Underneath Stars Quotes

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Sometimes at night I would sleep open-eyed underneath a sky dripping with stars. I was alive then.
Albert Camus
Dad had a sign of his own. MY BEAUTIFUL FAMILY, it read, and then underneath that (AND GUS).
John Green (The Fault in Our Stars)
When you're sad, my Little Star, go out of doors. It's always better underneath the open sky.
Eva Ibbotson (A Countess Below Stairs)
It’s an enormous sky out there with a lot of stars above it and a lot of folks underneath it, and all of us, stars and human, are missing someone in the dark.
Maggie Stiefvater (All the Crooked Saints)
I should have told You before talking in terms of Forever that any given day wears me out and works me sour, that there are nights when the sky is so clear I stand obnoxious underneath it begging for the stars to shoot at me just so I can feel at Home.
Buddy Wakefield (Live for a Living)
In his eyes I glimpse the loneliness, the longing for a life that should have been, and the glimmer of the man he wants to be underneath the man he thinks he has to be.
Pierce Brown (Morning Star (Red Rising, #3))
Because when they thought the stars were sticking to her, really all the loneliness and sadness were falling off. The stars were underneath.
Ashley Herring Blake (Girl Made of Stars)
I gaze out at the glittering sea, the breathtaking sky above it, and think of birds and the moment before the fall, and how my sister as a child had been strong enough for the both of us, and I wonder when exactly that changed. I don't know when, but it did. Jake was right - I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side - marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.
Hannah Harrington (Saving June)
Whole years will be spent, underneath these impossible stars, when dirt’s the only animal who will sleep with you & touch you with its mouth.
Aracelis Girmay (Kingdom Animalia (American Poets Continuum))
Perhaps every society is a utopia when you fail to peel up all the layers and look at what's underneath
Kameron Hurley (The Stars Are Legion)
Grace: Outside, deep in the woods, I heard a long keening wail, and then another, as the wolves began to howl. More voices pitched in, some low and mournful, others high and short, an eerie and beautiful chorus. I knew my wolf's howl; his rich tone sang out above others as if begging me to hear it. My heart ached inside me, torn between wanting them to stop and wishing they would go on for ever. I imagined myself there among them in the golden woods, watching them tilt their heads back and howl underneath a sky of endless stars. I blinked a tear away, feeling foolish and miserable, but I didn't go to sleep until every wolf had fallen silent.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
There is a pain you can’t think your way out of. You can’t talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can’t metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you. When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can’t bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing.
Peter Heller (The Dog Stars)
You can't metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of your gut. Muscle, sinew, bone. It is all of you. When you walk you propel it forward....Then it sits with you. The pain puts its arm over your shoulders. It is your closest friend, steadfast. And at night you can't bear to hear your own breath, unaccompanied by another. And underneath the big stillness like a score, is the roaring of the cataract of everything being and being torn away. Then, the pain is lying beside your side, close. Does not bother you with the sound even of breathing.
Peter Heller (The Dog Stars)
She had the feeling that she would be different from now on, that she could never go back and be the same person she had been. So who am I now? Somebody fierce, I think. Somebody who’d enjoy running through the darkness, underneath stars bright as miniature suns, and maybe even hunt deer. Somebody who can laugh and death
L.J. Smith (Daughters of Darkness (Night World, #2))
I told you, E; we should have brought the explosives,' Xander grumbled underneath his breath in good humor.
Rachel Higginson (Fearless Magic (Star-Crossed, #3))
i took a night drive. i needed to get away. i needed to know it's okay to go and have no destination, where time moves slow or doesn't exist. that life can be like this, aimless wandering, just breathing, living, driving forever underneath the stars.
AVA. (you are safe here.)
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in color, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colors of the mountains and the sea like a great black sword. She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light.
Elizabeth von Arnim (The Enchanted April)
I am skin, but underneath lives fire and stars and wild!
Melody Lee (Moon Gypsy)
Oh, body, be held now by whom you love. Whole years will be spent, underneath these impossible stars, when dirt's the only animal who will sleep with you & touch you with its mouth.
Aracelis Girmay (Kingdom Animalia (American Poets Continuum))
Listen, I know there were days you wanted to die when the sky was so clear you’d stand obnoxious underneath it begging for stars to shoot you just so you could feel at home. I know about the ways you misplaced all the right words, stockpiled every important social cue you ever missed from the first time you learned you were wrong, waited to make it right once everyone stopped watching. I know you let them beat up your beauty in bed because redemption was still alive in you, howling relentless, gathering strength. Felt like ecstasy when they pounded it out of you in the hard dark. Those days of dead weather got all strung together and they spoke for you, wore you down to telling everyone here it was a good life so you could run back into the wails of your windfight. I know the parts of your past that haunt you the most are the days you weren’t being yourself, and I know that’s why most of your past haunts you. There were so many who found you out, and they were right. You were good. So un- numb.
Buddy Wakefield
I took a closer look. Jesus had piercing blue eyes, dark hair that hung in a flawless mess, his body was emaciated and taut, his hands and feet dripped with blood, and nothing but a gauzy loincloth hid what looked like a nice package underneath. “Sexy,” I said. “He looks like a rock star.
Tiffanie DeBartolo (How to Kill a Rock Star)
The light was leaving in the west it was blue The children's laughter sang and skipping just like the stones they threw the voices echoed across the way its getting late It was just another night with the sun set and the moon rise not so far behind to give us just enough light to lay down underneath the stars listen to papas translations of the stories across the sky we drew our own constellations
Jack Johnson
Her dreams were full of sundering rivers and windswept plains and towering mountains with their shoulders in the clouds, of green islands verdant in the sun, of strange beasts no man had tamed and queer fruits no man had tasted, of golden cities shining underneath strange stars.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
The lapse of ages changes all things - time - language - the earth - the bounds of the sea - the stars of the sky, and everything 'about, around, and underneath' man, except man himself, who has always been and always will be, an unlucky rascal. The infinite variety of lives conduct but to death, and the infinity of wishes lead but to disappointment. All the discoveries which have yet been made have multiplied little but existence.
Lord Byron
Like the sweet moon keeps the sky Like the wind goin' whooshing by When those ol' sunbeams break the day I will keep you while you play Just as ol' river keeps the fishes And little stars keep silver wishes Just as the ocean keeps the blue I will stand here close to you. When all around is dark and deep When them ol' shadows slowly creep Even when you're fast asleep It's you I'll keep, it's you I'll keep No need to cry, no need to fear I will always be right here. I will always be right here.
Kathi Appelt (The Underneath)
When you’re sad, Little Star, go out of doors. It’s always better underneath the open sky.
Eva Ibbotson (A Countess Below Stairs)
It had been years since Eliza had gone without a costume, without a mask, and when the time finally came to shed her armor, Eliza didn't know who she'd find underneath.
