Typing Air Quotes

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I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Since Alice spoke about energy, I think that is the next thing we must talk about. As she said, everything is energy. Not the type of energy that makes you get up in the morning, but what you and everything around you is made of. You look solid but you’re really made up of very tiny particles that are always vibrating. Even what you call air is made up of those same particles!
Ellen J. Lewinberg (Joey and His Friend Water)
The obvious types of American fascists are dealt with on the air and in the press. These demagogues and stooges are fronts for others. Dangerous as these people may be, they are not so significant as thousands of other people who have never been mentioned. The American fascist would prefer not to use violence. His method is to poison the channels of public information. With a fascist the problem is never how best to present the truth to the public but how best to use the news to deceive the public into giving the fascist and his group more money or more power.
Henry A. Wallace
The closer you get to real matter, rock air fire and wood, boy, the more spiritual life is. All these people thinking they're hardheaded materialistic practical types, they don't know shit about matter, their heads are full of dreamy ideas and notions.
Jack Kerouac (The Dharma Bums)
When the language one identifies with is far away, one does everything possible to keep it alive. Because words bring back everything: the place, the people, the life, the streets, the life, the sky, the flowers, the sounds. When you live without your own language you feel weightless and, at the same time, overloaded. Your breathe another type of air, at a different altitude. You are always aware of the difference.
Jhumpa Lahiri (In Other Words)
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
People rave about American football or hockey players or any type of sport. Ladies don't understand how sexy f1 racers are
Lauren Asher (Throttled (Dirty Air, #1))
Scientists at first were skeptical that a kitten-type being could exist in the rare Martian atmosphere. As a test, two Earth kittens were put in a chamber that simulated the Martian air. The diary of this experiment is fascinating: 6:00 A.M.: Kittens appear to sleep. 7:02 A.M.: Kitten wakes, darts from one end of cage to another for no apparent reason. 7:14 A.M.: Kitten runs up wall of cage, leaps onto other kitten for no apparent reason. 7:22 A.M.: Kitten lies on back and punches other kitten for no apparent reason. 7:30 A.M.: Kitten leaps, stops, darts left, abruptly stops, climbs wall, clings for two seconds, falls on head, darts right for no apparent reason. 7:51 A.M.: Kitten parses first sentence of daily newspaper that is at bottom of chamber. With the exception of the parsing, all behavior is typical of Earth kitten behavior. The parsing activity, which was done with a small ball-point pen, was an anomaly.
Steve Martin (Pure Drivel)
But he also filled the air with a certain type of unquantifiable tension, as if the room were electrified. Anyone around him had to be aware of that.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
she closed her eyes and began moving her fingers frantically as if she were . . . typing. Actually, that’s exactly what she was doing—typing something in the air.
Vi Keeland (Hate Notes)
For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people,are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.
Alan W. Watts
Gloria watched the swollen white orb of a hot-air balloon rising over Navy Pier and knew she had to break it off with Oliver, for he was the type who would never enjoy hot-air balloons, Van Morrison songs, or mess, whether from orgasm or otherwise. But who was she to be dreaming about mess today?
Andrea Kayne (Oxford Messed Up)
He walked among the bookstore shelves, hearing Muzak in the air. There were rows of handsome covers, prosperous and assured. He felt a fine excitement, hefting a new book, fitting hand over sleek spine, seeing lines of type jitter past his thumb as he let the pages fall. He was a young man, shrewd in his fervors, who knew there were books he wanted to read and others he absolutely had to own, the ones that gesture in special ways, that have a rareness or daring, a charge of heat that stains the air around them.
Don DeLillo (Mao II)
The campus, an academy of trees, under which some hand, the wind's I guess, had scattered the pale light of thousands of spring beauties, petals stained with pink veins; secret, blooming for themselves. We sat among them. Your long fingers, thin body, and long bones of improbable genius; some scattered gene as Kafka must have had. Your deep voice, this passing dust of miracles. That simple that was myself, half conscious, as though each moment was a page where words appeared; the bent hammer of the type struck against the moving ribbon. The light air, the restless leaves; the ripple of time warped by our longing. There, as if we were painted by some unknown impressionist.
Ruth Stone (In the Next Galaxy)
Once you familiarize yourself with your tools, you should forget about them. It will only throw you off-balance. In all these ‘rolling shit into little balls’ types who spend hours of time and reams of paper saying nothing, literary masturbators, they concentrate on the vehicle more than what they want to produce. That impedes the end result and defeats the purpose. You must lose consciousness of the medium or mechanics to do the impossible. Like Nijinsky who explained how he gave the impression of hovering in mid-air – ‘I just pause when I get there.’ In a child-like way, real magicians innocently do the simplest thing. The objective is all they think about. I just want to make music the way I hear it. The ends justify the means, and the means become inconsequential.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
You are worthy of this life, of this air I share with you, of this love we feel. You are worthy of it all.
Meghan Quinn (He's Not My Type (The Vancouver Agitators, #4))
It seems I have a singular taste for women who threaten me.
Holly Black (The Wicked King (The Folk of the Air, #2))
It was that fall type of day where the world feels like it’s about to change its mind on everything. Cicadas going why-why-why, the air lying still, all the fight gone out of summer.
Barbara Kingsolver (Demon Copperhead)
Battered and bloody, we join Cassius, Lysander, and Sevro before the door leading out of the Sovereign's inner sanctum as Cassius types in the Olympic code to open the doors. He pauses to sniff the air. 'What's that smell?' 'Smells like a sewer,' I say. Sevro stares intensely at the razors he's taken from Aja, including the one belonging to Lorn. 'I think it smells like victory.' 'Did you shit your pants?' Cassius squints at him. 'You did.' 'Sevro...' Mustang says. 'It's an involuntary muscle reaction when you're fake executed and swallow massive amounts ofhaemanthus oil,' Sevro snaps. 'You think I would do that on purpose?' Cassius and I look at each other. I shrug. 'Well, maybe.' 'Yeah, actually.' He flips us the crux and makes a face, twisting his lips till it looks like he's going to explode. 'What's happening?' I ask. 'Are you... still...' 'No!
Pierce Brown
Perhaps, I thought, while her words still hung in the air between us like a wisp of tobacco smoke—a thought to fade and vanish like smoke without a trace—perhaps all our loves are merely hints and symbols; a hill of many invisible crests; doors that open as in a dream to reveal only a further stretch of carpet and another door; perhaps you and I are types and this sadness which sometimes falls between us springs from disappointment in our search, each straining through and beyond the other, snatching a glimpse now and then of the shadow which turns the corner always a pace or two ahead of us.
Evelyn Waugh (Brideshead Revisited)
The time came to put Iris Duarte back on the plane. It was a morning flight which made it difficult. I was used to rising at noon; it was a fine cure for hangovers and would add 5 years to my life. I felt no sadness while driving her to L.A. International. The sex had been fine; there had been laughter. I could hardly remember a more civilized time, neither of us making any demands, yet there had been warmth, it had not been without feeling, dead meat coupled with dead meat. I detested that type of swinging, the Los Angeles, Hollywood, Bel Air, Malibu, Laguna Beach kind of sex. Strangers when you meet, strangers when you part—a gymnasium of bodies namelessly masturbating each other. People with no morals often considered themselves more free, but mostly they lacked the ability to feel or to love. So they became swingers. The dead fucking the dead. There was no gamble or humor in their game—it was corpse fucking corpse. Morals were restrictive, but they were grounded on human experience down through the centuries. Some morals tended to keep people slaves in factories, in churches and true to the State. Other morals simply made good sense. It was like a garden filled with poisoned fruit and good fruit. You had to know which to pick and eat, which to leave alone.
Charles Bukowski (Women)
He doesn’t look a violent type—so polite, and so patrician. You never hear him raise his voice.” She thought about it. “No, you don’t, do you?” It struck her that the Captain exuded an air of quiet command. His ‘orders’ were always delivered in polite terms, but very few people made the mistake of not carrying them out immediately. “I expect he doesn’t usually have to though.” She laughed. “You don’t get appointed to command a ship like the Vanguard unless you know how to get people to do what you want them to.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
He turns to the Council. 'Sounds like Foolish behavior to me, boys. I hereby nominate the human race for membership in the Council of Fools!' He raises both arms and shouts to the sky. 'Humanity! Join us! Join your masters! All opposed, say nay!" And then nothing but silence and Flip's panting as he strains, listening. 'There are no dissenting votes!' he cries. 'I hereby admit humanity to the Council of Fools!' He punches the air in triumph. 'Dude,' he says, grinning, 'I just upped our membership by six billion. Not bad, huh?
Barry Lyga (Hero-Type)
…anyway it wasn’t your reading that started this. It was the laugher, the carefree laughter, the three dimensional Coca Cola advertisement that you were, the try-anything-once friends, the imperviousness to all that came before you, the chain phone calls, the in-jokes, the instant success, the beach houses, the white lace underwear, the private dancing, the good-graced acceptance pf part-time shift work, the apparent absence of expectations, the ever-changing disposable cults of the rural, the family, the eastern, the modern, the postmodern, the impoverished, the sleekly deregulated, the orgasm, the feminine, the feminist, and then the way you canceled with the air of one making a salad
Elliot Perlman
Most white Americans had never met an Indian, but they were pretty sure they knew the Indians: a single primitive type, divided into named tribes, with a more or less common mass of “legends” and “lore” said to be characteristic of once-upon-a-time communities from New England to the Pacific Ocean.
Charles King (Gods of the Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century)
Every individual is multicultural; cultures are not monolithic islands but criss-crossed alluvial plains. Individual identity stems from the encounter of multiple collective identities within one and the same person; each of our various affiliations contributes to the formation of the unique creature that we are. Human beings are not all similar, or entirely different; they are all plural within themselves, and share their constitutive traits with very varied groups, combining them in an individual way. The cohabitation of different types of belonging within each one of us does not in general cause any problems- and this ought , in turn, to arouse admiration: like a juggler, we keep all the balls of our identity in the air at once, with the greatest ease! Individual identity results from the interweaving of several collective identities; it is not alone in this respect. What is the origin of the culture of a human group? The reply- paradoxically- is that it comes from previous cultures. A new culture arises from the encounter between several smaller cultures, or from the decomposition of a bigger culture, or from interaction with neighboring culture. There is never a human life prior to the advent of culture.
Tzvetan Todorov
But that’s a lie. Because this girl loves the guy. Like the ‘forever and always’ type of love. The ‘kids playing around outside while the parents have a quickie upstairs’ kind of love. Have you heard of that type?
Lauren Asher (Throttled (Dirty Air, #1))
Some recent work by E. Fermi and L. Szilárd, which has been communicated to me in manuscript, leads me to expect that the element uranium may be turned into a new and important source of energy in the immediate future. Certain aspects of the situation seem to call for watchfulness and, if necessary, quick action on the part of the Administration. ... This new phenomenon would also lead to the construction of bombs, and it is conceivable—though much less certain—that extremely powerful bombs of a new type may thus be constructed. A single bomb of this type, carried by boat or exploded in a port, might well destroy the whole port altogether with some of the surrounding territory. However, such bombs might well prove to be too heavy for transportation by air.
Albert Einstein
I swear my heart flutters when I see exactly who’s in front of me. My eyes slide over Jeremy’s impressive build, the jeans and leather jacket that hug his muscles, before they finally lock on his cold, blank face. While this isn’t particularly different from his usual expression, there’s something unusual now. An emotion so potent, it lingers in the air and strikes me in my bones. Wrath. It drips off Jeremy in a deranged manner as he clutches Steven with apparent nonchalance but hidden rage. The type that simmers beneath the surface and has dire consequences.
Rina Kent (God of Wrath (Legacy of Gods, #3))
But more than just awakening my hunger, breathing Narnian air awakens a desire for a particular type of meal, one with tasty food, good conversation, lots of joy and laughter and revelry and strategizing about how to defeat the White Witch. It makes me want to eat my bread with joy and drink my wine with a merry heart, because God approves (Eccles. 9:7).
Joe Rigney (Live Like A Narnian: Christian Discipleship in Lewis's Chronicles)
The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The
Henry James (The Ambassadors)
Deviance of any type, she argued, was no more than a mismatch between an individual’s way of navigating through life and the catalog of behaviors and emotions that her society tended to prefer and value. Normalcy in any society was only an edited version of the grand text of all possible human behaviors; there was no reason to expect that every society would do the editing in precisely the same way. Ways of being in the world were abnormal only in the sense that the local context created “the psychic dilemmas of the socially unavailable.
Charles King (Gods of the Upper Air: How a Circle of Renegade Anthropologists Reinvented Race, Sex, and Gender in the Twentieth Century)
There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?
Adrienne Rich (Diving Into the Wreck)
I consider a tree. I can look on it as a picture: stiff column in a shock of light, or splash of green shot with the delicate blue and silver of the background. I can perceive it as movement: flowing veins on clinging, pressing pith, suck of the roots, breathing of the leaves, ceaseless commerce with earth and air—and the obscure growth itself. I can classify it in a species and study it as a type in its structure and mode of life. I can subdue its actual presence and form so sternly that I recognise it only as an expression of law — of the laws in accordance with which a constant opposition of forces is continually adjusted, or of those in accordance with which the component substances mingle and separate. I can dissipate it and perpetuate it in number, in pure numerical relation. In all this the tree remains my object, occupies space and time, and has its nature and constitution. It can, however, also come about, if I have both will and grace, that in considering the tree I become bound up in relation to it. The tree is now no longer It. I have been seized by the power of exclusiveness. To effect this it is not necessary for me to give up any of the ways in which I consider the tree. There is nothing from which I would have to turn my eyes away in order to see, and no knowledge that I would have to forget. Rather is everything, picture and movement, species and type, law and number, indivisibly united in this event. Everything belonging to the tree is in this: its form and structure, its colours and chemical composition, its intercourse with the elements and with the stars, are all present in a single whole. The tree is no impression, no play of my imagination, no value depending on my mood; but it is bodied over against me and has to do with me, as I with it — only in a different way. Let no attempt be made to sap the strength from the meaning of the relation: relation is mutual.
Martin Buber (I and Thou)
It’s as if an impossibly heavy lid has been lifted off his emotional life and suddenly he can breathe fresh air. It is physically possible to type and send a message reading: I love you! It had never seemed possible before, not remotely, but in fact it’s easy. Of course if someone saw the messages he would be embarrassed, but he knows now that this is a normal kind of embarrassment, an almost protective impulse towards a particularly good part of life.
Sally Rooney (Normal People)
He is a type of our best — our rarest. Electrical, I was going to say, beyond anyone, perhaps, ever was: charged, surcharged. Not a founder of new philosophies — not of that build. But a towering magnetic presence, filling the air about with light, warmth, inspiration. A great intellect, penetrating, in ways (on his field) the best of our time — to be long kept, cherished, passed on... It should not be surprising that I am drawn to Ingersoll, for he is 'Leaves of Grass.' He lives, embodies, the individuality I preach. 'Leaves of Grass' utters individuality, the most extreme, uncompromising. I see in Bob the noblest specimen —American-flavored—pure out of the soil, spreading, giving, demanding light. {Whitman's thought on his good friend, the great Robert Ingersoll}
Walt Whitman
They don’t want to have a good time, they merely want to slump into middle age as quickly as possible. After the frightful battle of getting her man to the altar, the woman kind of relaxes, and all her youth, looks, energy, and joy of life just vanish overnight. It was like that with Hilda. Here was this pretty, delicate girl, who’d seemed to me—and in fact when I first knew her she was—a finer type of animal than myself, and within only about three years she’d settled down into a depressed, lifeless, middle-aged frump
George Orwell (Coming up for Air)
I’m the type who needs more than a physical relationship with someone. I’m not the booze-and-banging type you usually hang around with. I can’t change who I am to be what you want.
Lauren Asher (Throttled (Dirty Air, #1))
just running and doing, like, fighting moves in the air—not really hitting each other, but more like at each other, lots of weird Ninja Turtle–type kicks,
Action Bronson (F*ck It, I'll Start Tomorrow: A True Story)
It is a real art to combine different types of pleasure and create a super pleasure, like reading a nice book inside a hot bathtub in an open air while the sun is setting!
Mehmet Murat ildan
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers. 'The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away. Small, smooth fingers pouring gold over gaping wounds. Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the craks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that nake incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes, Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won ' t let go. The Universe was built. The Universe fell. You took it apart, Draggd the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes, And now you're back. And so is the Universe, And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
si les Américains s'étaient donné autant de mal pour le désarmement que pour envoyer un pauvre type sur la lune, ou coller des rayures roses dans le dentifrice, on l'aurait depuis longtemps, le désarmement. (...) le plus grand péché de l'Occident était de croire qu'il pouvait foutre en l'air le système soviétique par une surenchère dans la course aux armements, parce que dans ce cas-là, on jouait avec le destin de l'humanité. Et qu'en mettant sabre au clair, l'Ouest avait fourni un bon prétexte aux dirigeants soviétiques pour garder leur rideau baissé et instituer un État militaire. (chapitre 4)
John le Carré (The Russia House)
It was nice and quaint and humble and had that air of classic Southern hospitality, but it wasn’t the type of place where you wanted to spend your whole life unless your whole life was already behind you.
Ania Ahlborn (Seed)
And there was something familiar about the cadence of the words. The language. It was him. I wrote: I know who you are. I recognize your voice. by kidzero I felt a little dizzy after I sent it, maybe because I had been holding my breath. A new message pinged and the air rushed out of me like a deflated balloon. you shouldn't be talking to strangers anyway. who am I? by anonymous I didn't really know his name or anything about him, but I couldn't admit that now. I wanted to keep talking to him. I quickly typed: You are the Unidentified. The Unidentified refuses to be typecast, target-marketed, corporate-identified, defined. by kidzero
Rae Mariz (The Unidentified)
He had had to work hard and steadily for his examination, and came home looking rather paler than a man of his blond, rosy type should do. Dr. Heidekind scolded, and insisted on a change of air; a complete change, not a stay at Norderney or Wyk on Föhr—that would not mend matters this time, he said; if they wanted his advice, it was that Hans Castorp should go for a few weeks to the high mountains before he took up his work in the yards.
Thomas Mann (The Magic Mountain)
It was one of those red-gold early October days, the air crisp and tart as heady as applejack, and even at dawn the sky was the clear, purplish blue that only the finest of autumn days brings. There are maybe three such days in a year. I sang as I lifted my traps, and my voice bounced off the misty banks of the Loire like a challenge. It was the mushroom season, so after I had brought my catch back to the farm and cleaned it out, I took some bread and cheese for breakfast and set out into the woods to hunt for mushrooms. I was always good at that. Still am, to tell the truth, but in those days I had a nose like a truffle pig's. I could smell those mushrooms out, the gray chanterelle and the orange, with its apricot scent, the bolet and the petit rose and the edible puffball and the brown-cap and the blue-cap. Mother always told us to take our mushrooms to the pharmacy to ensure we had not gathered anything poisonous, but I never made a mistake. I knew the meaty scent of the bolet and the dry, earthy smell of the brown-cap mushroom. I knew their haunts and breeding grounds. I was a patient collector.
