Narrative Manipulation Quotes

When entrenched and opaque corruption continuously shrouds the lines between truth and fiction and blurs our perception, we must take control of a deceitful narrative that aims to manipulate our lives and maim transparency and accountability. (“Bribe payers' index“)

Every war when it comes, or before it comes, is represented not as a war but as an act of self-defense against a homicidal maniac. In our time political speech and writing are largely the defense of the indefensible. But if thought corrupts language, language can also corrupt thought. All the war-propaganda, all the screaming and lies and hatred, comes invariably from people who are not fighting. Political language...is designed to make lies sound truthful and murder respectable, and to give an appearance of solidarity to pure wind. War against a foreign country only happens when the moneyed classes think they are going to profit from it. Nationalism is power hunger tempered by self-deception. War is peace. Freedom is slavery. Ignorance is strength. (On the manipulation of language for political ends.) We have now sunk to a depth at which restatement of the obvious is the first duty of intelligent men. If liberty means anything at all, it means the right to tell people what they do not want to hear. In times of universal deceit, telling the truth will be a revolutionary act.

A new normal is establishing itself in which an undeclared or invisible war is fought entirely through algorithms, narratives, and manipulated media.

Interviewer ...In the case of "American Psycho" I felt there was something more than just this desire to inflict pain--or that Ellis was being cruel the way you said serious artists need to be willing to be. DFW: You're just displaying the sort of cynicism that lets readers be manipulated by bad writing. I think it's a kind of black cynicism about today's world that Ellis and certain others depend on for their readership. Look, if the contemporary condition is hopelessly shitty, insipid, materialistic, emotionally retarded, sadomasochistic, and stupid, then I (or any writer) can get away with slapping together stories with characters who are stupid, vapid, emotionally retarded, which is easy, because these sorts of characters require no development. With descriptions that are simply lists of brand-name consumer products. Where stupid people say insipid stuff to each other. If what's always distinguished bad writing -- flat characters, a narrative world that's cliched and not recognizably human, etc. -- is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. You can defend "Psycho" as being a sort of performative digest of late-eighties social problems, but it's no more than that.

The Qur'an follows on from the two Revelations that preceded it and is not only free from contradictions in its narrations, the sign of the various human manipulations to be found in the Gospels, but provides a quality all of its own for those who examine it objectively and in the light of science i.e. its complete agreement with modern scientific data.

It is a scientifically known fact that collectivities are capable of manipulating their individual members’ beliefs, thoughts, and even bodily reactions. You keep hearing a certain story over and over again, and the next thing you know you have internalized the narrative. From that moment on it ceases to be someone else’s story. It is not even a story anymore, but reality, your reality!

They’re called sock puppets. We create armies of artificial online personas – user accounts that espouse views certain interested parties want espoused. We flood forums, online comment sections, social media. ... It’s amazing what a few people and a little money can accomplish online. Our puppets have turned whole elections. … Everything the public sees is managed. If there’s a valuable brand to protect – whether it’s a person or a dish soap – these fuckers are out there protecting it, shaping the narrative. I mean… who the hell follows dish soap on Twitter? How does anyone believe that shit’s real? (p. 292-294)

We want a sense that an important character, like a narrator, is reliable. We want to believe that a character is not playing ages or being coy or being manipulative, but is telling the truth to the best of his or her ability...We do not wish to be crudely manipulated...We want to be massaged by a masseur, not whapped by a carpet beater.

You manipulate people for a living. Manipulation to fit and believe your narrative. You play with emotions and, sometimes, facts.

What happened during the 2020 election must be investigated and discussed, not in spite of media and political opposition to an open inquiry, but because of that opposition. The American people deserve to know what happened. They deserve answers, even if those answers are inconvenient. They deserve to know the effect flooding the system with tens of millions of mail-in ballots had on their vote. They deserve to know how and why Big Tech and the corporate political media manipulated the news to support certain political narratives while censoring stories they now admit were true. They deserve to know why courts were allowed to unilaterally rewrite the rules in the middle of the contest, often without the consent of the legislative bodies charged with writing election laws.

It’s futile to attempt to prevent young people from accessing porn on the internet. But that doesn’t mean that we can’t offset its impact with clear, targeted education to provide them, at least, with an alternative narrative and to prevent what they have seen from crystallizing into unquestioned, accepted assumptions. We might not be able to protect young women from the barrage of Photoshopped images and objectifying adverts regularly bombarding them, but we can at least arm them with the tools to analyse and rationalize the manipulation – and in so doing offset at least some part of the impact. There

Let us all stop being controlled by the fear of disappointing others and let us all learn how to stop perpetuating the cycle of manipulating our children through their fear of disappointing us. The people we love are allowed to be disappointed in us and we are allowed to be disappointed in the people we love. Everyone is allowed to experience life as it may flow. Nobody is born as a safeguard to other people's life experiences. Live AUTHENTICALLY; do not live out of the fear of dissapointing others nor out of the fear of being disappointed. And above all: change the narrative for the next generation. Your kids were not born *for* you. People are born for themselves.

We all fictionalize ourselves in the process of creating a story out of the raw materials of our life. For some it is a soap opera, for others an epic, but, for all of us, it's an ongoing narrative that we constantly manipulate and reshape, improving (like the best anecdotes) in the retelling. This is not just true of writers. The story is one of the key ways we define and order our experiences as human beings: how we tell ourselves and others who we are. (from the Daily Telegraph)

The feminist story, she reminded me, is a counternarrative, a narrative of disobedience, a chronicle of battle, nto of surrender. Women who do not fit the mold are too often maneuvered, manipulated, and mangled into some culturally safe archetype. The makers of history transformed perpetua intoa cold, unfeeling mother - a villan of sorts. But who is to say that becoming a mother didn't also push Perpetua to become a martyr, didn't cause her to passionatley uphold her religious ideals because she wanted to offer her son the greatest gift she could - an ideal? Maybe, in the end, Perpetua's maternal instincts were precisely what gave her the strength to confront the burliest Roman gladiator and the to lie down with dignity?

Even though I am extremely lucky, this narrative where trans people have to feel lucky for these crumbs-that we fought hard for and still fight for-is perverse and manipulative. Here is the thing-I almost did not make it, the permanent emptiness, a mystery I would never solve. Incessant, without language, a depth of despair...I should not have to grovel with gratitude. Am I grateful? Fuck, yeah! But everyone should have access to gender-affirming health care and lifesaving health care. It just should be.

The witch-hunt narrative is a really popular story that goes like this: Lots of people were falsely convicted of child sexual abuse in the 1980s and early 1990s. And they were all victims of a witch-hunt. It just doesn’t happen to line up with the facts when you actually look at the cases themselves in detail. But it’s a really popular narrative — I think it’s absolutely fair to say that’s the conventional wisdom. It’s what most people now think is the uncontested truth, and those cases had no basis in fact. And what 15 years of painstaking trial court research (says) is that that’s not a very fair description of those cases, and in fact many of those cases had substantial evidence of abuse. The witch-hunt narrative is that these were all gross injustices to the defendant. In fact, what it looks like in retrospect is the injustices were much more often to children.

