Arin Quotes

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Arin smiled. It was a true smile, which let her know that all the others he had given her were not.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Sometimes you think you want something,” Arin told him, “when in reality you need to let it go.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Arin wondered if she would lift her eyes, but wasn’t worried he would be seen in the garden’s shadows. He knew the law of such things: people in brightly lit places cannot see into the dark.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Marry him,” Arin said, “but be mine in secret.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
She turned to look at him, and he was already looking at her. “I’m going to miss you when I wake up,” she whispered, because she realized that she must have fallen asleep under the sun. Arin was too real for her imagination. He was a dream. “Don’t wake up,” he said.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
You might not think of me as your friend,' Kestrel told Arin, 'but I think of you as mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin pulled her onto his lap. He held her shaking form, tucked his face into the crook of her cold neck as she sobbed against him. He murmured that he loved her more than he could say. He promised that he would always choose her first.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin. I've wanted to do this for a long time." Her words silenced him, steadied him. Anticipation lifted within her like the fragrance of a garden under the rain. She sat at the piano, touching the keys. "Ready?" He smiled. "Play.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You could offer her a seat,” Arin said. “Ah, but I have only two chairs in my tent, little Herrani, and we are three. I suppose she could always sit on your lap.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Will you come with me?" "Ah, Kestrel, that's something you never need to ask.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
If I die, you'll survive. If you die, it will destroy me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It was a sin to break a deathbed promise. Arin left without making one.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
He hadn’t been blessed by the god of death. Arin was the god.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I told her that I belong to you, and no other.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
So you give me nothing.” “When have I ever given you anything?” Softly, Arin said, “You gave me much, once.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Brother, you are mad,” said the queen. “He loves me,” Roshar protested. The cub was sleeping huddled against Rosher’s leg. “And when it has grown, and is large enough to eat a man?” “Then I’ll make Arin take care of him.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Later, Kestrel wished she had spoken then, that no time had been lost. She wished that she’d had the courage that very moment to tell Arin what she’d finally known to be true: that she loved him with the whole of her heart.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She had done everything she could. And he didn't even know.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Sometimes you think you want something,” Arin told him, “when what you need is to let it go.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Arin hadn’t fallen asleep on the deck of his strangely still ship, yet, it felt as if he’d been dreaming. As if dreams and memories and lies were the same thing.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
He'd believed it. She couldn't believe that he believed it. Sometimes, she hated him for that.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He told himself a story. Not at first. At first, there wasn’t time for thoughts that came in the shape of words. His head was blessedly empty of stories then. War was coming. It was upon him. Arin had been born in the year of the god of death, and he was finally glad of it. He surrendered himself to his god, who smiled and came close. Stories will get you killed, he murmured in Arin’s ear. Now, you just listen. Listen to me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She'd betrayed her country because she'd believed it was the right thing to do. Yet would she have done this, if not for Arin? He knew none of it. Had never asked for it. Kestrel had made her own choices. It was unfair to blame him. But she wanted to.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Little Fists, what's wrong?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel let the words echo in her mind. There had been a supple strength to his voice. An unconscious melody. Kestrel wondered if Arin knew how he exposed himself as a singer with every simple, ordinary word. She wondered if he meant to hold her in thrall.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She’d wanted to put her fear inside a white box and give it to Arin. You, too, she would tell him. I fear for you. I fear for me if I lost you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It was an old Herrani flag, stitched with the royal crest. Arin said, "But the royal line is gone." "They're looking for something to call you, Kestrel said, nudging Javelin forward. "Not this. It's not right." "Don't worry. They'll find the right words to describe you." "And you." "Oh, that's easy." "It is?" It seemed impossible to name every thing she was to him. Kestrel's expression was serious, luminous. He loved to see her like this. "They'll say that I'm yours," she told him, "just as you are mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