Joanne Harris (Five Quarters of the Orange)
I hurled myself under the covers, naked and half wet, grabbing my phone on the way. - don't come nevermind - I heard a phone dine from the living room and, soon after, a voice so close it shocked me. "Too late," Jonathan said. "Your front door was open." -go away - a blast of cold air hit me as the covers were moved, and in the next breath, I caught his new scent. He pulled the covers over us just as his phone dinged. He pressed his front to my back, spooning me, this clothes taking on the dampness I hadn't gotten around to toweling off. "I'm sorry Monica. He put his face in my wet hair and draped his arm around me. "Ah. What's this text I have here? It says go away." I sniffled. He slid his arm under my neck and held the phone in front of our faces with both hands. His breath tickled my ear. "Let me text back. Hang on." -I'd rather be here for you - I waited for it to appear on my phone. He nuzzled into the hair pooling at the back of my neck as i typed back. - And then what? - His fingers flew across the glass. - And let's talk about the rest later. Today, you are the goddess my universe revolves around. -
C.D. Reiss (Submit (Songs of Submission, #3))
A TREE gives glory to God by being a tree. For in being what God means it to be it is obeying Him. It “consents,” so to speak, to His creative love. It is expressing an idea which is in God and which is not distinct from the essence of God, and therefore a tree imitates God by being a tree. The more a tree is like itself, the more it is like Him. If it tried to be like something else which it was never intended to be, it would be less like God and therefore it would give Him less glory. No two created beings are exactly alike. And their individuality is no imperfection. On the contrary, the perfection of each created thing is not merely in its conformity to an abstract type but in its own individual identity with itself. This particular tree will give glory to God by spreading out its roots in the earth and raising its branches into the air and the light in a way that no other tree before or after it ever did or will do. Do
Thomas Merton (New Seeds of Contemplation)
Second hand books had so much life in them. They'd lived, sometimes in many homes, or maybe just one. They'd been on airplanes, traveled to sunny beaches, or crowded into a backpack and taken high up a mountain where the air thinned. "Some had been held aloft tepid rose-scented baths, and thickened and warped with moisture. Others had child-like scrawls on the acknowledgement page, little fingers looking for a blank space to leave their mark. Then there were the pristine novels, ones that had been read carefully, bookmarks used, almost like their owner barely pried the pages open so loathe were they to damage their treasure. I loved them all. And I found it hard to part with them. Though years of book selling had steeled me. I had to let them go, and each time made a fervent wish they'd be read well, and often. Missy, my best friend, said I was completely cuckoo, and that I spent too much time alone in my shadowy shop, because I believed my books communicated with me. A soft sigh here, as they stretched their bindings when dawn broke, or a hum, as they anticipated a customer hovering close who might run a hand along their cover, tempting them to flutter their pages hello. Books were fussy when it came to their owners, and gave off a type of sound, an almost imperceptible whirr, when the right person was near. Most people weren't aware that books chose us, at the time when we needed them.
Rebecca Raisin (The Little Bookshop on the Seine (The Little Paris Collection, #1; The Bookshop, #2))
Now, in all that he has done, Amos Tutuola is not sui generis. Is he ungrammatical? Yes. But James Joyce is more ungrammatical than Tutuola. Ezekiel Mphahlele has often said and written that African writers are doing violence to English. Violence? Has Joyce not done more violence to the English Language? Mark Twain's Huckleberry Finn is written in seven dialects, he tells us. It is acknowledged a classic. We accept it, forget that it has no "grammar", and go ahead to learn his "grammar" and what he has to tell us. Let Tutuola write "no grammar" and the hyenas and jackals whine and growl. Let Gabriel Okara write a "no grammar" Okolo. They are mum. Why? Education drives out of the mind superstition, daydreaming, building of castles in the air, cultivation of yarns, and replaces them with a rational practical mind, almost devoid of imagination. Some of these minds having failed to write imaginative stories, turn to that aristocratic type of criticism which magnifies trivialities beyond their real size. They fail to touch other virtues in a work because they do not have the imagination to perceive these mysteries. Art is arbitrary. Anybody can begin his own style. Having begun it arbitrarily, if he persists to produce in that particular mode, he can enlarge and elevate it to something permanent, to something other artists will come to learn and copy, to something the critics will catch up with and appreciate.
Taban Lo Liyong
I was nearly to the end of the alley when an arm snaked around my waist and yanked me backward, out of the light. I wasn't sure if it was an Eye or a Prodigium, or just your run-of-the-mill rapist.scumbag type, but it was definitely a guy. He was several inches taller than me, and I could hear his ragged breathing in my ear as he struggled to hold me. There was no way I'd be able to do a spell on him: I was too tired and too frazzled. But while I didn't have magic, I did have a whole bunch of the Vandy's Defense classes on my side. Skill Nine, you asshat,I thought as I drove my elbow back,while at the same time attempting to drive my boot heel as hard as I could into his instep. He blocked both easily, pulling his torso back from my elbow even as he tightened his grip on my waist, lifting me slightly off the ground so my heel came down harmlessly on thin air. For a second I felt real panic. Anyone who could black Prodigium Defense moves was a lot more dangerous than some random pervert. I was about to try Skill Fifteen, which involved both breaking his nose and potentially ending his chances of ever having kids, when my captor bent down and whispered in my ear, "Don't even think about it, Mercer.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Shart just bowed his head.  “You are an idiot.  Mages focus on a SINGLE type of magic.  Most of them learn about the Elemental schools like fire, for offense, earth, for defense, air, for movement, or water, for healing.  You are focused on Farts!
Ryan Rimmel (Village of Noobtown (Noobtown, #2))
Vivi and Heather take them out for bubble tea. There are no actual bubbles. Instead, he is served toothsome balls soaked in a sweet, milky tea. Vivi orders grass jelly, and Heather gets a lavender drink that is the colour of the flowers and just as fragrant. Cardan is fascinated and insists on having a sip of each. Then he eats a bite of the half-dozen types of dumplings they order- mushroom, cabbage and pork, cilantro and beef, hot-oil chicken dumplings that numb his tongue, then creamy custard to cool it, along with sweet red bean that sticks to his teeth. Heather glares at Cardan as though he bit the head off a sprite in the middle of a banquet. 'You can't eat some of a dumpling and put it back,' Oak insists. 'That's revolting.' Cardan considers villainy takes many forms, and he is good at all of them. Jude stabs the remainder of the bean bun with a single chopstick, popping it into her mouth and chewing with obvious satisfaction. 'Gooh,' she gets out when she notices the others looking at her. Vivi laughs and orders more dumplings.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
There was a sudden awkwardness between them, so thick it permeated the air around them. "Ahhh," Nick said as he understood why they weren't explaining it. As the old saying went, opposites attract. "You two are special friends." Kyrian frowned. "How do you mean?" Acheron passed a peeved look to Kyrian. "He thinks we're a couple." Kyrian took a step away from Acheron. "No. No. No. Definitely not. Not that Acheron is not an attractive man, not that I've ever really noticed whether or not he's attractive, but male is not my type.
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
At the secret desert lab, scientists had devised two atomic bomb designs: an implosion type using plutonium, and a gun type using uranium. Parsons’s primary assignment was the assembly of the gun-type uranium bomb. He would actually complete that job inside the belly of the Enola Gay, the B-29 Superfortress that would deliver the bomb to its target. Because B-29s had a proclivity for crashing on takeoff, and because the uranium bomb was so dangerous, Groves decided that the “gadget,” as they called it, must be assembled in the air.
Lynn Vincent (Indianapolis: The True Story of the Worst Sea Disaster in U.S. Naval History and the Fifty-Year Fight to Exonerate an Innocent Man)
What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.
Carolyn Forché
Around eleven o’clock he began to type. This went very slowly at first – individual clacks followed by spaces of silence, some as long as fifteen seconds. It was the aural equivalent of an island archipelago seen from the air – a chain of low humps broken by broad swaths of blue.
Stephen King (Misery)
When I say that grief is a kind of learning, I don’t mean learning something easy. This is not like mastering a specific skill such as riding a bike, learning how to keep our balance and how to use the brakes. This type of learning is like traveling to an alien planet and learning that the air cannot be breathed, and therefore you need to remember to wear oxygen all the time. Or that the day has thirty-two hours, even though your body continues operating as though it has twenty-four. Grief changes the rules of the game, rules that you thought you knew and had been using until this point.
Mary-Frances O'Connor (The Grieving Brain: The Surprising Science of How We Learn from Love and Loss)
Nothing of the sort. I knew you came from Afghanistan. From long habit the train of thoughts ran so swiftly through my mind, that I arrived at the conclusion without being conscious of intermediate steps. There were such steps, however. The train of reasoning ran, 'Here is a gentleman of a medical type, but with the air of a military man. Clearly an army doctor, then. He has just come from the tropics, for his face is dark, and that is not the natural tint of his skin, for his wrists are fair. He has undergone hardship and sickness, as his haggard face says clearly. His left arm has been injured. He holds it in a stiff and unnatural manner. Where in the tropics could an English army doctor have seen much hardship and got his arm wounded? Clearly in Afghanistan.' The whole train of thought did not occupy a second. I then remarked that you came from Afghanistan, and you were astonished.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
When the extraverted were with someone who was highly introverted, they liked not having to be so cheerful. And the introverted found conversing with the extraverted “a breath of fresh air.” The picture we gain from Thorne is that each type contributes something to this world that is equally important.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
Differentiated affects have the further advantage of charm and elegance. They spread about them an air that is aesthetic and beneficial. A surprising number of extraverts practise an art—chiefly music—not so much because they are specially qualified for it as from a desire to make their contribution to social life. Nor is their fault-finding always unpleasant or altogether worthless. Very often it is no more than a well-adapted educative tendency which does a great deal of good. Equally, their dependence on the judgment of others is not necessarily a bad thing, as it often conduces to the suppression of extravagances and pernicious excesses which in no way further the life and welfare of society. It would be altogether unjustifiable to maintain that one type is in any respect more valuable than the other. The types are mutually complementary, and their differences generate the tension that both the individual and society need for the maintenance of life.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)
Write me a story, Kitt,” she whispered, kissing his brow, the hollow of his cheek. His lips and his throat, until she felt like love was an axe that had cleaved her chest open. Her very heart was beating in the air. “Write me a story where you keep me up late every night with your typing, and I hide messages in your pockets for you to find while you’re at work. Write me a story where we first met on a street corner, and I spilled coffee on your expensive trench coat, or when we crossed paths at our favorite bookshop, and I recommended poetry, and you recommended myths. Or that time when the deli got our sandwich orders wrong, or when we ended up sitting next to each other at the ball game, or I dared to take the train west just to see how far I could go, and you just so happened to be there too.” She swallowed the ache in her throat, leaning back to meet his gaze. Gently, as if he were a dream, she touched his hair. She smoothed the dark tendrils from his brow. “Write me a story where there is no ending, Kitt. Write to me and fill my empty spaces.” Ronan held her gaze, desperation gleaming in his eyes. An expression flickered over his face, one she had never seen before. It looked like both pleasure and pain, like he was drowning in her and her words. They were iron and salt, a blade and a remedy, and he was taking a final gasp of air.
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
They all watched as Genya checked his pulse, his breathing. She shook her head. “Zoya,” said Sturmhond. His voice had the ring of command. Zoya sighed and pushed up her sleeves. “Unbutton his shirt.” “What are you doing?” Kaz asked as Genya undid Kuwei’s remaining buttons. His chest was narrow, his ribs visible, all of it spattered with the pig’s blood they’d encased in the wax bladder. “I’m either going to wake up his heart or cook him from the inside out,” said Zoya. “Stand back.” They did their best to obey in the cramped space. “What exactly does she mean by that?” Kaz asked Nina. “I’m not sure,” Nina admitted. Zoya had her hands out and her eyes closed. The air felt suddenly cool and moist. Inej inhaled deeply. “It smells like a storm.” Zoya opened her eyes and brought her hands together as if in prayer, rubbing her palms against each other briskly. Nina felt the pressure drop, tasted metal on her tongue. “I think … I think she’s summoning lightning.” “Is that safe?” asked Inej. “Not remotely,” said Sturmhond. “Has she at least done it before?” said Kaz. “For this purpose?” asked Sturmhond. “I’ve seen her do it twice. It worked splendidly. Once.” His voice was oddly familiar, and Nina had the sense they’d met before. “Ready?” Zoya asked. Genya shoved a thickly folded piece of fabric between Kuwei’s teeth and stepped back. With a shudder, Nina realized it was to keep him from biting his tongue. “I really hope she gets this right,” murmured Nina. “Not as much as Kuwei does,” said Kaz. “It’s tricky,” said Sturmhond. “Lightning doesn’t like a master. Zoya’s putting her own life at risk too.” “She didn’t strike me as the type,” Kaz said. “You’d be surprised,” Nina and Sturmhond replied in unison. Again, Nina had the eerie sensation that she knew him. She saw that Rotty had squeezed his eyes shut, unable to watch. Inej’s lips were moving in what Nina knew must be a prayer. A faint blue glow crackled between Zoya’s palms. She took a deep breath and slapped them down on Kuwei’s chest.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
Words exist. What are they made of? Air under pressure? Ink? Some instances of the word "cat" are made of ink, and some are made of bursts of acoustic energy in the atmosphere, and some are made of patterns of glowing dots on computer screens, and some occur silently in thoughts, and what they have in common is just that they count as "the same" (tokens of the same type, as philosophers say) say in a system of symbols known as a language. Words are such familiar items in our language-drenched world that we tend to think of them as if they were unproblematically tangible things - as real as teacups and raindrops - but they are in fact quite abstract, even more abstract than voices or songs or haircuts or opportunities (and what are they made off?). What are words? Words are basically information packets of some sort, recipes for using one's vocal apparatus and ears (or hands or eyes) - and brains - in quite specific ways. A world is more than a sound or a spelling. For instance, fast sounds the same and is spelled the same in English and German, but has completely different meanings and roles in the two languages. Two different worlds, sharing only some of their surface properties. Words exist. Do memes exist? Yes, because words exist, and words are memes that can be pronounced.
Daniel C. Dennett (Breaking the Spell: Religion as a Natural Phenomenon)
Cordelia – “Why so rough?” Aral – “It’s very poor. It was the town center during the time Isolation. And it hasn’t been touched by renovation, minimal water, no electricity choked with refuse.” “Mostly human,” added Peoter tartly. “Poor?” Asked Cordelia bewildered. “No electricity? How can it be on the comm network?” “It’s not of course,” answered Vorkosigan. “Then how can anyone get their schooling?” Cordelia “They don’t.” Cordelia stared. “I don’t understand, how do they get their jobs?” “A few escape to the service, the rest prey on each other mostly.” Vorkosigan regarded her face uneasily. “Have you no poverty on Beta colony?” “Poverty? Well some people have more money than others, but no comm consuls…?” Vorkosigan was diverted from his interrogation. “Is not owning a comm consul the lowest standard of living you can imagine?” He said in wonder. “It’s the first article in the constitution! ‘Access to information shall not be abridged.’” “Cordelia, these people barely have access to food, clothing and shelter. They have a few rags and cooking pots and squat in buildings that aren’t economical to repair or tear down yet with the wind whistling through the walls.” “No air conditioning?” “No heat in the winter is a bigger problem here.” “I suppose so. You people don’t really have summer. How do they call for help when they are sick or hurt?” “What help?” Vorkosigan was growing grim. “If they’re sick they either get well or die.” “Die if we’re lucking” muttered Veoter. “You’re not joking.” She stared back and forth between the pair of them. “Why, think of all the geniuses you must missing!” “I doubt we must be missing very many from the Caravanceri.” Said Peoter dryly. “Why not? They have the same genetic compliment as you.” Cordelia pointed out the – to her -obvious. The Count went rigid. “My dear girl, they most certainly do not. My family has been Vor for nine generations.” Cordelia raised her eyebrows. “How do you know if you didn’t have the gene-typing until 80 years ago?” Both the guard commander and the footman were acquiring peculiar stuffed expressions. The footman bit his lip. “Besides,” she pointed out reasonably, “If you Vor got around half as much as those histories I’ve been reading imply. 90% of the people on this planet must have Vor blood by now. Who knows who your relatives are on your father’s side. Vorkosigan bit his napkin absently. His eyes gone crinkly with much the same expression as the footman and muttered, “Cordelia, you really can’t sit at the breakfast table and imply my ancestors were bastards. It’s a mortal insult here.” “Where should I sit? Oh I’ll never understand.
Lois McMaster Bujold (Barrayar (Vorkosigan Saga, #7))
Earth (481-640) People with this personality type are likely to become successful leaders. You tend to be more disciplined and careful at planning tasks. Loyalty and trust are important equations in your relationships hence they prove to be your strength in hard times. You respect others and keep people united which makes people flourish under your leadership. Earth signs are efficient decision makers hence always remain firm on the step they took.
Marie Max House (Which Element are You?: Fire, Water, Earth or Air)
It is a hall of mirrors, if the bending surfaces warped a voice instead of a reflection. The first message tells them to WHISPER, the word stenciled on the wall in small, black type, and when Addie whispers “I have a secret,” the words bend and loop and wrap around them. The next tells them to SHOUT, this stenciled word as large as the wall it’s written on. Henry can’t bring himself to go above a small, self-conscious holler, but Addie draws a breath and roars, the way you would beneath a bridge if a train was going by, and something in the fearless freedom of it gives him air, and suddenly he is emptying his lungs, the sound guttural and broken, as wild as a scream. And Addie doesn’t shrink away. She simply raises her voice, and together they shout themselves breathless, they scream themselves hoarse, they leave the cubes feeling dizzy and light. His lungs will hurt tomorrow, and it will be worth it.
Victoria Schwab (The Invisible Life of Addie LaRue)
We seem afraid of the natural forces. John Burroughs puts it well, says, if the American is only dry, he is not content to take a drink of pure cold water, but must put sugar into it, or a flavor. To me, these things—the things of which these are the type—are the prominent dangers in the future of our America. The exhilaration of such freedom—the going and coming—the being master of yourself and of the road! No one who is not a walker can begin to know it! Oh! the long, long walks, way into the nights!—in the after hours—sometimes lasting till two or three in the morning! The air, the stars, the moon, the water—what a fullness of inspiration they imparted!—what exhilaration! And there were the detours, too—wanderings off into the country out of the beaten path: I remember one place in Maryland in particular to which we would go. How splendid, above all, was the moon—the full moon, the half moon: and then the wonder, the delight, of the silences.
Walt Whitman (Walt Whitman Speaks: His Final Thoughts on Life, Writing, Spirituality, and the Promise of America: A Library of America Special Publication)
A question is not a supplication, an entreaty, nor a velleity for knowledge just put out in the air; it is already an order, a command. (Beggars, the destitute, pupils, factory workers, enlisted soldiers, prisoners, and patients have no right to question; they can only entreat.) A question commands a certain focus of attention, a selection of resources on hand, a certain type of language. It lays down a direction; it imposes a directive to think further down a certain track.
Alphonso Lingis (Dangerous Emotions)
If the human race survives, a group of archeologists will someday discover a circle of the tools I’ve launched into the air in frustration. They’ll conclude that a small cult called "the Tool Hurlers" once occupied this ground. I've learned to leave skilled work to young men. Muscular types with tool belts and tattoos, and a barely concealed disdain for the tottering old fool who doesn't realize a simple clockwise twist of an 11/16ths deep socket wrench would have fixed the problem. I do actually own that wrench, but I use it for slide guitar.
Garnet Rogers (6 Crows Gold)
Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.
