Uncle Death Quotes

We've searched our database for all the quotes and captions related to Uncle Death. Here they are! All 200 of them:

One must have a heart of stone to read the death of little Nell without laughing.
Oscar Wilde
Of course, in a novel, people’s hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us. There is a most busy and important round of eating, drinking, dressing, walking, visiting, buying, selling, talking, reading, and all that makes up what is commonly called living, yet to be gone through…
Harriet Beecher Stowe (Uncle Tom’s Cabin)
I wish everyone would stop crying, Tom. Uncle Joe would be so angry about it." But she's crying herself now. "He'd be so angry at us, Tom, for crying so much when all he did was laugh.
Melina Marchetta (The Piper's Son)
Hermione, if Harry’s seen a Grim, that’s — that’s bad,” he said. “My — my uncle Bilius saw one and — and he died twenty-four hours later!” “Coincidence,” said Hermione airily, pouring herself some pumpkin juice. “You don’t know what you’re talking about!” said Ron, starting to get angry. “Grims scare the living daylights out of most wizards!” “There you are, then,” said Hermione in a superior tone. “They see the Grim and die of fright. The Grim’s not an omen, it’s the cause of death! And Harry’s still with us because he’s not stupid enough to see one and think, right, well, I’d better kick the bucket then!
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
Life!' Vito exploded, making me jump. "Up and down, good and bad, birth and death, celebration and devastation. If you got any balls at all, you roll with the punches and get the fuck on with it, pardon my French
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
Death! Strange that there should be such a word, and such a thing, and we ever forget it; that one should be living, warm and beautiful, full of hopes, desires and wants, one day, and the next be gone, utterly gone, and forever!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
From The Other Side, Uncle Roscoe was still exercising his Second Amendment rights. Protecting me from my stalker? Or was his gun going to get me killed?
M.S.M. Barkawitz (Feeling Lucky)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Shinji slowly fell forward onto his face. Debris bounced up on impact. It took less than thirty seconds for the rest of his body to die. The memento of his beloved uncle--the earring worn by the woman he loved--was now stained with the blood running down Shinji's left ear, reflecting the glow from the red flames of the farm building. And so the boy known as the Third Man, Shinji Mimura, was dead.
Koushun Takami (Battle Royale)
I didn't get fired." "You didn't punch your boss and get fired from the Tribune? That's what I heard." "I punched what could loosely be called a colleague for cribbing my notes on a story and since the editor–who happened to be the asshole's uncle–took his word over mine, I quit." "To write books. Is it fun?" "I guess it is." "I bet you killed the asshole in the first one you wrote." "You'd be right. Beat him to death with a shovel. Very satisfying.
Nora Roberts (Angels Fall)
Today I have gathered together my nearest and dearest, my sixteen nieces and nephews (Sit down, Grace Windsor Wexler!) to view the body of your Uncle Sam for the last time. Tomorrow its ashes will be scattered to the four winds. I, Samuel W. Westing, hereby swear that I did not die of natural causes. My life was taken from me–by one of you!
Ellen Raskin (The Westing Game)
What did people do with enormous families? All those cousins, aunts, uncles, nieces, nephews. How did they keep them straight? How did they breathe at any sort of family function?
J.D. Robb (Salvation in Death (In Death, #27))
I heard a story," Aedion drawled to Rowan, "that you killed an enemy warlord using a table." "Please,"Aelin said. "Who the hell told you that?" "Quinn-your uncle's Captain of the Guard. He was an admirer of Prince Rowan's. He knew all the stories." Aelin slid her eyes to Rowan, who smirked, bracing his sparring stick on the floor. "You can't be serious," she said. "What-you squashed him to death like a pressed grape?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Ahem! Ahem!” As I recalled, Aunt Kathy loved Uncle Dan so much, she went grocery shopping during his funeral and failed to attend his burial as well. Apparently, Ham Hocks, Collard greens, Chitlin, Fatback, and Hog-Head cheesetook higher priority over his Last Rites. Then the reverend proceeded cautiously as he introduced my mom. “Let metell y’all about my Ms. Liza. Sister Kathy kept this one close.” “Ahem! Ahem! Ar-choo! Ahem!” Shockingly, there was a lightening blast that rocked the building once again while dimming the lights for more than 10seconds. The crowd turned restless, took a deep breath, and then allowed Pastor Keith to resume. “I’m gonna tell y’all, they were two kernels on a cob. When you saw Sister Kathy, you saw Sister Liza. “Ahem! Ahem! Ahem!” “The two of them raised those boys from seeds to bean stalks. We helped nourish them right here in Zion Gate Union. Now they’re just ripe for the harvest. I hope some of you ladies can take a hint!” For a brief moment, modest laughter filled the church. Yet, it was needed because Pastor Keith had gone into uncharted waters. No one dared to challenge my mom. Yet, Pastor Keith was speaking glowingly about her. Only a fewwanted to see where the Reverend was going. But most didn’t care to re-open that door. Church members were so afraid of Mom, no one dared to call her by name. All parishioners would go mute and head the other way, or simply hit the exits just to avoid all encounters.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
My one-time roommate Claire had inherited the house from her uncle, and when she went off to bigger and better things, she’d left it in my care. And it needed a lot of it. Most importantly, it needed a new roof. There was a worrying stain on the ceiling of my bedroom that had started out roughly the shape of Rhode Island, but now looked more like North Carolina. Another few more days of rain and it was going to be Texas. And then it wouldn’t be anything at all because the battered old shingles were going to cave in on my head.
Karen Chance (Death's Mistress (Dorina Basarab, #2))
I never said how sorry I was," I ventured, "about your Uncle Amax." Crest sniffed the ukulele fret board. "Why would you be sorry? Why would I?" "Uh... It's just, you know, an expression of courtesy... when you kill someone's relatives.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
You were saying you wanted to open the people's eyes. All right, you just go and open old uncle Anagnosti's eyes for him! You saw how his wife had to behave before him, waiting for his orders, like a dog begging. Just go now and teach them that women have equal rights with men, and that it's cruel to eat a piece of the pig while the pig's still raw and groaning in front of you, and that it's simple lunacy to give thanks to God because he's got everything while you're starving to death!...Let people be, boss: don't open their eyes. And supposing you did, what'd they see? Their misery! Leave their eyes closed, boss, and let them go on dreaming!
Nikos Kazantzakis (Zorba the Greek)
For the rest of the morning they worked quietly ad steadily, realizing that their contentment here at Uncle Monty's house did not erase their parents' death, not at all, but at least it made them feel better after feeling so sad, for so long.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass, in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away. After a little I am taken in and put to bed. Sleep, soft smiling, draws me unto her: and those receive me, who quietly treat me, as one familiar and well-beloved in that home: but will not, oh, will not, not now, not ever; but will not ever tell me who I am.
James Agee (A Death in the Family)
Colored people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yet, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he's on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. Ten minutes after death a man's a speck of black dust. Let's not quibble over individuals with memoriams. Forget them. Burn all, burn everything. Fire is bright and fire is clean.
Ray Bradbury
Have not many of us, in the weary way of life, felt, in some hours, how far easier it were to die than to live? The martyr, when faced even by a death of bodily anguish and horror, finds in the very terror of his doom a strong stimulant and tonic. There is a vivid excitement, a thrill and fervor, which may carry through any crisis of suffering that is the birth-hour of eternal glory and rest. But to live, to wear on, day after day, of mean, bitter, low, harassing servitude, every nerve dampened and depressed, every power of feeling gradually smothered, this long and wasting heart-martyrdom, this slow, daily bleeding away of the inward life, drop by drop, hour after hour, this is the true searching test of what there may be in man or woman.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Uncle Bruno and I celebrated the miracle of life with every chick that hatched from its egg and every tomato that came from the garden to the table; he taught me to observe and listen attentively, to get my bearings in the woods, to swim in freezing lakes and rivers, to start a fire without a match, to enjoy the pleasure of sinking my face into a juicy watermelon, and to accept the inevitable pain of saying goodbye to people and animals, because there is no life without death, as he always said.
Isabel Allende (Violeta)
One fine day you decide to talk less and less about the things you care most about, and when you have to say something, it costs you an effort . . . You’re good and sick of hearing yourself talk . . . you abridge . . . You give up … For thirty years you’ve been talking . . . You don’t care about being right anymore. You even lose your desire to keep hold of the small place you’d reserved yourself among the pleasures of life . . . You’re fed up … From that time on you’re content to eat a little something, cadge a little warmth, and sleep as much as possible on the road to nowhere. To rekindle your interest, you’d have to think up some new grimaces to put on in the presence of others . . . But you no longer have the strength to renew your repertory. You stammer. Sure, you still look for excuses for hanging around with the boys, but death is there too, stinking, right beside you, it’s there the whole time, less mysterious than a game of poker. The only thing you continue to value is petty regrets, like not finding time to run out to Bois-Colombes to see your uncle while he was still alive, the one whose little song died forever one afternoon in February. That horrible little regret is all we have left of life, we’ve vomited up the rest along the way, with a good deal of effort and misery. We’re nothing now but an old lamppost with memories on a street where hardly anyone passes anymore.
Louis-Ferdinand Céline (Journey to the End of the Night)
thinking remembering how his uncle had said that all man had was time, all that stood between him and the death he feared and abhorred was time yet he spent half of it inventing ways of getting the other half past:
William Faulkner (Intruder in the Dust)
Deeds of heroism are wrought here more than those of romance, when, defying torture, and braving death itself, the fugitive voluntarily threads his way back to the terrors and perils of that dark land, that he may bring out his sister, or mother, or wife.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
In Hollywood, the real stars are all in animation. Alvin and the Chipmunks don't throw star fits, don't demand custom-designed Winnebagos, and are a breeze at costume fittings. Cruella DeVille, Gorgo, Rainbow Brite, Gus-Gus, Uncle Scrooge, and the Care Bears are all superstars and they don't have drug problems, marital difficulties, or paternity suits to blacken their images. They don't age, balk at promoting, or sass highly paid directors. Plus, you can market them to death and they never feel exploited. I'd like to do a big-budget snuff film starring every last one of them.
John Waters (Crackpot: The Obsessions of John Waters)
Wow-Wow Sauce, a mixture of mature scumble, pickled cucumbers, capers, mustard, mangoes, figs, grated wahooni, anchovy essence, asafetida and, significantly, sulfur and saltpetre for added potency. Ridcully inherited the formula from his uncle who, after half a pint of sauce on a big meal one evening, had a charcoal biscuit to settle his stomach, lit his pipe and disappeared in mysterious circumstances, although his shoes were found on the roof the following summer.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
No sense of satisfaction, but my uncle’s death had taught me that revenge is far less sweet than it promises to be. An empty meal, however long you take over it.
Mark Lawrence (King of Thorns (Broken Empire, #2))
He loves his Uncle Bi,” Kelsey said… Brian gave Ian a death look. “If you tell Ghost he calls me Bi, I swear to Christ I will fire you.
Cherrie Lynn (Take Me On (Ross Siblings, #4))
But surely Uncle Akbar could not be dead as they were dead? There must be something indestructible — something that remained of men who had walked and talked with one and told one stories, men whom one had loved and looked up to. But where had it gone? It was all very puzzling, and he did not understand.
M.M. Kaye (The Far Pavilions)
I'd suffered many losses in recent years after my father mother uncle aunt and cousin had all passed away. In her final years my mother often lamented that there was no one alive who had known her as a girl and I was starting to understand how spooked she'd felt. I wasn't sure I could take any more abandonments. One succumbs so easily to mind spasms, worry spasms. [p. 95]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
As you and I listen to Uncle Monty tell the three Baudelaire orphans that no harm will ever come to them in the Reptile Room, we should be experiencing the strange feeling that accompanies the arrival of dramatic irony. This feeling is not unlike the sinking in one's stomach when one is in an elevator that suddenly goes down, or when you are snug in bed and your closet door suddenly creaks open to reveal the person who has been hiding there. For no matter how safe and happy the three children felt, no matter how comforting Uncle Monty's words were, you and I know that soon Uncle Monty will be dead and the Baudelaires will be miserable once again.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
What I was suddenly aware of was the importance of their being whatever each of them was--cocky and contemptuous, or bothered and beaten--as long as it was something they'd come to in their own way: the importance of being human, in fact. The peace and harmony Uncle Ian and the others claimed to be handing out in fact was death, because without being yourself, an individual, you weren't really alive.
John Christopher (When the Tripods Came)
His uncles adhered to those ancient rules of southern living, for they understood how easily a colored man’s general comportment could turn into a matter of life and death. Darren had always wanted to believe that theirs was the last generation to have to live that way, that change might trickle down from the White House. When in fact the opposite had proved to be true. In the wake of Obama, America had told on itself.
Attica Locke (Bluebird, Bluebird)
The girl's face was the color of talcum. Her uncle's was a death mask, a bone structure overlaid by parchment. Shane's was granite, with a glistening line of sweat just below his hair line. He'd never forget this night, the detective knew, no matter what else happened for the rest of his life. They were all getting scars on their souls, the sort of scars people got in the Dark Ages, when they believed in devils and black magic. ("Speak To Me Of Death")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
And then I got to thinking about how, if someone met me for the first time now, they would need to know about Uncle Ed and my parents in order to understand me. Sometimes it feels as though I’m defined by all the people I’ve lost , like one of those negative-space pictures, where what’s not there is just as important as what is.
Claire Wong (The Runaway)
But to dwell prematurely on the sadness of one’s death to others, Uncle Kostia, is like asking for money in advance. It’s commercially unsound.
William Gerhardie (Futility)
Bravery is the capacity to perform properly even when scared half to death.” —Omar Bradley
Bathroom Readers' Institute (Uncle John's Bathroom Reader Salutes the Armed Forces)
There are no problems, only challenges. - Uncle Press
D.J. MacHale (The Merchant of Death (Pendragon, #1))
Undoubtedly, on his death bed, at that moment when, ever since Socrates, it has been proper to pronounce certain elevated words, he told his wife, as one of my uncles told his, who had watched beside him for twelve nights, "I do not thank you, Therese; you have only done your duty.
Jean-Paul Sartre (Nausea)
No one is so thoroughly superstitious as the godless man. The Christian is composed by the belief of a wise, all-ruling Father, whose presence fills the void unknown with light and order; but to the man who has dethroned God, the spirit-land is, indeed, in the words of the Hebrew poet, “a land of darkness and the shadow of death,” without any order, where the light is as darkness. Life and death to him are haunted grounds, filled with goblin forms of vague and shadowy dread.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Aunt Léonie who, after the death of her husband, my Uncle Octave, no longer wished to leave, first Combray, then within Combray her house, then her bedroom, then her bed and no longer 'came down', always lying in an uncertain state of grief, physical debility, illness, obsession and piety.
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
I do know people who maintain what we in Sweden call a fulskåp, a cabinet for the ugly. A fulskåp is a cupboard full of gifts you can’t stand to look at, and which are impossible to regift. Usually these are presents from distant aunts and uncles that you put on display when the giver comes to visit. This is a bad idea.
