Anime Funny Quotes

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Books can also provoke emotions. And emotions sometimes are even more troublesome than ideas. Emotions have led people to do all sorts of things they later regret-like, oh, throwing a book at someone else.
Pseudonymous Bosch (The Name of This Book Is Secret (Secret, #1))
I felt like an animal, and animals don’t know sin, do they?
Jess C. Scott (Wicked Lovely)
Ten Things You Shouldn't Say on a Date. 1. You're wearing that? 2. Something smells funny. 3. Where's the Tylenol? 4. And to think, I first wanted to date your brother. 5. I have a confession to make… 6. My dad has a suit just like that. 7. That man is hot. Look at him. 8. My ex, may he rot in hell forever… 9. You're going to order that? Seriously? 10. You're how old?
Gena Showalter (Animal Instincts)
I love things made out of animals. It's just so funny to think of someone saying, "I need a letter opener. I guess I'll have to kill a deer.
David Sedaris
Intelligence is more important than strength, that is why earth is ruled by men and not by animals.
Amit Kalantri (Wealth of Words)
Laziness is the mother of all bad habits, but ultimately she is a mother and we should respect her
Shikamaru Nara
Was it animal pee or human pee? Someone asked. How would I know? What, am I an expert in the study of pee?
John Green (Paper Towns)
Leap out the window, my inner Tigress cried. You aren't ready to face such a powerful Tiger. I frowned. I thought a true Tigress never backed down from a fight. Don't you know anything? When she's in heat, she avoids everything male. Now run!
Gena Showalter (Animal Instincts)
Our nannas are losers.
Barbara Park (Junie B. Jones Is a Party Animal (Junie B. Jones, #10))
It looks like Animal and Miss piggy had sex," I said. "And this was the spawn." "My eyes!" Boomer cried. "My eyes! I can't stop seeing it now that you've said it!
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
If you’ve ever studied mortal age cartoons, you’ll remember this one. A coyote was always plotting the demise of a smirking long-necked bird. The coyote never succeeded; instead, his plans always backfired. He would blow up, or get shot, or splat from a ridiculous height. And it was funny. Because no matter how deadly his failure, he was always back in the next scene, as if there were a revival center just beyond the edge of the animation cell. I’ve seen human foibles that have resulted in temporary maiming or momentary loss of life. People stumble into manholes, are hit by falling objects, trip into the paths of speeding vehicles. And when it happens, people laugh, because no matter how gruesome the event, that person, just like the coyote, will be back in a day or two, as good as new, and no worse—or wiser—for the wear. Immortality has turned us all into cartoons.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
I'm a dog lover and sex addict. Those two things are unrelated.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
Hackers are nerdy, pasty, tubby, little geeks with triple thick glasses and this is probably a demented otaku with smelly feet. So catching him will be a breeze!
Keiko Nobumoto (Cowboy Bebop Film Manga, Volume 1)
We're all animals, high school is animals, but some of us are more animal than others. Like in 'Animal Farm,' which I read, all animals are created equal, but some are more equal than others? Here in the real world, all equals are created animal, but some are more animal than others.
Ned Vizzini (It's Kind of a Funny Story)
... Where did you go?” “Down below.” “Ugh,” she said. “I’ve heard they’re little better than animals.” Funny. I thought the same thing about most Topsiders I encountered. Tegan touched my hand in silent sympathy, and I set my jaw. ... I stepped forward and pasted on a false smile. We were in her home, after all. The least I could do was be polite. “I’m Deuce, animal from the underground.
Ann Aguirre (Enclave (Razorland, #1))
You're asking the cyborg fugitive and the wild animal to be the welcoming committee? That's adorable.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
Van Houten, I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently. Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. (Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.) We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either. People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox. After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse. What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
He laughs. "Put some clothes on so you don't scare poor Kiara with your morning hard-on." I look down at my shorts. Sure enough, I've got la tengo dura in front of Kiara and Tuck. Shit. I reach out for the first thing I can grab and put it in front of me to shield myself from view. It happens to be one of Kiara's stuffed animals, but I don't have much choice right now. "That's Kiara's Mojo," Tuck says, laughing. "Get it? Mojo?
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
What’s wrong with nature shows?” “You can’t believe anything the narrators say. One claimed that some animals mate for life. Come on, they need time off to eat and sleep, don’t they?
Steve Bates
This...this...thing?" "A parsnip?" Jem suggested "A parsnip planted in satan's own garden," said Will. He glanced about. "I dont suppose there's a dog I could feed it to?" "There dont seem to be any pets about," Jem-who loved animals, even the inglorious and ill-tempered Church-observed. "Probably all poisened by parsnips," said Will.
