Twisted Insane Quotes

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how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
Shannon L. Alder
The whole family is a bunch of dangerous freaks...Most are ex-cons or junkies or deranged from inbreeding. Five have died violently, three are back in prison, two have gone insane from untreated venereal disease, and one writes book reviews.
Tim Dorsey (Triggerfish Twist)
The center of every man's existence is a dream. Death, disease, insanity, are merely material accidents, like a toothache or a twisted ankle. That these brutal forces always besiege and often capture the citadel does not prove that they are the citadel.
G.K. Chesterton
And after that, and also for each word, there should be sentences that show the twists and turns of meanings—the way almost every word slips in its silvery, fishlike way, weaving this way and that, adding subtleties of nuance to itself, and then perhaps shedding them as public mood dictates.
Simon Winchester (The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary)
Sanity is the one unbelievable bore. One must be mad, slightly twisted - then one sees life from a new and entrancing angle.
Agatha Christie (Murder Is Easy (Superintendent Battle, #4))
We never end up with the book we began writing. Characters twist it and turn it until they get the life that is perfect for them. A good writer won't waste their time arguing with the characters they create...It is almost always a waste of time and people tend to stare when you do!
C.K. Webb
You scared the shit out of me last night, so forgive me if I don't want to hear fine as an answer." I rubbed my eyes, hoping it would keep the burning tears away. The warm water of the shower had finally calmed the tears, but the thought of Noah walking away brought them back. "What do you want to hear? That I'm exhausted? Terrified? Confused? That all I want to do is rest my head on your chest and sleep for hours, but that's not going to happen because you're leaving me?" "Yes," he said quickly, then just as quick said, "No. Everything but the last part." He paused. "Echo, how could you think I would leave you? How can you doubt how I feel?" "Because," I said as I felt the familiar twisting in my stomach. "You saw me lose it. You saw me almost go insane." The muscles in his shoulders visibly tensed. "I watched you battle against the worst memory of your life and I watched you win. Make no mistake, Echo. I battled right beside you. You need to find some trust in me ... in us." Noah inhaled and slowly let the air out. His stance softened and so did his voice. "If you're scared, tell me. If you need to cry and scream, then do it. And you sure as hell don't walk away from us because you think it would be better for me. Here's the reality, Echo: I want to be by your side. If you want to go to the mall stark naked so you can show the world your scars, then let me hold your hand. If you want to see your mom, then tell me that, too. I may not always understand, but damn, baby, I'll try.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
No religion I ever encountered made any sense. None are consistent. Most gods are megalomaniacs and paranoid psychotics by their worshippers' description. I don't see how they could survive their own insanity. But it's not impossible that human beings are incapable of interpreting a power so much greater than themselves. Maybe religions are twisted and perverted shadows of truth. Maybe there are forces which shape the world. I myself have never understood why, in a universe so vast, a god would care about something so trivial as worship or human destiny.
Glen Cook (The White Rose (The Chronicles of the Black Company, #3))
As enamored as I was with Q, and as much as he fulfilled me, gave me everything my sick, twisted little soul could want, he drove me insane.
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
Yes, I want to tell her, and maybe I even do say that, but I am crying because whatever gifts, the pieces of good buried inside and under so much that I feel is bad, is wrong, is twisted, are less clear than the ability to hit a ball with a bat and break the scoreboard or do a triple pirouette in the air on ice. My gifts are for life itself, for an unfortunately astute understanding of all the cruelty and pain in the world. My gifts are unspecific. I am an artist manque, someone full of crazy ideas and grandiloquent needs and even a little bit of happiness, but with no particular way to express it. I am like the title character in the film Betty Blue, the woman who is so full of...so full of...so full of something or other-it is unclear what, but a definite energy that can't find its medium-who pokes her own eyes out with a scissors and is murdered by her lover in an insane asylum in the end. She is, and I am becoming, a complete waste. So I cry at the end of The Natural.
Elizabeth Wurtzel (Prozac Nation)
For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that’s taking something that potentially should be celebrated—a woman writing about her feelings in a confessional way—that’s taking it and turning it and twisting it into something that is frankly a little sexist.
Taylor Swift
Sitting to think of what to write will only set your ass on fire, give you headache, twist your face to look stupid, instead, walk around with a blank mind and something from somewhere will fill it up.
Michael Bassey Johnson
It's scary how the change of a word or two can twist any truth into a lie.
Cameron Jace (Figment (Insanity, #2))
...man can survive ...he can kill and be twisted and broken and desperate and insane and fuck barnyard pets in the dark and wear a dress if he chooses, and hate and destroy everything that's beautiful, and wish for death for himself and others with every breath, and still be a perfect child of God.
Dan Fante
I’m fairly sure God designed your body to drive men into insanity,” Remo said darkly. Stifling the excited thrill Remo’s words sent through me, I retorted, “You believe in God?” “No. I don’t. But looking at you, I could turn into a believer.” I huffed. “There’s a cozy warm place in Hell reserved just for you.
Cora Reilly (Twisted Pride (The Camorra Chronicles, #3))
Shreiking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguinated condors of purple fulgurous sky... formless phantasms and kalaidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation...
H.P. Lovecraft (The Lurking Fear)
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Death Cure (The Maze Runner, #3))
So many times people get carried away by passion, do things they never thought they'd do, and their whole lives change in an instant. Sometimes people are simply insane - mentally ill - and it isn't their fault.
Koethi Zan (The Never List)
I'm glad this happened," he said softly. I hoped it was for real,and I didn't want to talk about it too much and ruin the lovely illusion that we were a couple. So I said noncommittally, "Me too." "Because I've been trying to get you back since the seventh grade." I must have given him a very skeptical look. He laughed at my expression. "Yeah, I have a funny way of showing it. I know. But you're always on my mind. You're in the front of my mind,on the tip of my tongue. So if someone breaks a beaker in chemistry class, I raise my hand and tell Ms. Abernathy you did it. If somebody brings a copy of Playboy to class, I stuff it in your locker." "Oh!" I thought back to the January issue. "I wondered where that came from." "And if Everett Walsh tells the lunch table what a wicked kisser you are and how far he would have gotten with you if his mother hadn't come in-" I stamped my foot on the floorboard of the SUV."That is so not true! He'd already gotten as far as he was going. He's not that cute, and I had to go home and study for algebra. "-It drives me insane to the point that I tell him to shut up or I'll make him shut up right there in front of everybody. Because I am supposed to be your boyfriend, and my mother is supposed to hate you,and you're supposed to be making out with me." Twisted as this declaration was,it was the sweetest thing a boy had ever said to me.I dwelled on the soft lips that had formed the statement,and on the meaning of his words. "Okay." I scooted across the seat and nibbled the very edge of his superhero chin. "Ah," he gasped, moving both hands from the steering wheel to the seat to brace himself. "I didn't mean now.I meant in general.Your dad will come out of the house and kill me.
Jennifer Echols (The Ex Games)
Love was insanity at its most beautiful—a madness of desperation and desire that made the most improbable choice possible.
A. Meredith Walters (Lead Me Not (Twisted Love, #1))
Anna’s two eyes ‘saw’ the world inside Suoh. The sea of magma within him fiercely twisted, changed chape, and became a big, sleek beast. That beast reacted to its enemy’s insane charge by bearing its fangs. Anna’s heart was stolen by that beautiful, red form that was only a step away from being released- she wouldn’t hesitate to call it the most beautiful creature in the world.
Gora Gohands (K Side:Red)
forests of monsterous overnourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannible devils; mound like tentacles groping from underground nuclei of polypous perversion...insane lightning over malignant ivied walls and daemon arcades choked with fungous vegetation...Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies.
H.P. Lovecraft
As winter went on, longer than long, we both freaked out. My mania grew to insane proportions. I sat in the study room at night, wildly typing out Dali-esque short stories. I sat at my desk in our room, drinking tea, flying on speed. She'd bang into the room in a fury. Or, she'd bang into the room, laughing like a maniac. Or, she'd bang into the room and sit under the desk eating Nutter-Butters. She was a sugar freak. She'd pour packets of sugar down her throat, or long Pixie-Stix. She was in constant motion. At first I wondered if she too had some food issues, subsisting mostly on sugar and peanut butter-and-jelly sandwiches on Wonder Bread, but my concern (as she pointed out) was “total transference, seriously, Max. Maybe you're just hungry.” Some Saturdays, we'd go to town together, buy bags and bags of candies, Tootsie Rolls (we both liked vanilla best; she always smelled delicious and wore straight vanilla extract as perfume, which made me hungry), and gummy worms and face- twisting sour things and butterscotch. We'd lie on our backs on the beds, listening to The Who and Queen, bellowing, “I AM THE CHAMPION, YES I AM THE CHAMPION” through mouths full of sticky stuff, or we'd swing from the pipes over the bed and fall shrieking to the floor.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
His mind, grooved through the uncounted ages to ultimate despair, soared up insanely. His legs and arms glistened like tongues of living fire as they writhed and twisted in the light that blazed from the portholes. His mouth, a gash in his caricature of a human head, slavered a white frost that floated away in little frozen globules.
A.E. van Vogt
I always seek tranquility, but what would I do if I happened to acquire such composure? I suppose that the boredom from lack of the absurd would expand to such a great weight, I would have to run amuck and shatter it, for my own twisted freedom. Why step out of the ordinary? People have been known to go insane when faced with unfamiliar conditions for extended periods of time. So who is to say it can’t go vice versa? Release the madness, release the demons. Chin high, spine erect, fists clinched, feet firm, balls out. Claim the moment, but disregard the aftermath.
J.C. Wickhart (One Hundred Pounds)
The insane urge to ruffle his hair like I would a kid’s gripped me, just so he’d stop looking so perfect—which was quite irritating to the rest of us mere mortals—but I didn’t have a death wish, so I kept my hands planted in my lap.