Margareta Magnusson (The Gentle Art of Swedish Death Cleaning: How to Make Your Loved Ones' Lives Easier and Your Own Life More Pleasant)
She received the news of his death in silent submission. She arranged the funeral rites as well as she could in her modest circumstances, for his uncle refused to offer the slightest help or to mourn. She died, though no one knew she was dead. Every day and every night, for ten years, she died a little more. She breathed and ate and drank but she was dead. She spoke to people and walked among them, dead. Only much later did her body give up its already-deceased spirit, its dead spirit, no longer forced to pretend, to play at being alive.
Jokha Alharthi (Celestial Bodies)
Whoever visits some estates there, and witnesses the good-humored indulgence of some masters and mistresses, and the affectionate loyalty of some slaves, might be tempted to dream the oft-fabled poetic legend of a patriarchal institution, and all that; but over and above the scene there broods a portentous shadow—the shadow of law. So long as the law considers all these human beings, with beating hearts and living affections, only as so many things belonging to a master,—so long as the failure, or misfortune, or imprudence, or death of the kindest owner, may cause them any day to exchange a life of kind protection and indulgence for one of hopeless misery and toil,—so long it is impossible to make anything beautiful or desirable in the best regulated administration of slavery.
Solomon Northup (Twelve Years a Slave: Plus Five American Slave Narratives, Including Life of Frederick Douglass, Uncle Tom's Cabin, Life of Josiah Henson, Incidents in the Life of a Slave Girl, Up From Slavery)
Pity him not! Such a life and death is not for pity! Not in the riches of omnipotence is the chief glory of God; but in self-denying, suffering love! And blessed are the men whom he calls to fellowship with him, bearing their cross after him with patience. Of such it is written, "Blessed are they that mourn, for they shall be comforted.
Harriet Beecher Stowe (Uncle Tom's Cabin)
See how a sleepy child will put off the inevitable departure for bed. The little creature's eyes blink and stare, and it needs constant jogging to prevent his nodding off into the slumber which nature craves. His waking is a pain; he is quite worn out, and peevish, and stupid, and yet he implores a respite, and deprecates repose, and vows he is not sleepy, even to the moment when his mother takes him in her arms, and carries him, in a sweet slumber, to the nursery. So it is with us old children of earth and the great sleep of death, and nature our kind mother.
J. Sheridan Le Fanu (Uncle Silas)
The place of horror turns out to be no more than a green scoop, sometimes shadowed, sometimes shining with the bilberries and grass within it, as if a mouth had opened from which streamed a beam of light. So my uncle Robert's death, which had looked from a distance to be an all-consuming tragedy was, close-up, the story of a man finding release from his pain and how his brother had showed such defiant love. The past was a grave, a trap - and yet, also neither of these. Just light, coming and going. At the wolf pit you imagine you will stare into a hole littered with bones, but what draws you to that place is not what you take from it. The wolf pit seems a delicate illusion. You walk towards it; there is nothing, just a curve of the moor; then it is a soft green light, and then it is nothing again.
Will Cohu (The Wolf Pit: A Moorland Romance)
I used that sugar." Uncle Julian shook his finger at her. "I used that sugar myself, on my blackberries. Luckily," and he smiled blandly, "fate intervened. Some of us, that day, she led inexorably through the gates of death. Some of us, innocent and unsuspecting, took, unwillingly, that one last step to oblivion. Some of us took very little sugar.
Shirley Jackson (We Have Always Lived in the Castle)
Children accept the conditions they are born into, and, to a degree, I was getting used to the bombings, fires, and death around me. I remember that I thought those things were normal. It is grown-ups who worry about things, and this ... this was total panic! I could taste the fear, and I could see that my mother was frightened, which I had never seen before, and this made me even more frightened.
Alfred Nestor (Uncle Hitler: A Child's Traumatic Journey Through Nazi Hell to the Safety of Britain)
There is no question that, if John F. Kennedy Jr. had lived, he would have been a formidable political candidate. But his premature death prevented us from ever knowing if he indeed would have publicly confronted the deaths of his father and uncle, and other related issues.
Donald Jeffries (Hidden History: An Exposé of Modern Crimes, Conspiracies, and Cover-Ups in American Politics)
After, Mam,' I say. 'What happens when you pass away?" I couldn't bear her being a ghost. Couldn't take her sitting in the kitchen, invisible. Couldn't take seeing Pop walk around her without touching her cheek, without bending to kiss her on her neck. 'It's like walking through a door, Jojo.' 'But you won't be no ghost, huh, Mam?' I have to ask even though I know the telling hurts her. Even though I feel like speaking's bringing her leaving closer. Death, a great mouth set to swallow. 'Can't say for sure. But I don't think so. I think that only happens when the dying's bad. Violent. The old folks always told me that when someone dies in a bad way, sometimes it's so awful even God can't bear to watch, and then half your spirit stays behind and wanders, wanting peace the way a thirsty man seeks water.' She frowns: two fishhooks dimpling down. 'That ain't my way.' 'That don't mean I won't be here, Jojo. I'll be on the other side of the door. With everybody else that's gone before. Your uncle Given, my mama and daddy, Pop's mama and daddy.' 'How?' 'Because we don't walk no straight lines. It's all happening at once. All of it. We all here at once. My mama and daddy and they mamas and daddies.' Mam looks to the wall, closes her eyes. 'My son.
Jesmyn Ward (Sing, Unburied, Sing)
I was scared—with that crystalline, childish fear of being caught and punished. That fear thrashed behind my rib cage like a bird in cupped hands, perhaps the last truly childlike instance of that emotion I’d ever feel. That fear is a kind of magic. As you get older, the texture of your fear changes. You’re no longer afraid of the things you had absolute faith in as a child: that you’d die in convulsions from inhaling the gas from a shattered lightbulb, that chewing apple pips brought on death by cyanide poisoning, or that a circus dwarf had actually bounced off a trampoline into the mouth of a hungry hippo. You stop believing in the things my uncle believed in. Even if your mind wants to go there, it has lost the nimbleness needed to make the leap. That magic gets kicked out of you, churched out, shamed out—or worse, you steal it from yourself. It gets embarrassed out of you by the kids who run the same stretch of streets and grown-ups who say it’s time to put away childish things. By degrees, you kill your own magic. Before long your fears become adult ones: crushing debts and responsibilities, sick parents and sick kids, the possibility of dying unremembered or unloved. Fears of not being the person you were so certain you’d grow up to be.
Craig Davidson (The Saturday Night Ghost Club)
Do you think for a moment I forgot? Did you think I wasn’t even man enough to care? Think me a coward who would dishonor my family and ancestors for the sake of staying alive like this? I may have lost everything important to a man, I may live in shame. But I am still a son. I will do my filial duty; I will avenge my brothers and uncles and cousins who died at the hands of your family; I will avenge my father’s death.
Shelley Parker-Chan (She Who Became the Sun (The Radiant Emperor, #1))
One of the most oft-quoted records of the siege, scribbled in pencil over the pages of a pocket address book, is that kept by twelve-year-old Tanya Savicheva: 28 December 1941 at 12.30 a.m. – Zhenya died. 25 January 1942 at 3 p.m. – Granny died. 17 March at 5 a.m. – Lyoka died. 13 April at 2 a.m. – Uncle Vasya died. 10 May at 4 p.m. – Uncle Lyosha died. 13 May at 7.30 a.m. – Mama died. The Savichevs are dead. Everyone is dead. Only Tanya is left.
Anna Reid (Leningrad: The Epic Siege of World War II, 1941-1944)
But (for Melmoth never could decide) was it in a dream or not, that he saw the figure of his ancestor appear at the door?–hesitatingly as he saw him at first on the night of his uncle's death,–saw him enter the room, approach his bed, and heard him whisper, 'You have burned me, then; but those are flames I can survive. I am alive, I am beside you.' Melmoth started, sprung from his bed,–it was broad day-light. He looked round,–there was no human being in the room but himself. He felt a slight pain in the wrist of his right arm. He looked at it, it was black and blue, as from the recent gripe of a strong hand.
Charles Robert Maturin (Melmoth the Wanderer)
January? The month is dumb. It is fraudulent. It does not cleanse itself. The hens lay blood-stained eggs. Do not lend your bread to anyone lest it nevermore rise. Do not eat lentils or your hair will fall out. Do not rely on February except when your cat has kittens, throbbing into the snow. Do not use knives and forks unless there is a thaw, like the yawn of a baby. The sun in this month begets a headache like an angel slapping you in the face. Earthquakes mean March. The dragon will move, and the earth will open like a wound. There will be great rain or snow so save some coal for your uncle. The sun of this month cures all. Therefore, old women say: Let the sun of March shine on my daughter, but let the sun of February shine on my daughter-in-law. However, if you go to a party dressed as the anti-Christ you will be frozen to death by morning. During the rainstorms of April the oyster rises from the sea and opens its shell — rain enters it — when it sinks the raindrops become the pearl. So take a picnic, open your body, and give birth to pearls. June and July? These are the months we call Boiling Water. There is sweat on the cat but the grape marries herself to the sun. Hesitate in August. Be shy. Let your toes tremble in their sandals. However, pick the grape and eat with confidence. The grape is the blood of God. Watch out when holding a knife or you will behead St. John the Baptist. Touch the Cross in September, knock on it three times and say aloud the name of the Lord. Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain. Do not faint in September or you will wake up in a dead city. If someone dies in October do not sweep the house for three days or the rest of you will go. Also do not step on a boy's head for the devil will enter your ears like music. November? Shave, whether you have hair or not. Hair is not good, nothing is allowed to grow, all is allowed to die. Because nothing grows you may be tempted to count the stars but beware, in November counting the stars gives you boils. Beware of tall people, they will go mad. Don't harm the turtle dove because he is a great shoe that has swallowed Christ's blood. December? On December fourth water spurts out of the mouse. Put herbs in its eyes and boil corn and put the corn away for the night so that the Lord may trample on it and bring you luck. For many days the Lord has been shut up in the oven. After that He is boiled, but He never dies, never dies.
Anne Sexton
Marrying cousins was astoundingly common into the nineteenth century, and nowhere is this better illustrated than with the Darwins and their cousins the Wedgwoods (of pottery fame). Charles married his first cousin Emma Wedgwood, daughter of his beloved Uncle Josiah. Darwin's sister Caroline, meanwhile, married Josiah Wedgwood III, Emma's brother and the Darwin siblings' joint first cousin. Another of Emma's brothers, Henry, married not a Darwin but a first cousin from another branch of his own Wedgwood family, adding another strand to the family's wondrously convoluted genetics. Finally, Charles Langton, who was not related to either family, first married Charlotte Wedgwood, another daughter of Josiah and cousin of Charles, and then upon Charlotte's death married Darwin's sister Emily, thus becoming, it seems, his sister-in-law's sister-in-law's husband and raising the possibility that any children of the union would be their own first cousins.
Bill Bryson (At Home: A Short History of Private Life)
My uncle's death confirmed a suspicion of mine that madness and religion were a hair's breadth away.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
The man responsible for my family’s death wasn’t Michael Chen, Ava’s father. It was Ivan Volkov, my uncle.
Ana Huang (Twisted Love (Twisted, #1))
Everybody died that wanted to live, and I? I, though I went down to death's door, lived.
Harriet Beecher Stowe (Uncle Tom's Cabin)
Remember, Pia," he whispers. "Perfect is as perfect does.
Jessica Khoury (Origin (Corpus, #1))
A coward dies a thousand deaths . . . a soldier dies but once.” —Tupac Shakur
Bathroom Readers' Institute (Uncle John's Bathroom Reader Salutes the Armed Forces)
In the midst of life we are in death,’” said Miss Ophelia.
Harriet Beecher Stowe (Uncle Tom's Cabin)
She widens her eyes. “You must be the only one in Trucklewood not to know about the murder. Do you not leave your house? Not Craig Yards, the nephew, but Tobias Yards, the uncle.
Amita Murray (Arya Winters and the Tiramisu of Death (Arya Winters, #1))
Einstein was stoned to death
Uncle Tim
After my father’s death, I watched my mother and Uncle Teddy—my father’s last living brother—plea to the judge to allow his alleged killer, Sirhan Sirhan, to escape the death penalty.
Robert F. Kennedy Jr. (Framed: Why Michael Skakel Spent Over a Decade in Prison for a Murder He Didn't Commit)
And then your story turned into tragedy. I am sorry for that, Cassandra.' 'Oh no, not exactly, my dear,' Cassandra replied. 'Indeed, it was a terrible blow to lose your dear Uncle Tom. His death bright enormous distress to us all. Your poor grandmother never recovered. But I - Please do not think to have had a sad life, Isabella. After all, there are as many forms of love as there are moments in time.
Gill Hornby (Miss Austen)
Silas deliberately ignored that question, which he knew was as much for him as it was for Uncle. It was going to be one of those nights where she’d sink her teeth into a topic and keep chewing and chewing at it.
Ari Berk (Death Watch (The Undertaken, #1))
before I could reach a conclusion as to whether I’d fallen in love or not, I was terrified by the fate of the lovers I’d gone over in my mind. Almost all of them had suffered a sorrowful fate, ending in death and disaster Layli and Majnun, death and disaster. Shirin and Farhad, death and disaster. Romeo and Juliet, death and disaster. Paul and Virginie, death and disaster. That love story in the newspaper, death and disaster.
ایرج پزشکزاد (My Uncle Napoleon)
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
smuggled away in whispers, by black familiars, unresisting, the beloved one leaves home, without a farewell, to darken those doors no more; henceforward to lie outside, far away, and forsaken, through the drowsy heats of summer, through days of snow and nights of tempest, without light or warmth, without a voice near. Oh, Death, king of terrors! The body quakes and the spirit faints before thee. It is vain, with hands clasped over our eyes, to scream our reclamation; the horrible image will not be excluded. We have just the word spoken eighteen hundred years ago, and our trembling faith. And through the broken vault the gleam of the Star of Bethlehem.
J. Sheridan Le Fanu (Uncle Silas)
Monsieur Octave de Camps, he said, having wasted his means on a certain Madame Firmiani, was now reduced to teaching mathematics for a living, while awaiting his uncle's death, not daring to let him know of his dissipations.
Honoré de Balzac (Madame Firmiani)
Coloured people don’t like Little Black Sambo. Burn it. White people don’t feel good about Uncle Tom’s Cabin. Burn it. Someone’s written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yet, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he’s on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. Ten minutes after death a man’s a speck of black dust. Let’s not quibble over individuals with memoriams. Forget them. Burn them all, burn everything. Fire is bright and fire is clean.
Ray Bradbury (Fahrenheit 451)
Like him, Uncle had eccentric tastes and liked old things. The difference, Silas was beginning to see, was that Uncle saw such objects as extensions of himself, of his body, essential, required, uniquely his. This thought made Silas uneasy.
Ari Berk (Death Watch (The Undertaken, #1))
Pioneering is not feeling well, not Indians, beasts. Not all their riddling can forestall one leaving. Sam, your uncle has had to go fróm us to live with God. ‘Then Aunt went too?’ Dear, she does wait still. Stricken: ‘Oh. Then he takes us one by one.
