Twice The Fun Quotes

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You need to up your vocabulary, boy. You can’t walk around letting people think you’re stupid. Expand your horizons. Besides, it’s fun to call people names they have to look up to realize they’ve been insulted. (Mark) Yeah, that’s a twofer there. You get away with it and then they’re twice as mad when they realize how bad you really insulted them. Especially if they mistake it for a compliment when you say it and thank you for it. (Bubba)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
Ray Bradbury (Something Wicked This Way Comes)
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella." "Hmph," I grumbled. Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek. The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?" Jacob rolled his eyes. "who's going back?" I muttered Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly. "What if she wants me to?" Jacob drawled, arrogant. "Hah!" I snorted. "If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face." Jacob grinned. "You wish," I grumbled. "Yes, he does," Edward murmured. "Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?" "One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will." "Good," Jacob growled. "it's no fun beating someone who forfeits." She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair." "Neither did I." "Best of luck." Jacob nodded. "Yes, may the best man win." "That sounds about right...pup.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also. You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly. Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
James Joyce (Selected Letters of James Joyce)
Lovely chatting with you, darling, but I've got to run. Face it, you're always more content when you're chasing me than when you have me locked up. I think we're going to have a lot of fun.
Chelsea Cain (Kill You Twice (Archie Sheridan & Gretchen Lowell, #5))
Peeta looks at the glass again and puts it together. "You mean this will make me puke?" My prep team laughs hysterically. "Of course, so you can keep eating," says Octavia. "I've been in there twice already. Everyone does it, or else how would you have any fun at a feast?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are. A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening. Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily. You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth. You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later. Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage. Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything. I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it. You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it. Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today? We shall see.
Ryan O'Connell
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.
Terry Pratchett
Double with me and Gabriel next Friday!” Isabel announced suddenly. “I’ll find you a date.” “Pass.” “Come on. It’s been a while since you’ve been on a date.” “That’s because I’m awkward and weird and it’s not fun at all for me or the poor soul who agrees to go out with me.” “That’s not true.” I crossed my arms. “You just need to go out more than once … or twice … with someone so they see how fun you are,” Isabel argued, adjusting her backpack straps. “You’re not awkward withme.” “I’m totally awkward with you but you’re not under pressure to eventually kiss me, so you put up with it.
Kasie West (P.S. I Like You)
Mud Slinging is so much fun,when you do it to others. But remember the day someone else does the same to you,youll realise how bad the mud in your mouth tastes. Think twice before you go around ruining the reputation of others. Because what goes around comes around for sure.
Rachitha Cabral
B-but, Mr Jimson, I w-want to be an artist.' 'Of course you do,' I said, 'everybody does once. But they get over it, thank God, like the measles and the chickenpox. Go home and go to bed and take some hot lemonade and put on three blankets and sweat it out.' 'But Mr J-Jimson, there must be artists.' 'Yes, and lunatics and lepers, but why go and live in an asylum before you're sent for? If you find life a bit dull at home,' I said, 'and want to amuse yourself, put a stick of dynamite in the kitchen fire, or shoot a policeman. Volunteer for a test pilot, or dive off Tower Bridge with five bob's worth of roman candles in each pocket. You'd get twice the fun at about one-tenth of the risk.
Joyce Cary (The Horse's Mouth)
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much. But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
Mohsin Hamid (Moth Smoke)
[When asked if he had ever learned anything about his work from film criticism] No. To see a film once and write a review is an absurdity. Yet very few critics ever see a film twice or write about films from a leisurely, thoughtful perspective. The reviews that distinguish most critics, unfortunately, are those slambang pans which are easy to write and fun to write and absolutely useless. There's not much in a critic showing off how clever he is at writing silly, supercilious gags about something he hates.
Stanley Kubrick
Because things are more fun for you when they’re not planned, and they were more fun for him when they were planned. It’s best to have one of each in every relationship.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
The word came into common usage during the First American Occupation of the DR, which ran from 1916 to 1924. (You didn't know we were occupied twice in the twentieth century? Don't worry, when you have kids they won't know the U.S. occupied Iraq either.) During the First Occupation it was reported that members of the American Occupying Forces would often attend Dominican parties but instead of joining in the fun the Outlanders would simply stand at the edge of dances and watch. Which of course must have seemed like the craziest thing in the world. Who goes to a party to watch?