Rosiee Thor (Tarnished Are the Stars)
I am from Lebanon, from Beirut and Saida I am from the ground underneath my home I am from the trees, the cedar tree I come from Tabouleh and brown eyes, from Karim... Kassar and Kassem I come from happiness and culture From "Habibi" and "Hayete" I am from all religions I am from the room beneath the stars.
Zeina Kassem, Talal Kassem
My dad was waiting for us in baggage claim, standing amid all the limo drivers in suits holding signs printed with the last names of their passengers: JOHNSON, BARRINGTON, CARMICHAEL. Dad had a sign of his own. MY BEAUTIFUL FAMILY, it read, and then underneath that (AND GUS).
John Green (The Fault in Our Stars)
I keep a fair distance between Raffaele and myself as we walk. He seems to do the same, and we don’t look at each other as we make our way down the long steps of the Tamouran palace’s main gates, where horses are waiting for us. From there, we ride underneath a cloudy sky that threatens more rain.
Marie Lu (The Midnight Star (The Young Elites, #3))
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
i took a night drive. i needed to get away. i needed to know it's okay to go and have no destination, where time moves slow or doesn't exist. that life can be like this, aimless wandering, just breathing, living, driving forever underneath the stars.
Ava
But truly, what man doth not wear a mask? For all of us are maskèd in some way– Some choose sharp cruelty as their outward face, Some put themselves behind a king's façade, Some hind behind the mask of bravery, Some put on the disguise of arrogance. But underneath our masks are we not one? Do we not all wish for love, and joy, and peace?
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
You know that all I have Is all that we are So hold me close tonight Underneath a billion stars
Eric Overby (Legacy)
you taste like cigarettes and blue jelly ranchers and underneath that, the stars that died to make you.
Fortesa Latifi
Someday I'm going to throw you across his back and ride off west with you...and you'll learn to make a coffee in a tin pot over a fire, and we'll sleep underneath a wagon and look out at the stars-
Lisa Kleypas (Love, Come to Me)
We were the breeze that ruffled the dandelions. The sun that scorched our skin red until we searched for reprieve under our favorite willow tree. And underneath the stretch of dark skies, we were each other’s stars.
Ella Fields (Suddenly Forbidden (Gray Springs University, #1))
They were wings of night, wings that were shapes cut through the matter of creation into the darkness underneath, in which a few distant lights glimmered, lights that may have been stars or may have been something entirely else.
Terry Pratchett (Good Omens)
AN INCOMPLETE LIST: THINGS I LOVE ABOUT HRH PRINCE HENRY OF WALES 1. The sound of your laugh when I piss you off. 2. The way you smell underneath your fancy cologne, like clean linens but somehow also fresh grass (what kind of magic is this?) 3. That thing you do where you stick out your chin to try to look tough. 4. How your hands look when you play piano. 5. All he things I understand about myself now because of you. 6. How you think Return of the Jedi is the best Star Wars (wrong) because deep down you're a gigantic, sappy, embarrassing romantic who just wants the happily ever after. 7. Your ability to recite Keats. 8. Your ability to recite Bernadette's "Don't let it drag you down" monologue from Priscilla, Queen of the Desert. 9. How hard you try. 10. How hard you've always tried. 11. How determined you are to keep trying. 12. That when your shoulders cover mine, nothing else in the entire stupid world matters. 13. The goddamn issue of Le Monde you brought back to London with you and kept and have on your nightstand (yes, I saw it). 14. The way you look when you first wake up. 15. Your shoulder-to-waist ratio. 16. Your huge, generous, ridiculous, indestructible heart. 17. Your equally huge dick. 18. The face you just made when you read that last one. 19. The way you look when you first wake up (I know I already said this, but I really, really love it). 20. The fact that you loved me all along.
Red, White & Royal Blue
All was still and quiet. It seemed as if a magician had placed an enchantment upon the earth and that everything in the world was bound in an eternal sleep and would remain frozen and unchanging forevermore underneath the watchful gaze of the twinkling stars.
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
Paths of the mirror" I And above all else, to look with innocence. As if nothing was happening, which is true. II But you, I want to look at you until your face escapes from my fear like a bird from the sharp edge of the night. III Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain. IV Like when a flower blooms and reveals the heart that isn’t there. V Every gesture of my body and my voice to make myself into the offering, the bouquet that is abandoned by the wind on the porch. VI Cover the memory of your face with the mask of who you will be and scare the girl you once were. VII The night of us both scattered with the fog. It’s the season of cold foods. VIII And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole, I drank, I remember. IX To fall like a wounded animal in a place that was meant to be for revelations. X As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot. Inside, the wind. Everything closed and the wind inside. XI Under the black sun of the silence the words burned slowly. XII But the silence is true. That’s why I write. I’m alone and I write. No, I’m not alone. There’s somebody here shivering. XIII Even if I say sun and moon and star I’m talking about things that happen to me. And what did I wish for? I wished for a perfect silence. That’s why I speak. XIV The night is shaped like a wolf’s scream. XV Delight of losing one-self in the presaged image. I rose from my corpse, I went looking for who I am. Migrant of myself, I’ve gone towards the one who sleeps in a country of wind. XVI My endless falling into my endless falling where nobody waited for me –because when I saw who was waiting for me I saw no one but myself. XVII Something was falling in the silence. My last word was “I” but I was talking about the luminiscent dawn. XVIII Yellow flowers constellate a circle of blue earth. The water trembles full of wind. XIX The blinding of day, yellow birds in the morning. A hand untangles the darkness, a hand drags the hair of a drowned woman that never stops going through the mirror. To return to the memory of the body, I have to return to my mourning bones, I have to understand what my voice is saying.
Alejandra Pizarnik (Extracting the Stone of Madness: Poems 1962 - 1972)
Behind all this bad behaviour was an insecurity magnificent in scope, metaphysical in nature. Space was big, and the boys from Earth were awed despite themselves by the things they found there: but worse, their science was a mess. Every race they met on their way through the Core had a star drive based on a different theory. All those theories worked, even when they ruled out one another's basic assumptions. You could travel between the stars, it began to seem, by assuming anything [. . . .] It was affronting to discover that. So when they fetched up on the edge of the Tract, looked it in the eye, and began to despatch their doomed entradas, the Earthlings were hoping to find, among other things, some answers. They wondered why the universe, which seemed so harsh on top, was underneath so pliable. Anything worked. Wherever you looked, you found. They were hoping to find out why.
M. John Harrison (Light (Kefahuchi Tract, #1))
Strap on those wings and close your eyes and take a step off that ledge with your arms spread and let the faith in yourself be enough to have the wind whip underneath your entire body and lift it back up into the air like a firework or a bird of paradise or a shooting star. It doesn't matter what heights you reach or what storms might set you back or how often you want to yank the feathers from your body and let them burn. You've already done it. Bask in the pride for a moment and soak in the fact that you are amazing.
Kate Isabel Foley (Instructions For Flight)
The stars you planted in the sky, they will turn into a milky way someday, because underneath that, it is a wonderful world you helped build.