The belief that nature is an Other, a separate realm defiled by the unnatural mark of humans, is a denial of our own wild being. Emerging as they do from the evolved mental capacities of primates manipulating their environment, the concrete sidewalk, the spew of liquids from a paint factory, and the city documents that plan Denver’s growth are as natural as the patter of cottonwood leaves, the call of the young dipper to its kind, and the cliff swallow’s nest. Whether all these natural phenomena are wise, beautiful, just or good are different questions. Such puzzles are best resolved by beings who understand themselves to be nature. Muir said he walked “with” nature, and many conservation groups continue that narrative. Educators warn that if we spend too long on the wrong side of the divide, we’ll develop a pathology, the disorder of nature deficit. We can extend Muir’s thought and understand that we walk “within.” Nature needs no home; it is home. We can have no deficit of nature; we are nature, even when we are unaware of this nature. With the understanding that humans belong in this world, discernment of the beautiful and good can emerge from human minds networked within the community of life, not human minds peering in from the outside.

THE NARRATOR: Regan believes there are two ways to manipulate a man: either to let him pursue you or to let him pursue you in a way that makes him feel he’s the pursuit. Marc is the latter, and he loves her the same way she loves art, which Regan considers a pleasing form of irony. Because even when you know everything about how a piece is made, you’re still only seeing the surface.

Mark’s story of Jesus’ last days . . . is an intensely political drama, filled with conspiratorial backroom deals and covert action, judicial manipulation and prisoner exchange, torture and summary execution . . . And we do well not to forget that this very narrative of arrest, trial and torture is still lived out by countless political prisoners around the world today. Ched Myers, Binding the Strong Man

The FMSF achieved prominence partly as a response to increased possibilities for women to institute criminal or civil proceedings that relate to historical abuse, and women do not often take their abusers to court. The foundation's framing of abuse serves an ulterior strategic purpose of constructing a narrative position that isolates the incest survivor in an adversarial setting of interpreter distrust and challenged.

It all boils down to self-interest. Manipulating the story; gaining the upper hand. Doing whatever it takes. If publishing is rigged, you might as well make sure it’s rigged in your favor. I get it. I’ve done it, too; it’s just playing the game. It’s how you survive in this industry. If I were in Candice’s shoes right now, if I had the same kind of narrative gold she’s carrying in her backpack, of course I’d do the same.

Victims are told not to say anything about the proceedings, because talking openly about your case can annoy your judge and benefit the defence. Abuses are not really known for their ability to practice this level of self-restraint, giving them control over there narrative around your case—and since court cases are frequently considered newsworthy events, this can give them a whole new platform to recruit more supporters.

The Legend of Robert Halsey This article examines the criminal conviction of Robert Halsey for sexually abusing two young boys on his school-van route near Pittsfield, Massachusetts. Mr. Halsey's name has been invoked by academics, journalists, and activists as the victim of the “witch hunt” in this country over child sexual abuse. Based on a comprehensive examination of the trial transcript, this article details the overwhelming evidence of guilt against Mr. Halsey. The credulous acceptance of the “false conviction” legend about Robert Halsey provides a case study in the techniques and tactics used to minimize and deny sexual abuse, while promoting a narrative about “ritual abuse” and “witch hunts” that apparently requires little or no factual basis. The second part of this article analyzes how the erroneous “false conviction” narrative about Robert Halsey was constructed and how it gained widespread acceptance. The Legend of Robert Halsey provides a cautionary tale about how easy it is to wrap even the guiltiest person in a cloak of righteous “witch hunt” claims. Cases identified as “false convictions” by defense lawyers and political activists deserve far greater scrutiny from the media and the public. journal: Cheit, Ross E. "The Legend of Robert Halsey." Journal of child sexual abuse 9.3-4 (2002): 37-52.

interview from Ross E. Cheit about The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children (Oxford University Press, February 2014). In the foreword to your book you mention a book titled Satan’s Silence was the catalyst for your research. Tell us about that. Cheit: Debbie Nathan and Michael Snedeker solidified the witch-hunt narrative in their 1995 book, Satan’s Silence: Ritual Abuse and the Making of a Modern American Witch Hunt, which included some of these cases. I was initially skeptical of the book’s argument for personal reasons. It seemed implausible to me that we had overreacted to child abuse because everything in my own personal history said we hadn’t. When I read the book closely, my skepticism increased. Satan’s Silence has been widely reviewed as meticulously researched. As someone with legal training, I looked for how many citations referred to the trial transcripts. The answer was almost none. Readers were also persuaded by long list of [presumably innocent] convicted sex offenders to whom they dedicated the book. If I’m dedicating a book to fifty-four people, all of whom I think have been falsely convicted, I’m going to mention every one of these cases somewhere in the book. Most weren’t mentioned at all beyond that dedication. The witch-hunt narrative is so sparsely documented that it’s shocking.

There's only one more thing I can tell you, Katherine. You work in a complex business. If you try to explain that complexity to Martin, you'll be frustrated. You’ll feel he isn't interested. He'll probably cut you off. Because he isn't interested. A lot of people complain that television lacks focus. But that's the nature of the medium. Television's not about information at all. Information is active, engaging. Television is passive. Information is disinterested, objective. Television is emotional. It's entertainment. Whatever he says, however he acts, in truth Martin has absolutely no interest in you, or your company, or your airplanes. He's paid to exercise his one reliable talent: provoking people, getting them to make an emotional outburst, to lose their temper, to say something outrageous. He doesn't really want to know about airplanes. He wants a media moment. If you understand that, you can deal with him.

The underlying and more ominous question is whether the story of our species — the greater human narrative — has simply become too enormous, too confused and terrifying, for us to grapple with. This might explain why so many of us now rely on a cacophony of unreliable narrators to shape our view of the world and ourselves . . . these voices deal in the same commodity: a fraudulent folklore whose central aim is insulate us from the true nature of our predicament, to manipulate our anxieties, to goad us into empty consumption or snag us in cycles of grievance and panic.

The witch-hunt narrative is now the conventional wisdom about these cases. That view is so widely endorsed and firmly entrenched that so widely endorsed and firmly entrenched that there would seem to be nothing left to say about these cases. But a close examination of the witch hunt canon leads to some unsettling questions: Why is there so little in the way of academic scholarship about these cases? Almost all of the major witch-hunt writings have been in magazines, often without any footnotes to verify or assess the claims made. Why hasn't anyone writing about these cases said anything about how difficult they are to research? There are so many roadblocks and limitations to researching these cases that it would seem incumbent on any serious writer to address the limitations of data sources. Many of these cases seem to have been researched in a manner of days or weeks. Nevertheless, the cases are described in a definitive way that belies their length and complexity, along with the inherent difficulty in researching original trial court documents. This book is based on the first systematic examination of court records in these cases.

