Uncovered To Find She Is Quotes

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As nature has uncovered from under this hard shell the seed for which she most tenderly cares - the propensity and vocation to free thinking - this gradually works back upon the character of the people, who thereby gradually become capable of managing freedom; finally, it affects the principles of government, which finds it to its advantage to treat men, who are now more than machines, in accordance with their dignity.
Immanuel Kant (An Answer to the Question: What Is Enlightenment?)
She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them. But often I did - with time I learned where to look - and tried to fit them together. It pained me that she felt she couldn't come to me with it, but I knew it would hurt her more to know that I'd uncovered what she hadn't intended for me to find. In some fundamental way I think she objected to being known. Or resented it even as she longed for it. It offended her sense of freedom. But it isn't possible to simply look upon a person one loves in tranquility, content to regard her in bafflement.
Nicole Krauss (Great House)
Dwelling As though touching her might make him known to himself, as though his hand moving over her body might find who he is, as though he lay inside her, a country his hand's traveling uncovered, as though such a country arose continually up out of her to meet his hand's setting forth and setting forth. And the places on her body have no names. And she is what's immense about the night. And their clothes on the floor are arranged for forgetfulness.
Li-Young Lee (Book of My Nights: Poems (American Poets Continuum, 68))
A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
Another approach is actually to build the job around the person, to create a virtual job portfolio to match what he/she does best. Say you find a highly competent human being. Rather than asking the person to conform, you find appropriate things for that person to do. This permits a great deal of mobility within the organization, breaks up the traditional hierarchy, unlinks the rigid chain-of-command, and uncovers new functional slots. Such an idea is disturbing to First Tier entities, quite natural in Second Tier structures.
Don Edward Beck (Spiral Dynamics: Mastering Values, Leadership and Change)
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
The rest of us, we'd lay down our lives for years, but Blackwell... he'd do that and more. He'd rip the beating heart from his chest. He'd give up his soul if ye'd only-" "It is making a rather large and fallacious assumption that I have a heart to give... or a soul." Dorian Blackwell's smooth voice didn't echo through the washroom as theirs did. He slithered into their midst with a serpentine stealth, striking before Murdoch's words uncovered any of his secrets. Gasping, Farah sank deep into the bath, thankful the water was now cloudy with soap, though she did draw her knees under her chin and anchor them with her arms, just in case. "Get out!" she insisted in an unsteady voice. "I'm indecent." "That makes two of us." He'd moved closer. So close, in fact, that Farah knew if she looked behind her, she'd find his mismatched eyes staring down at her from her towering height. Perhaps, despite the opaque water, he could see the flesh that quivered just below the surface. The thought sent bolts of heat and mortification through her. "Leave," Farah ordered, unable to face him for fear she'd lost her nerve. "Stand up and make me.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
She wondered what archaeologists in the year A.D. 10,000 would find when they uncovered the relics of the twentieth century; would there, she wondered, be any signs of intelligence remaining? or only vestiges of folly and violence?
Dorothy Gilman (Mrs. Pollifax on the China Station (Mrs. Pollifax, #6))
She mulled how very Jonathan of him to effortlessly find his way to her when she needed him, labyrinth or no. Just as he'd effortlessly uncovered her secrets. But that was simply because he'd been born knowing the secret to her. He was hers and she was his. Just as there was one key for every lock
Julie Anne Long (It Happened One Midnight (Pennyroyal Green, #8))
Sometimes the work emerged out of intent—the desire to make a specific thing. But just as often, what she created was not of her design, but, rather, was like archaeology: It was more of an uncovering, as if the artist’s job was simply to find what the material was trying to hide. And then wrestle it to the surface, so that all could see. Or, in her case, cut the trapped spirit free.
Chuck Wendig (The Book of Accidents)
the accepted standard: as an independent, objective journalist, she was never to take a side. Her own personal prejudices and desires and fears didn’t matter – they couldn’t matter. There were always two sides to every story. Everyone has their own truth. She could hear her journalism professor saying it over and over again, could see him scrawling the words with the squeaky marker on the whiteboard. There was no right or wrong. Like Justice holding the scales, she too had to remain blindfolded to judgment, while keeping her eyes wide open, seeing and uncovering as much of the truth as she could possibly find.
Quent Cordair (A New Eden (Idolatry Book 2))
He said we had to find a way to reach Muslims who “didn’t think it was such a great thing to have a McDonald’s down the street and American pop culture on their television.” All people, he said, want to maintain their identity in the modern world. “We should acknowledge that not everything we see is positive—there’s a mindless violence, a crude sexuality, a lack of reverence for life, a glorification of materialism.” That said, he wanted to make several statements of belief in human progress—that countries succeed when they are tolerant of different religious beliefs; that governments that give voice to their people and respect the rule of law are more stable and satisfying; and that countries where women are empowered are more successful. “When I was a kid in Indonesia,” he said, “I remember seeing girls swimming outside all the time. No one covered their hair. That was before the Saudis started building madrassas.” This was a theme he’d come back to again and again. He told a story about how his mother once worked in Pakistan. She was riding on an elevator. Her hair was uncovered and her ankles were showing. Yet even though she was older, “this guy in the elevator with her couldn’t stand to be in that type of space with a woman who was uncovered. By the time the door opened he was sweating.” He paused for effect. “When men are that repressed, they do some crazy shit.