Carl Sandburg (Selected Poems)
Humility is a virtue we admire in others and desire most in our family members, closest friends, and confidants. Unlike pompous people, the humble are a breath of fresh air. Unlike approval junkies, the humble are low maintenance and approachable. Though not perfect, they are generally kind, modest, agreeable, respectful, and deferential in nature. They treat others as being more significant than themselves.[9] Best of all, you never sense that humble people want to be your rivals. They aren’t the type to put you in your place. Even when they disagree with you, you sense that they are in your corner. They respect your dignity. They will not disparage your dignity or reputation, nor will they take sides with you in disparaging somebody else. They don’t need to, because ironically, humble people are also among the most confident. They possess a solid inner core and are among the most secure, emotionally healthy people in the world. They make you want to be a better human being. By their mere presence they call you to higher ground . . . to be and become the very best version of yourself, the person that God has created you to be.
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
SOMETIMES LAURENCE ZONED out and imagined walking on another Earth-like planet. The weird gravity. The different mix of oxygen, carbon, and nitrogen in the air. Types of life that might defy our definitions of “plant” or “animal.” More than one moon, maybe more than one sun. His heart could burst, just with the newness of it: digging bare feet into soil that no human toes had ploughed, under a brazen sky that proclaimed all the things we had thought our limits were merely our prejudices. And then he snapped back, to the reality that his team was stuck: no closer to opening up the final frontier than a year earlier.
Charlie Jane Anders (All the Birds in the Sky)
Basically, live foods are those that are created through the natural interaction of the sun, air, soil and water. What I’m talking about here is a vegetarian diet. Fill your plate with fresh vegetables, fruits and grains and you might just live forever.” “Is that possible?” “Most of the sages were well over one hundred and they showed no signs of slowing down, and just last week I read in the paper about a group of people living on the tiny island of Okinawa in the East China Sea. Researchers are flocking to the island because they are fascinated by the fact that it holds the largest concentration of centenarians in the world.” “What have they learned?” “That a vegetarian diet is one of their main longevity secrets.” “But is this type of diet healthy? You wouldn’t think that it would give you much strength. Remember, I’m still a busy litigator, Julian.” “This is the diet that nature intended. It is alive, vital and supremely healthy. The sages have lived by this diet for many thousands of years. They call it a sattvic, or pure diet. And as to your concern about strength, the most powerful animals on the planet, ranging from gorillas to elephants, wear the badge of proud vegetarians. Did you know that a gorilla has about thirty times the strength of a man?
Robin Sharma (The Monk Who Sold His Ferrari: A Fable About Fulfilling Your Dreams & Reaching Your Destiny)
The goal of Combined Intelligence Objectives Subcommittee was to investigate all things related to German science. Target types ran the gamut: radar, missiles, aircraft, medicine, bombs and fuses, chemical and biological weapons labs. And while CIOS remained an official joint venture, there were other groups in the mix, with competing interests at hand. Running parallel to CIOS operations were dozens of secret intelligence-gathering operations, mostly American. The Pentagon’s Special Mission V-2 was but one example. By late March 1945, Colonel Trichel, chief of U.S. Army Ordnance, Rocket Branch, had dispatched his team to Europe. Likewise, U.S. Naval Technical Intelligence had officers in Paris preparing for its own highly classified hunt for any intelligence regarding the Henschel Hs 293, a guided missile developed by the Nazis and designed to sink or damage enemy ships. The U.S. Army Air Forces (AAF) were still heavily engaged in strategic bombing campaigns, but a small group from Wright Field, near Dayton, Ohio, was laying plans to locate and capture Luftwaffe equipment and engineers. Spearheading Top Secret missions for British intelligence was a group of commandos called 30 Assault Unit, led by Ian Fleming, the personal assistant to the director of British naval intelligence and future author of the James Bond novels. Sometimes, the members of these parallel missions worked in consort with CIOS officers in the field.
Annie Jacobsen (Operation Paperclip: The Secret Intelligence Program that Brought Nazi Scientists to America)
He tells me of experiments his team is developing to monitor the spark of recognition in the brain as people look at online ads. The test focus on a brain wave called P300. (The U.S. Navy has run similar tests to see how pilots distinguish friends from foes in the air.) If a P300 wave heats up within a fraction of a second of a subject's seeing an ad, the Tacoda team will make the case that the viewer has not only looked at the spot but has processed it mentally. The next step? Figuring out which type of people process certain types of ads. Like other Numerati in a wide range of industries, Dave Morgan in scrutinizing humans and searching for hidden correlations. What do we do, he asks, that might predict what we'll do next?
Stephen Baker (The Numerati)
How kind of you to call,” commented my master somewhat acidly. But, though he could not explain his feeling, he was inwardly a little moved by that phrase about “the two parties most directly concerned.” Its slightly sentimental appeal made him feel as though a wraith of cool air had drifted through his sleeves on a hot and humid summer’s night. It is true that my master’s character is based on so firm an inborn bedrock of cold reserve and obstinacy that he is, by nature, one of this world’s wet blankets. Nevertheless, his nature is of a completely different type from that of the vicious, heartless products of modern civilization. The antique mold of his nature is clearly evidenced in the way in which he flares up at the slightest provocation.
Natsume Sōseki (I Am A Cat (Tuttle Classics))
He was a captain in the air force, and now he is CEO of a security company. I didn't have time to find out more about him, but I'm sure he can tell you anything you need to know." A wave of nausea crashed through Zara's gut when she recalled their conversation in the bar. I'll bet he's one of those wannabe military types who spends his weekends playing paintball with his geek friends, pretending he's the real deal. What had she been thinking? But that was the problem. She was always living in the moment, not thinking at all. "Thank you for your service," she mumbled, her cheeks burning. She could only hope he'd been as drunk as she'd been and didn't remember the slight. "Pleasure." The deep rumble of his voice made her toes curl. "I'm the real deal, after all.
Sara Desai (The Singles Table (Marriage Game, #3))
I was situated at that moment in the turning of the northern year, when the end of winter and the start of spring overlap like shingles on a roof and the natural world seems doubled in thickness and density. A slight shift in the direction of the wind cools the air a single degree, and suddenly a puddle of standing water is covered with a skin of ice that, seconds later, as the wind parts the clouds and opens the sky, melts in the sunlight. At this moment, all is change. Transformation seems permanent. I was trembling with a type of excitement that I had never felt before, a powerful mixture of anticipation and regret, as if I somehow knew that eternal gain and irretrievable loss were about to be parceled out equally—as if the idea of justice were about to be made a material thing.
Russell Banks (Cloudsplitter)
He really liked her—especially the way her femininity stimulated him. Alejandra was the type of girl that never let a boy entirely have her. If his lips tried to go for a random peck, she would turn the opposite way and smile a “no.” They would be seated at a restaurant and her peppy, shy voice would say, “Thank you for taking me here, but don’t expect anything.” He felt like he had her slippery heart in his hands, but never held it—instead her heart levitated, floating a few centimeters above his twitching fingertips, shining like a fickle disco ball, magnetized in the air by Alejandra’s masterfully crafted tension. She perfected this practice and learned it from her older sister. Except Alejandra felt that she was not as intelligent or gorgeous as other women, and that this prowess was all she had.
Kristian Ventura (A Happy Ghost)
Where were you yesterday?" "Yesterday? Where was I-let me see...." "I thought you took a powder." "Me? How could that be?" "You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit. "But you did leave town yesterday," said Ramona. "How do you know-are you having me tailed by a private eye?" "Miss Schwartz saw you in Grand Central with a valise in your hand." "Who? Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona." "Oh..." said Herzog. Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim. "Well, were you running away?" she said. "Why should I? You're a marvelous woman, Ramona." "In that case you're being very odd, Moses." "Well, I suppose I am one of the odder beasts." "But I know better than to be proud and demanding.” “Life has taught me to be humble." Moses shut his eyes and raised his brows. Here we go. "Perhaps you feel a natural superiority because of your education." "Education! But I don't know anything..." "Your accomplishments. You're in Who's Who. I'm only a merchant-a petit-bourgeois type." "You don't really believe this. Ramona." "Then why do you keep aloof, and make me chase you? I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement." "A high-minded intellectual ninny, square ..." "Who?" "Myself, I mean." She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.” “Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything. Ramona paused, and Herzog said, "It's true-I have a lot to learn.” Excerpt From: Bellow, Saul. “Herzog.” iBooks. This material may be protected by copyright.
Saul Bellow (Herzog)
Older plants send out volatiles to younger plants that contain within them information about chemical responses to predation. A bean plant, being fed upon by a spider mite, can analyze from its saliva just what type of spider mite is feeding on it. It then will craft a specific pheromone, releasing it from its leaf stomata as a volatile chemical into the air. That pheromone will call to the plant the exact predator that feeds on that particular spider mite. Older plants store this information as a kind of cultural learning that is then passed on to younger generations. Old growth plants are repositories of the acquired learning of the species. Cultural learning and transmission is, in reality, common throughout the Gaian system. Chimpanzees teach their young to collect termites with a stick, and how to make the stick.
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
In tantric practice one identifies with a yidam of a particular buddha family corresponding to one’s nature. For instance, if a yidam is associated with the ratna family, then he will be yellow in color and have symbolism characteristic of ratna. The types of mandalas given to you by your teacher depend upon the family to which you belong, whether you belong to the passionate family or the family of pride, or whether you have the quality of air or water in you. Generally one can feel that certain people have the quality of earth and solidness, and certain people have the quality of air, rushing here and there, and other people have the quality of warmth and a presence connected with fire. The mandalas are given to you so that you can identify yourself with your particular emotions which have the potential of transmuting into wisdom.
Chögyam Trungpa (Cutting Through Spiritual Materialism)
I, like most scientific types, came to believe in the possibility of a material conception of reality, an ultimately scientific worldview that would grant a complete metaphysics, minus outmoded concepts like souls, God, and bearded white men in robes. ... The problem, however, eventually became evident: to make science the arbiter of metaphysics is to banish not only God from the world but also love, hate, meaning—to consider a world that is self-evidently not the world we live in. That’s not to say that if you believe in meaning, you must also believe in God. It is to say, though, that if you believe that science provides no basis for God, then you are almost obligated to conclude that science provides no basis for meaning and, therefore, life itself doesn’t have any. In other words, existential claims have no weight; all knowledge is scientific knowledge.
Paul Kalanithi (When Breath Becomes Air)
But the most interesting part of Thorne’s experiment was how much the two types appreciated each other. Introverts talking to extroverts chose cheerier topics, reported making conversation more easily, and described conversing with extroverts as a “breath of fresh air.” In contrast, the extroverts felt that they could relax more with introvert partners and were freer to confide their problems. They didn’t feel pressure to be falsely upbeat. These are useful pieces of social information. Introverts and extroverts sometimes feel mutually put off, but Thorne’s research suggests how much each has to offer the other. Extroverts need to know that introverts—who often seem to disdain the superficial—may be only too happy to be tugged along to a more lighthearted place; and introverts, who sometimes feel as if their propensity for problem talk makes them a drag, should know that they make it safe for others to get serious.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Preparing a Mirror for Magic It’s best to perform some type of short ritual before using any mirror for magical purposes. Since mirrors are ruled by the element of water, we’ll use water to purify them. The process is simple. Do this ritual at night. You’ll need a vessel of some kind that’s larger than the mirror (a bucket, a large bowl, a bathtub, even a pond, river, or the ocean). Dip the mirror into the water. As you do this, say: What was here . . . Lift the mirror from the water. Say: I wash away. Do this thirteen times, each time completely submersing the mirror, then completely removing it from the water. If the moon is visible in the sky, hold the mirror up to receive its rays for a few moments. Dry the mirror. Holding it in your hands, say these or similar words: You are now a tool of magic. Assist me in my rites! Next, wrap the mirror in blue or white cloth and store in some special place until you have need of it.
Scott Cunningham (Earth, Air, Fire & Water: More Techniques of Natural Magic (Llewellyn's Practical Magick Series))
These samurai swords were made from a special type of steel called tamahagane, which translates as “jewel steel,” made from the volcanic black sand of the Pacific (this consists mostly of an iron ore called magnetite, the original material for the needle of compasses). This steel is made in a huge clay vessel four feet tall, four feet wide, and twelve feet long called a tatara. The vessel is “fired”—hardened from molded clay into a ceramic—by lighting a fire inside it. Once fired, it is packed meticulously with layers of black sand and black charcoal, which are consumed in the ceramic furnace. The process takes about a week and requires constant attention from a team of four or five people, who make sure that the temperature of the fire is kept high enough by pumping air into the tatara using a manual bellows. At the end the tatara is broken open and the tamahagane steel is dug out of the ash and remnants of sand and charcoal. These lumps of discolored steel are very unprepossessing, but they have a whole range of carbon content, some of it very low and some of it high. The samurai innovation was to be able to distinguish high-carbon steel, which is hard but brittle, from low-carbon steel, which is tough but relatively soft. They did this purely by how it looked, how it felt in their hands, and how it sounded when struck. By separating the different types of steel, they could make sure that the low-carbon steel was used to make the center of the sword. This gave the sword an enormous toughness, almost a chewiness, meaning that the blades were unlikely to snap in combat. On the edge of the blades they welded the high-carbon steel, which was brittle but extremely hard and could therefore be made very sharp. By using the sharp high-carbon steel as a wrapper on top of the tough low-carbon steel they achieved what many thought impossible: a sword that could survive impact with other swords and armor while remaining sharp enough to slice a man’s head off. The best of both worlds.
Mark Miodownik (Stuff Matters: Exploring the Marvelous Materials That Shape Our Man-Made World)
I've lived my whole life across the street from the Molinas, but this is the first time I set foot in Sugar. The theme inside is very gaudy. Twinkling lights shaped like icicles hanging from the ceiling. Red walls, just like the facade, the shade of Santa Claus's clothes. Glass shelves and counters polished until they sparkle, not one sign of fingerprints or kids' fogged breaths. There's a translucent wall in the back with display slots. Most are empty by now, but an assortment of bolos de rolo, Seu Romário's famous cakes, takes the main spot at the center. The special lighting shows off the traditionally super thin spiral layers--- twenty layers in this roll cake, he claims--- filled with guava and sprinkled with sugar granules that glisten like a dusting of crystals. The shelves to the right and left are packed with jujubas, bright candies, condensed milk puddings, cookies, broas, and sweet buns, filling the air with a strong, sweet perfume, the type you can actually taste. It's like being inside a candy factory.
Rebecca Carvalho (Salt and Sugar)
By the time Bond had taken in these details, he had come to within fifty yards of the two men. He was reflecting on the ranges of various types of weapon and the possibilities of cover when an extraordinary and terrible scene was enacted. Red-man seemed to give a short nod to Blue-man. With a quick movement Blue-man unslung his blue camera case. Blue-man, and Bond could not see exactly as the trunk of a plane-tree beside him just then intervened to obscure his vision, bent forward and seemed to fiddle with the case. Then with a blinding flash of white light there was the ear-splitting crack of a monstrous explosion and Bond, despite the protection of the tree-trunk, was slammed down to the pavement by a solid bolt of hot air which dented his cheeks and stomach as if they had been made of paper. He lay, gazing up at the sun, while the air (or so it seemed to him) went on twanging with the explosion as if someone had hit the bass register of a piano with a sledgehammer. When, dazed and half-conscious, he raised himself on one knee, a ghastly rain of pieces of flesh and shreds of blood-soaked clothing fell on him and around him, mingled with branches and gravel. Then a shower of small twigs and leaves. From all sides came the sharp tinkle of falling glass. Above in the sky hung a mushroom of black smoke which rose and dissolved as he drunkenly watched it. There was an obscene smell of high explosive, of burning wood, and of, yes, that was it – roast mutton. For fifty yards down the boulevard the trees were leafless and charred. Opposite, two of them had snapped off near the base and lay drunkenly across the road. Between them there was a still smoking crater. Of the two men in straw hats, there remained absolutely nothing. But there were red traces on the road, and on the pavements and against the trunks of the trees, and there were glittering shreds high up in the branches. Bond felt himself starting to vomit. It was Mathis who got to him first, and by that time Bond was standing with his arm round the tree which had saved his life.
Ian Fleming (Casino Royale (James Bond, #1))
ONCE it smiled a silent dell         Where the people did not dwell;         They had gone unto the wars,         Trusting to the mild-eyed stars,         Nightly, from their azure towers,         To keep watch above the flowers,         In the midst of which all day         The red sunlight lazily lay.         Now each visitor shall confess         The sad valley’s restlessness.         Nothing there is motionless—         Nothing save the airs that brood         Over the magic solitude.         Ah, by no wind are stirred those trees         That palpitate like the chill seas         Around the misty Hebrides!         Ah, by no wind those clouds are driven         That rustle through the unquiet Heaven         Unceasingly, from morn till even,         Over the violets there that lie         In myriad types of the human eye—         Over the lilies there that wave         And weep above a nameless grave!         They wave:—from out their fragrant tops         Eternal dews come down in drops.         They weep:—from off their delicate stems         Perennial tears descend in gems.
Edgar Allan Poe (The Poems of Edgar Allan Poe)
Why is programming fun? What delights may its practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his first mud pie, so the adult enjoys building things, especially things of his own design. I think this delight must be an image of God’s delight in making things, a delight shown in the distinctness and newness of each leaf and each snowflake. Second is the pleasure of making things that are useful to other people. Deep within, we want others to use our work and to find it helpful. In this respect the programming system is not essentially different from the child’s first clay pencil holder “for Daddy’s office.” Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. The programmed computer has all the fascination of the pinball machine or the jukebox mechanism, carried to the ultimate. Fourth is the joy of always learning, which springs from the nonrepeating nature of the task. In one way or another the problem is ever new, and its solver learns something; sometimes practical, sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet’s words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard and a display screen comes to life, showing things that never were nor could be. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
There they were! Politics again. “It’s a question I can’t get my mind on to,” he replied. “I’m out here personally because I needed a job. I cannot tell you why England is here or whether she ought to be here. It’s beyond me.” “Well-qualified Indians also need jobs in the educational.” “I guess they do; I got in first,” said Fielding, smiling. “Then excuse me again—is it fair an Englishman should occupy one when Indians are available? Of course I mean nothing personally. Personally we are delighted you should be here, and we benefit greatly by this frank talk.” There is only one answer to a conversation of this type: “England holds India for her good.” Yet Fielding was disinclined to give it. The zeal for honesty had eaten him up. He said, “I’m delighted to be here too—that’s my answer, there’s my only excuse. I can’t tell you anything about fairness. It mayn’t have been fair I should have been born. I take up some other fellow’s air, don’t I, whenever I breathe? Still, I’m glad it’s happened, and I’m glad I’m out here. However big a badmash one is—if one’s happy in consequence, that is some justification.