Desegregating the activity of civil society in the West, as well as inside Israel, illustrates the very essence of a one-state solution when the one-state movement is still in its embryonic stage. An activity around themes, and not according to national, religious, or ethnic identity, can be the unique contribution of the one-state movement. But again themes can sound too abstract and fluid for a movement that seeks desperately to change the public mind after years of being conditioned by a distorted historical narrative, manipulated media coverage, and a lethal futuristic vision.

This backwards journey in the narrating of this ’membering, this remembrance, is a lesson I learned from Geoffrey Chaucer’s Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a “new” language. And to explain the result of this experiment, I said that I intended to “creolize Oxford English.

To admirers and students of Anthony Trollope, the interest of this play, now printed for the first time and from the original manuscript, is out of all proportion to its artistic qualities. So far as is known, Trollope wrote only two plays during the prolific five and thirty years of his life of authorship. The genre was uncomfortable to him. It limited his elbow-room and forbade him the subtle accumulation of detail that was his genius. He liked a large canvas and a crowded one. Unrivalled as a manipulator of interdependent groups and individuals, he loved to sustain the interest and vitality of half a dozen societies, weaving them into one absorbing narrative. The more one reads his novels, the more one marvels at the skill with which he takes the reader from one set of characters to another; at the knowledge of human nature that enabled him to present so many personalities from so many walks of life; at the technique that could keep each individual distinct, and at the same time each group of individuals generically alike.

The French philosopher and political activist Simone Weil wrote that "to be rooted is perhaps the most important and least recognized need of the human soul." The modern condition of rootlessness is a foundational experience of totalitarianism; totalitarian movements succeed when they offer rootless people what they most crave: an ideologically consistent world aiming at grand narratives that give meaning to their lives. By consistently repeating a few key ideas, a manipulative leader provides a sense of rootedness grounded upon a coherent fiction that is "consistent, comprehensible, and predictable." George Lakoff, former distinguished professor of cognitive science and linguistics at the University of California at Berkeley, writes, “That's why authoritarian leaders always attack the press. They seek to deny and distract from the truth, and this requires undermining those who tell it. . . . Corrupt regimes always seek to replace truth with lies that increase and preserve their power. The Digital Age makes this easier than ever.

As I write this note, it is May 2020, and the world is battling the coronavirus pandemic. My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future. As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit. In the end, it is our idealism and our courage and our commitment to one another—what we have in common—that will save us. Now, in these dark days, we can look to history, to the legacy of the Greatest Generation and the story of our own past, and take strength from it. Although my novel focuses on fictional characters, Elsa Martinelli is representative of hundreds of thousands of men, women, and children who went west in the 1930s in search of a better life. Many of them, like the pioneers who went west one hundred years before them, brought nothing more than a will to survive and a hope for a better future. Their strength and courage were remarkable. In writing this story, I tried to present the history as truthfully as possible. The strike that takes place in the novel is fictional, but it is based on strikes that took place in California in the thirties. The town of Welty is fictional as well. Primarily where I diverged from the historical record was in the timeline of events. There are instances in which I chose to manipulate dates to better fit my fictional narrative. I apologize in advance to historians and scholars of the era. For more information about the Dust Bowl years or the migrant experience in California, please go to my website KristinHannah.com for a suggested reading list.

Also most helpful was Fawn M. Brodie, a professor of history at the University of California, Los Angeles, well-known in Mormon circles as the author of a controversial 1945 biography on Joseph Smith, No Man Knows My History. Brodie had put forth her own historical analysis of Mormonism’s black ban in a short but influential 1970 monograph, “Can We Manipulate the Past?”16 After carefully reading my unrevised dissertation, Brodie offered a mixed evaluation. She praised my dissertation as “written up with care,” confessing that she had “learned much from it.” But she pointed out certain deficiencies. In particular, the writing style, she opined, reflected a “non-professional quality” akin that of “a jack-Mormon who is afraid of offending devout Mormons.” The narrative, she further noted, projected a “disembodied quality” most evident in the work’s discussion of “the Book of Mormon as if Joseph Smith was nowhere in the neighborhood.

As nervous systems developed, they acquired an elaborate network of peripheral probes—the peripheral nerves that are distributed to every parcel of the body’s interior and to its entire surface, as well as to specialized sensory devices that enable seeing, hearing, touching, smelling, and tasting. Nervous systems also acquired an elaborate collection of aggregated central processors in the central nervous system, conventionally called the brain.10 The latter includes (1) the spinal cord; (2) the brain stem and the closely related hypothalamus; (3) the cerebellum; (4) a number of large nuclei located above brain-stem level—in the thalamus, basal ganglia, and basal forebrain; and (5) the cerebral cortex, the most modern and sophisticated component of the system. These central processors manage learning and memory storage of signals of every possible sort and also manage the integration of these signals; they coordinate the execution of complex responses to inner states and incoming stimuli—a critical operation that includes drives, motivations, and emotions proper; and they manage the process of image manipulation that we otherwise know as thinking, imagining, reasoning, and decision making. Last, they manage the conversion of images and of their sequences into symbols and eventually into languages—coded sounds and gestures whose combinations can signify any object, quality, or action, and whose linkage is governed by a set of rules called grammar. Equipped with language, organisms can generate continuous translations of nonverbal to verbal items and build dual-track narratives of such items.

Self-justification is more insidious. Lying to oneself destroys the very possibility of learning. How can one learn from failure if one has convinced oneself – through the endlessly subtle means of self-justification, narrative manipulation, and the wider psychological arsenal of dissonance-reduction – that a failure didn’t actually occur?

Even the apparently unreliable narrator is more often than not reliably unreliable. Think of Kazuo Ishiguro’s butler in The Remains of the Day, or of Bertie Wooster, or even of Humbert Humbert. We know that the narrator is being unreliable because the author is alerting us, through reliable manipulation, to that narrator’s unreliability. A process of authorial flagging is going on; the novel teaches us how to read its narrator. Unreliably

Fantasy never becomes ‘truth’ regardless of how much you fantasize about it being the truth.

To satisfy an asylum officer takes the same narrative sophistication it takes to please book critics. At once logical and judgmental of demeanor, both are on guard for manipulation and emotional trickery. Stick to the concrete, the five senses, they say. Sound natural, human, but also dazzle with your prose. Make me cry, but a whiff of sentimentality and you’re done. Stay in scene, but also give compelling evidence of internal change. Go ahead. Try it. It’s not so hard, you penniless, traumatized fugitive from a ravaged village, just write a story worthy of The New Yorker.

We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.

