an area occupied with people snapping pictures.We hang back and wait our turn. A scrawny black cat darts out from behind an altar strewn with roses and wine bottles,and rushes into the bushes.
"Well.That was sufficiently creepy. Happy Halloween."
"Did you know this place is home to three thousand cats?" St. Clair asks.
"Sure.It's filed away in my brain under 'Felines,Paris.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
When I catch my breath, Gretchen smiles and takes my hand to walk me to the bedroom. I follow her with no resistance. She leads me to the bed and lifts the hem of her dress to show me that she’s not wearing anything underneath it. She climbs onto the bed while still holding my hand and pulls me along. She positions herself against the pillows and the headboard, spreading her legs and guiding me between her thighs. I’m still not sure I like going down on a woman but she leaves me little choice - do it or fight it and I don’t have it in me to fight her. She grabs a fistful of my hair and pulls my face into her wet vagina, burying my face in her wetness. She moans as I lick her clit. She lets go of my hair giving me free rein to stimulate her as I see fit. She raises her hands up to her breasts and pinches her nipples through the thin fabric, moaning like a bitch in heat.
“Fuck, that’s so good, Allie,” she says between moans. “God, you're so good at this.
”
”
Lena White (Cuckold Awakening (First Time Hotwife Book 2))
“
opportunity. The bizarre codes on the pages she’d sorted for Randy suddenly made sense. They must have been the files that kept track of where the bank had stashed millions of dollars. Jim wanted the money out, and so did the Covellis. The Mob was somehow involved with the bank’s dealings, and Carmichael worked for them. Being a bartender was just a facade. Beatrice hadn’t known him at all. But Tony and Max had known him, she realized. Tony was a police detective; he was the one who told her about the Covellis in the first place. He must have known. Every word Carmichael might have overheard at the bar replayed in her mind—her conversations with Tony about snooping around the bank, the missing safe deposits, the missing master key. Maybe Tony had wanted Carmichael to hear. The old man pointed the gun at Teddy in her head. Maybe the Covellis would bring down the bank if law enforcement failed. No one, not even Tony, suspected that she and Max had the power to do anything but run. Max was right. They all underestimated women like them. Beatrice stepped out from behind the curtain with the keys in her hand and crept toward the vault. CHAPTER 72 Friday, August 28, 1998 A black-and-white photograph of two women looked up from Box 547 in the yellow glow of the detective’s flashlight. They were smiling. The glass in the silver picture frame was cracked. Iris picked it up and handed it to Detective McDonnell. Underneath it she found a brown leather book and a candle. That was it. “What the hell is this?” Iris
”
”
D.M. Pulley (The Dead Key)
“
It was a sad story, and nothing like the paintings, which were so witty and joyous and full of unexpected colour and juxtapositions that Elisabeth, flicking through the catalogue, realized that she was smiling. The painter’s last painting had been of a huge and beautiful female arse, nothing else, famed by a jovial proscenium arch like it was filling the whole stage of a theatre. Underneath, in bright red, was a word in huge and rambunctious looking capitals.
BUM.
Elisabeth laughed out loud.
What a way to go.
”
”
Ali Smith (Autumn (Seasonal Quartet, #1))
“
I asked myself, What is true about a person? Would I change in the same way the river changes color but still be the same person? And then I saw the curtains blowing wildly, and outside the rain was falling harder, causing everyone to scurry and shout. I smiled. And then I realized it was the first time I could see the power of the wind. I couldn't see the wind itself, but I could see it carried the water that filled the rivers and shaped the countryside. It caused me to yelp and dance.
I wiped my eyes and looked in the mirror. I was surprised at what I saw. I had on a beautiful red dress, but what I saw was even more valuable. I was strong. I was pure. I had genuine thoughts inside that no one could see, that no one could ever take away from me. I was like the wind.
I threw my head back and smiled proudly to myself. And then I draped the large embroidered red scarf over my face and covered those thoughts up. But underneath the scarf I still knew who I was. I made a promise to myself. I would always remember my parent's wishes, but I would never forget myself
”
”
Amy Tan (The Joy Luck Club)
“
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips.
I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked.
There was no bullet-hole in her skull!
A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress.
("Vampire's Honeymoon)
”
”
Cornell Woolrich (Vampire's Honeymoon)
“
And then he lifted his eyes from the chair to his bed. If this was his imagination, his imagination was glorious. Margaret lay on his coverlet, stretched out full length. She still wore a corset and petticoats, but they’d been hiked up so that he could see where her garters tied at the knees. She crooked one finger at him and smiled.
“Margaret. What are you doing here?”