John Berryman (Homage to Mistress Bradstreet)
My prolonged study of these photographs led me to appreciate the importance of preserving certain moments for prosperity, and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives. To watch my uncle pose my brother a maths problem, and at the same time to see him in a picture taken thirty-two years earlier; to watch my father scanning the newspaper and trying, with a half-smile, to catch the tail of a joke rippling across the crowded room, and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When, in the tones ordinarily preserved for discussing the founding of a nation, my grandmother spoke of my grandfather who had died so young, and pointed at the frames on the tables and the walls, it seemed that she, like me, was pulled in two direction , wanting to get on with life but also longing to capture the moment of perfection, savouring the ordinary life but still honouring the ideal. But even as I pondered these dilemmas-if you plucked a special moment from life and framed it, were you defying death, decay and the passage of time, or were you submitting to them? - I grew very bored with them.
Orhan Pamuk (Istanbul: Memories and the City)
He remembered suddenly how his uncle had told him that men were sometimes stricken with a strange fever of the wilderness, when the seduction of the uninhabited wastes caught them so fiercely that they went forth, half fascinated, half deluded, to their death.
Algernon Blackwood (The Wendigo)
As he journeyed alone toward the monster that is death, we could do nothing to help him, nor the others still alive; all the words of strength on our lips melted away, our love not great enough to bind them to life, and our hope not enough to will them to live.
Alfred Nestor (Uncle Hitler: A Child's Traumatic Journey Through Nazi Hell to the Safety of Britain)
The prospect of parting—probably forever—from his aunt, uncle, and cousin was one that he was able to contemplate quite cheerfully, but there was nevertheless a certain awkwardness in the air. What did you say to one another at the end of sixteen years’ solid dislike?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
One day, as My uncle Antonio was heading out to a cantina, I slipped a story I had written into his shirt pocket. It was story about a little boy who would poke his finger with a needle and make it bleed. The boy did it so he would get some attention from his mother. It worked out great for a while. But one day, his mother came into the boy’s room, lifted up his sheets and found the boy’s cold body. The little boy had bled to death. The next morning, I awoke to find a new black and white speckled composition notebook sitting next to my head....
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind. An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
Nathaniel Hawthorne (The Scarlet Letter)
Atticus came in for his share of criticism. If only he had loved Cicero enough he would have given him better advice; instead he had “looked on and done nothing.” Atticus very sensibly paid no attention to this unfair jibe and went on doing all he could to help, even offering to place his personal fortune, now much augmented by the death of an “extremely difficult” but extremely wealthy uncle, at Cicero’s disposal. This was a gesture of some significance for, with the confiscation of his property, Cicero’s financial affairs were in a very poor state. Cicero’s letters to Atticus are full of practical advice, complaints and queries.
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
With the rest of them, he stood around the bed and watched the man die—a safe merge, from life to death. The light in the window was gray and orange, the color of summer’s skin, and his uncle appeared relieved when his breathing disappeared completely. “When death captures me,” the boy vowed, “he will feel my fist on his face.
Markus Zusak (The Book Thief)
I just told them that dear Uncle Silas has gone away on a long journey," she said. "They're such mites, you know, and I've never let them hear about Death, or have ugly toys or stories about ogres and things. I mean, I do frightfully believe in keeping their little minds free from everything but happy, beautiful things, don't you?
Georgette Heyer (They Found Him Dead (Inspectors Hannasyde & Hemingway, #3))
Colored people don’t like Little Black Sambo. Burn it. White people don’t feel good about Uncle Tom’s Cabin. Burn it. Someone’s written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yet, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he’s on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. Ten minutes after death a man’s a speck of black dust. Let’s not quibble over individuals with memoriams. Forget them. Burn all, burn everything. Fire is bright and fire is clean.
Ray Bradbury (Fahrenheit 451)
The air around me was damp, dew clinging to the grass and the leaves, and at the head of the grave the small star fruit tree, struggling out of being a seedling. I wasn’t sure why Aunty Kavita had picked a fruit tree that would feed on Vivek’s body. Uncle Chika probably would have selected something else, like a palm tree. Did she look forward to the day when it would actually have star fruits hanging from its branches? Would she pick them and eat them as if she was absorbing him, bringing him back inside where he’d come from? It would be something like Holy Communion, I imagined, body and blood turned into yellow flesh and pale green skin, bursting with juice. Or maybe she would never touch the fruit—maybe no one would—and they would fall back to the ground to rot, to sink back into the soil, until the roots of the tree took them back and it would just continue like that, around and around. Or birds would show up and eat the fruit, then carry Vivek around, giving life to things even after he’d run out of it himself.
Akwaeke Emezi (The Death of Vivek Oji)
I told myself that in the country of my birth, from which I was disengaged in an increasingly irreversible way, there undoubtedly were many men and women like him, basically decent people who had dreamed all their lives of the economic, social, cultural, and political progress that would transform Peru into a modern, prosperous, democratic society with opportunities open to all, only to find themselves repeatedly frustrated, and, like Uncle Ataulfo, had reached old age - the very brink of death - bewildered, asking themselves why we were moving backward instead of advancing and were worse off now with more discrimination, inequality, violence, and insecurity than when they were starting out
Edith Grossman (The Bad Girl)
are starting to lock them up inside the death camps. This is beyond imagining. “My uncle is right,” Aliza said. “Quotas and blockades will not stop us. And the truth is, the English have always preferred the Arabs to the Jews. In fact, they are anti-Semites, though there are exceptions, of course,” she said. “Like our little commandant here in Atlit. “But enough politics for today,” she said, getting to her feet. “I’m going over to the kitchen and see if I can get a lemon or an orange so I can show you how to give an injection.” She put her hand under Leonie’s chin and smiled. “I suppose you’ll get married right away. But it’s always good to have a trade, just in case.” Leonie watched her go, overwhelmed by affection. Aliza seemed happiest when she was taking care of others, or telling them what to do. She never complained and seemed content with her life. Leonie wondered about the heavy gold earrings that she wore every day—her only adornment. Maybe they were a gift from her husband, or perhaps they had belonged to her mother. Aliza never mentioned
Anita Diamant (Day After Night)
You went there?” “Yes—Dallas. Uncle Harry and Aunt Tess lived there for a while. There’s nothing to do but go to the movies and you can’t walk anywhere, people have to drive you. Also they have rattlesnakes, and the death penalty, which I think is primitive and unethical in ninety-eight per cent of cases. But it’ll probably be better for her there.” “Why?
Donna Tartt (The Goldfinch)
gentle admonition." "Gentle admonition! Do you call that gentle admonition? Why, uncle, you are enough to frighten most people to death with your fury. You are a perfect dragon! a griffin! a Russian bear! a Bengal tiger! a Numidian lion! You're all Barnum's beasts in one! I declare, if I don't write and ask him to send a party down here to catch you for his museum!
E.D.E.N. Southworth (Hidden Hand)
Don’t tell Tex you’re gonna buy a franchise, he’ll go ballistic.” What he said made me stop and I stared up at him stupidly in the dark. “What’s wrong with franchises?” I asked. “They’re the death of America,” Uncle Tex boomed from the next room and both Hank and I froze. “Now, will you two keep it the fuck down. The walls are paper thin and you’re disturbin’ the cats!
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
They were Muslims, man, but not your uncles. They need a deen that's not your uncle's deen. Iman, think about it like that, iman! It's supposed to be all about having no fear of death, right? And we got that part down, we've done that and we have plenty of Muslims who aren't afraid to die. Mash'Allah--but now Muslims are afraid to fuckin' live! They fear life, yakee, more than they fear shaytans or shirk or fitna or bid'a or kafr or qiyamah or the torments in the grave, they fear Life... You got all these poor kids who think they're inferior because they don't get their two Fajr in, their four Zuhr, four Asr... they don't have beards, they don't wear hejab, maybe they went to their fuckin' high school proms and the only masjid around was regular horsehit-horseshit-takbir-masjid and they had to pretend like they were doing everything right...well I say fuck that and this whole house says fuck that--even Umar, you think Umar can go in a regular masjid with all his stupid tattoos and dumb straghtedge bands? Even Umar, bro, as much as he tries to Wahabbi-hard-ass his way around here, he's still one of us. He's still fuckin' taqwacore.
Michael Muhammad Knight (Taqwacores: A Novel)
While sitting alone in his uncle’s study, Ramana suddenly became paralyzed by a fear of death. He lay down on the floor, convinced that he would soon die, but rather than remaining terrified, he decided to locate the self that was about to disappear. He focused on the feeling of “I”—a process he later called “self-inquiry”—and found it to be absent from the field of consciousness.
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
Life was transparent, literature opaque. Life was open, literature a closed system. Life was composed of things, literature of words. Life was what it appeared to be: if you were afraid your plane would crash it was about death, if you were trying to get a girl into bed it was about sex. Literature was never about what it appeared to be about, though in the case of the novel cosiderable ingenuity and perception were needed to crack the code of realistic illusion, which was why he had been professionally attracted to the genre (even the dumbest critic understood that Hamlet wasn't about how the guy wanted to kill his uncle, or the Ancient Mariner about cruelty to animals, but it was surprising how many people thought Jane Austen's novels were about finding Mr Right).
David Lodge (Changing Places (The Campus Trilogy, #1))
Capable, clever and with a natural gift for land and estate management, Anne had been the natural choice to take on the huge task of running Shibden. Not only had she impressed Uncle James with her abilities to deal with the renewal of leases and misbehaving tenants, he also knew that she would never marry and therefore the estate would not be broken up. In their conversations together, Anne had left him under no illusion that her emotional and sexual feelings for other women precluded the possibility of her ever entering into a marriage with a man, in which she stood to lose all that was hers. It was another four decades, on the passing of the Married Women’s Property Act in 1870 (thirty years after Anne’s death), before women would be able to keep hold of and inherit property following marriage. So, remarkable as it may seem to us now, it was Anne Lister’s lesbian sexuality (then with no name or legal recognition), which played a crucial role in helping her to keep control of her wealth at a time when it was thought that it was impossible for a woman to do so. That Uncle James, in 1826, seemed to understand and recognise this is even more extraordinary.
Sally Wainwright (Gentleman Jack: The Real Anne Lister)
Seven months after Grant’s death, Julia received a whopping $200,000 check from Twain and $450,000 in the end—an astonishing sum for book royalties at the time. No previous book had ever sold so many copies in such a short period of time, and it rivaled that other literary sensation of the nineteenth century, Uncle Tom’s Cabin. Clearly Grant had emerged victorious in his last uphill battle.
Ron Chernow (Grant)
Since my father was the head of the family, I’m the only heir alive. The only one who’s able to gather his contacts and rebuild our business from scratch. Uncle and Babushka said it’ll be dangerous if they learned I’m still alive, so they faked my death and I had to live as a man since. With a fake name and background. A few months after that incident, I joined the army to find out who ordered the hit.
Rina Kent (Blood of My Monster (Monster Trilogy, #1))
You’re not going to disappear,” I said. “I won’t let you”. “Even if this is all there is? Going to school and working at my uncle’s restaurant and fighting with Mari? Why would anyone want to remember this?” “I want to remember you. Just like this.” She rolled onto her back, hands covering her face, and I pulled them away. “People like you don’t disappear,” I said. “Then where do they go?” “Everywhere.
Laekan Zea Kemp (Breathing Ghosts)
The Blue Chest of Rachel Ward" was another "ower-true tale." Rachel Ward was Eliza Montgomery, a cousin of my father's, who died in Toronto a few years ago. The blue chest was in the kitchen of Uncle John Campbell's house at Park Corner from 1849 until her death. We children heard its story many a time and speculated and dreamed over its contents, as we sat on it to study our lessons or eat our bed-time snacks.
L.M. Montgomery (The Alpine Path: The Story of My Career)
My uncle’s death confirmed all of my grandfather’s fears about himself and his place in the family. He could not protect. He could not provide. Emasculation at the hands of the state is a very cunning thing for the state to do because men will never see it coming from the state. They’ll blame the subjects in their own kingdoms, the women and children to whom they are lords. The only people to whom they are lords.
Karla Cornejo Villavicencio (Catalina)
Grunts were perhaps the only group of Americans to ever experience complete racial equality. Equal opportunity death has a way of rendering racial differences insignificant. Bush Marines who were black were torn between loyalties to their grunt buddies, and racial solidarity demanded by rear blacks. They were called Uncle Tom for even talking to us. It was a test of their integrity, but very seldom did any give in.
Jeff Kelly (DMZ Diary: A Combat Marine's Vietnam Memoir)
Twelve men. A virgin queen. One arranged marriage. The first time I met the boys of the Zodiac Brotherhood, I was forced to my knees for the introduction. Still grieving the death of my parents, I was a child queen, a pawn in my uncle’s agenda for wealth and gain. As my guardian, he had the authority to arrange a marriage upon my eighteenth birthday. That meeting took place six years ago. Now those boys are powerful men.
Gemma James (Aries (The Zodiac Queen, #1))
There were relatives of their victims among the Hogwarts students, who now found themselves the unwilling objects of a gruesome sort of reflected fame as they walked the corridors: Susan Bones, whose uncle, aunt, and cousins had all died at the hands of one of the ten, said miserably during Herbology that she now had a good idea what it felt like to be Harry. "And I don't know how you stand it- it's horrible" she said bluntly.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
They came to a destroyed cabin and he pulled up and then went inside. Broken cups and pieces of dress material torn on a nail. A doll’s body without a head. He dug a .50-caliber bullet out of the wall with his knife and then carefully placed it on the windowsill as if for a memento. Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work. Your heart melted sweetly, it slowed, lost its edges. Horses, horses. All gone in the burning.
Paulette Jiles (News of the World)
The boy, Max Rüst, will later on become a tinker, father of seven more Rüsts, he will go to work for the firm of Hallis & Co., Plumbing and Roofing, in Grünau. At the age of 52 he will win a quarter of a prize in the Prussian Class Lottery, then he will retire from business and die during an adjustment suit which he has started against the firm of Hallis & Co., at the age of 55. His obituary will read as follows: On September, suddenly, from heart-disease, my beloved husband, our dear father, son, brother, brother-in-law, and uncle, Paul Rüst, in his 55th year. This announcement is made with deep grief on behalf of his sorrowing family by Marie Rüst. The notice of thanks after the funeral will read as follows: Acknowledgment. Being unable to acknowledge individually all tokens of sympathy in our bereavement, we hereby express our profound gratitude to all relatives, friends, as well as to the tenants of No. 4 Kleiststrasse and to all our acquaintances. Especially do we thank Herr Deinen for his kind words of sympathy. At present his Max Rüst is 14 years old, has just finished public school, is supposed to call by on his way there at the clinic for the defective in speech, the hard of hearing, the weak-visioned, the weak-minded, the in-corrigible, he has been there at frequent intervals, because he stutters, but he is getting better now.