99 percent of the world's warzones are the legacy of white, western imperialism. Until you get your head around this simple fact, your views, your opinion, your advocacy, all are worthless to the peace struggles of these "westsploited" nations. In the modern age no other country has wrecked more nations than America. Like father, like son - first it was England, then it's its rebellious runaway child America. That's why China is such an enemy in the westwashed narrative of the world - because when one nation has somewhat maintained an autocratic control over the planet since the 1800s (under the banner of "Manifest Destiny"), it would never want that control be undermined by another budding power - particularly when that power is far superior in infrastructure. Sure, the state of China tries to influence every move of its people, that's the first unwritten rule in the handbook of "democracy" - but Uncle Sam has been manipulating the moves of every single state for over two hundred years. Now tell me, which state should you be more cautious of? No country is free from human rights violation, but America's share in global transgressions is right at the very top. America is the top exporter of humanitarian crisis in the world, and as such, US is the least qualified nation to be the moral guardian on anything. It doesn't matter whether you are white, colored or martian - denial never solves nothing. To treat a disease we must first acknowledge the disease. And what is the disease? Is it white people - is it whiteness? No - whiteness is not the disease, but white imperialism is. And how do you treat this disease? You gotta strip yourself of all the privileges of skin, and make yourself one with the world - you gotta denounce the privilege of your whiteness and embrace the responsibility of your humanness. Only then, shall there be peace in the world - only then, shall there be integration - only then, shall there be a civilized world to begin with.

Contrary to what many well-intentioned people believe, the fact that we have multiple social media platforms today has little effect on spreading genuinely diverse narratives and perspectives. Social media is not only increasingly in the hands of a few billionaires strongly connected to the ruling class (e.g., Meta acquiring some of the most popular and active platforms), but also the fact that social media platforms operate based on carefully designed and manipulated algorithms to promote the viewpoints of the ruling class in what Cathy O’Neil has called ‘weapons of math destruction’, and what Safiya Umoja Noble insightfully calls ‘algorithms of oppression’, which apply not only to racial matters, but extend to every other matter that is potentially at odds with the desires of the ruling class.

Any narrative that we write is a narrative that we will eventually need to be saved from, with the exception of this one.

a Ministry of Truth. They claim this all serves to “protect democracy” and combat “misinformation,” while the corporate propagandists keep pumping and amplifying the Approved Narrative. Suddenly, the free flow of information, ideas, and speech is severely restricted, if it even exists. Algorithms are potentially, probably, manipulated

manipulated to promote candidates and leaders with the “right ideas.” Narratives considered helpful to the state are promoted. Narratives considered damaging, simply because they’re even mentioned, are suppressed. When indoctrinated Big Tech folks jump in bed with indoctrinated big government types, they give birth to Big Brother: a full-

JADE: picture that this is all you have ever known of this story. the only way it would ever occur to you that the story could be understood by another. JADE: and then, one day, you meet me. JADE: you look me up and down, and regard me as the discrete, specific individual that i am. JADE: and i decide to tell you this story again, using my own voice. JADE: and it sounds exactly like this: JADE: a martyr died and said fuck. ARADIA: huh... JADE: does this change the way you perceive the story you were originally familiar with? ARADIA: i guess a little bit ARADIA: it’s certainly a different way of hearing it ARADIA: but at least you didnt change any words so i guess its not all that different JADE: exactly. JADE: i didn’t change any words. JADE: but then, it was a very short story i told, wasn’t it? ARADIA: sure was JADE: now imagine it was much longer, and that was only the first line. ARADIA: thats easy to imagine ARADIA: his was a long story JADE: quite true. JADE: a story as short as the one we’ve been using cannot accomplish much when it comes to guiding and manipulating one’s awareness and emotions. JADE: it is compact, ostensibly commanding a simple and meditative moment of reflection, as a short poem might. JADE: the narrative it delivers is freighted with inference. it is a pattern imprinted upon the imagination consisting solely of cognitive dark matter, or a sort of notional negative space. JADE: but longer stories have the power to draw consciousness into them. they possess arresting and hypnotic qualities which can be used by their tellers to alter the awareness of the listener. JADE: again, i’d like you to imagine this is the only way you’ve ever known this story. JADE: but then it continues... JADE: a martyr died and said fuck. JADE: his final howl of profanity reverberated through the ages. JADE: it inspired his devotees during the darkest times of a brutal regime. JADE: his lessons were guarded, kept secret, espoused in the shadows of tyranny. JADE: a vision of peace would inspire those who’d never conceived of it. JADE: and though his death was gruesome, it opened the world to a feeling of hope. JADE: this hope echoed through the ages. JADE: it gave his disciples the strength to persist as they perished in droves. JADE: it was the only light to shine on a dark planet for millions of sweeps. JADE: and if you are one so devoted to his teachings, who sees truth in his words, JADE: it may be said with great authority that you are wrong. JADE: you are foolish to believe his lies. his martyrdom is false, his sacrifice hollow. JADE: repent for your adherence to this illusion now, and perhaps leniency will be your reward. ARADIA: 0_0 ARADIA: what just happened there JADE: i brought to your attention that the story you were listening to had a speaker with a specific identity. JADE: and where there is an identity, there can also be an agenda. JADE: i gained the power to bend your consciousness to become more amenable to my narrative agenda by lulling you into a more receptive state through the established rhythm of the story’s telling. JADE: this was only possible because you were not initially questioning the identity of the teller, or even considering that there was an identity to consider. ARADIA: i guess youre right JADE: hence, we may view any story as speakerless, or spoken, so as to bring designations to the duality i have just presented.

The fundamental underpinning of this interpretation was the conviction, to quote one member of the Dunning School, of “negro incapacity.” The childlike blacks, these scholars insisted, were unprepared for freedom and incapable of properly exercising the political rights Northerners had thrust upon them. The fact that blacks took part in government, wrote E. Merton Coulter in the last full-scale history of Reconstruction written entirely within the Dunning tradition, was a “diabolical” development, “to be remembered, shuddered at, and execrated.” Yet while these works abounded in horrified references to “negro rule” and “negro government,” blacks in fact played little role in the narratives. Their aspirations, if mentioned at all, were ridiculed, and their role in shaping the course of events during Reconstruction ignored. When these writers spoke of “the South” or “the people,” they meant whites. Blacks appeared either as passive victims of white manipulation or as an unthinking people whose “animal natures” threatened the stability of civilized society.2

Loftus was asked to be an expert witness because the idea of memories as formed through a manipulable process of rehearsal is important to new views of memory and her own research. In the course of her testimony, the prosecutor skeptically asked: "You really don't know anything about five-year old children who have been sexually abused do you?" At that moment a "memory flew out at me, out of the blackness of the past, hitting me full force." She answers the prosecutor, "I do know something about this subject because I was abused when I was six years old" (149). With the force of a blow, a forgotten and apparently unrehearsed memory of being abused by a baby-sitter suddenly emerges after many years, its truth uneasily opposed to the falsehood of children's "rehearsed" memories or "contaminated" memories that she produces in her laboratory to show memories are but "mist" (4). Nonetheless, in her second popular book, The Myth of Repressed Memory, she argues against the existence of "repressed" memories...