Ana Huang (Twisted Love (Twisted, #1))
The Lurking Fear: Shrieking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguined condors of purple fulgurous sky... formless phantasms and kaleidoscopic mutations of a ghoulish, remembered scene; forests of monstrous over-nourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion... insane lightning over malignant ivied walls and demon arcades choked with fungous vegetation... Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies.
H.P. Lovecraft (The Transition of H. P. Lovecraft: The Road to Madness)
People aren’t really needed for anything else in the Griftopia, but since Americans require the illusion of self-government, we have elections. To make sure those elections are effectively meaningless as far as Wall Street is concerned, two things end up being true. One is that voters on both sides of the aisle are gradually weaned off that habit of having real expectations for their politicians, consuming the voting process entirely as culture-war entertainment. The other is that millions of tenuously middle-class voters are conned into pushing Wall Street’s own twisted greed ethos as though it were their own. The Tea Party, with its weirdly binary view of society as being split up cleanly into competing groups of producers and parasites—that’s just a cultural echo of the insane greed-is-good belief system on Wall Street that’s provided the foundation/excuse for a generation of brilliantly complex thievery. Those beliefs have trickled down to the ex-middle-class suckers struggling to stay on top of their mortgages and their credit card bills, and the real joke is that these voters listen to CNBC and Fox and they genuinely believe they’re the producers in this binary narrative. They don’t get that somewhere way up above, there’s a group of people who’ve been living the Atlas dream for real—and building a self-dealing financial bureaucracy in their own insane image.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
I will make you insane, her memory screamed at her near the winter window sill as Tatiana smelled the brine of eternity. On the outside you will walk and smile as if indeed you are a normal woman, but on the inside you will twist and burn on the stake, I will never free you, you will never be free.
Paullina Simons
You think your show of defiance will save you from my dominance? From my wrath? Trust me, you haven’t seen my worst. There are ways of torturing a vampire that can drive them literately insane. I know ways of making you suffer that will last for months or years—not seconds. I want you to test me so that I can teach you who your master is. Now get the fuck up and follow me. If I have to tell you again, I’m going to cut off your hand and send it to the werewolves.” Theoden to Noel
Nicholas Bella (Embraced (New Haven [Season 1]: Chained in Darkness #1))
Frustration fills his golden eyes. "What Queen? Who is coming?" "The living myth," I whisper. "Dreams made flesh." His shock is replaced instantly by a fierce hunger. "You're sure?" The room is a swirling mist. He's the only thing still in sharp focus. He's the only thing I need. "I saw her in the tangled web, Daemon. I saw her.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
You have no idea how an original text can be twisted though the years, only because someone misheard or misremembered the original story.
Cameron Jace (Circus (Insanity, #3))
The insanity of my life has reached a whole new level.
Anna Zaires (Hold Me (Twist Me, #3))
David had left her,taking his insane jealousy with him.
Mary Papas-Μαρία Παπαδοπούλου (14 Twisted Tales To Enthrall)
Megan. I love you. I’m fucking insanely in love with you, and I don’t give a damn if there’s a fucking army after you. I promise that I’ll protect you as long as there is life inside my body.
Keta Kendric (Twisted Hearts (Twisted Minds #2))
He pushes through a door and you can hear Lauren say, “What the hell, Alex? Did you—?” “It’s Hayden Fucking Holmes. Look, he’s on the FaceTime. Look!” “What?” Lauren twists the phone so she’s looking at the screen and . . . cue the screaming. “Oh my GOD!!! It’s Hayden Fucking Holmes!” There is nothing to really do but laugh, and laugh hard. Hayden and I sit there, our chests falling up and down, chuckling together as Lauren and Alex freak out. “I need to show him my boobs,” Lauren says. “Unzip my dress, Alex, undo my bra.” “On it,” he calls out, as if his wife showing Hayden her boobs is the most natural thing ever. Hayden looks at me and mouths, “He’s okay if she shows me her boobs?” I snort and roll my eyes. There really are no words to explain the insanity that is my brother and sister-in-law.
Meghan Quinn (Three Blind Dates (Dating by Numbers, #1))
The eyes —the same two eyes —met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face. Suddenly the prince caught the man by the shoulder and twisted him round towards the light, so that he might see his face more clearly. Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it.
Fyodor Dostoevsky (The Idiot)
I feel the need to warn you to slow down, because you’ve never seen the dark side of love. You’ve never seen how twisted and malignant it can become. How it can eat you alive from the inside out. How it can drive you completely and utterly insane.
Calia Read (Figure Eight)
There’s a part of me wishes that Daddy would sleep his life away. A part of me that hopes that after all these years his drinking will finally catch up to him. That one day he’ll just go to bed and never wake up. But who am I kidding with that dream? It’s the people like Daddy, the wicked ones who go on living forever. It’s like God puts people like Daddy on earth on purpose. Making them a test for the good people in the world. If you can withstand what the good Lord throws at you, by staying true to your goodhearted self, and persevering through all of the obstacles thrust before you, then you’ve earned a spot by his side in Heaven. I look forward to that day. I look forward to the day where I’ll be smiling down from Heaven, wondering what made my daddy become so sick, twisted, and rotten. I look forward to the day when I can forgive him for everything he’s done and watch him from a cloud up in Heaven, praying for his damned soul, while he’s doused in flames, and burning in hell.
Lauren Hammond (Insanity (Asylum, #1))
He never reveals anything personal about himself, and he becomes enraged if I try to steer the conversation in that direction. So I don't. But if I were to speculate, I'd say that he's not just insane, he's still part child himself. He has three sides to him -- the child, the gentleman, and the lunatic.
Andrea Kane (Twisted (Burbank and Parker, #1))
(This is from a tribute poem to Ronnie James Dio: Former lead vocalist of the band Rainbow, Black Sabbath. This is written with all the titles of the hit songs of DIO. The titles are all in upper case) You can “CATCH THE RAINBOW” – “A RAINBOW IN THE DARK” Through “ROCK & ROLL CHILDREN” “HOLY DIVER” will lurk “BEFORE THE FALL” of “ELECTRA” “ALL THE FOOLS SAILED AWAY” “JESUS,MARY AND THE HOLY GHOST”- “LORD OF THE LAST DAY” “MASTER OF THE MOON” you are When my “ONE FOOT IN THE GRAVE” With our “BLACK”, “COLD FEET”, “MYSTERY” of “PAIN” you crave You’re “CAUGHT IN THE MIDDLE”, “BETWEEN TWO HEARTS” When “HUNGRY FOR HEAVEN” “HUNTER OF THE HEART” hurts “FALLEN ANGELS” “FEED MY HEART” “FEVER DREAMS” “FEED MY HEAD” “I AM” “ANOTHER LIE” “AFTER ALL (THE DEAD)” Not “GUILTY” if you “HIDE IN THE RAINBOW’’ With your perfect “GUITAR SOLO” “DON’T TELL THE KIDS” to “DREAM EVIL” Don’t “GIVE HER THE GUN” to follow “DON’T TALK TO STRANGERS” Those “EVIL EYES” can see “LORD OF THE NIGHT” “MISTREATED”; “MY EYES” hate to fancy “SHAME ON THE NIGHT” “TURN UP THE NIGHT” Now it’s “TIME TO BURN” “TWISTED” “VOODOO” does “WALK ON WATER” And today its our turn “BLOOD FROM A STONE” “BORN ON THE SUN” I’m “BETTER IN THE DARK” “BREATHLESS” The “PRISONER OF PARADISE” you are! Forever you are deathless “SACRED HEART” “SHIVERS” Laying “NAKED IN THE RAIN” “THIS IS YOUR LIFE”- “ WILD ONE”! Your “GOLDEN RULES” we gain “IN DREAMS” “I SPEED AT NIGHT” I’m “LOSING MY INSANITY” “ANOTHER LIE”: “COMPUTER GOD” Your “HEAVEN AND HELL”- my vanity! By “KILLING THE DRAGON” “I COULD HAVE BEEN A DREAMER” I’m “THE LAST IN LINE” To “SCREAM” Like an “INVISIBLE” screamer Now that you are gone “THE END OF THE WORLD” is here “STRAIGHT THROUGH THE HEART” “PUSH” “JUST ANOTHER DAY” in fear “CHILDREN OF THE SEA” “ DYING IN AMERICA” Is it “DEATH BY LOVE”? “FACES IN THE WINDOW” looking for A “GYPSY” from above Dear “STARGAZER” from “STRANGE HIGHWAYS” Our love “HERE’S TO YOU” “WE ROCK” “ONE MORE FOR THE ROAD” The “OTHER WORLD” anew “ONE NIGHT IN THE CITY” with “NEON KNIGHTS” “THE EYES” “STAY OUT OF MY MIND” The “STARSTRUCK” “SUNSET SUPERMAN” Is what we long to find “THE MAN WHO WOULD BE KING” Is the “INSTITUTIONAL MAN” “SHOOT SHOOT” to “TURN TO STONE” “WHEN A WOMAN CRIES” to plan To “STAND UP AND SHOUT” before “ THE KING OF ROCK AND ROLL” Though “GOD HATES HEAVY METAL” “EAT YOUR HEART OUT” to reach the goal. From the poem- Holy Dio: the Diver (A tribute to Ronnie James Dio)
Munia Khan
So here, twisted in steel, and spoiled with red your sunlight hide, smelling of death and fear, they crushed out your throat the terrible song you sang in the dark ranges. With what crying you mourned him! - the drinker of blood, the swift death-bringer who ran with you so many a night; and the night was long. I heard you, desperate poet, Did you hear my silent voice take up the cry? - replying: Achilles is overcome, and Hector dead, and clay stops many a warrior's mouth, wild singer. Voice from the hills and the river drunken with rain, for your lament the long night was too brief. Hurling your woes at the moon, that old cleaned bone, till the white shorn mobs of stars on the hill of the sky huddled and trembled, you tolled him, the rebel one. Insane Andromache, pacing your towers alone, death ends the verse you chanted; here you lie. The lover, the maker of elegies is slain, and veiled with blood her body's stealthy sun.