E.M. Forster (A Passage to India)
Having perfected his arrangements, he would get my pipe, and, lighting it, would hand it to me. Often he was obliged to strike a light for the occasion, and as the mode he adopted was entirely different from what I had ever seen or heard of before I will describe it. A straight, dry, and partly decayed stick of the Hibiscus, about six feet in length, and half as many inches in diameter, with a small, bit of wood not more than a foot long, and scarcely an inch wide, is as invariably to be met with in every house in Typee as a box of lucifer matches in the corner of a kitchen cupboard at home. The islander, placing the larger stick obliquely against some object, with one end elevated at an angle of forty-five degrees, mounts astride of it like an urchin about to gallop off upon a cane, and then grasping the smaller one firmly in both hands, he rubs its pointed end slowly up and down the extent of a few inches on the principal stick, until at last he makes a narrow groove in the wood, with an abrupt termination at the point furthest from him, where all the dusty particles which the friction creates are accumulated in a little heap. At first Kory-Kory goes to work quite leisurely, but gradually quickens his pace, and waxing warm in the employment, drives the stick furiously along the smoking channel, plying his hands to and fro with amazing rapidity, the perspiration starting from every pore. As he approaches the climax of his effort, he pants and gasps for breath, and his eyes almost start from their sockets with the violence of his exertions. This is the critical stage of the operation; all his previous labours are vain if he cannot sustain the rapidity of the movement until the reluctant spark is produced. Suddenly he stops, becoming perfectly motionless. His hands still retain their hold of the smaller stick, which is pressed convulsively against the further end of the channel among the fine powder there accumulated, as if he had just pierced through and through some little viper that was wriggling and struggling to escape from his clutches. The next moment a delicate wreath of smoke curls spirally into the air, the heap of dusty particles glows with fire, and Kory-Kory, almost breathless, dismounts from his steed.
Herman Melville
Not only resemblances exist in things whose analogy is obvious, as when we detect the type of the human hand in the flipper of the fossil saurus, but also in objects wherein there is great superficial unlikeness. Thus architecture is called "frozen music," by De Stael and Goethe. Vitruvius thought an architect should be a musician. "A Gothic church," said Coleridge, "is a petrified religion." Michael Angelo maintained, that, to an architect, a knowledge of anatomy is essential. In Haydn's oratorios, the notes present to the imagination not only motions, as, of the snake, the stag, and the elephant, but colors also; as the green grass. The law of harmonic sounds reappears in the harmonic colors. The granite is differenced in its laws only by the more or less of heat, from the river that wears it away. The river, as it flows, resembles the air that flows over it; the air resembles the light which traverses it with more subtile currents; the light resembles the heat which rides with it through Space. Each creature is only a modification of the other; the likeness in them is more than the difference, and their radical law is one and the same.
Ralph Waldo Emerson (Emerson: The Ultimate Collection)
I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna. He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind. "When will I see you again, my Lord?" He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye." "Even on earth?" He nods. "Especially there. It is a unique place. Even the gods pray to take birth there." "Why that, my Lord?" He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine. "One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion." "Will I get lost in this illusion, my Lord?" "Of course. It is to be expected. You will be lost for a long time.
Christopher Pike (Thirst No. 1: The Last Vampire, Black Blood, and Red Dice (Thirst, #1))
She wants you back.” Her gaze held his for a half-dozen heartbeats before she broke away, increasing her pace through the lobby and into the warm air of eastern Florida in January. Richard followed her, a dozen denials and rebuttals fighting for position. “She does not.” “Ooh, good retort. Prove it.” “She needs someone to cosign her paperwork, and I’m the only one she could think of to do it. I spend time here. Hence, Palm Beach.” “She needs—” “And,” he cut in, warming to the argument, “and, the Society here is the type she feels comfortable with, anyway. A good dozen of her Patty’s Pack friends have winter homes here. I can’t see her moving to Dirt, Nebraska. Can you?” Samantha dove into the Bentley that waited at the curb and actually hesitated a moment before she unlocked the passenger door for him. “No, but I can see her in Paris or Venice or Milan or New York,” she retorted. “But like you said, you’re here. And hey, Mr. Denial, if she has her Patty’s Pack friends in town, why is it again you’re being recruited to cosign?” Richard barely had time to close his door before she peeled away from the curb. “You’re jealous,” he announced. “You’re an asshole
Suzanne Enoch (Don't Look Down (Samantha Jellicoe, #2))
to an AirPort Express in his hospital room, announcing his surgery. He assured them that the type of pancreatic cancer he had “represents about 1% of the total cases of pancreatic cancer diagnosed each year, and can be cured by surgical removal if diagnosed in time (mine was).” He said he would not require chemotherapy or radiation treatment, and he planned to return to work in September. “While I’m out, I’ve asked Tim Cook to be responsible for Apple’s day to day operations, so we shouldn’t miss a beat. I’m sure I’ll be calling some of you way too much in August, and I look forward to seeing you in September.” One side effect of the operation would become a problem for Jobs because of his obsessive diets and the weird routines of purging and fasting that he had practiced since he was a teenager. Because the pancreas provides the enzymes that allow the stomach to digest food and absorb nutrients, removing part of the organ makes it hard to get enough protein. Patients are advised to make sure that they eat frequent meals and maintain a nutritious diet, with a wide variety of meat and fish proteins as well as full-fat milk products. Jobs had never done this, and he never would.
Walter Isaacson (Steve Jobs)
Sixth of Ten Elegies for Fire and Oxycodone The Greek myth goes like this you probably know it but I had to look it up Prometheus steals fire from Zeus and the other gods gives it to humans heaven's prowess now mortal Zeus sticks it to Prometheus cause he knows knowledge knows how sharp its edge can be chains him to a rock an eagle eating his liver all day the liver regenerates every morning the eagle keeps eating keeps eating keeps eating with the patent for Oxycontin set to run out in 2013 Purdue Pharma reformulates it gets a new patent lobbies the old drug illegal no one steals from the gods no one dulls the blade of knowledge - That summer my first desk job insurance intakes at a doctor's office the relief of air conditioning pharma reps catering our lunches released from the fear of dropping a ladder on a foreman of threading my thumbnail with another drill bit the good doc scheduled in five minute increments I retyped patient addresses all hill towns sixty miles off the waiting room so full and grumpy I wondered about the etymology of patient but never what makes a person drive hours through the mountains wait hours for a flicker with the doc I was not paid to wonder I quit before I ever typed your name
Robert Wood Lynn (Mothman Apologia)
Because of the extreme heat fission generates, the reactor core must be kept cool at all costs. This is particularly important with an RBMK, which operates at an, “astonishingly high temperature,” relative to other reactor types, of 500°C with hotspots of up to 700°C, according to British nuclear expert Dr. Eric Voice. A typical PWR has an operating temperature of about 275°C. A few different kinds of coolant are used in different reactors, from gas to air to liquid metal to salt, but Chernobyl’s uses the same as most other reactors: light water, meaning it is just regular water. The plant was originally going to be fitted with gas-cooled reactors, but this was eventually changed because of a shortage of the necessary equipment.75 Water is pumped into the bottom of the reactor at high pressure (1000psi, or 65 atmospheres), where it boils and passes up, out of the reactor and through a condensator that separates steam from water. All remaining water is pushed through another pump and fed back into the reactor. The steam, meanwhile, enters a steam turbine, which turns and generates electricity. Each RBMK reactor produces 5,800 tons of steam per hour.76 Having passed through this turbogenerator, the steam is condensed back into water and fed back to the pumps, where it begins its cycle again.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
the Man of Fancy preceded the company to another noble saloon, the pillars of which were solid golden sunbeams taken out of the sky in the first hour in the morning. Thus, as they retained all their living lustre, the room was filled with the most cheerful radiance imaginable, yet not too dazzling to be borne with comfort and delight. The windows were beautifully adorned with curtains made of the many-colored clouds of sunrise, all imbued with virgin light, and hanging in magnificent festoons from the ceiling to the floor. Moreover, there were fragments of rainbows scattered through the room; so that the guests, astonished at one another, reciprocally saw their heads made glorious by the seven primary hues; or, if they chose,—as who would not?—they could grasp a rainbow in the air and convert it to their own apparel and adornment. But the morning light and scattered rainbows were only a type and symbol of the real wonders of the apartment. By an influence akin to magic, yet perfectly natural, whatever means and opportunities of joy are neglected in the lower world had been carefully gathered up and deposited in the saloon of morning sunshine. As may well be conceived, therefore, there was material enough to supply, not merely a joyous evening, but also a happy lifetime, to more than as many people as that spacious apartment could contain.
Nathaniel Hawthorne (Mosses from an Old Manse)
In the Brhadāraṇyaka Upaniṣad7 the first form of the doctrine of transmigration is given. The souls of those who have lived lives of sacrifice, charity and austerity, after certain obscure peregrinations, pass to the World of the Fathers, the paradise of Yama; thence, after a period of bliss, they go to the moon; from the moon they go to empty space, whence they pass to the air, and descend to earth in the rain. There they “become food,… and are offered again in the altar fire which is man, to be born again in the fire of woman”, while the unrighteous are reincarnated as worms, birds or insects. This doctrine, which seems to rest on a primitive belief that conception occurred through the eating by one of the parents of a fruit or vegetable containing the latent soul of the offspring, is put forward as a rare and new one, and was not universally held at the time of the composition of the Upaniṣad. Even in the days of the Buddha, transmigration may not have been believed in by everyone, but it seems to have gained ground very rapidly in the 7th and 6th centuries B.C. Thus the magnificently logical Indian doctrines of saṃsāra, or transmigration, and karma, the result of the deeds of one life affecting the next, had humble beginnings in a soul theory of quite primitive type; but even at this early period they had an ethical content, and had attained some degree of elaboration. In
A.L. Basham (The Wonder That Was India: A Survey of the Culture of the Indian Sub-Continent Before the Coming of the Muslims)
The door opened with a creak, admitting a draft that stirred the air without refreshing it. The woman who entered was tall, commanding the space without effort, her presence a disruption in the grey uniformity. Long, coppery hair fell in rich, wavy cascades, textured as if tended with care from a bygone era; drowned in treatments and rich oils, evoking old TikTok reels of effortless glamour, a relic of abundance. Her lips were a vivid red, bold against the pallor of the day, and her eyes gleamed green, sharp with intent. She scanned the room once, then approached Nia's table, her movements fluid, accented by the subtle click of boots on worn tile and hugged her... ... Colonel Yelena Kuznetsova smelled nice, a fragrance of jasmine and sandalwood that evoked women before the war, polished and unscarred. Like a glitch in the matrix, a type of person that didn't exist anymore: curated, soft, vibrant, untarnished by the grind. And there Nia was, dark brown hair hanging lifelessly over her shoulders in messy cascades, grown out without trimming from a close shave that spoke of practicality over vanity; dressed in the same orange hoodie and leather jacket worn most of the time, smelling of coffee, rust, and ink. Her eyes were pale blue and tired, undereye bags taking more space than brows and eyes together, and her lips had not seen a Chapstick in a while, cracked from the persistent chill and humidity.
Džana Todosijević (The Crack (Maradok))
Outlawing drugs in order to solve drug problems is much like outlawing sex in order to win the war against AIDS. We recognize that people will continue to have sex for nonreproductive reasons despite the laws and mores. Therefore, we try to make sexual practices as safe as possible in order to minimize the spread of the AIDS viruses. In a similar way, we continually try to make our drinking water, foods, and even our pharmaceutical medicines safer. The ubiquity of chemical intoxicants in our lives is undeniable evidence of the continuing universal need for safer medicines with such applications. While use may not always be for an approved medical purpose, or prudent, or even legal, it is fulfilling the relentless drive we all have to change the way we feel, to alter our behavior and consciousness, and, yes, to intoxicate ourselves. We must recognize that intoxicants are medicines, treatments for the human condition. Then we must make them as safe and risk free and as healthy as possible. Dream with me for a moment. What would be wrong if we had perfectly safe intoxicants? I mean drugs that delivered the same effects as our most popular ones but never caused dependency, disease, dysfunction, or death. Imagine an alcohol-type substance that never caused addiction, liver disease, hangovers, impaired driving, or workplace problems. Would you care to inhale a perfumed mist that is as enjoyable as marijuana or tobacco but as harmless as clean air? How would you like a pain-killer as effective as morphine but safer than aspirin, a mood enhancer that dissolves on your tongue and is more appealing than cocaine and less harmful than caffeine, a tranquilizer less addicting than Valium and more relaxing than a martini, or a safe sleeping pill that allows you to choose to dream or not? Perhaps you would like to munch on a user friendly hallucinogen that is as brief and benign as a good movie? This is not science fiction. As described in the following pages, there are such intoxicants available right now that are far safer than the ones we currently use. If smokers can switch from tobacco cigarettes to nicotine gum, why can’t crack users chew a cocaine gum that has already been tested on animals and found to be relatively safe? Even safer substances may be just around the corner. But we must begin by recognizing that there is a legitimate place in our society for intoxication. Then we must join together in building new, perfectly safe intoxicants for a world that will be ready to discard the old ones like the junk they really are. This book is your guide to that future. It is a field guide to that silent spring of intoxicants and all the animals and peoples who have sipped its waters. We can no more stop the flow than we can prevent ourselves from drinking. But, by cleaning up the waters we can leave the morass that has been the endless war on drugs and step onto the shores of a healthy tomorrow. Use this book to find the way.
Ronald K. Siegel (Intoxication: The Universal Drive for Mind-Altering Substances)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
The Book I am thinking about would not be religious in the usual sense, but it would have to discuss many things with which religions have been concerned—the universe and man’s place in it, the mysterious center of experience which we call “I myself,” the problems of life and love, pain and death, and the whole question of whether existence has meaning in any sense of the word. For there is a growing apprehension that existence is a rat-race in a trap: living organisms, including people, are merely tubes which put things in at one end and let them out at the other, which both keeps them doing it and in the long run wears them out. So to keep the farce going, the tubes find ways of making new tubes, which also put things in at one end and let them out at the other. At the input end they even develop ganglia of nerves called brains, with eyes and ears, so that they can more easily scrounge around for things to swallow. As and when they get enough to eat, they use up their surplus energy by wiggling in complicated patterns, making all sorts of noises by blowing air in and out of the input hole, and gathering together in groups to fight with other groups. In time, the tubes grow such an abundance of attached appliances that they are hardly recognizable as mere tubes, and they manage to do this in a staggering variety of forms. There is a vague rule not to eat tubes of your own form, but in general there is serious competition as to who is going to be the top type of tube. All this seems marvelously futile, and yet, when you begin to think about it, it begins to be more marvelous than futile. Indeed, it seems extremely odd.
Alan W. Watts (The Book: On the Taboo Against Knowing Who You Are)
NATO paper: Modification of Tropospheric Propagation Conditions, detailed how the atmosphere could be modified to absorb electromagnetic radiation by spraying polymers behind high flying aircraft.  Absorbing microwaves transmitted by HAARP and other atmospheric heaters linked from Puerto Rico, Germany and Russia, these artificial mirrors could heat the air, inducing changes in the weather.  U.S. Patent # 4253190 describes how a mirror made of “polyester resin” could be held aloft by the pressure exerted by electromagnetic radiation from a transmitter like HAARP.   A PhD polymer researcher who wishes to remain anonymous told researcher William Thomas that if HAARP’s frequency output is matched to Earth’s magnetic field, its tightly beamed energy could be imparted to molecules “artificially introduced into this region.” This highly reactive state could then “promote polymerization and the formation of   new compounds,” he explained. Adding magnetic iron oxide powder to polymers exuded by many high flying aircraft can foster the heat generation needed to modify the weather.  Radio frequency absorbing polymers such as Phillips Ryton F 5 PPS are sensitive in the 1 50 MHz regime, HAARP transmits between two and 10 MHz.                  HAARP's U.S. Air Force and Navy sponsors claim that their transmitter will eventually be able to produce 3.6 million watts of radio frequency power. But on page 185 of an October 1991 “Technical Memorandum 195” outlining projected HAARP tests, there is a call by the ionospheric effects division of the U.S. Air Force Phillips Laboratory for HAARP to reach a peak power output of 100 billion watts. Commercial radio stations commonly broadcast at 50,000 watts.  Some hysterical reports state that HAARP type technologies will be used to initiate
Tim R. Swartz (The Lost Journals of Nikola Tesla: Time Travel - Alternative Energy and the Secret of Nazi Flying Saucers)
Many a time when I sat in the balcony, or hanging garden, on which my window opened, I have watched her rising in the air on her radiant wings, and in a few moments groups of infants below, catching sight of her, would soar upward with joyous sounds of greeting; clustering and sporting around her, so that she seemed a very centre of innocent delight. When I have walked with her amidst the rocks and valleys without the city, the elk-deer would scent or see her from afar, come bounding up, eager for the caress of her hand, or follow her footsteps, till dismissed by some musical whisper that the creature had learned to comprehend. It is the fashion among the virgin Gy-ei to wear on their foreheads a circlet, or coronet, with gems resembling opals, arranged in four points or rays like stars. These are lustreless in ordinary use, but if touched by the vril wand they take a clear lambent flame, which illuminates, yet not burns. This serves as an ornament in their festivities, and as a lamp, if, in their wanderings beyond their artificial lights, they have to traverse the dark. There are times, when I have seen Zee’s thoughtful majesty of face lighted up by this crowning halo, that I could scarcely believe her to be a creature of mortal birth, and bent my head before her as the vision of a being among the celestial orders. But never once did my heart feel for this lofty type of the noblest womanhood a sentiment of human love. Is it that, among the race I belong to, man’s pride so far influences his passions that woman loses to him her special charm of woman if he feels her to be in all things eminently superior to himself? But by what strange infatuation could this peerless daughter of a race which, in the supremacy of its powers and the felicity of its conditions, ranked all other races in the category of barbarians, have deigned to honour me with her preference?
Edward Bulwer-Lytton (The Coming Race)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
In September 1999, the Department of Justice succeeded in denaturalizing 63 participants in Nazi acts of persecution; and in removing 52 such individuals from this country. This appears to be but a small portion of those who actually were brought here by our own government. A 1999 report to the Senate and the House said "that between 1945 and 1955, 765 scientists, engineers, and technicians were brought to the United States under Overcast, Paperclip, and similar programs. It has been estimated that at least half, and perhaps as many as 80 percent of all the imported specialists were former Nazi Party members." A number of these scientists were recruited to work for the Air Force's School of Aviation Medicine (SAM) at Brooks Air Force Base in Texas, where dozens of human radiation experiments were conducted during the Cold War. Among them were flash-blindness studies in connection with atomic weapons tests and data gathering for total-body irradiation studies conducted in Houston. The experiments for which Nazi investigators were tried included many related to aviation research. Hubertus Strughold, called "the father of space medicine," had a long career at the SAM, including the recruitment of other Paperclip scientists in Germany. On September 24, 1995 the Jewish Telegraphic Agency reported that as head of Nazi Germany's Air Force Institute for Aviation Medicine, Strughold particpated in a 1942 conference that discussed "experiments" on human beings. The experiments included subjecting Dachau concentration camp inmates to torture and death. The Edgewood Arsenal of the Army's Chemical Corps as well as other military research sites recruited these scientists with backgrounds in aeromedicine, radiobiology, and opthamology. Edgewood Arsenal, Maryland ended up conducting experiments on more than seven thousand American soldiers. Using Auschwitz experiments as a guide, they conducted the same type of poison gas experiments that had been done in the secret I.G. Farben laboratories.
