Undeniably Beautiful Quotes

Everything has beauty. Even the ugly. Because without the ugly, there would be no beauty. Because without beauty, we would not survive our pain, our sorrow and our suffering.

Life may not always go the way you'd planned, you may not have the perfect family, you may not be the most beautiful, but that doesn't mean you can't make the best of what you do have.

Baby,” he said, “listen to me. I ain’t beautiful, you are. You’re so damn beautiful you got it spillin’ out all over the place, blindin’ you into thinkin’ I’m beautiful when I ain’t. Farthest thing from it.

All scares tell a story beautiful girl....mine tell the story of how I found you.

Toxic relationships are dangerous to your health; they will literally kill you. Stress shortens your lifespan. Even a broken heart can kill you. There is an undeniable mind-body connection. Your arguments and hateful talk can land you in the emergency room or in the morgue. You were not meant to live in a fever of anxiety; screaming yourself hoarse in a frenzy of dreadful, panicked fight-or-flight that leaves you exhausted and numb with grief. You were not meant to live like animals tearing one another to shreds. Don't turn your hair gray. Don't carve a roadmap of pain into the sweet wrinkles on your face. Don't lay in the quiet with your heart pounding like a trapped, frightened creature. For your own precious and beautiful life, and for those around you — seek help or get out before it is too late. This is your wake-up call!

There's an undeniable pleasure in stepping into an open-top sports car driven by a beautiful woman. It feels like you're climbing into a metaphor.

Babe, you’re the most beautiful woman in the whole goddamn world to me. You’re all I fuckin’ want, Teacup.

They say the truth hurts. And these words hurt more than any I have ever written. But they are the truth – The cold, hard, undeniable truth. Not letting go doesn’t keep him with you. It’s still over. He’s still gone. … And nothing will ever change that.

It's a good thing you don't bring Lily in to the bar. If they see what a beautiful baby you made, we'll have to double our napkin orders." He propped his elbows on the bar so his face was very close to hers. "I can't make magic like Lily with any woman but you.

Your mother holds you skin on skin and when you enter this world, feeds you with her own body; skin on skin. Your father runs his fingers over your tear stained cheek, presses his lips to your forehead; skin on skin. You make love, skin on skin with a man you love, a beautiful man. And then, if you’re lucky your own baby will enter this world and you’ll hold her skin on skin, feed her with your body skin on skin. It’s a magical thing.

This is the wisdom of art, the knowledge that beauty perhaps is the one undeniably unique attribute of the human.

A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.

What an absolute scumbag. What an absolutely, perfectly sculpted, beautifully smelling . . . scumbag.

Fuck he was beautiful, inside and out, and he would never be mine. That information sat sure and safe inside of me, turning me to stone because it was utterly undeniable. But I was still expected to stay here, be with him, and support him, the job I both did and didn’t want with all of my heart.

But Lautner makes me feel beautiful. It’s not lust, it’s more. I recognize it. It’s the way I look at a piece of art and see something nobody else does.

One thing, however, did become clear to him—why so many perfect works of art did not please him at all, why they were almost hateful and boring to him, in spite of a certain undeniable beauty. Workshops, churches, and palaces were full of these fatal works of art; he had even helped with a few himself. They were deeply disappointing because they aroused the desire for the highest and did not fulfill it. They lacked the most essential thing—mystery. That was what dreams and truly great works of art had in common: mystery.

...I turned to Hawk and smiled. "Do you even remember how to ride?" His answering laughter was the most beautiful thing I'd heard. "Woman," he said, an eyebrow cocked as he looked down at me. "It's like f***in'. You don't ever forget how.

You may not be beautiful the way you were before,” I whispered, cupping his ruined cheek. “But you’re still beautiful. To me.

He took great pleasure in corrupting his beautiful saint, in clipping her wings so she wouldn’t fly away from him.

Perhaps the real tragedy here is not that George Michael’s heart was given away, but that this beautiful song is relegated to only one month of the year, when its message of unrequited love leading to a deepening resolve to choose more deserving partners is undeniably relevant year-round.

We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.

…you know, sometimes an electric lightbulb goes out all of a sudden. Fizzles, you say. And this burned-out bulb, if you shake it, it flashes again and it’ll burn a little longer. Inside the bulb it’s a disaster. The wolfram filaments are breaking up, and when the fragments touch, life returns to the bulb. A brief, unnatural, undeniably doomed life—a fever, a too-bright incandescence, a flash. The comes the darkness, life never returns, and in the darkness the dead, incinerated filaments are just going to rattle around. Are you following me? But the brief flash is magnificent! “I want to shake… “I want to shake the heart of a fizzled era. The lightbulb of the heart, so that the broken pieces touch… “…and produce a beautiful, momentary flash…

Edith learned long ago that men are drawn to women who are either undeniably beautiful or alluringly vulnerable. She’s never been either.

Everything has beauty. Even the ugly. Especially the ugly. Because without ugly, there would be no beauty. Because without beauty, we would not survive our pain, our sorrow, and our suffering.

Blue irises. They’re so indescribable. It’s more of a feeling. My chills evaporate and blood surges through my body heating the surface until it glistens. No words can escape, just the faint whisper of a satisfied sigh as my posture relaxes. It’s as if all the wonder and nostalgia of the most surreal places on Earth have been captured then released from his gaze. It’s crazy, I know it, but there are blue eyes and then there are blue eyes. It’s like God decided to give one man infinitely beautiful irises, a passageway to forever, a glimpse of Heaven, and I’m looking at him. It’s the only explanation because it’s not possible—or fair for that matter—to have eyes so mesmerizing.

I like you, Ripper,” she whispered, sliding her arms over his shoulders, threading her fingers through the hair at his nape, causing a ripple of tiny, pleasant tingles across his skin and a warmth inside of him, the likes of which he’d never felt before. “Yeah, beautiful girl,” he whispered. “I’m feelin’ you too.

If there is one thing young engaged couples need to hear, it’s that a good marriage is not something you find; it’s something you work for. It takes struggle. You must crucify your selfishness. You must at times confront and at other times confess. The practice of forgiveness is essential. This is undeniably hard work. But eventually it pays off. Eventually, it creates a relationship of beauty, trust, and mutual support.

Maman had been a gifted writer. Pari has read every word Maman had written in French and every poem she had translated from Farsi as well. The power and beauty of her writing was undeniable. But if the account Maman had given of her life in the interview was a lie, then where did the images of her work come from? Where was the wellspring for words that were honest and lovely and brutal and sad? Was she merely a gifted trickster? A magician, with a pen for a wand, able to move an audience by conjuring emotions she had never known herself? Was that even possible? Pari does not know—she does not know. And that, perhaps, may have been Maman’s true intent, to shift the ground beneath Pari’s feet. To intentionally unsteady and upend her, to turn her into a stranger to herself, to heave the weight of doubt on her mind, on all Pari thought she knew of her life, to make her feel as lost as if she were wandering through a desert at night, surrounded by darkness and the unknown, the truth elusive, like a single tiny glint of light in the distance flickering on and off, forever moving, receding.