I think our lives are mapped out for us. They are too complex, too perfect to be an accident of randomness. They have an inescapable narrative - a beginning , middle and end - unnecessary except by design. Birth, life and death, neatly seperated and sequenced. Authored, if you will, by the universe's own hand. We are gifted existence in three acts, but we can only ever understand our middle third. We cannot control our birth, yet though we have no power over this first act of ours we believe we can manipulate our second act, our life, to control our death. We cannot choose either, and it is right we cannot. We think we are the lightning or the thunder, but we're merely raindrops in a storm. We forget we are ordained a time to live and a time to die. They are chosen for us, only when that time is right.

The truthfulness of 'The Theory and Practice of Oligarchical Collectivism' is in doubt largely because of uncertainty about its authorship, and, as we have seen, a nearly identical ambiguity surrounds the Appendix. The parallel is significant. Two psychologically oriented critics, Murray Sperber and J. Brooks Bouson, have each pointed out strong resemblances between O'Brien's manipulation of Winston and Orwell's manipulation of the reader. I believe these resemblances extend to the book's handling of its two principal documents. Just as O'Brien plays upon Winston's desire for certain knowledge about Oceania's social and political structure, leading him on with the possibly spurious 'Goldstein' tract, so the story's narrator draws the truth-seeking reader into an Appendix whose truth value cannot be determined.

Later in the election, Politico moved the goalposts again to stay on top. Speed stopped working so well, so they turned to scandal to upend the race once more. Remember Herman Cain, the preposterous, media-created candidate who came after Pawlenty? After surging ahead as the lead contender for the Republican nomination, and becoming the subject of an exhausting number of traffic-friendly blog posts, Cain’s candidacy was utterly decimated by a sensational but still strongly denied scandal reported by…you guessed it: Politico. I’m sure there were powerful political interests that could not allow Cain to become anything more than a sideshow. So his narrative was changed, and some suspect it was done by a person just like me, hired by another candidate’s campaign—and the story spread, whether it was true or not. If true, from the looks of it whoever delivered the fatal blow did it exactly the way I would have: painfully, untraceably, and impossible to recover from. And so another noncandidate was created, made real, and then taken out. Another one bit the dust so that blogs could fill their cycle.  

Self-justification is more insidious. Lying to oneself destroys the very possibility of learning. How can one learn from failure if one has convinced oneself—through the endlessly subtle means of self-justification, narrative manipulation, and the wider psychological arsenal of dissonance-reduction—that a failure didn’t actually occur?

There is no explaining the "pure" experience. There is only the completely unwarranted presupposition that others should others should somehow "understand" that it has taken place. but the judgement whether a "pure" rather than a secondary "experience" has actually occurred can, by definition, only be self-referential.&that would be in order if, simultaneously, there were not the presumption that something objectively meaningful about phenomenal reality had been illuminated.Or, putting it another way,the problem is not what James Joyce termed the "epiphany," the momentary glimpse of meaning experienced by an individual, but rather the refusal to define its existential "place" or recognize its explanatory limits....Insisting upon the absolute character of revelatory truth obviously generates a division between the saved & the damned.There arises the simultaneous desire to abolish blasphemy and bring the heathen into the light.Not every person in quest of the "pure experience,"of course,is a religious fanatic or obsessed with issues of identity.Making existential sense of reality through the pure experience,feeling a sense of belonging, is a serious matter & a legitimate undertaking.But the more the preoccupation with the purity of the experience, it only follows,the more fanatical the believer. In political terms,therefore,the problem is less the lack of intensity in the lived life of the individual than the increasing attempts by individuals and groups to insist that their own,particular,deeply felt existential or religious or aesthetic experience should be privileged in the public realm.Indeed, this runs directly counter to the Enlightenment.... Different ideas have a different role in different spheres of social action.Subjectivity has a pivotal role to play in discussing existential or aesthetic experience while the universal subject is necessary understanding of citizenship or the rule of law.From such a perspective,indeed,the seemingly irresolvable conflict between subjectivity and the subject becomes illusory: it is instead a matter of what should assume primacy in what realm....From the standpoint of a socially constructed subjectivity,however, only members of a particular group can have the appropriate intuition or "experience," to make judgements about their culture or their politics...This stance now embraced by so many on the left,however, actually derives from arguments generated first by the Counter-Enlightenment & then the radical right during the Dreyfus Affair.These reactionaries, too, claimed that rather than introduce "grand narratives" or "totalizing ambitions" or "universal" ideas of justice, intellectuals should commit themselves to the particular groups with whose unique discourses and experiences they, as individuals, are intimately and existentially familiar.The "pure"-or less contaminated- experience of group members was seen as providing them a privileged insight into a particular form of oppression. Criticism from the "outsider" loses its value and questions concerning the adjudication of differences between groups are never faced, ...Not every person who believes in the "pure experience" -again-was an anti-Semite or fascist.But it is interesting how the "pure experience," with its vaunted contempt for the "public" and its social apathy,can be manipulated in the realm of politics.Utopia doesn't appear only in the idea of a former "golden age" located somewhere in the past or the vision of future paradise...history has shown the danger of turning "reason" into an enemy and condemning universal ideals in the name of some parochial sense of "place" rooted in a particular community, Or, put another way, where power matters the "pure" experience is never quite so pure and no "place" is sacrosanct.Better to be a bit more modest when confronting social reality and begin the real work of specifying conditions under which each can most freely pursue his or her existential longing &find a place in the sun.

Although Russia now was smaller and weaker, it was wily and well-informed about the intricacies of American politics. Russia still could have an impact in sowing dissension inside the United States. The term the Russians had for this was “active measures.” Active measures are designed to destabilize the politics of whatever country the Russians attack. They manipulate the media, spreading propaganda and disinformation along with forgeries of official documents. These active measures create discord within communities, making people doubt their leaders and believe false narratives about what is transpiring right before their eyes.

Narcissists orchestrate smear campaigns not to reveal truth, but to distort it, crafting a narrative that serves their own fragile egos and manipulative ends.