No, Arin. Sit down. Other wise you'll make an ass out of yourself, and that role is mine.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The guard hit Kestrel across the face. “I said, what did you give him?” You had a warrior’s heart, even then. Kestrel spat blood. “Nothing,” she told the guard. She thought of her father, she thought of Arin. She told her final lie. “I gave him nothing.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
I won’t play you because even when I win, I lose. It’s never been just a game between us.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
The wizard broke out from his mountain grave As his red fire filled the cave The miners ran to escape their doom All in its path red fire would consume The fire would destroy Sparsholt Before cannons at the Alol melt On Tamin Plain the flax would burn And reveal a name… Arin The time of the wizard is here Destruction, death and fear Some say the world will end Others say a child is seeking revenge I am a minstrel and not a seer All I know is… The time of the wizard is here Destruction, death and fear Robert Reid – The Son
Robert Reid (The Son (The Emperor, the Son and the Thief, #2))
Someone was coming through the velvet. He was pulling it wide, he was stepping onto Kestrel’s balcony—close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows. He was here. He had come. Arin.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
A singer who refused to sing, a friend who wasn't her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin, who had set hooks into her heart and drawn her to him so that she wouldn't see anything but his eyes. Arin was her enemy
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A lover? Maybe. Something tender, anyway. But tender like a bruise.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin would trade his heart for a snarled knot of thread if it meant he would never have to see Kestrel again.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Arin imagined how, if he could, he would kneel before the boy he had been. He’d cradle himself to his chest, let the child bury his wet face against his shoulder. Shh, Arin would tell him. You will be lonely, but you’ ll become strong. One day, you will have your revenge.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I agree,” Arin said, “under one condition. You mentioned emissaries. There will be one emissary from the empire. It will be you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
People of the hundred," he said, using an ancient Herrani phrase Arin was surprised he knew, "who leads you?" So many cried Arin's name that it no longer sounded like his name.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She didn’t like the way he was right. How she listened. She wondered if there was any difference between how she listened to him and how Arin listened to his god.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arms folded across his chest, Arin walked to the end of the pier. “Did you have to bring the tiger?” “I kept him hungry during the journey here, just for you,” Roshar said. “Go give him a nice snuggle, won’t you? He’s come all this way to see you. The least you could do is give him one of your arms to eat. Too much? What about a hand? At least some fingers. Arin, where’s your hospitality?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel raised one brow. "How very surprising. Didn't you just make a promise and ask me to trust your word? Really, Arin. You must sort out your lies and your truths or even you won't know which is which.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
I would do anything for you. She knew exactly who had written them and why. She became aware that she had been pretending to herself when she’d believed her words had been untrue, or that any of the limits she’d set between her and Arin mattered, because in the end she was here and he was free. She had done everything she could. And he didn’t even know.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She remembered her letter confessing every thing to Arin. I am the Moth. I am your country’s spy, she’d written. I have wanted to tell you this for so long. She’d scrawled the emperor’s secret plans. It didn’t matter that this was treason. It didn’t matter that she was supposed to marry the emperor’s son on First-summer’s day, or that her father was the emperor’s most trusted friend. Kestrel ignored that she’d been born Valorian. She’d written what she felt. I love you. I miss you. I would do anything for you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Yet he understood that there are some things you feel and others that you choose to feel, and that the choice doesn't make the feeling less valid.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin thought of Cheat, Tensen, Kestrel. He wondered if some part of him was drawn to lies. What was it that made him so easy to deceive?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
When Roshar saw her ripped, one-legged trousers and Arin at her side as they stood outside the prince’s tent, his eyes glinted with mirth and Kestrel felt quite sure that the prince was going to say it was about time Arin tore her clothes off. Then Roshar might comment coyly on Arin’s inability to reach a full conclusion (Only one trouser leg? she imagined Roshar saying. How lazy of you, Arin), or on the quaint quality of Arin’s modesty (What a little lamb you are). Perhaps he’d offer condolences to Kestrel on the partial death of her trousers. He’d ask whether she’d gotten injured on purpose.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
How did you ever survive, little slave, with that mouth of yours?