Sometimes it seems that light can transform anything! That it is an undeniable and irreducible metaphor for grace. But do the people of the ranchitos know this? Is it for beauty that they do it? Or do they merely want a comfortable illumination in their little shacks? It doesn't matter. We can't stop ourselves from making beauty. We can't stop the world.

Thane gazed down at her, his entire world tipped on its axis. He'd never seen anything more miraculous than what he'd just witnessed. He'd never seen anything so beautiful. Can I keep you? The words raced through his mind, a thought - and a nearly undeniable compulsion. Keep you.

It is all very well to say that all princesses are good and beautiful and charming; but this is usually a determined optimism on everybody's part rather than the truth. After all, if a girl is a princess, she is undeniably a princess, and the best must be made of it; and how much pleasanter it would be if she were good and beautiful. There's always hope that if enough people believe as though she is, a little of it will rub off.

This kid, this little fucking kid who didn't know him at all, had just given him his first gift, nothing expected in return, no favors, no stipulations, no nothing. He'd been wrong. There was something sweeter than seeing fear in his old man's eyes. Eva Fox was far sweeter. if he ever had a kid, he wanted a kid like this one. "Thanks darlin'," He said hoarsely. "Will I ever see you again?" She cocked her head to the side, wide eyed, waiting for his response. He stared into her eyes, too big for her face. Big and smoky gray like a thunderstorm. Fucking beautiful. He smiled. "Hope so sweetheart.

It is undeniably the case that in our society we do not easily accept that death is a natural part of life, which results in a perpetual sense of insecurity and fear, and many are confused at the time of the death of a loved one, not knowing what they can do to help the one that has passed away or how to address their own grief. Exploring ways of overcoming our fear of death and adopting a creative approach at the time of bereavement, that is, focusing one’s energy on supporting the one that has passed away, are both extraordinary benefits of the insights and practices that are so beautifully expressed in the Tibetan Book of the Dead. When I think of these things I often remember the Dalai Lama saying: ‘When we look at life and death from a broader perspective, then dying is just like changing our clothes! When this body becomes old and useless, we die and take on a new body, which is fresh, healthy and full of energy! This need not be so bad!’ Graham Coleman Thimpu, Bhutan

Geneva was undeniably beautiful. The problem was the Calvinist mood. It was serene here to the point of sterility. In Arwood’s view, the collective goal of Swiss life was to get from birth to death without incident. If that wasn’t your own philosophy, the city would never be more than a distraction from the life you actually wanted to live.

Historically, people have been naive about what qualities, if mechanized, would undeniably constitute intelligence. Is intelligence an ability to integrate functions symbolically? If so, then AI already exists, since symbolic integration routines outdo the best people in most cases. If intelligence involves learning, creativity, emotional responses, a sense of beauty, a sense of self, then there is a long road ahead, and it may be that these will only be realized when we have totally duplicated a living brain.

The strength of a praying woman is unfathomable, her beauty is undeniable and her Spirit is uncrushable.

It wasn’t about instant love or the undeniable heat that burned between us. It was about all of the broken pieces of us feeling a little less jagged when we were together.

He was the epitome of virile beauty, but with that undeniable edge of something dark and dangerous beneath.

The accent was warm and soft and undeniably Northern. When I turned around, I was staring into a pair of beautiful crystal-blue eyes. “Wow,” I whispered. I scanned the paint swatches, wondering if such a shade of blue would look good on the exterior of my house. “Mr. Johnson said you might need help selecting paint.” “It’s impossible,” I muttered. “I just wanted to buy some blue paint. Why is this so complicated?” The handsome man stepped closer to my side. “It isn’t, really. Just pick what you like.” I like crystal-blue. Luckily, I didn’t say those words aloud.

The girl was undeniably beautiful. She was tall, with a spectacular figure. Her white dress, shimmering with crystal beads, was cut low enough to prove the authenticity of her remarkable cleavage. Her long hair was almost white in its blondeness. But it was her face that held Anne’s attention, a face so naturally beautiful that it came as a startling contrast to the theatrical beauty of her hair and figure. It was a perfect face with a fine square jaw, high cheekbones and intelligent brow. The eyes seemed warm and friendly, and the short, straight nose belonged to a beautiful child, as did the even white teeth and little-girl dimples. It was an innocent face, a face that looked at everything with breathless excitement and trusting enthusiasm, seemingly unaware of the commotion the body was causing. A face that glowed with genuine interest in each person who demanded attention, rewarding each with a warm smile. The body and its accouterments continued to pose and undulate for the staring crowd and flashing cameras, but the face ignored the furor and greeted people with the intimacy of meeting a few new friends at a gathering.

Believing himself to be unseen by other bathers, he gave himself up to being alone with his body. He wriggled his toes, breathed hard through his nose, twisted his brown moustache where some drops of water still clung, and looked himself critically all over. The scrutiny seemed to satisfy him, as well as it might. I, whose only acquaintance was with bodies and minds developing, was suddenly confronted by maturity in its most undeniable form; and I wondered, what must it feel like to be him, master of those limbs which have passed beyond the need of gym and playing field, and exist for their own beauty and strength? What can they do, I thought, to be conscious of themselves?

As I had burned rubber out of the parking lot, I could see him in my rearview mirror, still standing where I’d left him. Laughing. What an absolute scumbag. What an absolutely, perfectly sculpted, beautifully smelling . . . scumbag. •

She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.

I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.

शान्ताकारं भुजगशयनं पद्मनाभं सुरेशं विश्वाधारं गगनसदृश्यं मेघवर्णं शुभाङ्गम्। लक्ष्मीकान्तं कमलनयनं योगिभिर्ध्यानगम्यं वन्दे विष्णु भवभयहरं सर्वलोकैकनाथम्। I bow to Vishnu, Master of Universe unquestionably, Who rests on great serpent bed, peaceful perpetually, From His navel sprouts Lotus of Creative Power surely, He the Supreme Lord of cosmos undeniably does be. - 146 - He supports the entire universe and all-pervading be, He dark as clouds with beautiful Lakshmi form glowingly, He the lotus-eyed, whom yogis see by meditation only, He destroyer of `Samsar’ fear – the Lord of all `loks’ be. - 147 -

And that’s why we should stop. Let’s stop before everything went so wrong. Let’s hold time still. Let’s remember him as he was on Enter—not crazy at all, only brilliant and brave, the most radical member of a radical Clan, whose apparent lack of control was predicated on the most complete control. Let’s remember him whip-thin, his head tilted, gold teeth showing, his eyes aggressively wide, wiry dreads moving away from his scalp like spilt lines of paint or the tentacular extrusions of his brilliant Black mind. Let’s let him win. Let’s remember those vocals, uninhibited by any rules except those he chose. Let’s focus always on the exhilaration, the feeling we had when we first heard him, the disbelief, the laughter which bubbled up like it does in children. Not the laughter of mockery, but the laughter of pure joy, the laughter of disbelief and amazement, the laughter which is all you can manage when confronted by the undeniable, surprising beauty of the world. Let’s let him breathe.