“I,” she said, “have been procuring my future.”
His mind went blank. He didn’t know how to take it. She’d decided to have him, after all. She’d realized she didn’t need him, not one bit. His head pounded. His heart swelled in a mix of hope and despair.
“I want you.”
Hope. Hope. It was all hope. He took a careful step towards her.
“Wait. There’s a condition.”
“You know,” Ash said, his throat closing, “that if you are half-naked on my bed, all conditions will be met. Instantly.”
“Ah, but this is one of the conditions I did not deliver to Lord Lacy-Follett earlier today.”
If he’d been overwhelmed by her appearance before, he was stunned now. “You talked to Lacy-Follett? You cannot be serious.”
“Oh, but I am. I had to renegotiate, after I’d heard what you had done. I had been so blinded by my loyalty to my brothers that I could not see that I owed loyalty to you, as well. I was wrong. I love you, Ash.”
He swallowed.
She smiled up at him. “I love that you make me feel as if I’m the only woman in the world. I love that you’ll always be there for me.” She sat up on the bed, and her petticoats fell, so that only her toes peeked out at him from underneath those layers of fabric. “I want to paint my own canvas, Ash. And I want you on it with me.”
Delicately, she stretched out one leg. Her foot flexed, and then her toes found the floor. He was helpless. Just seeing her push to her feet got him hard. And seeing her in his room—on his bed—made every part of him reverberate with the rightness of it.
”
”
Courtney Milan
“
The man standing in the booth placing the tickets into her hands for the fun-house loomed largely in front of her with arms comprised of iron muscle. She remembered the gray cataract that covered over one of his eyes and the terrified feeling it gave her. She had been too young to understand the malady. To her; his eye looked as though it belonged to a creature from the sea. A frightening creature composed of reptilian and fish like attributes, which would pull unsuspecting prey underneath the darkest oceans. The smile on his face, with the crooked teeth, the cigar, contrasting with the bald head and unshaven face increased her sense of panic.
”
”
Jaime Allison Parker (River at the World's Dawn (The Louhi Chronicles Book 2))
“
This is the girl in the borrowed trench-coat, moving across the bridge with the river Seine underneath. She pulls something from the jacket's pocket and hits the button, not answering when the man without his coat catches up with her at that moment, calling her name.
Pull back fifty metres, and here is the burning apartment, debris floating softly through the air that is filled with screams.
Here is the man again, gripping the shoulders of the girl with his coat and yelling into her ears, 'What have you done?'
And here is that playful smile that creeps upon her lips as she disappears, the air rushing to fill the space where she had just been.
”
”
Israel Elysium
“
Instead of a steakhouse or a barbecue pit they ate in chilly fluorescent silence in a rest-stop facility run by a third-best national chain. Reacher got a cheeseburger in a paper wrapper and coffee in a foam cup. Chang got a salad, in a plastic container as big as a basketball, with a clear lid at the top, and a white bowl underneath. She was stressed and maybe a little tired from driving, but even so she was good company. She put her hair behind her shoulders and turned attacking her salad into a shared misadventure, with widened eyes and about six different kinds of half-smiles, ranging from rueful and self-effacing to amused anticipation, as Reacher picked up his burger and tried to take a bite.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
Eragon and the others walked as quietly as they could, but the tunnel magnified sounds. Every bump and scrape echoed, filling the air with a multitude of overlapping whispers that seemed to murmur and sigh with a life of their own. The whispers made Eragon feel as if they were surrounded by a host of disembodied spirits who were commenting on their every move.
So much for sneaking up on anyone, he thought as he scuffed his boot against a rock, which bounced against the side of the tunnel with a loud clack that multiplied a hundredfold as it spread through the tunnel.
“Sorry,” he mouthed as everyone looked at him.
A wry smile touched his lips. At least we know what causes the strange sounds underneath Dras-Leona.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Entirely my own opinion,” said Ivanov. “I am glad that we have reached the heart of the matter soon. In other words: you are convinced that “we” – that is to say, the Party, the State and the masses behind it – no longer represent the interests of the Revolution.”