Ben Rhodes (The World As It Is: Inside the Obama White House)
Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
Flouting federal laws governing record-keeping requirements. Failing to preserve emails sent or received from her personal accounts, as required by law. Circumventing the Freedom of Information Act. Instructing her aides to send classified materials on her unsecure network. Running afoul of the “gross negligence” clause of the Espionage Act (which meant prosecutors would not have to prove “intent” to find her guilty). Pretending she didn’t know that Sensitive Compartmented Information (SCI) was classified. Transferring classified material that originated at the CIA, the National Security Agency, and other intelligence sources, to her unsecured network. Authoring hundreds of emails with classified information to people who did not have security clearance. Inducing aides to commit perjury. Lying to the FBI. Engaging in public corruption by using the office of secretary of state to feather the nest of the Clinton family foundation.
Edward Klein (Guilty as Sin: Uncovering New Evidence of Corruption and How Hillary Clinton and the Democrats Derailed the FBI Investigation)
■​A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. ■​Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. ■​People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. ■​To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. ■​Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. ■​Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart. There are three voice tones available to negotiators: 1.​The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. 2.​The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. 3.​The direct or assertive voice: Used rarely. Will cause problems and create pushback. ■​Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Ione III. TO-DAY my skies are bare and ashen, And bend on me without a beam. Since love is held the master-passion, Its loss must be the pain supreme — And grinning Fate has wrecked my dream. But pardon, dear departed Guest, I will not rant, I will not rail; For good the grain must feel the flail; There are whom love has never blessed. I had and have a younger brother, One whom I loved and love to-day As never fond and doting mother Adored the babe who found its way From heavenly scenes into her day. Oh, he was full of youth's new wine, — A man on life's ascending slope, Flushed with ambition, full of hope; And every wish of his was mine. A kingly youth; the way before him Was thronged with victories to be won; so joyous, too, the heavens o'er him Were bright with an unchanging sun, — His days with rhyme were overrun. Toil had not taught him Nature's prose, Tears had not dimmed his brilliant eyes, And sorrow had not made him wise; His life was in the budding rose. I know not how I came to waken, Some instinct pricked my soul to sight; My heart by some vague thrill was shaken, — A thrill so true and yet so slight, I hardly deemed I read aright. As when a sleeper, ign'rant why, Not knowing what mysterious hand Has called him out of slumberland, Starts up to find some danger nigh. Love is a guest that comes, unbidden, But, having come, asserts his right; He will not be repressed nor hidden. And so my brother's dawning plight Became uncovered to my sight. Some sound-mote in his passing tone Caught in the meshes of my ear; Some little glance, a shade too dear, Betrayed the love he bore Ione. What could I do? He was my brother, And young, and full of hope and trust; I could not, dared not try to smother His flame, and turn his heart to dust. I knew how oft life gives a crust To starving men who cry for bread; But he was young, so few his days, He had not learned the great world's ways, Nor Disappointment's volumes read. However fair and rich the booty, I could not make his loss my gain. For love is dear, but dearer, duty, And here my way was clear and plain. I saw how I could save him pain. And so, with all my day grown dim, That this loved brother's sun might shine, I joined his suit, gave over mine, And sought Ione, to plead for him. I found her in an eastern bower, Where all day long the am'rous sun Lay by to woo a timid flower. This day his course was well-nigh run, But still with lingering art he spun Gold fancies on the shadowed wall. The vines waved soft and green above, And there where one might tell his love, I told my griefs — I told her all! I told her all, and as she hearkened, A tear-drop fell upon her dress. With grief her flushing brow was darkened; One sob that she could not repress Betrayed the depths of her distress. Upon her grief my sorrow fed, And I was bowed with unlived years, My heart swelled with a sea of tears, The tears my manhood could not shed. The world is Rome, and Fate is Nero, Disporting in the hour of doom. God made us men; times make the hero — But in that awful space of gloom I gave no thought but sorrow's room. All — all was dim within that bower, What time the sun divorced the day; And all the shadows, glooming gray, Proclaimed the sadness of the hour. She could not speak — no word was needed; Her look, half strength and half despair, Told me I had not vainly pleaded, That she would not ignore my prayer. And so she turned and left me there, And as she went, so passed my bliss; She loved me, I could not mistake — But for her own and my love's sake, Her womanhood could rise to this! My wounded heart fled swift to cover, And life at times seemed very drear. My brother proved an ardent lover — What had so young a man to fear? He wed Ione within the year. No shadow clouds her tranquil brow, Men speak her husband's name with pride, While she sits honored at his side —
Paul Laurence Dunbar
I remember the case of a man who was inextricably involved in a number of shady affairs. He developed an almost morbid passion for dangerous mountain climbing, as a sort of compensation. he was seeking "to get above himself." In a dream one night, he saw himself stepping off the summit of a high mountain into empty space. When he told me his dream, I instantly saw his danger and tried to emphasize the warning and persuade him to restrain himself. I even told him that the dream foreshadowed his death in a mountain accident. It was in vain. Six months later he "stepped off into space." A mountain guide watched him and a friend letting themselves down a rope in a difficult place. The friend had found a temporary foothold on a ledge, and the dreamer was following him down. Suddenly he let go of the rope, according to the guide, "as if he were jumping into the air." He fell upon his friend, and both went down and were killed. Another typical case was that of a lady who was living above herself. She was high and mighty in her daily life, but she had shocking dreams, reminding her of all sorts of unsavory things. When I uncovered them, she indignantly refused to acknowledge them. The dreams then became menacing, and full of references to the walks she used to take by herself in the woods, where she indulged in soulful fantasies. I saw her danger, but she would not listen to my many warnings. Soon afterwards, she was savagely attacked in the woods by a sexual pervert; but for the intervention of some people who heard her screams, she would have been killed. There was no magic in this. What her dreams had told me was that this woman had a secret longing for such an adventure-just as the mountain climber unconsciously sought the satisfaction of finding a definite way out of this difficulties. Obviously, neither of them expected the stiff price involved: She had several bones broken, and he paid with his life.