Alfred Döblin (Berlin Alexanderplatz)
Are you from Hapsburg?" He seemed to think about it for a second or two, then gave a small nod. "I thought I recognized the accent." The scowl was back full force. "You are an expert on accents?" He managed to sound sarcastic. "No. My Uncle Otto was from Hapsburg." He blinked again, and the scowl wilted around the edges. "You are not German." He sounded very sure. "My father's family is; from Baden-Baden on the edge of the Black Forest but Uncle Otto was from Hamburg. "You said only your uncle had the accent." "By the time I came along, most of the family, except for my grandmother, had been in this country so long there was no accent, but Uncle Otto never lost his." "He's dead now." Olaf made it half question, half statement. I nodded. "How did he die?" "Grandma Blake says Aunt Gertrude nagged him to death." His lips twitched. "Women are tyrants if a man allows it." His voice was a touch softer now.
Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
[...] in the present instance of our uncle’s death, the face of the dead was calm, peaceful, and grave, while it is a fact that while living he was scarcely like that, either in youth or age. I have often observed a like effect as I looked at the dead as though to question them. And that for me is one proof, though not the most serious, of a life beyond the grave. And in the same way a child in the cradle, if you watch it at leisure, has the infinite in its eyes.
Vincent van Gogh (The Letters of Vincent van Gogh)
And while we grumble over what we are owed and how much we get to keep, the displaced wait at the door. They are painters and surgeons and craftsmen and students. Children. Mothers. The neighbor who made a good sauce. The funny girl from science class. The boy who can really dance. The great-uncle who always turns down the wrong street. They endure painful transformation, rising from death, discarding their faces and bodies, their identities, without guarantee of new ones.
Dina Nayeri (The Ungrateful Refugee)
Whence comes it that, in the present instance of our uncle’s death, the face of the dead was calm, peaceful, and grave, while it is a fact that while living he was scarcely like that, either in youth or age. I have often observed a like effect as I looked at the dead as though to question them. And that for me is one proof, though not the most serious, of a life beyond the grave. And in the same way a child in the cradle, if you watch it at leisure, has the infinite in its eyes.
Vincent van Gogh (The Letters of Vincent van Gogh)
I knew that he was my own uncle—my mother’s brother—that he had taken me when a parentless infant to his house; and that in his last moments he had required a promise of Mrs. Reed that she would rear and maintain me as one of her own children. Mrs. Reed probably considered she had kept this promise; and so she had, I dare say, as well as her nature would permit her; but how could she really like an interloper not of her race, and unconnected with her, after her husband’s death, by any tie?
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
She hadn’t foreseen this. (She knew he certainly had not.) In her service as well as his, Dominika knew it was zapreshchennyi, strictly forbidden, to become physically involved with an agent. Emotional complications are death to a clandestine operation. It’s not for no reason they whisk the Sparrow from the room after the honey trap and “Uncle Sasha” takes over, all business, because passions get in the way, you can’t get anywhere with an agent who is thinking about his khuy, the old instructors used to say, cackling and trying to get her to blush. She was in his arms, kissing him, not frantically, but slowly, softly; his lips were warm and she wanted to drink them in. She felt a pressure building in her body, inside her skull, in her breasts, between her legs. His hands pressed on her back and she felt sweet and edgy, as if they were childhood friends who years later had discovered each other as adults. He breathed deep purple heat into her ear, and she felt it down her spine.
Jason Matthews (Red Sparrow (Red Sparrow Trilogy, #1))
Harry looked up at his uncle and felt a mixture of exasperation and amusement. Vernon Dursley had been changing his mind every twenty-four hours for the past four weeks, packing and unpacking and repacking the car with every change of heart. Harry’s favorite moment had been the one when Uncle Vernon, unaware that Dudley had added his dumbbells to his case since the last time it had been unpacked, had attempted to hoist it back into the boot and collapsed with roars of pain and much swearing.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I wiped my hands on my apron and went to the window. Outside, the prairie reached out and touched the places where the sky came down. Though the winter was nearly over, there were patches of snow and ice everywhere. I looked at the long dirt road that crawled across the plains, remembering the morning that Mama had died, cruel and sunny. They had come for her in a wagon and taken her away to be buried. And then the cousins and aunts and uncles had come and tried to fill up the house. But they couldn’t.
Patricia MacLachlan
Can’t say my Uttarpara ancestral home isn’t my homeland, I know unidentified bodies, their eyes plucked out, float by in the Ganga. Can’t say my aunt’s Ahiritola isn’t my homeland, I know abducted girls are bound and gagged in Sonagachi nearby. Can’t say my uncle’s at Panihati isn’t my homeland, I know who was killed, and where, in broad daylight. Can’t say my adolescent Konnagar isn’t my homeland, I know who was sent to cut whose throat. Can’t say my youth’s Calcutta isn’t my homeland, I know who threw bombs, set fire on buses, trams. Can’t say West Bengal isn’t my homeland, I’ve the right to be tortured to death in its lock-ups, I’ve the right to starve and have rickets in its tea gardens, I’ve the right to hang myself at its handloom mills, I’ve the right to become bones buried by its party lumpen, I’ve the right to have my mouth taped, silenced, I’ve the right to hear the leaders sprout gibberish, abuse, I’ve the right to a heart attack on its streets blocked by protestors, Can’t say Bengali isn’t my homeland.
Malay Roy Choudhury (ছোটোলোকের কবিতা)
However disinterested she may be, the courtship of such a star is a passion which costs some trifles to the favored mortal. There are dinners at restaurants, boxes at the theatres, carriages to go to the environs and return, choice wines consumed in profusion, — for an opera danseuse eats and drinks like an athlete. Georges amused himself like other young men who pass at a jump from paternal discipline to a rich independence, and the death of his uncle, nearly doubling his means, had still further enlarged his ideas.
Honoré de Balzac (Works of Honore de Balzac)
There is no monument to mark the last resting-place of our friend. He needs none! His Lord knows where he lies, and will raise him up, immortal, to appear with him when he shall appear in his glory. Pity him not! Such a life and death is not for pity! Not in the riches of omnipotence is the chief glory of God; but in self-denying, suffering love! And blessed are the men whom he calls to fellowship with him, bearing their cross after him with patience. Of such it is written, “Blessed are they that mourn, for they shall be comforted.
Harriet Beecher Stowe (Uncle Tom's Cabin)
The trader was not shocked nor amazed; because, as we said before, he was used to a great many things that you are not used to. Even the awful presence of Death struck no solemn chill upon him. He had seen Death many times,—met him in the way of trade, and got acquainted with him,—and he only thought of him as a hard customer, that embarrassed his property operations very unfairly; and so he only swore that the gal was a baggage, and that he was devilish unlucky, and that, if things went on in this way, he should not make a cent on the trip.
Harriet Beecher Stowe (Uncle Tom's Cabin)
He shrugged his big shoulders. 'If my uncle wants me to ride to the edge of the world after something that doesn't exist...' He turned his face to the sky and inhaled deeply of the chill morning air. 'It's not like I have a wife waiting for me or anywhere else to be.' 'Well, we are honoured that the courageous and indomitable Prince Gawain ap Lot of Lyonesse chose to save Britain with us, rather than drink and whore himself to death in some harbourside tavern,' Merlin said, lifting his staff as though Gawain's very presence was a gift from the Gods.
Giles Kristian (Lancelot (The Arthurian Tales, #1))
Perhaps we should wait outside in the hall, Dedalus,” murmured Hestia. She clearly felt that it would be tactless for them to remain in the room while Harry and the Dursleys exchanged loving, possibly tearful farewells. “There’s no need,” Harry muttered, but Uncle Vernon made any further explanation unnecessary by saying loudly, “Well, this is good-bye, then, boy.” He swung his right arm upward to shake Harry’s hand, but at the last moment seemed unable to face it, and merely closed his fist and began swinging it backward and forward like a metronome.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I will warrant you against dying of old age, however,” said the Templar, who now recognised his friend of the forest; “I will assure you from all deaths but a violent one, if you give such directions to wayfarers, as you did this night to the Prior and me.” “How, sirrah!” said Cedric, “misdirect travellers? We must have you whipt; you are at least as much rogue as fool.” “I pray thee, uncle,” answered the Jester, “let my folly, for once, protect my roguery. I did but make a mistake between my right hand and my left; and he might have pardoned a greater, who took a fool for his counsellor and guide.
Walter Scott (Ivanhoe (Unabridged): Enriched edition. Historical Novel)
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
Wow,” he added, blinking rather rapidly as Hermione came hurrying toward them. “You look great!” “Always the tone of surprise,” said Hermione, though she smiled. She was wearing a floaty, lilac-colored dress with matching high heels; her hair was sleek and shiny. “Your Great-Aunt Muriel doesn’t agree, I just met her upstairs while she was giving Fleur the tiara. She said, ‘Oh dear, is this the Muggle-born?’ and then, ‘Bad posture and skinny ankles.’” “Don’t take it personally, she’s rude to everyone,” said Ron. “Talking about Muriel?” inquired George, reemerging from the marquee with Fred. “Yeah, she’s just told me my ears are lopsided. Old bat. I wish old Uncle Bilius was still with us, though; he was a right laugh at weddings.” “Wasn’t he the one who saw a Grim and died twenty-hour hours later?” asked Hermione. “Well, yeah, he went a bit odd toward the end,” conceded George. “But before he went loopy he was the life and soul of the party,” said Fred. “He used to down an entire bottle of firewhisky, then run onto the dance floor, hoist up his robes, and start pulling bunches of flowers out of his--” “Yes, he sounds a real charmer,” said Hermione, while Harry roared with laughter. “Never married, for some reason,” said Ron. “You amaze me,” said Hermione.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Good day to you, Harry Potter’s relatives!” said Dedalus happily, striding into the living room. The Dursleys did not look at all happy to be addressed thus; Harry half expected another change of mind. Dudley shrank nearer to his mother at the sight of the witch and wizard. “I see you are packed and ready. Excellent! The plan, as Harry has told you, is a simple one,” said Dedalus, pulling an immense pocket watch out of his waistcoat and examining it. “We shall be leaving before Harry does. Due to the danger of using magic in your house--Harry being still underage, it could provide the Ministry with an excuse to arrest him--we shall be driving, say, ten miles or so, before Disapparating to the safe location we have picked out for you. You know how to drive, I take it?” he asked Uncle Vernon politely. “Know how to--? Of course I ruddy well know how to drive!” spluttered Uncle Vernon. “Very clever of you, sir, very clever, I personally would be utterly bamboozled by all those buttons and knobs,” said Dedalus. He was clearly under the impression that he was flattering Vernon Dursley, who was visibly losing confidence in the plan with every word Dedalus spoke. “Can’t even drive,” he muttered under his breath, his mustache rippling indignantly, but fortunately neither Dedalus nor Hestia seemed to hear him.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I've thought about death often in recent weeks, but not really about God. My mother took me to church occasionally--but I don't recall ever connecting that up with the thought of God. She mentioned Him quite often, and I had to pray to Him at night, but I never thought much about it. I remember Him as a distant uncle with a long beard on a throne (like Santa Claus in the department store on his big chair, who picks you up on his knee and asks you if you've been good, and what would you like him to give you?). She was afraid of Him, but asked favors anyway. My father never mentioned Him--it was as if God was one of Rose's relatives he'd rather not get involved with.
Daniel Keyes (Flowers for Algernon)
Let us pause briefly to tally the grim catalog of disasters that had befallen these two boys between 1765 and 1769: their father had vanished, their mother had died, their cousin and supposed protector had committed bloody suicide, and their aunt, uncle, and grandmother had all died. James, sixteen, and Alexander, fourteen, were now left alone, largely friendless and penniless. At every step in their rootless, topsy-turvy existence, they had been surrounded by failed, broken, embittered people. Their short lives had been shadowed by a stupefying sequence of bankruptcies, marital separations, deaths, scandals, and disinheritance. Such repeated shocks must have stripped Alexander Hamilton of any sense that life was fair, that he existed in a benign universe, or that he could ever count on help from anyone. That this abominable childhood produced such a strong, productive, self-reliant human being—that this fatherless adolescent could have ended up a founding father of a country he had not yet even seen—seems little short of miraculous. Because he maintained perfect silence about his unspeakable past, never exploiting it to puff his later success, it was impossible for his contemporaries to comprehend the exceptional nature of his personal triumph. What we know of Hamilton’s childhood has been learned almost entirely during the past century.
Ron Chernow (Alexander Hamilton)
Colored people don't like Little Black Sambo. Burn it. White people don't feel good about Uncle Tom's Cabin. Burn it. Someone's written a book on tobacco and cancer of the lungs? The cigarette people are weeping? Burn the book. Serenity, Montag. Peace, Montag. Take your fight outside. Better yes, into the incinerator. Funerals are unhappy and pagan? Eliminate them, too. Five minutes after a person is dead he's on his way to the Big Flue, the Incinerators serviced by helicopters all over the country. Ten minutes after death a man's a speck of black dust. Let's not quibble over individuals with memoriams. Forget them. Burn all, burn everything. Fire is bright and fire is clean.
Ray Bradbury (Fahrenheit 451)
Mr Corcoran, whom by chance I was observing, smiled preliminarily but when about to speak, his smile was transfixed on his features and his entire body assumed a stiff attitude. Suddenly he sneezed, spattering his clothing with a mucous discharge from his nostrils. As my uncle hurried to his assistance, I felt that my gorge was about to rise. I retched slightly, making a noise with my throat similar to that utilized by persons in the article of death. My uncle's back was towards me as he bent in ministration. … I clutched my belongings and retired quickly as they worked together with their pocket-cloths. I went to my room and lay prostrate on my bed, endeavouring to recover my composure.
Flann O'Brien (At Swim-Two-Birds)
Suffering is the fuel in the engine of civilization. Now he begins to understand: because pain is a god—he has been in the grip of this cruel god ever since Anakin’s death. But it is also a teacher, and a bridge. It can be a slave master, and break you—and it can be the power that makes you unbreakable. It is all these things, and more. At the same time. What it is depends on who you are. But who am I? he wonders. I’ve been running like Dad—like Anakin. I think they stopped, though; I think Dad was strong enough to turn back and face it, to use the pain to make himself stronger, like Mom and Uncle Luke. Anakin did, too, at the end. Am I that strong? There’s only one way to find out.
Matthew Woodring Stover (Traitor (Star Wars: The New Jedi Order, #13))
Uncle seemed to take pleasure from knowing things other people didn’t. Silas did not like thinking this about the man who’d given them a place to live, but there was a sort of smirk hidden inside his uncle’s words that made Silas feel like he was being laughed at. He knew that tone. He’d heard it often enough from kids at school, from the ones who’d look at you like you weren’t worth talking to, from the ones who looked at your unfashionable clothes, or the shape of your face, and told everyone else that you were a freak. Silas was scared of those kids, because usually, those were the ones who didn’t think that normal rules applied to them, the ones who thought they could get away with anything.