Cassandra Clare (The Infernal Devices: Clockwork Prince (The Infernal Devices: Manga, #2))
He has been mad for you these many months, ever since you prodded him in the nether regions with a hedgehog.
Gail Carriger (Soulless (Parasol Protectorate, #1))
I rolled my eyes. “I feel like a zoo animal.” Travis watched me for a moment, noted those staring, and then stood up. “I CAN’T!” he yelled. I stared in awe as the entire room jerked their heads in his direction. Travis bobbed his head a couple of times to a beat in his head. Shepley closed his eyes. “Oh, no.” Travis smiled. “get no….sa…tis…faction,” he sang, “I can’t get no….sat-is-fac-tion. ‘Cuz I’ve tried…and I’ve tried…and I’ve tried…and I’ve tried…,” he climbed onto the table as everyone stared, “I CAN’T GET NO!” He pointed to the football players at the end of the table and they smiled, “I CAN’T GET NO!” they yelled in unison. The whole room clapped to the beat, then. Travis’ sang into his fist, “When I’m drivin’ in my car, and a man comes on the…ra-di-o…he’s tellin’ me more and more…about some useless in-for-ma-tion! Supposed to fire my im-agin-a-tion! I CAN’T GET NO!
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
It’s funny how many ways there are to hurt people. As many ways to hurt as there are species of flower. Whole bouquets of hurt.
Joshua Gaylord (When We Were Animals)
That’s a funny thing: you think, when awful things happen, everything else just stops, like you would forget to pee and eat and get thirsty, but it’s not really true. It’s like you and your body are two separate things, like your body is betraying you, chugging on, idiotic and animal, craving water and sandwiches and bathroom breaks while your world falls apart.
Lauren Oliver (Before I Fall)
Valkyrie walked to the back door, which hadn't been closed properly, shut it and locked it. There was now a baby in the house, after all. She couldn't take the chance that a wild animal might wander in and make off with Alice, like those dingoes in Australia. She was probably being unfair to both dingoes and Australia, but she couldn't risk it. Locked doors kept the dingoes out, and that's all there was to it, even if she didn't know what a dingo actually was. She took out her phone, searched the Internet, found a picture of a baby dingo and now she really wanted a baby dingo for a pet.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Prove to me that you are not a figment of my imagination. Am I a computer simulation? Does the door swing both ways? How can something come from nothing? How do you know a line is straight? If animals wanted to be eaten, would it be okay? If time stopped then stared again, would we know about it? What happens when you get scared half to death twice? What is creationism? What is ethical?
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Most animals show themselves sparingly. The grizzly bear is six to eight hundred pounds of smugness. It has no need to hide. If it were a person, it would laugh loudly in quiet restaurants, boastfully wear the wrong clothes for special occasions, and probably play hockey.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
Cats are smarter than dogs. You can't get eight cats to pull a sled through snow.
Jeff Valdez
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what.
Mindy McGinnis (The Female of the Species)
Do animals understand the concept of dreams or do they think they enter another dimension when they get tired?
Christy Leigh Stewart
I don't want to dig him or his sexy self. But I keep losing my clothes when I'm with him.
Jill Shalvis (Then Came You (Animal Magnetism, #5))
Besides my professional goals, I have a couple of private ones, my man. One of those is to pet a kangaroo before I leave Australia. I understand there's lots of Eastern Grays around this area. What do you say? Are you in?' Bergman looked at him like he'd just made the worst financial investment of his life. 'Kangaroos are wild animals. I've heard they claw like girl fighters and kick like jackhammers. You're going to get your skull crushed.' Cole held up a finger. 'Or I'm going to pet a kangaroo. How cool would that be?
Jennifer Rardin (Bite Marks (Jaz Parks, #6))
A woman is a funny animal.
James M. Cain (Double Indemnity)
Now, there are things I like just fine about church, and I don’t just mean making money. The notion of getting together as a community to remind ourselves why we shouldn’t behave like animals is a fucking great idea.
Nick Offerman (Paddle Your Own Canoe: One Man's Fundamentals for Delicious Living)
She blinked at me, then realized I was panicking. Honestly, it was like admitting to murder before being interrogated. “Ms. Davidson,” she began, but I decided to trip her up, to throw her off the trail of blood I’d left like an injured animal. “I don’t speak English.