C.G. Jung (Man and His Symbols)
Here are some of the key lessons from this chapter to remember: A good negotiator prepares, going in, to be ready for possible surprises; a great negotiator aims to use her skills to reveal the surprises she is certain to find. Don’t commit to assumptions; instead, view them as hypotheses and use the negotiation to test them rigorously. People who view negotiation as a battle of arguments become overwhelmed by the voices in their head. Negotiation is not an act of battle; it’s a process of discovery. The goal is to uncover as much information as possible. To quiet the voices in your head, make your sole and all-encompassing focus the other person and what they have to say. Slow. It. Down. Going too fast is one of the mistakes all negotiators are prone to making. If we’re too much in a hurry, people can feel as if they’re not being heard. You risk undermining the rapport and trust you’ve built. Put a smile on your face. When people are in a positive frame of mind, they think more quickly, and are more likely to collaborate and problem-solve (instead of fight and resist). Positivity creates mental agility in both you and your counterpart. There are three voice tones available to negotiators: The late-night FM DJ voice: Use selectively to make a point. Inflect your voice downward, keeping it calm and slow. When done properly, you create an aura of authority and trustworthiness without triggering defensiveness. The positive/playful voice: Should be your default voice. It’s the voice of an easygoing, good-natured person. Your attitude is light and encouraging. The key here is to relax and smile while you’re talking. The direct or assertive voice: Used rarely. Will cause problems and create pushback. Mirrors work magic. Repeat the last three words (or the critical one to three words) of what someone has just said. We fear what’s different and are drawn to what’s similar. Mirroring is the art of insinuating similarity, which facilitates bonding. Use mirrors to encourage the other side to empathize and bond with you, keep people talking, buy your side time to regroup, and encourage your counterparts to reveal their strategy.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Gwyn shook her head. She still wore her robes, though she’d taken to tying back her hair in a tight braid. “I even asked Merrill last night. She broke through that glamour, but beyond a few mentions in old texts, she couldn’t find anything more than what you already know. Not a hint about when or where they were lost, or who lost them. We can’t even uncover who last possessed them, since it’s information that goes back at least ten thousand years.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Life’s greetings Yesterday, it was mildly sunny and life was seeking its usual delights, Rejoicing in human struggles and their feelings of despondency and wretched plights, It moved from one lane to another, one passage to the next and from the road to a new highway, To claim its victims whose number always increased whether it was night or it was day, And as it happened to cross an allay and it ogled at man who happened to be there, She went towards him and into him life sank at that very moment, right there, The man walked briskly clueless about what had happened, Suddenly his emotional senses deepened, And he ran in all directions, from lanes into gullies, from highways to narrow passages, Life had held him in ceaseless array of cages, Fate tossed him around, chance pushed him everywhere, and then serendipity held him somewhere, Until the man was lost in the strifes of life that had possessed him from everywhere, Life was happening right in front him but now it was acting through him, It did not matter whether he was passing through endless highways or gullies slim, Fate played its every trick on him while chance tried its best to make him believe in diabolic energy, He appeared to have lost with his own life that faint sense of synergy, Because life that represented everything was seeking something from this man, He experienced worlds that existed beyond common imagination of any woman or man, But life that stirred a heavock within him, wanted him to believe life was indeed pernicious, But the man kept believing life was indeed beatiful and not so noxious, So he dealt with fate, with chances, with serendipity as well, While he was trying to deal with life that represented everything and had created in him a strife’s bottomless hell, One day he realised it was but a cunning manipulation, where one street led to another, designed to go on forever, And when he decided to observe everything, appreciate all, but follow them all he should never, Because every street led to another lane, that further led to another street, Where life at every turn was waiting in a new desire’s disguise from which he could never retreat, And finally when he had reached the end of the street, that merged with another, He looked around, felt his heartbeat and whispered slowly, “I know visual desires make you seek one after another!” Then the life that had sank into him appeared before him and spoke, “You are the only man who has uncovered this secret, and you shall be the only one who my spell broke, So I grant you my all gifts and I shall be your guide now onwards, and never shall I leave you, Because in you I shall now rest, because the peace I have been seeking for long now, I only find it in you, And for this I shall live in you forever and be yours now and later too, When life doesn't walk on the streets, but there where heavens meet; there too I shall be waiting for you, Because you are the wonder life has never witnessed nor shall it witness ever, And I loved being nestled inside you as your slightly cussed lover, Go now, and seek your every wish, for I grant you the universe, And for you there shall be life waiting not in this verse but in the multi verse!” Since then the streets vanished, only the roads of reality reappeared, And now neither the man nor the life strayed!
