Typewriters Voice Quotes

But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.

The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstacy is holy!

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and cock and hand and asshole holy! Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel! The bum's as holy as the seraphim! the madman is holy as you my soul are holy! The typewriter is holy the poem is holy the voice is holy the hearers are holy the ecstasy is holy! Holy Peter holy Allen holy Solomon holy Lucien holy Kerouac holy Huncke holy Burroughs holy Cas- sady holy the unknown buggered and suffering beggars holy the hideous human angels! Holy my mother in the insane asylum! Holy the cocks of the grandfathers of Kansas! Holy the groaning saxophone! Holy the bop apocalypse! Holy the jazzbands marijuana hipsters peace & junk & drums! Holy the solitudes of skyscrapers and pavements! Holy the cafeterias filled with the millions! Holy the mysterious rivers of tears under the streets! Holy the lone juggernaut! Holy the vast lamb of the middle class! Holy the crazy shepherds of rebell- ion! Who digs Los Angeles IS Los Angeles! Holy New York Holy San Francisco Holy Peoria & Seattle Holy Paris Holy Tangiers Holy Moscow Holy Istanbul! Holy time in eternity holy eternity in time holy the clocks in space holy the fourth dimension holy the fifth International holy the Angel in Moloch! Holy the sea holy the desert holy the railroad holy the locomotive holy the visions holy the hallucina- tions holy the miracles holy the eyeball holy the abyss! Holy forgiveness! mercy! charity! faith! Holy! Ours! bodies! suffering! magnanimity! Holy the supernatural extra brilliant intelligent kindness of the soul!

Write it. Just write it. Write it on receipts in the car while you wait for your kid to finish their piano lessons, scribble on napkins at lunch with friends. Type on crappy typewriters or borrow computers if you have to. Fill notebooks with ink. Write inside your head while you’re in traffic and when you’re sitting in the doctor’s office. Write the truth, write lies. Write the perfect spouse. Write your dreams. Write your nightmares. Write while you cry about what you’re writing, write while you laugh out loud at your own words. Write until your fingers hurt, then keep writing more. Don’t ever stop writing. Don’t ever give up on your story, no matter what “they” say. Don’t ever let anybody take away your voice. You have something to say, your soul has a story to tell. Write it. There is never any reason to be afraid. Just write it and then put it out there for the world. Shove it up a flag pole and see who salutes it. Somebody will say it’s crap. So what? Somebody else will love it. And that’s what writing’s about. Love. Love of the art, love of the story, and love for and from the people who really understand your work. Nobody else matters. Love yourself. Love your work. Be brave. Just write.

Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time.

When you lost your voice, you lost the ability to make sense of yourself. But don’t worry. You’ll be staying right here. You’ll live among the fading voices trapped in these typewriters, and I’ll be here with you, giving you instructions. Nothing too difficult.

What Jessica said—hair much shorter, wearing a darker mouth of different outline, harder lipstick, her typewriter banking in a phalanx of letters between them—was: "We're going to be married. We're trying very hard to have a baby." All at once there is nothing but his asshole between Gravity and Roger. "I don't care. Have his baby. I'll love you both—just come with me Jess, please... I need you...." She flips a red lever on her intercom. Far away a buzzer goes off. "Security." Her voice is perfectly hard, the word still clap-echoing in the air as in through the screen door of the Quonset office wth a smell of tide flats come the coppers, looking grim. Security. Her magic word, her spell against demons.

Lauren's eyes widened.An entire page had been devoted to the Children's Hospital Benefit Ball.In the center was a color picture of her-with Nick. They were dancing, and he was grinning down at her. Lauren's face was in profile, tilted up to his. The caption read, "Detroit industrialist J. Nicholas Sinclair and companion." "It does look like me, doesn't it?" she hedged, glancing at the excited, avidly curious faces surrounding her desk. "Isn't that an amazing coincidence?" She didn't want her relationship with Nick to be public knowledge until the time was right, and she certainly didn't want her co-workers to treat her any differently. "You mean it isn't you?" one of the women said disappointedly. None of them noticed the sudden lull, the silence sweeping over the office as people stopped talking and typewriters went perfectly still... "Good morning, ladies," Nick's deep voice said behind Lauren. Six stunned women snapped to attention, staring in fascinated awe as Nick leaned over Lauren from behind and braced his hands on her desk. "Hi," he said, his lips so near her ear that Lauren was afraid to turn her head for fear he would kiss her in front of everyone. He glanced at the newspaper spread out on her desk. "You look beautiful, but who's that ugly guy you're dancing with?" Without waiting for an answer, he straightened, affectionately rumpled the hair on the top of her head and strolled into Jim's office, closing the door behind him. Lauren felt like sinking throught the floor in embarrassment. Susan Brook raised her brows. "What an amazing coincidence," she teased.