Darynda Jones
New Rule: If you can force a woman to look at a sonogram—to see what will happen if she has an abortion—you also have to let her see a crying baby, a bratty five-year-old, and a surly teenager to see what will happen if she doesn’t. And you have to tell her it costs $204,000 to raise it until it turns eighteen, in 2028, where it will be a slave to the Chinese, in a radioactive world with no animals, fish, or plants.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease. I want to leave a mark. But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion. ... We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other. Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either. People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm. The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox. ... But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar. ... What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
John Green (The Fault in Our Stars)
Great," Shane said. "Look i'd rather not be on janitorial duty. I have allergies to cleaners." "And to cleaning," Michael said. "Look who's talking, Didn't the do one of those Animal Planet documentaries about the roaches in your room?
Rachel Caine
Radical Edwards's profile? He's a seven-foot tall ex-basketball pro hindu guru drag-queen alien. -Jet Black, from the Cowboy Bebop anime script
Keiko Nobumoto
Ich hatte Bücher der Gesellschaft von Menschen immer vorgezogen.
Lin Rina (Animant Crumbs Staubchronik (Staubchronik-Universum, #1))
The gate is perfectly simple," Temeraire said. "There is only a bar across the fence, which one can lift very easily, and then it swings open; Nitidus could do it best, for his forehands are the smallest. Though it is difficult to keep the animals inside the pen, and the first time I learned how to open it, they all ran away," he added. "Maximus and I had to chase after them for hours and hours--it was not funny at all," he said, ruffled, sitting back on his haunches and contemplating Laurence with great indignation.
Naomi Novik (Throne of Jade (Temeraire, #2))
Luis is right there.” I point to the corner of the yard, where my little brother is the centre of attention doing imitations of barnyard animals. I have yet to inform him that talent isn’t as much of a chick magnet when you get into junior high.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Nora:"We could have a secret signal to fund each other in the forest! Ren, can you imatate a sloth?" Ren:"Nora?" Nora:"Yeah?" "I don't think sloths make a lot of noise.
RWBY
Dogs are angels full of poop.
Oliver Gaspirtz (Pet Humor!)
Now women are funny animals. You never know when you are with them - they don’t often know where they are with themselves . It’s no good trying to find out what makes them tick. It just can’t be done. They have more moods than an army of cats with lives, and all you can hope is to spot the mood you’re after when it turns up and step in quick. Hesitate you’re a dead duck, unless you’re one of those guys who like slow approach that might get you somewhere in a week or in a month or even a year.
James Hadley Chase (You Never Know with Women)
Love is funny. Even though you don't have that person anymore, you still have the feeling. You didn't lose your LOVE. You lost the tangible, tactile, sense-sational ability to experience the person or animal you lost.
Karen Marie Moning (High Voltage (Fever, #10))
But you can always justify killing animals on the grounds that you want to eat them, or wear them, or that they smell bad, look funny, bother you, threaten you, and have the bad luck of being in your way. What about killing humans? Well aside from a few die-hard individualists on the fringe, the general consensus among people these days seems to be that eating and wearing other people is just not on. Wearing a suit which costs as much as a farmer will make in his lifetime is acceptable, but actually putting his eyeballs on a string and letting them dangle above tastefully exposed cleavage is bad form.
Mohsin Hamid (Moth Smoke)
I eat not because I want to, not because I have to overcome anything, not to prove myself to anyone, but because it's there. I eat because that's what people do. And somehow when the food is put in front of you by an institution, when there's a large gray force behind it and you don't have to thank anyone for it, you have the animal instinct to make it disappear,
Ned Vizzini (It's Kind of a Funny Story)
Everything in Australia is trying to kill you, haven't you heard? Half of the ten deadliest snakes in the world live in Queensland. And then there are the poisonous spiders and the jellyfish. Not to mention the crocs and the great white sharks. Another point in favor of New Zealand. Very benign place, En Zed.
Rosalind James (Just Good Friends (Escape to New Zealand, #2))
My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins. I know this is troubling. I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns. Chimps. There's no excuse for them.
Katherine Applegate (The One and Only Ivan (The One and Only #1))
We human beings regard ourselves as (or compare ourselves to) animals only when it suits us.