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
Marisha Pessl
1-12, twice a day, this is how we measure our lives, and yet nobody notices the redundancy, and yet nobody notices the redundancy. Time flies while you're having fun - But what happens if you're not having fun, does time have to call Uber? -Jarod Kintz and James Lee Schmidt
Jarod Kintz (liQUID PROse QUOtes)
If he’d judged Felsted correctly, he was the kind of man who checked all the locks in his house every night. Twice. Probably for fun.
S.G. Night (Attrition: the First Act of Penance (Three Acts of Penance, #1))
Because he kissed you not once, but twice, while you were alternately crying and huffing gasoline, and you're still not sure if he's interested. That's just sad, Gabe, I can't even make fun of you for that.
Julianna Thorn (Farm of Fancy (Missing Cities, #1))
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
I wonder if proximity to the Barrel makes merchers more uptight. All that black clothing and restraint, meat only twice a week, lager instead of brandy. Maybe they’re making up for all the fun we’re having.” “Keeping the scales balanced?” “Sure. I mean, just think of the heights of debauchery we could reach if no one kept this city in check. Champagne for breakfast. Naked orgies on the floor of the Exchange.” Wylan made a flustered noise that sounded like a bird with a cough and looked anywhere but at Jesper. He was so wonderfully easy to rattle.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Explain to me how this is fun: thirty minutes in line, thirty dollars to get in, ten minutes to work your way down here, ten more saying hi to people I can tell you barely know, and now fifteen minutes ordering a beer that costs twice what it should. You just lost an hour of your life.
Wesley Chu (The Lives of Tao (Tao, #1))
As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gaveher a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There is thin line between fun and disrespect to a language. Poking once or twice is fun but excess is disrespect.
Pankaj Gupta
For stored in heaven for each soldier is a medal of honour; a crown of righteousness that we will one day receive from the father. (2 Timothy 2:4)
Tanisha A. McDermott (My Bible is Cool 2 - Vol, : Learning the word of God is twice the fun!)
Well, in that case you go right ahead. It needs a tidy,’ says Elizabeth. ‘That will be fun for Stephen, a team of goons in the flat at the dead of night. He’s a fine host.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
TO MY MIND, THOUGH, there is a third development that has altered our parenting experience above all others, and that is the wholesale transformation of the child’s role, both in the home and in society. Since the end of World War II, childhood has been completely redefined. Today, we work hard to shield children from life’s hardships. But throughout most of our country’s history, we did not. Rather, kids worked. In the earliest days of our nation, they cared for their siblings or spent time in the fields; as the country industrialized, they worked in mines and textile mills, in factories and canneries, in street trades. Over time, reformers managed to outlaw child labor practices. Yet change was slow. It wasn’t until our soldiers returned from World War II that childhood, as we now know it, began. The family economy was no longer built on a system of reciprocity, with parents sheltering and feeding their children, and children, in return, kicking something back into the family till. The relationship became asymmetrical. Children stopped working, and parents worked twice as hard. Children went from being our employees to our bosses. The way most historians describe this transformation is to say that the child went from “useful” to “protected.” But the sociologist Viviana Zelizer came up with a far more pungent phrase. She characterized the modern child as “economically worthless but emotionally priceless.” Today parents pour more capital—both emotional and literal—into their children than ever before, and they’re spending longer, more concentrated hours with their children than they did when the workday ended at five o’clock and the majority of women still stayed home. Yet parents don’t know what it is they’re supposed to do, precisely, in their new jobs. “Parenting” may have become its own activity (its own profession, so to speak), but its goals are far from clear.
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
It was creepy, but when you thought about it—when you really, truly put some thought into it—a lot of the stuff grown-ups found intimidating were kids’ favorite things. Because kids, unlike their parents, watch the world sans the tainted lens of preconception and intolerance. Kids are not racist. Kids are not judgmental. Kids don’t care that your car costs twice the annual salary of the average American. Kids are fun. Kids are pure.
L.J. Shen (Scandalous (Sinners of Saint, #3))
We met just a few minutes ago and he's already making fun of how I talk," I say. "All required ingredients in a recipe for success." "Don't get your petticoats in a twist, Scarlett O'Hara," Benny shoots back. "I'm twice as rude to people I actually know.
Kaitlyn Hill (Love from Scratch)
Blue was gone without a goodbye. Robbie kept his eyes on the crow flying off as long as he could see it, but soon the black dot was out of sight, either too far or vanished into the air. Blue was headed somewhere Robert could not follow him—not yet, anyway. Robbie hoped wherever Blue was flying next would be a mystery for a long time. But he would write down the rules for haints so another kid who met another Blue would think twice before putting their life in a haint’s hands: Haints can look different ways. Haints usually come if you call their full names. Haints don’t like to be called haints. Haints can be fun as friends, but you have to look out for yourself or you might die like Redbone. Haints don’t say goodbye, except when they visit your dreams. And haints can kill you.