Judith A. Wright
Shrieking, slithering, torrential shadows of red viscous madness chasing one another through endless, ensanguined corridors of purple fulgurous sky . . . formless phantasms and kaleidoscopic mutations of a ghoulish, remembered scene; forests of monstrous overnourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannibal devils; mound-like tentacles groping from underground nuclei of polypous perversion . . . insane lightning over malignant ivied walls and daemon arcades choked with fungous vegetation. . . . Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies.
H.P. Lovecraft (The Complete Works of H.P. Lovecraft)
I tried, in my unhealthy way, to put an end to our ongoing discord. I twisted and turned and contorted and moved as quietly as I could, but it seemed that no matter what I did, I always upset him, with words or actions or inaction, in ways that I could not predict. I couldn’t be someone who conducted herself in a manner he found acceptable, who didn’t warrant constant criticism.
Kelly Williams Brown (Easy Crafts for the Insane: A Mostly Funny Memoir of Mental Illness and Making Things)
Too bad, Samantha, they said to me afterward. Sometimes you fail. Miserably. Hopelessly. It happens even to the best of us. Well, not to us, it’s never happened to us. But it CAN happen. In theory. And that guy! I’m so surprised he didn’t rape us. Repeatedly. Or kill us. Or do some sick thing in between? And oh my god, that story he told about the wolf? So weird. Obviously twisted. Probably we shouldn’t have told him our names. He won’t remember, will he? I mean, it’s not like we’re traceable or anything? Like he could track us down? Like on Facebook or anything? He’s insane, remember? Murderous. Probably he doesn’t even have Facebook. I was like a breath away from calling the police the whole time. Or campus safety. Or like, just screaming “rape.” You’re supposed to yell “fire,” though. Because no one comes when you yell “rape,” didn’t you know that, Bunny
Mona Awad (Bunny)
Now try these Drivetime talismans on for size: organized chaos … wild discipline … reverent blasphemy … self-effacing grandiosity … fanatic moderation … selfish gifts … twisted calm … garish elegance … insane poise … ironic sincerity … blasphemous prayers … orgiastic lucidity … aggressive sensitivity … convoluted simplicity … macho feminism. Homework Discuss what is wetter than water, stronger than love, and more exotic than trust.
Rob Brezsny (The Televisionary Oracle)
No one knows where they came from, whether they're the result of some unnatural twist of evolution or the unexpected outcome of some bizarre magical or scientific experiment. No one believes they were created on purpose, though. There isn't a sorcerer or scientist insane enough to even contemplate such a thing, let alone actually do it. Chiranha are a cross between piranha and Chihuahua, and as silly as that might sound, no one in Nekropolis laughs at them.
Tim Waggoner (The Nekropolis Archives)
Fafhrd and the Mouser thought of Karnak and its obelisks, of the Pharos lighthouse, of the Acropolis, of the Ishtar Gate in Babylon, of the ruins of Khatti, of the Lost City of Ahriman, of those doomful mirage-towers that seamen see where are Scylla and Charybdis. Of a truth, the architecture of the strange structure varied so swiftly and to such unearthly extremes that it was lifted into an insane stylistic realm all its own. Mist-magnified, its twisted ramps and pinnacles, like a fluid face in a nightmare, pushed upward toward where the stars should have been.
Fritz Leiber (Swords in the Mist (Fafhrd and the Gray Mouser, #3))
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
Beckett watched Cole closely. This had been some next level-bullshit. And Cole had already been through some caveman-brutal violence coming up with his horrible mother. A betrayal like that cut deep and hard. He watched as Cole’s eyes filled up, and he curled his hands into fists. His breath came in gasps. His brother’s reality might possibly be caving in. Who the fuck knew. Beckett put the safety on and set down his gun. He turned in his seat and leaned over, grabbing Cole’s shirt and twisting it hard at his chest, pulling the sobbing man closer to him. It was one of the ways he scared the shit out of people, this look he would give, but not now. “Look at me. Fucking look at me!” Cole’s hazel eyes finally locked on Beckett’s. “You are never alone. You will never be alone! We’re together. Do you understand? I will murder the whole world to keep you out of that shit! It will never happen to you again. Do you hear me? Do you fucking hear me?” Cole screamed back at Beckett. Not words, just a guttural noise. Pain. Pain vocalized. Blake careened the car to the side of the road and cut the lights. After it was in park, he turned and faced Cole as well. Cole screamed again. Anger. Hot tears, rage. Pain, so much pain. Beckett panicked. Was it something I said? Shit. Was I too late? Shit. Blake crawled over the seat, sat next to Cole, and he started screaming too. Jesus Christ. The two of them were fucking insane. And if they were going crazy, he would follow. Beckett crawled over too, sloppy and kicking his brothers as he planted himself in the backseat. It took a second before he could match them, before he could go to that place in his head and heart and scream. But he did. For a few heartbeats, three teenage boys raged at their childhood. They hollered at fate. They screamed out pure need. It was the sound of Peter Pan fucking dying, the ghost of dreams that would never be—until Cole started cough-sob-laughing. It was catching, the sliding from one emotion to another. Blake was next, holding his stomach and laughing. Finally Beckett held his head and did the same. They collapsed in a heap, slapping at each other in their hysteria. When they finally caught their breath, they didn’t need words. They didn’t need anything but each other. Cole put up his arm and Blake and Beckett grabbed on. Never alone.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
Birthing your dreams is like. . . . giving birth. Conceiving the idea is the fun part (hopefully), then you go through insane amounts of fear and excitement and dreaming and planning and vomiting and growing and thinking you’re crazy and thinking you’re awesome and stretching and shape shifting until you’re practically unrecognizable to everyone, even your own self. Along the way you clean up your puke and massage your aching back and apologize to all the people whose heads your ripped of in a hormonal killing spree, but you stay the course because you know this baby of yours is going to be the bomb. Then, finally, just when you can see a light at the end of the tunnel, labor starts. Your innards twist and strangle and force you to stumble around hunched over in the shape of the letter “C” while you breathe and pray and curse and just when you think it can’t get any more out-of-your-mind painful, a giant baby head squeezes out of a tiny hole in your body. Then. A full-blown miracle appears.
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand. It makes no difference whether the actors be many or one, a tyrant or a mob. A mob is a society of bodies voluntarily bereaving themselves of reason and traversing its work. The mob is man voluntarily descending to the nature of the beast. Its fit hour of activity is night. Its actions are insane, like its whole constitution. It persecutes a principle; it would whip a right; it would tar and feather justice, by inflicting fire and outrage upon the houses and persons of those who have these. It resembles the prank of boys, who run with fire-engines to put out the ruddy aurora streaming to the stars. The inviolate spirit turns their spite against the wrongdoers. The martyr cannot be dishonored. Every lash inflicted is a tongue of fame; every prison a more illustrious abode; every burned book or house enlightens the world; every suppressed or expunged word reverberates through the earth from side to side. The minds of men are at last aroused; reason looks out and justifies her own and malice finds all her work in vain. It is the whipper who is whipped and the tyrant who is undone.
Ralph Waldo Emerson (Compensation: An Excerpt from Collected Essays, First Series)
But nothing has ever expressed the general, gut-felt moral revulsion against city-bombing better than a virtually unknown article, from firsthand experience, by America’s most famous writer at the time, Ernest Hemingway, in July 1938. It’s still little known because he wrote it, by request, for the Soviet newspaper Pravda, which published it in Russian; his manuscript in English didn’t surface143 for forty-four years. It conveys in words the same surreal images that Picasso had rendered on canvas the year before. His lead sentence: “During the last fifteen months I saw murder done in Spain by the Fascist invaders. Murder is different from war.” Hemingway was describing what he had seen of fascist bombing of workers’ housing in Barcelona and shelling of civilian cinemagoers in Madrid. You see the murdered children with their twisted legs, their arms that bend in wrong directions, and their plaster powdered faces. You see the women, sometimes unmarked when they die from concussion, their faces grey, green matter running out of their mouths from bursted gall bladders. You see them sometimes looking like bloodied bundles of rags. You see them sometimes blown capriciously into fragments as an insane butcher might sever a carcass. And you hate the Italian and German murderers who do this as you hate no other people. … When they shell the cinema crowds, concentrating on the squares where the people will be coming out at six o’clock, it is murder. … You see a shell hit a queue of women standing in line to buy soap. There are only four women killed but a part of one woman’s torso is driven against a stone wall so that blood is driven into the stone with such force that sandblasting later fails to clean it. The other dead lie like scattered black bundles and the wounded are moaning or screaming.