Silenus (Finding Identity)
Let's dance to the tranquil melody of our love; a waltz of peculiar sadness & profound melancholy. Underneath the velvet night sky of somber thoughts - witnessed only by the most vivid stars.
Laura Chouette
My only real escape came from fantasy. I disappeared into a world of books, becoming obsessed with science fiction. I believed in other planets and races, searching the sky at night for stars, secretly hoping to be abducted and taken to a kinder planet. Maybe God had made a mistake sending me here, I thought. It was obvious I belonged somewhere else. Here I questioned everything and nothing ever made sense.
Traci Lords (Traci Lords: Underneath It All)
We are a difficult, ungovernable species, forever staving off chaos with one hand and succumbing to it with the other. We aren’t here long enough to stop fighting death, to relax into our existence and gaze clearly. We thrash, mostly blindly, from one pole of oblivion to another. We are lucky if we truly notice three or five things in between. The rest is shouting, or being shouted at, or hiding underneath a blasted scrap from a raging storm.
Jayson Greene (Once More We Saw Stars)
Jake was right--I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side--marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else. There is so much beauty in just existing. In being alive. I don't want to miss a second.
Hannah Harrington (Saving June)
I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.
Marlen Komar (Ugly People Beautiful Hearts)
But you, the Master-Mistress of my mind, Whose Demon sits high-throned above my stars— But you, whose passionate pinions know no kind, Whose scars are burnt with scars— You will divine my song in your far place, And call it with your wings, and hold it high; And underneath the dark of that embrace Young songs shall cry.
Swinburne Hale (The Demon’s Notebook: Verse and Perverse)
Book Excerpt: "What about your family, Abu Huwa? Are you an orphan?” the little girl very innocently asked the Sphinx. “My father and your father are one and the same. However, I do have a brother who has stood as my mirror throughout time on the opposite horizon. It is I who faces east, but it is he who faces west. I am the recorder of yesterday and he holds the records of tomorrow. I am the positive, and he is my negative. I carry the right eye of the sun and he carries the left eye of the moon. He keeps his eye on the underworld and I keep an eye on the world over. Together we have joined the sky and earth, and split fire and water.” Seham stood on all toes to peek over the Sphinx's shoulder for a sign of his brother. “Where is he?” she asked, her eyes still searching the open horizon. “He has yet to be uncovered, but as I stand above the sands of time, he still sleeps below. Before the descent of Adam, we have both stood as loyal Protectors of the Two Halls of Truth.” The girl asked in astonishment, “I've never heard of these halls, Abu Huwa. Where are they?” “At the end of each of our tails is a passage that will reveal to you the secrets of Time. One hall reflects a thousand truths, and the other hall reflects all that is untrue. One will speak to your heart, and the other will speak to your mind. This is why you need to use both your heart and mind to understand which one is real, and which is a distorted illusion created to misguide those that have neglected their conscience. Both passageways connect you to the Great Hall of Records.” “What is the Hall of Records?” “The Great Pyramid, my child. It is as multidimensional in its shape as it is in its purpose. Every layer and every brick marks the coming of a prophet, the ascension of evil, or another cycle of man. It contains the entire history and future of mankind. And, as is above, so is below. Above ground, it serves as the most powerful energy source to harmonize and power the world! The shape of the pyramid above ground is also the same image mirrored beneath it. Underground, it serves as a powerful well and drain. This is really why Egypt is called the Land of Two Lands. There exists a huge world of its own underneath the plateau, a world within worlds. Large amounts of gold, copper and mercury were once housed here, including the secrets of Time, the 100th name of He Who Is All, and a gift from Truth that still awaits to be discovered. It sleeps with Time in the Great Pyramid, hidden away in a lower shaft that leads to the stars.” Dialogue from 'The Little Girl and the Sphinx' by Suzy Kassem, Rise Up and Salute the Sun (Dar-El Shams, 2010)
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
But the truth enters at the end of life. It enters like oxygen into every cell and the madness it feeds there in some is only a lucid metaphor for something long burned to nothing, like a star. How do you get under your desire? How do you peel away each desire like ponderous clothes, one at a time, until what's underneath is known?
Michael Ryan
Safe Deposit I thought that I could keep it− the light on the running tide, how your eyes give you away no matter what you hide. I thought that I could hold it− the forest along the sand, your neck bones like pearls underneath my hand. But time's school has taught me how petals brown and die. There's no saving pleasure. Don't try. Don't try.
Louise Hawes (The Language of Stars)
PIETT: But truly, what man doth not wear a mask? For all of us are masked in sone way -- Some choose sharp cruelty as their outward face, Some put themselves behind a king's facade, Some put on the disguise of arrogance, But underneath our masks, are we not one? Do not all wish for love, and joy, and peace? And whether rebel or Imperial, Do not our hearts all beat in time to make The pounding rhythm of the galaxy?
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
All the radiance of April in Italy lay gathered together at her feet. The sun poured in on her. The sea lay asleep in it, hardly stirring. Across the bay the lovely mountains, exquisitely different in colour, were asleep too in the light; and underneath her window, at the bottom of the flower-starred grass slope from which the wall of the castle rose up, was a great cypress, cutting through the delicate blues and violets and rose-colours of the mountains and the sea like a great black sword. She stared. Such beauty; and she there to see it. Such beauty; and she alive to feel it. Her face was bathed in light. Lovely scents came up to the window and caressed her. A tiny breeze gently lifted her hair. Far out in the bay a cluster of almost motionless fishing boats hovered like a flock of white birds on the tranquil sea. How beautiful, how beautiful. Not to have died before this . . . to have been allowed to see, breathe, feel this . 
Elizabeth von Arnim (The Enchanted April)
I love you", says the doug-fir. "I love you so much." I can feel the tree there, the tree underneath me the tree all around me, the tree inside of me. The trees holding each other holding the soil holding me. The trees more patient than anything, save the ocean. The trees with the long view. I can feel their pity- "Little mammal", they say, "with your two legs. Running around saying Where Do I Belong. Making value judgments on the wind, the flowers in the springtime, the shapes of the stars. Little mammal with your trembling heart. I am your home and I love you and I will always be here.
Carrot Quinn (Thru-Hiking Will Break Your Heart: An Adventure on the Pacific Crest Trail)
In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.
Frank O'Hara (In Memory Of My Feelings)
Here’s a thing Jack Kerouac said: ‘What is that feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing?—it’s the too-huge world vaulting us, and it’s good-bye. But we lean forward to the next crazy venture beneath the skies.’ If you’re missing someone tonight, know that I, Diablo Diablo, am, too. It’s an enormous sky out there with a lot of stars above it and a lot of folks underneath it, and all of us, stars and human, are missing someone in the dark. But I, Diablo Diablo, think that if we’re all out there missing someone, that means that we’re all really together on that one note, aren’t we? So none of us are really alone as long as we’re lonely.