Javid Ahmad Tak (They Loved in 2075!)
she's a wildflower on fire with all that sweet soul sugar and an ache inside to unfold and to grow into so much more, all that destiny written in her eyes, she’s wild butterflies, and she feels her heart pulled under the wild of the moon to face her fears and to find her way through all of the dark and the heavy that she's carried for so long… there's fight here, but there's surrender here too. and there could be so much freedom here if she could just let herself fall into that beautiful chaos and dig deep into that passion in her bones… she could uncover all the beautiful things that those wildfires inside of her hold.
butterflies rising
The other queens indeed fled from Briallyn weeks ago, as Eris said. She alone sits in the throne room of their shared palace. And what Eris revealed about Beron was true, too: the High Lord visited Briallyn on the continent, pledging his forces to her cause.” A muscle ticked in Azriel’s jaw. “But Briallyn’s gathering of armies, the alliance with Beron, is only the auxiliary force to what she has planned.” He shook his head, shadows slithering over his wings. “Briallyn wishes to find the Cauldron again. In order to retrieve her youth.” “She’ll never attain the Cauldron,” Amren said, waving a hand gleaming with rings. “No one but us, Miryam, and Drakon know where it’s hidden. Even if Briallyn did uncover its location, there are enough wards and spells on it that no one could ever break through.” “Briallyn knows this,” Azriel said gravely. Nesta’s stomach churned. Azriel nodded to Cassian. “What Vassa suspected is true. The death-lord Koschei has been whispering in Briallyn’s ear. He remains trapped at his lake, but his words carry on the wind to her. He is ancient, his depth of knowledge fathomless. He pointed Briallyn toward the Dread Trove—not for her sake, but for his own ends. He wishes to use it to free himself from his lake. And Briallyn is not the puppet we believed her to be—she and Koschei are allies.” He added to Cassian, “You need to ask Eris whether Beron knows about this. And the Trove.” Cassian nodded into the ensuing silence. Nesta found herself asking, “What’s the Dread Trove?” Amren’s eyes glowed with a remnant of her power. “The Cauldron Made many objects of power, long ago, forging weapons of unrivaled might. Most were lost to history and war, and when I went into the Prison, only three remained. At the time, some claimed there were four, or that the fourth had been Unmade, but today’s legends only tell of three.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
As it turns out, this desire to be loved and to belong is not unique to emotionally needy writers spoiled by their parents. It is inherent to us all. It helps make us human. You'll find evidence of this in Brene Brown's research. She has spent the last twenty years studying the characteristics of people who, regardless of life circumstances, exhibit resilience. Using a qualitative research method known as grounded theory research, Brown conducted thousands of interviews with hundreds of people spanning all sorts of cultural and socioeconomic backgrounds to conclude that "a deep sense of love and belonging is an irreducible need for all women, men, and children." "We are biologically, cognitively, physically, and spiritually wired to love, to be loved, and to belong," Brown writes in The Gifts of Imperfection. "When those needs are not met, we don't function as we are meant to. We break. We fall apart. We hurt others. We get sick." Her research concluded that the key to connection is no mystery: "I realized that only one thing separated the men and women who felt a deep sense of love and belonging from the people who seemed to be struggling for it. That one thing was the belief in their worthiness. If we want to fully experience love and belonging, we must believe that we are worthy of love and belonging." In fact, Brown defines wholehearted living as "a way of engaging with the world from a place of worthiness." It's important to note that Brown uncovered these findings while researching the corrosive effects of shame. Shame is the ultimate connection killer, for it tells us that our flaws make us unworthy of love. Like many researchers and psychologists, Brown draws a distinction between shame and guilt, noting that the former focuses on being while the latter focuses on behavior. While guilt says, "I did something bad," shame says, "I am bad." Studies suggest a healthy dose of guilt can actually inspire us to make healthier choices, but shame, as a rule, proves counterproductive. For people of faith, and especially for Christians, this research raises some important questions. Does any claim to our inherent worthiness contradict religious teaching and the witness of our sacred texts? Can we deal honestly with our sins without internalizing shame? Does our belief system require that we see ourselves as nothing more than loathsome insects, deserving only to be swept by tsunami waves into the fires of hell? Or can we, too, engage the world from a place of worthiness? Many of us have been talked out of that hope by a parent, a Sunday school teacher, a pastor, or perhaps even our very own fragile selves. In some way or another, many of us have become convinced that we will never be worthy of love- because of our sin, because of our humanity, and because of something that happened in a mysterious garden a long time ago.
Rachel Held Evans (Wholehearted Faith)
My hand slowly travels down her lips, uncovering her mouth, rolling over her chin. My fingers follow the edge of her jaw until I’m met with her neck. Sliding my palm down further, I wrap my grasp in a hold around her neck while my other hand finds its way down her abdomen to the edge of her skirt. Without hesitation, I flip the front of the skirt up and roughly grip the pussy that belongs to me, pulling her little body even tighter to the front of mine. She bought more underwear. My back teeth grind together as I envision my knife shredding the material into strips again. I nod my head against hers to urge her to answer the deacon as her nervous hands grip the dark jeans covering my knees beneath her.