Daniel Ellsberg (The Doomsday Machine: Confessions of a Nuclear War Planner)
Quote from "The Dish Keepers of Honest House" ....TO TWIST THE COLD is easy when its only water you want. Tapping of the toothbrush echoes into Ella's mind like footsteps clacking a cobbled street on a bitter, dry, cold morning. Her mind pushes through sleep her body craves. It catches her head falling into a warm, soft pillow. "Go back to bed," she tells herself. "You're still asleep," Ella mumbles, pushes the blanket off, and sits up. The urgency to move persuades her to keep routines. Water from the faucet runs through paste foam like a miniature waterfall. Ella rubs sleep-deprieved eyes, then the bridge of her nose and glances into the sink. Ella's eyes astutely fixate for one, brief millisecond. Water becomes the burgundy of soldiers exiting the drain. Her mouth drops in shock. The flow turns green. It is like the bubbling fungus of flockless, fishless, stagnating ponds. Within the iridescent glimmer of her thinking -- like a brain losing blood flow, Ella's focus is the flickering flashing of gray, white dust, coal-black shadows and crows lifting from the ground. A half minute or two trails off before her mind returns to reality. Ella grasps a toothbrush between thumb and index finger. She rests the outer palm against the sink's edge, breathes in and then exhales. Tension in the brow subsides, and her chest and shoulders drop; she sighs. Ella stares at pasty foam. It exits the drain as if in a race to clear the sink of negativity -- of all germs, slimy spit, the burgundy of imagined soldiers and oppressive plaque. GRASPING THE SILKY STRAND between her fingers, Ella tucks, pulls and slides the floss gently through her teeth. Her breath is an inch or so of the mirror. Inspections leave her demeanor more alert. Clouding steam of the image tugs her conscience. She gazes into silver glass. Bits of hair loosen from the bun piled at her head's posterior. What transforms is what she imagines. The mirror becomes a window. The window possesses her Soul and Spirit. These two become concerned -- much like they did when dishonest housekeepers disrupted Ella's world in another story. Before her is a glorious bird -- shining-dark-as-coal, shimmering in hues of purple-black and black-greens. It is likened unto The Raven in Edgar Allan Poe's most famous poem of 1845. Instead of interrupting a cold December night with tapping on a chamber door, it rests its claws in the decorative, carved handle of a backrest on a stiff dining chair. It projects an air of humor and concern. It moves its head to and fro while seeking a clearer understanding. Ella studies the bird. It is surrounded in lofty bends and stretches of leafless, acorn-less, nearly lifeless, oak trees. Like fingers and arms these branches reach below. [Perhaps they are reaching for us? Rest assured; if they had designs on us, I would be someplace else, writing about something more pleasant and less frightening. Of course, you would be asleep.] Balanced in the branches is a chair. It is from Ella's childhood home. The chair sways. Ella imagines modern-day pilgrims of a distant shore. Each step is as if Mother Nature will position them upright like dolls, blown from the stability of their plastic, flat, toe-less feet. These pilgrims take fate by the hand. LIFTING A TOWEL and patting her mouth and hands, Ella pulls the towel through the rack. She walks to the bedroom, sits and picks up the newspaper. Thumbing through pages that leave fingertips black, she reads headlines: "Former Dentist Guilty of Health Care Fraud." She flips the page, pinches the tip of her nose and brushes the edge of her chin -- smearing both with ink. In the middle fold directly affront her eyes is another headline: "Dentist Punished for Misconduct." She turns the page. There is yet another: "Dentist guilty of urinating in surgery sink and using contaminated dental instruments on patients." This world contains those who are simply insane! Every profession has those who stray from goals....
Helene Andorre Hinson Staley
Hundreds of men crowded the yard, and not a one among them was whole. They covered the ground thick as maggots on a week old carcass, the dirt itself hardly anywhere visible. No one could move without all feeling it and thus rising together in a hellish contortion of agony. Everywhere men moaned, shouting for water and praying for God to end their suffering. They screamed and groaned in an unending litany, calling for mothers and wives and fathers and sisters. The predominant color was blue, though nauseations of red intruded throughout. Men lay half naked, piled on top of one another in scenes to pitiful to imagine. Bloodied heads rested on shoulders and laps, broken feet upon arms. Tired hands held in torn guts and torsos twisted every which way. Dirty shirts dressed the bleeding bodies and not enough material existed in all the world to sop up the spilled blood. A boy clad in gray, perhaps the only rebel among them, lay quietly in one corner, raised arm rigid with a finger extended, as if pointing to the heavens. His face was a singular portrait of contentment among the misery. Broken bones, dirty white and soiled with the passing of hours since injury, were everywhere abundant. All manner of devices splinted the damaged and battered limbs: muskets, branches, bayonets, lengths of wood or iron from barns and carts. One individual had bone splinted with bone: the dried femur of a horse was lashed to his busted shin. A blind man, his eyes subtracted by the minié ball that had enfiladed him, moaned over and over “I’m kilt, I’m kilt! Oh Gawd, I’m kilt!” Others lay limp, in shock. These last were mostly quiet, their color unnaturally pale. It was agonizingly humid in the still air of the yard. The stink of blood mixed with human waste produced a potent and offensive odor not unlike that of a hog farm in the high heat of a South Carolina summer. Swarms of fat, green blowflies everywhere harassed the soldiers to the point of insanity, biting at their wounds. Their steady buzz was a noise straight out of hell itself, a distress to the ears.
Edison McDaniels (Not One Among Them Whole: A Novel of Gettysburg)
I am going to end up alone," he moaned. "Not in any conceivable universe!" One of Sadie's best qualities is the ability to say "Are you effing insane?" with such sweet conviction and nicer words. "I am going to end up alone in a one-room apartment over a dry cleaner." "A dry cleaner?" "He could have said a bar," I offered. "True," he conceded. Frankie was on a roll. "I am going to end up alone in a one-room apartment over a dry cleaner with a cat. Who bites me." "Oh,Frankie-" "I am going to end up alone in a one-room apartment over a dry cleaner with a cat who bites me and pees in my closet full of moth-eaten sweaters." "Well,maybe," Sadie said, reaching around to hug both of us. "But the sweaters will be Dolce & Gabbana." One of her other fabulous qualities is that underneath the sweet conviction, she does have a sense of humor. Frankie did laugh. Then he gave a sigh that I could feel all the way through me. I knew Sadie did,too. "I liked him," he said, very quietly. "I really did. And I thought he felt the same way. I bent and twisted and distorted everything that happened between us to fit my pretty little picture. God, I believed my own hype. How stupid, how incredibly stupid was that?" "Not stupid." Sadie squeezed. "Hopeful. And if we're not that, what's the point? El? Help me out here." I wanted to.I really did. But all I could think of was the fact that at home, exactly where I'd put it in my bag, which was still exactly where I'd dumped it on the floor, was the evidence that Edward had let me down. I was keeping that to myself, at least for the moment. Twisted it to fit my pretty little picture. I didn't think I could take Frankie's complete lack of surprise that a guy (even a dead one) had let me down-or Sadie's sympathy. Not on top of my own anger. Because,plain and simple,it wasn't okay to look at another woman like that, not when you met the love of your life and gave a big flipped finger to the people around you so you could be with her. Not okay even if she was dead, because I, Ella, really really want to believe that sometimes love does conquer all, and sometimes some things do last foever. Truth: Yes,I really am that naive. "You're perfect," I said to Frankie. And I meant it.
Melissa Jensen (The Fine Art of Truth or Dare)
Someday, she would stand from the couch, step away from the window sill, leave the fire escape, put away the black backpack, take the rings off her neck. Someday when the music played, she would not feel him waltzing with her through the clearing under the crimson moon on their wedding night. Oh, how we danced on the night we were wed… Someday. But today with every breath of the past she colored her breath of the future, with every blink of her eye, Alexander bore himself deeper and deeper inside her until the whole of what they were together blinded her from seeing what else might be in the world for her. All she thought about was what he had loved in her, what he had needed from her, what he had wanted from her. Memory—that fiend, that cruel enemy of comfort. There was no forgetting; worse, the bloodletting that went on every minute became more intense as time went on. It was as if his lips, his hands, his crown, his heart, the things that seemed almost normal, almost right in Lazarevo acquired a prescient, otherworldly sense; it was as if in their totality they took on a life they had not had before. How did they fish, or sleep, or clean? How did she go to her sewing circle? She hated herself now, flagellated herself for doing anything else, how could she have tried to live a normal life in Lazarevo with him, knowing even then that time and they were as fleeting as snowflakes? Knowing what was at stake, could he have lowered his head and walked by her, if he had known what he would lose for the hour of rapture, for the minute of bliss? How he loved to touch her. And she would sit quietly, with her legs not too close together, so that anytime he wanted to, he could: and he did. Anytime. Yes, he said, it was what a soldier on furlough wanted. Anytime wasn’t often enough. He would touch her with his fingers as she sat quietly on the bench, and then he would touch her with his mouth as she sat less quietly on the bench, there was no other time for him but now, there was no later, there was only insanity now. I will make you insane, her memory screamed at her near the winter window sill as Tatiana smelled the brine of eternity. On the outside you will walk and smile as if indeed you are a normal woman, but on the inside you will twist and burn on the stake, I will never free you, you will never be free.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
Two kinds of development help explain how a readiness built up to kill all Jews, including women and children. One is a series of “dress rehearsals” that served to lower inhibitions and provided trained personnel hardened for anything. First came the euthanasia of incurably ill and insane Germans, begun on the day when World War II began. Nazi eugenics theory had long provided a racial justification for getting rid of “inferior” persons. War provided a broader justification for reducing the drain of “useless mouths” on scarce resources. The “T-4” program killed more than seventy thousand people between September 1939 and 1941, when, in response to protests from the victims’ families and Catholic clergy, the matter was left to local authorities. Some of the experts trained in this program were subsequently transferred to the occupied east, where they applied their mass killing techniques to Jews. This time, there was less opposition. The second “dress rehearsal” was the work of the Einsatzgruppen, the intervention squads specially charged with executing the political and cultural elite of invaded countries. In the Polish campaign of September 1939 they helped wipe out the Polish intelligentsia and high civil service, evoking some opposition within the military command. In the Soviet campaign the Einsatzgruppen received the notorious “Commissar Order” to kill all Communist Party cadres as well as the Jewish leadership (seen as identical in Nazi eyes), along with Gypsies. This time the army raised no objections. The Einsatzgruppen subsequently played a major role, though they were far from alone, in the mass killings of Jewish women and children that began in some occupied areas in fall 1941. A third “dress rehearsal” was the intentional death of millions of Soviet prisoners of war. It was on six hundred of them that the Nazi occupation authorities first tested the mass killing potential of the commercial insecticide Zyklon-B at Auschwitz on September 3, 1941. Most Soviet prisoners of war, however, were simply worked or starved to death. The second category of developments that helped prepare a “willingness to murder” consisted of blockages, emergencies, and crises that made the Jews become a seemingly unbearable burden to the administrators of conquered territories. A major blockage was the failure to capture Moscow that choked off the anticipated expulsion of all the Jews of conquered eastern Europe far into the Soviet interior. A major emergency was shortages of food supplies for the German invasion force. German military planners had chosen to feed the invasion force with the resources of the invaded areas, in full knowledge that this meant starvation for local populations. When local supplies fell below expectations, the search for “useless mouths” began. In the twisted mentality of the Nazi administrators, Jews and Gypsies also posed a security threat to German forces. Another emergency was created by the arrival of trainloads of ethnic Germans awaiting resettlement, for whom space had to be made available. Faced with these accumulating problems, Nazi administrators developed a series of “intermediary solutions.” One was ghettos, but these proved to be incubators for disease (an obsession with the cleanly Nazis), and a drain on the budget. The attempt to make the ghettos work for German war production yielded little except another category of useless mouths: those incapable of work. Another “intermediary solution” was the stillborn plan, already mentioned, to settle European Jews en masse in some remote area such as Madagascar, East Africa, or the Russian hinterland. The failure of all the “intermediary solutions” helped open the way for a “final solution”: extermination.