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
He'll behave. He has a mien and manners of a prince." "Oh, like you?" "I resent your tone." "I'm not sure you can control him." "Has he ever aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you'll get married, and make babies --" "Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him. 'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.' Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her. 'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.' She heard Arin shift, felt him look at her. 'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.' There was a silence as long as a smile. 'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.' Kestrel could no longer deny sleep. It pulled her under. 'And I would never have met you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin, why are you so transparent? Whenever you worry, you start fixing things. Draining nasty gunk from a hoof is the least of it. I don’t know what’s worse, watching you do that or knowing how hard it will always be for you to keep yourself to yourself.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
How do I look in the dark?” Startled, Arin glanced at him. The question had had no edges. It wasn’t sleek, either. Its soft, uncertain shape suggested that Roshar truly wanted to know. In the fired red shadows, his limbs looked lax and his mutilated face met Arin’s squarely. The heavy feeling that Arin carried—that specific sadness, nestled just below his collar bone, like a pendant—lessened. He said, “Like my friend.” Roshar didn’t smile. When he spoke, his voice matched his expression, which was rare for him. Rarer still: his tone. Quiet and true. “You do, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Choose what ever suite suits you best,” Arin said. “But please: keep that tiger in his cage.” “Arin’s a kitten,” Roshar protested. Purely for the purpose of annoying Arin, it seemed, Roshar had named the tiger after him. “He’s sweet-tempered and polite and very good-looking . . . unlike some people I could mention.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Kestrel felt Arin’s tension, the way he looked at the prince. Arin’s worry was plain, his hands still at his sides yet slightly open, as if his friend might shatter and Arin needed to be ready to catch the pieces.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I’ve been thinking.” “Dear gods.” “It occurs to me that you have no official rank, and that I, as your prince, might give you one.” He said an eastern word Arin didn’t know. “Well? Will it suit?” “Depends.” “On?” “Whether that word was some horrific insult you’re pretending is an actual military rank.” “How mistrustful! Arin, I have taught you every foul curse I know.” “I’m sure you’ve saved a few, for just such a time.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It looked like she held a basketful of woven gold. Arin leap down the stairs. He strode up to his cousin and seized her arm. “Arin!” “What did you do?” Sarsine jerked away. “What she wanted. Pull yourself together.” But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own. “It’s just hair,” Sarsine said. “It will grow back.” “Yes,” said Arin, “but no everything does.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You talk about her as if she's made of spun glass. Know what I see? Steel.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You could offer her a seat,' Arin said. 'Ah, but I only have two chairs in my tent, little Herrani, and we are three. I suppose she could always sit on your lap.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin used to clutch his head in disgusted wonder at how fascinated he’d once been by the daughter of the Valorian general. He used to sting at her rejection. Now, though, the thought of Kestrel gave him a cold relief. Ice on a bruise.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It was different to give something up than to see it taken away. The difference, Kestrel said, was choice.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
What did you tell the queen?" "I told Inisha about you." "What, exactly?" He hesitated. "I'm afraid to say." "I want you to." "You might leave." "I won't." He stayed silent. She said, "I give you my word." "I told her that I belong to you, and no other. I said that I was sorry.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She said, I'm going to miss you when you when I wake up. Don't wake up, he answered. But he did. Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to." It took him a velvety moment to understand that this was real. The air was quiet. An insect beat it's clear wings. She brushed hair from his brow. Now he was very awake. "You were sleeping so sweetly," she said. "Dreaming" He touched her tender mouth. "About what?" "Come closer, and I will tell you." But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
No, it didn’t hurt anymore to think about Kestrel. He’d been a fool, but he’d had to forgive himself for worse. Sister, father, mother. As for Kestrel . . . Arin had some clarity on who he was: the sort of person who trusted too blindly, who put his heart where it didn’t belong.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Sarsine grabbed his wrists and tugged the hands from his eyes. He looked at her, but didn’t see her. He saw Kestrel’s wasted face. He saw himself as a child, the night of the invasion, soldiers in his home, how he had done nothing. Later, he’d told Sarsine when the messenger had come to see him. No, I won’t, he’d promised Roshar when the prince had listed reasons not to rescue the nameless spy from the tundra’s prison. “I was wrong,” Arin said. “I should have—” “Your should haves are gone. They belong to the god of the lost. What I want to know is what you are going to do now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Let the morning keep what belongs to the morning,