Jescie Hall (That Sik Luv)
I have never before gathered eggs from under a hen. Fernando has never before seen a hen. We bend low into the shed where perch a dozen or so fat lady birds. There's no shrieking or fluttering at all. I approach one and ask if she has an egg or two. Nothing. I ask in Italian. Still nothing. I ask Fernando to pick her up but he's already outside the shed smoking and pacing, telling me he really doesn't like eggs at all and he especially doesn't like frittata. Both bold-faced lies. I start to move the hen and she plumps down from her perch quite voluntarily, uncovering the place where two lovely brown eggs sit. I take them, one at a time, bend down and nestle them in my sack. I want two more. I peruse the room. I choose the hen who sits next to the docile one. I pick her up and she pecks me so hard on my wrist that I drop her. I see there is nothing in her nest and apologise for my insensitivity, thinking her nastiness must have been caused by embarrassment. I move on to another hen and this time find a single, paler brown-shelled beauty, still warm and stuck all over with bits of straw. I take it and leave with an unfamiliar thrill. This is my first full day in Tuscany and I've robbed a henhouse before lunch. Back home in the kitchen I beat the eggs, the yolks of which are orange as pumpkin, with a few grindings of sea salt, a few more of pepper, adding a tablespoon or so of white wine and a handful of Parmigliano. I dig for my flat broad frying pan, twirl it to coat its floor with a few drops of my tourist oil, and let it warm over a quiet flame. I drop in the rinsed and dried blossoms whole, flatten them a bit so they stay put, and leave them for a minute or so while I tear a few basil leaves, give the eggs another stroke or two. I throw a few fennel seeds into the pan to scent the oil, where the blossoms are now beginning to take colour on their bottom sides. Time to liven up the flame and add the egg batter. I perform the lift-and-tilt motions necessary to cook the frittata without disturbing the blossoms, which are now ensnared in the creamy embrace of the eggs. Next, I run the lush little cake under a hot grill to form a gold blistery skin on top before sliding it onto a plate, strewing it with torn basil. The heat of the eggs warms the herbs so they give up a double-strength perfume. Now I drop a thread of find old balsamico over it. And finally, let it rest.
Marlena de Blasi
It’s not always possible to have a man reveal his history to you, but if you are able to uncover that the man you’re with has never had the type of relationship you want, you may just have to let him go and find another man who has had the type of relationship you want. It takes a mature woman to realize that this isn’t a man for her, and she needs to go somewhere else to get her needs met.
Alex Altman (Understanding Men: Know What He's Really Thinking, Show Him You're The One, Why Men Pull Away, Why He's Afraid To Commit & How To Read Him Like A Book (Relationship and Dating Advice for Women 1))
reminder.’ ‘What I mean is, perhaps Christie had uncovered something illegal, something she thought you’d want to know about. When she couldn’t tell you about it she decided to go public instead.’ ‘Or maybe this has nothing to do with me,’ Knox said. He preferred it that way. ‘We could do with talking to her friends again and finding out if anyone else knew about her discussions with the TV company.’ * * * Back at Granville Lane they were greeted by Charlie Glover who
Chris Collett (Baby Lies (DI Mariner #4))
Sensing the potential donor’s growing frustration, and wanting to end on a positive note so that they might be able to meet again, my student used another label. “It seems that you are really passionate about this gift and want to find the right project reflecting the opportunities and life-changing experiences the Girl Scouts gave you.” And with that, this “difficult” woman signed a check without even picking a specific project. “You understand me,” she said as she got up to leave. “I trust you’ll find the right project.” Fear of her money being misappropriated was the presenting dynamic that the first label uncovered. But the second label uncovered the underlying dynamic—her very presence in the office was driven by very specific memories of being a little Girl Scout and how it changed her life. The obstacle here wasn’t finding the right match for the woman. It wasn’t that she was this highly finicky, hard-to-please donor. The real obstacle was that this woman needed to feel that she was understood, that the person handling her money knew why she was in that office and understood the memories that were driving her actions. That’s why labels are so powerful and so potentially transformative to the state of any conversation. By digging beneath what seems like a mountain of quibbles, details, and logistics, labels help to uncover and identify the primary emotion driving almost all of your counterpart’s behavior, the emotion that, once acknowledged, seems to miraculously solve everything else.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
MODERATE HYPOTHERMIA If the core temperature continues to fall, the brain stimulates an increase in shivering to the point where it is violent and uncontrollable. The patient has now entered the realm of moderate hypothermia. Shivering requires an immense amount of energy. If the moderately hypothermic patient is not properly treated, heat rushes from the patient into the environment. Radiative heat soars into the sky from an uncovered head. Heat conductively floods into the ground from a patient poorly insulated from the ground. A breeze rips heat away via convection. A drop in core temperature is rapid for an unprotected, shivering patient. The “umbles” worsen. A patient may find it impossible to walk, and he or she finds it increasingly difficult to speak and to think. Staring dully with a faraway gaze is not uncommon. Lack of circulation to the surface of the body causes the skin to turn very pale, perhaps a dusky color. Heart and respiratory rate increase further.
Buck Tilton (Wilderness First Responder: How to Recognize, Treat, and Prevent Emergencies in the Backcountry)
Instead, she gave Brisbane a tender look. “Mind you don’t wake the master. You’re not taking proper care of him. A wife ought to see her husband has a regular supper instead of stuffing him with toast and chocolate at all hours.” She banged out, and Brisbane opened an eye, grinning at me. I shoved his shoulder. “Stop. It isn’t decent that my lady’s maid should like you so much more than she does me.” “I am nicer to her than you are,” he pointed out. --- Brisbane uncovered a dish to find something unappetising looking back at him. He poked it tentatively with a fork. “What do you think it is?” “I daren’t guess,” I told him. “The undercook must still be at the helm in the kitchens. Toast for me, thanks.” He covered the dish up again, and we fell on the toast. “I can’t live on bread, Julia. Not if you mean to ravish me so thoroughly. A man has to keep his strength up.” I pulled a face. “Why don’t we walk down to the vicarage? Uncle Fly has an excellent housekeeper. Aunt Hermia’s tried to hire her away for years, but she won’t leave her post.. She’s devoted to Uncle Fly.” Brisbane was on his feet before I finished the sentence. We donned our outdoor things and hurried out of the Abbey.