Mokokoma Mokhonoana
why can't you place a blessing like that on us," I asked. "It only works on wild animals," "So it would only affect Percy," Annabeth reasoned.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I like eggs and bacon,” George tells me. “But”—his face clouds—“do you know that bacon is”—tears leap to his eyes—“Wilbur?” Mrs. Garrett sits down next to him immediately. “George, we’ve been through this. Remember? Wilbur did not get made into bacon.” “That’s right.” I bend down too as wetness overflows George’s lashes. “Charlotte the spider saved him. He lived a long and happy life—with Charlotte’s daughters, um, Nelly and Urania and—” “Joy,” Mrs. Garrett concludes. “You, Samantha, are a keeper. I hope you don’t shoplift.”I start to cough. “No. Never.” “Then is bacon Babe, Mom? Is it Babe?”“No, no, Babe’s still herding sheep. Bacon is not Babe. Bacon is only made from really mean pigs,George.” Mrs. Garrett strokes his hair, then brushes his tears away.“Bad pigs,” I clarify.“There are bad pigs?” George looks nervous. Oops.“Well, pigs with, um, no soul.” That doesn’t sound good either. I cast around for a good explanation. “Like the animals that don’t talk in Narnia.” Dumb. George is four. Would he know Narnia yet? He’s still at Curious George.But understanding lights his face. “Oh. That’s okay then. ’Cause I really like bacon.
Huntley Fitzpatrick (My Life Next Door)
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .” "If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters. “I’d like to go to the Scholomance,” interrupted Ty. “I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.” “I’d like to go anyway,” said Ty. “You could come too if you wanted.” “I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.” Ty’s face lit up as it often did at the mention of animals. “There are bears?” “Enough chatter,” said Diana.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
The most exciting phrase to hear in science, the one that heralds new discoveries, is not ‘Eureka!’ but ‘That’s funny.
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
I confess that the idea of taking off one's boots in a howling squall to safeguard fossils that had survived since the Precambrian had its funny side.
Richard Fortey (Horseshoe Crabs and Velvet Worms: The Story of the Animals and Plants That Time Has Left Behind)
It's great to know that others can feel shy like me, too," smiled Luna, "and that I can make them laugh with my funny Moon Crater Face
Suzy Davies (Luna, The Moon Pig, The Pig Who Hid)
I think we may have started this conversation off on the wrong foot," Robert said finally. In fact, if the conversation had been animate, the merciful thing to do would have been to take it out behind the barn and shoot it.
Courtney Milan
But those stories inspire observations and experiments that do help us sort out what’s going on. The science fiction novelist Isaac Asimov reportedly once said, “The most exciting phrase to hear in science, the one that heralds new discoveries, is not ‘Eureka!’ but ‘That’s funny.
Frans de Waal (Are We Smart Enough to Know How Smart Animals Are?)
Murderous thieves make their home here." She failed to keep the tremor from her voice. "Absolutely," Jonas replied. "Dangerous animals too." "Without a doubt." She slanted a look toward him. "Perfect place for you." He repressed a snort. "Oh, such compliments, your highness. You're going to make me blush.
Morgan Rhodes
There is a pleasure sure In being mad, which none but madmen know. Dryden, The Spanish Friar II, i
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
Only about 3 percent of animal species are monogamous. A couple of penguins, some otters and a few other oddball critters. To these select few it comes natural to mate for life and never look at another member of the opposite sex. Humans are not part of that little club. Like the other 97% of species, humans are not monogamous by nature. We just pretend that we are.
Oliver Markus (Why Men And Women Can't Be Friends)
I feel it in my pocket. I don't want to lose it. It's one of the only things that's making me me right now. Without my cell phone, who will I be? I won't have any friends because I don't have their numbers memorized. I'll barely have a family since I don't know their cell phone numbers, just their home line. I'll be like an animal.
Ned Vizzini (It's Kind of a Funny Story)
It wasn't love at first sight. They ran into each other one morning in a sunny clearing in the forest. A few moments of stunned silence. `Glockenspiel,' Adam pronounced, thinking (but with terrible doubt) he'd found another animal in search of a name. When Eve approached him, proffering a handful of elderberries, he threw a stick at her and ran away.
Glen Duncan (I, Lucifer)
We know that there are many animals on this continent not found in the Old World. These must have been carried from here to the ark, and then brought back afterwards. Were the peccary, armadillo, ant-eater, sloth, agouti, vampire-bat, marmoset, howling and prehensile-tailed monkey, the raccoon and muskrat carried by the angels from America to Asia? How did they get there? Did the polar bear leave his field of ice and journey toward the tropics? How did he know where the ark was? Did the kangaroo swim or jump from Australia to Asia? Did the giraffe, hippopotamus, antelope and orang-outang journey from Africa in search of the ark? Can absurdities go farther than this?
Robert G. Ingersoll (Some Mistakes of Moses)
Look,” she said, “apparently you bring out my inner slut. I’m not going to thank you for that.” Wyatt smiled that sexy smile of his. “I could make you.” She pointed a finger at his nose. And then lowered it so it was pointed at another part of his anatomy entirely. “Don’t even think about it.” “Oh, I won’t,” he said silkily. “But you will.” And she knew he was right.