Carol Rutz (A Nation Betrayed: Secret Cold War Experiments Performed on Our Children and Other Innocent People)
Once unbound from the shackles of truth, Fox’s power came from what it decided to cover—its chosen narratives—and what it decided to ignore. Trump’s immature, erratic, and immoral behavior? His sucking up to Putin? His mingling of presidential business and personal profit? Fox talk shows played dumb and targeted the “deep state” instead. Conservative media types were like spiders, spinning webs and trying to catch prey. They insisted the real story was an Obama-led plot against Trump to stop him from winning the election. One night Hannity irrationally exclaimed, “This makes Watergate look like stealing a Snickers bar from a drugstore!” Another night he upped the hysteria, insisting this scandal “will make Watergate look like a parking ticket.” The following night he screeched, “This is Watergate times a thousand.” He strung viewers along, invoking mysterious “sources” who were “telling us” that “this is just the tip of the iceberg.” There was always another “iceberg” ahead, always another twist coming, always another Democrat villain to attack after the commercial break. Hannity and Trump were so aligned that, on one weird night in 2018, Hannity had to deny that he was giving Trump a sneak peek at his monologues after the president tweeted out, twelve minutes before air, “Big show tonight on @SeanHannity! 9: 00 P.M. on @FoxNews.” Political reporters fumbled for their remotes and flipped over to Fox en masse. Hannity raved about the “Mueller crime family” and said the Russia investigation was “corrupt” and promoted a guest who said Mueller “surrounded himself with literally a bunch of legal terrorists,” whatever that meant. Some reporters who did not watch Fox regularly were shocked at how unhinged and extreme the content was. But this was just an ordinary night in the pro-Trump alternative universe. Night after night, Hannity said the Mueller probe needed to be stopped immediately, for the good of the country. Trump’s attempts at obstruction flowed directly from his “Executive Time.
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
If, in the case of Amfortas and the union of spear and Grail, only the sexual problem is discerned, we get entangled in an insoluble contradiction, since the thing that harms is also the thing that heals. Such a paradox is true and permissible only when one sees the opposites as united on a higher plane, when one understands that it is not a question of sexuality, either in this form or in that, but purely a question of the attitude by which every activity, including the sexual, is regulated. Once again I must emphasize that the practical problem in analytical psychology lies deeper than sexuality and its repression. The latter point of view is no doubt very valuable in explaining the infantile and therefore morbid part of the psyche, but as an explanatory principle for the whole of the psyche it is quite inadequate. What lies behind sexuality or the power instinct is the attitude to sexuality or to power. In so far as an attitude is not merely an intuitive (i.e., unconscious and spontaneous) phenomenon but also a conscious function, it is, in the main, a view of life. Our conception of all problematical things is enormously influenced, sometimes consciously but more often unconsciously, by certain collective ideas that condition our mentality. These collective ideas are intimately bound up with the view of life and the world of the past centuries or epochs. Whether or not we are conscious of this dependence has nothing to do with it, since we are influenced by these ideas through the very air we breathe. Collective ideas always have a religious character, and a philosophical idea becomes collective only when it expresses a primordial image. Their religious character derives from the fact that they express the realities of the collective unconscious and are thus able to release its latent energies. The great problems of life, including of course sex, are always related to the primordial images of the collective unconscious. These images are balancing or compensating factors that correspond to the problems which life confronts us with in reality.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
Earth (481-640) People with this personality type are likely to become successful leaders. You tend to be more disciplined and careful at planning tasks. Loyalty and trust are important equations in your relationships hence they prove to be your strength in hard times. You respect others and keep people united which makes people flourish under your leadership. Earth signs are efficient decision makers hence always remain firm on the step they took. Fire: (400-300) Fire people are smart enthusiastic and energetic to be around. You are very competitive and curious, and more often very passionate about your goals and desires. Trusting people with a job or any important personal task is hard hence making emotional connections are difficult for you. making friends or getting a lover, your life is full of drama and there’s always a lot happening around you. You are intelligent and always find new ways to do things Water (160-320) Water people are kind and empathetic but sensitive. And you sometimes tend to become people pleasers. being quite impulsive and always in a hurry, you make decisions haphazardly. Water people are shy and introverted while partying around with friends on a weekend would be the last thing you want to do. You dread small talk and expressing yourself to a group of people is quite a demanding job. People feel relaxed in your presence you bring out the best in them. Decision-making can be demanding and you are sometimes regretful of overthinking and hence not capable of finding a firm decision. Air: (0-160) You have quite an entrancing personality. People are naturally drawn towards you and find your company comforting and friendly. Air signs are naturally smart and quite efficient in their workplace. While using your challenges and opportunities wisely you are likely to have great careers. you are good at advising your colleagues. But being bound in a relationship sometimes doesn’t seem to help you, rather you respect open free yet intimate emotional connections. Air people who are artistic and creative always look at things from a unique lens. So now you know your element.
Marie Max House (Which Element are You?: Fire, Water, Earth or Air)
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
There really were rabbits everywhere. They’d whoosh and bound past you in the blink of an eye, sometimes so fast that all you’d hear was the rapid thump thump on the ground before they were gone. They were as quick as the wind, and the only thing you really ever saw was their shadows as they skittered by. What impression did this give to us? Did it suggest the land was alive, vital and strong? Did it convey a sense of chaos, confusion and clamour? No, quite the opposite in fact, for the land seemed ever so silent. Indeed, I don’t know what other animal could’ve been as quiet as those wild rabbits. Although the wilderness was generally quiet, it took the appearance of the rabbits before you would become acutely aware of how quiet it really was. It was a sereneness that seemed more illusory than anything else - a type of nothingness, nothing but the wind and the grass, a rippling expanse that gifted a sense of kindness, the drifting clouds, thoughts dim and hazy. The instant the rabbits appeared, all of this nature awoke, the horizon suddenly shrank, and the air grew taut, ever so slightly. My heart followed suit, and so did my ears. My throat was empty, and all I could do was utter a gentle ah. That sound, let loose, became the most solid, most compact thing in the entire world. My body felt heavy, overwhelmingly so, and I was unable to move. But the rabbits bounded in front of me, racing back and forth, their gracefulness blending into the calmness of the land. Then another appeared, hopped up on a largish stone and stood motionless, its eyes directed towards me, peering into me. The silence of the scene increased tenfold. One more rabbit jumped into view and the quiet deepened yet again. They came, more and more, and as they did, all sound was evacuated from the world, transforming it into a clear, limpid pool of silence. I turned my head, a movement that now seemed magnified amid the stillness. My ah lingered in the air, not yet absorbed into the sweeping quiet of the landscape. It seemed to persist, perched just above the calm. I’d been enraptured by nature countless times before, caught in its web, unable to free myself, but I’ve never been able to put this into words. Nothing but my ah…I simply stood there in the midst of all of that confusion and clamour, the chaos swirling about, avid and avaricious. The silence encircled me, stealing the words from my throat. Countless times I’d praised the earth, the wild, but still I could not put into words that there was really no connection between us.
Li Juan
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Hell wasn’t what Rincewind had been led to expect, although there were signs of what it might once have been – a few clinkers in a corner, a bad scorch mark on the ceiling. It was hot, though, with the kind of heat that you get by boiling air inside an oven for years – Hell, it has been suggested, is other people. This has always come as a bit of a surprise to many working demons, who had always thought hell was sticking sharp things into people and pushing them into lakes of blood and so on. This is because demons, like most people, have failed to distinguish between the body and the soul. The fact was that, as droves of demon kings had noticed, there was a limit to what you could do to a soul with, e.g., red-hot tweezers, because even fairly evil and corrupt souls were bright enough to realise that since they didn’t have the concomitant body and nerve endings attached to them there was no real reason, other than force of habit, why they should suffer excruciating agony. So they didn’t. Demons went on doing it anyway, because numb and mindless stupidity is part of what being a demon is all about, but since no-one was suffering they didn’t enjoy it much either and the whole thing was pointless. Centuries and centuries of pointlessness. Astfgl, [the current Demon King,] had adopted, without realising what he was doing, a radically new approach. Demons can move interdimensionally, and so he’d found the basic ingredients for a very worthwhile lake of blood equivalent, as it were, for the soul. Learn from humans, he’d told the demon lords. Learn from humans. It’s amazing what you can learn from humans. You take, for example, a certain type of hotel. It is probably an English version of an American hotel, but operated with that peculiarly English genius for taking something American and subtracting from it its one worthwhile aspect, so that you end up with slow fast food, West Country and Western music and, well, this hotel. It’s early closing day. The bar is really just a pastel-pink paneled table with a silly bucket on it, set in one corner, and it won’t be open for hours yet. And then you add rain, and let the one channel available on the TV be, perhaps, Welsh Channel Four, showing its usual mobius Eisteddfod from Pant-y-gyrdl. And there is only one book in this hotel, left behind by a previous victim. It is one of those where the name of the author is on the front in raised gold letters much bigger than the tittle, and it probably has a rose and a bullet on there too. Half the pages are missing. And the only cinema in the town is showing something with subtitles and French umbrellas in it. And then you stop time, but not experience, so that it seems as though the very fluff in the carpet is gradually rising up to fill the brain and your mouth starts to taste like an old denture. And you make it last for ever and ever. That’s even longer than from now to opening time. And then you distil it.
Terry Pratchett (Eric (Discworld, #9; Rincewind, #4))
He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
moi je suis fâché contre notre cercle patriarcal parce qu’il y vient toujours un homme du type le plus insupportable. Vous tous, messieurs, le connaissez très bien. Son nom est Légion. C’est un homme qui a bon coeur, et n’a rien qu’un bon coeur. Comme si c’était une chose rare à notre époque d’avoir bon coeur ; comme si, enfin, on avait besoin d’avoir bon coeur ; cet éternel bon coeur ! L’homme doué d’une si belle qualité a l’air, dans la vie, tout à fait sûr que son bon coeur lui suffira pour être toujours content et heureux. Il est si sûr du succès qu’il néglige tout autre moyen en venant au monde. Par exemple, il ne connaît ni mesure ni retenue. Tout, chez lui, est débordant, à coeur ouvert. Cet homme est enclin à vous aimer soudain, à se lier d’amitié, et il est convaincu qu’aussitôt, réciproquement, tous l’aimeront, par ce seul fait qu’il s’est mis à aimer tout le monde. Son bon coeur n’a même jamais pensé que c’est peu d’aimer chaudement, qu’il faut posséder l’art de se faire aimer, sans quoi tout est perdu, sans quoi la vie n’est pas la vie, ni pour son coeur aimant ni pour le malheureux que, naïvement, il a choisi comme objet de son attachement profond. Si cet homme se procure un ami, aussitôt celui-ci se transforme pour lui en un meuble d’usage, quelque chose comme un crachoir. Tout ce qu’il a dans le coeur, n’importe quelle saleté, comme dit Gogol, tout s’envole de la langue et tombe dans le coeur de l’ami. L’ami est obligé de tout écouter et de compatir à tout. Si ce monsieur est trompé par sa maîtresse, ou s’il perd aux cartes, aussitôt, comme un ours, il fond, sans y être invité, sur l’âme de l’ami et y déverse tous ses soucis. Souvent il ne remarque même pas que l’ami lui-même a des chagrins par-dessus la tête : ou ses enfants sont morts, ou un malheur est arrivé à sa femme, ou il est excédé par ce monsieur au coeur aimant. Enfin on lui fait délicatement sentir que le temps est splendide et qu’il faut en profiter pour une promenade solitaire. Si cet homme aime une femme, il l’offensera mille fois par son caractère avant que son coeur aimant le remarque, avant de remarquer (si toutefois il en est capable) que cette femme s’étiole de son amour, qu’elle est dégoûtée d’être avec lui, qu’il empoisonne toute son existence. Oui, c’est seulement dans l’isolement, dans un coin, et surtout dans un groupe que se forme cette belle oeuvre de la nature, ce « spécimen de notre matière brute », comme disent les Américains, en qui il n’y a pas une goutte d’art, en qui tout est naturel. Un homme pareil oublie – il ne soupçonne même pas –, dans son inconscience totale, que la vie est un art, que vivre c’est faire oeuvre d’art par soi-même ; que ce n’est que dans le lien des intérêts, dans la sympathie pour toute la société et ses exigences directes, et non dans l’indifférence destructrice de la société, non dans l’isolement, que son capital, son trésor, son bon coeur, peut se transformer en un vrai diamant taillé.
Fyodor Dostoevsky
And now I come to the first positively important point which I wish to make. Never were as many men of a decidedly empiricist proclivity in existence as there are at the present day. Our children, one may say, are almost born scientific. But our esteem for facts has not neutralized in us all religiousness. It is itself almost religious. Our scientific temper is devout. Now take a man of this type, and let him be also a philosophic amateur, unwilling to mix a hodge-podge system after the fashion of a common layman, and what does he find his situation to be, in this blessed year of our Lord 1906? He wants facts; he wants science; but he also wants a religion. And being an amateur and not an independent originator in philosophy he naturally looks for guidance to the experts and professionals whom he finds already in the field. A very large number of you here present, possibly a majority of you, are amateurs of just this sort. Now what kinds of philosophy do you find actually offered to meet your need? You find an empirical philosophy that is not religious enough, and a religious philosophy that is not empirical enough. If you look to the quarter where facts are most considered you find the whole tough-minded program in operation, and the 'conflict between science and religion' in full blast. The romantic spontaneity and courage are gone, the vision is materialistic and depressing. Ideals appear as inert by-products of physiology; what is higher is explained by what is lower and treated forever as a case of 'nothing but'—nothing but something else of a quite inferior sort. You get, in short, a materialistic universe, in which only the tough-minded find themselves congenially at home.If now, on the other hand, you turn to the religious quarter for consolation, and take counsel of the tender-minded philosophies, what do you find? Religious philosophy in our day and generation is, among us English-reading people, of two main types. One of these is more radical and aggressive, the other has more the air of fighting a slow retreat. By the more radical wing of religious philosophy I mean the so-called transcendental idealism of the Anglo-Hegelian school, the philosophy of such men as Green, the Cairds, Bosanquet, and Royce. This philosophy has greatly influenced the more studious members of our protestant ministry. It is pantheistic, and undoubtedly it has already blunted the edge of the traditional theism in protestantism at large. That theism remains, however. It is the lineal descendant, through one stage of concession after another, of the dogmatic scholastic theism still taught rigorously in the seminaries of the catholic church. For a long time it used to be called among us the philosophy of the Scottish school. It is what I meant by the philosophy that has the air of fighting a slow retreat. Between the encroachments of the hegelians and other philosophers of the 'Absolute,' on the one hand, and those of the scientific evolutionists and agnostics, on the other, the men that give us this kind of a philosophy, James Martineau, Professor Bowne, Professor Ladd and others, must feel themselves rather tightly squeezed. Fair-minded and candid as you like, this philosophy is not radical in temper. It is eclectic, a thing of compromises, that seeks a modus vivendi above all things. It accepts the facts of darwinism, the facts of cerebral physiology, but it does nothing active or enthusiastic with them. It lacks the victorious and aggressive note. It lacks prestige in consequence; whereas absolutism has a certain prestige due to the more radical style of it.
William James
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Oh my! Aren't you the handsome one?" "Ooh, you're right, Courage. The way he carries himself. The air about him. So impressive. He's exactly our type. ❤️ " "Why, thanks, ladies! Hearing that from women as beautiful as you sure gives a guy confidence!"
Yūto Tsukuda (食戟のソーマ 35 [Shokugeki no Souma 35] (Food Wars: Shokugeki no Soma, #35))
She was crying now. Hard. The soft flow of feminism washes over her as she rocks herself to and for in Rita’s arms. She needs to own her body again. To love the flatness of her chest, that even a rapist ridiculed. Flat chests were ok. #Metoo she types. She is standing on a podium. Spoken poetry. She is crying. Shouting out her journey, the tears flowing down, her voice broken, her spirit fighting for fresh air. They are clapping hard now, drowning the slapping noise of the three men over her body. As she steps down from the stage, she cringes in fear as arms reach out to congratulate her. At night she wets the bed again.
Srividya Srinivasan (5 1/2 Tits)
Just as Grant borrowed heavily from Houston Chamberlain, so did Stoddard borrow heavily from Grant in The Revolt Against Civilization, adding generous doses of Lombrosian-style statistical surveys to prove that the new immigrants were systematically undermining the racial future of America.* Stoddard’s Nordic type exhibited a remarkable fusion of neo-Gobinian and specifically American virtues. Nordic man was “at once democratic and aristocratic…. Profoundly individualistic and touchy about his personal rights, neither he nor his fellows will tolerate tyranny.” He was naturally averse to degeneration: “He requires healthful living conditions, and pines when deprived of good food, fresh air, and exercise.” His racial purity becomes the key to progress as well, since “our modern scientific age is mainly a product of Nordic genius.” All the nations with high infusions of Nordic blood were, according to Stoddard, “the most progressive as well as the most energetic and politically able.89 But Stoddard also dared to confront the paradox that underlay the Gobinian confrontation between cultural vitality and civilization. Even as a healthy racial stock generates society’s material wealth and cultural attainments, Gobineau had claimed, its openness to change and diversity sows the seeds of its own destruction. Ultimately the people discover that “their social environment has outrun inherited capacity.” The Anglo-Saxon heritage cannot sustain itself in the future without its racial stock. (Grant was also a keen eugenicist.) “The more complex the society and the more differentiated the stock,” Stoddard insisted, “the graver the liability of irreparable disaster.
Arthur Herman (The Idea of Decline in Western History)
The atmosphere was better tonight, because toward the end I threw a treble 20. That’s right. I got a dart to go in the treble 20, the flattened nose of the board’s face – the treble 20, what darts is all about. Keith picked me up and whirled me around in the air. Actually, it was bound to happen in the end. The darts went wherever they liked, so why not into the treble 20? Similarly, the immortal baboon, locked up with typewriter and amphetamines for a few Poincaré time-cycles, a number of aeons with more zeros than there are suns in the universe, might eventually type out the word darts.
Martin Amis (London Fields (Vintage International))
Depression is a huge topic, with many causes and many types; however, it’s generally known to suck.
Michelle Polk (Healing Houseplants: How to Keep Plants Indoors for Clean Air, Healthier Skin, Improved Focus, and a Happier Life!)
Emergency Mitigation Specialist is here to help you recover from many types of disasters to your home or business. We provide water damage restoration, fire damage restoration, mold remediation., sewage cleanup, and flood cleanup services. We provide indoor environmental testing services. These services include mold testing and indoor air quality investigations, and much more.
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Freddie Gray and so many other boys like him grew up in the type of poverty that permeates everything: how you are educated, the water you drink, the home you live in, the air you breathe, the school you spend most of your day in, the way you are policed, whether or not you will die in the same poverty you were born in. It was that poverty that raised the probability that Freddie would be exactly where he was on April 12, 2015, and then again on April 27, 2015.
Wes Moore (Five Days: The Fiery Reckoning of an American City)
You are the reason he died.” “That’s not fair.” “Do you know what’s not fair?” Mom asks. “That the wrong twin died.” The air is completely knocked out of my lungs as I feel the room, the world melt into nothing around me.
Meghan Quinn (He's Not My Type (The Vancouver Agitators, #4))
The suction of transpirational pull places water under tension in the xylem of an actively transpiring plant. Thus, when stems are cut, air is drawn into the exposed vessels and blocks the flow of water. In the garden, flower stems should always be cut longer than desired, and recut to the correct length while holding the stems under water. If the stems are then quickly transferred to a vase, the transpiration stream continues uninterrupted, without the blossoms wilting. Scissor-type pruning shears or a sharp knife should be used to make clean cuts so the ends of the xylem vessels remain open.
