Unbelievable Movie Quotes

I never argued with people who underestimated me. If the accent and the muscles and the movies made people think I was stupid, it worked to my advantage

How was this fair? The girl was wearing heavy makeup, a bedazzled catsuit, and a ridiculously huge bow smack-dab on the top of her head. She should’ve looked like Queen of the Clowns. But she looked cute. And the worst part was that she was unbelievably charming.

The most unbelievable scene in any action movie was the part where Tom Cruise jammed the thumb drive into the slot and it slid in on the first try.

unbelievable fairy tale ever. And now, people read those BDSM books like they’re going out of style because it makes them wet. That sure as fuck doesn’t make it a good novel. A porno movie will make them wet too, but it sure doesn’t mean it’s a good movie. I fucking swear,” he said.

Whenever I finished filming a movie, I felt my job was only half done. Every film had to be nurtured in the marketplace. You can have the greatest movie in the world, but if you don’t get it out there, if people don’t know about it, you have nothing.

Unbelievable,” Audrey’s voice squeaked as I pushed past her. “Here we are, talking to you about your freaky little-boy encounter back in Breaux Bridge and how your caramel macchiato tasted like cardboard, and boom! You just zone out like one of the kids from Children of the Corn.” “Um, Aud, babe … I don’t think those kids zone out. They’re just freaky twenty-four-seven. It’s a year-round thing.” Gabe’s response drew a half-hearted laugh from me, but it was quickly reined in when I reached the Book of the Ancients. “Whatever, Gabriel,” Audrey said to him. “My point is, it’s freaky, okay? She gets this glazed-over look in her eyes, like she’s gonna whip out a butcher knife and go all Michael Myers on us or something.” I glanced over my shoulder to cock an eyebrow at her. “Oh, now you pay attention.” She cocked an eyebrow back. “What is it with you and the cheesy horror-movie references?” Gabe muttered. “Hey, now. Halloween is a classic,” Gavin scolded him. “Don’t go hating on the classics.

One of your greatest spiritual gifts as a single person is your yes. Yes to a random phone conversation. Yes to coffee. Yes to help with the move. Yes to stepping in when someone’s sick. Yes to a late-night movie or the special event downtown. You have the unbelievable freedom to say yes when married people can’t even ask the question. When

It was a tough movie to make, with lots of stunts and injuries and craziness and night shooting and dust.

Romance films are money-spinning cathedrals of love, wobbling in the foundations of unbelievable and damaging stereotypes.

Apathy? I see something taking place in the Church all over the world today that grieves God’s heart: a widespread apathy toward sin. God’s people are no longer outraged about the filth and evil bombarding their lives and homes. On the contrary, millions of believers sit by passively and let their minds become saturated with sensual movies, videos, television, the Internet, magazines and other media. It is unbelievable how these Christians willingly allow their lusts to be fed as their imaginations are filled with deep roots of evil. If you think I am focusing too much on the secret sins of Christians, then I say you are out of touch with what is happening in the world today. You must know nothing of how widespread the infection of sin is among God’s people. I cite to you, for example, the scores of Christians who flock to movie theaters each week and hear the name of Christ used as a curse word. I have never understood how anyone who fears almighty God and wishes to walk righteously before Him can sit by idly as the Lord’s name is being damned. That is simply beyond my comprehension. Yet multitudes of believers are doing just that. Little by little, they are drifting deeper into pits of secret, hidden sin. Slowly but surely, their sense of conviction is being drained out of them. They do not realize it, but their minds are being corrupted by what they are allowing their eyes to feast on.

I felt like I'd somehow gotten stuck in a scene from one of those cheesy TV movies I never watched because they were too unrealistic...Except apparently somehow, unbelievably, this had become my real life.

We are just too blinded by the phrase, "grow old together" and learning its meaning from hopeless movies and novels that glorify undying love and unbelievable understanding. Don't you think? Reality is... Love dies. People change. And we grow old together in present. Today, tomorrow, and every day after that. It's not about eternity. It's not till death do us part. It's about today. This day. And I believe only in today. So, come! Let's grow old together today!