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin remmembered seeing her hand in Javelin’s mane, curling into the coarse strands. This made him remember the almost freakish lenghth between her littlest finger and thumb as her hand spanned piano keys. The black star of the birth-mark. He saw her again in the imperial palace. Her music room. He’d seen that room only once. About a month ago, right before Firstsummer. Her blue sleeves were fastened at the wrist. Something tugged inside him. A flutter of unease. Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I told you everything I know", said the messenger. Arin had gone to his childhood suite, feeling anxiety verging on panic at the thought of not finding the man there, of having to track him down, of time lost…but the man had opened the outermost door almost immediately after Arin’s pounding knock. "I didn’t ask you the right questions,“ Arin said. "I want to start again. You said that the prisoner reached trough the bars of the wagon to give you the moth.” “Yes” “And you couldn’t really see her.” “That’s right.” “But you said she was Herrani. Why would you say that if you couldn’t see her?” “Because she spoke in Herrani.” “Perfectly.” “Yes.” “No accent.” “No.” “Describe the hand.” “I’m not sure…” “Start with the skin. You said it was paler than yours, than mine.” “Yes, like a house slave’s.” Which wasn’t very different from a Valorian’s. “Could you see her wrist, her arm?” “The wrist, yes, now that you mention it. She was in chains. I saw the manacle.” “Did you see the sleeve of a dress?” “Maybe. Blue?” Dread churned inside Arin. “You think or you know?” “I don’t know. Things happened too fast.” “Please. This is important.” “I don’t want to say something I’m not sure is true.” “All right, all right. Was this her right hand or her left?” “I don’t know.” “Can you tell me anything about it? Did she wear a seal ring?” “Not that I saw, but –” “Yes?" "She had a birthmark. On the hand, near the thumb. It looked like a little black star.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
I would do anything for you, she’d written in the letter her father had found. But that part, despite feeling true when she’d scrawled it on the page, had been a lie. Kestrel had refused Arin. She hadn’t been honest with him, not even when he’d begged. She’d pretended she was empty and careless and cruel. He’d believed it. She couldn’t believe that he believed it. Sometimes, she hated him for that.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Something tugged inside him. A flutter of unease. Do you sing? Those had been her first words to him, the day she had bought him. A band of nausea circled Arin’s throat, just as it had when she had asked him that question, in part for the same reason. She’d had no trace of an accent. She had spoken in perfect, natural, mother-taught Herrani.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
She said, I'm going to miss you when you when I wake up. Don't wake up, he answered. But he did. Kestrel, beside him on the grass, said. "Did I wake you? I didn't mean to.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
His dark head bowed, became lost in its own shadow.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Something terrible was clawing up her throat. “I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.” “Damn your god.” Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.” “Why not? I can say anything. Anything except what really matters.” “Kestrel, take it back. You’ll offend him.” “Your god risks you.” “He protects me.” “You’re his plaything.” “You’re wrong. He loves me.” Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe. “It’s true,” Arin insisted. She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
His brain had been a glass ball. Nothing in it but echoes. His mother’s scent. Father’s voice. How Anireh’s gaze had held him from across the room, and her eyes said, Survive. They said, Love, and I’m sorry. They said, Little brother. And then silence. It became silent in Arin’s head as he stood on the road. He stopped hearing voices. He thought about how it had seemed strange that Risha would plot the emperor’s death, yet refuse to kill him herself. Arin understood now. He knew how it was to have no family: like living in a house with no roof. Even if Kestrel were here, and begged him—Let your sword fall, do it, please, now—Arin wasn’t sure that he could make her an orphan.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin dreamed of Kestrel. He woke, and the dream faded like perfume. He didn’t remember it, yet it changed the air around him. He blinked against the dark. When he heard the sound, he realized he had been expecting something of this kind for a long time. Light feet on the roof. Arin scrambled out of bed.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Wicca offered real, not pretended, means for the individual to express the art, beauty, and reality of ritual, including magic, in the here and now. --Paul Turnbull
Arin Murphy-Hiscock (Out of the Broom Closet: 50 True Stories of Witches Who Found and Embraced the Craft)
The general's daughter? We'd be fools not to. You talk about her as if she's made of spun glass. Know what I see? Steel.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Sometimes, Arin almost understood what Kestrel had done. Even now, as he felt the drift of the boat and didn't fight its pull, Arin remembered the yearning in Kestrel's face whatever she'd mentioned her father. Like a homesickness. Arin had wanted to shake it out of her. Especially during those early months when she had owned him. He had wanted to force her to see her father for what he was. He had wanted her to acknowledge what she was, how she was wrong, how she shouldn't long for her father's love. It was soacked in blood. Didn't she see that? How could she not? Once, he'd hated her for it. Then it had somehow touched him. He knew it himself. He, too, wanted what he shouldn't. He, too, felt the heart chooses its own home and refuses reason. Not here, he'd tried to say. Not this. Not mine. Never. But he had felt the same sickness. In retrospect, Kestrel's role in the taking of the eastern plains was predictable. Sometimes he damned her for currying favor with the emperor, or blamed her playing war like a game just because she could. Yet he thought he knew the truth of her reasons. She'd done it for her father. It almost made sense. At least, it did when he was near sleep and his mind was quiet, and it was harder to help what entered. Right before sleep, he came close to understanding. But he was awake now.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