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))
It is my mess. Getting my voice back is more than I deserve,” Dylan shrugged. “Someday I’ll find someone to break the curse. The bigger threat is that sea witch.” I don’t know whether to be horrified she impulsively decided that giving up her voice forever was a good idea, or admire her for seeing the bigger threats at play and moving to stop them. Angelique stared at Dylan for a moment. “You are…unusual.” “My father says that all the time. I think it is merely that most folk don’t know how to take responsibility for themselves,” Dylan scoffed. Angelique managed another weak smile. “There’s a difference between being responsible and being brash.” “So I have heard. Is there anything I must do for you to seal my voice? Do you need ingredients?” Dylan asked. “No,” Angelique said. “It’s an easy enough spell. It is the results that are potent and dangerous.” She hesitated. “Are you certain you do not wish to tell your family?” “Yes. Please, seal my voice, Lady Enchantress.” Angelique pressed her hands together. What else can I do? This is too big for me to handle alone. If Dylan’s voice is sealed, the sea witch can’t use her, and she might be able to uncover more information. Lacking any other idea, Angelique stood. She started to gather up her magic, molding it into the necessary form. She checked her work twice, grimly ignoring her silvery magic as it brushed around her and tugged at
K.M. Shea (Curse of Magic (The Fairy Tale Enchantress, #2))
the police can somehow find out that Henry was responsible for killing Birdie Dunlop-Evers with a single blow to the head a full twenty-six years after the crime was committed, then what else are they capable of uncovering? I am home, she thinks, I am in clean pyjamas in a big soft bed in a luxury apartment block in central London. But I will never ever feel safe, not until I know that the French police are not still looking for me.
Lisa Jewell (The Family Remains (The Family Upstairs, #2))
If you find yourself procrastinating, break down the action you’re trying to do; chances are it’s still too big for your critic. She needs evidence that she’ll be safe to get on board, so don’t expect her to take big leaps
Kerri L. Richardson (What Your Clutter Is Trying to Tell You)
You body was the only one that was perfect. I was so close, with you, but growing a human is harder than growing an animal. With Pain I didn’t uncover the tank, and with Shame I let light in too soon. Justice’s bones were not fully grown when I assembled her because I just couldn’t wait to pick. She made me feel so…guilty; and I couldn’t wait for the perfect thighbone, so she limped. It took a few years to figure out what I’d done that blinded you, but it was too much air in the mix. It injured your eyes in some way.” Pride opened and closed her mouth, turned her head away. “It doesn’t mean much to you, I’m sure, but I am sorry.” Pride managed a brittle smile. “While it is utterly unacceptable that you would put any of us out into bodies that you wouldn’t want for yourself, I neither need not want your apology. I do not find my lack of sight such a great disadvantage.
Sara A. Mueller (The Bone Orchard)
Perhaps she stood in the street attracted by the crowd, and, as she listened to our Saviour’s talk, it seemed to hold her fast. She had never heard a man speak after that fashion, and when he spoke of abounding mercy, and the willingness of God to accept as many as would come to him, then the tears began to follow each other down her check; and when she listened again to that meek and lowly preacher, and heard him tell of the Father in heaven who would receive prodigals and press them to his loving bosom, then her heart was fairly broken, she relinquished her evil traffic, she became a new woman, desirous of better things, anxious to be freed from sin. But she was greatly agitated in her heart with the question, could she, would she, be really forgiven ? Would such pardoning love as she had heard of reach even to her? She hoped so, and was in a measure comforted. Her faith grew, and with it an ardent love. The Spirit of God still wrought with her till she enjoyed a feeble hope, a gleam of confidence; she believed that Jesus of Nazareth was the Messiah , that he had appeared on earth to forgive sins, and she rested on him for the forgiveness of her sins, and longed for an opportunity to do him homage, and if possible to win a word direct from his mouth... and I have already derived such benefit from him that I love him better than all besides; I love him as my own soul... Now, when she came to the door, the Saviour was reclining at his meat, according to the Oriental custom, and his feet were towards the door; for the Pharisee had but little respect for Christ , and had not given him the best and innermost place at the feast ; but there he lay with his uncovered feet towards the door, and the woman, almost unperceived, came close to him, and, as she looked and saw that the Pharisee had refused him the ordinary courtesy of washing his feet, and that they were all stained and travel-worn with Lis long journeys of love, she began to weep, and the tears fell in such plenteous showers that they even washed his feet. Here was holy water of a true sort. The crystal of penitence falling in drops, each one as precious as a diamond. Never were feet bedewed with a more precious water than those penitent eyes showered forth. Then, unbinding those luxurious tresses, which had been for her the devil’s nets in which to entangle souls, she wiped the sacred feet therewith. Surely she thought that her chief adornment, the crown and glory of her womanhood, was all too worthless a thing to do service to the lowest and meanest part of the Son of God. That which once was her vanity now was humbled and yet exalted to the lowest office; she made her eyes a ewer and her locks a towel. “Never,” says bishop Hall, “was any hair so preferred as this ; how I envy those locks that were graced with the touch of those sacred feet.” There a sweet temptation overtook her, “I will even kiss those feet, I will humbly pay reverence to those blessed limbs.” She spake not a word, but how eloquent were her actions ! better even than psalms and hymns were these acts of devotion. Then she bethought her of that alabaster box containing perfumed oil with which, like most Eastern women, she was wont to anoint herself for the pleasure of the smell and for the increase of her beauty, and now, opening it, she pours out the costliest thing she has upon his blessed feet. Not a word, I say, came from her; and, brethren, we would prefer a single speechless lover of Jesus, who acted as she did, to ten thousand noisy talkers who have no gifts, no heart, no tears. As for the Master, he remained quietly acquiescent, saying nothing, but all the while drinking in her love, and letting his poor weary heart find sweet solace in the gratitude of one who once was a sinner, but who was to be such no more.