When the ship cracks in the typhoon, we cover our heads and tell ourselves that all will resolve back to normal. But we are unbelieving. This time may not be like the other times that with time grew into cheerful anecdotes. The stories we heard, about the ten thousand buried in the quake, were, after all, true. And more irredeemable than any human catastrophe, the dinosaurs trailed across the desert to their end. They left no descendents to embellish their saga, but only the white bones and the marks in the clay for archeologists to make into footnotes. Our hour may be this hour, and our end the dinosaurs’. So perhaps there will be no revolving back at all, and only archives, full of archetypes, like the composite photographs of movie heroines. But with or without us, the Day itself must return, we insist, when the Joke at least sits basking in the sun, decorating her idle body with nameless red, once blood. Philosophy, like lichens, takes centuries to grow and is always ignored in the Book of Instructions. If you can’t Take It, Get Out. I can’t take it, so I lie on the hotel bed dissolving into chemicals whose adventure will pursue time to her extinguishment, without the slightest influence from these few years when I held them together in human passion.

[…] Stallone and I had been feuding for years. This went back to the early Rocky and Rambo days, when he was the number one action hero, and I was always trying to catch up. I remember saying to Maria when I made Conan the Destroyer, “I’, finally getting paid a million dollars for a movie, but now Stallone’s making three million. I feel like I’m standing still.” To energize myself, I’d envisioned Stallone as my archenemy, just like I had demonized [bodybuilder] Sergio Oliva when I was trying to take the Mr. Olympia crown. I got so into hating Sly that I started criticizing him in public –his body, the way he dressed- and I was quoted as badmouthing him in the press.

And they were always young, Air Corps pilots and ensigns, and good-looking girls in fur coats, and always the government secretary or two, the working girl as a carry-over from the fraternity parties when she was always the girl who could be made because in some mysterious way the women of the lower classes could be depended upon to copulate like jack rabbits. And they all knew they were going to die soon with a sentimental and unstated English attitude which was completely phony. It came from books they had never read, and movies they shouldn’t have seen; it was fed by the tears of their mothers, and the knowledge quite shocking, quite unbelievable, that a lot of them did die when they went overseas. Its origins were spurious; they never could connect really the romance of their impending deaths with the banal mechanical process of flying an airplane and landing and living in the barren eventless Army camps that surrounded their airfields. But nevertheless they had discovered it was a talisman, they were going to die soon, and they wore it magically until you believed in it when you were with them. And they did magical things like pouring whisky on each other’s hair, or setting mattresses afire, or grabbing hats on the fly from the heads of established businessmen. Of all the parties those were perhaps the best, but he had come to them too old.

It's amazing in Europe: Europe has become extraordinarily colonized culturally by the United States, to an extent that is almost unbelievable―Europeans aren't aware of it apparently, but if you go there it's kind of like a pale United States at this point, yet they still have this feeling of great independence, so it's even more dramatic. I mean, Western European intellectuals like to think of themselves as very sophisticated and sort of laughing about these dumb Americans―but they are so brainwashed by the United States that it's a joke. Their perceptions of the world and their misunderstandings and so on are all filtered through American television and movies and newspapers, but somehow by this point they just don't recognize it.

of the story showed the four brain-destroyed women Linda Gail had shown me. The grainy transfer of the images to newsprint had made them even more macabre. The story had come off the wire in Los Angeles and was written by a gossip columnist who quoted other gossip columnists as the story’s source. The details were bizarre and prurient and unbelievable, in the way of stories from True Detective, Argosy, Saga, and Male, and because they were so unbelievable, the reader concluded they could not have been manufactured. I saw Roy’s name and Linda Gail’s and the director Jerry Fallon’s and Clara Wiseheart’s. The story was basically accurate; the prose was another matter. It was purple, full of erotic suggestion, cutesy about “love nests” and “romance in Mayheco.” But as tabloid reporting often does for no purpose other than to satisfy a lascivious readership, the article brought to light an injustice and criminal conspiracy that mainstream newspaper and radio would not have touched. In other words, the account was less one of fact than a hazy description of infidelity, a movie set that had turned into the Baths of Caracalla, a young starlet seduced by