She was undeniably lovely, with her honey-shaded hair and blue eyes, but she possessed a quality that surpassed physical beauty: a hint of passion contained beneath the frail gravity of her facade. Like any man, Ross was aroused more by what was concealed than by what was revealed. And clearly, Sophia Sydney was a woman of many secrets.

She loved her sisters.They were incredibly different.When Lily laughed, Edythe was serious, carefree versus introspective. They were alike in only one respect: They were both undeniably beautiful. And for Bronywyn, their beauty was both a blessing and a curse. Any man who had ever shown remotely any interest in her always ended up gravitating toward one of her youngest sisters. Through them she had been able to see men for who they really were. They had saved her from making many a mistake in her younger days when she still believed someone was coming...someone who would love her and only her. Someone who would be her hero. Someone like the ghost who had come to her rescue that very afternoon.

All scars tell a story, beautiful girl,” he said, releasing me to trace the marks on my stomach. “Yours are tellin’ me how healthy and f*ckin’ perfect my kid is gonna be.” A tear slid out of the corner of my eye. “Shut up,” I whispered. “And mine,” he said softly, grabbing my hand, trailing my palm across his cheek and then his chest. “Tell the story of how I found you.

Leonora, as I have said, was the perfectly normal woman. I mean to say that in normal circumstances her desires were those of the woman who is needed by society. She desired children, decorum, an establishment she desired to avoid waste, she desired to keep up appearances. She was utterly and entirely normal even in her utterly undeniable beauty. But I don't mean to say that she acted perfectly normally in this perfectly abnormal situation. All the world was mad around her and she herself, agonized, took on the complexion of a mad woman; of a woman very wicked; of the villain of the piece. What would you have? Steel is a normal, hard, polished substance. But if you put it in a hot fire it will become red, soft, and not to be handled. If you put it in a fire still more hot it will drip away. It was like that with Leonora.

She looked away from him, her expression suddenly contemplative, the edges of her teeth catching at the plush curve of her lower lip. Just as Gideon thought she was going to refuse him, she reached out impulsively, her warm fingers catching at his. He held her hand as if he cradled a fragile bird in his palm, and drew her close enough that he could smell the hint of rose water in her hair. Her body was slim, sweetly curved, her uncorseted waist soft beneath his fingers. Despite the undeniable romance of the moment, Gideon felt a most unromantic stirring of lust as his body reacted with typical mare awareness to the nearness of a desirable female. He eased his partner into a slow waltz, guiding her expertly across the uneven flagstones. "I've seen fairies dancing on the lawn before," he said, "when I get deep enough in a bottle of brandy. But I've never actually danced with one before.

It’s difficult to explain…you see, I have met her, and so I know that same powerful aspect in her eyes that Racath saw that night. But it is not easily put into words, not so easily described to someone who hasn’t seen it. It was just…something. Liken it to meeting a star. You do not know the star, have never spoken to it before, nor have you ever picked it out of the sparkle of its sisters in the night sky. But the star knows you. It has spent your whole life watching you from the sky. You can keep no secrets from it. It knows every thought in your mind, every move you have ever made, every flaw you have hidden, every pain you have felt. Like the millennia it spent before you were born were years in waiting. Waiting for you and only you, like you are what gives it purpose. Like watching over you is the dedication of its entire life. So it knows you better than you know yourself. And while the star is bright, a twinkling gem that brims with youth and beauty, there is an intangible wisdom to it. It is undeniably experienced. But not old. It may have lived for a thousand of years before you were born, counting every second until you were brought into the world. But, for a star, a thousand years is still very, very young. Young enough to kiss. That feeling, that meeting with a star, is what pierced Racath’s heart when Nelle looked into his eyes. She was starlight, nightfire on an ebon velvet sky. Rapture.

You clean up well.” “Not half as well as you.” His glittering gaze took in her outfit, then returned to meet her eyes. “You trying to give me a stroke, countess? Because you’ve just about done it.” She laughed. “Did you just call me countess?” “You are one, right?” “I don’t believe we have any countesses here in America.” “Sure about that?” “Pretty sure.” “Well, if we had any, you’d be one. You look beautiful.” His compliment poured over her like a sunbeam. “Thank you. So do you.

For many artists and critics beauty is a discredited idea … The modernist message, that art must show life as it is, suggests to many people that, if you aim for beauty, you will end up with kitsch. This is a mistake, however. Kitsch tells you how nice you are: it offers easy feelings on the cheap. Beauty tells you to stop thinking about yourself, and to wake up to the world of others. It says, look at this, listen to this, study this - for here is something more important than you. Kitsch is a means to cheap emotion; beauty is an end in itself. We reach beauty through setting our interests aside and letting the world dawn on us. There are many ways of doing this, but art is undeniably the most important, since it presents us with the image of human life - our own life and all that life means to us - and asks us to look on it directly, not for what we can take from it but for what we can give to it. Through beauty art cleans the world of our self-obsession. Our human need for beauty is not something that could lack and still be fulfilled as people. It is a need arising from our moral nature. We can wander through this world, alienated, resentful, full of suspicion and distrust. Or we can find our home here, coming to rest in harmony with others and with ourselves. And the experience of beauty guides us along this second path: it tells us that we are at home in the world, that the world is already ordered in our perceptions as a place fit for the lives of beings like us. That is what we see in Corot’s landscapes, Cézanne’s apples, or Van Gogh’s unlaced boots.

looking for boats to save; they just stand there shining.” Although I can’t save every boat, I hope that by speaking today, you absorbed a small amount of light, a small knowing that you can’t be silenced, a small satisfaction that justice was served, a small assurance that we are getting somewhere, and a big, big knowing that you are important, unquestionably, you are untouchable, you are beautiful, you are to be valued, respected, undeniably, every minute of every day, you are powerful and nobody can take that away from you. To girls everywhere, I am with you. Thank you.

A day did not go by without my thinking of that little girl and how beautiful she looked when they took her away from me, all wrapped up in that pink blanket. I had grieved for her long after I had grieved for her father, and yet they were so undeniably connected to one another, I’d be forever connected to him. That is why I had such a difficult time for so long and why I couldn’t trust again, open my heart, for fear of losing all the people that I cared about. That was why a memory could take me back to him at any given moment—on her birthday, when I’d hear a song on the radio, when I’d breathe.

Whether she was engaged, married or single, nothing could or ever would come of the weakness he was forced to acknowledge that he had developed. He would re-establish the professional distance that had somehow ebbed away with her drunken confessions and the camaraderie of their trip up north, and temporarily shelve his half-acknowledged plan to end the relationship with Elin. It felt safer just now to have another woman within reach, and a beautiful one at that, whose enthusiasm and expertise in bed ought surely to compensate for an undeniable incompatibility outside it. He fell to wondering how long Robin would continue working for him after she became Mrs. Cunliffe. Matthew would surely use every ounce of his husbandly influence to pry her away from a profession as dangerous as it was poorly paid. Well, that was her lookout: her bed, and she could lie in it. Except that once you had broken up, it was much easier to do so again. He ought to know. How many times had he and Charlotte split? How many times had they tried to reassemble the wreckage? There had been more cracks than substance by the end: they had lived in a spider's web of fault lines, held together by hope, pain, and delusion. Robin and Matthew had just two months to go before the wedding. There was still time.