Charles Haddon Spurgeon
May I have more of his description?” A fond smile crossed her lips. “His eyes are a perfect replica of his father’s…an arctic color of such unusual beauty, more gray than blue. They no longer gleam with laughter or gentleness. They are unfathomable except for those moments where I see the savagery behind the veil. He spends most of his time outdoors deep inside the forest of his land, but I cannot imagine what he does out there. I love my son, but I find his manners barbaric and unacceptable.” Savagery. Jules didn’t understand the odd manner in which her heart jerked or the shakiness of her fingers. The picture drawn by the duchess…it did not repel her senses; in truth she was compelled…fascinated. And an odd part of her wasn’t sure if it was the budding scientist inside her or the hidden woman. She recoiled from the thought, lurching to stand, almost stumbling to the mantle and the decanter of brandy. Why would I even dare to think such a ridiculous thing? Any sort of relationship for Jules was unthinkable. Her entire life was an elaborate deception with unimaginable consequences should it ever be uncovered.
Stacy Reid (The Wolf and the Wildflower)
Red Sister "We’re Giljohn’s children. The thought rolled across the smoothness of her mind as the Ancestor’s song grew louder. Sisters of the cage." Hessa had not feared dying. But Nona feared living without her. “The truth is a weapon and lies are a necessary shield.” "All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice." "His older two were long grown, and little Sali would always be five." "It’s harder to forgive someone else your own sins than those uniquely theirs." “Those that burn short burn bright. The shortest lives can cast the longest shadows.” "The new picture didn’t erase the old—the bump was still a hole, but now it was a bump as well; the old lady was still a young one, but now she was old too. Clera was still her friend, and now an enemy also." “People always want to know things . . . until they hear them, and then it’s too late. Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.” Kettle sat with her head back against the bark, her face white as death, a tear running from the corner of her eye. “I can always reach her. A thousand miles wouldn’t matter.” She raised an arm, unsteady, and beneath it a shadow blacker than the night stretched out, reaching for infinity, as if the sun had fallen behind her. “It’s done. She knows I need her. She knows the direction.” “You swear it?” “I swear it.” “By the Ancestor?” “By the Ancestor.” The faintest echo of that grin. “And by the Hope, and the Missing Gods who echo in the tunnels, and by the gods too small for names who dance in buttercups and fall with the rain. Now go. For the love of all that’s holy, go. You wear me out, Nona. And I’ve got to concentrate on being alive. It would break her heart to get here and find me dead.” She drew a shallow breath. “They’re both in that direction. If you take it until you find some sort of trail there’s a good chance you’ll find Ara and the others on it. Try to travel with Ara and Zole. Tarkax may be able to protect you if the Noi-Guin track you from here.” Another shallow breath, snatched in over her pain. “Go! Now!” Nona came forward. She set her canteen in Kettle’s lap and kissed her icy forehead. Then she ran.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
When the fourth officer entered the post office on G deck, the mail clerks were hastily pulling armfuls of envelopes out of the sorting racks. On looking down into the lower storage room, he saw mailbags floating in water. When Boxhall reported this to the bridge, the captain gave the order for the lifeboats to be uncovered and went below to see the damage for himself. The ship’s designer, Thomas Andrews, was already making his own inspection tour of the lower decks. He went into the post office and soon dispatched a mail clerk to find the captain. The clerk hurried along the corridor and returned with Captain Smith and Purser McElroy. After they had viewed the damage, Andrews was overheard saying to Smith, “Well, three have gone already, Captain.” Andrews was undoubtedly referring to three of the ship’s bulkheads that divided the ship into the watertight compartments that gave the Titanic its reputation for unsinkability. With only three compartments flooded, however, there was a chance that the pumps could stay ahead of it. The captain then returned to the bridge and gave the order for women and children to go up on deck with lifebelts. Thomas Andrews, meanwhile, continued his inspection. At around twelve-twenty-five William Sloper saw Andrews racing up the staircase with a deeply worried look on his face. As the ship’s designer passed by Dorothy Gibson, she put her hand on his arm and asked him what had happened. Andrews simply brushed past the prettiest girl and continued upward three stairs at a time. He had just discovered that two more watertight compartments had been breached. Andrews knew how serious this was. The bulkhead between the fifth and sixth compartments extended only as high as E deck. As the ship was pulled down at the bow, the water would spill over it into the next compartment, and then the next, until the ship inevitably sank. In all his planning at Harland and Wolff, he had never imagined a scenario such as this. Andrews informed the captain that the ship had only an hour left to live—an hour and a half at best. Smith immediately told Fourth Officer Boxhall to calculate the liner’s position and take it to the Marconi Room so the call for assistance could be sent out. He also gave orders to muster the passengers and crew.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