“I should leave the masses out of it,” said Rubashov. […] “Leave the masses out of it, “ he repeated. “You understand nothing about them. Nor, probably, do I any more. Once, when the great “we” still existed, we understood them as no one had ever understood them before. We had penetrated into their depths, we worked in the amorphous raw material of history itself…” […] “At that time,” Rubashov went on, “we were called the Party of the Plebs. What did the others know of history? Passing ripples, little eddies and breaking waves. They wondered at the changing forms of the surface and could not explain them. But we had descended into the depths, into the formless, anonymous masses, which at all times constituted the substance of history; and we were the first to discover her laws of motion. We had discovered the laws of her inertia, of the slow changing of her molecular structure, and of her sudden eruptions. That was the greatness of our doctrine. The Jacobins were moralists; we were empirics. We dug in the primeval mud of history and there we found her laws. We knew more than ever men have known about mankind; that is why our revolution succeeded. And now you have buried it all again….” […] “Well,” said Rubashov, “one more makes no difference. Everything is buried: the men, their wisdom and their hopes. You killed the “We”; you destroyed it. Do you really maintain that the masses are still behind you? Other usurpers in Europe pretend the same thing with as much right as you….” […] “Forgive my pompousness,” he went on, “but do you really believe the people are still behind you? It bears you, dumb and resigned, as it bears others in other countries, but there is no response in their depths. The masses have become deaf and dumb again, the great silent x of history, indifferent as the sea carrying the ships. Every passing light is reflected on its surface, but underneath is darkness and silence. A long time ago we stirred up the depths, but that is over. In other words” – he paused and put on his pince-nez – “in those days we made history; now you make politics. That’s the whole difference.” […] "A mathematician once said that algebra was the science for lazy people - one does not work out x, but operates with it as if one knew it. In our case, x stands for the anonymous masses, the people. Politics mean operating with this x without worrying about its actual nature. Making history is to recognize x for what it stands for in the equation."
"Pretty," said Ivanov. "But unfortunately rather abstract. To return to more tangible things: you mean, therefore, that "We" - namely, Party and State - no longer represent the interests of the Revolution, of the masses or, if you like, the progress of humanity."
"This time you have grasped it," said Rubashov smiling. Ivanov did not answer his smile.
”
”
Arthur Koestler (Darkness at Noon)
“
As soon as we arrived home, I told Bliss I was going to take a shower. Sundays were a two-show day, so I certainly needed it. I let her go in first to brush her teeth. I waited for the water to turn on, then leapt into action. I found Hamlet’s feathered cat toy (the only reason she would ever willingly get close to Bliss), and hid it underneath the bed. Then I went to the closet and found the suit coat pocket where I’d hidden the ring. I popped open the box to look at it one more time.
It wasn’t much. I was only an actor, after all. But Bliss wasn’t one to wear much jewelry any way. It was simple and sparkling, and I hoped she would love it as much as I loved her. A popping sensation filled my gut like those silly candy rocks that Bliss loved.
What if I was pushing her too fast?
No. No, I’d thought this out. It was the best way. I opened the top drawer of the nightstand, and slid the ring box toward the back. The water in the bathroom shut off, and I went back to the closet, shucking my shirt. I tossed it in the hamper at the same time Bliss walked in the room.
She came up behind me and placed a hand on my bare back. She pressed a small kiss on my shoulder and asked, “Get Hamlet for me before you shower?”
I smiled, and nodded.
Bliss was so determined to make Hamlet like her that she played with the cat for at least half an hour before bed every night. Hamlet would stick around for as long as Bliss waved that feathered toy in the air, but the minute Bliss tried to touch her, she was gone.
I found Hamlet in the kitchen, hiding underneath the kitchen table. I reached a hand down, and she butted her head against my fingers, purring. I picked her up at the same time that Bliss asked, “Babe, have you seen the cat toy?”
I walked into the room, and deposited Hamlet on the bed. She hunkered down and eyed Bliss with distrust.
“Where did you see it last?” I asked her.
“I thought I’d left it on the dresser, but I can’t find it. “
I petted Hamlet once to keep her calm, then placed a quick kiss on Bliss’s cheek.
“I don’t know, honey. Are you sure you didn’t leave it somewhere else?”
She sighed, and started looking in other spots around the room. I turned and hid my smile as I left. I nipped into the bathroom and turned the shower on. I waited a few seconds, went back in the hallway.
”
”
Cora Carmack
“
My hair floated out around me with the evening breeze, and Romeo caught a strand of it before he opened the door to the car. “You really do look beautiful,” he murmured, dipping his head low.
“Thanks,” I said against his lips.
His kiss ignited instant desire inside me. Even though I spent last night with him, and the night before, I missed him terribly. I felt like we hadn’t had enough alone time. I wanted more. I wanted so much more.
He groaned and pulled back. “Let’s get this dinner over with,” he said grumpily. “I want to spend some time alone with you.”
“You read my mind.”
“Now that the season is over, we’ll have more time together.”
“Want to just go to Taco Bell and hide at your place?” I asked when he slid into the driver’s seat.