This prayer in praise of Lord Vishnu be, His incarnations graced earth constantly. शान्ताकारं भुजगशयनं पद्मनाभं सुरेशं विश्वाधारं गगनसदृश्यं मेघवर्णं शुभाङ्गम्। लक्ष्मीकान्तं कमलनयनं योगिभिर्ध्यानगम्यं वन्दे विष्णु भवभयहरं सर्वलोकैकनाथम्। I bow to Vishnu, Master of Universe unquestionably, Who rests on great serpent bed, peaceful perpetually, From His navel sprouts Lotus of Creative Power surely, He the Supreme Lord of cosmos undeniably does be. - 146 - He supports the entire universe and all-pervading be, He dark as clouds with beautiful Lakshmi form glowingly, He the lotus-eyed, whom yogis see by meditation only, He destroyer of `Samsar’ fear – the Lord of all `loks’ be. - 147 -

He seasoned the chicken with salt, pepper and mustard, and then grilled it to absolute perfection in clarified butter! The light coating of panko is toasted to a beautiful golden brown. Its crunch delightfully highlights the chicken's tender juiciness. "But what takes this dish's flavor and elevates it to a whole other level... are the tiny crumbles of Boudin Noir blood sausage you added during the grilling step!" "That's right! The Poussin Chicken had just been butchered, so I took a little of its blood and mixed it with some pork blood... to whip up my own special blood sausage! That gave the dish some real punch, don'tcha think?" "B-but that shouldn't even work! Blood sausage has such a powerful flavor it should have overwhelmed the more delicate Poussin Chicken... but that chicken flavor is still undeniably the centerpiece of this dish!" "That's from the fat. See, I didn't just grab some of the chicken's blood. I siphoned up some of its fat too. With this special injector here." Animal fat is just as jam-packed with richness and body as blood! A little dollop of that keeps the chicken balanced as the center of the dish while deepening its overall flavor! Not only that, he used the chain carving knife to add innumerable delicate hidden cuts in the chicken. Thanks to those, the flavors of the chicken, the sausage and the sauce all meld together seamlessly, creating a cohesive overall experience.

The Continuous Life What of the neighborhood homes awash In a silver light, of children hunched in the bushes, Watching the grown-ups for signs of surrender, Signs that the irregular pleasures of moving From day to day, of being adrift on the swell of duty, Have run their course? O parents, confess To your little ones the night is a long way off And your taste for the mundane grows; tell them Your worship of household chores has barely begun; Describe the beauty of shovels and rakes, brooms and mops; Say there will always be cooking and cleaning to do, That one thing leads to another, which leads to another; Explain that you live between two great darks, the first With an ending, the second without one, that the luckiest Thing is having been born, that you live in a blur Of hours and days, months and years, and believe It has meaning, despite the occasional fear You are slipping away with nothing completed, nothing To prove you existed. Tell the children to come inside, That your search goes on for something you lost—a name, A family album that fell from its own small matter Into another, a piece of the dark that might have been yours, You don't really know. Say that each of you tries To keep busy, learning to lean down close and hear The careless breathing of earth and feel its available Languor come over you, wave after wave, sending Small tremors of love through your brief, Undeniable selves, into your days, and beyond.

Hitler remains undeniably the creation of his time, a creature of German imagination rather than, strictly speaking, of social and economic forces. He was never regarded in the first instance as the prospective agent of social and economic recovery—that was a post facto interpretation—but rather as a symbol of revolt and counteraffirmation by the dispossessed, the frustrated, the humiliated, the unemployed, the resentful, the angry. Hitler stood for protest. He was a mental construct in the midst of defeat and failure, of inflation and depression, of domestic political chaos and international humiliation. ... The ultimate kitsch artist, he filled the abyss with symbols of beauty. The victim he turned into the hero, hell into heaven, death into transfiguration.

She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")

She can’t die, and not just because there’s a chance I won’t survive. She can’t die because I know I can’t live without her even if I do. Somewhere between the shock of our attraction at the top of that turret to realizing she risked her own life by giving up a boot for someone else on the parapet that first day to her throwing those daggers at my head under the oak tree, I wavered. I should have realized the danger of getting too close the first time I put her on her back and showed her how easily she could kill me on the mat—a vulnerability I’ve allowed no one else—but I brushed it off as an undeniable attraction to a uniquely beautiful woman. When I watched her conquer the Gauntlet, then defend Andarna at Threshing, I stumbled, stunned by both her cunning and her sense of honor. When I burst into her room and found Oren’s treacherous hand at her throat, the rage that made it so easy to kill all six of them without batting an eye should have told me I was headed for a cliff. And when she smiled at me after mastering her shield in mere minutes, her face lighting up as the snow fell around us, I fucking fell.

I thought you'd sworn off marriage," Ranulf growled. "Who said anything about marriage?" Tyr snapped back. "I just know that when a younger sister gets married,the older one might like some company and Bronwyn is one damn fine-looking woman." "Leave her alone, Tyr." The possessive growl in Ranulf's voice was unmistakable and undeniable. Tyr swung around abruptly and faced his friend from across the table. "I knew it!" "Just what do you think you know?" "Something happened between you two," Tyr answered,pointing at him. "No man-not even you-can spend a day and night with a woman that beautiful and not at least try to kiss her. Did you?" "None of your business." Tyr let go a long low whistle. "So not only did you,but you enjoyed it.Enough to still be bothered.I'm kind of wishing it had been me up there instead." Ranulf moved toward the door. "I think your first inclinations about leaving Hunswick were good ones.Tell the queen I said hello." Tyr shook his head and leaned back against the table,crossing his arms. "I've changed my mind. Ranulf de Gunnar, the man who wanted no woman, suddenly has two.I'm staying." "Not if I send you away.

Cam awakened slowly as he felt his wife’s voluptuous body snuggling close to his. She always slept in a nightgown made of modest white cambric, with infinite numbers of tucks and tiny ruffles. It never failed to stir him, knowing what splendid curves were concealed beneath the demure garment. The nightgown had ridden up to her knees during the night. One of her bare legs was hooked over his, her knee resting near his groin. The slight roundness of her stomach pressed against his side. Pregnancy had made her feminine form more ample and delicious. There was a glow about her these days, a burgeoning vulnerability that filled him with an overwhelming urge to protect her. And knowing that the changes in her were caused by his seed, a part of him growing inside her … that was undeniably arousing. He wouldn’t have expected to be this enthralled by Amelia’s condition. In the eyes of the Rom, childbirth and all related issues were considered mahrime, polluting events. And since the Irish were notoriously suspicious and prudish when it came to matters of reproduction, there wasn’t much on either side of his lineage to justify his delight in his wife’s pregnancy. But he couldn’t help it. She was the most beautiful and fascinating creature he had ever encountered.

As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved.