And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124

Madison’s enthralled from the very first moment. I’m sitting on the blanket, my legs stretched out, while Kennedy lays down, her head in my lap. I cringe my way through the movie, absently stroking Kennedy’s hair. I glance down at her after a while, realizing she’s not watching the screen, her attention fixed on me. “What’s wrong?” “Nothing,” she says. “It’s just strange.” I caress her flushed cheek. “Being here with me?” “Yes,” she says. “Just when I was starting to doubt I’d ever see you again.” “You didn’t think I’d keep popping up every so often?” “Oh, sure, but that’s not you,” she says. “I knew that guy would keep coming back. I thought I’d be dealing with him for the rest of my life. Drunk, high, out of his mind… but I never thought I’d see you again, real you, yet you’re here. I thought it would always be him.” I know what she means as she motions toward the screen. I can tell I was strung out. It’s painful. “I’m here,” I say, “and I’m not going anywhere.” “I want to believe that.” “You can.” She smiles, and I don’t know if she believes it yet, but she looks content in the moment. I brush my thumb along her lips as they part, and I want to kiss her so fucking bad right now, but I know I’ll catch hell from my daughter if I try. “Ohhhh, Daddy!” Madison says, grabbing my attention, catching me off guard as she launches herself my way. Laughing, Kennedy sits up, moving out of the line of fire as Madison damn near tackles me, leaping on my back and trying to cover my face with her hands from behind. “You’re not supposed to do that!” “What?” I laugh. “I didn’t do anything!” “You’re kissing her!” she says as I pull her hands away from my mouth when she tries to cover it. I playfully pretend to bite her, making her squeal. “Stop, Daddy!” She flings herself on me, falling into my lap, as I glance up at the screen, realizing Breezeo is kissing Maryanne. I scowl, tickling Madison. “It’s just a movie. It’s not real.” She giggles, slapping my hands away. “You didn’t really kiss her?” “Well, yeah, but it doesn’t count.” “Why not?” “Because it’s Breezeo, not me.” “It’s still yucky,” she says, making a face. “You think kissing me is yucky?” I tickle her again, and she struggles, laughing, trying to get away, but I’m not going to let it go that easy. Grabbing ahold of her, pinning her to me, I nuzzle against her cheek as she shoves my face. “Help, Mommy!” “Oh, no, you’re on your own there,” Kennedy says. “You got yourself into that one.” “Ugh, no fair!” Madison says, slapping her hands over my mouth. “No kissing ‘till the end!” “Fine.” I let out a long, exaggerated sigh. “You win.” She sticks her tongue out at me. The girl seriously sticks her tongue out, gloating, as she leaps at her mother and kisses on her—planting big, sloppy kisses right on Kennedy, making sure I see it. She’s gone again then, right back to her movie now that the love scene is over. “Unbelievable.” I shake my head. “I get no love.” Grinning, Kennedy lays back down with her head in my lap. She stares at me, reaching up, her fingertips brushing across my lips. “You be good, and I’ll make it worth it for you later.” I cock an eyebrow at her. “Is that right?

It is the idylic and unrealistic portrayal of life in some Christian movies that can make them ineffective in reaching unbelievers with a positive message.

It is the gritty portrayal of the darker side of life that often causes Hollywood’s unpopularity among Christian viewers, but it is the idyllic and unrealistic portrayal of life in some Christian movies that can make them ineffective in reaching unbelievers with a positive message.

If we had played Poly a hundred more times that year we wouldn't have beaten them again. On that night we found a way. It was an unbelievable thing. It was a marvelous, miraculous win." -Coach Frank Allocco

Wanita Young vs. Free Cookies Cookies will brighten up anybody’s day—especially if they’re being given away for free. At least, that’s what two teenage girls thought when they surprised their neighbor with a plate of homemade cookies. But they were in for a surprise. The two girls, Lindsey Zellitti and Taylor Ostergaard, wanted to do something nice for their neighbors. So they went around their neighborhood, knocking on doors and leaving a small package of cookies in front of every door. When they got to 49-year-old Wanita Young’s house, the sound of the girls knocking on the door apparently drove her into an anxiety attack, causing her to call the police who eventually took her to the hospital. After the girls apologized, and after they offered to pay her hospital bills, Young still decided to take them to court and sue them for $900—and she actually won the case.