Jill Shalvis (Then Came You (Animal Magnetism, #5))
It's a booley village," Ian told her. "The islanders used to take their animals into the hills for the summ. They'd camp out in these stone huts: men, women, and children. Everyone stayed up all night, sang, told stories, watched the stars. It must have been great craic." "How do you know this stuff?" she asked, admiringly. "I' a bloody genius." When she threw him a look, he grinned. " I also read it in the guidebook.
O.R. Melling (The Summer King (The Chronicles of Faerie, #2))
We like to romanticize the wild, raw, majestic beauty of nature. But when you take a closer look, nature is really just a giant fuckfest. That beautiful bird chirping? It's a mating call. That pretty little bird is trying to get laid. And why does the peacock have such beautiful feathers? To attract females. Because he's trying to get laid.
Oliver Markus (Why Men And Women Can't Be Friends)
New Rule: A dog is the only animal that can get you laid. No offense, parrot guy, but it's not gonna happen. When women see you, they're not thinking, "I bet that guy is interesting," they're thinking, "That bird better not shit on my dress.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I almost turned around right there. Stupid, yeah, but PTSADS doesn’t care how stupid a trigger is. If you need me to spell that out, it’s Post-Traumatic Stuffed Animal Death Syndrome. I thought it was pretty funny. Mom and the psychologist did not. The psychologist said I had substituted George for Dad and I actually had post-dad syndrome. I told her George was a fucking bunny.
Leah Raeder (Unteachable)
(on the word "fuck") 'Oh, come on, Mum,' I sighed at her protest. 'It's just an old Anglo-Saxon word for the female organ which has been adopted by an inherently misogynist language as a negative epithet. It's the same as "fuck", it basically means the same as copulate, but the latter is perfectly acceptable. Why? Because copulate has its roots in Latin and Latin reminds us that we are a sophisticated, learned species, not the rutting animals that these prehistoric grunts would have us appear to be, and isn't that really the issue here? We don't want to admit that we are essentially animals? We want to distinguish ourselves from the fauna with grand conceits and elaborate language; become angels worthy of salvation, not dumb creatures consigned to an earthly, terminal end. It's just a word, Mum; a sound meaning a thing; and your disgust is just denial of a greater horror: that our consciousness is not an indication of our specialness but the terrifying key to knowing how truly insignificant we are.' She told me to got fuck myself.
Simon Pegg (Nerd Do Well)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
Jacks reclined in a throne of ice as he glared down at a fox that looked more corporeal than ghost- all fluffy white fur, save for a circle of tawny surrounding one of its coal-dark eyes. He appeared horrified by the animal, as if it's adorableness might somehow soften some of his nasty edges. Evangeline wished it would as she stood back a little to watch, enjoying that for once, Jacks was the one in the uncomfortable position. He flinched when the creature nuzzled his scuffed boots. She laughed, finally drawing his attention. 'I think it likes you.' 'I don't know why,' Jacks scowled at the beast. It responded by affectionately licking the buckle at his ankle. Evangeline continued to smile. 'You should name it.' 'If I do that, it will think it's a pet.' Jacks words dripped with disgust, which only further convinced Evangeline this fox might be the best thing that had ever happened to this Fate. 'How about I name her for you? What do you think of Princess of the Fluffikins?' 'Don't ever say that again.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
I was thinking about people," said Polynesia." People make me sick. They think they're so wonderful. The world has been going on now for thousands of years, hasn't it? And the only thing in animal language that people have learned to understand is that when a dog wags his tail he means 'I'm glad'! It's funny isn't it? You are the very first man to talk like us. Oh, sometimes people annoy me dreadfully - such airs they put on, talking about 'the dumb animals.' Dumb! Huh! Why I knew a macaw once who could say 'Good morning' in seven different ways.
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle, #1))
Funny thing about lessons: the idiot student thinks when he is given a little fact that he owns it—that two and two is always four no matter the circumstance. Just as it was not true for Orwell, it is not true for anyone. True lessons require not only knowing, but that the student practices his knowledge again and again. Thus knowledge becomes us, and we become more than the animal and the machine. That is why the best teachers are students always, and the best students are never fully educated. I had forgotten Gibson’s lesson for a moment, but stood a little straighter, shouldering as a pack my grief, my regret and self-loathing.
Christopher Ruocchio (Howling Dark (Sun Eater #2))
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
Mindy McGinnis (The Female of the Species)
It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept. That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned… The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that “all men spoke of his prowess” any bard who valued his life would add hastily “except for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like “his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
They're so weird and so beautiful," she said. "Like you," I said. I meant it as a joke, but Liz nodded. She felt that she was sort of like an emu herself, she said. Maybe that was why she'd had flying dreams ever since she was a little girl -- at heart, she was an emu. She was sure the emus also dreamed of flying. It was another thing they had in common. Both she and the emus wanted to fly -- they just didn't have the wings they wanted.