Brian Capon (Botany for Gardeners)
When I stay at a friend’s place, the space between saying good night and good morning is an unfamiliar type of quiet. I think it’s because it’s not my own quiet that I feel in this space, but theirs. On the couch, or the air mattress, or in the guest room, in the dark, it feels like I am borrowing the ordinary quietness they feel every day. I am borrowing their sadnesses, their lonely and still moments, their pauses.
Jonny Sun (Goodbye, Again: Essays, Reflections, and Illustrations)
Nevaeh- I am feeling that I am moving out of this temperance, in this transition, and passing the will of fortune. Yes, I feel that I am on my way to being a lover without the tower's knowledge. There are many in which I could choose, many chances I could undertake which I may lose or win. But- I believe I have the right person in mind. Yes, those are very kind, but- yet I trust one more than the other. I do not know if my decision will be right, but it is someone I am going to go with, and I know that is going to be surprising to most when it happens. Is it a fight or is it the end, are you the right one, or should I go with the other person? That might see me for who I am more than you. The judgment has come; the chariot has arrived; now it is up to you, and the divine master to tell me what I will do next. There has to be a connection inside and join me and you in this journey, on with we ride. That is if you choose not to go the other direction and hide. Chiaz- I feel that the choice is up in the air, it is just part of the signs that are shown. I am flexible in your transitions; I know that you are the type to tell me how it is going to be. I know you are up for the challenge of the tower. Your communication skills assure that you can take on that load and comprehend any false chats that may come across your path. I know that you will have to spend your time searching for something more before you find what you are looking for was in your sight the whole time. Just like I pinpoint you as the right girl, because when giving you my heart-shaped key with the guitar pick attached. It had a meaning behind it… it signifies that I pick you to be with me and that you hold the key, if you wear it around your neck then I will know that you feel the same about me. Say you want me!
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
In the meantime, we would wreck the US economy and actually do little to clean up the environment. The proposal calls for covering hundreds of thousands of acres of land with windmills and solar panels, which would do irreparable damage to land on which wildlife is protected by federal statutes. It also addresses only the United States’ carbon emissions and gives countries like China and India a pass for a decade. I’m no scientist, but I’m pretty sure we can’t keep China’s dirty air from sneaking into the atmosphere over the United States. I am pretty good at economics, though, and economists have a term for that type of thinking: freaking stupid. AOC once said that people her age should reconsider having children because of global warming. Can you imagine? I think the best answer to that ridiculous statement was by my friend, Jerry Falwell, Jr., “People her age should reconsider having children if people like AOC ever get to be in charge of this country.
Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC What exactly is Active Release Technique (A.R.T.)? ART is a patented, state-of-the-art, soft tissue management system developed by Dr. Michael Leahy (an Air Force engineer/chiropractor) that treats problems occurring with: - Muscles - Tendons - Ligaments - Fascia - Nerves Injuries to these tissues can occur in 3 different ways: Acute trauma injury – a sprained ankle playing racquetball is a great example of this type of injury. Compression injury – an example of a compression injury would be back stiffness and pain and/or numbness down the leg (sciatica) caused by sitting behind a computer frequently and for long periods of time. Sitting causes reduced oxygen flow to the tissues, which in turn causes the numbness and/or pain. Overuse injuries – frequently seen in people whose jobs involve typing all day. The repetitive motion can produce wrist and hand pain (i.e. carpal tall syndrome) due to the accumulation of small tears in the tissues. Each of these changes causes your body to produce tough, dense scar tissue in the affected area. This scar tissue binds up and ties down tissues that need to move freely. As scar tissue builds up: Muscles become shorter and weaker. Tension on tendons causes tendonitis. Nerves can become trapped. This can result in reduced ranges of motion, loss of strength, and pain. With trapped nerves, you may also feel tingling, numbness, shooting pains, burning sensations, weakness, muscle atrophy and circulatory changes. Even when most doctors say medications or surgery is the only answer, ART may still be able to resolve the symptoms and put you back on the field or back to work and into your best game. ChiroCynergy can help! We offer Active Release Technique (A.R.T.) in Leland, NC. Call us: (910) 368-1528 #chiropractor_Leland_nc #best_chiropractor_Leland_nc #chiropractor_near_Leland_nc #chiropractic_in_Leland_nc #best_chiropractor_in_Leland_nc #chiropractic_near_me #chiropractor_near_me #family_chiropractor_in_Leland_nc #female_chiropractors_in_Leland_nc #physical_therapy_in_Leland_nc #sports_chiropractor_in_Leland_nc #pregnancy_chiropractor_in_Leland_nc #sciatica_chiropractor_in_Leland_nc #car_accident_chiropractor_in_Leland_nc #Active_Release_Technique_in_Leland_nc #Cold_Laser_Therapy_in_Leland_nc #Spinal_Decompression_in_Leland_nc
ChiroCynergy - Dr. Matthew Bradshaw | Active Release Technique (A.R.T.) in Leland, NC
Tharion finished Sofie’s inbox, checked the junk folder, and then finally the trash. It was mostly empty. He clicked open her sent folder, and groaned at the tally. But he began reading again. Click after click after click. His phone chimed with an alert: thirty minutes until he needed to get into the water. He could reach the air lock in five minutes, if he walked fast. He could get through another few emails before then. Click, click, click. Tharion’s phone chimed again. Ten minutes. But he’d halted on an email dated three years ago. It was so simple, so nonsensical that it stood out. Subject: Re: Dusk’s Truth The subject line was weird. But the body of her email was even weirder. Working on gaining access. Will take time. That was it. Tharion scanned downward, toward the original message that Sofie had replied to. It had been sent two weeks before her reply. From: BansheeFan56 Subject: Dusk’s Truth Have you gotten inside yet? I want to know the full story. Tharion scratched his head, opened another window, and searched for Dusk’s Truth. Nothing. No record of a movie or book or TV show. He did a search on the email system for the sender’s name: BansheeFan56. Another half-deleted chain. This one originating from BansheeFan56. Subject: Project Thurr Could be useful to you. Read it. Sofie had replied: Just did. I think it’s a long shot. And the Six will kill me for it. He had a good feeling he knew who “the Six” referred to: the Asteri. But when Tharion searched online for Project Thurr, he found nothing. Only news reports on archaeological digs or art gallery exhibits featuring the ancient demigod. Interesting. There was one other email—in the drafts folder. BansheeFan56 had written: When you find him, lie low in the place I told you about—where the weary souls find relief from their suffering in Lunathion. It’s secure. A rendezvous spot? Tharion scanned what Sofie had started to reply, but never sent. Thank you. I’ll try to pass along the info to my She’d never finished it. There were any number of ways that sentence could have ended. But Sofie must have needed a place where no one would think to look for her and her brother. If Sofie Renast had indeed survived the Hind, she might well have come here, to this very city, with the promise of a safe place to hide. But this stuff about Project Thurr and Dusk’s Truth … He tucked those tidbits away for later. Tharion opened a search field within Declan’s program and typed in the sender’s address. He started as the result came in. Danika Fendyr.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Copper sent a twirling trio of water jets at Voltacraft, scoring a hit, but its tough body and the fact that it was a water type as well caused the attack to only do minor damage. Stuttle sat on the ground, stunned from the electrical attack, and Voltacraft charged another when a rapid-fire stream of flaming bunny feet slammed into its head, knocking the golem down and sending the ball of electricity off course, flying into the air. Copper arrived just in time and immediately created a water block on top of the sprawling golem. Being submerged in water was a weakness that lightning types had.
Pixel Ate (Hatchamob: Book 12)
Nostalgia welled up inside me as my senses tingled at the thought of sunlight filtering through a luscious green forest, a soft warmth, and a type of freedom in the air I had never felt.
Elayne Douglas (The Daughter of Dust and Blood (The Cinder Goddess Chronicles, #1))
He is considered to be essentially a dangerous type of man.” None of this mattered to Allen Dulles when Malaxa turned up at his office at Sullivan and Cromwell. The pertinent fact was that the Romanian had a huge fortune, and he was willing to spend millions of it where Dulles wanted him to. In return for financing Dulles’s far-flung anti-Communist network—which stretched from Buenos Aires to Bucharest—Malaxa secured Dulles’s influential help in his battle to stay in the United States.
David Talbot (The Devil's Chessboard: Allen Dulles and the Rise of America's Secret Government)
The group at the dining room table all yelled like their favorite person in the world had just walked in, but he gave them a half smile and lifted a hand in the air as if this was normal. Actually, it seemed like everyone was happy to see him, and not just because of his apparent trivia prowess. Just about each person we passed as we went into the living room smiled and shouted in his direction. As if he were their old buddy back from some short of long trip. I wasn't sure what to make of it. I liked him- wow, I actually did like him- but it was somehow surprising that so many other people did. I would've imagined him being too much of an acquired taste for the general population. Kind of an IYKYK type of guy.
Lynn Painter (Betting on You)
stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.
C.M. Sutter (Fallacy (Detective Jade Monroe, #3))
... And then my very favourite thing since I've learned about the enneagram... Uh, me and my girlfriend do this - the six and the four together. This is very powerful because we're such, you know, kind of confusing types. A lot of dichotomy, tendency to catastrophize, you know, in very different ways... and then of course there's the projection and the introjection, so those go really interestingly together. And so we've started to play this little game called what did you... 'What Did You Hear?' And it's, it's basically this thing where when I say something that I feel is just me making conversation and all the sudden we're escalating voices and getting aggressive going on. Or vice versa, she says something that's to her just casual conversation and I [sucks deep, sharp breath in through clenched teeth] get riled and reactive - we're both reactive triad, I think, in our conflict styles so, you know, there's a lot of immediate escalation sometimes. And so we back up and we say 'Wait. I was just trying to make, you know, some curious observations and have a fun conversation. And you're really not having a good time in it, so... What did you hear? What do you think I said?' And then when it gets quoted back I'm often like 'Wow! You think I said that?' or 'I think you said that?' No! The intention behind the words was completely lost going across the air in the room, you know.
Beatrice Chestnut
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There are 2 types of cooling solutions- AIOs, and traditional air coolers. Well, technically there is also the world of custom loops to talk about, but only the most advanced builders attempt to create one.
Bradley Lentz (Computer Parts and Components Guide for Beginners : Comprehensive Quick Guide on How to Build a PC)
There are two types of emergencies-the kinds that won't kill you and the ones that will. pg. 101
Dan Hampton (Viper Pilot: A Memoir of Air Combat)
It has been claimed that, once assimilated, the Corsair ‘made the single biggest impact on Royal Navy aviation in the Second World War’.47 This was undoubtedly so, particularly given that over 2,000 of the type were delivered to the Fleet Air Arm between 1943 and 1945, with the first arriving in November of the former year.
Charles Stephenson (The Eastern Fleet and the Indian Ocean, 1942–1944: The Fleet that Had to Hide)
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
The propellers of Damon's Whizzer will be of the pusher type, and will revolve in dense, compressed air, almost like water, and that will do away with high speed motors, with all their complications, and make traveling in the clouds as simple as taking out a little one-cylinder motor boat. How's that, Tom Swift? How's that for an idea?
Victor Appleton (Tom Swift and His Air Scout, or, Uncle Sam's Mastery of the Sky (Tom Swift Sr, #22))
Perry Mason turned his back to the morning sunlight which streaked in through the windows of his private office and regarded the pile of unanswered mail with a frown. 'I hate this office routine,' he said. Della Street, his secretary, glanced up at him with eyes that contained a glint of amusement in their cool, steady depths. Her smile was tolerant. 'I presume,' she said, 'having just emerged from one murder case, you'd like another.' 'Not necessarily a murder case,' he told her, 'but a good fight in front of a jury. I like dramatic murder trials, where the prosecution explodes an unexpected bomb under me, and, while I'm whirling through the air, I try to figure how I'm going to light on my feet when I come down... What about this chap with the glass eye?' 'Mr. Peter Brunold,' she said. 'He's waiting for you in the outer office. I told him you'd probably delegate his case to an assistant. He said he'd either see you or no one.' 'What does he look like?' 'He's about forty, with lots of black, curly hair. He has an air of distinction about him and he looks as though he'd suffered. He's the type of man you'd pick for a poet. There's something peculiar in his expression, a soulful, sensitive something. You'll like him, but he's the type that would make business for you, if you ask me-a romantic dreamer who would commit an emotional murder if he felt circumstances required him to do it.' 'You can readily detect the glass eye?' Mason inquired. 'I can't detect it at all,' she said, shaking her head. 'I always thought I could tell an artificial eye as far as I could see one, but I'd never know there was anything wrong with Mr. Brunold's eye.' 'Just what was it he told you about his eye?' 'He said he had a complete set of eyes-one for morning-one for evening-one slightly bloodshot-one...' Perry Mason smacked his fist against his palm. His eyes glinted. 'Take away that bunch of mail, Della,' he commanded, 'and send in the man with the glass eye. I've fought will contests, tried suits for slander, libel, alienation of affections, and personal injuries, but I'm darned if I've ever had a case involving a glass eye, and this is going to be where I begin. Send him in.
Erle Stanley Gardner (The Case of the Counterfeit Eye (Perry Mason, #6))
As the men of the age were not accustomed to see any excellence or greater perfection than the things thus produced, they greatly admired them, and considered them to be the type of perfection, barbarous as they were. Yet some rising spirits, aided by some quality in the air of certain places, so far purged themselves of this crude style
Giorgio Vasari ([(The Lives of the Artists )] [Author: Giorgio Vasari] [Dec-2008])
As the men of the age were not accustomed to see any excellence or greater perfection than the things thus produced, they greatly admired them, and considered them to be the type of perfection, barbarous as they were. Yet some rising spirits, aided by some quality in the air of certain places, so far purged themselves of this crude style…
Giorgio Vasari
I always cringe when I hear people say something like “I know such-and-such through science or reason, but the rest I’ll have to take on faith.” This statement suggests that faith is not about evidence—after all of the evidence is gathered and found wanting, then a person turns reluctantly to something called “faith” to patch the holes. Elder Neil L. Andersen explained that faith “is not something ethereal, floating loosely in the air.” Instead, our scriptures teach “faith is the substance of things hoped for, the evidence of things not seen” (Heb. 11:1; emphasis added). Joseph Smith changed the word “substance” to “assurance” in his inspired translation, and the underlying Greek word, hypostasis, may also be translated as “confidence.” “Assurance comes in ways that aren’t always easy to analyze,” Sharon Eubank observed, “but there is light in our darkness.” Thus, faith is not the absence of certitude, positive thinking, or a weak foundation of flimsy evidence. To have faith, Alma taught, means to “hope for things which are not seen, which are true” (Alma 32:21). Anne C. Pingree described it as a “spiritual ability to be persuaded of promises that are seen ‘afar off.’”6 Faith develops through our relationship with God our Father, by His communications with us through the Holy Ghost. Faith is a type of evidence that can be strengthened by observations, reports, and inferences, but it also exists independent of them.
Keith A. Erekson (Real vs. Rumor: How to Dispel Latter-Day Myths)
One thing is for certain: we are completely drawn to the authentic types and unconsciously repulsed by their opposite. The reason for this is simple: we all secretly mourn for the child part of our character we have lost—the wildness, the spontaneity, the intensity of experience, the open mind. Our overall energy is diminished by the loss. Those who emit that air of authenticity signal to us another possibility—that of being an adult who has managed to integrate the child and the adult, the dark and the light, the unconscious and the conscious mind.
Robert Greene (The Laws of Human Nature)
He was still dangerous to me but not in a lethal way. He had the power to derail my life. To turn on end everything I’d worked so hard for. Tamir wasn’t the type of man you had a crush on, dated, and married. A relationship with him would be life itself. He would become the air I breathed and my reason for waking each morning. That type of power was terrifying. I didn’t know if I ever wanted to give that kind of control over me to another human being, but the longer I was around Tamir, the more I worried that I had no say in the matter. He was a force of nature. His effect on me wasn’t something I could moderate or filter. The only options were to prepare for the devastating effects or to run, and the latter no longer felt like an option. That was how I knew I’d already fallen into his orbit. The pull toward him was too great to resist. I didn’t want to run and risk never seeing him again. The only thing left to do was to prepare for the fall and pray it would be worth the long descent.
Jill Ramsower (Where Loyalties Lie (The Five Families, #3.5))
The closer you get to real matter, rock air fire and wood, boy, the more spiritual the world is. All these people thinking they're hardheaded materialistic practical types, they don't know shit about matter, their heads are full of dreamy ideas and notions.
Anonymous
Always,’ said Evie and Max together. Points for harmony. In truth, in the six years she’d known him, Max had barely mentioned his mother other than to say she’d never been the maternal type and that she set exceptionally high standards for everything; be it a manicure or the behaviour of her husbands or her sons. ‘No engagement ring?’ queried Caroline with the lift of an elegant eyebrow. ‘Ah, no,’ said Evie. ‘Not yet. There was so much choice I, ah...couldn’t decide.’ ‘Indeed,’ said Caroline, before turning to Max. ‘I can, of course, make an appointment for you with my jeweller this afternoon. I’m sure he’ll have something more than suitable. That way Evie will have a ring on her finger when she attends the cocktail party I’m hosting for the pair of you tonight.’ ‘You didn’t have to fuss,’ said Max as he set their overnight cases just inside the door beside a wide staircase. ‘Introducing my soon-to-be daughter-in-law to family and friends is not fuss,’ said Max’s mother reprovingly. ‘It’s expected, and so is a ring. Your brother’s here, by the way.’ ‘You summoned him home as well?’ ‘He came of his own accord,’ she said dryly. ‘No one makes your brother do anything.’ ‘He’s my role model,’ whispered Max as they followed the doyenne of the house down the hall. ‘I need a cocktail dress,’ Evie whispered back. ‘Get it when I go ring hunting. What kind of stone do you want?’ ‘Diamond.’ ‘Colour?’ ‘White.’ ‘An excellent choice,’ said Caroline from up ahead and Max grinned ruefully. ‘Ears like a bat,’ he said in his normal deep baritone. ‘Whisper like a foghorn,’ his mother cut back, and surprised Evie by following up with a deliciously warm chuckle. The house was a beauty. Twenty-foot ceilings and a modern renovation that complemented the building’s Victorian bones. The wood glowed with beeswax shine and the air carried the scent of old-English roses. ‘Did you do the renovation?’ asked Evie and her dutiful fiancé nodded. ‘My first project after graduating.’ ‘Nice work,’ she said as Caroline ushered them into a large sitting room that fed seamlessly through to a wide, paved garden patio.