TRAGIC RACISM HERETOFORE IGNORED Rich and poor have this in common: The Lord is the Maker of them all. Proverbs 22:2 Planned Parenthood’s founder Margaret Sanger was a racial eugenicist, a proponent of the idea that through birth control, abortion, and sterilization of the “unfit” we could create a “cleaner” human race and enable “the cultivation of the better racial elements.” She actually addressed this with the Ku Klux Klan. Yet far from repudiating Sanger, liberal leaders defend her. Hillary Clinton expresses great admiration for her; Barack Obama praises Planned Parenthood and asks God to bless what they do; the New York Times has mentioned Sanger as a replacement for Andrew Jackson on the twenty-dollar bill. When the media went into hysterics trying to ban the Confederate Battle Flag—while simultaneously ignoring the revelations about Planned Parenthood harvesting the organs of aborted babies, and babies born alive, for profit—I posted a graphic of the rebel flag alongside the Planned Parenthood logo with this question: “Which symbol killed 90,000 black babies last year?” Our government—using your tax dollars—is not to be subsidizing abortion. It’s illegal and immoral. Yet, Planned Parenthood receives more than a million tax dollars out of your pocket every single day. It shouldn’t get a penny. Good news: light now shines on this darkness. The abortionists were caught on tape nibbling lunch and sipping wine while nonchalantly pondering where to spend the profits made from bartering the bodies of innocent babies . . . just another day at the office. I know that it sounds unbelievable, like something from a macabre horror movie script—but the exposé must stir you to action, lest a nation, through complacency, accept the most revolting mission of Margaret Sanger. SWEET FREEDOM IN Action Today, don’t just pray for unborn children. Demand that Congress stop funding abortion mills; elect a pro-life president; support pro-life centers that provide resources to give parents a real choice in this debate—knowing that choosing life is ultimately the beautiful choice.

You can overthink anything. There are always negatives. The more you know, the less you tend to do something. If I had known everything about real estate, movies, and bodybuilding, I wouldn’t have gone into them. I felt the same about marriage; I might not have done it if I’d known everything I’d have to go through. The hell with that! I knew Maria was the best woman for me, and that’s all that counted.

Suddenly Heller turned serious and stepped away from Lawson. He came straight at me—okay, what the hell was he doing?—and I about swallowed my tongue. Heller hugged me like a long-lost brother. “Thank you for protecting my mate,” he whispered in my ear. “You’re welcome. You mean the world to him, you know?” I left it at that because, really, what more was there to say? “Yeah, I do know. Now he needs to know.” Heller stepped back from me, then turned around to face Lawson. Then he went down on one knee. Lawson gasped, Remi thrust his fist in the air and yelled, “Yes,” and I rolled my eyes. Of course, that was more for show than anything. I did have a reputation to keep up “Lawson?” Heller held his hand out to Lawson, who took it. “You’re my everything, but I’ve told you that. My life would be… would be incomplete without you. You’re my mate—my one and only. What I haven’t done is tell you that… that… I love you, and I don’t know why I haven’t. I think… no, I know I fell in love with you the moment I looked into those beautiful gunmetal-gray eyes of yours at your shop.” “Jesus, Heller,” Lawson gasped. Heller pulled a small box out of his front pocket. “Shifters don’t marry… not like humans. Sometimes we have to shift with next to no warning, so we don’t wear jewelry.” “But… you don’t shift, and being part human, I guessed marriage means a lot to you. It does, right?” Lawson wiped his eyes. “Oh God, yes, it does. Especially since now gays can marry.” “Will… will you wear my ring? Will you… will you wear it so the whole world can see that you’re taken?” “Fuck.” Lawson dropped to his knees and threw his arms around Heller, sobbing into his neck. “Dammit, hellcat! I love you. I love you so much.” Lawson pulled back to look at Heller. “Yes, yes, I will wear your ring. Oh my God, you’re unbelievable! Put it on me!” Remi eased his arm around me and rested his head on my shoulder. “Beautiful, isn’t it?” I turned my head and kissed his hair. “They worked hard for this.” “Yes, they did. How many times do you think he rehearsed this speech?” “At least ten.” After a passionate kiss I thought I might have to break up before they set the rug on fire, the four of us munched on goodies, drank a couple of beers, and spent what was left of the evening watching movies. Things were going exceptionally well. I couldn’t help but wonder when the other shoe would drop

Here tit is. Enjoy. “It is better to light a candle than curse the darkness.” ~Eleanor Roosevelt. I’ve always been drawn to the eccentric, the eerie, the unbelievable. I’m a lover of books and beaches, movies and mayhem. If you want to know more, just ask! . . . An Eleanor Roosevelt quote? Is Millie a lesbian? Not that I know of, but now I’m questioning everything. ...Oh, and “tits.” Everyone notice she typed tits again? Classic Millie. Loves tits. Maybe she is a lesbian. Focus.