Robert O. Paxton (The Anatomy of Fascism)
If the human race ever wishes to master time travel then the answer is through chemical and not mechanical means. Speed is time travel. It will pilfer away at the space-time around you without your consent, propelling you forward through time. The human body is a vehicle of flux. It is exhilarating to move rhythmically, pulsing, stepping through pockets of your existence in fluid motions. The time that speed steals from you, it gives back with interest, cold and hard on a Monday morning. It brings with it a terrifying despair that creeps upon you. It is a black, slow-motion suicide. The ceiling begins to drip and ooze grey-brown sludge. Aural hallucinations, the demons of psychosis, speak wordless words of pure dread... Sometimes I would laugh and giggle hysterically at inane nonsensical stories that would play out in my mind. I would watch them unfold, like a lucid dream, weird images, Boschian forms, twisted nightmares... And I would weep. I would weep for nothing with salty tears, rivers of anguish and existential pain running down my face, dripping quietly onto the carpet. Day after day, I would unravel myself, dissect, and analyse my life over and over until I was exhausted and insane. Speed is not an insightful drug. It will not delude you into a false sense of spirituality like hallucinogens. It is the aftermath and the come down from speed that will rip open your ego and show you the bare, horrible bones of yourself. It will open the beautiful black doorway inside you and it will show you nothing. Through the darkness of internal isolation, the amphetamine comedown will show you no god, no spirituality, no soul, just your own perishable flesh, and your own animal self-preservation. It will show you clearly just how ugly you really are inside. In the emptiness of yourself, there is only the knowledge of your eventual death. When you have truly faced yourself and recognised yourself as purely animal then you become liberated from the societal pretence that you are above or better than any other creature. You are a human animal. You are naturally motivated to be selfish. Everything you do, every act you partake of, is in its essence an act of survival. No act of the human-animal happens without the satisfaction of the ego’s position in existence…
Steven LaVey (The Ugly Spirit)
There was no name for the disease; his body had gone insane, forgotten the blueprint by which human beings were built. Even now the disease still lives on in his children. Not in our bodies, but in our souls. We exist where normal human children are expected to be; we’re even shaped the same. But each of us in our own way has been replaced by an imitation child, shaped out of a twisted, fetid, lipidous goiter that grew out of Father’s soul.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
But what about mankind’s physical body? How did God conjure up the physical features of a human being? Friend, He patterned us after himself!!! “And God said, Let US make man…after our likeness” (Genesis 1:26). The original Hebrew word translated “likeness” is “demût”, meaning: likeness, figure, image, form. In a nutshell, we were fashioned to look like God! Thus, the physical concept of a human being having legs to walk, arms to hold, torso to twist, eyes to see, mouth to taste, nose to smell, and ears to hear was not the product of millions of years of random, evolutionary chance: It was God making us “like Him”! It is insanity to believe mindless spontaneity created the physical features of a human being, yet macro-evolutionary theory proposes such a ridiculous idea. Scientists, if you want to know where the ear and the eye came from, study the Scriptures: “Understand, ye brutish among the people: and ye fools, when will you be wise? He (God) that planted the ear, shall he not hear? He (God) that formed the eye, shall he not see?” (Psalms 94:8, 9). Scientists are still trying to understand “light”, for it is an extremely complex phenomenon, having the properties of both waves and particles. Yet, macro-evolutionists want us to believe good-old random “nothingness” knew exactly what light is, designing an eye to “capture it”, optic
Gabriel Ansley (Undeniable Biblical Proof Jesus Christ Will Return to Planet Earth Exactly 2,000 Years After the Year of His Death: What You Must Do To Be Ready!)
Just like countless newcomers to the new continent before him, he felt simultaneously a foreigner in a foreign land and yet that the place he’d arrived at was somehow not that foreign. What America did to the conventional stranger-in-a-strange-land correlation was to kindly twist it upside down. In other parts of the world, to be a newcomer meant you had now arrived at a new place where you didn’t know the ways and hows, but would probably and hopefully learn most, if not all, in the fullness of time. In coming to America for the first time, however, you retained a sense of arriving at a place not that new, since you felt you already knew most, if not all, there was to know about it, and ended up unlearning your initial knowledge in the fullness of time.
Elif Shafak (The Saint of Incipient Insanities)
For all the horror, the brand was beautiful. A single line drew layers of sharp petals and etched one jaded leaf. Joy twisted her shoulder and traced the brand with her finger, feeling the dead skin ridge, the tightness of sunburn without the sting. She touched it tentatively and then with a growing confidence. She’d gone through something horrible and emerged with this. Through every insane, upsetting and embarrassing thing she’d been through—her mother, her father, her brother, Ink, Hasp, Briarhook, the police—all of it had built up inside her, but nothing ever showed. Nothing ever looked different despite the fact that it was different, she felt different, and all the therapist talk was about going back to being the same even though she knew she would never be the same again. How could she? Some things were permanent— indelible—and could not be changed back. This change was permanent; it showed inside and out. 
Dawn Metcalf (Indelible (The Twixt, #1))
No religion I ever encountered made any sense. None are consistent. Most gods are megalomaniacs and paranoid psychotics by their worshipers’ description. I don’t see how they could survive their own insanity. But it’s not impossible that human beings are incapable of interpreting a power so much greater than themselves. Maybe religions are twisted and perverted shadows of truth. Maybe there are forces which shape the world. I myself have never understood why, in a universe so vast, a god would care about something so trivial as worship or human destiny.
Glen Cook (The White Rose (The Chronicles of the Black Company, #3))
The Idiot, Dostoevsky. Part 2 Ch.5 The doorway was dark and gloomy at any time; but just at this moment it was rendered doubly so by the fact that the thunder-storm had just broken, and the rain was coming down in torrents. And in the semi-darkness the prince distinguished a man standing close to the stairs, apparently waiting. There was nothing particularly significant in the fact that a man was standing back in the doorway, waiting to come out or go upstairs; but the prince felt an irresistible conviction that he knew this man, and that it was Rogojin. The man moved on up the stairs; a moment later the prince passed up them, too. His heart froze within him. “In a minute or two I shall know all,” he thought. The staircase led to the first and second corridors of the hotel, along which lay the guests’ bedrooms. As is often the case in Petersburg houses, it was narrow and very dark, and turned around a massive stone column. On the first landing, which was as small as the necessary turn of the stairs allowed, there was a niche in the column, about half a yard wide, and in this niche the prince felt convinced that a man stood concealed. He thought he could distinguish a figure standing there. He would pass by quickly and not look. He took a step forward, but could bear the uncertainty no longer and turned his head. The eyes—the same two eyes—met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face. Suddenly the prince caught the man by the shoulder and twisted him round towards the light, so that he might see his face more clearly. Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out: “Parfen! I won’t believe it.” Next moment something appeared to burst open before him: a wonderful inner light illuminated his soul. This lasted perhaps half a second, yet he distinctly remembered hearing the beginning of the wail, the strange, dreadful wail, which burst from his lips of its own accord, and which no effort of will on his part could suppress. Next moment he was absolutely unconscious; black darkness blotted out everything. He had fallen in an epileptic fit. As is well known, these fits occur instantaneously. The face, especially the eyes, become terribly disfigured, convulsions seize the limbs, a terrible cry breaks from the sufferer, a wail from which everything human seems to be blotted out, so that it is impossible to believe that the man who has just fallen is the same who emitted the dreadful cry. It seems more as though some other being, inside the stricken one, had cried. Many people have borne witness to this impression; and many cannot behold an epileptic fit without a feeling of mysterious terror and dread. Such a feeling, we must suppose, overtook Rogojin at this moment, and saved the prince’s life. Not knowing that it was a fit, and seeing his victim disappear head foremost into the darkness, hearing his head strike the stone steps below with a crash, Rogojin rushed downstairs, skirting the body, and flung himself headlong out of the hotel, like a raving madman. The prince’s body slipped convulsively down the steps till it rested at the bottom.
Fyodor Dostoevsky
He was conscious of the great weight of the keep above him, its brooding memories, its twisted bitterness in defeat: Old Caradore was insane, driven mad by all it had witnessed.
Storm Constantine (The Way of Light (The Chronicles of Magravandias, #3))
I'm not moping.” She rolled her eyes and shoved a dress at me. “ ‘Will you call my phone? Is it working? Why hasn’t it rung?’ Blegh.” She stuck her tongue out. “No guy is worth that. Not even someone as insanely fuckable as Ryder Briggs. Try that on.” She gestured to the dress I held against my chest. I tossed it onto the bed and peeled off my shirt, slipped the dress on, then dropped my jeans from under it. Her face pinched on the side as she twisted her lips and studied me. “Nope.” She spun back to her closet and pulled out a blue dress. “Here.” “This is like three sizes too small,” I pointed out. “It stretches. Put it on.” I yanked off the first dress and forced the other over my boobs and down my body. “Oh my God. I don’t think I can breathe.” “It’s spandex. You can breathe, it just feels tight. Get used to it. You’re wearing it.” “What? Are you kidding me? I feel like a sausage on a stick.” “Well, you look like sex on a stick, all tan skin, blue eyes, long legs. Guys will go crazy. You’re wearing it. Trust me, I don’t like the idea of you looking so damn hot in my dress either, but if you can meet someone to get your mind off Ryder, it’s worth it.