Tananarive Due (The Reformatory)
Forgiving someone doesn’t mean you condone or approve of what they did. Forgiveness is not for the other person at all. It has nothing to do with whether they deserve it or not. Forgiveness is an act of self-love. The best revenge really is a life well lived. While fantasizing about all kinds of revenge was fun for a while, I realized it would only perpetuate what I wanted to be free of, and it would keep me from healing. My advice to anyone struggling with betrayal is don’t let yourself be abused twice. First by the act committed against you, and second by believing it has ruined your ability to experience happiness, trust, or love. Forgive someone who has hurt you so they may receive that gift, and more important because you know it is the scissor that cuts the cord that binds you together. Remember that betrayal doesn’t happen to you so much as it happens by someone else. Forgiveness allows you to release anger. Carrying anger with you is like lighting your own house on fire to get rid of rats. The rats run to safety while you burn yourself down. Forgive. Let go. Heal.
Jewel (Never Broken: Songs Are Only Half the Story)
In innocence, she’ll light the fire And set ablaze the fun’ral pyre And one shall rise and one shall fall, By hand of she who’ll lead them all. Marked twice by beast in time of rage, And born again as the Wolfsmage. A house of magic be undone By she who can remake the sun.
Cyrese Covelli (Wolfsmage (Witchlock Book 3))
You’re saying your mother engaged in unprotected sex outside her primary relationship?’ ‘With some other student,’ replied Rosie. ‘While she was dating my’ – at this point Rosie raised her hands and made a downwards movement, twice, with the index and middle fingers of both hands – ‘father. My real dad’s a doctor. I just don’t know which one. Really, really pisses me off.’ I was fascinated by the hand movements and silent for a while as I tried to work them out. Were they a sign of distress at not knowing who her father was? If so, it was not one I was familiar with. And why had she chosen to punctuate her speech at that point … of course! Punctuation! ‘Quotation marks,’ I said aloud as the idea hit me. ‘What?’ ‘You made quotation marks around “father” to draw attention to the fact that the word should not be interpreted in the usual way. Very clever.’ ‘Well, there you go,’ she said. ‘And there I was thinking you were reflecting on my minor problem with my whole fucking life. And might have something intelligent to say.’ I corrected her. ‘It’s not a minor problem at all!’ I pointed my finger in the air to indicate an exclamation mark. ‘You should insist on being informed.’ I stabbed the same finger to indicate a full stop. This was quite fun.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
But to make things even worse, this is the year of the Seventy-fifth Hunger Games, and that means it’s also a Quarter Quell. They occur every twenty-five years, marking the anniversary of the districts’ defeat with over-the-top celebrations and, for extra fun, some miserable twist for the tributes. I’ve never been alive for one, of course. But in school I remember hearing that for the second Quarter Quell, the Capitol demanded that twice the number of tributes be provided for the arena. The teachers didn’t go into much more detail, which is surprising, because that was the year District 12’s very own Haymitch Abernathy won the crown.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Bert, a slow moving tropical storm that had spent the past few days wandering around the Bahamas like a dog looking to do its business. Circle once, circle twice, and squat. Now the storm had settled over Cockroach Cay, prompting Sonny to conclude that renting a sailboat during hurricane season, while exciting and dangerous, was too much fun for him. He was glad they were still at the dock.
Eddie Jones (Bahama Breeze)
Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.
Kate Rusby
If you commit to philosophy, be prepared at once to be laughed at and made the butt of many snide remarks, like, ‘Suddenly there’s a philosopher among us!’ and ‘What makes him so pretentious now?’ Only don’t be pretentious: just stick to your principles as if God had made you accept the role of philosopher. And rest assured that, if you remain true to them, the same people who made fun of you will come to admire you in time; whereas, if you let these people dissuade you from your choice, you will earn their derision twice over.