Maggie Stiefvater (All the Crooked Saints)
I reach out and trace my finger over the lines. Ben said I need to make the frame first. It’s made of twelve pieces of wood, six underneath and six on top criss-crossing each other like a potato waffle. I pick up a piece of chalk and draw it on the blackboard. Then I draw two stick men on top for me and Ben. I stand back and look at the pictures. There’s no way I’m going to let Shark Face help. This is mine and Ben’s. I don’t care if his mum did text my mum last night. She said Shark Face was looking forward to coming down this afternoon. But there’s no way I’m going to have that twerp hanging around. The light flickers as a bus rumbles along the road above my head. I pull the tarp off Shooting Star and take a deep breath. She looks nothing like Ben’s diagram. All
Stewart Foster (All The Things That Could Go Wrong)
But at nights we are stars. You are a star and I'm on the roof, you are a star and I'm eyes, you are a star and I'm lungs, lungs breathing in your air, the air that gets lighter upon spotting the sparkle, the air that gets lighter upon seeing you shine, the air that I write about every night, the one that sets my soul on fire and leaves it freezing cold. I could be a moon, well I could as well be The Sun if I wanted to, but I'd rather be here, I'd rather stay humane, it gives me a chance to feel your air wrapping its arms around me, I'd rather stay human because my eyes can only love dimmed lights, they can only stay underneath your lights, I'd rather save my own light for nights when this city is burning up and you have no choice but to stay invisible, I'd rather save enough light to find you then even when no one else can.
Mennah al Refaey
Maybe you could tell us how you and Jordan met, Nick.” All conversation at the table stopped. Frankly, Nick was surprised it had taken this long for someone to ask. Out of the corner of his eye, he saw Jordan take a nervous sip of her wine. He knew this was the part of the evening she’d dreaded, the part where they told more lies to her friends. Perhaps he could help her out with that. “Jordan and I met two weeks ago, at her store,” he said. “On the night of the big snowstorm.” Pete chuckled. “You really must’ve been jonesing for wine to go out in that mess.” Nick reached across the table and linked his fingers through Jordan’s. “I think Fate had a higher purpose for bringing me to her store that night.” He winked at her. I’ve got this. Melinda melted. “That’s so sweet.” “Then what happened?” Corinne prompted. Nick faced Jordan’s friends. For her sake, he’d tell the truth—perhaps not the whole truth—but at least nothing but. “Well, I asked Jordan a few questions, some quips were exchanged, and I distinctly recall her making a sarcastic comment about chardonnay. I can’t tell you exactly what happened from there, but five days later I found myself at Xander Eckhart’s party drinking pink champagne.” Her friends laughed. Charles raised his glass. “That’s how it happens, Nick. A cute smile, a few clever words, and five years later you’re watching Dancing with the Stars on Monday nights instead of football.” “Hey, don’t knock it until you’ve tried it,” Pete said indignantly. As the group teased Pete, Nick felt Jordan squeeze his knee underneath the table. She spoke softly as she held his gaze. “Thank you.” It took far more effort than it should have to make his tone sound as cavalier as always. “Any time, Rhodes
Julie James (A Lot like Love (FBI/US Attorney, #2))
Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.
Vasily Zhukovsky
She knew how to play him so very well. He slipped his hand around hers. "Friends," he repeated roughly. Her smile was bright enough to light up the room-and make him see stars. "Excellent! I'm so pleased. And now I really should go. I don't want to keep your family waiting." His family. She was going out with his family. His mother and sister, who would no doubt think her absolutely perfect. Perfect for Archer, who his mother was determined to see married, now that she had given up all hopes for Grey. Or perhaps they'd want her for Trystan, although he was still living the life of an adventurous young man. "Have fun," he encouraged with all the false enthusiasm he could muster. She flashed a quick grin at him over her shoulder as she made for the door. "I'm sure I will. Your brother will see to that." As far as parting shots went, it wasn't bad. By no means mortal, but deep enough to wound never the less. Alone once more, Grey returned to his chair and pulled the copy of Voluptuous out from underneath the cushion of the other. He stared at it for a moment, contemplating finishing the article on pleasing a woman orally. And then, with a snarl, he flung the pages into the fire, watching ash and embers fly up in the assault. The paper caught quickly, giving off a sudden bloom of heat. Women, he thought as he watched the magazine's mocking text blacken and char. He would be much happier in his misery without them.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
Walking out to hunt at sunrise be like stepping straight from your own dreams into birdsong and dew. Trees seem higher. Gray shy dawnlight fill their rushing crowns from underneath. Pasha stalk beside, my monster fabulous and tame, and be like fleeing every worry to a secret hush.
Sandra Newman (The Country of Ice Cream Star)
Frank Oz and his crew were there, but they’d be buried down underneath the ground,” says Hamill. “I had an earpiece, so I would hear, ‘Luke, many years have you …’ but if you turned your head the wrong way, you’d pick up Radio 1 and the Rolling Stones singing ‘Fool to Cry.’ I shouted, ‘Hey, I got the Stones,’ and Kersh goes, ‘Cut!’ And he’s way across the bog saying, ‘You know, if that happens again, just pretend you don’t hear it.’ 
J.W. Rinzler (The Making of Star Wars: The Empire Strikes Back (Enhanced Edition))
13And in the columns of heaven I beheld fires, which descended without number, but neither on high, nor into the deep. Over these fountains also I perceived a place which had neither the firmament of heaven above it, nor the solid ground underneath it; neither was there water above it; nor anything on wing; but the spot was desolate. 14And there I beheld seven stars, like great blazing mountains, and like spirits entreating me.
Enoch (The Book of Enoch)
If we pretend or imagine that life's purpose lies outside living itself, we will be searching the stars for what is underneath our feet all the time.