Jeannette Walls (The Silver Star)
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
When I started everything, and by everything, I mean life, suicide was a joke. If I have to ride in that car with you, I'll slash my wrists with a butter knife. It was as real as a unicorn. No, less than that. It was as real as the explosion around an animated coyote. A hundred thousand people threaten to kill themselves every day and make a hundred thousand other people laugh, because like a cartoon, it's funny and meaningless. Gone even before you turn off the TV. Then it was a disease. Something other people got, if they lived someplace dirty enough to get the infection under their nails. It was not a pleasant dinner table conversation, Cole, and like the flu, it only killed the weak. If you'd been exposed, you didn't talk about it. Wouldn't want to put other people off their feed. It wasn't until high school that it became a possibility. Not an immediate one, not like It is a possibility I will download this album because the guitar is so sick it makes me want to dance, but possibility in the way that some people said when they grew up, they might be a fireman or an astronaut or a CPA who works late every single weekend while his wife has an affair with the guy who drives the DHL truck. It became a possibility like Maybe when I grow up, I will be dead.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Many trees were pulled out of the ground with their roots crying for water.” The lake was all polluted with thick layers of grease,the grass & flowers were squashed, animals walked around. #kidsbooks "Mikolay & Julia" Total elocological destruction,said Mikolay trying to use one of the funny long words Julia was always using. These are not monsters Farina.These are people and building machines.
Magda M. Olchawska (Mikolay and Julia Meet the Fairies (Mikolay and Julia, #1))
The funny thing about games and fictions is that they have a weird way of bleeding into reality. Whatever else it is, the world that humans experience is animated with narratives, rituals, and roles that organize psychological experience, social relations, and our imaginative grasp of the material cosmos. The world, then, is in many ways a webwork of fictions, or, better yet, of stories. The contemporary urge to “gamify” our social and technological interactions is, in this sense, simply an extension of the existing games of subculture, of folklore, even of belief. This is the secret truth of the history of religions: not that religions are “nothing more” than fictions, crafted out of sociobiological need or wielded by evil priests to control ignorant populations, but that human reality possesses an inherently fictional or fantastic dimension whose “game engine” can — and will — be organized along variously visionary, banal, and sinister lines. Part of our obsession with counterfactual genres like sci-fi or fantasy is not that they offer escape from reality — most of these genres are glum or dystopian a lot of the time anyway — but because, in reflecting the “as if” character of the world, they are actually realer than they appear.
Erik Davis (TechGnosis: Myth, Magic & Mysticism in the Age of Information)
I know it’s technically goodwill to all men, but in my mind, I drop the men because that feels segregationist/elitist/sexist/generally bad ist. Goodwill shouldn’t be just for men. It should also apply to women and children, and all animals, even the yucky ones like subway rats. I’d even extend the goodwill not just to living creatures but to the dearly departed, and if we include them, we might as well include the undead, those supposedly mythic beings like vampires, and if they’re in, then so are elves, fairies, and gnomes. Heck, since we’re already being so generous in our big group hug, why not also embrace those supposedly inanimate objects like dolls and stu
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
I want gifts and Christmas music. I don’t care how many Draziri are out there. They won’t take Christmas from me.” “Yes, but we don’t have a suitable male,” Orro said. “And only one dog.” I looked at him. “What is this Christmas?” Wing asked. Orro turned from the stove. “It’s the rite of passage during which the young males of the human species learn to display aggression and use weapons.” Sean stopped what he was doing and looked at Orro. “The young men go out in small packs,” Orro continued. “They brave the cold and come into conflict with other packs and they have to prove their dominance through physical combat. Their fathers teach them lessons in the proper use of swear words, and the young men have to undergo tests of endurance, like holding soap in their mouths and licking cold metal objects.” Sean made a strangled noise. “At the end of their trials, they go to see a wise elder in a red suit to prove their worth. If they are judged worthy, the family erects a ceremonial tree and presents them with gifts of weapons.” Sean was clearly struggling, because his head was shaking. “Also,” Orro added, “a sacrificial poultry is prepared and then given to the wild animals, probably to appease the nature spirits.” Sean roared with laughter.