Ari Berk (Death Watch (The Undertaken, #1))
Philip gave him his hand and he clung to it as to life, for comfort in his extremity. Perhaps he had never really loved anyone in all his days, but now he turned instinctively to a human being. His hand was wet and cold. It grasped Philip’s with feeble, despairing energy. The old man was fighting with the fear of death. And Philip thought that all must go through that. Oh, how monstrous it was, and they could believe in a God that allowed his creatures to suffer such a cruel torture! He had never cared for his uncle, and for two years he had longed every day for his death; but now he could not overcome the compassion that filled his heart. What a price it was to pay for being other than the beasts! They remained in silence broken
W. Somerset Maugham (Collected Works of W. Somerset Maugham)
Accepting Uncle Tom’s Cabin as revelation second only to the Bible, the Yankee women all wanted to know about the bloodhounds which every Southerner kept to track down runaway slaves. And they never believed her when she told them she had only seen one bloodhound in all her life and it was a small mild dog and not a huge ferocious mastiff. They wanted to know about the dreadful branding irons which planters used to mark the faces of their slaves and the cat-o’-nine-tails with which they beat them to death, and they evidenced what Scarlett felt was a very nasty and ill-bred interest in slave concubinage. Especially did she resent this in view of the enormous increase in mulatto babies in Atlanta since the Yankee soldiers had settled in the town.
Margaret Mitchell (Gone with the Wind)
Perhaps we should wait outside in the hall, Dedalus,” murmured Hestia. She clearly felt that it would be tactless for them to remain in the room while Harry and the Dursleys exchanged loving, possibly tearful farewells. “There’s no need,” Harry muttered, but Uncle Vernon made any further explanation unnecessary by saying loudly, “Well, this is good-bye, then, boy.” He swung his right arm upward to shake Harry’s hand, but at the last moment seemed unable to face it, and merely closed his fist and began swinging it backward and forward like a metronome. “Ready, Diddy?” asked Aunt Petunia, fussily checking the clasp of her handbag so as to avoid looking at Harry altogether. Dudley did not answer, but stood there with his mouth slightly ajar, reminding Harry a little of the giant, Grawp. “Come along, then,” said Uncle Vernon. He had already reached the living room door when Dudley mumbled, “I don’t understand.” “What don’t you understand, popkin?” asked Aunt Petunia, looking up at her son. Dudley raised a large, hamlike hand to point at Harry. “Why isn’t he coming with us?” Uncle Vernon and Aunt Petunia froze where they stood, staring at Dudley as though he had just expressed a desire to become a ballerina. “What?” said Uncle Vernon loudly. “Why isn’t he coming too?” asked Dudley. “Well, he--he doesn’t want to,” said Uncle Vernon, turning to glare at Harry and adding, “You don’t want to, do you?” “Not in the slightest,” said Harry. “There you are,” Uncle Vernon told Dudley. “Now come on, we’re off.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
nothing in the chemical world vanishes. Everything that is in the world remains in some form or other. Decaying matter turns into mould and gases and is regenerated and becomes living matter again. I had come home from school and realized that that was what must happen to the human body after death. Even if the soul went to heaven, the body would become part of the earth again, of sand and wind and trees and sea. Standing in Uncle Montgomery’s ill-lighted front hall, while the houseboy went to announce us, I thought that it must be the same way with thoughts and emotions. All the powers of evil and good we let loose are freed into the world forever. Every will to hurt, to cause pain—every time we are shaken by anger—that fury, that cruelty, remains forever. I
Madeleine L'Engle (Ilsa)
After four or five months of reading Hemingway, I decided to write a story. I had in the past written stories for English classes. These had all been about white people, because white people’s stories seemed to matter more. Also, I hadn’t known how to write about Indians. How would I translate the various family relations, the difference between an uncle who is a father’s brother and an uncle who is a mother’s brother? Having read Hemingway, I knew that I should just push all the exotic things to the side as if they didn’t matter, that this was how one used exoticism—by not bothering to explain. The first story I wrote was about my brother coughing. I woke one night to the sound of Birju coughing downstairs and then could not go back to sleep. To be woken this way and not be able to return to sleep struck me as sad enough to merit a reader’s attention. Also, Hemingway had written a story about a man being woken because somebody is dying nearby, and the man is forced to witness the death. I got up from my bed and turned on the light. I then returned to bed with a spiral-bound notebook and placed it against my knees. I began my story in the middle of the action the way Hemingway did. I wrote: The coughing wakes me. My wife coughs and coughs, and then when her throat is clear, she moans. The nurse’s aide moves back and forth downstairs. The hospital bed jingles. I wrote that it was a spouse coughing because that seemed something a reader could identify with, while a brother would be too specific to me. I lie here, listening to my wife cough, and it is hard to believe that she is dying. It was strange to write something down and for that thing to come into existence. The fact that the sentence existed made Birju’s coughing somehow less awful. As I sat on my bed, I thought about how I could end my story. I held my pencil above the sheet of paper. According to the essays I had read on Hemingway, all I needed to do was attach something to the end of the story that was both unexpected and natural. I imagined Birju dying; this had to be what would eventually happen. As soon as I imagined this, I did not want him gone. I felt a surge of love for Birju. Even though he was sick and swollen, I did not want him gone. I wrote: I lie in my bed and listen to her cough and am glad she is coughing because this means she is alive. Soon she will die, and I will no longer be among the lucky people whose wives are sick. Fortunate are the men whose wives cough. Fortunate are the men who cannot sleep through the night because their wives’ coughing wakes them.
Akhil Sharma (Family Life)
Miss Ophelia felt the loss; but, in her good and honest heart, it bore fruit unto everlasting life. She was more softened, more gentle; and, though equally assiduous in every duty, it was with a chastened and quiet air, as one who communed with her own heart not in vain. She was more diligent in teaching Topsy,—taught her mainly from the Bible,—did not any longer shrink from her touch, or manifest an ill-repressed disgust, because she felt none. She viewed her now through the softened medium that Eva’s hand had first held before her eyes, and saw in her only an immortal creature, whom God had sent to be led by her to glory and virtue. Topsy did not become at once a saint; but the life and death of Eva did work a marked change in her. The callous indifference was gone; there was now sensibility, hope, desire, and the striving for good,—a strife irregular, interrupted, suspended oft, but yet renewed again.
Harriet Beecher Stowe (Uncle Tom's Cabin By Harriet Beecher Stowe (Fictional Novel) "The New Annotated Classic Edition")
Vietnam was a universal solvent—the explanation for every evil we saw and the justification for every excess we committed. Trashing the windows of merchants on the main streets of America seemed warranted by the notion that these petty-bourgeois shopkeepers were cogs in the system of capitalist exploitation that was obliterating Vietnam. Fantasizing the death of local cops seemed warranted by the role they played as an occupying army in America’s black ghettos, those mini-Vietnams we yearned to see explode in domestic wars of liberation. Vietnam caused us to acquire a new appreciation for foreign tyrants like Kim Il Sung of North Korea.1 Vietnam also caused us to support the domestic extortionism and violence of groups like the Black Panthers, and to dismiss derisively Martin Luther King, Jr. as an “Uncle Tom.” (The left has conveniently forgotten this fact now that it finds it expedient to invoke King’s name
David Horowitz (The Black Book of the American Left: The Collected Conservative Writings of David Horowitz (My Life and Times 1))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Kaizong watched Uncle Chen’s solemn expression; watched the young people taking photographs and recordings of the proceedings so that the files could be sent to the email addresses of dead relatives; watched the silent, praying faces, childish or lined, flickering in the flames from the candles and burning incense—and something deep in him was moved. Perhaps there would come a day when everything he was looking at would be replaced by virtual reality, by simulation, by technology, but what couldn’t be replaced was how people longed for those they loved. They needed some ceremony, some platform, some way to cross the border between life and death, to connect the past to the present, to shape the formless memories and longing into objects, acts, or ritualized performances so that the feelings that had been numbed by the passage of time might be reawakened, so that the pain of loss, once heartbreaking and bone-weary, could be recalled along with the endless memories that followed.
Chen Qiufan (Waste Tide)
I want to say you'd be surprised by the kind of people who go visit their relatives and lovers in jail, but really you wouldn't be surprised at all. It's just like you see on TV - desperate, broken-toothed women in ugly clothes, or other ladies who dress up like streetwalkers to feel sexy among the inmates and who are waiting for marriage proposals from their men in cuffs, even if they're in maximum security and the court has already marked them for life or death penalty. There are women who come with gangs of kids who crawl over their daddies, and there are the teenagers and grown-up kids who come and sit across the picnic tables bitter-lipped while their fathers try to apologize for being there. Then there are the sisters, like me, who show up because nobody else will. Our whole family, the same people who treated my brother like he was baby Moses, all turned their backs on Carlito when he went to the slammer. Not one soul has visited him besides me. Not an uncle, a tia, a primo, a friend, anybody.
Patricia Engel (The Veins of the Ocean)
and, amongst others, my breviary with the gold corners, which I beg he will preserve in remembrance of his affectionate uncle.' "The heirs sought everywhere, admired the breviary, laid hands on the furniture, and were greatly astonished that Spada, the rich man, was really the most miserable of uncles — no treasures — unless they were those of science, contained in the library and laboratories. That was all. Caesar and his father searched, examined, scrutinized, but found nothing, or at least very little; not exceeding a few thousand crowns in plate, and about the same in ready money; but the nephew had time to say to his wife before he expired: `Look well among my uncle's papers; there is a will.' "They sought even more thoroughly than the august heirs had done, but it was fruitless. There were two palaces and a vineyard behind the Palatine Hill; but in these days landed property had not much value, and the two palaces and the vineyard remained to the family since they were beneath the rapacity of the pope and his son. Months and years rolled on. Alexander VI. died, poisoned, — you know by what mistake. Caesar, poisoned at the same time, escaped by shedding his skin like a snake; but the new skin was spotted by the poison till it looked like a tiger's. Then, compelled to quit Rome, he went and got himself obscurely killed in a night skirmish, scarcely noticed in history. After the pope's death and his son's exile, it was supposed that the Spada family would resume the splendid position they had held before the cardinal's time; but this was not the case. The Spadas remained in doubtful ease, a mystery hung over this dark affair, and the public rumor was, that Caesar, a better politician than his father, had carried off from the pope the fortune of the two cardinals. I say the two, because Cardinal Rospigliosi, who had not taken any precaution, was completely despoiled. "Up to this point," said Faria, interrupting the thread of his narrative, "this seems to you very meaningless, no doubt, eh?" "Oh, my friend," cried Dantes, "on the contrary, it seems as if I were
Alexandre Dumas (The Count Of Monte Cristo)
I didn’t realize how far back I’d have to go in order to tell you about John Coffey, or how long I’d have to leave him there in his cell, a man so huge his feet didn’t just stick off the end of his bunk but hung down all the way to the floor. I don’t want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan. These weren’t the sounds of agony and regret we sometimes heard on E Block, sharp cries with splinters of remorse in them; like his wet eyes, they were somehow removed from the pain we were used to dealing with. In a way—I know how crazy this will sound, of course I do, but there is no sense in writing something as long as this if you can’t say what feels true to your heart—in a way it was as if it was sorrow for the whole world he felt, something too big ever to be completely eased. Sometimes I sat and talked to him, as I did with all of them—talking was our biggest, most important job, as I believe I have said—and I tried to comfort him. I don’t feel that I ever did, and part of my heart was glad he was suffering, you know. Felt he deserved to suffer. I even thought sometimes of calling the governor (or getting Percy to do it—hell, he was Percy’s damn uncle, not mine) and asking for a stay of execution. We shouldn’t burn him yet, I’d say. It’s still hurting him too much, biting into him too much, twisting in his guts like a nice sharp stick. Give him another ninety days, your honor, sir. Let him go on doing to himself what we can’t do to him. It’s that John Coffey I’d have you keep to one side of your mind while I finish catching up to where I started—that John Coffey lying on his bunk, that John Coffey who was afraid of the dark perhaps with good reason, for in the dark might not two shapes with blonde curls—no longer little girls but avenging harpies—be waiting for him? That John Coffey whose eyes were always streaming tears, like blood from a wound that can never heal.
Stephen King (The Green Mile)
His [Xerxes'] uncle Artabanus perceived this, he who in the beginning had spoken his mind freely and advised Xerxes not to march against Hellas. Marking how Xerxes wept, he questioned him and said, “O king, what a distance there is between what you are doing now and a little while ago! After declaring yourself blessed you weep.” Xerxes said, “I was moved to compassion when I considered the shortness of all human life, since of all this multitude of men not one will be alive a hundred years from now.” Artabanus answered, “In one life we have deeper sorrows to bear than that. Short as our lives are, there is no human being either here or elsewhere so fortunate that it will not occur to him, often and not just once, to wish himself dead rather than alive. Misfortunes fall upon us and sicknesses trouble us, so that they make life, though short, seem long. Life is so miserable a thing that death has become the most desirable refuge for humans; the god is found to be envious in this, giving us only a taste of the sweetness of living.” (Book 7 Chapter 46)
Herodotus (The Histories)
And in this moment of pale dawn in the hours before we leave California, I finally realize what has been the hardest thing for me about Matt’s death. It isn’t that I lost a brother, like Frankie, or a son, like Aunt Jayne and Uncle Red. The hardest thing is that I’ll never know exactly what I lost, how much it should hurt, how long I should keep thinking about him. He took that mystery with him when he died, and a hundred thousand one-sided letters in my journal wouldn’t have brought me any closer to the truth than I was the night I pressed my fingers to the sea glass he wore around his neck and kissed him back. For over a year, the letters were my only connection to him; the only evidence that I didn’t imagine our brief time as other. When I first saw my journal helplessly floating on the waves, I felt a loss so immediate and overwhelming it was like being back in the hospital lobby when the doctor told us they couldn’t fix him. One minute, the journal was in my hands, soft and familiar and real; the next minute, it was gone. Just like Matt. And just like Matt, I need to let it go.
Sarah Ockler (Twenty Boy Summer)
Uncle Charles lived in a shady wooden house out in the country, and he was too old to eat corn on the cob. He lay in bed, shrunken and brown and very old. He complained that the pictures were hung crooked on the wall, and they took down all the framed pictures - it was not that. He complained that his bed was placed in a wrong corner, and so they moved the bed - it was not that. Then his voice failed, and when he tried to talk, it was as though his throat had filled with glue, and they could not understand the words. One Sunday the Wests had gone out to see him and taken Frankie with them; she had tiptoed to the open door of the back bedroom. He looked like an old man carved in brown wood and covered with a sheet. Only his eyes had moved, they were like blue jelly, and she had felt they might come out from the sockets and roll like blue wet jelly down his stiff face. She had stood in the doorway staring at him - then tiptoed away, afraid. They finally made out that he complained the sun shone the wrong way through the window, but that was not the thing that hurt him so. And it was death.