It wasn’t the typewriter that wrote the story, Isabella,” he said, his voice low. “It was you.

There's this thing that writers talk about--where the characters take on a life of their own and they run away with the story, taking it off to places the author never intended to go. That's what happened here. Except, that's not what really happens. That's one of the stories that writers tell about storytelling. What really happened was that I sat and wrote and had a conversation with myself--a conversation that wasn't possible, unless I let part of myself pretend it was someone else--a disembodied voice in the typewriter. And so I typed. I typed everything I felt and feared and worried about, everything I thought I knew, and everything else as well, the much larger domain of what I didn't know and didn't know how to figure out. Because this, at last, was a place where I could talk to somebody about it all--and if that somebody was really me, that was okay too, because I was the guy who had to figure it out anyway. So I had all these conversations with myself--and these different parts of me talked into the keyboard. And talked and talked and talked.

At this point I feel I would be remiss to not mention the prevalence of a specific kind of person who enters the field of book publishing. This is the English lit major who never should have left academia, a genius who has read all of V.S. Naipaul but can’t photocopy title pages right side up. This person is very thin, possibly vegan, probably Ivy League. He or she feels as if answering the phone in a chipper voice is a form of legalized prostitution. He or she has a single quirky fashion piece, usually red or black, and waxes poetic about typewriters and the British, having never truly known either. Regardless of sex, they all want to be David Foster Wallace when they grow up.

Roger left the cricket stumps and they went into the drawing room. Grandpapa, at the first suggestion of reading aloud, had disappeared, taking Patch with him. Grandmama had cleared away the tea. She found her spectacles and the book. It was Black Beauty. Grandmama kept no modern children's books, and this made common ground for the three of them. She read the terrible chapter where the stable lad lets Beauty get overheated and gives him a cold drink and does not put on his blanket. The story was suited to the day. Even Roger listened entranced. And Deborah, watching her grandmother's calm face and hearing her careful voice reading the sentences, thought how strange it was that Grandmama could turn herself into Beauty with such ease. She was a horse, suffering there with pneumonia in the stable, being saved by the wise coachman. After the reading, cricket was anticlimax, but Deborah must keep her bargain. She kept thinking of Black Beauty writing the book. It showed how good the story was, Grandmama said, because no child had ever yet questioned the practical side of it, or posed the picture of a horse with a pen in its hoof. "A modern horse would have a typewriter," thought Deborah, and she began to bowl to Roger, smiling to herself as she did so because of the twentieth-century Beauty clacking with both hoofs at a machine. ("The Pool")

Useful innovations like the typewriter, text messaging, audiobooks, remote controls, wide rubber grips on kitchen tools, voice assistants, and closed captioning all stem from designs for disability. "When we design for disability first, we often stumble upon solutions that are not only inclusive, but also are often better than when we design for the norm," [Elise] Roy said. "This excites me, because this means that the energy that it takes to accommodate someone with a disability can be leveraged, molded, and played with as a force for creativity and innovation. This moves us from the mindset of trying to change the hearts and the deficiency mindset of tolerance to becoming an alchemist, the type of magician that this world so desperately need to solve some of its greatest problems.

You'll forget you ever had a voice," he continued. "You may find it annoying at first, until you get used to it. You'll move your lips as you just did, go looking for a typewriter, a notepad. But soon enough you'll see how pointless it is. You have no need to talk, no need to utter a single word. There's nothing to worry about, nothing to fear. Then, at last, you'll be all mine.