Ilona Andrews (One Fell Sweep (Innkeeper Chronicles, #3))
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Being nearly four years old, she was certainly a child: and children are human (if one allows the term "human" a wide sense): but she had not altogether ceased to be a baby: and babies are of course not human--they are animals, and have a very ancient and ramified culture, as cats have, and fishes, and even snakes: the same in kind as these, but much more complicated and vivid, since babies are, after all, one of the most developed species of the lower vertebrates. In short, babies have minds which work in terms and categories of their own which cannot be translated into the terms and categories of the human mind. It is true that they look human--but not so human, to be quite fair, as many monkeys. Subconsciously, too, every one recognizes they are animals--why else do people always laugh when a baby does some action resembling the human, as they would at a praying mantis? If the baby was only a less-developed man, there would be nothing funny in it, surely.
Richard Hughes (A High Wind in Jamaica)
He believed that a burger joint ought to look like a join, not like a surgery, not like a nursery with pictures of clowns and funny animals on walls, not like a bamboo pavilion on a tropical island, not like a glossy plastic replica of a 1950s diner that never actually existed. If you were going to eat charred cow smothered in cheese, with a side order of potato strips made as crisp as ancient papyrus by immersion in boiling oil, and if you were going to wash it all down with either satisfying quantities of icy beer or a milkshake containing the caloric equivalent of an entire roasted pig, then this fabulous consumption ought to occur in an ambience that virtually screamed guilty pleasure, if not sin.
Dean Koontz (By the Light of the Moon)
Every animal is a tradition, and together they are a vast part of our heritage as human beings. No animal completely lacks humanity, yet no person is ever completely human. By ourselves, we people are simply balls of protoplasm. We merge with animals through magic, metaphor, or fantasy, growing their fangs and putting on their feathers. Then we become funny or tragic; we can be loved, hated, pitied, and admired. For us, animals are all the strange, beautiful, pitiable, and frightening things that they have ever been: gods, slaves, totems, sages, tricksters, devils, clowns, companions, lovers, and far more.
Boria Sax (The Mythical Zoo: An Encyclopedia of Animals in World Myth, Legend, and Literature)
Life is as precious to us as it is for an animal. An animal is as loving, caring, and kind to her children as we are. She might not be able to tell us but she can express it through her eyes and expressions. She feels joy and happiness. She is helpless in our cruel hands and vulnerable to our vicious greed. Let us be kind to animals. Let us learn to feel their pain. Can we kill a helpless baby to feed our greed? Then how can we kill helpless animal friends that can’t talk? Often we kill just for fun. How funny would it be if an animal killed a human just for fun? Let us be kind to animals as much as possible. I know we can. It is easier to love an animal than a human being. If you love an animal, it will rarely hurt you. Let us practice kindness and compassion to animals so that we may create a peaceful world.
Debasish Mridha
Wyatt should’ve looked ridiculous sitting on the floor, leaning into the crate making kissykiss noises at the cat, but he didn’t. He looked … mouthwatering. “Hey, sweet thing,” he said in a low cajoling voice. “Come on out. I’ll gonna love you up, I promise. You know you want some of that.” “Oh, please,” Emily said on a laugh to cover up the fact that her bones melted at the sound of him. “That’s never going to work—“ But hell if the cat didn’t shift ever so slightly closer to Wyatt and sniff at him. Wyatt flashed both Sweetie and Emily a smile. “Aw, that’s it,” he crooned to the suspicious, wary cat. “Come on, baby girl, all the way. I’ll be good to you, I promise.” Emily laughed again, even as she felt her nipples tighten. She crossed her arms over her chest. “Honestly, Wyatt, no selfrespecting female – cat or woman – is going to—
Jill Shalvis (Then Came You (Animal Magnetism, #5))
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
It's a queer thing is a man's soul. It is the whole of him. Which means it is the unknown him, as well as the known. It seems to me just funny, professors and Benjamins fixing the functions of the soul. Why, the soul of man is a vast forest, and all Benjamin intended was a neat back garden. And we've all got to fit into his kitchen garden scheme of things. Hail Columbia ! The soul of man is a dark forest. The Hercynian Wood that scared the Romans so, and out of which came the white- skinned hordes of the next civilization. Who knows what will come out of the soul of man? The soul of man is a dark vast forest, with wild life in it. Think of Benjamin fencing it off! Oh, but Benjamin fenced a little tract that he called the soul of man, and proceeded to get it into cultivation. Providence, forsooth! And they think that bit of barbed wire is going to keep us in pound for ever? More fools they. ... Man is a moral animal. All right. I am a moral animal. And I'm going to remain such. I'm not going to be turned into a virtuous little automaton as Benjamin would have me. 'This is good, that is bad. Turn the little handle and let the good tap flow,' saith Benjamin, and all America with him. 'But first of all extirpate those savages who are always turning on the bad tap.' I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me. Here's my creed, against Benjamin's. This is what I believe: 'That I am I.' ' That my soul is a dark forest.' 'That my known self will never be more than a little clearing in the forest.' 'Thatgods, strange gods, come forth f rom the forest into the clearing of my known self, and then go back.' ' That I must have the courage to let them come and go.' ' That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women.' There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.