Renita Pizzitola (Just a Little Crush (Crush, #1))
Ruxs gripped Green’s rigid length, slowly stroking the base while he licked around the head. Sucking and nibbling lightly on the sensitive nerves. “Damnit.” Green moaned, wanting to thrust deeper into Ruxs’ sexy mouth. He cupped his hand on Ruxs’ jaw, the other hand on the back of his head. He pushed, wanting Ruxs to take him deeper, wanting Ruxs to put in more work. He could feel the flat of that warm tongue sliding up and down his shaft, the noises Ruxs made while he sucked him driving him insane with desire. He pushed some more and heard Ruxs gag and Green almost came right then. “Fuck yeah.” He pushed Ruxs head down again. His lover didn’t fight him. He went down, trying to take as much in as he could, choking when he had taken only half of Green’s length. “Shit. Yes. Choke on my cock, baby.” Green watched Ruxs’ every move. Felt his throat working under his palm. “That’s it, deeper. Ahhh.” Ruxs couldn’t take Green all the way down, but how hard he was trying was making Green’s toes curl and his spine tingle. Ruxs choking and spitting on his dick was a crazy fuckin’ turn-on for him. Ruxs gagged hard, pulled off him coughing and cursing like he was angry. “Fuck. Chris. Big fuckin’ dick.” Ruxs jerked him fast and hard, bending back down and sucking on the head. “Gonna make me come, babe. Shit. Just like that.” Green’s thighs flexed and his balls drew up tight against him. He reached under Ruxs’ body and pinched both of his nipples, hard, twisting them, enjoying the sharp crying sound Ruxs made around his dick. Green squeezed his eyes shut, his orgasm ravaging his body as he threw his head back, cursing in a low, growling timber. “Fucking, coming.” The first jolt from him had white lights dancing behind his eyelids. He let go of Ruxs’ abused nipple, gripping the back of his neck with both hands, forcing him down again. A powerful tremor shook him as he released more and more into that sexy mouth. Ruxs gagged again and Green saw his come leaking out of Ruxs’ mouth. He took his thumb and shoved it back in. His thumb and cock, spreading Ruxs’ plump lips. He held back his shouts as much as he could. But damn. Ruxs had him crazy with lust. Seeing and hearing Ruxs gag trying to take him deep, watching his come flood his mouth. Fuck! He’d never seen anything more erotic. 
A.E. Via (Here Comes Trouble (Nothing Special #3))
Judge clasped his hands over Michaels’ and nodded once. Michaels barely withdrew a few inches before he slammed back into Judge’s wanting ass. Over and over, rapid sharp thrusts, deeper than Judge could process. Judge twisted and grunted, growling against the sheets. “Still being stubborn, huh? Why won’t you let me hear you? That deep sexy voice of yours.” Michaels panted in his ear. “I can make you talk, babe.” “Fuck you,” Judge muttered. Thinking Michaels didn’t hear him… but he was wrong. Michaels chuckled low and demonically, and Judge knew he’d fucked up. “Better, but not quite what I had in mind.” Michaels’ body was shifting over of him, turning so that his legs straddled his right thigh and both his arms were on his left side braced on the mattress. Oh fuck. Michaels was getting ready to fuck him at an entirely different angle. An angle that was gonna have him pile-driving his prostate. “Fuck!” Judge yelled. Michaels thrusts were so powerful, that blunt cock-head punching his gland with a force so insane it made him see stars. Judge was arching his back again, this time raising both of them up. “Ahhhh. Fuck! Fuck!” “Yeah, babe. God. That’s. Good. Ahhh. Nice and tight,” Michaels said, after each thrust. “Shit. I’m ‘bout to come.” Judge’s
A.E. Via (Don't Judge (Nothing Special, #4))
Emotions rage inside me, something like a world war twisting inside my stomach and poking holes in my lungs. I can't pick apart reality from fantasy - does that mean insanity isn't far from my reach?
K. Weikel (The Blood Room: Alternate Ending no. 3)
You do not lie so good, Yellow Hair. Your eyes make big talk against you. But that is okay. We have had this one moment together, no? And you did not spit.” Chuckling, he ducked his head and tightened his arm around her with such crushing strength that she couldn’t breathe, let alone fight. Then he wheeled his horse, yelling gibberish. The young man who held Amy nudged his pony out of the ranks and galloped it toward the house. In a skid of hooves and flying dust, he dumped her none too gently onto the dirt and rode off. Amy scrambled to her feet, holding out her arms. “Loretta, no…Loretta, please…” To Loretta’s relief, Rachel burst out of the cabin, grabbed Amy, and dragged her up the steps. After shoving the child through the door, she reappeared with a rifle in her hands. Lifting the stock to her shoulder, she took careful aim. At Loretta… It happened so fast that even the Comanche was taken by surprise. His body snapped taut. For the space of a heartbeat, Loretta felt a shattering sense of betrayal, of fear. Then she understood. Aunt Rachel was going to kill her rather than see her taken by Comanches. The blast of the gun and a roar from the Comanche came almost simultaneously. He threw his body forward, slamming Loretta against the stallion’s neck. Pain exploded in her chest, a flattening, mind-searing pain. Insane as it was, the thought crossed her mind that the Comanche hadn’t won after all. The stallion reared, striking the air, then leaped forward, nearly tossing both his riders. Loretta was squashed between the long ridge of the animal’s neck and the Comanche’s chest. Sitting sideways as she was, her body was twisted at an impossible angle. Instinctively she clutched the horse’s mane to hold her seat. She was going to fall. The hooves of the other horses thundered all around her. If she lost her grip, the other riders would surely trample her. Desperation filled her. She was slipping. At the last moment, when her fingers lost their hold and she felt herself falling, her captor’s arm clamped around her ribs, pulling her back onto the horse. Then the weight of his chest anchored her, so heavy she couldn’t breathe. Wind blew against her face. Slack-jawed, she labored for air, pressure building to a pulsating intensity in her temples. The Indians rode a safe distance from the house before stopping. When Hunter finally drew rein and leaped off the horse, Loretta fell with him and landed in a heap at his feet. Dust plumed around her. Men dismounted, yelling, running in her direction. For a moment she thought they were going to swoop down on her, but they circled her captor instead, jabbering and touching his shoulder. There were so many legs, some naked. Brown buttocks flashed everywhere she looked. Hunter snarled something and peeled off his shirt. A furrowed flesh wound angled across his right shoulder. Pressing a hand to her chest, Loretta glanced down in bewilderment. She had been so sure…Laughter bubbled up her throat. Aunt Rachel had missed? She never missed when she could draw a steady bead on a still target. Loretta’s throat tightened. The Comanche. She looked up, confusion clouding her blue eyes. He had shielded her with his own body?
Catherine Anderson (Comanche Moon (Comanche, #1))
Ryan looked over Jamie’s shoulder at the city lights flaring against the clouds. He had thought all week about Jamie’s situation, but no matter how desperately he had racked his brain for a solution, he’d come to the same unsatisfying, frustrating conclusion every time: there was no solution. He was the reason Jamie was miserable, and there wasn’t a damn thing he could do about it. Jamie would continue to be miserable—until he finally got tired and left. The truth of it sliced through him, and Ryan’s arms tightened around Jamie. Something churned in his gut, a primal fear the likes of which he’d never felt before. He tried to suppress the insane urge to grab Jamie and lock him up somewhere safe. Somewhere only he had access to. Yeah. Right. That wasn’t creepy at all. “Yeah, I’m freaking out, mate,” he admitted quietly, burying his face in Jamie’s hair. “Just not about what you think.” He mouthed Jamie’s nape, trailed his lips to the soft skin of Jamie’s cheek. Jamie shuddered and melted against him, turning his face into the touch. Ryan went still. Damn, Jamie’s reaction to such an innocent touch was incredible. Despite knowing that Jamie wanted him that way—hell, despite having had Jamie come all over his hand a week ago—it still took him aback how needy and putty-like Jamie was in his hands. It was weird but flattering, it felt wrong and yet pushed those strange, twisted buttons he hadn’t even known he had. He kissed the corner of Jamie’s mouth. A small whine left Jamie’s trembling lips. Bloody hell. He turned Jamie around and looked at him. Jesus fucking Christ. Jamie looked…He looked as if he’d just been snogged thoroughly: his pupils blown, pale cheeks flushed, and lips parted. The longing, hungry look he gave Ryan was downright shameless and obscene—the kind of look that belonged on a whore’s face before she spread her legs. Ryan stared. Jamie closed his eyes and took a deep breath. “I—” Jamie said before opening his eyes and glaring at Ryan. “Why did you do it?” That was a good question. Behind them, the door opened. “Supper is ready, boys,” Sandra said.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
History is what [hearts] curse shared out among the holes in personhood, the cars, in the twist of torsos, the swing of blood, a billion and a half tons of plastic and metal moving around bound to some insane imperative the stiffening cast of motion, shutter and shadow morcellized, that's my jam, that's the molecule won't compute, won't shut up about how weird it is no other world is possible except all of them
Jasper Bernes (We Are Nothing and So Can You)
Zane hasn't done anything,' I protest. 'He's been helping me.' Cecilia looks at me, the gun still level in her hand. 'But don't you see, baby girl? He's only going to hurt you in the end. They all are...
Cynthia Omololu
Kim knew there was no room for him to offer an insanity plea. Each crime had taken intricate and diligent planning and faultless execution.
Angela Marsons (Twisted Lies (DI Kim Stone, #14))
I found it odd that it was mostly men driving this, but for all I knew all the women were too damn intelligent to be caught up in this insanity.
Mel Todd (Drafted Luck (Twisted Luck #5))
No, I mean extremists. People who choose to belong to some insane, twisted cult because somehow it makes them feel good, feel superior.