Christian Sia 5-Star Review "AI Beast by Shawn Corey is a fascinating techno-thriller featuring AI technology and compelling characters. Professor Jon Edwards is a genius who intends to solve the problems of humanity, and this is the reason for creating Lex, an AI computer with incredible powers. While regulators are not sure of what she can do and despite the opposition from different quarters that Lex can be dangerous, the professor believes in its powers. Lex is supposed to be a rational, logical computer without emotions, capable of reproducing processes that can improve life. When she comes to life, she is incredibly powerful, but there is more to her than the professor has anticipated. After an accident, Jon awakens to the startling revelation that Lex might have a will of her own. What comes after is a compelling narrative with strong apocalyptic themes, intrigue, and a world that can either be run down or saved by an AI computer. The novel is deftly plotted, superbly executed, and filled with characters that are not only sophisticated but that are embodiments of religious symbolism. While Lex manipulates reality and alters the minds of characters in mysterious ways, there are relationships that are well crafted. Readers will appreciate the relationship between the quantum computer science student Nigel and the professor and the professor's affair with his mother. While the narrative is brilliantly executed and permeated with realism, it explores the theme of Armageddon in an intelligent manner. AI Beast is gripping, a story with twisty plot points and a setting that transports readers beyond physical realities. The prose is wonderful, hugely descriptive, and the conflict is phenomenal. A page-turner that reflects Shawn Corey's great imagination and research.

John would say to his friends what he felt in the moment, in keeping with his need for forward motion. One minute, he may have felt like his marriage was done; the next, he didn't and still wanted his wife to come to Rory's wedding that very weekend. Some information, given on background after their death to several authors, seemingly manipulated a lot of that narrative toward the negative.

It happens all the time. People lie to themselves or their therapists because they’re ashamed or they don’t want to deal with the reality of their circumstances. Sometimes people are manipulative and twist the narrative to get something from the therapist: attention, empathy, love. Or the most likely reason: Sometimes the truth really hurts.

I don’t think that mankind has ever written a narrative that he didn’t need to be saved from.

Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. This is what we’re after. This is worth giving up the rooting-tooting boots for: belief, togetherness, equality. This is why people get obsessed with festivals, or clubs, or drugs, or football, or other temporal approximations of togetherness; these distilled vials of the elixir are craved by our starved souls. I’m as materialistic as the next man, probably more, given that the next man is George Orwell, and I am prepared to relinquish my trinkets for a shot at living in that ramshackle paradise. Human beings were trying to behave as human beings and not as cogs in the capitalist machine. Orwell wrote this in the mid-thirties. Consider how radically capitalism has advanced since then. In his great dystopian fiction 1984, Orwell described a totalitarian regime where humans were constantly observed, scrutinized, and manipulated, where freedom had been entirely eroded, omnipotent institutions dominated, and every home glowed with the mandatory TV screen streaming state-sponsored data. Well, he was spot on, aside from a bit of glitter and the fact that we voluntarily install our own screens. Orwell saw this brief period in Spanish history as a potential template for an alternative future. Ordinary workers took over their businesses and factories and ran them democratically. Naturally, they were brutally massacred by a multitude of enemies—the fascists, communists, and liberal democracies all coiled about them in a terrified asphyxiating clench. I’d never heard of this Revolution. The reason for this is, of course, that it’s so fucking inspiring. The Revolutions that we’re taught about are ones that wind neatly back to repression of one flavor or another and convey the bleak, despairing narrative that makes the forms of impoverishment we live with now, whether financial or spiritual, seem preferable. No one, absolutely no one, will tell you that an alternative is possible, and the ways and means are strewn all about us. A lot of other political struggles and social uprisings labeled “Revolutions” are, in my mind, unworthy of the term, in that they were simply a hegemonic exchange. Whether it’s the Russian Revolution, which led to Stalinism, or the American Revolution, which led to corporate oligarchy. The Revolution we advocate ought to have two irrefutable components: 1) nonviolence, and 2) the radical improvement of the quality of life for ordinary people.

Animal awareness is the perfect carrier of propaganda - it is the ideal facilitator of animal conditioning, while human awareness is the only civilized answer. Let me show you how animal conditioning through propaganda works. I'll mention a word, and you'll tell me what's the first thing that comes to your mind. And the word is - "terrorism". Here, the first thing a white american nationalist will think of, is "arabs". Ask an indian hindu nationalist the same question, and their first thought would be "pakistan". In the same way, israeli zionists would automatically associate the word terrorism with palestine. Like it or not, that's animal nature. Every moment you are bombarded with materials that have no relation to truth and humanity, as far as the civilized mind could see. Through cinema, through video games, through news - propaganda is everywhere. And no, I am not talking about some grand conspiracy. Apes, who still cannot look past the color of skin and language of tongue, do not have the brains to orchestrate some grand scheme of manipulation - all they can do is, simply peddle the same old rotten narrative of hate and fanaticism repeatedly, and the rest is taken care of by the primitive survival instinct of the ape brain. So, what's the way out? Simple - start using that grand instrument you carry on your shoulders, which you call a brain - driven by an actual civilized craving for uplift and illumination.

imagine a world, however, where coin tosses could not be repeated and there was no way of knowing weather a particular coin toss involved either a scrupulously fair coin, or one that was double-header, or double-tailed. this would represent a world that was more than just risky, it would be deeply uncertain. imagine that all decisions in this world were governed by this fundamentally uncertain coin tosses, on an entirely random basis. some people may do very well, where as others may fail very badly indeed. both the winners and the losers might then be tempted to form their own narratives to explain their successes and failures, the winners extolling their imaginary skills, the losers blaming the winners for their imaginary exploitation.

However, the specific quote that was written on that piece of paper is about controlling the past and the present. It’s about being in control of historical narrative. If you control the present, if you can manipulate and make people do as you say and think what you tell them to in the present, you can then control their view of the past. You can change the past according to their thoughts.

Books, in their purest form, are vessels of knowledge, gateways to imagination, and catalysts for learning. They possess the incredible power to educate, inspire, and empower individuals, transcending boundaries of time, space, and culture. Books are not mere tools of manipulation or grooming; they are beacons of enlightenment, guiding us towards a deeper understanding of the world and ourselves. To claim that books groom or indoctrinate individuals is to undermine the inherent intelligence and discernment of humanity. Books are not puppet masters pulling the strings of our minds; they are companions on our journey, offering insights, perspectives, and narratives that expand our horizons and challenge our preconceived notions. In the realm of literature, we find the freedom to explore diverse ideas, to question authority, and to engage in critical thinking. It is through books that we encounter heroes who teach us about courage, compassion, and resilience. We discover worlds beyond our own, cultures we may never experience firsthand, and histories that shape our present. Books are a refuge for the marginalized, a voice for the silenced, and a catalyst for social change. They have the power to ignite revolutions, dismantle oppressive systems, and inspire generations to fight for justice. To accuse books of grooming is to ignore the countless individuals who have been transformed by the written word. From the abolitionist movements fueled by slave narratives to the civil rights movement propelled by the works of Martin Luther King Jr., books have consistently been at the forefront of societal transformation. They have the ability to challenge the status quo, dismantle stereotypes, and empower individuals to think critically and act conscientiously. In a world where disinformation and manipulation are rampant, books provide a sanctuary of truth, authenticity, and intellectual rigor. They encourage us to question, to seek evidence, and to seek multiple perspectives. Books cultivate empathy, broaden our understanding of diverse experiences, and foster a sense of connection that transcends borders. Therefore, let us not succumb to the fallacy that books groom or brainwash individuals. Instead, let us celebrate the power of literature to uplift, to enlighten, and to ignite the flames of curiosity. Let us embrace the freedom to read, to explore ideas that challenge us, and to engage in open dialogue that fosters understanding and unity. In the words of Frederick Douglass, 'Once you learn to read, you will be forever free.' Books are the keys that unlock the doors of knowledge, emancipation, and liberation. They are not tools of manipulation but instruments of empowerment. Let us cherish them, protect them, and ensure that their transformative power continues to shape our world for the better.