Mira Lyn Kelly (Waking Up Married (Waking Up, #1))
Military force is another element of power. It provides a nation the capability to impose it's will on another nation through the threat or use of violence. Military force also provides a state the capability to resist another's coercive actions. The types of military forces required will depend on the state's physical characteristics and its enemies' capabilities. A landlocked state has little need for a navy. If a nation's opponent has a strong air force, then the nation should have strong air defenses. The size and composition of military force available will dictate the types of operations a state may conduct. A landlocked power with no navy will never dominate the seas. A state without an air force or navy today will have great difficulty projecting and sustaining military forces over great distances. A strong army with no ability to move to another area has little impact on foreign policy, except on protecting its homeland. The technological sophistication of its weaponry versus that of an opponent's will provide a state an advantage or disadvantage in projecting its will. All other things being equal, a state weapons that can kill an opponent's soldiers faster and more efficiency that those of the opponent's has an advantage. Of course, rarely are all other things equal. Technological superiority can provide an advantage, but it cannot guarantee success. Technology will also affect the state's ability to sustain its forces. Commonality of the civilian and military technological base will enhance logistical capabilities by making it easy for civilian industry to provide military forces the equipment needed. The location of military forces with respect to the theater of war and the enemy is another component of military power. If the military forces are near their warfighting positioning, their deterrent and warfare capabilities are greater. The degree of civilian control and willingness to employ military force prescribes the manner in which a state may employ its military power. This point relates to the national will element of power. If the will to employ the military force available does not exist, the military force has no utility. No power results from the simple existence of the military force. Power results from the will to use military power, or at least an enemy's perception of the willingness to do so, and the capability of that military force to defeat all enemy. Available reserves limit the duration of combat a state can endure. Once all the trained or trainable men and women are casualties, a state cannot continue. A state's manpower pool always serves as a limit on the size of the military force it can raise.
John M. House (Why War? Why an Army?)
Her thighs felt slippery and her bottom could easily slide against the lining of her dress. Outside, her silken folds remained undisturbed. There was a woman on the stage straddling a cello, swaying herself behind it. Playing the cello or viola da gamba seemed to Martha at that moment to be about something else entirely than creating a sequence of sounds. “Yes, very much,” she said to Jeanne who shared her enthusiasm for the type of wine being served. The evening went on, the conversations picked up where they were abandoned, but Martha’s physical excitement persisted like a drone that only she could hear. When there was no release, her body went on elated. She must not look at Petra. When her breast accidentally touched the edge of the table, she moved her chair further back. Edges were risky, air was safe. How could they fail to see how searing she is inside? Maybe nobody saw anything because she blinded them. This propelled her through the evening and late into the night and still further on the ride back home.
Lydia Perović (Incidental Music)
Reading, writing, listening to music, skipping rope, flying kites, taking long walks along the sea, hiking in the crisp mountain air, all serve a joint purpose: these self-initiated acts free us from the drudgery of life. These forms of physical and mental exercises release the mind to roam uninhibited, such collaborative types of mind and body actions take people away from their physical pains and emotional grievances. A reprieve from the crippling grind of sameness allows personal imagination to soar. Imagination, a form of dreaming, is inherently pleasant and restorative. It is within these moments of personal introspection stolen from the industry of surviving that humankind touches upon the absolute truth of life: that there must be something more to living then merely getting by; the fundamental human condition thirsts for a way to improve upon the vestment that shelters our self-absorbed lives.
Kilroy J. Oldster (Dead Toad Scrolls)
She thrust the pink box she was holding into Mr. Rutherford’s hands before she opened up her reticule and pulled out a fistful of coins. Counting them out very precisely, she stopped counting when she reached three dollars, sixty-two cents. Handing Mr. Rutherford the coins, she then took back the pink box, completely ignoring the scowl Mr. Rutherford was now sending her. “This is not the amount of money I quoted you for the skates, Miss . . . ?” “Miss Griswold,” Permilia supplied as she opened up the box and began rummaging through the thin paper that covered her skates. Mr. Rutherford’s brows drew together. “Surely you’re not related to Mr. George Griswold, are you?” “He’s my father,” Permilia returned before she frowned and lifted out what appeared to be some type of printed form, one that had a small pencil attached to it with a maroon ribbon. “What is this?” Mr. Rutherford returned the frown, looking as if he wanted to discuss something besides the form Permilia was now waving his way, but he finally relented—although he did so with a somewhat heavy sigh. “It’s a survey, and I would be ever so grateful if you and Miss Radcliff would take a few moments to fill it out, returning it after you’re done to a member of my staff, many of whom can be found offering hot chocolate for a mere five cents at a stand we’ve erected by the side of the lake. I’m trying to determine which styles of skates my customers prefer, and after I’m armed with that information, I’ll be better prepared to stock my store next year with the best possible products.” “Far be it from me to point out the obvious, Mr. Rutherford, but one has to wonder about your audacity,” Permilia said. “It’s confounding to me that you’re so successful in business, especially since not only are you overcharging your customers for the skates today, you also expect those very customers to extend you a service by taking time out of their day to fill out a survey for you. And then, to top matters off nicely, instead of extending those customers a free cup of hot chocolate for their time and effort, you’re charging them for that as well.” “I’m a businessman, Miss Griswold—as is your father, if I need remind you. I’m sure he’d understand exactly what my strategy is here today, as well as agree with that strategy.” Permilia stuck her nose into the air. “You may very well be right, Mr. Rutherford, but . . .” She thrust the box back into his hands. “Since I’m unwilling to pay more than I’ve already given you for these skates, I’ll take my money back, if you please.” “Don’t be ridiculous,” Mr. Rutherford said, thrusting the box right back at Permilia. “Now, if the two of you will excuse me, I have other customers to attend to.” With that, he sent Wilhelmina a nod, scowled at Permilia, and strode through the snow back to his cash register.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Young Charles Dickens started out as a court reporter, and scholars believe that this experience formed the sense of the human drama evident in his novels. Besides which, those novels are nearly all about crimes, mainly of the white-collar type.
Michael Gruber (The Book of Air and Shadows)
Delores was hot! She was a very attractive woman in her mid-thirties, which at my age I considered to be an older woman. She lived in Dumont, New Jersey, and my mother suggested that I visit her and confirm the arrangements she had made with her brother. That Saturday I caught a Public Service bus from Journal Square to Dumont. It didn’t take long to get there and before I knew it, I was at her door. Delores was a divorcee and I enjoyed the feeling that she liked me. She didn’t do anything inappropriate, but I felt that she would have if she could have! Knowing that she was a coworker and friend of my mother, her very close presence seemed awkward. Sitting on her living room couch so close to her was exciting, so I didn’t move away. I was amazed at her television set and was torn between looking at her cleavage and looking at this new contraption that could receive moving pictures through the air. I can remember that her set was a projection type made by Emerson, which was a Jersey City company located close to the entrance of the Holland Tunnel. The screen was top-mounted on a big shiny mahogany box. At that time, there weren’t many TV stations around and it seemed as if those few stations could not broadcast very far. However, they did cover the New York City area. The DuMont Television Network broadcast out of Passaic, New Jersey, which was close to where she lived in Dumont, New Jersey. At the time I didn’t know the difference and wondered if there was any connection between the two -- the television network and the New Jersey town. Since the spelling was different, with the M in DuMont being upper case, it seemed rather doubtful. However, DuMont was one of the big players in early television and launched Jackie Gleason’s career, who went on to become one of television’s shining stars in the 1950’s.
Hank Bracker
Applying nail polish is an art. You need non-shaky hands. And a calm and Zen-like nature. I am not calm and have but a nodding acquaintance with Zen. At the best of times, I’m not great at applying nail polish, and if anyone has attempted to apply nail polish when they are in a rush, they will understand the difficulties involved. Your hands will shake. Your hands will take the nail polish beyond the boundaries of your nail and onto the surrounding skin, you will carefully loop it off your skin with a handy ear bud, only to realise you have now got it onto your fingernails, which were also pale pink to begin with, but will now have to be made post-box red—you could never live down the indignity of mottled red and pink nail polish that looks like the visage of a rabid dog, and will spend the entire evening holding your hand petulantly behind your back and refusing to extend it even when you are being introduced to folk you cannot air-kiss and must shake hands with, aka senior corporate types.
Kiran Manral (The Reluctant Detective)
Electricity has just two disadvantages: it is difficult to store cheaply, and it can be transmitted easily only on high-voltage lines, above the ground and visible. Automotive lead-acid storage batteries are as cheap as mass production and the cost of materials will allow, yet their cost for storing an hour's worth of energy coming off the power line is over two thousand times as much as the utility company charges for that energy. Multiple recharges can't even come close to bringing that factor down below about three. There is a radically different type of battery, using liquid sodium and liquid sulfur as electrodes and solid sodium aluminate as an electrolyte (yes, I said that the right way round) that is now getting substantial research. Theoretically, it could store as much as seven times the energy per pound of a lead-acid battery. Sodium-sulfur batteries have to be heated above normal outside air temperatures - a disadvantage that will probably make them unusable in vehicles - but they could find use in central power stations to supply peak loads.
Gerard K. O'Neill (2081)
the anxious worry that I might be responsible in some way for what was on the walls of the gallery behind me, a wringing fear within me which gathered to its tight core two decades of consequence, so that it was now clear to me that this whole evening might be nothing less than a full reappraisal of myself as a man and as a father, something I had not reckoned on when I got into the car that evening and drove the sixty or seventy miles to the gallery, that I was travelling towards this moment of reckoning with myself because, like many another man, I had gone through life with little in the way of self-examination, my right to a life of peace from such persecution something I had taken for granted, something I might have acknowledged as the responsibility of others but not the type of inward harrowing I ever expected of myself but which nevertheless I now found myself subjected to in a way which took its prompt from a central, twitching nerve within me which kept asking had I failed my daughter had I pushed her towards this – whatever this was – on the walls of the gallery, this was the question that would not resolve one way or another beneath the sifting rain which shadowed the street in both directions, with the conviction hardening within me that having lived a decent life might not in itself be enough – or a life which till now I had honestly thought had been decent – since there was now some definite charge or accusation in the air which made it appear that not having done anything wrong was not enough
Mike McCormack (Solar Bones)
Now it's time to reveal the secret ingredient to be included in our second type of bread. This can be made of any type of dough, but must prominently feature whatever is in this basket." The crowd hushes and he opens the lid, removes two containers, and holds them in the air so all can see. "Chèvre," he declares. "Goat cheese." Jude looks at me. "What a joke. I thought you would get something good, like sour gummy worms or turkey feet or something." Jonathan speaks to the camera as he works a new lump of dough, explaining how he's using the same base formula as his baguettes, but adding the sweet twist of maple syrup and apples.
Christa Parrish (Stones For Bread)
In that moment Baja felt something like a hammer blow to his chest. Everyone in those pockets of Air was Felsia to someone. Every life saved there filled someone else with relief and joy. Every life snuffed out was another Katowa, someone somewhere having their heart torn out. Baja could feel the detonator in his hands. The horrible click transferring to his palm as the button depressed. He could feel that terrible shockwave again as the landing pad vanished in fire. He could feel the horror replaced by fear. As some unlucky combinations of events up the shuttle too close to the blast and knocked it from the sky. He could feel all of it so clearly, it was as if it was happening right then, but more than that he felt sorrow. Someone had just tried to do the same thing to his baby girl, had tried to kill her. Not because he hated her, but because she was standing in the path of his political statement. Everyone who had dies on that shuttle had been a Felsia to someone, and with a click of a button he’s killed them. He hadn’t meant to; he’d been trying to save them. That was the little lie that he’d kept close to his heart for months now. But the truth was much worse. Some secret part of him had wanted the shuttle to die, had reveled watching it fall from the sky in flames, had wanted to punish the people trying to take his world away. Except that was a lie, too. The real truth, the truth beneath it all, was that he had wanted to spread his pain around to punish the universe for being a place where his little boy had been killed – to punish other people for being alike when his Katowa was dead. That part of him had watched the shuttle burn and thought now you know how it feels; now you know how I feel. But the people he’d hurt had just saved his daughter because they were the type of people who couldn’t let even their enemies die helpless. The first sob took him by surprise, nearly bending him double with its power. Then he was blind, his eyes filled with water, his throat closed like someone was choking him. He gasped for air, and every gasp turned into another loud sob. …He tried to speak, to reassure (Naomi), but when he tried, the only words he could say were, “I killed them.” He meant the governor and Coop and Kate and the RCE security team, but most of all Katowa. He’d killed his little boy over and over again every time he’d let someone else die to punish them for his son’s death. “I killed them.” “This time you saved them,” Naomi repeated. “These ones you saved.
James S.A. Corey (Cibola Burn (The Expanse, #4))
Finally, there is the delight of working in such a tractable medium. The programmer, like the poet, works only slightly removed from pure thought-stuff. He builds his castles in the air, from air, creating by exertion of the imagination. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures. (As we shall see later, this very tractability has its own problems.) Yet the program construct, unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be.
Frederick P. Brooks Jr. (The Mythical Man-Month: Essays on Software Engineering)
The danger facing the agency today is irrelevance to national security. In 2003, when the American military in Iraq found that its greatest threat was not from tanks and missiles but from roadside bombs, and the Pentagon did not, as it once did, turn to DARPA, an agency stacked with top-notch technical personnel and decades of experience in bomb detection. Instead, it created an entirely new organization that was largely bereft of the type of science and technology expertise long resident in DARPA.What followed is hardly surprising: billions of dollars were spent, and yet casualties from bombs continued to increase. Today, the agency's past investments populate the battlefield: The Predator, the descendant of Amber, has enabled the United States to conduct push-button warfare from afar, killing enemies from the comfort of air-conditioned trailers in the United States.
Sharon Weinberger (The Imagineers of War: The Untold Story of DARPA, the Pentagon Agency That Changed the World)
I think the biggest disservice to the American people was the denial by the networks to air video of the beheading of Daniel Pearl, Nick Berg, or the many other hostages that were beheaded in Iraq. We as a society need to see the type of enemy we are fighting. People have been so sheltered in this country that they have not paid attention to what has been going on for the last twenty-some years. And today, even after the attack of September 11, people still cannot fathom that this type of barbarity could happen here.
Brigitte Gabriel (Because They Hate: A Survivor of Islamic Terror Warns America)
She spent the afternoon typing up notes, answering readers' questions, and blogging about a new online source for organic cinnamon and nutmeg, either of which she could have used for testing the island recipe for Indian Pudding that afternoon. Both spices were produced from a tropical evergreen that, Cecily's miracles notwithstanding, did not grow on Quinnipeague, but since Indian pudding was a prized dessert here, Nicole refused to leave it out. Typically, Quinnie Indian Pudding called for cider molasses made from island apples. The recipe she had been given listed bottled molasses, which she supposed made sense, given its wider availability, though the taste wasn't quite the same. She made a mental note to ask Bev Simone about her supply of the real stuff.
Barbara Delinsky (Sweet Salt Air)
With little else to do I rode my Vesper motor scooter from Harbel to Roberts Field. Perhaps there might be some excitement around the airport, but no such luck. Eric Reeves the Station Master and Air Traffic Controller was in the tower and was in communications with the incoming airliner. Everything was quiet in anticipation of a Pan American Clipper's arrival. On the ground floor all was quiet except for a solitary passenger in the terminal. Apparently he was waiting for the next flight out, which wasn't due for another two hours. As I approached him, I could see that he looked familiar…. I immediately recognized him as a world class trumpet player and gravel voiced singer from New Orleans. He must have seen the look on my face and broke the ice by introducing himself as Louie Armstrong. "Hi," I answered, "I'm Hank Bracker, Captain Hank Bracker." I noticed that he was apparently alone sitting there with a mountain of belongings which obviously included musical instruments. Here was Louis Armstrong, the famous Louie Armstrong, all alone in this dusty, hot terminal, and yes he had a big white handkerchief! He volunteered that the others in his party were at the club looking for something to eat. With no one else around, we talked about New Orleans, his music and how someone named King Oliver, a person I had never heard of, was his mentor. At the time I didn't know much about Dixie Land music or the Blues, but talking to Louie Armstrong was a thrill I'll never forget. In retrospect it’s amazing to find out that you don’t know what you didn’t know. I found out that he actually lived in Queens, NY at that time, not too far from where my aunt and uncle lived. I also found out that he was the Good Will Ambassador at Large and represented the United States on a tour that included Europe and Africa, but now he was just a friendly person I had the good fortune to meet, under these most unusual circumstances. His destination was Ghana where he, his wife and his band the All Stars group were scheduled to perform a concert in the capitol city of Accra. Little did I know that the tour he was on was scheduled by Edward R. Murrow, who would later be my neighbor in Pawling, New York. Although our time together was limited, it was obvious that he had compassion for the people of the "Third World Nations," and wanted to help them. Although after our short time together, I never saw Louie again but I just know that he did. He seemed to be the type of person that could bring sunshine with him wherever he went.…
Hank Bracker
First came Sumer with its amazing ziggurats, agriculture (they had four types of beer!), and written language. The Sumerian cuneiform tablets, more than half a million still cached away in museums across the world, state that civilization was brought to them by beings who could fly through the air. These god-like beings were called the Anunnaki, translated as “those who came from the heavens to the Earth.
Jim Marrs (The Illuminati: The Secret Society That Hijacked the World)
From looks alone, he was the type of man you dressed up for. And if Old Jade Eyes and I had a future, he was staring at worst case scenario and smiling at it. He was dressed in knee-length, black mesh sports shorts and a gray hoodie. His Nikes looked new. He lifted an eyebrow, as my Mac pinged with an invitation for AirDrop. His name was no longer a mystery, and I felt a little panic creep in. Cameron’s Mac: Hi.
Kate Stewart (The Real)
I'm sorry, sir, but we have a dress code," said the official. I knew about this. It was in bold type on the website: Gentlemen are required to wear a jacket. "No jacket, no food, correct?" "More or less, sir." What can I say about this sort of rule? I was prepared to keep my jacket on throughout the meal. The restaurant would presumably be air-conditioned to a temperature compatible with the requirement. I continued toward the restaurant entrance, but the official blocked my path. "I'm sorry. Perhaps I wasn't clear. You need to wear a jacket." "I'm wearing a jacket." "I'm afraid we require something a little more formal, sir." The hotel employee indicated his own jacket as an example. In defense of what followed, I submit the Oxford English Dictionary (Compact, 2nd Edition) definition of jacket:1(a) An outer garment for the upper part of the body. I also note that the word jacket appears on the care instructions for my relatively new and perfectly clean Gore-Tex jacket. But it seemed his definition of jacket was limited to "conventional suit jacket." " We would be happy to lend you one, sir. In this style." "You have a supply of jacket? In every possible size?" I did not add that the need to maintain such an inventory was surely evidence of their failure to communicate the rule clearly, and that it would be more efficient to improve their wording or abandon the rule altogether. Nor did I mention that the cost of jacket purchase and cleaning must add to the price of their meals. Did their customers know that they were subsidizing a jacket warehouse?
Graeme Simsion
Over the due course of time, industrial mechanics change to come up with something innovative to provide people with better quality products. Since die casting industry manufactures molds and casts of different shapes and designs, this industry is in need of drastic changes. The changes are brought in the form of refined products, which will be later on used in the other plants and industries. Due to this reason, the alumina ceramic foam filter is in use in the die casting process, allowing refined products to be manufactured. Mechanisms of Alumina Foundry Filter Helping with Better Quality Products When the cast is prepared from molten metal, it can have a number of issues, due to which the quality of the cast can be hampered. It is therefore wiser to use alumina ceramic foundry filter for different types of metals, so that the molten part that runs down into the molds can be of good quality. In the filters, the metal passes through fine pores so that the other contents and air are filtered out and the purer form of molten metal goes through. This allows the cast to be prepared without any porosity and hence these are without brittle nature. The manner in which the molten metal passes through the alumina ceramic foam filter is responsible for the true quality of the casts. This particular filter mechanism is highly sophisticated, providing a lot of help in removing impurities. As a result, casting industries can easily find ways to improve their quality of products and the alumina ceramic foundry filter is responsible for this quality to a big extent. Visit us:- filtec-corp(dot)com
Tao Lu
Each type of magic corresponds to a different color glyph—white for air, orange for fire, green for earth, and blue for water.