Nora Roberts (The Becoming (The Dragon Heart Legacy, #2))
The sky belched. The thunder of one more belch cracked the dark morning and the air became clogged with the twisting speed of the rain that beat the streets in a unified tempo of a thousand small drums. Skinny walked slowly, slowly in the gutter. All of him, all of his possessions stuck out. One more clap of thunder stuttered insanely and Skinny scoffed at the scattering people and the mad hunt for shelter. Some huddled in doorways and some huddled under awnings and some made reluctant purchases for the franchise of being legitimate fugitives from the prison of the rain. Skinny and his big wet head was a flawless model for a tragic cartoon as the people fled from the streets and he just wandered in the gutter where the rain spilled over him and sucked his body.
Alan Kapelner (Lonely Boy Blues)
...it's too bad bad you're not like the Suriel, spouting any information I want if I'm clever enough to snare you.' For a moment, he blinked at me. Then his mouth twisted to the side and that metal eye whizzed and narrowed on me. 'I suppose you won't tell me what you want to know.' 'You have your secrets, and I have mine,' I said carefully. I couldn't tell whether he would try to convince me otherwise if I told him the truth. 'But if you were a Suriel,' I added with deliberate slowness, in case he hadn't caught my meaning, 'how, exactly, would I trap you?' Lucien set down the knife and picked at his nails. For a moment, I wondered if he would tell me anything at all. Wondered if he would go right to Tamlin and tattle. But then he said. 'I'd probably have a weakness for groves of young birch trees in the western woods, and freshly slaughtered chickens, and would probably be so greedy that I wouldn't notice the double-loop snare rigged around the grove to pin my legs in place.' 'Hmm,' I didn't dare ask why he had decided to be so accommodating. There was still a good chance he wouldn't mind seeing me dead, but I would risk it. 'I somehow prefer you as a High Fae.' He smirked, but the amusement was short-lived. 'If I were insane and stupid enough to go after a Suriel, I'd also take a bow and quiver, and maybe a knife just like this one.' He sheathed the knife he'd cleaned and set it down on the edge of the table- an offering. 'And I'd be prepared to run like hell when I freed it- to the nearest running water, which they hate crossing.' 'But you're not insane, so you'll be here, safe and sound?' 'I'll be conveniently hunting on the grounds, and with my superior hearing, I might be feeling generous enough to listen if someone screams from the western woods. But it's a good thing I had no role in telling you to go out today, since Tam would eviscerate anyone who told you how to trap a Suriel; and it's a good thing I had planned to hunt anyway, because if anyone caught me helping you, there would be trouble of a whole other hell awaiting us. I hope your secrets are worth it.' He said it with his usual grin, but there was an edge to it- a warning I didn't miss. Another riddle- and another bit of information. I said, 'It's a good thing that while you have superior hearing, I possess superior abilities to keep my mouth shut.' He snorted as I took the knife from the table and turned to procure the bow from my room. 'I think I'm starting to like you- for a murdering human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
There are times when a broken tool is better than a sound one, or a twisted personality more useful than a whole one. For instance, a whole beer bottle isn't half the weapon that half a beer bottle is...
Randall Garrett (In Case of Fire)
(Female) Within seconds of inhaling, the room filled with an amber-gold veil which seemed to coat everything. My entire body and mind were filled with visual, vibrational sound, which appeared like millions of tiny, flashing points of light. An intense swirling feeling came over my body and mind, and I felt a rapid and complete loss of control as I swirled downward into a very deep, bottomless whirlpool. I experienced a very sensual, unitive state with my partner (also voyaging). I experienced our essences blending like the mixing of water colors while still feeling each of us as individuals – he later confirmed something similar at the same point. As I swirled and lost control, a deep pain within me expressed itself as a high-pitched moaning that came screeching out of the very depths of me. I witnessed and felt this happening without capacity, or desire, to stop it from happening. With this sound I twisted and twirled downward, not knowing if my body was actually doing this or if it was a very strong inward sensation. The next thing I knew, I was in a vast, dark space like a night sky, yet there was a slight whirling around me. I was no longer whirling, but the space around me was. My mind was fragmented into a million pieces which seemed to be floating around me in this space. I didn’t know where I was or who I was. When I noticed this I felt lost and afraid. While there were no sign posts indicating a direction, I spontaneously made a kind of mental intention to go towards something and as a result began to move in a direction in this inner space. I then heard a deep, loving, feminine voice slowly say “That’s right. You can do it.” It was a voice from within this space, the voice of the guide. Upon hearing it, I was deeply, utterly relieved – her voice so soothing and warm, reassuring and firm. She felt ancient and familiar to me. I felt I knew what to do now, yet was overwhelmed with the task – I felt I was in an insane state of mind. While it felt like the most difficult thing I’ve ever had to do, I knew I had to move within this space in a certain direction. There were no visual clues, only an internal sense that once I had moved that I was going in the right direction. I was going Home. I heard a noise in the room and recalled where I was, that I was travelling with the Jaguar. I brought conscious attention to my breathing and gradually re-collected myself. I sat up and as I looked around the room at everyone I felt like Dorothy in the Wizard of Oz when she awoke from her long dream – I recognized everyone as ancient friends. I asked the women to form a cocoon around me and when they did I burst into tears and sobbed very deeply, accompanied by a very deep feeling of relief and return. I felt ancient connection and experienced a grounding and inner contact with my spiritual nature. During the days following my journey, I alternated between anxiety and elation and experienced an amazingly broad range of levels of consciousness throughout my daily activities. I could easily perceive multiple levels of existence and experienced an increase in empathic and psychic ability. I also experienced a tremendous amount of sexual energy and greatly heightened orgasmic responses in my entire body. At quiet moments I felt very deeply relaxed and centered.
Ralph Metzner (The Toad and the Jaguar)
I could have killed you, and you wouldn’t even have tried to stop me, would you?” I contemplated his words. At no point had I tried to prize his fingers from my neck. What was that? Trust? Or something darker? “Do you know why that is?” “Insanity.” Shai’s laugh was deep and low. “No. It’s because you’re mine and you know it. One hundred percent mine. Mine to fuck. Mine to torment. Mine to kill should I wish. I could murder you, and you’d come back from the afterlife to say thank you.
H.L. Night (Elijah (Twisted Web #2))
to their sins. As a result, the thinking of the people and their leaders becomes so twisted and insane, they declare that evil is good and good is evil. And when insanity rules, when wrong becomes right, when the spirit of the age embraces everything God abhors, all that is left for a perfectly holy God is to render judgment—in all his terrible wrath and power.
Mark E. Fisher (The Day the End Began (Days Of The Apocalypse, #1))
My feelings toward this flame-haired woman cause dark feelings to twist within me. I know she is not directly responsible for me leaving my home, yet I loathe her as if she were the person who came up with this insane idea. I know she is just doing her job… doing what my “godfather” asked her to do, but my contempt for her is as great as for this man named Randall Cannon. Two people that have put into effect a series of events, which led me from a peaceful and happy existence. They are simply my enemies.
Sawyer Bennett (Uncivilized (Uncivilized, #1))
I saw you fall.” “The fall isn’t the problem. It’s the sudden stop at the end. Avoid that and…” He waved his hands down his body. “Apparently, you can survive.” “That’s not…You can’t…” “Did I mention the insanely lucky part? Great thing about this island? Really big trees. Gotta love those redwoods, especially when they break your fall. Still it was a helluva hit and I’ve got the war wounds to show for it.” He held out his bare arms, covered in healing scratches. There were more on his face. I looked at him then, my first good look, as hope started to flutter in my chest. Except for the scratches and a purpled bruise on his chin, he looked exactly as I remembered. Blue jeans, tank top, faded denim jacket, boots. Black hair curling over his collar. Brown eyes flecked with gold. Crooked smile threatening to burst into a grin. “Got impaled, too.” He lifted his shirt and turned around to show me what looked like a scabbed-over stab wound in his side. “Dislocated my shoulder. Passed out from the pain. When I woke up the shoulder was fixed--one of the benefits of being a shape-shifter I guess--and the rest was healing. I was unconscious for a while, apparently.” “I…I still--” “Can’t believe it?” Rafe shrugged. “I’m guessing a regular person wouldn’t have survived. But we’re part cat so maybe falls aren’t so bad. I think I lost one of my nine lives though.” He twisted to look at the stab wound. “Maybe two.
Kelley Armstrong (The Calling (Darkness Rising, #2))
He’s insane. His thought processes are so beyond messed up that I can’t even understand him half the time. There is always an element of religion in the riddles he spews, and the root of that is something I must get to. His entire identity is a maze to me; an endless cycle of twists and turns. The finish line, never in sight.
Jescie Hall (That Sik Luv)
No religion I ever encountered made any sense. None are consistent. Most gods are megalomaniacs and paranoid psychotics by their worshipers’ description. I don’t see how they could survive their own insanity. But it’s not impossible that human beings are incapable of interpreting a power so much greater than themselves. Maybe religions are twisted and perverted shadows of truth. Maybe there are forces which shape the world. I myself have never understood why, in a universe so vast, a god would care about something so trivial as worship or human destiny.
Glen Cook (Chronicles of the Black Company (The Chronicles of the Black Company, #1-3))
These stars of ours were written in darkness and bound with light. Ensuring my soul would seek your for eternity. Forever lost to this captivating insanity of we.
R. Phillips (Entangled (A Twisted Tale, #1))
You have me for eternity. Without you, there is no past, or present, or future. You alone are my captivating insanity. The only infinity for me. My whole fucking existence in one being.
R. Phillips (Bound (A Twisted Tale #2))
We burned so bright, Even the stars trembled in our wake. and when we collided, All the world sighed with desperate jealousy. Watching as the heavens were set aflame, By what I should've never let be, But was powerless to defy, The insanity of You & Me.