Dear Alexis, Last week at our debate, I talked about the essential unfairness that my friend and colleague Levon Helm had to continue to tour at the age of 70 with throat cancer in order to pay his medical bills. On Thursday, Levon died and I am filled with unbelievable sadness. I am sad not just for Levon’s wife and daughter, but sad that you could be so condescending to offer “to make right what the music industry did to the members of The Band.” It wasn’t the music industry that created Levon’s plight; it was people like you celebrating Pirate Bay and Kim Dotcom—bloodsuckers who made millions off the hard work of musicians and filmmakers. You were so proud during the debate to raise your hand as one of those who had downloaded “free music and free movies.” But it’s just your selfish decision that those tunes were free. It wasn’t Levon’s decision. In fact, for many years after The Band stopped recording, Levon made a good living off of the record royalties of The Band’s catalog. But no more. So what is your solution—charity. You want to give every great artist a virtual begging bowl with Kickstarter. But Levon never wanted the charity of the Reddit community or the Kickstarter community. He just wanted to earn an honest living off the great work of a lifetime. You are so clueless as to offer to get The Band back together for a charity concert, unaware that three of the five members are dead. Take your charity and shove it. Just let us get paid for our work and stop deciding that you can unilaterally make it free.

Mary and Anne wore traditional women’s clothing around the sailors, but, when prepared for battle, they always dressed in men’s fashion. When called upon to fight, the two women would stand back-to-back, each holding a pistol in one hand and a machete in the other. They literally had each other’s back. For two months in 1720, Jack, Anne, and Mary ruled the seas, and their fame spread far and wide. (You may not realize it, but they are all recalled in modern culture; for instance, Jack flew a black flag with a skull and two criss-crossing sabers imprinted in white on it, and that is the stereotyped pirate flag used in movies such as Pirates of the Caribbean.) A bounty was on Calico Jack’s head, so both other pirates and government officials sailed the seas hoping to capture him. One evening after Calico Jack had captured a large Spanish ship, his crew was celebrating with alcohol and were so intoxicated that the crew of a British government ship was able to come aboard his ship unannounced. Most of Jack’s men were in the ship’s galley and immediately surrendered. Anne and Mary, who were upstairs relaxing with Jack in the captain’s quarters, fought until they were clearly overwhelmed. All the pirates were taken to prison and most sentenced to death.  Anne snarled in frustration as the men were led past her, “If you had just fought like men, you wouldn’t be hanging like dogs.” Anne and Mary, though, both escaped the death penalty – but not prison - because they were pregnant. Anne was found to be carrying Jack’s baby and Mary was carrying a crew member’s child. Mary got a fever and died in prison, but no one knows what happened to Anne.

Technology is constantly replacing old jobs with new ones. A hundred years ago no one would have thought of being a computer code writer or a video game designer as a career. Two hundred years ago, no one would have thought of being a movie actress or an airplane pilot. To make way for new jobs, old ones are pushed aside. Today, we see the cashier at large stores being replaced with self-checkout; in a few years, the cashier may be as rare as the full-service gas station attendant.

Instead, somehow they’re going to try it right down the main highway, eight lanes wide, heron-neck arc lamps rising up as far as the eye can see, and they will broadcast on all frequencies, waving American flags, turning up the Day-Glo and the neon of 1960s electro-pastel America, wired up and amplified, 327,000 horsepower, a fantasy bus in a science-fiction movie, welcoming all on board, no matter how unbelievably Truck Stop Low Rent or raunchy—