Generally speaking a view of the available economic systems that have been tested historically must acknowledge the immense power of capitalism to generate living standards food housing education the amenities to a degree unprecedented in human civilization. The benefits of such a system while occasionally random and unpredictable with periods of undeniable stress and misery depression starvation and degradation are inevitably distributed to a greater and greater percentage of the population. The periods of economic stability also ensure a greater degree of popular political freedom and among the industrial Western democracies today despite occasional suppression of free speech quashing of dissent corruption of public officials and despite the tendency of legislation to serve the interests of the ruling business oligarchy the poisoning of the air water the chemical adulteration of food the obscene development of hideous weaponry the increased costs of simple survival the waste of human resources the ruin of cities the servitude of backward foreign populations the standards of life under capitalism by any criterion are far greater than under state socialism in whatever forms it is found British Swedish Cuban Soviet or Chinese. Thus the good that fierce advocacy of personal wealth accomplishes in the historical run of things outweighs the bad. And while we may not admire always the personal motives of our business leaders we can appreciate the inevitable percolation of the good life as it comes down through our native American soil. You cannot observe the bounteous beauty of our county nor take pleasure in its most ordinary institutions in peace and safety without acknowledging the extraordinary achievement of American civilization. There are no Japanese bandits lying in wait on the Tokaidoways after all. Drive down the turnpike past the pretty painted pipes of the oil refineries and no one will hurt you.

Exceed expectations Jesus said, “Do more than is expected; carry it two miles.” That’s the attitude you need to have: “I’m not doing just what I have to. I’m not doing the minimum amount to keep my job. I’m a person of excellence. I go above and beyond what’s asked of me. I do more than is expected.” This means if you’re supposed to be at work at 8 a.m., you show up ten minutes early. You produce more than you have to. You stay ten minutes late. You don’t start shutting down thirty minutes before closing. You put in a full day. Many people show up to work fifteen minutes late. They get some coffee, wander around the office, and finally sit down to work a half hour late. They’ll waste another half hour making personal phone calls and surfing the Internet. Then they wonder why they aren’t promoted. It’s because God doesn’t reward sloppiness. God rewards excellence. In the Old Testament, Abraham sent his servant to a foreign country to find a wife for his son, Isaac. Abraham told the servant that he would know he’d found the right lady if she offered a drink to both him and his camels. The servant reached the city around sunset. A beautiful young lady named Rebekah came out to the well. The servant said, “I’m so thirsty. Would you mind lowering your bucket and getting me a drink?” She said, “Not only that, let me get some water for your camels as well.” Here’s what’s interesting: After a long day’s walk, a camel can drink thirty gallons of water. This servant had ten camels with him. Think about what Rebekah did. If she had a one-gallon bucket of water, she said, in effect, “Yes I’ll not only do what you asked and give you a drink, but I’ll also dip down in this well three hundred more times and give your ten camels a drink.” Rebekah went way beyond the call of duty. As a result, she was chosen to marry Isaac, who came from the wealthiest family of that time. I doubt that she ever again had to draw three hundred gallons of water.

Two Types of Subatomic Particles Fermions (matter) Bosons (forces) electron, quark, photon, graviton, neutrino, proton Yang-Mills Bunji Sakita and Jean-Loup Gervais then demonstrated that string theory had a new type of symmetry, called supersymmetry. Since then, supersymmetry has been expanded so that it is now the largest symmetry ever found in physics. As we have emphasized, beauty to a physicist is symmetry, which allows us to find the link between different particles. All the particles of the universe could then be unified by supersymmetry. As we have emphasized, a symmetry rearranges the components of an object, leaving the original object the same. Here, one is rearranging the particles in our equations so that fermions are interchanged with bosons and vice versa. This becomes the central feature of string theory, so that the particles of the entire universe can be rearranged into one another. This means that each particle has a super partner, called a sparticle, or super particle. For example, the super partner of the electron is called the selectron. The super partner of the quark is called the squark. The superpartner of the lepton (like the electron or neutrino) is called the slepton. But in string theory, something remarkable happens. When calculating quantum corrections to string theory, you have two separate contributions. You have quantum corrections coming from fermions and also bosons. Miraculously, they are equal in size, but occur with the opposite sign. One term might have a positive sign, but there is another term that is negative. In fact, when they are added together, these terms cancel against each other, leaving a finite result. The marriage between relativity and the quantum theory has dogged physicists for almost a century, but the symmetry between fermions and bosons, called supersymmetry, allows us to cancel many of these infinities against each other. Soon, physicists discovered other means of eliminating these infinities, leaving a finite result. So this is the origin of all the excitement surrounding string theory: it can unify gravity with the quantum theory. No other theory can make this claim. This may satisfy Dirac’s original objection. He hated renormalization theory because, in spite of its fantastic and undeniable successes, it involved adding and subtracting quantities that were infinite in size. Here, we see that string theory is finite all by itself, without renormalization

As a child, Callum never sympathized much with storybook villains, who were always clinging to some sort of broad, unspecified drive. It wasn’t the depravity that unnerved him, but the desperation of it all; the need, the compulsion, which always destroyed them in the end. That was the distasteful thing about villains, really. Not the manner in which they went about their business, which was certainly gruesome and morally corrupt, but the fact that they desired things so intensely. The heroes were always reluctant, always pushed into their roles, martyring themselves. Callum didn’t like that, either, but at least it made sense. Villains were far too proactive. Must they participate in the drudgery of it all for some interminable cause? Taking over the world was a mostly nonsensical agenda. Have control of these puppets, with their empty heads and their pitchforked mobs? Why? Wanting anything—beauty, love, omnipotence, absolution—was the natural flaw in being human, but the choice to waste away for anything made the whole indigestible. A waste. Simple choices were what registered to Callum as most honestly, the truest truths: fairy-tale peasants need money for dying child, accepts whatever consequence follow. The rest of the story—about rewards of choosing good or the ill-fated outcomes of desperation and vice—we’re always too lofty, a pretty but undeniable lie. Cosmic justice wasn’t real. Betrayal was all too common. For better or worse, people did not get what they deserved. Callum had always tended toward the assassins in the stories, the dutiful soldiers, those driven by personal reaction rather than on some larger moral cause. Perhaps it was a small role to serve on the whole, but at least it was rational, comprehensible beyond fatalistic. Take the huntsman who failed to kill Snow White, for example. An assassin acting on his own internal compass. Whether humanity as a whole won or lost as a result of his choice? Unimportant. He didn’t raise an army, didn’t fight for good, didn’t interfere much with the queen’s other evils. It wasn’t the whole world at stake; it was never about destiny. Callum admired that, the ability to take a moral stance and hold it. It was only about whether the huntsman could live with his decision—because however miserable or dull or uninspired, life was the only thing that mattered in the end. The truest truths: Mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn’t buy happiness, but nothing could buy happiness, so at least money could buy everything else. In terms of finding satisfaction, all a person was capable of controlling was himself.

The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.

Wisdom tells us secrets before we have a right to know them. That’s the beauty of it. You don’t have to pray for wisdom or make yourself worthy of it. As with the concept of grace in the New Testament, which falls like rain on the just and the unjust alike, the ultimate truth simply is. When we catch a glimpse of it, we become more real in ourselves. It is undeniable that the outward appearance of life contains suffering and distress. Wisdom reveals that suffering comes and goes while a deeper reality never changes. That reality is founded on truth and love. Faith makes life better because in the midst of pain and suffering, we need to trust that something else is more powerful.