For a moment she didn't understand what he wanted, then she drew the dagger he'd made for her and gave it to him Arin looked it over---surprised, pleased. "You take good care of it." She took it back. "Of course I do." Her voice was rough and wrong. He peered at her. Friendly, he said, "Yes, of course. Is there a saying for it? 'A Valorian always polishes her blade.' Something like that." "I take care of it," she said, suddenly both miserable and angry, "because you made it for me.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
But she hadn't expected this: this stupid hope, this punishing one, for who would long to see someone who was already lost? What good would it have done? None. Apparently Arin knew this, too. He knew it better than she, or his hope would have been equal to hers, and would have driven him here.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
You can’t open up the story of my life and just fucking go to page 738 and think you know me.
Arin Hanson
Kestrel listened to the slap of waves against the ship, the cries of struggle and death. She remembered how her heart, so tight, like a scroll, had opened when Arin kissed her. It had unfurled. If her heart were truly a scroll, she could burn it. It would become a tunnel of flame, a handful of ash. The secrets she had written inside herself would be gone. No one would know. Her father would choose the water for Kestrel if he knew. Yet she couldn't. In the end, it wasn't cunning that kept her from jumping, or determination. It was a glassy fear. She didn't want to die. Arin was right. She played a game until its end.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As his people positioned themselves in and around the pass, Arin though that he might have misunderstood the Valorian addiction to war. He had assumed it was spurred by greed. By a savage sense of superiority. It had never occurred to him that Valorians also went to war because of love. Arin loved those hours of waiting. The silent, brilliant tension, like scribbles of heat lightning. His city far below and behind him, his hand on a cannon's curve, ears open to the acoustics of the pass. He stared into it, and even though he smelled the reek of fear from men and women around him, he was caught in a kind of wonder.He felt so vibrant. As if his life was fresh, translucent, thin-skinned fruit. It could be sliced apart and he wouldn't care. Nothing felt like this.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A strange feeling: as if filaments trailed from Arin's body. A thousand fishing lines snagging attention. Here and there. Little tugs. People caught on the lines. The way sometimes people couldn't look him in the eye, and when they did they become fish trying to breath air. He wished it weren't like that. He knew it would be necessary.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It looked like she held a basketful of woven gold. Arin leap down the stairs. He strode up to his cousin and seized her arm. “Arin!” “What did you do?” Sarsine jerked away. “What she wanted. Pull yourself together.” But Arin only saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into those braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror, and didn’t know, couldn’t tell her feelings. He only knew the fire of his own. “It’s just hair,” Sarsine said. “It will grow back.” “Yes,” said Arin, “but not everything does.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Absurd. It was absurd to think that someone like that could have any power over him. Yet she would, if she won the auction. He wanted her to. The thought swept Arin with a merciless, ugly joy. He'd never seen her before, but he guessed who she was: Lady Kestrel, General Trajan's daughter. The crowd heard her bid. And at once it seemed that Arin was worth something after all.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Sometimes we forget to, or feel guilty when, we take time to nourish our own souls. It is not selfish to spiritually fill ourselves because we need that time to find the delicate balance in our lives. Only then can we truly be of service to others. --Debra Siegrist
Arin Murphy-Hiscock (Out of the Broom Closet: 50 True Stories of Witches Who Found and Embraced the Craft)
The man wrote his message. Are you really a boy, like Xash says? the god asked Arin. You’ve been mine for twenty years. I raised you. The Valorian signed the scrap of paper. Cared for you. The message was rolled, sealed, and pushed into a tiny leather tube. Watched over you when you thought you were alone. The captain tied the tube to a hawk’s leg. The bird was too large to be a kestrel. It didn’t have a kestrel’s markings. It cocked its head, turning its glass-bead eyes on Arin. No, not a boy. A man made in my image . . . one who knows he can’t afford to be seen as weak. The hawk launched into the sky. You’re mine, Arin. You know what you must do. Arin cut the Valorian’s throat.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It is important to recognize each moment as “magical” and full of potential. Everything is magical, in the sense that it is wondrous and unique—every breath, every step, every stir of your soup. Every act is an act of magic. The magic is life itself.