Epictetus (Discourses and Selected Writings (Classics))
Sometimes they’d make a donation to charity in the name of the blog or respond with a self-deprecating parody on YouTube. I took care to focus on satire, poking fun at the extremes, playfully objectifying these untouchable gods among men. Women, especially females of notoriety, in our society had to suck up and swallow daily doses of criticism about everything—too fat, too skinny, wearing the same outfit twice in public, having an opinion—from fake TV personalities and tabloid vultures. In comparison to these self-esteem vampires, I provide a public service.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
Strange game, this stating the obvious,” Suri said, shaking her head. She got up and joined Minna at the woodpile. “Pointless, but popular. Everyone plays it. You’re eating our bread. That isn’t your bed. You have a wolf. But as you can see, I’m getting the knack of it. Tura told me to blend in at villages, especially the dahls. She said people who live inside walls are crazy and can be dangerous. Touched animals are, too. Cursed by the gods, sort of like you, and even a tainted squirrel’s bite can make you that way.” “I merely meant, well…” Persephone hesitated. “I didn’t think you’d still be here.” Suri pointed at the treetops visible over the rear wall of the dahl where the gray spears had become a curtain of green. “Was waiting on the leaves.” Persephone laughed. “It’s been two weeks.” The mystic twisted her face, thinking hard. “You have two ears.” She smiled proudly. “I’m starting to see the fun of this. Using a part of what another person says makes it harder, doesn’t it? Probably gets more challenging late in winter when you’ve been sealed up for months— I assume you can’t repeat the same thing twice, right?
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
They lead us over to a table that holds tiny stemmed wineglasses filled with clear liquid. “Drink this!” Peeta picks one up to take a sip and they lose it. “Not here!” shrieks Octavia. “You have to do it in there,” says Venia, pointing to doors that lead to the toilets. “Or you’ll get it all over the floor!” Peeta looks at the glass again and puts it together. “You mean this will make me puke?” My prep team laughs hysterically. “Of course, so you can keep eating,” says Octavia. “I’ve been in there twice already. Everyone does it, or else how would you have any fun at a feast?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
CUTHBERT: No, they didn't warn you about my dancing. They didn't warn you about its sensual power. They didn't warn you that the gyration of my hips is as the gyration of galaxies, that the writhing of my limbs is as the writhing of your most ancient desire. They didn't warn you that to watch me boogie is to hear ancient drums beat an eldritch, irresistible rhythm in the most primal part of your soul. (ASHTON stiffens as CUTHBERT speaks. She turns and grips him with one arm around his waist and one behind his head, and kisses him hungrily.) ASHTON: Please don't do that tonight, in front of Marty and Susan. CUTHBERT: Of course not. An orgy breaking out on the dance floor is fun once or twice, but I've learned there is a terrible price to pay for my powers.
Alan Ryker (When Cthulhu Met Atlach-Nacha)
Come on, buddy. The maze is fun." I tug at the leash. "I did unholy things to your future mom there more times than I can count." "Jesse!" I call out to her, which prompts her breathless giggles, the ones that float straight to my dick. I know where to find her. In the center of the snowflake. "Stay where you are. I'm coming to get you." I'm praying the Labrador puppy behind me won't bark and shit all over my surprise. Especially literally. "Are you panting?" She laughs harder, and I shoot the pup a you're-making-me-look-bad frown, trying hard not to crack up. Dude is killing my swag. For a cute thing, he sure sounds like a chain-smoking swine. "Yeah." I crack my gum. "Gotta work on my cardio. I could use some help." "You're getting help twice a day, sometimes three on weekends.
L.J. Shen (Bane (Sinners of Saint, #4))
1. You are constantly second-guessing yourself. 2. You ask yourself, “Am I too sensitive?” a dozen times a day. 3. You often feel confused and even crazy at work. 4. You’re always apologizing to your mother, father, boyfriend, boss. 5. You wonder frequently if you are a “good enough” girlfriend/wife/employee/friend/daughter. 6. You can’t understand why, with so many apparently good things in your life, you aren’t happier. 7. You buy clothes for yourself, furnishings for your apartment, or other personal purchases with your partner in mind, thinking about what he would like instead of what would make you feel great. 8. You frequently make excuses for your partner’s behavior to friends and family. 9. You find yourself withholding information from friends and family so you don’t have to explain or make excuses. 10. You know something is terribly wrong, but you can never quite express what it is, even to yourself. 11. You start lying to avoid the put-downs and reality twists. 12. You have trouble making simple decisions. 13. You think twice before bringing up certain seemingly innocent topics of conversation. 14. Before your partner comes home, you run through a checklist in your head to anticipate anything you might have done wrong that day. 15. You have the sense that you used to be a very different person—more confident, more fun-loving, more relaxed. 16. You start speaking to your husband through his secretary so you don’t have to tell him things you’re afraid might upset him. 17. You feel as though you can’t do anything right. 18. Your kids begin trying to protect you from your partner. 19. You find yourself furious with people you’ve always gotten along with before. 20. You feel hopeless and joyless.