He laughed. The sound filled the interior of the car. “Why, Rimmel,”— he pressed a hand to his chest like he was scandalized—“ are you suggesting we stand up my mother?”
I giggled.
“I knew it,” he drawled. “Underneath that sweet exterior lies the heart of a baddie baddie.”
I laughed out loud. “A baddie baddie?”
“Like totally,” he said in a valley girl voice and pretended to flip the long hair he didn’t have.
God, I loved him.
“So what do you say?” I taunted as I smiled. “Want to play hookie?”
He groaned. “I’d love to, baby, but we can’t.”
I stuck out my tongue.
“Watch what you do with that thing, baby girl.”
“Yeah? Or what?” I challenged.
“Or we might be late and I might mess up the perfect hair and makeup you got going on.” His eyes twinkled and he fake gasped as he put the car in gear. “Just what would mother say?
”
”
Cambria Hebert (#Hater (Hashtag, #2))
“
He smiled and pulled the ugly white fichu from her neck.
She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?"
He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you."
"I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?"
"I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin.
She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap.
And underneath...
"Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free.
"Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair.
He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers.
He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill.
Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist.
"Wonderful," he murmured, taking it in both hands and lifting it.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
Maybe you could tell us how you and Jordan met, Nick.”
All conversation at the table stopped.
Frankly, Nick was surprised it had taken this long for someone to ask. Out of the corner of his eye, he saw Jordan take a nervous sip of her wine. He knew this was the part of the evening she’d dreaded, the part where they told more lies to her friends.
Perhaps he could help her out with that.
“Jordan and I met two weeks ago, at her store,” he said. “On the night of the big snowstorm.”
Pete chuckled. “You really must’ve been jonesing for wine to go out in that mess.”
Nick reached across the table and linked his fingers through Jordan’s. “I think Fate had a higher purpose for bringing me to her store that night.” He winked at her. I’ve got this.
Melinda melted. “That’s so sweet.”
“Then what happened?” Corinne prompted.
Nick faced Jordan’s friends. For her sake, he’d tell the truth—perhaps not the whole truth—but at least nothing but. “Well, I asked Jordan a few questions, some quips were exchanged, and I distinctly recall her making a sarcastic comment about chardonnay. I can’t tell you exactly what happened from there, but five days later I found myself at Xander Eckhart’s party drinking pink champagne.”
Her friends laughed. Charles raised his glass. “That’s how it happens, Nick. A cute smile, a few clever words, and five years later you’re watching Dancing with the Stars on Monday nights instead of football.”
“Hey, don’t knock it until you’ve tried it,” Pete said indignantly.
As the group teased Pete, Nick felt Jordan squeeze his knee underneath the table.
She spoke softly as she held his gaze. “Thank you.”
It took far more effort than it should have to make his tone sound as cavalier as always.
“Any time, Rhodes
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Most of people she knew thought Rennie was way out ahead of it, but she saw herself as off to the side. She preferred it there; she’d noted, many times, the typical pose of performers, celebrities, in magazine shots and publicity stills and especially on stage. Teeth bared in an ingratiating smile, arms flung wide to the sides, hands open to show that there were no weapons, head thrown back, throat bared to the knife; an offering, an exposure. She felt no envy towards them. In fact she found them embarrassing, their eagerness, their desperation, for that was what it was, even when they were successful. Underneath it they would do anything; they’d take their clothes off if there was no other way, they’d stand on heads, anything, in that frenzied grab for attention. She would much rather be the one who wrote things about people like that than be the one that got written about.
”
”
Margaret Atwood (Bodily Harm)
“
In Cootamundra the station was quiet. Tina looked around but before she could see anyone she saw the poster on the wall. Lockie saw it too. It stopped him mid-stride. It was surrounded by For Sale notices and babysitting flyers.Over the months it could have become covered over as hope was lost but it hadn’t been. Right in the middle, with some clear space around it, was the colour poster of a blue-eyed boy. His head was covered in golden curls and he had a deep dimple on his right cheek. His face had been enlarged so that every freckle could be counted. He was Lachlan Williams and in this town they were still looking for him. He looked nothing like the pale, skinny boy Tina was with. Underneath the picture were the words -
Missing:Lachlan Williams Aged 8 Disappeared from the Easter Show April 2010. If you have any information please contact...There were a whole lot of numbers and a website address. Lockie stared at the poster for a minute. He pushed his hood back down and ran his hand over his brush-cut blond hair.
‘What—’ Tina began.