Steve McHugh (Crimes Against Magic (Hellequin Chronicles, #1))
Some specialized types of administrative legislation require further attention—for example, determinations that make law. These determinations echo the old determinations of facts, in which an executive officer determined a factual question that was a condition of a statute’s application. Rather than being exercises of mere discernment or judgment, however, the newer style determinations often include overt exercises of lawmaking will. Such determinations arise under statutes that leave plenty of room for lawmaking. For example, the administrator of the Environmental Protection Agency is required to specify the application of the EPA’s ambient air quality standards by publishing a list of air pollutants that “in his judgment, cause or contribute to air pollution which may reasonably be anticipated to endanger public health or welfare.”9 Although statutes of this sort speak in terms of determinations and judgments, they provide for determinations of questions so abstract or loosely stated that the agencies inevitably must engage in policy choices—in legislative will rather than mere judgment. As put by Justice Thurgood Marshall in a 1970 dissent, “the factual issues with which the Secretary [of Labor] must deal are frequently not subject to any definitive resolution,” for “[c]ausal connections and theoretical extrapolations may be uncertain,” and “when the question involves determination of the acceptable level of risk, the ultimate decision must necessarily be based on considerations of policy, as well as empirically verifiable facts.” Thus, “[t]he decision to take action in conditions of uncertainty bears little resemblance to . . . empirically verifiable factual conclusions.”10 In such instances, factual determinations become exercises of lawmaking will.
Philip Hamburger (Is Administrative Law Unlawful?)
Consider the difference between the two types of globemaps of planet Earth, the physical and the political. The first is a marvelous wiggly affair, blue, green, brown, yellow, and occasionally white. The second, especially on the North American continent, is angrily scratched across with straight lines, and the one earth (and we should not forget the one air) covered with patches of contrasting colors to identify the domains of differing bands of gangsters. Which of the two more closely resembles Earth as seen from outer space?
Alan W. Watts (Cloud-hidden, Whereabouts Unknown)
What Are The Main Advantages of PVC Doors They usually have a clean floor with bright paint-free in order that they'll keep away from the discharge of any toxic gas within the air which might be very dangerous to human physique especially if they use the decorative paint. PVC doorways have another advantage in that they are surroundings pleasant because they are often recycled after their life is other to other varieties by melting them and then remolding them.In addition to the above advantages of PVC doors, you find them to be good for your own home as a result of they are very simple to put in in addition to simple to maintain. Moreover, PVC upvc doors ipswich doorways are straightforward to take care of. As a result of the truth that PVC is manufactured from plastic, there are much less possibilities of injury from other parts. Cleaning them just requires a wet piece of cloth with little cleaning liquid.The opposite most important advantage of those PVC doorways is that they're climate proof. They aren't affected by presence of extra water or moisture since they don't take up any amount. They can not warp in case of direct heating. Also, they do not lose their colour when exposed to direct daylight and this has led to their increased utilization worldwide. Another good motive why PVC doorways are fashionable is that, under regular circumstances, they are generally straightforward to take care of. Cleaning a PVC door is relatively easy to do. All it's good to wipe its surface clean and it'll look pretty much as good as new. Furthermore, PVC doors don't require stripping or repainting, and are typically quite sturdy. The identical can't be said of conventional wooden doorways, significantly those which can be sensitive to moisture and chemical compounds. Traditional wooden doorways require cautious maintenance to be able to preserve their appearance and wonder. Initials PVC stands for polyvinyl chloride which is a chemistry time period used to discuss with a certain type of material which may be very durable, has great insulating traits and does not emit any harmful fumes under regular conditions. Its chemical properties could be modified so that it turn out to be very robust and stiff like in a PVC door and even very flexible like in an inflatable swimming pool. PVC is getting used all around the world due to its power. The following are the advantages of PVC doorways; PVC door does not require upkeep, repainting or stripping and you solely need to wipe its floor occasionally for it to look good. Compared to timber door body which shrink and develop over time, PVC door body often remain steady as it is 100% water proof. Whereas doors from other materials discolor and fade if they're exposed to direct daylight, PVC’s one does not fade or discolor as a result of it is extremely UV resistance and thus it can remain looking new for a very long time.
John Stuart
In the years to come, we’re going to have major increases in all types of chronic illnesses,” he continued, ticking them off on his fingers: “in respiratory illnesses, in heart disease, in increases in heart attacks and strokes because air pollution increases blood clotting,
Linda Marsa (Fevered: Why a Hotter Planet Will Hurt Our Health -- and how we can save ourselves)
I didn’t do it. How can you think so? I can’t stand what I’ve already done!” Neither of us says anything else. We don’t even move. Anna is pissed off and trying very hard not to cry. As we look at each other, something inside me is trying to click, trying to fall into place. I feel it in my mind and in my chest, like a puzzle piece you know has to go somewhere so you keep trying to push it in from all different angles. And then, just like that, it fits. So perfect and complete that you can’t imagine how it was without it there, even seconds ago. “I’m sorry,” I hear myself whisper. “It’s just that— I don’t know what’s happening.” Anna’s eyes soften, and the stubborn tears begin to recede. The way she stands, the way she breathes, I know she wants to come closer. New knowledge fills up the air between us and neither of us wants to breathe it in. I can’t believe this. I’ve never been the type. “You saved me, you know,” Anna says finally. “You set me free. But just because I’m free, doesn’t mean—that I can have the things that—” She stops. She wants to say more. I know she does. But just like I know that she does, I know that she won’t.
Kendare Blake (Anna Dressed in Blood (Anna, #1))
Marc Goodman is a cyber crime specialist with an impressive résumé. He has worked with the Los Angeles Police Department, Interpol, NATO, and the State Department. He is the chief cyber criminologist at the Cybercrime Research Institute, founder of the Future Crime Institute, and now head of the policy, law, and ethics track at SU. When breaking down this threat, Goodman sees four main categories of concern. The first issue is personal. “In many nations,” he says, “humanity is fully dependent on the Internet. Attacks against banks could destroy all records. Someone’s life savings could vanish in an instant. Hacking into hospitals could cost hundreds of lives if blood types were changed. And there are already 60,000 implantable medical devices connected to the Internet. As the integration of biology and information technology proceeds, pacemakers, cochlear implants, diabetic pumps, and so on, will all become the target of cyber attacks.” Equally alarming are threats against physical infrastructures that are now hooked up to the net and vulnerable to hackers (as was recently demonstrated with Iran’s Stuxnet incident), among them bridges, tunnels, air traffic control, and energy pipelines. We are heavily dependent on these systems, but Goodman feels that the technology being employed to manage them is no longer up to date, and the entire network is riddled with security threats. Robots are the next issue. In the not-too-distant future, these machines will be both commonplace and connected to the Internet. They will have superior strength and speed and may even be armed (as is the case with today’s military robots). But their Internet connection makes them vulnerable to attack, and very few security procedures have been implemented to prevent such incidents. Goodman’s last area of concern is that technology is constantly coming between us and reality. “We believe what the computer tells us,” says Goodman. “We read our email through computer screens; we speak to friends and family on Facebook; doctors administer medicines based upon what a computer tells them the medical lab results are; traffic tickets are issued based upon what cameras tell us a license plate says; we pay for items at stores based upon a total provided by a computer; we elect governments as a result of electronic voting systems. But the problem with all this intermediated life is that it can be spoofed. It’s really easy to falsify what is seen on our computer screens. The more we disconnect from the physical and drive toward the digital, the more we lose the ability to tell the real from the fake. Ultimately, bad actors (whether criminals, terrorists, or rogue governments) will have the ability to exploit this trust.
Peter H. Diamandis (Abundance: The Future is Better Than You Think)
Paeng leans back and rests his hand flat on the table. “Vince.” Blushing, he snaps at his friend. “I dropped the bra on the wet tarp and I guess I must have accidentally gotten paint on it and touched it to my cheek, okay?” Paeng is silent as Vince sighs. “I didn’t mean to take my upset out on you, sorry.” “No big. So, you fondled it. Was it good for you?” Paeng’s eyes glitter, making Vince’s anxiety flare. “I couldn’t help myself! The girl’s smoking hot and yet she doesn’t appear to own trashy underwear.” He feels all dreamy just thinking about it. “It’s simple and soft . . . it felt so nice. She’s not like any of the girls I’ve met before. She’s direct, feisty and artistic and I bet she’s really smart. She’s nothing like the usual MOM Girl and she’s not even my type. But her underwear is beautiful. She doesn’t wear slutty underwear because she doesn’t put on airs, and oh, God, that’s so attractive. What I wouldn’t give to see—” Paeng face palms Vince. “Dude. You are waxing poetic about cotton underwear like my sisters wear when they get their periods. It’s just underwear. It is not the key to Dani’s psyche. You are making the kind of assumptions about her that lead to expensive rings, one point two kids, and minivans. You are in trouble.
Jess Molly Brown (Moms on Missions (Mommageddon #1))
Flares of light began to pulse from Evie’s chest, just as they had when her father’s scale sank into the cauldron. She glared at Hardcastle with fierce righteousness, and found that she was no longer alone on that black tower. She stood in a vast, sun-washed meadow of flowing grass and tiny yellow flowers. A figure materialized from the crisp, clear air behind her, a woman in an ethereal violet gown with a lily in her hair. The same princess she had seen the first time she looked into the dragon’s blood. “You are not alone,” she said. “Who are you?” “I am Princess Middlemiss. And I am always with you. We are all always with you.” A sheet of air glistened behind her, and dozens of others appeared. They were princesses of all ages, all shapes and shades and types. She saw a woman with black hair and sharp blue eyes and knew her instantly as Princess Snow White. There were others she recognized from Volf’s books: Blackstone and Rose-Red and Chambéry. The great princesses of the past and present, all standing with her now. “As long as there is goodness in your heart, you are never alone.
M.A. Larson (Pennyroyal Academy (Pennyroyal Academy, #1))
HMMs are at the heart of speech-recognition systems like Siri. In speech recognition, the hidden states are written words, the observations are the sounds spoken to Siri, and the goal is to infer the words from the sounds. The model has two components: the probability of the next word given the current one, as in a Markov chain, and the probability of hearing various sounds given the word being pronounced. (How exactly to do the inference is a fascinating problem that we’ll turn to after the next section.) Siri aside, you use an HMM every time you talk on your cell phone. That’s because your words get sent over the air as a stream of bits, and the bits get corrupted in transit. The HMM then figures out the intended bits (hidden state) from the ones received (observations), which it should be able to do as long as not too many bits got mangled. HMMs are also a favorite tool of computational biologists. A protein is a sequence of amino acids, and DNA is a sequence of bases. If we want to predict, for example, how a protein will fold into a 3-D shape, we can treat the amino acids as the observations and the type of fold at each point as the hidden state. Similarly, we can use an HMM to identify the sites in DNA where gene transcription is initiated and many other properties.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
Professionals don’t need that type of praise. My name is famous enough to get some attention from a true gladiator, but Jagdip is full of hot air. Yesterday, he cried, “You think you’re a hotshot, Spencer, but you’re not. You’re lucky my brother doesn’t fight here anymore. Ah! That’s it. I’ll have Samir teach you a lesson.” After I dismissed the challenge, he swore on his life that Samir would come to his rescue. Today
Kashif Ross (Barcode: Legend of Apollo (Barcode, #1))
Some people specialize in initiating things. These are the good-idea people, and every workplace should have some of them. But in high-level management positions, these people can get so many things going that they cannot follow through on them all, and some initiatives die for lack of attention. A manager who comes up with lots of new ideas for improvements and changes might get people excited at first, but without using the other three types of conversation to sustain the initiative, people lose interest. After the fiftieth great idea of the month, people will roll their eyes when the fifty-first is proposed. Too many initiatives can lead people to question the credibility of the initiator, lose confidence in the initiative, and disengage from their own work. When people are not sure about what is serious work and what it just hot air, they tend to ignore all new ideas and withdraw, concentrating on what is immediately in front of them. Use your Initiative Conversations to launch the work you are committed to seeing come to fruition.
Jeffrey D. Ford (The Four Conversations: Daily Communication That Gets Results)
Timbre is the emblematic tone, or voice, generated by each type of instrument or biological sound source. Not only do musical instruments have singular voice characteristics but so does every living organism and most man-made machines. The difference between the sound of a violin and that of a trumpet is as distinctive as that between a cicada and an American robin, or a cat and a dog—or between a Rolls-Royce and a Formula 1 automobile. When Paul Beaver and I first began
Bernie Krause (Sounds from The Great Animal Orchestra (Enhanced): Air)
You carry a certain amount and type of light with you wherever you go, and when you approach a horse, that light can be repelling or attracting. Your bearing is the air about you, your outlook, your manner. With it, you might fool some people on occasion, but you never fool a horse.
Cherry Hill (101 Ground Training Exercises for Every Horse & Handler)
Think of Type X behavior as coal and Type I behavior as the sun. For most of recent history, coal has been the cheapest, easiest, most efficient resource. But coal has two downsides. First, it produces nasty things like air pollution and greenhouse gases. Second, it’s finite; getting more of it becomes increasingly difficult and expensive each year. Type X behavior is similar. An emphasis on rewards and punishments spews its own externalities (as enumerated in Chapter 2). And “if-then” motivators always grow more expensive. But Type I behavior, which is built around intrinsic motivation, draws on resources that are easily replenished and inflict little damage. It is the motivational equivalent of clean energy: inexpensive, safe to use, and endlessly renewable.
Daniel H. Pink (Drive: The Surprising Truth About What Motivates Us)
Kevin Josten, is now preaching in his mega-church in Dallas, Texas. His message is about prosperity gospel; you know, if you dream it, God will give it. It’ll be more like, you give Josten lots of money and he’ll be rich beyond all of his wildest dreams. The second, Ryan Whittier, will set himself up to be the Preacher to the Politicians, and he’s in California. Someday, he wants to be seen as the go-to guy for politicians to find out what God says about this or that. The third is Mark Goat. With my help, he plans on setting up a television network that will air vaguely Christian messages from prosperity gospel preachers, messages from the occasional Fundamentalist nutcases, and even the out there End Times preachers. Our plan is to confuse those uneducated about what the Christian message really is. Heck, Goat and Whittier want to join Christians with Muslims, get the uneducated types thinking that the barbarians in the Middle East actually believe the same thing as real Christians. They call it Chrislam. We sow chaos in the Bible Belt and we can rule America the way we want,
Cliff Ball (Times of Turmoil)
The third is Mark Goat. With my help, he plans on setting up a television network that will air vaguely Christian messages from prosperity gospel preachers, messages from the occasional Fundamentalist nutcases, and even the out there End Times preachers. Our plan is to confuse those uneducated about what the Christian message really is. Heck, Goat and Whittier want to join Christians with Muslims, get the uneducated types thinking that the barbarians in the Middle East actually believe the same thing as real Christians. They call it Chrislam. We sow chaos in the Bible Belt and we can rule America the way we want,
Cliff Ball (Times of Turmoil)
Our world seems to be addicted to the easy way of things. Unfortunately, what seems easy at first almost always ends up causing pain, suffering, and loss. Why do I get fat and sick when I eat tasty junk food? Why must I perform painful exercise to stay healthy and in shape? How come I have to sacrifice so much of my time and money studying in order to get a good paying job? These are the types of questions that no school teaches us. The answer is simple; it doesn’t matter why. That’s just the way it is. If you want to breathe air, then you can’t lay on the bottom of a pond. If you desire wealth, you can’t sit in front of your television screen and expect it to find you. If you want to learn how to play a musical instrument, you must pick it up and spend thousands of hours practicing with it. Entitlement is a problem both inside and outside of the Game… all of our lives would be better if we stopped expecting the world to hand us it’s treasures simply because we asked for them…” Promotional message from “We Can Be Better” featuring Brandon Strayne
Terry Schott (The Game (The Game is Life, #1))
Il regarde les gens autour de lui, écoute leurs conversations, suppute, pour chacun, ses chances d’échapper à sa condition présente. Les clochards, les vrais, c’est râpé. Les employés, les secrétaires, qui viennent à l’heure du déjeuner manger un sandwich sur un banc, ils auront de l’avancement mais n’iront pas bien loin, d’ailleurs ils n’imaginent même pas d’aller bien loin. Les deux jeunes types à têtes d’intellectuels qui discutent et couvrent d’annotations, avec l’air de se prendre très au sérieux, les feuillets dactylographiés de ce qui doit être un scénario : ils doivent y croire, à leurs dialogues à la con, à leurs personnages à la con, et peut-être qu’ils ont raison d’y croire, peut-être qu’ils y arriveront, peut-être qu’ils connaîtront Hollywood, les piscines, les starlettes, et la cérémonie des Oscars. La tribu de Portoricains, en revanche, qui déploie sur la pelouse tout un campement de couvertures, de transistors, de bébés, de thermos... : ceux-là, on peut être sûr qu’ils resteront où ils sont. Encore que... qui sait? Peut-être que leur bébé braillard, à la couche pleine de merde, fera grâce à leurs sacrifices de formidables études et deviendra prix Nobel de médecine ou secrétaire général de l’ONU. Et lui, Édouard, avec son jean blanc et ses idées noires, que va-t-il devenir?
Emmanuel Carrère
It was good for me to be afflicted. (Psalm 119:71) It is a remarkable occurrence of nature that the most brilliant colors of plants are found on the highest mountains, in places that are the most exposed to the fiercest weather. The brightest lichens and mosses, as well as the most beautiful wildflowers, abound high upon the windswept, storm-ravaged peaks. One of the finest arrays of living color I have ever seen was just above the great Saint Bernard Hospice near the ten-thousand-foot summit of Mont Cenis in the French Alps. The entire face of one expansive rock was covered with a strikingly vivid yellow lichen, which shone in the sunshine like a golden wall protecting an enchanted castle. Amid the loneliness and barrenness of that high altitude and exposed to the fiercest winds of the sky, this lichen exhibited glorious color it has never displayed in the shelter of the valley. As I write these words, I have two specimens of the same type of lichen before me. One is from this Saint Bernard area, and the other is from the wall of a Scottish castle, which is surrounded by sycamore trees. The difference in their form and coloring is quite striking. The one grown amid the fierce storms of the mountain peak has a lovely yellow color of a primrose, a smooth texture, and a definite form and shape. But the one cultivated amid the warm air and the soft showers of the lowland valley has a dull, rusty color, a rough texture, and an indistinct and broken shape. Isn’t it the same with a Christian who is afflicted, storm-tossed, and without comfort? Until the storms and difficulties allowed by God’s providence beat upon a believer again and again, his character appears flawed and blurred. Yet the trials actually clear away the clouds and shadows, perfect the form of his character, and bestow brightness and blessing to his life. Amidst my list of blessings infinite Stands this the foremost, that my heart has bled; For all I bless You, most for the severe. Hugh Macmillan
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
The marketing mix consists of the types and amounts of controllable marketing-decision variables that a company uses over a particular time period. Commonly referred to as the “four Ps,” these variables are:
John G. Wensveen (Air Transportation: A Management Perspective)