D.H. Lawrence (Studies in Classic American Literature)
I was even starting to relax—a little—until he took me to his parents' house for dinner. I've never met two people more in need of a divorce. They bickered and fought all evening. Royce said that's how they express their love. I don't believe him. I mean, please. You tell me if you feel the love from this conversation (written word for word as I remember it): Linda: Elliot, be a dear and get me another drink. Elliot: Get it yourself. Linda: Get up and fix me a drink, you lazy man. Elliot: Woman, don't push me on this. I've finally gotten comfortable. Linda: (sugary sweet smile) I'll push you only when you're standing on a bridge. Elliot: If I were standing on a bridge and saw you coming, you wouldn't have to push me. I'd jump. See? Does that sound "loving" to you?
Gena Showalter (Animal Instincts)
Sometimes I fixate on how disgusting humans are. I think about how we do things like litter and invent nuclear bombs. I think about racism, war, rape, child abuse, and climate change. I think about how gross people are. I think about public bathrooms, armpits, and about all of our dirty hands. I think about how infection and diseases are spread. I think about how every human has a butt, and about how disgusting that is. Other times I fixate on how endearing people are. We sleep on soft surfaces; we like to be cozy. When I see cats cuddled up on pillows, I find it sweet; we are like that too. We like to eat cookies and smell flowers. We wear mittens and hats. We visit our families even when we’re old. We like to pet dogs. We laugh; we make involuntary sounds when we find things funny. Laughing is adorable, if you really think about it. We have hospitals. We invented buildings meant to help repair people. Doctors and nurses study for years to work here. They come here every day just to patch other people up. If we discovered some other animal who created infrastructure in the anticipation that their little animal peers might get hurt, we would all be absolutely moved and amazed.
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
So why don’t you eat meat, Cam?” Jeremiah asked, stuffing half his burger into his mouth. Cam swallowed his water and said, “I’m morally opposed to eating animals.” Jeremiah nodded seriously. “But Belly eats meat. You let her kiss you with those lips?” Then he cracked up. Susannah and my mother exchanged a knowing kind of smile. I could feel my face getting hot, and I could feel how tense Cam was beside me. “Shut up, Jeremiah.” Cam glanced at my mother and laughed uneasily. “I don’t judge people who choose to eat meat. It’s a personal choice.” Jeremiah continued, “So you don’t mind when her lips touch dead animal and then touch your, um, lips?” Susannah chuckled lightly and said, “Jere, give the guy a break.” “Yeah, Jere, give the guy a break,” I said, glaring at him. I kicked him under the table, hard. Hard enough to make him flinch. “No, it’s fine,” Cam said. “I don’t mind at all. In fact-“ Then he pulled me to him and kissed me quickly, right in front of everyone. It was only a peck, but it was embarrassing. “Please don’t kiss Belly at the dinner table,” said Jeremiah, gagging a little for effect. “You’re making me nauseous.” My mother shook her head at him and said, “Belly’s allowed to kiss.” Then she pointed her fork at Cam. “But that’s it.” She burst out laughing like it was the funniest thing she’d ever said, and Susannah tried not to smile and told her to hush. I wanted to kill my mother and then myself. “Mom, please. You’re so not funny,” I said. “No more wine for Mom.” I refused to look anywhere near Jeremiah’s direction, or Cam’s, for that matter.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
George Takei
The porpoises and whale themselves, in their quests for entertainment, often created problems. One summer a fashion developed in the training tanks (I think Keiki started it) for leaning out over the tank wall and seeing how far you could balance without falling out. Several animals might be teetering on the tank edge at one time, and sometimes one or another did fall out. Nothing much happened to them, except maybe a cut or a scrape from the gravel around the tanks; but of course we had to run and pick them up and put them back in. Not a serious problem, if the animal that fell out was small, but if it was a 400-pound adult bottlenose, you had to find four strong people to get him back, and when it happened over and over again, the people got cross. We feared too, that some animal would fall out at night or when no one was around and dry out, overheat, and die. We yelled at the porpoises, and rushed over and pushed them back in when we saw them teetering, but that just seemed to add to the enjoyment of what I'm sure the porpoises thoguht of as a hilariously funny game. Fortunately they eventually tired of it by themselves.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)