We lay contentedly together, occasionally kissing, my fingers twined in his hair. I loved the feel of it, its texture, its color, and I brushed it back along the nape of his neck. “You’re tickling me,” he said with a smile. “Are you trying to keep me awake?” “No.” I laughed, pushing up on my elbow to look down at him. “It’s just--” I stopped, staring at the birthmark on his neck, the mark of the Bleeding Moon, as it had been called in the legend, and my hand began to shake. “What is it, Alera?” he asked, alarmed. “Nothing. It’s just…” I struggled to form a cohesive thought, for in all my dreams of a life with him, of having children with him, this question had never before occurred to me. “Just what?” He sat up, placing a hand on his neck where I had been playing with his hair. “When we have a child, what will happen? I mean, the High Priestess told me, when she was our prisoner in the cave, that the powers of the Empress of Cokyri were supposed to pass to her firstborn daughter upon the child’s birth, but that they were split between her and her brother when she was born a twin. The possibility of the powers reuniting and passing into the High Priestess’s firstborn daughter gave us our negotiating leverage with the Overlord.” “Yes, but what does that have to do with anything?” “Well, you have powers, too. I’m wondering…” A shadow fell over his face. “You’re wondering if my powers are unique to me. Or might a child of ours inherit them.” “Yes, or if…” I took a deep breath. “Could they pass from your body and into the child upon birth, like the magic of the Empress of Cokyri?” From the expression on Narian’s face, it was plain this was the first time he had ever considered the question. “I don’t know, Alera. The source of my power derives from an ancient legend and the circumstances surrounding my birth.” He touched my face, then added, “Perhaps it’s time we took another look at the origin of the legend--and we should find out if anything else was ever written about the powers I was destined to have.” I sighed. “I wish London were here. He uncovered the scrolls that foretold your birth, hidden somewhere in Cokyri. He would know what else was written.” Narian nodded, but said nothing more, and I tried to imagine what he must be feeling. Were his powers a blessing or a curse? Would he want them to pass to a child of his? And if a child held them, what manner of life would he or she lead? Then I asked myself the same questions, and an overriding answer became startlingly clear. “It would be good to know, Narian. But it doesn’t matter. I want children with you, and I do not fear the powers you hold, nor would I fear them in the hands of our own child.” He nodded, then settled on his back. I snuggled against him, lost in thought. At some point, I would fall asleep; it did not appear that he intended to do the same.
Cayla Kluver (Sacrifice (Legacy, #3))
There was nothing to aim at. Seth hadn’t screamed. Seth wasn’t down there. Another scream split the air. But someone else was. He holstered his gun and rushed for the cave. “Please, someone help me!” It was Seth. No, not Seth. “Someone help me!” The voice broke. Sobbing echoed off the cavern walls. Not a little boy. He stuck his head over the cavern entrance. “A woman?” Rafe spoke aloud. Trying to believe his own ears. The words echoed into the depths. There was no response, only sobs. But it was not his imagination. There really was someone down there. The crying rose and fell, echoed off the walls until it sounded like ten women crying, all ghostly, terrified. “Who’s down there?” His voice bounced back to him. Only more tears. The sun was gone. Dank, cool air rose up from the pit. He could see nothing. After those first words, there were no more. But she might be out of her mind with fear. Something Rafe could understand. Rafe looked at the rope but didn’t care to trust his weight to it. His eyes went to a flat boulder only feet away. Would it still be there? After all this time? Rafe muscled the boulder aside, stone scratching on stone, and uncovered a depression in the rocks to reveal . . . “My ladder.” He pulled it out, the metal clinking. It was chain, badly rusted after lying in the ground for years. Long ago Rafe had switched it for the hand-woven hemp rope he, Ethan, and Seth had trusted with their lives. Then trust had died and Rafe had anchored the ladder to this boulder. The sobbing had a haunting quality, but this was no ghost—Rafe didn’t believe in them—although for a few uncertain seconds, he’d been tempted to consider the possibility. “I’m coming down.” The sobs stopped. Then he heard them again, softer, muffled, as if she was trying to squelch the sound. “I’ll get you out,” he called, his voice echoing. Had someone abandoned her down there? “Can you tell me your name?” No response. He gave his chain ladder a quick inspection and wasn’t too happy with its condition. “I’m Rafe Kincaid. I ranch near here.” Rafe had known the cavern very well by the time he’d given up his exploring. Not as well as Seth. No one knew this cavern like Rafe’s little brother. Seth had run wild down there. Once, in a particularly wild mood, Seth had told Rafe he’d lost his soul down there and had to find it. Seth had always been
Mary Connealy (Out of Control (Kincaid Brides, #1))
And most of all, I’m grateful that she entrusted me to uncover a little of her story, because I can’t help but feel that in finding her past, I found a lost little piece of myself too.
Kelly Rimmer (The Things We Cannot Say)
Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly. "Thank you," she murmured, and tried to take the strings of the cap from his fingers. But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply. Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..." Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
The same is true of the spirit that, under the guise of a woman who, in the company of others, visits homes and services at night. She is named Satia, from satiety, and also Dame Abonde, because of the abundance she bestows upon the dwelling places she visits. It is this very kind of spirit that the old women call the ladies and in regard to whom they maintain this error to which they alone give credence, even in delusional dreams. They say that these ladies consume the food and drink they find in homes without consuming them entirely, nor even reduce their quantity, especially if the dishes holding food are left uncovered and the containers holding drink are left uncorked when left out for the night. But if they find these containers covered or closed or corked, they will not touch either food or drink, and this is the reason why the ladies abandon these houses to woe and ill fortunes without bestowing either satiety or abundance upon them.
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)