Do you have to replace the front door every day?” Smiling at him, not a big smile, but a smile nonetheless. It warmed Jack from the inside out. “What are you talking about? I told you, you’re safe here.” “Are you safe here?” “What?” He didn’t understand what she meant, but he liked her sweet smile. “Women. They must beat down that door every day to get to you.” He cracked up with laughter. “You think so, huh.” “Oh, yeah.” “I think you’re pretty damn beautiful yourself.” “Yeah, right. I hear bandages and bruises are in this year.” “You’re beautiful.” They stared at each other, that invisible but undeniable something passing between them. He wanted to touch her, but knew now wasn’t the time. As forward as she’d been joking with him about women beating down his door, she shied away from acknowledging this thing between them. He broke off the look first and dug out his supplies. He wrapped a bandage around her thigh, trying not to think about the softness of her skin or the fact she was naked under the sheet. Her eyes fluttered shut. He bent down and kissed her on the forehead. She placed her hand on his cheek. Such a simple gesture. He leaned into her palm, felt her fingers brush against his skin. How long has it been since a simple touch affected him so deeply? Reluctant to leave her, nonetheless he drew back and her eyes remained closed. He took her hand from his cheek and placed it on the pillow next to her head. He nuzzled at her ear and whispered, “Beautiful. Believe it.” -Jenna & Jack

The full essence of Americanism in the Canal Zone is too overwhelming a contrast to the Spanish-American city. And that is a violent way to taste a new country. You might as well get your first impression of the British from the Gezireh Club in Cairo. Clean, self-consciously bright, admirably ordered for the consumption of ice-cream in friendly surroundings—that was my melancholy impression. The result to this day is that when I think of the United States, its aspect as a respectable middle-class holiday camp dominates all others. And that is unfair. If I had entered by New York, I should have found the stronger living and coarser laughter to which I was accustomed translated across the Atlantic into a city of exquisite beauty, with green and peaceful farming country easily to be reached at need. But there it is. My emotions insist that every American lives in a well-ordered suburb, whereas statistics, let alone observation, prove he does nothing of the sort. I am closer, perhaps, to a spiritual truth—for it is undeniable that the nearer any foreign community approaches the ideal of a garden city run by a council of advertising managers, the more Americans are at home in it.

The reactions of our personal friends may reflect to a large degree Diana’s worldwide and lasting appeal. We received letters and phone calls from friends living, literally, all over the world--Malaysia, Sumatra, Brazil, Australia, Europe, and throughout America--many of whom had not known of our connection with Diana until they saw me on television. The fact that so many of our far-flung and diverse friends were watching the television coverage of Diana’s death and funeral spoke volumes in itself. They were shocked and saddened by Diana’s death but acknowledged, “It must be so much worse for you. You knew her.” One comment I heard repeated by men and women friends alike, was, “I didn’t really follow her that closely, so I was surprised at how upset I was by her death.” Again, that undeniable and universal appeal. Women friends, mothers my own age, referred to her so often as “that poor child.” Incredible. Diana was beautiful, rich, the most famous woman of her era, yet what spoke to all of us was her vulnerability.

there’s an undeniable pleasure in stepping into an open-top sports car driven by a beautiful woman. It feels like you’re climbing into a metaphor.

When we see a flower, for example, the flower is really there and we may think, “This flower is now in front of my eyes. It is very beautiful, but it will wither and fall someday.” Although we believe this thought, in undeniable reality as we see the flower there is only the flower blooming; there is no falling. But we may think, “This flower is blooming now but in the past it was a seed, and it will fall someday to form seeds for the next generation of flowers.” Or we may think, “This flower is here but it is empty, impermanent; there is no fixed substance to this flower.” This is how we think and understand the Buddha’s teaching when we study

You were beautiful then as well, Pet. You are strong and stubborn, but that soul of yours is undeniably beautiful. I know, because I’ve felt it from the inside when you stole part of mine. My soul was addicted to yours from the moment you stole it. I felt the untainted beauty of it. It only made me want to taste you more.

The book-quoting charmer has an actual name, and it's not Fitzwilliam Darcy. My literary heart should probably be disappointed, but it's not. Gray Beckham is an undeniably sexy name. Very manly. Very 007.

Although I can’t save every boat, I hope that by speaking today, you absorbed a small amount of light, a small knowing that you can’t be silenced, a small satisfaction that justice was served, a small assurance that we are getting somewhere, and a big, big knowing that you are important, unquestionably, you are untouchable, you are beautiful, you are to be valued, respected, undeniably, every minute of every day, you are powerful and nobody can take that away from you.

Praise the miracle body The odd and undeniable mechanics of hand Hundred boned foot, perfect stretch of tendon Praise the veins that river these wrists Praise the prolapsed valve in a heart Praise the scars marking a gallbladder absent Praise the rasp and rattle of functioning lungs Praise the pre-arthritic ache of elbows and ankles Praise the lifeline sectioning a palm Praise the photographic pads of fingertips Praise the vulnerable dip at the base of a throat Praise the muscles surfacing on an abdomen Praise these arms that carry babies, and anthologies Praise the leg hairs that sprout and are shaved Praise the ass that refuses to shrink or be hidden Praise the cunt that bleeds and accepts, bleeds and accepts Praise the prominent ridge of nose Praise the strange convexity of rib cage Praise the single hair that insists on growing from a right areola Praise the dent where the mole was clipped from the back of a neck Praise these inner thighs brushing Praise these eyelashes that sometimes turn inward Praise these hips preparing to spread into a grandmother’s skirt Praise the beauty of the freckle on the first knuckle of a left little finger We’re gone in a blizzard of seconds Love the body human while we’re here A gift of minutes on an evolving planet A country in flux, give thanks For bone, and dirt, and the million things that will kill us someday Motion and the pursuit of happiness, no garauntees, give thanks For chaos theory, ecology, common sense that says we are web A planet in balance or out That butterfly in Tokyo setting off thunder storms in Iowa Tell me you don’t matter to a universe that conspired to give you such a tongue Such rhythm or rhythmless hips Such opposable thumbs Give thanks, or go home a waste of spark Speak, or let the maker take back your throat March, or let the creator rescind your feet Dream, or let your god destroy your good and fertile mind This is your warning This your birthright Do not let this universe regret you

I remember the first time I heard your voice. I can still remember telling you how soothing I found it, how much it calmed me. It still does, even though we’re strangers. You’re silent, but your words are still very much alive in me. You are my home, even though the door is locked and the lights are off. It’s not a choice as much as it is a beautiful nagging that’s nearly impossible to ignore. But I’m locked out, left to wander, and I’ve found myself here. I know I left in a childish fit, and you locked the iron gate so tightly; you had to. So I was left out in the darkness, just me and the shadows that haunted me, the ones that led me away from you to begin with. You left me outside to face them. You wouldn’t let me lean on you to deal with them anymore. You are my home because you are the place I choose to return to over and over again. The place that, even when painful, means the most. You are my home because you have made me who I am, whether or not you realized what you were doing. You are my home because you showed me the best kind of love there is. You showed me real, genuine, love-you-so-much-it-hurts-and-changes-me-at-my-core love. It was a blissful combination of finally feeling alive mixed with the most painfully difficult challenge I never thought I’d have to deal with. I didn’t know I could ever feel so strongly that I’d end up there. And yet, I still believe, that although that love may have been all of those challenging things, it was still unconditional, undeniable, and above all, beautiful. Miraculous. And that’s what keeps me at your door.