Carson McCullers (The Member of the Wedding)
We eat in silence for a few minutes, and then Alexandra says, “That reminds me. Matthew, could you escort me to a charity dinner the second Saturday in December? Steven is going to be out of town.” She looks toward me. “I would ask my darling brother to do it, but we all know he spends his Saturday nights with the city slu—” she glances at her daughter “—undesirables.” Before Matthew can answer, Mackenzie puts her two cents in. “I don’t think Uncle Matthew can come, Momma. He been too busy bein’ pussy whipped. Wha’s pussy whipped, Daddy?” As soon as the words leave her angelic little lips, a horrendous chain reaction is set off: Matthew chokes on the black olive in his mouth, which flies out and nails Steven right in the eye. Steven doubles over, holding his eye and yelling, “I’m hit! I’m hit!” and then goes on about how the salt from the olive juice is eating away at his cornea. My father starts coughing. George stands up and begins pounding on his back while asking no one in particular if he should perform the Heimlich. Estelle knocks over her glass of red wine, which quickly seeps into my mother’s lace tablecloth. She makes no move to clean up the mess, but instead chants, “Oh, my goodness. Oh, my goodness.” My mother runs around the dining room like a chicken with its head cut off, searching for non-cloth napkins to wipe up the stain, all the while assuring Estelle that everything’s fine. And Frank…well…Frank just keeps eating. While the chaos continues around us, Alexandra’s death-ray glare never wavers from Matthew and me. After squirming under it for about thirty seconds, Matthew caves. “It wasn’t me, Alexandra. I swear to Christ it wasn’t me.” Chicken shit. Thanks, Matthew. Way to leave my ass blowing in the wind. Remind me never to go to war with him as my wingman. But as The Bitch glower is turned full force on me alone, I forgive him. I feel like at any moment I’ll be reduced to a smoking pile of Drew ash on the chair. I dig deep and give her the sweetest Baby Brother smile I can manage. Take a look. Is it working? I’m so fucking dead. See, there’s one thing about Bitch Justice you should know. It’s swift and merciless. You won’t know when it’s coming; all you can be certain of is that it will come. And when it does, it will be painful. Very, very painful.
Emma Chase (Tangled (Tangled, #1))
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
You’re not meant to be a martyr.” Sighing, she lies back in disappointment. “You wouldn’t see the point to it.” “Oh? Well then, tell me, Eo. What is the point to dying? I’m only a martyr’s son. So tell me what that man accomplished by robbing me of a father. Tell me what good comes of all that bloodydamn sadness. Tell me why it’s better I learned to dance from my uncle than my father.” I go on. “Did his death put food on your table? Did it make any of our lives any better? Dying for a cause doesn’t do a bloodydamn thing. It just robbed us of his laughter.” I feel the tears burning my eyes. “It just stole away a father and a husband. So what if life isn’t fair? If we have family, that is all that should matter.” She licks her lips and takes her time in replying. “Death isn’t empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living enchained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here.” Her face is easier to see as night fades through the clear roof. It is alive, on fire. “If you led the others to freedom. The things you could do, Darrow. The things you could make happen.” She pauses and I see her eyes are glistening. “It chills me when I think of the things you could do. You have been given so, so much, but you set your sights so low.” “You repeat the same damn points,” I say bitterly. “You think a dream is worth dying for. I say it isn’t. You say it’s better to die on your feet. I say it’s better to live on our knees.” “You’re not even living!” she snaps. “We are machine men with machine minds, machine lives.…” “And machine hearts?” I ask. “That’s what I am?” “Darrow …” “What do you live for?” I ask her suddenly. “Is it for me? Is it for family and love? Or is it for some dream?” “It’s not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them.” “I live for you,” I say sadly. She kisses my cheek. “Then you must live for more.” There’s a long, terrible silence that stretches between us. She does not understand how her words wrench my heart, how she can twist me so easily. Because she does not love me like I love her. Her mind is too high. Mine too low. Am I not enough for her?
Pierce Brown (Red Rising (Red Rising Saga, #1))
N.E.W.T. Level Questions 281-300: What house at Hogwarts did Moaning Myrtle belong to? Which dragon did Viktor Krum face in the first task of the Tri-Wizard tournament? Luna Lovegood believes in the existence of which invisible creatures that fly in through someone’s ears and cause temporary confusion? What are the names of the three Peverell brothers from the tale of the Deathly Hallows? Name the Hogwarts school motto and its meaning in English? Who is Arnold? What’s the address of Weasley’s Wizarding Wheezes? During Quidditch try-outs, who did Ron beat to become Gryffindor’s keeper? Who was the owner of the flying motorbike that Hagrid borrows to bring baby Harry to his aunt and uncle’s house? During the intense encounter with the troll in the female bathroom, what spell did Ron use to save Hermione? Which wizard, who is the head of the Department for the Regulation and Control of Magical Creatures at the Ministry of Magic lost his son in 1995? When Harry, Ron and Hermione apparate away from Bill and Fleur’s wedding, where do they end up? Name the spell that freezes or petrifies the body of the victim? What piece did Hermione replace in the game of Giant Chess? What bridge did Fenrir Greyback and a small group of Death Eaters destroy in London? Who replaced Minerva McGonagall as the new Deputy Headmistress, and became the new Muggle Studies teacher at Hogwarts? Where do Bill and Fleur Weasley live? What epitaph did Harry carve onto Dobby’s grave using Malfoy’s old wand? The opal neckless is a cursed Dark Object, supposedly it has taken the lives of nineteen different muggles. But who did it curse instead after a failed attempt by Malfoy to assassinate Dumbledore? Who sends Harry his letter of expulsion from Hogwarts for violating the law by performing magic in front of a muggle? FIND THE ANSWERS ON THE NEXT PAGE! N.E.W.T. Level Answers 281-300 Ravenclaw. Myrtle attended Hogwarts from 1940-1943. Chinese Firebolt. Wrackspurts. Antioch, Cadmus and Ignotus. “Draco dormiens nunquam titillandus” and “Never tickle a sleeping dragon.” Arnold was Ginny’s purple Pygmy Puff, or tiny Puffskein, bred by Fred and George. Number 93, Diagon Alley. Cormac McLaggen. Sirius Black. “Wingardium Leviosa”. Amos Diggory. Tottenham Court Road in London. “Petrificus Totalus”. Rook on R8. The Millenium Bridge. Alecto Carrow. Shell Cottage, Tinworth, Cornwall. “HERE LIES DOBBY, A FREE ELF.” Katie Bell. Malfalda Hopkirk, the witch responsible for the Improper use of Magic Office.
Sebastian Carpenter (A Harry Potter Quiz for Muggles: Bonus Spells, Facts & Trivia (Wizard Training Handbook (Unofficial) 1))
... [t]he air was thinning out, as if from too much wear, not when Scout was killed but two weeks later--even before Scout's body had been shipped--when they were informed that Easter was dead too. Babies. One nineteen, the other twenty-one. How proud she was when they enlisted. She had actively encouraged them to do so. Their father had served in the forties. Uncles too. Jeff Fleetwood was back from Vietnam and none the worse. And although he did seem a little shook up, Menus Jury got back alive. Like a fool, she believed her sons would be safe. Safer than anywhere in Oklahoma outside Ruby. Safer in the army than in Chicago, where Easter wanted to go. Safer than Birmingham, than Montgomery, Selma, than Watts. Safer than Money, Mississippi, in 1955 and Jackson, Mississippi, in 1963. Safer than Newark. She had thought war was safer than any city in the United States. Now she had four unopened letters mailed in 1968 and delivered to the Demby post office four days after she buried the last of her sons. She had never been able to open them. Both had been home on furlough that Thanksgiving, 1968. Seven months after King's murder, and Soane had sobbed like the redeemed to see her boys alive. Her sweet colored boys unshot, unlynched, unmolested, unimprisoned.
Toni Morrison (Paradise (Beloved Trilogy, #3))
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
In my life I’ve only been good at one thing. The violin. Not as good as my father. Maybe I could have been. But I drank too much and lost my temper too often. I came to Italy because I failed in Vienna. I came to Italy because I was in love with a woman who wasn’t in love with me. And for the last thirteen years, I’ve taken it out on you. If you hadn’t been so strong, I might have broken you. I might have made you hate me. But you fought back. You shrugged me off. And now I listen to you and I am in awe.” “You are?” Eva asked in amazement. These were things she had never heard before. “When you play, Eva, I feel hopeful. They can take our homes, our possessions. Our families. Our lives. They can drive us out, like they’ve driven us out before. They can humiliate us and dehumanize us. But they cannot take our thoughts. They cannot take our talents. They cannot take our knowledge, or our memories, or our minds. In music, there is no bondage. Music is a door, and the soul escapes through the melody. Even if it’s only for a few minutes. And everyone who listens is freed. Everyone who listens is elevated. “When you play, I hear my life lifting off your strings. I hear the long notes and the scales, the tears and the hours. I hear you and me, together in this room. I hear my father and the things he taught me that I passed on to you. I hear it all, and my life plays on, his life plays on, over and over, when you play.” Eva set her instrument down and, with tears streaming down her face, knelt in front of her uncle and slid her arms around him, pressing her cheek to his thin chest. He embraced her gently, and they stayed in sorrowful silence, listening to the wind as it wailed a mournful strain not so different from the one Eva had composed, wondering if the wind would be the only witness, the only whisper, when the death in Austria came for them too.
Amy Harmon (From Sand and Ash)
We then reached a fork in the valley. Should we go left or right? Dad called it left. I had a very powerful intuition that right was the choice we should make. Dad insisted left. I insisted right. It was a fifty-fifty call and he relented. Within two hundred yards we stumbled across a snowy track through the woods and followed it excitedly. Within a mile it came out on a mountain road, and within ten minutes we had flagged down a lift from a car heading up the hill in the darkness. We had found salvation, and I was beat. The car dropped us off at the gates of the garrison thirty minutes later. It was, by then, late into the night, but I was suddenly buzzing with energy and excitement. The fatigue had gone. Dad knew that I had made the right call up there--if we had chosen left we would still be trudging into the unknown. I felt so proud. In truth it was probably luck, but I learned another valuable lesson that night: Listen to the quiet voice inside. Intuition is the noise of the mind. As we tromped back through the barracks, though, we noticed there was an unusual amount of activity for the early hours of a weekday morning. It soon became very clear why. First a sergeant appeared, followed by another soldier, and then we were ushered into the senior officers’ block. There was my uncle, standing in uniform looking both tired and serious. I started to break out into a big smile. So did Dad. Well, I was excited. We had cheated a slow, lingering hypothermic death, lost together in the mountains. We were alive. Our enthusiasm was countered by the immortal words from my uncle, the brigadier, saying: “I wouldn’t smile if I was you…” He continued, “The entire army mountain rescue team is currently out scouring the mountains for you, on foot and in the air with the search-and-rescue helicopter. I hope you have a good explanation.” We didn’t, of course, save that we had been careless, and we had got lucky; but that’s life sometimes. And the phrase: “I wouldn’t smile if I was you,” has gone down into Grylls family folklore.
Bear Grylls (Mud, Sweat and Tears)
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
George Eliot (Middlemarch)
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her. In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the on-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
Jonathan Franzen (How to Be Alone)
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her. In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the one-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
Jonathan Franzen (How to Be Alone)
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage. Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw. Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight. The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?” Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?” “Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!” “A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.” Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.” At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.” “Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!” “Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.” “Her what?” Ian said, caught between fury and amusement. “Her Aunt Berta. Stout little woman who doesn’t say much.” “See that you follow her example,” Ian warned darkly. John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“ “You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players. “Her uncle turned me down. Got a better offer.” “Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
Judith McNaught (Almost Heaven (Sequels, #3))
And Lord knows I have seen my share of Death and raised my hand to pass it on. Death follows me now like it did all those years. I lost my father, a blacksmith, from typhoid, and five brothers and sisters. I lost my uncle when them Matlock boys murdered him, and I barely had whiskers when I murdered two of them. I lost my twin sister Fannie when she died in childbirth. Lost my baby daughter named after her. I’ve seen death and death has seen me.
Sheree Renée Thomas (Nine Bar Blues)
When two of my cousins were killed by the Islamic regime, some of my relatives who were now on the side of the government called my uncle to congratulate him on the death of his son and daughter-in-law.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
In 2007 ASSOPH, in consultation with Sophie’s family and solicitors, Alain Spilliaert and Eric Dupond-Moretti, came to the realisation that, if Ireland wouldn’t sanction a prosecution for its own legal reasons, a French-led investigation could potentially lead to criminal proceedings against Mr Bailey in Paris. The association’s campaign was boosted by the calibre of the people involved. Sophie’s uncle, Jean-Pierre Gazeau, was the president of ASSOPH and a driving force in both its foundation and subsequent work. Mr Gazeau was a mathematician and physicist who specialised in quantum physics and came to rank as one of France’s top academics. Quiet, polite and fluent in English and Spanish, he brought the logic, planning and determination of an academic to the work of ASSOPH. It also helped that Mr Gazeau was well versed in international negotiations. As one of the top physicists in France, he was a visiting consultant and researcher with science foundations and universities in the United States, Japan, Canada, China, and even Iran.
Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
Uncle Fan had busied himself making lots of míngqì to bury them with—soft baby lambs and tiny ponies and wise teachers. They will be well taken care of, where they’re going, he’d said. My cousins grew smaller and smaller, skin tight across their bones, somehow looking younger even though their faces were wrinkled from thirst.
Kylie Lee Baker (The Scarlet Alchemist (The Scarlet Alchemist, #1))
So what we can know for sure, Ilyas told his parents, is that someone loved Uncle Ilyas as enough to follow him to certain death in a concentration camp in order to keep him company.
Abdulrazak Gurnah (Afterlives)
Until that moment, she had not known that she was not afraid to die. But she might not have to. She could shoot a dog without thinking twice, and she was sure she could shoot a man too, even if it would mean going to jail. But could she shoot more than one man? She didn’t know, but maybe she could. Newspaper reporters and the sheriff would claim she had lost her mind like they would say about Ruby McCollum in Live Oak one day soon, but her soul knew the truth: rescuing Robbie from a killing place would not be as immoral as leaving him there. The stench of pain and death from the Reformatory reached all the way out to this creek, dripping from aerial roots reaching toward the water. And if the law said she was wrong to shoot at the men chasing her brother, the law was wrong too. Uncle June had said he didn’t think his killing in the war was a sin because those men were trying to kill him. She would know the truth, at least. Miz Lottie, who had given her the gun, would certainly know. Papa would too. If she lived long enough, one day she would write a book about how she had helped set Robbie free. She’d tried the courthouse, hadn’t she? She’d brought Harry T. Moore and the glorious John Dorsey to try that way, but justice in Gracetown didn’t exist for Negroes. She’d told the judge about Lyle McCormack’s true-life violations and all he’d cared about was Papa’s imaginary one. No one was left to look out for Robbie except her.
Tananarive Due (The Reformatory)
There hadn’t been any uncle’s inheritance. What kind of London housemaid had an uncle rich enough to see her retire upon his death? She had bought her pub with Starling money, and raised Clarke with Starling money, too. It all made so much sense.