Julian Baggini (Atheism: A Very Short Introduction)
UNION AND CHANGE The third article was union. To those who were small and few against the wilderness, the success of liberty demanded the strength of union. Two centuries of change have made this true again. No longer need capitalist and worker, farmer and clerk, city and countryside, struggle to divide our bounty. By working shoulder to shoulder, together we can increase the bounty of all. We have discovered that every child who learns, every man who finds work, every sick body that is made whole--like a candle added to an altar--brightens the hope of all the faithful. So let us reject any among us who seek to reopen old wounds and to rekindle old hatreds. They stand in the way of a seeking nation. Let us now join reason to faith and action to experience, to transform our unity of interest into a unity of purpose. For the hour and the day and the time are here to achieve progress without strife, to achieve change without hatred--not without difference of opinion, but without the deep and abiding divisions which scar the union for generations. THE AMERICAN BELIEF Under this covenant of justice, liberty, and union we have become a nation--prosperous, great, and mighty. And we have kept our freedom. But we have no promise from God that our greatness will endure. We have been allowed by Him to seek greatness with the sweat of our hands and the strength of our spirit. I do not believe that the Great Society is the ordered, changeless, and sterile battalion of the ants. It is the excitement of becoming--always becoming, trying, probing, falling, resting, and trying again--but always trying and always gaining. In each generation, with toil and tears, we have had to earn our heritage again. If we fail now, we shall have forgotten in abundance what we learned in hardship: that democracy rests on faith, that freedom asks more than it gives, and that the judgment of God is harshest on those who are most favored. If we succeed, it will not be because of what we have, but it will be because of what we are; not because of what we own, but, rather because of what we believe. For we are a nation of believers. Underneath the clamor of building and the rush of our day's pursuits, we are believers in justice and liberty and union, and in our own Union. We believe that every man must someday be free. And we believe in ourselves. Our enemies have always made the same mistake. In my lifetime--in depression and in war--they have awaited our defeat. Each time, from the secret places of the American heart, came forth the faith they could not see or that they could not even imagine. It brought us victory. And it will again. For this is what America is all about. It is the uncrossed desert and the unclimbed ridge. It is the star that is not reached and the harvest sleeping in the unplowed ground. Is our world gone? We say "Farewell." Is a new world coming? We welcome it--and we will bend it to the hopes of man. To these trusted public servants and to my family and those close friends of mine who have followed me down a long, winding road, and to all the people of this Union and the world, I will repeat today what I said on that sorrowful day in November 1963: "I will lead and I will do the best I can." But you must look within your own hearts to the old promises and to the old dream. They will lead you best of all. For myself, I ask only, in the words of an ancient leader: "Give me now wisdom and knowledge, that I may go out and come in before this people: for who can judge this thy people, that is so great?
Lyndon B. Johnson
With the water whooshing easy underneath, the stars hanging lazily overhead, and Meadow Jackson holding him like this and him holding her like that, Everett determined that he would catalog this moment. Recording moments was a practice he’d learnt from his mother when he was a boy. 'Whenever a special time leaves you with that bodiless feeling, like you are happening to it, and not it to you, record it,' she told him. 'Those moments have the ability to defend you during the longest, darkest nights. In those moments,' she’d say, 'you feel as though you could reinvent the world or eat it whole.
Josh Quirion (Towners & Other Stories)
Hawa! It’s my family!” Camellia’s smile was brighter than a star as she waved at them. “Kirikiri, Iris, Lilian, Kevin-kyun! Hullo!” “Um, hello, Camellia,” Kevin muttered, warily eying the soldiers, who were looking at them stupidly. “My Lady, are… are you well? You’re not hurt, are you?” Kirihime asked, her fingers twitching, clearly longing to reach for the daggers under her dress. “Um!” Camellia nodded joyfully. “These nice people kept me company.” The “nice people” that Camellia mentioned snapped out of their fugue. They looked from the group of kitsune to Camellia, then back to the kitsune. Camellia again. Then the kitsune one more time. For good measure. “So, wait, these are the people you’re looking for?” one of the soldiers asked. “Yes!” Camellia’s sunny smile hadn’t changed in the slightest. She was completely unaware of the heavy tension pervading the atmosphere. “Those two are my daughters, and that’s Kevin-kyun, and that one is Kirikiri.” “Daughters,” one of the men muttered, eyes straying to the tails writhing behind the backs of the three kitsune. “Your daughters are kitsune.” “Of course,” Camellia said as if the answer should have been obvious. “I’m a kitsune, too.” As she spoke, five tails emerged from underneath her magical girl skirt, and her ears sprouted fur and became long and pointed. The group of spandex-clad men eyed each other. Anxiety was written all over their faces. They looked at Camellia’s still smiling face, then at the other four people. Kirihime had now taken out her knives, Lilian had several orbs of light orbiting her, and Iris had summoned some void fire, which hovered over her tails. Kevin didn’t have a weapon, or superpowers, but that didn’t stop him from preparing for combat. “We’re screwed, aren’t we?” asked one of the men. Everyone sans Camellia nodded. “Thought so.” ***
Brandon Varnell (A Fox's Vacation (American Kitsune, #5))
HARRY DRESDEN. Then a gold-inlaid pentacle, a five-pointed star surrounded by a circle—the symbol of the forces of magic contained within mortal will. Underneath it are more letters: HE DIED DOING THE RIGHT THING.
Jim Butcher (Dead Beat (The Dresden Files, #7))
After the chakras of our physical body, come the ones of our spiritual body. The most important of these for green witches to connect to is called the Earth Star Chakra, and is located underneath our feet, under the surface of the earth. Think of the Earth Star as the tether holding you not only to the physical planet, but to all of the magical energy, humans, and creatures who live here.
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond)
Is it a peaceful and perfect society if you don’t see the filth? If you don’t look too hard? Perhaps every society is a utopia when you fail to peel up all the layers and look at what’s underneath.
Kameron Hurley (The Stars Are Legion)
We stopped for the driver, Sergei, to take a bathroom break in the woods. He had taken a dislike to me. 'What would you have done', he asked, 'if it were minus thirty, which it might well have been, and you were wearing those light trousers?' I said that the fabric was high-tech and I had worn the trousers in the Arctic, and showed him my merino leggings underneath, and two pairs of thermal socks. at this news he changed tack. 'Far too much for this mild weather'.
Sara Wheeler (Mud and Stars: Travels in Russia with Pushkin, Tolstoy, and Other Geniuses of the Golden Age)
A while later I stop in a stand of big doug-firs and lean my body against one of them. The bars of yellow sun are scattered just so and I push my face into the deep rutted bark of the tree smelling the spider webs there, the dust, the hardened pitch. Big doug-fir, I think. What do I need to know right now. I love you, says the doug-fir. I love you so much. I can feel the tree there, the tree underneath me the tree all around me, the tree inside of me. The trees holding each other holding the soil holding me. The trees more patient than anything, save the ocean. The trees with the long view. I can feel their pity- Little mammal, they say, with your two legs. Running around saying Where Do I Belong. Making value judgments on the wind, the flowers in the springtime, the shapes of the stars. Little mammal with your trembling heart. I am your home and I love you and I will always be here.