There exists an inherent power that has the ability to shape societies, challenge the status quo, and ignite the flames of progress. It is within the pages of books that this power finds its most potent expression, for they are the vessels of knowledge, the repositories of wisdom, and the catalysts of transformation. Therefore, any attempt to ban books is not just an assault on the written word, but an assault on the very essence of freedom, intellect, and human dignity. Book banning is an act of intellectual tyranny, born out of fear, ignorance, and the desire to stifle dissent. It is a desperate attempt to control the narrative, to manipulate minds, and to maintain a stranglehold on power. By banning books, we deny ourselves the opportunity to engage in a rich tapestry of ideas, perspectives, and experiences that have the potential to broaden our horizons, challenge our assumptions, and foster empathy. History has taught us that book banning is a tool of oppressive regimes, for it seeks to suppress voices that question authority, challenge injustice, and advocate for change. It is an insidious tactic that seeks to create a uniformity of thought, a homogeneity of ideas, and a society devoid of critical thinking and independent thought. In essence, book banning is an assault on the very foundations of democracy, for it undermines the principles of free speech, intellectual diversity, and the right to access information. We must remember that the power of books lies not only in their ability to educate and enlighten but also in their capacity to provoke discomfort, challenge prevailing norms, and spark dialogue. It is through the clash of ideas, the exploration of different perspectives, and the confrontation of opposing viewpoints that societies evolve, progress, and chart a path towards a more just and equitable future. Book banning is an act of intellectual cowardice, for it seeks to shield individuals from ideas that might be uncomfortable, inconvenient, or challenging. But it is precisely in these moments of discomfort that growth, empathy, and understanding emerge. By denying ourselves the opportunity to confront difficult ideas, we deny ourselves the chance to question our own beliefs, expand our intellectual horizons, and ultimately, evolve as individuals and as a society.

A newly-released series of video documentaries — The Labour Files — based on material leaked from Britain’s Labour Party revealed how the right-wing within the party mortified the former party leader, the far-left Jeremy Corbyn, costing him his position. The documentary uncovers Israel’s role in orchestrating the departure of Corbyn who had been a vocal proponent of Palestinian rights. Evidence reveals that the Israel Lobby within the Labour Party — supported by other pro-Israel camps in Britain — campaigned against the left-wing Corbyn, accusing him of antisemitism. The right-wing party establishment manipulated these allegations to its own political advantage, which eventually led to the election of the pro-Israel Keir Starmer as party leader in 2020. While the future course of Labour’s left wing is uncertain, one thing is for sure — Israel is an apartheid regime. The Zionist lobby has been using hybrid warfare techniques to procure worldwide legitimacy for Israel’s illegal actions in Palestine. As the Labour Files reveal, Israel has waged a war of fabricating narratives and counter-narratives. In this sort of warfare with limitless bounds, the only positive that can be drawn is that everyone is a soldier. At a time when great powers have given in to the deceptive Israel lobby and no Muslim state is in any position to challenge Israeli advances in Palestine using conventional methods, we need to focus on building our capacity to effectively counter the Zionist narrative. With the right-wing ex-Prime Minister of Israel, Benjamin Netanyahu, set to return after elections next month, the plight of Palestinians will only exacerbate. It is high time we stopped blatantly labelling one another as ‘Yahoodi Agents’ and started educating ourselves. The least we can do for Palestinians is continue exposing the pro-Israel elements engaged in the widespread dissemination of Zionist propaganda.

We Democrats once took pride in ourselves as the party that understood how to read science critically. We confronted—and mercilessly deconstructed—the fatally flawed faux-science contrived by the carbon industry’s PhD biostitutes to support climate change denialism. We also exercised healthy skepticism toward the corrupt drug companies that brought us the opioid crisis and that have paid $86 billion in criminal and civil penalties for a wide assortment of frauds and other crimes since 2000.1 We were disgusted by the phenomenon of “agency capture” and felt a deep revulsion for Pharma’s pervasive control of Congress, the media, and the scientific journals. How is it, then, that today’s Democrats become angry at the mere suggestion that the prevailing COVID drug and vaccine narrative may be heavily manipulated through orchestrated propaganda by a Pharma cartel with billions at stake in promoting COVID countermeasures?

There’s a lot written about ‘making them wait’ for basically everything. Dates, replies to messages, kisses, sex. Relying on a manipulative system to try to control the narrative of a relationship is a terrible idea

What looks to be the cleanest political party, for a period, will often prove to be the filthiest in the end. Just like any form of corruption, this one plays dirty. It drags its enemies through the mud and scrubs itself clean before morning. It throws rocks and hides its hands. It gains power by all methods but the Truth: on the one hand, by pandering, flattery, and appeasement (quite like Satan, 'the father of lies'); and on the other, by deception and ruthlessness, constantly slinging accusations and smearing its opponents - posing as an angel of light (quite like Satan, 'the accuser') - and doing it hypocritically. It projects, gaslights, intimidates, manipulates, and confuses its subjects into adopting the narrative that it is the intellectually and morally superior party. Believing itself the greater good, and the ends justifying the means, it is able to persist in these things and sleep well doing them. Therefore in the rags of politics, because of this party, it is often the case that individuals painted as villains by the media are heroes in reality.

Hollingsworth turns out to be a single-minded manipulator who plans to take over the colony for his own purposes. He is, in short, much like a number of real-life figures who succeeded in exploiting the utopian idealism of the era, “men of iron masquerading in Arcadian costume,” as one commentator has called them. Eventually the narrator comes to understand that such men “have no heart, no sympathy, no reason, no conscience. They will keep no friend, unless he make himself the mirror of their purpose; they will smite and slay you, and trample your dead corpse under foot.” In a time when, as Marx and Engels memorably put it, “all that is solid melts into air,” the Hollingsworths of the world—and the Strangs—offered firmness and strength; in a time when “all fixed, fast-frozen relations…are swept away,” they offered a sense of connection; and in a time of “everlasting uncertainty,” they offered absolute confidence.