Charles Finch (A Stranger in Mayfair)
On May 14, 1912—eight months after his stepmother’s awful death—Andrew Kehoe, then forty years old, took a wife. Her full name was Ellen Agnes Price—“Nellie” to everyone who knew her. Born in 1875, she came from a family of proud Irish Catholic immigrants, whose most prominent member was her uncle Lawrence. A Civil War hero who had fought at Antietam, Fredericksburg, Chancellorsville, and Gettysburg, Lawrence had grown up in Michigan, returned to his home state after the war, and purchased a wilderness tract in Bath Township, which he eventually transformed into a flourishing 320-acre farm. In 1880, he turned his phenomenal energies to mercantile pursuits, successfully engaging in the grocery, lumber, dry goods, and hardware businesses before becoming a pioneer in the nascent automobile industry as founder and president of the Lansing Auto Body Company. In addition to his myriad enterprises, he served as Lansing’s chief of police and superintendent of public works, did a four-year term as a member of the city council, headed the Lansing Business Men’s Association, and ran as the Democratic candidate for the US Senate in 1916.1 Among his eight siblings was his younger brother, Patrick. Born in Ireland in 1848, Patrick had been brought to America as an infant and spent most of his life in Michigan. Financially beholden to his wealthy older brother, he worked as a farmhand on Lawrence’s spread in Bath before becoming an employee of the Auto Body Company. His marriage to the former Mary Ann Wilson had produced a son, William, and six daughters, among them his firstborn child, Nellie, the future Mrs. Andrew Kehoe.2
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
He hates the feeling of inequality that was instilled in him by his rich uncle.
Charles Finch (A Beautiful Blue Death)
Uncle Daniel may have died a very wealthy man, one of the wealthiest of his generation, but what I liked best was the description I read several days after his death: “His busy life as a banker and man of affairs
Ralph Webster (The Other Mrs. Samson)
In the wake of the Great Famine of 1847, nearly one million immigrants fled Ireland for the United States. Among them was a farmer from Wexford County, Patrick Kehoe. Leaving his wife and seven children behind until he could establish himself in the New World, he first settled in Howard County, Maryland, where he found work as a stonemason. In 1850, he sent for his oldest son, Philip, a strapping seventeen-year-old. The rest of the family followed in 1851. By then, Michigan Fever—as the great surge of settlers during the 1830s came to be known—had subsided. Still, there was plenty of cheap and attractive land to be had for pioneering immigrants from the East. In 1855, Philip Kehoe, then twenty-two, left his family in Maryland and journeyed westward, settling in Lenawee County, roughly one hundred miles southeast of Bath. For two years, he worked as a hired hand, saving enough money to purchase 80 acres of timberland. That land became the basis of what would eventually expand into a flourishing 490-acre farm.1 In late 1858, he wed his first wife, twenty-six-year-old Mary Mellon, an Irish orphan raised by her uncle, a Catholic priest, who brought her to America when she was twenty. She died just two and a half years after her marriage, leaving Philip with their two young daughters, Lydia and a newborn girl named after her mother.2 Philip married again roughly three years later, in 1864. His second wife, twenty-nine at the time of their wedding, was the former Mary McGovern, a native New Yorker who had immigrated to Michigan with her parents when she was five. By the time of her death in 1890, at the age of fifty-five, she had borne Philip nine children: six girls and three boys. From the few extant documents that shed light on Philip Kehoe’s life during the twenty-six years of his second marriage, a picture emerges of a shrewd, industrious, civic-minded family man, an epitome of the immigrant success story.
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
And to cap it all off, Gaveston was put in charge of the catering and managed to ruin it all with undercooked chicken. Understandably, the new queen was rather upset by the day’s events, while her uncles, Louis and Charles, stormed out of the coronation banquet and returned to France, after ‘seeing that the king frequented Piers’s couch more than the queen’s.’2 (Visiting England, they must have been prepared for the worst on the culinary front.)
Ed West (England in the Age of Chivalry . . . And Awful Diseases: The Hundred Years' War and Black Death)
It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things. The Baudelaire orphans were crying not only for their Uncle Monty, but for their own parents, and this dark and curious feeling of falling that accompanies any great loss.
Lemony Snicket
The Walther pistol, like the luxury apartment, belonged to Nazi Party leader, Adolf Hitler, uncle of the deceased. Munich police quickly ruled her death a suicide. But a scrappy newspaper called the Munich Post grew suspicious.
Terrence Petty (Enemy of the People: The Untold Story of the Journalists Who Opposed Hitler)
I heard a story,” Aedion drawled to Rowan, “that you killed an enemy warlord using a table.” “Please,” Aelin said. “Who the hell told you that?” “Quinn—your uncle’s Captain of the Guard. He was an admirer of Prince Rowan’s. He knew all the stories.” Aelin slid her eyes to Rowan, who smirked, bracing his sparring stick on the floor. “You can’t be serious,” she said. “What—you squashed him to death like a pressed grape?
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
What's strange is that small changes upset me immensely and always have done. A tree trimmed outside my house, the reorganization of a supermarket aisle, a new haircut, an updated app format. I cried for hours when they "new and improved" the recipe for the mashed potato I eat every Monday night. But the big stuff? The deaths, the tragedies, the life-changing shifts that rock everyone else to their core? That's when I'm cool, calm and collected. It's why I had to give three speeches at my own parents' funeral, and also--I'm assuming--why I heard my great-uncle Joseph call me an "empty robot" under his breath when I sat back down again. I don't understand it, but there's just something in me that knows how to stand still when the earth shatters.
Holly Smale (Cassandra in Reverse)
Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work.
Paulette Jiles (News of the World)
On August 3, 2020, a day before the United States surpassed 150,000 deaths from COVID, Donald’s interview with Axios reporter Jonathan Swan aired on HBO. “It is what it is,” he said after Swan pointed out that a thousand Americans were dying every day. That was a popular expression in my family, and hearing it sent a chill down my spine. Whenever my grandfather, my aunt, or one of my uncles had said it, it was always with a cruel indifference to somebody else in despair.
Mary L. Trump (The Reckoning: Our Nation's Trauma and Finding a Way to Heal)
So anytime Gram or one of my aunts or uncles reaches out to me privately, I give them the same response Ma does. We’re doing fine.
Karen M. McManus (You'll Be the Death of Me)
Also, he had been sick a long time; we—Mother and us—had been there last summer actually to see him enter what was to be his last bed even if we didn’t know it then (Mother and Aunt Callie, because your Great-uncle Alexander had arrived a month before, had been down last winter when they thought he was going to die). I say “if,” meaning Mother; to a child, when an old person becomes sick he or she has already quitted living; the actual death merely clears the atmosphere so to speak, incapable of removing anything which was already gone.
William Faulkner (The Reivers (Vintage International))
And my shadow touched hers as though in an embrace. Then, as if taken with a fleeting thought, I stepped over to the window and laid the rose I had just broken off in Maria's lap. I then slid silently away, as though I feared being caught in the act. How often was this little course of events, which seemed so significant to me, repeated! I scarcely know. To me it is as if I had laid a thousand roses in the ailing Maria's lap, as if our shadows had embraced innumerable times. Never once did Maria mention this episode; yet from the gleam in her great radiant eyes, I sensed that she was happy about it. Perhaps these hours, when we two sat together and in silence enjoyed a great, tranquil, deep joy, were so beautiful that I felt no need for any that were more beautiful still. My old uncle quietly left us to ourselves. One day, however, as I sat by him amongst all the resplendent flowers over which great golden butterflies hovered dreamily, he spoke to me in a quiet, thoughtful voice: 'Your soul is drawn to suffering, my boy.' And therewith he laid his hand upon my head as though wishing to add something more. Yet he remained silent. Perhaps he didn't know either what he had awakened in me by this, and what was mightily stirred to life in me from that day. One day, as I again stepped over to the window where Maria sat as usual, I saw that her face had turned pale and rigid in death. Sunbeams darted across her bright, delicate form; her untied golden hair fluttered in the wind and it seemed to me as if no illness had carried her off but that she had died without visible cause - an enigma. I placed the last rose in her hand. She took it with her to the grave. Soon after Maria's death I left for the city. But the memory of those tranquil days filled with sunshine have remained alive in me, more alive perhaps than the noisome present. I shall never again see the little town at the bottom of the valley - yes, I am loath to return to it again. I believe I should be unable to do so, even though I am at times seized by a deep yearning for those ever youthful things of the past. For I know that I should only look in vain for that which is lost without trace; I would no longer find there what lives on in my memory alone - just like the here and now- and what would that bring me but endless torment.
Georg Trakl (Poems and Prose)
And when Rowan made the next mark, she opened her mouth and began her prayers. They were prayers she should have said ten years ago: an even-keeled torrent of words in the Old Language, telling the gods of her parents’ death, her uncle’s death, Marion’s death—four lives wiped out in those two days.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Thanks to my parents’ deaths, my uncle had all the money in the world.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
[On a visit to her clairvoyant] My grandmother came in first, very strong, then my uncle and then Barry [Mannakee, her former police protection officer]. I hesitated about asking her questions about Barry because – well, I don’t know – I just hesitated, but I’ve always had a question mark about his death and I’ve been given an answer and that’s the end of that.
Andrew Morton (Diana: Her True Story in Her Own Words)
Towards the end of the service came Uncle Charles, who used his allotted time to blast everyone—family, nation, press—for stalking Mummy to her death. You could feel the abbey, the nation outside, recoil from the blow. Truth hurts.
Prince Harry (Spare)
You know what amazes me the most about some people? They value their idiotic ideals over actual human lives. Esty—” her hand, holding a cloth on which she had just generously poured antiseptic, gestured toward her patient, “would have died, and that self-important Hungarian broad, who calls herself a physician, wouldn’t give a brass tack. All she cares about is the idea of the unborn child. The mother, who is a living and breathing human being and whose life is at stake, is irrelevant to her. She would refuse to abort a child that didn’t have the slightest chance in the first place and kill the mother with her inaction as long as her religious principles aren’t compromised. Isn’t that something amazing?” “I’m Jewish.” Mala shrugged. “In my religion, we value a mother’s life over an unborn child’s. Even when it’s a difficult birth and there’s a choice between a mother’s life and the child’s, we always save the mother. She’s already here on earth. She has her life, family, friends, her work and her interests. She’ll go on and have more children. The child hasn’t begun its life yet, so the choice is obvious. That’s the logic behind all this, at least.” “Precisely,” Stasia agreed. “I worked as a gynecologist, back home, in Poland. I was performing abortions—illegally, of course—for all those poor souls who had been turned away from state hospitals. I had thirteen-year-old girls who were raped by their uncles and who sat there with empty eyes and explained to me very calmly that it was the choice between me helping them or them drowning themselves in the river. I had wives who wore veils over their faces to cover up their bruises, begging me to help them so that another poor soul wouldn’t be born into a household where the husband did two things: got drunk, and beat up her and the children on a daily basis. My private clinic was a safe refuge for them. But in the eyes of the self-righteous public, I was this vicious child-murderer with no morals or ethics. And you know what? If helping a woman in crisis is immoral and unethical, I think I’ll remain immoral and unethical rather than condemning her to a life of abuse, poverty, or literal death as in Esty’s case.
Ellie Midwood (The Girl Who Escaped from Auschwitz)
I’d had to see a therapist for a few years after my family’s death. More than one, actually, because none made any inroads and my uncle kept replacing them in the hopes one would stick. They never did. But they all told me the same thing—that my obsessive focus on the past would impede my healing process and that I needed to focus my energy on other, more constructive pursuits. A few suggested art while others suggested sports. I suggested they shove their suggestions up their ass.
Ana Huang (Twisted Love (Twisted, #1))
However, I don’t feel that way. This nigga deserved to die. I pulled my gun out, sending a death shot to his head, and quickly sent one into his bitch ass daddy for raising this pussy ass nigga. “I’m Juelz Kassom Jr. what he can’t do, I can!” I yelled. “Ummm, ‘scuse me, nigga. He dead!” Uncle Gabe pointed at Trey’s lifeless body. “That’s a good thing. Dad, can we get some pizza before we head back to the airport?” I shrugged, placing the gun back in my waist. They were all still staring at me,
K. Renee (A Christmas Love Affair With The Billionaire's Son)
Loftus learned for herself how realistic false memories can seem when she had an upsetting experience several years ago. She was shocked when, at a family gathering, an uncle informed her that thirty years earlier, when her mother drowned in a pool, she had been the one who discovered the body. Loftus, who was fourteen when the drowning occurred, always believed that she had never seen her mother's dead body. Indeed, she remembered little about the death itself. She recounts what happened the next in her book 'The Myth of Repressed Memory'. Almost immediately after her uncle's revelation, 'the memories began to drift back, like the crisp, piney smoke from evening camp fires. My mother, dressed in her nightgown, was floating face down. . . . I started screaming. I remembered the police cars, their lights flashing'. A few days later, she writes, 'my brother called to tell me that my uncle had made a mistake. Now he remembered (and other relatives confirmed) that Aunt Pearl had found my mother's body.' This shocked Loftus even more than her uncle's false revelation. If someone so specially trained as she is to recognize fallible memories could suddenly believe her own false memory, just think how readily the average person can be fooled.
John J. Ratey (A User's Guide to the Brain: Perception, Attention, and the Four Theaters of the Brain)
On the doorstep was a woman. Definitely not a late-arriving friend who’d been forgotten. This woman was large and shabby. She wore wellingtons and a knitted hat. She reminded Juliet of the homeless people she encountered occasionally outside Newcastle Central station, wrapped in threadbare blankets, begging. Then there was a flash of recognition. She remembered a funeral. Her great-uncle Hector’s funeral. Hector, her grandfather’s younger brother, a mythical black sheep of whom stories had been told in whispers when she was growing up. It had been a bleak, rainy day and she’d been surrounded by strangers. She’d been sent along to represent their side of the family, because in death Hector could be forgiven. He would no longer be around to cause trouble. ‘Vera, we weren’t expecting you!’ She realized immediately that she’d let dismay creep into her voice.
Ann Cleeves (The Darkest Evening (Vera Stanhope, #9))
In an attempt to connect the play with Shakespeare’s life, however, and to compensate for the awkward timing of those comedies, Greenblatt suggests that Shakespeare’s grief at Hamnet’s death lies at the heart of Hamlet: “the coincidence of the names… may well have reopened a deep wound,” he wrote. But what parent would memorialize their dead child as a depressed man who contemplates suicide and the murder of his uncle, before being murdered himself?