Carrot Quinn (Thru-Hiking Will Break Your Heart: An Adventure on the Pacific Crest Trail)
no more stolen moments, let alone hours, in which to discover each other . . . from now on, they were formally betrothed, and that betrothal had its own rules. Maddening, perhaps intentionally so. Luci filched another stuffed date from the tray a sleepy maidservant was carrying back to the kitchen, and followed her father into the library. Her uncle and grandfather, already relaxed in chairs by the fireplace, looked up as she came in. "Luci, you should be in bed." "Papa, I'm not sleepy." He raised his eyebrows at her, but she didn't move. "Papa, I had a message cube from Esmay today." Her uncle Casimir sighed. "Esmay . . . now there's another problem. Berthold, did you get anywhere in the Landsmen's Guild?" "Nowhere. Oh, Vicarios won't oppose us, but that's because of Luci, and his support is half-hearted. It would be different if she hadn't left so young, I think. They don't really remember her, and even though they awarded her the Starmount, and consider her a hero, they do not want a Landbride—any Landbride but especially our Landbride—connected to an outlander family. Cosca told me frankly that even if she moved here, and also her husband, he would oppose it. Nothing good ever came from the stars, he insisted." "And the votes?" "Enough for a challenge, Casi, I'm sure of it. No, the only way out of this is for Esmaya to come and talk to them herself." "Or resign." "Or resign, but—will she?" Luci spoke up. "She mentioned that in her cube." "What—resigning? Why?" "Her precious Fleet seems to think about us the way the Landsmen's Guild thinks about them. She says they have some kind of regulation forbidding officers to marry Landbrides." Her father snorted. "Do they have one forbidding officers to be Landbrides? How ridiculous!" "Are you serious?" Casimir asked. "They have something specific about Landbrides? How would they know?" "I don't know," Luci said. "That's just what she said. And she said why didn't we take in all those women brought back from Our Texas—she was sure they'd fit in." A stunned silence, satisfying by its depth and length. "She what?" Casimir said finally. "Aren't those women—" "Free-birthers and religious cultists," Luci said, with satisfaction. "Exactly." "But—but the priests will object," Berthold said. "Not as badly as the Landsmen's Guild, if they hear of it. Dear God, I thought she had more sense than that!" "She is in love," Luci pointed out, willing now to be magnanimous. "Apparently Fleet is taking Barin's salary to pay for their upkeep—at least some of it—and Esmay's trying to help him out. Nineteen of them, after all, and all those children." "At our expense." Casimir shook his head. "Well, that settles it. She'll have to resign, as soon as I can get word to her. The Trustees will certainly not approve this, if I were willing to let it be known." He gave Luci a hard look. "You didn't tell Philip, I hope." "Of course not." Luci glared at her uncle. Esmay might not have any sense, but she knew what the family honor required. "I hope she does name you Landbride, Luci," Casimir said. "You'll be a good one." Luci had a sudden spasm of doubt. Was she being fair to Esmay, who after all had had so many bad things happen to her? But underneath the doubt, the same exultation she had felt when Esmay gave her the brown mare . . . mine, it's mine, I can take care of it, nobody can hurt it . . . "I wonder if we could place an ansible call," Casimir said. "Surely it's not that urgent,
Elizabeth Moon (The Serrano Succession (The Serrano Legacy combo volumes Book 3))
His voice was metallic and deep and resonant, his breath a rasping hiss underneath the impact of his words. "Where is Skywalker?"
Alexander Freed (Twilight Company (Star Wars: Battlefront, #1))
One of the band’s all-time-favorite movies was What Ever Happened to Baby Jane?, starring Bette Davis. In the movie, Bette wears disgusting caked makeup smeared on her face and underneath her eyes, with deep, dark, black eyeliner. She looks horrific and creepy because she put on traditional makeup thickly and badly. Another movie we watched over and over was Barbarella. One character, the Great Tyrant, was played by the gorgeous European actress Anita Pallenberg. She dressed in black leather with a black eye patch and had switchblades coming out of her. Alice Cooper’s look evolved from a composite of those female movie characters, with a little bit of Emma Peel from The Avengers added for good measure. Not
Alice Cooper (Alice Cooper, Golf Monster: A Rock 'n' Roller's 12 Steps to Becoming a Golf Addict)
Sipping underneath that wet, burned rice after dinner in his gaze is some long night far away on the other side of earth in other eyes and other pots burned hot in the charcoal clay stove flickered light from the lit dry grass under the same stars fields of rice and water Pacific Ocean end of murmured sadness jumped intestinal interstices, bisected, circulated, tongue's crack, crossed into gut, guttered now between the pages of this book the floating gaze and taste burnt right through to the spine.
Fred Wah (Diamond Grill)
Thank you." She met his eyes with surprise. "For what?" "For seeing past my hardened, sinful exterior to the man underneath. For loving me despite my many faults." "You have no faults, not in my eyes." "I do, but it kind of you to overlook them." "As you overlook mine." "Now, there we disagree, since you are perfection itself," he said. "You are everything that is good and generous and kind, and I thank my lucky stars each and every day that you came into my life. Thank you for saving me, Esme. Without you, I would never have known real happiness.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Thank you." She met his eyes with surprise. "For what?" "For seeing past my hardened, sinful exterior to the man underneath. For loving me despite my many faults." "You have no faults, not in my eyes." "I do, but it is kind of you to overlook them." "As you overlook mine." "Now, there we disagree, since you are perfection itself," he said. "You are everything that is good and generous and kind, and I thank my lucky stars each and every day that you came into my life. Thank you for saving me, Esme. Without you, I would never have known real happiness.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Well, I know you don’t want to talk about it anymore, but I signed you up for that computer match thingy.” Why is it that so many people over the age of sixty refer to everything on the Internet as some sort of “computer thing”? Helen was trying to contain her laughter. “Laura, do you mean Match.com?” My father was groaning audibly now. “Yes, that’s it. Charles helped me put up her profile.” “Oh my god, Mother. Are you kidding me?” Helen jumped out of her seat and started running toward the computer in my dad’s home office, which was right off the dining room. “Get out of there, Helen,” my dad yelled, but she ignored him. I chased after her, but she stuck her arm out, blocking me from the monitor. “No, I have to see it!” she shouted. “Stop it, girls,” my mother chided. “Move, bitch.” We were very mature for our age. “This is the best day of my life. Your mommy made a Match profile for you!” “Actually, Chuck made it,” my mother yelled from across the hall. Oh shit. Helen typed my name in quickly. My prom picture from nine years ago popped up on the screen. My brother had cropped Steve Dilbeck out of the photo the best he could, but you could still see Steve’s arms wrapped around my purple chiffon–clad waist. “You’re joking. You’re fucking joking.” “Language, Charlotte!” my dad yelled. “Mom,” I cried, “he used my prom photo! What is wrong with him?” I still had braces at eighteen. I had to wear them for seven years because my orthodontist said I had the worst teeth he had ever seen. You know how sharks have rows of teeth? Yeah, that was me. I blame my mother and the extended breastfeeding for that one, too. My brother, Chuck the Fuck, used to tease me, saying it was leftovers of the dead Siamese twin I had absorbed in utero. My brother’s an ass, so it’s pretty awesome that he set up this handy dating profile for me. In case you hadn’t noticed, our names are Charlotte and Charles. Just more parental torture. Would it be dramatic to call that child abuse? Underneath my prom photo, I read the profile details while Helen laughed so hard she couldn’t breath. My name is Charlotte and I am an average twenty-seven year-old. If you looked up the word mediocre in the dictionary you would see a picture of me—more recent than this nine-year-old photo, of course, because at least back then I hadn’t inked my face like an imbecile. Did I forget to mention that I have a tiny star tattooed under my left eye? Yes, I’d been drunk at the time. It was a momentary lapse of judgment. It would actually be cute if it was a little bigger, but it’s so small that most people think it’s a piece of food or a freckle. I cover it up with makeup. I like junk food and watching reality TV. My best friend and I like to drink Champagne because it makes us feel sophisticated, then we like to have a farting contest afterward. I’ve had twelve boyfriends in the last five years so I’m looking for a lifer. It’s not a coincidence that I used the same term as the one for prisoners ineligible for parole. “Chuck the Fuck,” Helen squeaked through giggles. I turned and glared at her. “He still doesn’t know that you watched him jerk off like a pedophile when he was fourteen.” “He’s only three years younger than us.” “Four. And I will tell him. I’ll unleash Chuck the Fuck on you if you don’t quit.” My breasts are small and my butt is big and I have a moderately hairy upper lip. I also don’t floss, clean my retainer, or use mouthwash with any regularity. “God, my brother is so obsessed with oral hygiene!” “That’s what stood out to you? He said you have a mustache.” Helen grinned. “Girls, get out of there and come clear the table,” my dad yelled. “What do you think the password is?” “Try ‘Fatbutt,’ ” I said. “Yep, that worked. Okay, I’ll change your profile while you clear the table.