Arin Murphy-Hiscock (The Green Witch: Your Complete Guide to the Natural Magic of Herbs, Flowers, Essential Oils, and More (Green Witch Witchcraft Series))
Arin, are you all right?" "How?" He managed. "How did her arm break?" "She fell of a ladder." He must have visibly relaxed, because his cousin raised her brows and looked ready to scold. "I imagined something worse," he tried to explain. She appeared to understand his relief that pain, if it had to come, came this time without malice. Just and accident. Done by no one. The luck, sometimes of life. A bad slip that ends with bread, and someone to bind you.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin hauled her to her feet. And even though he had seen her choice, must have seen it still blazing on her face, he shook her. He kept saying the words he had been shouting as he had neared the railing. “Don’t, Kestrel. Don’t.” His hands cradled her face. “Don’t touch me,” she said. Arin’s hands fell. “Gods,” he said hoarsely. “Yes, it would be rather unfortunate for you, wouldn’t it, if you lost your little bargaining chip against the general? Never fear.” She smiled a brittle smile. “It turns out that I am a coward.” Arin shook his head. “It’s harder to live.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Arin took the basket from her. "Coming or going?" "I've a errand here, and won't be home until late." "Shall I guess what brings you to town?" "You can try." He peeked in the basket. Bread, still warm from the oven. A bottle of liquor. Long, flat, pieces of wood. Rolls of gauze. "A picnic...with a wounded soldier? Sarsine," he teased, "is it true love? What's the wood for? Wait, don't tell me. I'm not sure I want to know." She swatted him. "The cartwright's oldest daughter has a broken arm.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he'd wished that it had been real. He tried to imagine the dream, then found himself dreaming.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
It dropped ice to the bottom of his stomach. He thought of the ruined bodies he'd seen, including the ones he himself had ruined. He realized that he had somehow expected that he'd never have to think again about the way people damage other people. The night of the invasion. Kestrel's back. His own. Roshar's scarred face. His own.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
This is an organic religion. A religion of the people from heart to heart; a faith that finds the presence of the Divine within life, and nature, and ourselves. We don't have teachers and books because we are our own teachers, and our book is the sacred book of the Earth. We believe that we can connect with the God and Goddess and hear their voices, receive their inspiration directly and take responsibility for our own actions, without the intermediary of a pope or rabbi. We have a loose set of beliefs and morals and a ritual structure that is common to all Wiccans, but there is room for creativity and deep mystical experiences. This is a faith with roots as old as the earth. --Meri Fowler
Arin Murphy-Hiscock (Out of the Broom Closet: 50 True Stories of Witches Who Found and Embraced the Craft)
Kestrel didn’t see why carriage seats had to face each other. Why couldn’t they have been designed for moments like these, when all she wanted to do was hide? She took one look at Arin. She had given no order for the carriage lamps to be lit, but the moonlight was strong. Arin was silvered by it. He was staring out the window at the governor’s palace dwindling as the carriage trundled toward home. Then he tore his gaze from the window with a sharp turn of the head and sagged against his seat, face filled with something that looked like shocked relief. Kestrel felt a flicker of instinctive curiosity. Then she reminded herself bitterly that this was what curiosity had bought her: fifty keystones for a singer who refused to sing, a friend who wasn’t her friend, someone who was hers and yet would never be hers. Kestrel looked away from Arin. She swore to herself that she would never look back. Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))