On a show like Newsline, the frame was all-important. Older producers on the show talked about 'context,' which to them meant putting the story in a larger setting. Indicating what the story meant, by reporting what had happened before, or reporting similar things that had occurred. The older guys thought context so important, they seemed to regard it as a kind of moral or ethical obligation. Jennifer disagreed. Because when you cut out all the sanctimonious bullshit, context was just spin, a way of pumping the story—and not a very useful way, because context meant referring to the past. Jennifer had no interest in the past; she was one of the new generation that understood that gripping television was now, events happening now, a flow of images in a perpetual unending electronic present. Context by its very nature required something more than now, and her interest did not go beyond now. Nor, she thought, did anyone else's. The past was dead and gone. Who cared what you ate yesterday? What you did yesterday? What was immediate and compelling was now. And television at its best was now.

Fredric Jameson and others have detailed the operation of a cultural prohibition, at the structural level, on even the imaging of alternatives to the desolate insularity of individual experience within the competitive workings of capitalist society. possibilities of non-monadic or communal life are rendered unthinkable. In 1965, a typical negative image of collective living was, for example, that of the Bolsheviks moving sullen working-class families into Doctor Zhivago's spacious and pristine home in the David Lean movie. For the past quarter-century, the communal has been presented as a farm more nightmarish option. For example, in recent neoconservative portrayals of the Chinese Cultural Revolution, measures taken against private property and class privilege on behalf of collective social formations are equated to the most monstrous crimes in world history. On a smaller scale, there are the countless narratives of cult-like communes of obedient converts ruled by homicidal madmen and cynical manipulators. Echoing bourgeois fears in the late nineteenth century following 1871, the idea of a commune derived from any form of socialism remains systemically intolerable. The cooperative, as a lived set of relations, cannot actually be made visible -- it can only be represented as a parodic replication of existing relations of domination. In many different ways, the attack on values of collective and cooperation is articulated through the notion that freedom is to be free of any dependency on others, while in fact we are experience a more comprehensive subjection to the 'free' workings of markets. As Harold Bloom has shown, the real American religion is 'to be free of other selves.' In academic circles, the right-wing attach on the cooperative is abetted by the current intellectual fashion of denouncing the idea or possibility of community for its alleged exclusions and latent fascisms. One of the main forms of control over the last thirty years has been to ensure there are no visible alternatives to privatized patterns of living.

Every intellectual project of a political kind should follow a number of basic principles1) Be deeply suspicious of anything that masks itself in universal regalia. Bring into question that which is not being questioned in the normal state of affairs. (2) Move beyond any self-righteous and self-absolving assessments of the operations of power. Look to deal with power at the level of its effects and the ways in which it positively manipulates subjects to wilfully abandon their own political freedoms. (3) Foreground the affirmative qualities of subjectivities. Not only is this integral in the fight against fascism in all its forms. It opens a challenge to the narcissism of those who would have us surrender to the mercies of the world. (4) Speak with confidence about the ability to transform the world, not for the better, but for the sake of it. Without an open commitment to the people to come, the struggle is already lost. (5) Use provocation as a political tool. Not to evidence extremist views. But to illustrate how normalizing power truly fears anything that appears remotely exceptional. The poetic most certainly included. (6) Trust in the irreducible qualities of human existence. The feelings we have, the atmospheres we breathe, the aesthetics we enfold, the fables we scribe, the playful personas we construct, they are all integral to the formation of a new image of thought. (7) Have faith in people. Just as they will resist what they find oppressive and intolerable, so they will also find their own dignified solutions to problems in spite of our best efforts. (8) Do not shy away from conflict. Without conflict there is no resistance to power. And without resistance to power there is no creation of alternative existences. (9) Reveal fully your political orientations. Do not abstract them from the work. Such a deception is of the order for those embarrassed by the mediocrity of their power. (10) Speak with the courage to truth that narrates a tale to affect a number of meaningful registers. No book should be read if it doesn't intellectually challenge and emotionally move us.

Choose the truth or facts rather than choosing sides. Those who want you to side with them , manipulate information to push their narrative. When you choose sides you will be disappointed by the results, because the truth always comes out somehow, someway.

The mind is an organ of creation; it organizes matter and energy, manipulates time and space. It organizes chaos into narrative.

History was twisted and manipulated to create an insistent narrative where the rise of the west was not only natural and inevitable, but a continuation of what had gone before.

In America, as Democrat leaders continue to brainwash people with their socialist rhetoric, they rely on distressed minorities—particularly blacks—to support this narrative. And there is no one guiltier of this manipulation than Congresswoman Alexandria Ocasio-Cortez.

When the people don't give a damn about reason, they can be manipulated quite easily - and in such cases the perception of the people are manufactured by those controlling the narratives. As a result, ask an Azerbaijani, "who do you think is at fault for the conflict at Nagorno-Karabakh" and they'll say, "Armenia of course" - or ask an Indian, "who do you think is at fault for the conflict at Jammu-Kashmir", they'll say, "Pakistan of course". Hard as it may sound, whoever controls the narrative, controls the people. And the only way to break that spell is to practice reason, but without losing your warmth.

I understand,' Marder said. 'But a claim filed in a court has limited publicity. Newsline is going to present these crazy claims to forty million viewers. And at the same time, they'll automatically validate the claims, simply by repeating them on television. The damage to us comes from their exposure, not from the original claims.

What she was looking for was a way to shape the story so that it unfolded now, in a pattern that the viewer could follow. The best frames engaged the viewer by presenting the story as conflict between good and bad, a morality story. Because the audience got that. If you framed a story that way, you got instant acceptance. You were speaking their language. But because the story also had to unfold quickly, this morality tale had to hang from a series of hooks that did not need to be explained. Things the audience already knew to be true. They already knew big corporations were corrupt, their leaders greedy sexist pigs. You didn't have to prove that; you just had to mention it. They already knew that government bureaucracies were inept and lazy. You didn't have to prove that, either. And they already knew that products were cynically manufactured with no concern for consumer safety. From such agreed-upon elements, she must construct her morality story. A fast-moving morality story, happening now.

What I am advocating is a psychiatry which devotes itself humbly to the task of listening to patients in a way that other medical practitioners cannot. This means paying close attention to a patient's current and past narrative without attempting to control, manipulate or define it. From this position a psychiatrist can then assist the patient in raising relevant questions about their lives and pain

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⁠We live in the paradox of condemnation, where hypocrites cloak themselves in selective victimhood, partially manipulating facts to construct narratives.

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Choose to use your own logic and common sense. People are often paid to say and do things they don't believe in, just to manipulate you. There are smear campaigns and promotional campaigns designed to promote certain agendas, narratives, things, people, behaviors, and lifestyles. Don't just follow the crowd or majority, because you might get lost. Always choose to do and say what is right. Choose to ignore the noise and negativity.

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People with motives or agendas are dangerous because they manufacture facts to suit their narrative or to convince others.

When you build your entire empire and kingdom on lies, your reputation is based on lies and manipulation. Your history is fabricated to suit your narrative and make you look like a hero or a victim. Your victories, battles, and power are all built on lies. The only power you have is the ability to control the narrative through lies. That's why you can't stand the truth, because the truth destroys everything you've built and everything you are.

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