Renee Carlino (Wish You Were Here)
THE WAY SHE SEES ME   My heart becomes increasingly unsteady like a Miura behind the sweltering gates of a charged arena. And even as I begin to feel an utter peace in this moment where I now belong to the purlieus of her love’s imagination. The way that she looks at me sends a clear signal of her need for that intimacy that she longs to feel from me. I feel myself melting from the inside out with this appetent yearning to love her. It is only a matter of time before our hearts engage in this extraordinary magic that descends upon us both. Never before have I felt such serene indulgence as this. Nor have I known silence to be embarked upon with such beauty.   She looks up at me as if she is lying underneath the stars as I lie next to her. She strokes my hair down passed my face and again back behind me in a calm manner that illustrates her intension with me. Tucking herself underneath me with both arms wrapped around me my heart softens as she gently places her face underneath mine, feeling her lips press firmly against my neck. She continues to adjust her nose and face against me as she tugs my shirt. Knowing that I am only here to surrender every part of me as she moves her hands down my waist I lean in to kiss her gently once more. She returns her welcoming smile as she lays her head back down next to mine kindling the flame inside of me that speaks to her. It is my heart that yearns for her as I do know without a doubt that her love is everything to me.
Luccini Shurod
Underneath his gruffness, innate kindness and integrity knitted together to form the man.
Laura Trentham (When the Stars Come Out (Cottonbloom, #5))
As I lay underneath the stars with my elbow bent beneath my head for a pillow, I finally felt safe.
Hadley Vega (Junkyard Boys)
What color is the sky?” he asked her as they walked on, past the train station, past the town hall, past the shuttered shops. She had slowed her pace to suit his limp. “Black,” she answered with certainty. “With stars.” “So people say,” Weitz said sadly. Dozens of colors were there, a hundred perhaps for those who could see underneath the darkness. “You should look more carefully.” When they reached the house, Weitz stood outside for a while longer before he went in to paint the real colors of the night.
Alice Hoffman (The World That We Knew)
Wolf remembered the conversation inside the observatory from the day before. Vlad worked for the EAS, overseeing the logistics of moving astronomical equipment between observatories throughout the European Union. A clear mental picture was forming in Wolf’s mind as to the true nature of Vlad’s activities. As of now it looked like, along with astronomical equipment, Vlad was trafficking stolen electronics. All of them supplied by a gang of thugs led by Cezar. Small light-colored boxes caught his attention, stacked underneath the open boxes of electronics. Wolf pushed back one on top, unveiling a stark white cardboard one about a foot cubed in size. A dark-blue logo was faintly visible on the side. He bent closer and ran his finger across it. It was the letters EAS with what looked to be stars or planets. He lifted the box. It was packed dense and heavy, and shaking didn’t
Jeff Carson (Foreign Deceit (David Wolf #1))
There is this magical idea of sitting underneath a seemingly endless canopy of twinkling stars and wishing upon the one that is the brightest of all. Yet, do I want to wish upon the star, or do I wish to trust in the God who is massive enough to hold the galaxy that holds the star?
Craig D. Lounsbrough
The sight of the twinkling lights underneath a star-filled sky fills me with hope. Though we’ve just scratched the surface of our issues, the truth is, we were cut short, our unwritten pages ripped from us before we even had a chance to live them out.
Kate Stewart (The Finish Line (The Ravenhood, #3))
The family heard that the meteor shower would be visible from the cornfields of northern Illinois, just twenty minutes away from their sedentary suburban bliss, but Robert had been sleepless for weeks already, images flickering across his dreams—shadows and voices, a burning sensation running all the way to his core. They were mother and father, sister and brother—nothing special, rows of houses the same, but in blue, or yellow, or brick. But for the boy, half of a set of twins, all the magic and wonder rested in his cells—the darkness and vengeance in his sister, Rebecca. So as they snuffed out the lights of the family sedan, hand in hand down a dirt path the boy had mapped out, trust so easy to come by in this family—the girl sparked danger in her squinting eyes, as the boy’s ever widened to the stars, and possibility. Fresh cut grass lingered under buzzing power lines that disappeared as they stretched out to the horizon, a moist smell ripe with cleanliness and godliness—a hint of something sour underneath. The girl grinned as the rest held their noses, so eager she was to embrace death. (How Not to Come Undone)
Richard Thomas (Spontaneous Human Combustion)
It's an enormous sky out there with lots of stars above it, and a lot of folks underneath it, and all of us, stars and humans, are missing someone in the dark. But I, Diablo Diablo, think that if we're all out there missing someone, that means that we're all really together on that one note, aren't we? So none of us are really alone as long as we're lonely.
Maggie Stiefvater (All the Crooked Saints)
I base all my counseling on the premise that each of us has these two sides: the essential self and the social self. The essential self contains several sophisticated compasses that continuously point toward your North Star. The social self is the set of skills that actually carry you toward this goal. Your essential self wants passionately to become a doctor; the social self struggles through organic chemistry and applies to medical school. Your essential self yearns for the freedom of nature; your social self buys the right backpacking equipment. Your essential self falls in love; your social self watches to make sure the feeling is reciprocal before allowing you to stand underneath your beloved’s window singing serenades.
Martha N. Beck (Finding Your Own North Star: Claiming the Life You Were Meant to Live)
I love you, says the doug-fir. I love you so much. I can feel the tree there, the tree underneath me the tree all around me, the tree inside of me. The trees holding each other holding the soil holding me. The trees more patient than anything, save the ocean. The trees with the long view. I can feel their pity- Little mammal, they say, with your two legs. Running around saying Where Do I Belong. Making value judgments on the wind, the flowers in the springtime, the shapes of the stars. Little mammal with your trembling heart. I am your home and I love you and I will always be here.