My favourite quotes, Part Two -- from Michael Connelly's "Harry Bosch" series The Black Box On Bosch’s first call to Henrik, the twin brother of Anneke - Henrik: "I am happy to talk now. Please, go ahead.” “Thank you. I, uh, first want to say as I said in my email that the investigation of your sister’s death is high priority. I am actively working on it. Though it was twenty years ago, I’m sure your sister’s death is something that hurts till this day. I’m sorry for your loss.” “Thank you, Detective. She was very beautiful and very excited about things. I miss her very much.” “I’m sure you do.” Over the years, Bosch had talked to many people who had lost loved ones to violence. There were too many to count but it never got any easier and his empathy never withered. The Burning Room 2 Grace was a young saxophonist with a powerful sound. She also sang. The song was “Somewhere Over the Rainbow,” and she produced a sound from the horn that no human voice could ever touch. It was plaintive and sad but it came with an undeniable wave of underlying hope. It made Bosch think that there was still a chance for him, that he could still find whatever it was he was looking for, no matter how short his time was. ---------------- He grabbed his briefcase off his chair and walked toward the exit door. Before he got there, he heard someone clapping behind him. He turned back and saw it was Soto, standing by her desk. Soon Tim Marcia rose up from his cubicle and started to clap. Then Mitzi Roberts did the same and then the other detectives. Bosch put his back against the door, ready to push through. He nodded his thanks and held his fist up at chest level and shook it. He then went through the door and was gone. The Burning Room 3 “What do you want to know, Bosch?” Harry nodded. His instinct was right. The good ones all had that hollow space inside. The empty place where the fire always burns. For something. Call it justice. Call it the need to know. Call it the need to believe that those who are evil will not remain hidden in darkness forever. At the end of the day Rodriguez was a good cop and he wanted what Bosch wanted. He could not remain angry and mute if it might cost Orlando Merced his due. ------------ “I have waited twenty years for this phone call . . . and all this time I thought it would go away. I knew I would always be sad for my sister. But I thought the other would go away.” “What is the other, Henrik?” Though he knew the answer. “Anger . . . I am still angry, Detective Bosch.” Bosch nodded. He looked down at his desk, at the photos of all the victims under the glass top. Cases and faces. His eyes moved from the photo of Anneke Jespersen to some of the others. The ones he had not yet spoken for. “So am I, Henrik,” he said. “So am I.” Angle of Investigation 1972 They were heading south on Vermont through territory unfamiliar to him. It was only his second day with Eckersly and his second on the job. Now He knew that passion was a key element in any investigation. Passion was the fuel that kept his fire burning. So he purposely sought the personal connection or, short of that, the personal outrage in every case. It kept him locked in and focused. But it wasn’t the Laura syndrome. It wasn’t the same as falling in love with a dead woman. By no means was Bosch in love with June Wilkins. He was in love with the idea of reaching back across time and catching the man who had killed her. The Scarecrow At one time the newsroom was the best place in the world to work. A bustling place of camaraderie, competition, gossip, cynical wit and humor, it was at the crossroads of ideas and debate. It produced stories and pages that were vibrant and intelligent, that set the agenda for what was discussed and considered important in a city as diverse and exciting as Los Angeles.

I must acknowledge that though his adoption embodies graciousness, it is also a reminder this world is not as it should be. Brokenness permeates our world. Sure, beauty is born from ashes, but the ashes don't just magically disappear. Suffering and all that is wrong in this world still exists. This side of heaven, tragedy remains and the moments of her son becoming ours is a representation of joy and suffering deeply intertwined. Our son, the living proof and blessing that love is what makes a family, reminds us that adoption is born out of undeniable loss. Irrevocable loss of wholeness, of what was meant to be. To only acknowledge the beauty without giving voice to the tragedy, is to detract from adoption. In diminishing the tragedy of adoption, I decrease my son's story, along with others a part of the adoption circle. I would be choosing to ignore a massive portion of who he is.

Intoxicate me with the beauty and breath of your soul. Leave such imprints on my heart that you come to me in dreams, and I will leave you with eternal light, cherishing you until the end of time through synchronicity, through poetry, through mystery and undeniable energy.

the perspective of traditional Christian thought, than the equally undeniable assertion that God is not good in the way a finite being might or might not be good, but is instead infinite Goodness as such; or that he is not merely something true, but is rather Truth in its transcendent fullness; or that he is not something beautiful, but is instead absolute Beauty; or that he is not a discrete unified thing, but is rather the transcendent Unity in which all reality subsists; or that he is not a discrete being among other beings, but is himself infinite subsistent Being as such, whereon all things depend.

William Temple, who served as Archbishop of Canterbury during the difficult days of World War II. He wrote, “To worship is to quicken the conscience by the holiness of God, to feed the mind with the truth of God, to purge the imagination by the beauty of God, to open the heart to the love of God, to devote the will to the purpose of God.”3

We reach beauty through setting our interests aside and letting the world dawn on us. There are many ways of doing this, but art is undeniably the most important, since it presents us with the image of human life – our own life and all that life means to us – and asks us to look on it directly, not for what we can take from it but for what we can give to it. Through beauty art cleans the world of our self-obsession.

Absent all speculation, the contemplation on everything known and unknown, there’s always an invitation to listen. We could even cease the meaning-making and surrender to the mystery. Be willing to feel the grief, not just for our own losses but for the big losses throughout time. We could exhale heartbreak for the death of mothers and children, grandparents and lovers, tribes and democracies. The crack of falling redwoods and splitting glaciers, the disappearance of the monarchs and the mourning of the giant tortoise. The landslides, the floods, the fires. We could feel the destruction of mountains, comets, galaxies. All the losses without redemption. All that has been broken. And in that silence between breaths we could pause. We could acknowledge… absence. In the liminal space we could feel the emptiness. Behold the big, spacious silence behind all noise. And there, right there, at the edges or perhaps smack in the middle of our awareness we might feel a fullness. The nearness of something sacred, the quiet presence which can’t be captured in words—only felt. That which is deeply personal and undeniably universal, that which is me and yet everything not-me, that nearness some people call Source, God, the Great Mother, the Great Perfection, that which can’t be named. And as we inhale, we can breathe in all of it, the richness of seas, the quiet dignity of deserts, the opalescent sheen of babies just born. The melody of a downpour and the clarion birdsong as the earth begins to dry. The warm symphonies of stars and the roar of everyone laughing at once. All the beauty beyond description. The truth that everything terrible exists alongside everything miraculous, that loss gives way for finding, and through it all, only love keeps us fighting for what’s right.

out. In awe, we become aware that there is something far greater than ourselves. And it’s filled with beauty and glory and brilliance. And we can dance around the truth all we want, trying to reduce the world into words and symbols, scientific facts and charts, but when we get down to the essence of things, we cannot escape the undeniable truth: Love is all there is. Love.