Plants add life. Books offer exploration and contemplation. Rugs and paintings give warmth and texture and transform the sound of voices into the voices secrets are exchanged in by lovers. Replace the uniform light from above with pockets of light that guide you to the best places. The floor lamp by the sofa whispers, “Grab a book from the shelf and join me.” The green lamp on the wooden desk with the old-school typewriter asks you to come and play. In the corner a globe sends your eyes and your imagination walking.

A descent into an unlit place from which there is no escape, an underwater labyrinth of impossible mazes. No ghosts floating around down there with writing utensils hidden under their white eyehole sheets. I prefer to either drown like a cockroach in the toilet, or swim the English Channel like a hero. I may well be an eleven-fingered oaf slobbering over a typewriter, pounding out a thorny jumble of trash, an uneducated animal who runs on instinct and feeling. But this is my voice. The facts and figures aren’t important to me, the colors and shapes that make up my world are; they are who I am, right or wrong. The limits of my memory are their own reward. Like Rashomon, the same thing looks different to everyone from their angle. The greatest fault of humankind belongs to those who think their view of what’s real is the only truth. I can only write and hope. Hope to arise from the muddy depths of this process, clear and cleansed, laser beams shooting from my eyeballs, holding the sunken treasure aloft, resplendent in silver and gold, an ebullient grin plastered on my face, and sea monsters docile at my feet.

ALL IN TIME With something to do, No wonder I sit at the typewriter. Behind me, the clock has the Monotonous voice of a parent. Always it is something else I prefer. The dictionary is a moving fanfare. The compressed words of my life. … I walk down Longest Avenue holding my umbrella. Information, merely information; Everywhere bone sparkle, Radials sifting deeper into ooze. How I am coming apart. How I scatter. The air sparkles with my dust. … Sir William Herschel saw pinpoints Of another kind of space From which the milk of galaxies were poured, As from a pitcher. What is this universe that occupies my face? I travel in an orderly erratic place. I am a particle, I am going toward something. I am complicated, And yet, how simple is my verse.

Mr. Keir MacRae Lady Merritt Sterling The names had been typed... but why?... what for?... Bits and pieces of memory whirled in his head... thoughts wheeling just beyond reach. As he struggled blindly to catch hold of something, make sense of the tumult, he heard Merritt's voice... stay for one night just one... and there was the smell of rain and the cool darkness of night, and the warmth of a bed... the tender plump curves of a woman's breasts, and the hot clasp of her body pulling at him, squeezing in voluptuous pulsation, and the sweet, wracking culmination as she cried out his name. And there was the sight of her in candlelight, flames dancing in guttering pools of wax, catching glimmers from her eyes, hair, skin... and the glorious freedom of yielding everything, telling her everything, while inexhaustible delight welled around them. And the despair of leaving, the physical pain of putting distance between them, the sensation of being pulled below the surface of the sea, looking up from airless depths to an unreachable sky. Lady Merritt's fingertips pressing a typewriter key. Tap. Tap. Tiny metal rods flicked at a spool of inked ribbon, and letters emerged. Keir was panting now, clutching the slip of paper, while his brain sorted and spun, and pin tumblers aligned, a key turned, and something unlocked. "Merry," he said aloud, his voice unsteady. "My God... Merry.

Metamorphosis is a key theme in Burroughs’ life and work. Often his efforts were directed at himself, though he also sought to transform the outside world by cutting up, rearranging, and playing back its artifacts—namely, text, image, and sound. Burroughs’ ideas and techniques can be applied in many different contexts, music among them. Of course, one must have the proper tools. For Burroughs, these were his typewriter, tape recorders, camera, scissors, and voice. We can think of them as Burroughs’ divine weapons, which he used to assert his visions upon reality. This is a fundamentally occult conceit. Drawing inspiration and energy from symbols, sigils, recitation, and charged objects, practitioners enter non-normative states during which their will—or desire—is projected into the day-to-day world where it is meant to have an impact. The effectiveness of a creative or magical act is a matter of sticking the mark. A curse needs an objective, just as a work of art needs an audience. A bullet requires a target. The circuit finds its path to completion.