R. Phillips (Bound (A Twisted Tale #2))
One thing leads to another in this world, Flamen, and we human beings get dragged along like—like dead leaves spinning in the wake of a skimmer. Diablo was saying a while back how you fine down your principles so that a machine can handle them, and pretty soon the person using the machine comes to imagine that this is how it’s always been— there never was a subtler way of thinking. That’s some of where it’s at, but it’s not all by any means. Take the fine expensive home you live in, with its automatic defenses and its mines sown under the lawn like daffodil-bulbs. You shut yourself up behind armor-plate, you shut your mind too. You advertise Guardian traps on your show, don’t you—those steel bands spiked like an Iron Maiden? What’s the mentality of someone who’s prepared to come home from visiting neighbors and find a corpse hung up in the doorway? I say he’s already insane when he commits himself to that course of action, and you don’t have to wait for him to lose his marbles under an overdose of Ladromide before he stops thinking as a responsible mature person ought to! And what’s the reason that’s advanced for acting this way?” He rounded on Reedeth. “You know! You probably have it dinned into you a dozen times a day at your work! ‘Be an individual!’” Conroy contrived to make the slogan sound obscene. “And what’s this been twisted into? The biggest Big Lie in history! It’s no use making your life so private you refuse to learn from other people’s experience—you just get stuck in a groove of mistakes you need never have made. We have more knowledge available at the turn of a switch than ever before, we can bring any part of the world into our own homes, and what do we do with it? Half the time we advertise goods people can’t afford, and anyhow they’ve got the color and hold controls adrift because the pretty patterns are fun to look at when you’ve bolted and barred your mind with drugs. Split! Divide! Separate! Shut your eyes and maybe it’ll go away! “We mine our gardens, we close our frontiers, we barricade our cities with Macnamara lines to shut off black from white, we divide, divide, divide!” A stamp emphasized each repetition of the word. “It gets into our families, goddamn it, it gets into our very love-making! Christ, do you know I had a girl student last year who thought she was having an affair with a boy back home and all they’d ever done was sit in front of the comweb and masturbate at each other? Twenty miles apart! They’d never even kissed! We’re going insane, our whole blasted species—we’re heading for screaming ochlophobia! Another couple of generations and husbands will be afraid to be alone in the same room with their wives, mothers will be afraid of their babies, if there are any babies!
John Brunner (The Jagged Orbit)
Ultimately, however, what happened to Humanity does not matter. Like every other story, it was a temporary one; indeed long but ultimately ephemeral. It did not have a coherent ending, but then again it did not need to. The tale of Humanity was never its ultimate domination of a thousand galaxies, or its mysterious exit into the unknown. The essence of being human was none of that. Instead, it lay in the radio conversations of the still-human Machines, in the daily lives of the bizarrely twisted Bug Facers, in the endless love-songs of the carefree Hedonists, the rebellious demonstrations of the first true Martians, and in a way, the very life you lead at the moment. Many throughout history were unaware of this most basic fact. The Qu, in dreams of an ideal future, distorted the worlds it came across. Later on the Gravital, with their insane desire to recreate the past, created the biggest massacres in the history of the galaxy. Even now, it is sickeningly easy for beings to get lost in false grand narratives, living out completely driven lives in pursuit of non-existent ultimates, ideals, climaxes and golden ages. In blindly thinking that their stories serve absolute ends, such creatures almost always end up harming themselves, if not those around them. To those like them; look at the story of Man, and come to your senses! It is not the destination, but the trip that matters, and what you do today influences tomorrow, not the other way around. Love Today, and seize All Tomorrows!
Nemo Ramjet (All Tomorrows: The Myriad Species and Mixed Fortunes of Man)
The textbook definition of insanity was doing the same thing over and over and expecting different results.
Ana Huang (Twisted Hate (Twisted, #3))
He isn’t cute. Hudson’s fucking insane.” “Insanely hot, sure.
J. Rose (Twisted Heathens (Blackwood Institute, #1))
Volterra,’ Olivia announced in a flat, icy voice. VOLTERRA- WE BEGAN THE STEEP CLIMB, AND THE ROAD GREW CONGESTED. As we wound higher, the cars became too close together for Olivia to weave insanely between them anymore. We slowed to a crawl behind a little tan Peugeot. ‘Olivia,’ I moaned. The clock on the dash seemed to be speeding up. ‘It's the only way in,’ she tried soothing me. But her voice was too strained to comfort. The cars continued to edge forward, one car length at a time. The sun beamed down brilliantly, seeming already overhead. The cars crept one by one toward the city. As we got closer, I could see cars parked by the side of the road with people getting out to walk the rest of the way. At first- I thought it was just impatience-something I could easily understand. But then we came around a switchback, and I could see the filled parking lot outside the city wall, the crowds of people walking through the gates. No one was being allowed to drive through. ‘Olivia,’ I whispered urgently. ‘I know,’ she said. Her face was chiseled from ice. Now that I was looking, and we were crawling slowly enough to see, I could tell that it was very windy. The people crowding toward the gate gripped their hats and tugged their hair out of their faces. Their clothes billowed around them. I also noticed that red was everywhere. Red shirts, red hats, red flags dripping like long ribbons beside the gate, whipping in the wind as I watched, the brilliant crimson scarf one woman had tied around her hair was caught in a sudden gust. It twisted up into the air above her, writhing like it was alive. She reached for it, jumping in the air, but it continued to flutter higher, a patch of bloody color against the dull, ancient walls. ‘Bell.’ Olivia spoke swiftly in a fierce, deep voice. ‘I can't see what the guard here will decide now-if this doesn't work, you're going to have to go in alone. You're going to have to run. Just keep running in the course they tell you to. Don't get lost.’ I repeated what I had said- the name repeatedly, trying to get it down. ‘Or 'the clock tower,' if they speak English. I'll go around and try to find a secluded spot somewhere behind the city where I can go over the wall.’ I nodded two times… ‘Marcel will be under the clock tower, to the north of the square. There's a narrow alleyway on the right, and he'll be in the shadow there. You have to get his attention before he can move into the sun.’ I nodded furiously. Olivia was near the front of the line. A man in a navy-blue uniform was directing the flow of traffic, turning the cars away from the full lot. They U-turned and headed back to find a place beside the road. Then it was Olivia's turn…
Marcel Ray Duriez
In proficient English, Samira explained that her current job for the United Nations was to represent women who had been raped by Taliban militia. The leaders of the militia wanted to kill Samira because of her faith in Christ and because of her attempts to hold them accountable in a United Nations court of law. She had personally led more than thirty women to Christ, baptized them, and was now discipling them. She had done all of this in an environment nearly devoid of male believers who might be able to lend her protection. I listened in amazement as she shared the story of her own spiritual pilgrimage. The Lord was obviously using her in a powerful way. By the time she and I met, Samira’s superiors were already seeking to extradite Samira to the United States—for her own protection. I begged her to stay among her own people because I couldn’t see how God could replace this young woman of faith in such a dark and difficult place. However, the slow-grinding, irreversible gears of international diplomacy had already been set in motion. Samira was whisked out of Central Asia and flown immediately to the American Midwest where she began to make a new life. When I arrived home from my trip, I told Ruth all about this remarkable young woman. We arranged to fly her from her new home to Kentucky for a visit. She spent a week in our home. We took Samira to a moderate-sized church in central Kentucky for Sunday morning worship. It just so happened that there was a baptism service scheduled for that morning; an entire family—mother, father, and two children—were to be baptized. As their baptism progressed—with this young lady believer from a Muslim background sitting in the pew between Ruth and me—I noticed Samira beginning to fidget, twisting, turning, and rocking backward and forward. It was as if she was having an anxiety attack. In a quiet whisper, I asked her if there was something wrong. Samira tugged on the sleeve of my jacket. She whispered forcefully in my ear: “I cannot believe this! I cannot believe that I have lived long enough to see people being baptized in public. An entire family together! No one is shooting at them, no one is threatening them, no one will go to prison, no one will be tortured, and no one will be killed. And they are being openly and freely baptized as a family! I never dreamed that God could do such things! I never believed that I would live to see a miracle like this.
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
As the boar’s tusk bore down, Talis leapt out of the way just in time. He thrust his spear down at the beast, piercing the back of its neck. The creature squealed in pain. Mara lunged at the boar and stabbed its side. It shrieked, swung its tusks around and rammed into her. She spun through the air and slammed onto the ground. A sickening feeling twisted in his stomach. What had they done?  “Mara!” he shouted and reached out for her, as if he could do anything from this range. Fury raged in his chest and he stabbed and prodded the boar, trying to keep it away from her, until thankfully the creature gave up and bounded away, howling and grunting in a mad rush. Gods, please let her be ok! He ran over and bent down next to her. Mara winced, her eyes vacant and bloodshot, but she was still conscious. She tried to lift herself up but he stopped her.  “Wait, don’t get up. Rest a moment.” He tried to discover where the tusk had struck her. “Where does it hurt? Wait, don’t close your eyes! Look at me, are you all right?” She coughed and inhaled a huge gulp of air and coughed again, a redness sweeping over her face. “It knocked my breath out… There are stars everywhere!” She started to laugh but crimped up in pain. After ten heartbeats she began to breathe normally. “We’ve got to go home before it gets dark,” Mara whispered, her face urgent now. “Can you help me?” “Are you sure you’re ok to walk?” “I have to try.” Talis helped her up, but she grit her teeth in pain at the pressure of standing. Why hadn’t he stopped her? It was insane for them to go after the boar. No time to think about that now. He had to focus and get Mara home to a healer. But how? She
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Thus adorned by nature,' said I, 'in what way shall I further recommend her? Art has disclaimed her. This queer creature, Lady Mary, never out of her uncle's castle since she was six years old, has been left utterly without the skill of the governess and waiting maid. An old tutor, indeed, gave her some singular lessons on the value of sincerity, independence, courage, and capacity; and she, a worthy scholar of such a teacher, as indeed you may judge from the specimen I read of her letter, has odd notions and practices; and, half insane, as Mrs. Ashburn says, would rather think herself born to navigate ships and build edifices, than to come into a world for no other purpose, than to twist her hair into ringlets, learn to be feeble, and to find her feet too hallowed to tread on the ground beneath her.
Eliza Fenwick (Secresy : or, Ruin on the Rock)