‘He shaved it,’ said Lockie before she could complete the question. ‘Every few weeks, when it got longer, he would shave it again.’ His voice was two hundred years old.Tina saw her hand on the poker and felt a surge of triumph at what she had done. Some people just deserved to die. It wasn’t a nice thought but it was true. You couldn’t change someone who was fundamentally evil. Of everything Lockie must have suffered, and Tina could not even wrap her mind around what he must have gone through, the shaving of his head seemed somehow the worst. The uniform had changed who Lockie was. He was a golden boy with golden curls and the uniform had taken the gold from him. Lockie looked nothing like the poster. His face was all angles and his smile was lost. He hadn’t needed to conceal himself beneath a hood. No one would have recognised him anyway.
”
”
Nicole Trope (The Boy Under the Table)
“
As he sat he felt the outside of her thigh, firm, against his, and she felt the outside of his, likewise firm, against hers. She said, “Aren’t you going to take that off?” She meant the black robe, which he had forgotten he was wearing, and he looked down at himself and over at her, and smiled, and answered, “You first.” She laughed. “Together, then.” “Together.” They stood and pulled off their robes, facing each other, and underneath both were wearing jeans and sweaters, there being a nip in the air tonight, and his sweater was brown and loose and hers was beige and clung to her torso like a soft second skin. He attempted chivalrously not to take in the sweep of her body, his eyes holding hers, but of course, as we know often happens in such circumstances, he was unsure as to whether or not he had succeeded, one’s gaze being less than entirely conscious a phenomenon. They sat back down and she placed her fist on her thigh, palm up, and opened it. “Have you ever done psychedelic mushrooms?” she asked.
”
”
Mohsin Hamid (Exit West)
“
Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely.
“All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what—
Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion.
There’s nothing underneath them. At all.
My charcoal slips through my suddenly sweaty fingers.
Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else.
“All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me.
Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery.
How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—”
“Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—”
“Annnnd next pose!”
Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me.
By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again.
I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Then he began plucking the pins from her hair, carefully, without touching her anywhere else, and Eve began to wonder if 'hair' could possibly be erotic.
She found herself holding her breath, listening to his deep, even exhalations as he worked, her hair loosening and beginning to slide.
It fell all at once, uncoiling heavily over her shoulders. She turned her head to look at him, suddenly shy.
He was staring at her hair.
"It's beautiful," he murmured, burying his fingers in the long tresses, gently working apart the strands, lifting and spreading them. "Like liquid gold." He suddenly lifted the mass to his face. "And perfumed. Like flowers."
"Lily of the valley." He made her feel exotic, still dressed in her sensible gray frock, only her hair loose about her shoulders.
"Lily of the valley," he murmured. "I'll remember that scent forever now, and whenever I smell it again I'll think of you, Eve Dinwoody. You'll be haunting my tomorrows evermore."
She gasped and turned, looking up at him. She'd thought that he'd be smiling teasingly at his words, but he looked quite serious and she stared at him in wonder. Had he always carried this part of himself inside? This wild poetic lover? If so, he'd hidden it well underneath the aggressive, foulmouthed theater manager. She had a secret fondness for the crass theater manager, but the poet...
She swallowed, suddenly nervous.
She might come to love a wild poet.
”
”
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
“
She knew how to play him so very well.
He slipped his hand around hers. "Friends," he repeated roughly.
Her smile was bright enough to light up the room-and make him see stars. "Excellent! I'm so pleased. And now I really should go. I don't want to keep your family waiting."
His family. She was going out with his family. His mother and sister, who would no doubt think her absolutely perfect.
Perfect for Archer, who his mother was determined to see married, now that she had given up all hopes for Grey. Or perhaps they'd want her for Trystan, although he was still living the life of an adventurous young man.
"Have fun," he encouraged with all the false enthusiasm he could muster.
She flashed a quick grin at him over her shoulder as she made for the door. "I'm sure I will. Your brother will see to that."
As far as parting shots went, it wasn't bad. By no means mortal, but deep enough to wound never the less.
Alone once more, Grey returned to his chair and pulled the copy of Voluptuous out from underneath the cushion of the other. He stared at it for a moment, contemplating finishing the article on pleasing a woman orally.
And then, with a snarl, he flung the pages into the fire, watching ash and embers fly up in the assault. The paper caught quickly, giving off a sudden bloom of heat.
Women, he thought as he watched the magazine's mocking text blacken and char.
He would be much happier in his misery without them.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected.
”
”
Lisa Kessler (Night Walker (Night, #1))
“
It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am.
“No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly—
“this thing I’m supposed to go to with Angelica Marston.”
My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...]
A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...]
Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t.
Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.
”
”
Lauren Oliver (Delirium (Delirium, #1))