Perhaps to be human is to struggle one’s whole life to find some solid ground to stand on and then die never coming anywhere close. And perhaps that’s not even a bad thing. To know the true meaning of life and self is to do what with it? End the mystery? End the game? What then? Perhaps one day we will find some unifying theory of everything and perhaps somehow this will make everything better, but what are the odds that we still care about the point of life after we’ve found it? Imagine a movie in which you knew exactly why and what everything was from the start. Imagine a life, if we found a theory of everything or an equation that connected the mysteries of quantum mechanics and Einstein’s Theory of General Relativity, and we understood the very core of how and why the universe worked, what difference would this really make in terms of the meaning of life. Would two different people still not watch the same movie and experience and interpret two different things? We would of course all agree that it’s a movie and on how the movie works, but when it comes to meaning, there will always remain a perceptual layer completely relative to the individuals observing it. Because of this, if we found the overarching ultimate truth of existence tomorrow, half the world would not believe it, and the other half would fight for it. And as a whole, we would be no different. And if somehow the whole world did agree upon one truth, what then? Utopia? What then? The truth we seek when considering the quality and meaning of our lives is not an outward truth, not a truth that resolves the questions of the universe, but a truth that glimpses inward and assembles into a stable self that can be integrated seamlessly into our perception of the whole around us, a truth we can’t ever truly have. Truth is not even the right word here, there is no right word here. That’s the point. I sit here writing, thinking about my being, about the strange relationship I have with this life and this plane of existence. I think about how alive I feel right now while writing. How potent this moment is. How insane and beautiful it is. How important it has been to me in the past. Thinking, writing, talking, and reading about earnest experiences and attempts at living. Personally, the direct confrontation with the challenges, complexities, sufferings, and plights of the human condition have provided me with some of, if not all of the profound, potent, and beautiful moments of my life. And I wonder if I would have ever experienced any of those undeniably worthy moments if life made sense. If it didn’t hurt and overwhelm me… How beautiful would the night sky be if we knew exactly where it went and how the stars got there? Would we ever be inspired to create art and form interpretations out of this life, what would I have written about? What would I have read about? How would I have ever found love or friendship or connection with others? Why would I have ever laughed or cried? What would I be doing right now? Would there be anything to say? Anything to live or die for? I don’t feel that my life would have been any better if I had known any more of what it was all about, in fact I think it would have only worsened the whole thing, we seem to so desire certainty, and immortality, a utopic end of conflict, suffering, and misunderstanding, and yet in the final elimination of all darkness exists light with no contrast. And where there is no contrast of light there is no perception of light, at all. What we think we want is rarely what we do, if we ever got what we did, we would no longer have anything. What we really want is to want. To have something to ceaselessly chase and move towards. To feel the motion and synchronicity with the universe's unending forward movement.

Life may not always go the way you’d planned, you may not have the perfect family, you may not be the most beautiful, but that doesn’t mean you can’t make the best of what you do have.

There was no denying my attraction to Thea before, but now it was so much more than a serendipitous encounter. It was a natural attraction ready to pull us together the moment she had enough of her own magic to give it life. And she was stunning. Her general shape hadn't changed much. Her features had sharpened, and her ears came to a newly formed point. But her other new features were undeniably fae. Beautiful and elegant and uniquely hers. If I was attracted to her before, the bond was now making her entirely distracting to my senses.

Extraordinary Woman A token of appreciation to my beloved Mother You are beautiful Undeniably great Nature’s most amazing gift Your smile is worth a million bucks You shine like a star Your presence brings calm Your laughter brightens my day Your kindness warms my nights I am fortunate to call you Mom In you, I see an angel Under whose wings I remain safe All because you are so great What can one do to appreciate Such an amazing Soul Who fights like a warrior For the sake of her children You wake up each morning Ensuring that things are in the right place There is no way one can ever replace Such an extraordinary woman

The contemporary world is full of things that look beautiful and are produced through hideous means. People died so that this mine may profit, that these shoes maybe produced as cheaply as possible, that that refinery may spew those toxic fumes in the course of producing its petroleum. I have often thought about this disconnection as a lack of integrity that's pervasive in modern life. Once, the trees from which wood came, the springs, river, well, or rain from which drinking water came would have been familiar; every object would appear out of somewhere, from someone or something known to the user, and producers and consumers would be the same people or people who knew one another. Industrialization, urbanization, and transnational markets created a world where water poured out of faucets, food and clothing appeared in stores, fuel (in our time if not in Orwell”s with the coal chutes and sooty air) was largely invisible, and the work that held all this together was often done by people who were themselves invisible. There were undeniable benefits—a more stimulating and various materials and mental life—but they came at a cost. The places, plants, animals, materials, and objects that had once been as well-known as friends and family has become strangers, does had the people who worked with these materials. Things appeared from beyond the horizon, from beyond knowing, and knowing was an act of volition instead of a part of everyday life.

The contemporary world is full of things that look beautiful and are produced through hideous means. People died so that this mine may profit, that these shoes maybe produced as cheaply as possible, that that refinery may spew those toxic fumes in the course of producing its petroleum. I have often thought about this disconnection as a lack of integrity that's pervasive in modern life. Once, the trees from which wood came, the springs, river, well, or rain from which drinking water came would have been familiar; every object would appear out of somewhere, from someone or something known to the user, and producers and consumers would be the same people or people who knew one another. Industrialization, urbanization, and transnational markets created a world where water poured out of faucets, food and clothing appeared in stores, fuel (in our time if not in Orwell”s with the coal chutes and sooty air) was largely invisible, and the work that held all this together was often done by people who were themselves invisible. There were undeniable benefits—a more stimulating and various materials and mental life—but they came at a cost. The places, plants, animals, materials, and objects that had once been as well-known as friends and family had become strangers, as had the people who worked with these materials. Things appeared from beyond the horizon, from beyond knowing, and knowing was an act of volition instead of a part of everyday life.

And I think how beautiful it was then, through that void, to draw lines and parabolas, pick out the precise point, the intersection between space and time where the event would spring forth, undeniable in the prominence of its glow; whereas now events come flowing down without interruption, like cement being poured, one column next to the other, one within the other, separated by black and incongruous headlines, legible in many ways but intrinsically illegible, a doughy mass of events without form or direction, which surrounds, submerges, crushes all reasoning.

It’s said that Lucifer was the most beautiful of all the angels, before he betrayed God and was cast out of heaven. Sitting across from me is undeniable proof that the most lovely of things can hide the greatest of evils.

Go upstairs and wait for me," he ordered her. Kate stopped, taken off guard by the velvet undertones in his deep voice. She forgot her anger for a heartbeat, arrested by the promise of pleasure in his smoky eyes; she stood motionless, staring at him but disoriented when the drug swept her up in its most disturbing side effect yet. Attraction. Arousal. A fatal fascination with him gripped her. He was beautiful, undeniably, but an utter mystery to her. One she suddenly desired to solve, obsessed as she had always been with finding hidden answers. An impetuous hunger to taste his lips stormed through her blood.