Kids Riding Tornados The Wizard of Oz is a famous movie that was made in 1939. Dorothy is the girl who is the main character and in the story, she is picked up by a tornado and carried off to the fictional land of Oz. A few years later, in 1955, a 9-year-old really did go for a ride in a tornado! But first she rode a horse. There’s not a whole lot around Bowdle, South Dakota. It’s a very rural part of the state. Sharon Weron was 9 years old and riding a horse home from a neighbor’s house. Her mom was following in her car and saw everything. Just as Sharon and her horse reached their house, the tornado was on them. They had very little warning. Sharon’s mom saw the tornado pick up her daughter (and horse), spin them around wildly, and carry them away. Sharon was wearing a blue shirt so her mom was looking for that in the tornado and could see her spinning. The tornado carried them around 1,000 feet, over several fences, and dumped Sharon in a ditch. She was wearing a leather jacket and pulled that up around her head during her flight. There was hail and all kinds of debris flying around inside the tornado with her. Sharon’s hands were badly bruised from being hit by the hail and who knows what else. She remembered hitting the ground and grabbing the grass so that she wouldn’t get sucked up again. As she looked around, she found her horse. He was just standing there not far from her. Both were a little beaten up but okay. That’s crazy, right? Their story got picked up by newspapers and spread all over the world. Reporters had no reason to doubt the story. As unbelievable as it seems, it still holds up as credible. Sharon’s ride was also witnessed by neighbors. The Guinness book of world records listed Sharon’s ride as the furthest anyone had ever ridden in a tornado until 2006. It’s remarkable that both Sharon and her horse lived through such a terrifying experience. That has to be the craziest horse story in the history of the world!

The commercial genre which has developed from Tolkien is probably the most dismaying effect of all. I grew up in a world where Joyce was considered to be the best Anglophone writer of the 20th century. I happen to believe that Faulkner is better, while others would pick Conrad, say. Thomas Mann is an exemplary giant of moral, mythic fiction. But to introduce Tolkien's fantasy into such a debate is a sad comment on our standards and our ambitions. Is it a sign of our dumber times that Lord of the Rings can replace Ulysses as the exemplary book of its century? Some of the writers who most slavishly imitate him seem to be using English as a rather inexpertly-learned second language. So many of them are unbelievably bad that they defy description and are scarcely worth listing individually. Terry Pratchett once remarked that all his readers were called Kevin. He is lucky in that he appears to be the only Terry in fantasy land who is able to write a decent complex sentence. That such writers also depend upon recycling the plots of their literary superiors and are rewarded for this bland repetition isn't surprising in a world of sensation movies and manufactured pop bands. That they are rewarded with the lavish lifestyles of the most successful whores is also unsurprising. To pretend that this addictive cabbage is anything more than the worst sort of pulp historical romance or western is, however, a depressing sign of our intellectual decline and our free-falling academic standards.

And the worst part was that she was unbelievably charming. She somehow managed to bury her rancid soul and totally pull off that she was a genuinely delightful human being. It was witchcraft, that.

His eyes were hot, and yeah—he was mad. “You won your precious Michael, but as soon as I looked twice at Alex, you’re burning me this unbelievable CD and rambling about lucky pennies in a way that makes me think I’m the penny in that particular scenario. While wearing my baseball hoodie. What are you doing to me?

Whenever I finished filming a movie, I felt my job was only half done. Every film had to be nurtured in the marketplace. You can have the greatest movie in the world, but if you don’t get it out there, if people don’t know about it, you have nothing. It’s the same with poetry, with painting, with writing, with inventions. It always blew my mind that some of the greatest artists, from Michelangelo to van Gogh, never sold much because they didn’t know how. They had to rely on some schmuck—some agent or manager or gallery owner—to do it for them. Picasso would go into a restaurant and do a drawing or paint a plate for a meal. Now you go to these restaurants in Madrid, and the Picassos are hanging on the walls, worth millions of dollars. That wasn’t going to happen to my movies. Same with bodybuilding, same with politics—no matter what I did in life, I was aware that you had to sell it.

To understand movie credibility, you must realize that movies are false on the surface but true underneath. Real life, on the other hand, is believable on the surface but unbelievable underneath

In the wider world, we keep hectically busy and fill every free moment of our day with some form of diversion—work, computers, television, movies, radio, magazines, newspapers, sports, alcohol, drugs, parties. Perhaps we distract ourselves because looking at our lives confronts us with our lack of meaning, our unhappiness, and our loneliness—and with the difficulty, the fragility, and the unbelievable brevity of life.