Carrot Quinn (Thru-Hiking Will Break Your Heart: An Adventure on the Pacific Crest Trail)
O sight most tragic, this - a robot-man, who doth require a mask to stay alive. What situation e'er did lead to this? How can he stand to live beneath a mask? But soft, Piett, reconsider this: Aye, verily, how shall I judge? The mask he wears is far more obvious than most. With Vader it is plain he wears a mask, though few have seen the scarring underneath. But truly, what man doth not wear a mask? For all of us are masked in some way - some choose sharp cruelty as their outward face, some put themselves behind a king's facade, some hide behind the mask of bravery, some put on the disguise of arrogance. But underneath our masks, are we not one? Do not all wish for love, and joy, and peace? And whether rebel or Imperial, do not our hearts all beat in time to make the pounding rhythm of the galaxy? So while Darth Vader's mask keeps him alive, and sits upon his face for all to see, 'tis possible he is more honest than a man who wears no mask, but hides his self. But come, Piett, now still thy prating tongue - his private time is done, his mask back on.
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
Getting It Right" Your ankles make me want to party, want to sit and beg and roll over under a pair of riding boots with your ankles hidden inside, sweating beneath the black tooled leather; they make me wish it was my birthday so I could blow out their candles, have them hung over my shoulders like two bags full of money. Your ankles are two monster-truck engines but smaller and lighter and sexier than a saucer with warm milk licking the outside edge; they make me want to sing, make me want to take them home and feed them pasta, I want to punish them for being bad and then hold them all night long and say I’m sorry, sugar, darling, it will never happen again, not in a million years. Your thighs make me quiet. Make me want to be hurled into the air like a cannonball and pulled down again like someone being pulled into a van. Your thighs are two boats burned out of redwood trees. I want to go sailing. Your thighs, the long breath of them under the blue denim of your high-end jeans, could starve me to death, could make me cry and cry. Your ass is a shopping mall at Christmas, a holy place, a hill I fell in love with once when I was falling in love with hills. Your ass is a string quartet, the northern lights tucked tightly into bed between a high-count-of-cotton sheets. Your back is the back of a river full of fish; I have my tackle and tackle box. You only have to say the word. Your back, a letter I have been writing for fifteen years, a smooth stone, a moan someone makes when his hair is pulled, your back like a warm tongue at rest, a tongue with a tab of acid on top; your spine is an alphabet, a ladder of celestial proportions. I am navigating the North and South of it. Your armpits are beehives, they make me want to spin wool, want to pour a glass of whiskey, your armpits dripping their honey, their heat, their inexhaustible love-making dark. I am bright yellow for them. I am always thinking about them, resting at your side or high in the air when I’m pulling off your shirt. Your arms of blue and ice with the blood running to make them believe in God. Your shoulders make me want to raise an arm and burn down the Capitol. They sing to each other underneath your turquoise slope-neck blouse. Each is a separate bowl of rice steaming and covered in soy sauce. Your neck is a skyscraper of erotic adult videos, a swan and a ballet and a throaty elevator made of light. Your neck is a scrim of wet silk that guides the dead into the hours of Heaven. It makes me want to die, your mouth, which is the mouth of everything worth saying. It’s abalone and coral reef. Your mouth, which opens like the legs of astronauts who disconnect their safety lines and ride their stars into the billion and one voting districts of the Milky Way. Darling, you’re my President; I want to get this right! Matthew Dickman, The New Yorker: Poems | August 29, 2011 Issue
Matthew Dickman
The city, in the brightening daylight, the city in front and underneath us, was waking up from dreams of stars and dreams of promise and was becoming a maze of lies.
Steve S. Saroff (Paper Targets: Art Can Be Murder)
The horses came thundering toward Margaret. "Get down!" Daniel tackled her to the dusty ground. The breath puffed out of her. She struggled to free herself, but his strong body kept her pinned beneath him. She could smell the clean scent of soap underneath the scent of his skin. Never in her life had she felt so helpless and dependent. And protected. The word whispered through her brain with a gentle allure.
Colleen Coble (Safe in His Arms (Under Texas Stars, #2))
The sky is the color of blood underneath a dead nail as we fly away from the Spires.
Pierce Brown (Morning Star (Red Rising Saga, #3))
It’s the cats who trained with the Dark Forest who are fighting hardest, Crowfeather realized. They’re throwing themselves into the worst of the battle. As he looked around, Crowfeather’s heart swelled with pride as he saw his Clanmates, who had suffered so much suspicion after the mistake they’d made, showing their loyalty by risking their lives for their Clan. At the same time, rage against the stoats gave him new strength and energy. A stoat rushed at him, rearing up to attack him with both forepaws. Crowfeather ducked underneath its forelegs, and as the stoat landed, he spun around to fasten his teeth in its throat. He pinned it to the ground, his paws gripping it determinedly until he felt a warm rush of blood; the stoat went limp and he tossed it aside. Looking up, he found himself staring into the face of Nightcloud. “Neat kill,” she commented. “Leave some for the rest of us, won’t you?” As she spoke, a stoat dived for her, leaping up to land on her back. But before it could get a firm grip on her, Crowfeather lashed out with one forepaw, knocking it to the ground. Nightcloud sank her claws into its throat; the stoat twitched and lay still. She gave Crowfeather a nod of gratitude before turning back to the battle. Crowfeather and Nightcloud fought together, standing tail to tail as they turned in a circle, paws striking out at the endless surge of stoats. As soon as they killed or injured one, another would take its place. The white bodies, the small, malignant eyes and snarling fangs, seemed to Crowfeather like something out of a nightmare. He could only go on struggling, grateful for Nightcloud’s steady presence beside him. Then pain exploded in Crowfeather’s shoulder. He turned his head to see a stoat gripping him with its claws, while a splash of drool on his muzzle warned him it was going for his throat. Crowfeather couldn’t shake it off; he dropped to the ground, buying time, but the pressing weight of the frenzied creature made him feel there was no escape. The angle of their bodies meant that he couldn’t batter at it with his hind legs. StarClan, help me! he prayed. The stoat abruptly vanished. Crowfeather looked up to see Nightcloud holding it by the scruff, shaking it vigorously, then tossing it away into the crowd. “Thanks,” Crowfeather gasped, scrambling to his paws. “Anytime,” Nightcloud responded. They turned as one to attack two other stoats that dived in from opposite directions. Even while his body remembered his battle moves, Crowfeather could reflect on how well he and Nightcloud fought together, how well they knew each other. We may not be in love, but we make a fierce team on the battlefield. I know she’ll fight ferociously for me, and for all her Clanmates. Crowfeather’s reflections were interrupted by a screech of pain. Glancing over his shoulder he saw Lionblaze fall, the golden tabby warrior overwhelmed beneath a swarm of stoats. Crowfeather leaped toward him, only to run into what
Erin Hunter (Crowfeather’s Trial (Warriors Super Edition, #11))