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
INSTANT LOVE SPELLS THAT WORK FAST, NO SIDE EFFECTS AND IT DOESN’T BACKFIRE, My name is Dr ITSOKWI Spells caster. Call/WhatsApp +2349053366074 Specializing in helping you to achieve your goals. Trusted lost love spells in the world. Love spells that really work, spell to return ex lover with effective results GET BACK LOST LOVER AFTER DIVORCE, get my EX-LOVER back, Instant Divorce Spell, Fertility/Pregnancy Spell, Marriage Spell, Love spells, lost love spells, breakup spells, love spell casters that work,online love spell caster,psychic love spell casters that work, reunite love spell casters that really work,best love spell casters,free voodoo love spell casters,love spell caster that work,voodoo love spells caster protection, reunite us, attraction spells. Get back your lost love. Family disputes. Financial problems. Services:Psychic Readings, love reading, tarot love reading, Love spells, Lost love spells, Get back your lost love, Sangoma, Traditional healer, Court cases, Black Magic Removal, Stop drug addiction, Return missing relatives, Job and work cases,Curse Removal, Remove Black Magic, Hex Removal, Strong Spell, Negative Energy Cleansing, Protection Spell. Looking for an instant revenge solution for someone who made you feel bad? destroyed everything in your life? or someone who did bad to you? Contact DR ITSOKWI SPELLS. WhatsApp +2349053366074 spells to bring back lost love,bring back lost love 24 hours,bring back lost love in 24 hours,bring back lost love prayer in Alabama Alaska Arkansas Arizona California Colorado Connecticut Delaware District Of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington State West Virginina, UK, Canada, Iceland,newzeland, England, Bristol E.t.c Call/WhatsApp: +2349053366074 Death Spells That Work Overnight to kill wicked Step-dad / Step mom, Death Revenge Spell on wicked friends, Voodoo Death Spells to kill Enemies, Black Magic Spells To Harm Someone, Black magic death spells on ex-lover, Revenge instant death spells on uncle, Spell to hurt or kill co-workers. Effective spell to Win Court Cases, Spell To Get Charges Dropped, Justice Spell Ritual to get victory over your enemy, money invocation spell, ritual money spells, spell to win lottery jackpot, Powerball, win million dollars on lottery jackpot using Dr ITSOKWI appropriate spells Call or WhatsApp +2349053366074 Email: Dritsokwi777demon@gmail.com
love magic life Publishing
And Hazel Wong too,’ I heard Alexander add. ‘AND HAZEL WONG TOO!’ boomed Uncle Felix, and my heart did another strange flip in my chest. Alexander had remembered me. Me. Not Daisy, me.
Robin Stevens (Death in the Spotlight (Murder Most Unladylike, #7))
So Luke went to the back of the SUV where Sean was unloading way too many suitcases for five nights. “You’d think she was taking a fricking cruise.” “Your death is going to be slow and painful.” “Aw, come on! What’s up your butt now? You had plenty of time to get used to the idea. And she’s thrilled to be here, you can see that.” “You told her all about Shelby? I didn’t even tell you what was going on with Shelby! Can’t you ever keep your mouth shut about anything?” “I beg your pardon—I fly a spy plane. I have a very large security clearance. I told her about Shelby to piss you off.” He grinned. “Did I hear right? We’re going to the general’s for dinner?” “Listen to me carefully, because if you screw this up I really will kill you. She’s young and inexperienced, not my type, I’m too old for her and it’s not serious. Her uncle is trained in hand-to-hand combat and he doesn’t like that she likes me. It’s not the usual thing, so just keep your big mouth shut. You hear me?” “Whew, this is making you testy,” Sean said with a smirk. “That means it’s heating up. Where’s Art?” “In his cabin. I’ll go get him as soon as we get these bags in the house.” Luke hefted two. “Jesus, where did she think she was going?” “She plans to be at her best for your new friends. You know, you could have avoided all this by just going to Phoenix for two days.” “I’ve been trying to avoid you for years, but you just won’t go away,” Luke grumbled. “This was your idea and you know it. Don’t screw with me.” Sean stiffened. “In three seconds we’ll be back twenty years, rolling in the dirt. Let’s not do this to her, huh? She really gives a shit what’s happening with you. I don’t, but she does.” “Ach,
Robyn Carr (Temptation Ridge)
What was your perfect line?” he asked. “It’s just silly….” “No, tell me. I want to know.” “It’s just a line. A fantasy line. You can’t steal it—it wouldn’t be the same if I fed it to you. And if you use it on some other woman, I’m going to tell my Uncle Walt you did something horrible to me so he kills you.” “Shelby, we’re naked and just had unbelievable sex—death threats right now are rude. Mind your manners. Tell me the perfect line.” She was quiet for a minute. She chewed on her bottom lip a little, thinking it over. Then in a very soft voice she said, “You’re all I need. To be happy.” Then she lifted her eyelids and connected with his eyes. She smiled shyly. “Just a line. Writing screenplays or romantic novels was once on my to-do dream list.” He ran his hand over her honey hair. He kissed her temple. “Shelby,” he said softly, “I think you’re all I need to be happy.” She looked at him for a long time. She smiled into his eyes. “In my fantasy, he doesn’t say ‘I think.
Robyn Carr (Temptation Ridge)
I waited until I was five months pregnant to tell my mother that I was having a baby. "I'm calling with some news," I said. "God, what?" she responded, sounding hopeful for something juicy and terrible. She could be counted on to be sober and in good spirits until late afternoon, and I timed my calls accordingly but always braced myself. The death of her parents and of her brother, my uncle Mike, who had been gone for almost five years now, and the sale of the land had left her in a raw and scattered state that I still hoped she would recover from, eventually. She seemed to want to talk only about tragedies and bad news and would complain to me that my sister never called her and that nobody ever told her anything, or included her in any of their lives. I cut her off as she began to tell me something I did not want to hear. "I'm calling with good news," I said, starting again as though she might not recognize it as such. "What?" she said, her tone urgent, almost desperate. "I'm going to have a baby," I told her. She let out an exhale, then, sounding exhausted from the three seconds of suspense and relived but not happy, she said, "Well, it's nice to hear some good news, because I've been following this massacre? In Arizona? With the congresswoman who was shot in the head by that lunatic? It's just god-awful." I forced myself to give her a few details calmly, including the due date, then got off the phone as quickly as I could. She sent me an email the next day that said, simply, "I don't have any advice for you. Everything is different now than when I had you. I hope that you'll let me see my grandchild sometime. Your sister won't let me see her kids." I spent that whole day in bed, with a hand on my stomach, terrified.
Heather Ross (How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY)
The menu: legendary deep-fried Turkeyzilla, gravy, stuffing, mashed potatoes, cranberry sauce, and green beans. The theme: dysfunction. “So,” Elysia said to Lex’s parents with her ever-friendly grin, “how are you?” “How do you think they are?” Ferbus whispered. She kicked him under the table. “I mean—um—what do you do? For a living?” Lex’s mother, who hadn’t said much, continued to stare down the table at the sea of black hoodies while picking at her potatoes. Lex’s father cleared his throat. “I’m a contractor,” he said. “And she’s a teacher.” “Omigod! I wanted to be a teacher!” Elysia turned to Mrs. Bartleby. “Do you love it?” “Hmm?” She snapped back to attention and smiled vacantly at Elysia. “Oh, yes. I do. The kids are a nice distraction.” “From what?” Pip asked. Bang smacked her forehead. Lex squeezed Driggs’s hand even tighter, causing him to choke on his stuffing. He coughed and hacked until the offending morsel flew out of his mouth, landing in Sofi’s glass of water. “Ewww!” she squealed. “Drink around it,” Pandora scolded. “So! I hear New York City is lovely this time of year.” Well, it looks nice, I guess,” Mr. Bartleby said. “But shoveling out the driveway is a pain in the neck. The girls used to help, but now . . .” Sensing the impending awkwardness, Corpp jumped in. “Well, Lex has been a wonderful addition to our community. She’s smart, friendly, a joy to be around—” “And don’t you worry about the boyfriend,” Ferbus said, pointing to Driggs. “I keep him in line.” Mrs. Bartleby’s eyes widened, looking at Lex and then Driggs. “You have a—” she sputtered. “He’s your—” Ferbus went white. “They didn’t know?” “Oops!” said Uncle Mort in a theatrical voice, getting up from the table. “Almost forgot the biscuits!” “Let me help you with those,” Lex said through clenched teeth, following him to the counter. A series of pained hugs and greetings had ensued when her parents arrived—but the rest of the guests showed up so soon thereafter that Lex hadn’t gotten a chance to talk to them, much to her relief. Still, she hadn’t stopped seething. “What were you thinking?” Uncle Mort gave her a reproachful look. “I was thinking that your parents were probably going to feel more lonely and depressed this Thanksgiving than they’ve ever felt in their lives, and that maybe we could help alleviate some of that by hosting a dinner featuring the one and only daughter they have left.” “A dinner of horrors? You know my track record with family gatherings!” He ignored her. “Here we are!” he said, turning back to the table with a giant platter. “Biscuits aplenty!” Lex grunted and took her seat. “I’m not sure how much longer I can do this,” she whispered to Driggs. “Me neither,” he replied. “I think my hand is broken in three places.” “Sorry.” “And your dad seems to be shooting me some sort of a death stare.” Lex glanced at her father. “That’s bad.” “Think he brought the shotgun?” “It’s entirely possible.” “All I’m saying,” Ferbus went on, trying to redeem himself and failing, “is that we all look out for one another here.” Mr. Bartleby looked at him. Ferbus began to sweat. “Because, you know. We all need somebody. Uh, to lean on.” “Stop talking,” Bang signed. Elysia gave Lex’s parents a sympathetic grin. “I think what my idiot partner is trying to say—through the magic of corny song lyrics, for some reason—is that you don’t need to worry about Lex. She’s like a sister to me.” She realized her poor choice of words as a pained look came to Mrs. Bartleby’s face. “Or an especially close cousin.” She shut her mouth and stared at her potatoes. “Frig.” Lex was now crushing Driggs’s hand into a fine paste. Other than the folding chairs creaking and Pip obliviously scraping the last bits of food off his plate, the table was silent. “Good beans!” Pip threw in.
Gina Damico (Scorch (Croak, #2))
Lex jogged up to her uncle. “Why are we heading for DeMyse if they’re just going to arrest us the minute we get there?” “They won’t. The mayor and I go way back. Trust me, you’ll be safe.” “I have trusted you implicitly ever since I came to Croak, and look where it’s gotten me.” “Strolling through Death Valley on Thanksgiving,” he said with a wink. “Don’t say I never show you a good time.
Gina Damico (Scorch (Croak, #2))
And you’re the only ones who have discovered this? The scientific world is still in the dark about the mystical powers of death-knelling invertebrates?” “Biologists don’t have access to the same knowledge that we do,” said Uncle Mort, “and therefore don’t have the technology to fully realize the abilities of our dear gelatinous friends.” Lex opened her mouth, then closed it. What was the point? “That’s why the machines are called Smacks,” Driggs said, “because ‘smack’ is the technical term—” “For a group of jellyfish,” Lex finished. He looked at her in disbelief. Or admiration. It was hard to tell. “How did you know that?” “It’s not very nice of you to just assume I’m a raging idiot such as yourself.” “Oh, I would never assume what I already know to be true.” “Don’t think I won’t blacken that other eye.” “Don’t think I won’t laugh heartily at your futile attempt.” “Kids,” said Uncle Mort. “Coexist, please
Gina Damico (Croak (Croak, #1))
Now, the other problem is this: where we are going, it is illegal for a man to lie with another,” he said slowly, looking between Tom and Jon. “Punishable by death.” Tom lifted his head and let out a short laugh with no humour. Next to him, Jon just gaped at the captain with horror plain on his face. Baltsaros lifted his hand. “When Polas assumed you were my son, Tom, I told him the truth, and he was, I’m sorry to say, absolutely horrified. However, he admitted that different cultures had the right to different customs. I may have exaggerated somewhat when I told him that in our lands it was normal for men to lie together, but it was necessary for him not to see our arrangement as an aberration,” explained Baltsaros, running his finger along the edge of his cup. At the time he had felt nothing but a shocked sort of curiosity at the discovery that they were in a realm of strict moral values that made his uncle Romas’ faith look like a bunch of idol-worshiping whoremongers. Jon’s strained voice broke the silence. “Why do we have to go to this city at all?” Baltsaros lifted his eyes. “The city is rich… There’s gold inlaid in the very streets themselves. Perhaps we can set up trade once I figure out how to counteract the effects of the spores,” he replied with a smile. “Polas speaks of other wonders. They have harnessed lightning… I want to see this with my own eyes.” It was nearly the whole truth. The captain thought that Jon and Tom needn’t concern themselves with his primary motivation: the deep fascination with a city that was governed by gods who demanded constant human sacrifice. In Baltsaros’s esteem, the streets were coloured by something far richer than mere gold.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
Driggs, you go out and watch for a break in traffic. Once it’s clear, give the signal, and we’ll scramble onto the escalator as quickly and as quietly as we can.” “Are you nuts?” said Lex. “People are going to recognize us!” He withdrew his hand from his bag, something golden glinting between his fingers. “Not with this.” “The bubonic football?” Lex said. “What are we going to do, sneeze them to death?” “Oh, if only our paltry weapons were as destructive as Lex’s diabolical wit,” Uncle Mort countered, deadpan. “I’d say diabolical wit is something that runs in the family,” said Pandora. “Don’t forget the superiority complexes,” Ferbus added. “And the bossiness!” Pip threw in. Uncle Mort cleared his throat. “As fun as it might be for us to all sit here and pick apart all the delightfully whimsical foibles of the Bartleby family, we’ve kind of got a war to fight here, remember? Let’s go do that
Gina Damico (Rogue (Croak, #3))
Why are we down here?” “To stock up on weapons.” Uncle Mort crossed to the far wall. “We need lots of ’em. Driggs, pick that up, it’s not going to kill you—” Driggs gave him a look. “Okay, it won’t further kill you. Take a couple of these, too.” He handed Lex and Driggs a few thin vials of Amnesia each. “What are these for?” “Weapons. Aren’t you paying attention?” He walked to yet another wall and began to load up on items that were, at long last, recognizable as instruments of death. “Guns?” she asked, surprised for some reason. “Not, like, Amnesia blow darts?” “Oh, which reminds me.” He took something else off the shelf. “What’s that?” “Amnesia blow darts.” Lex shook her head. “But why guns, if we have all of this other cool stuff?” “Because despite our best efforts to use Amnesia as much as we can instead of lethal force, we’ll probably need to kill some people, and guns kill people.” He moved on to the next wall and began rifling through more gadgets. “Or people kill people. I forget how the hippies say it. Now, this one’s for you, Lex. I’m going to need you to guard this with every meager iota of attention span you have left. Okay? I’m trusting you with this. Don’t lose it.” Lex got all her hopes up—even though she’d gotten to know Uncle Mort pretty well by now and should have known better than to get even a small percentage of her hopes up. And sure enough, the item he gave her caused the smile to evaporate right off her face. “Don’t lose it,” he repeated. Her eye twitched. “What is it?” “What does it look like?” “An oversize hole punch.” “Exactly.” “What?” she boomed as he went back to his papers. “You get guns, and Driggs gets the deadly Heisman, and all I get is an office supply?” “Yes. Don’t lose it.” It took every ounce of Lex’s strength to not kick the bubonic football into his face. Noticing this, Driggs swooped in and wrapped her in a calming, solid embrace. “Relax, spaz,” he said. “But he—” “—wouldn’t give you a bazooka. Oh, the unbearable trials and tribulations of the living.” Lex deflated. Nothing put things in perspective like remembering that your boyfriend had been killed not a few hours earlier and was now stuck in some hellish existence halfway between life and death. “Sorry,” she said, giving his arms a squeeze, happy that she could even do that. “That’s okay. Human problems are hard. Hangnails and tricky toothpaste tubes and getting shat on by birds and the like.” “Mondays suck too,” she mumbled into his chest. “Oh, Mondays are the worst
Gina Damico (Rogue (Croak, #3))