Robin Stern (The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life)
I’m really enjoying my solitude after feeling trapped by my family, friends and boyfriend. Just then I feel like making a resolution. A new year began six months ago but I feel like the time for change is now. No more whining about my pathetic life. I am going to change my life this very minute. Feeling as empowered as I felt when I read The Secret, I turn to reenter the hall. I know what I’ll do! Instead of listing all the things I’m going to do from this moment on, I’m going to list all the things I’m never going to do! I’ve always been unconventional (too unconventional if you ask my parents but I’ll save that account for later). I mentally begin to make my list of nevers. -I am never going to marry for money like Natasha just did. -I am never going to doubt my abilities again. -I am never going to… as I try to decide exactly what to resolve I spot an older lady wearing a bright red velvet churidar kurta. Yuck! I immediately know what my next resolution will be; I will never wear velvet. Even if it does become the most fashionable fabric ever (a highly unlikely phenomenon) I am quite enjoying my resolution making and am deciding what to resolve next when I notice Az and Raghav holding hands and smiling at each other. In that moment I know what my biggest resolve should be. -I will never have feelings for my best friend’s boyfriend. Or for any friend’s boyfriend, for that matter. That’s four resolutions down. Six more to go? Why not? It is 2012, after all. If the world really does end this year, at least I’ll go down knowing I completed ten resolutions. I don’t need to look too far to find my next resolution. Standing a few centimetres away, looking extremely uncomfortable as Rags and Az get more oblivious of his existence, is Deepak. -I will never stay in a relationship with someone I don’t love, I vow. Looking for inspiration for my next five resolutions, I try to observe everyone in the room. What catches my eye next is my cousin Mishka giggling uncontrollably while failing miserably at walking in a straight line. Why do people get completely trashed in public? It’s just so embarrassing and totally not worth it when you’re nursing a hangover the next day. I recoil as memories of a not so long ago night come rushing back to me. I still don’t know exactly what happened that night but the fragments that I do remember go something like this; dropping my Blackberry in the loo, picking it up and wiping it with my new Mango dress, falling flat on my face in the middle of the club twice, breaking my Nine West heels, kissing an ugly stranger (Az insists he was a drug dealer but I think she just says that to freak me out) at the bar and throwing up on the Bandra-Worli sea link from Az’s car. -I will never put myself in an embarrassing situation like that again. Ever. I usually vow to never drink so much when I’m lying in bed with a hangover the next day (just like 99% of the world) but this time I’m going to stick to my resolution. What should my next resolution be?
Anjali Kirpalani (Never Say Never)
The late Marlon Brando was once asked if he considered himself the best actor in Hollywood. That was a treacherous question, but Brando answered it in a creative way. He said, “It doesn’t matter whether I’m the best actor. I’m the best-positioned actor. People know me, and they want me around. I make life interesting for the people around me. It’s fun for me and it’s fun for them. I’m not always a nice guy, but I’m never the same guy twice. That’s why studios want to put me in movies, and that’s why the public wants to see me there.” Are you like Brando in this respect? Do you get together with your colleagues even when you don’t have to? If the answer is yes, you’re on the right track. If the answer is no, ask yourself, whom would you rather be with? Then think about how you can make a career move in that direction. Do you communicate with your colleagues even when it’s not strictly necessary—by phone, e-mail, or in person? Or are you more comfortable being on your own? There probably has never been a person who was more challenged in this area than Howard Hughes. He was undeniably a technical expert, and he was certainly unforgettable. He could design an airplane, fly it, and also direct a movie about it.
Dale Carnegie (Make Yourself Unforgettable: How to Become the Person Everyone Remembers and No One Can Resist (Dale Carnegie))
I’m here to horrify you,” he said. And then, because he couldn’t bear it any longer, he reached out and pulled her to him. She was warm and soft in his arms, and she smelled so deliciously right. He could have inhaled her scent for hours. “Hugo—” He didn’t want to talk. He didn’t want to answer any questions. He didn’t know who he was or what he wanted or what dreams would come to fill his heart. He only knew that if he couldn’t have her, nothing would ever be right again. And so he kissed her. He tasted her, sweet and steady against him, put his hand in the small of her back and drew her toward him. She kissed him back. “I love you,” he said. The truth took root inside him. For the first time in years, the dark words of his past receded. “But, Hugo…” He set his fingers over her lips. “Let me do this,” he said. “I thought I had to prove myself with money and accomplishments. But those will always ring hollow. They will never be enough. I want to be somebody. Let me be your husband. Let me be the father of your child—of all your children. I got more satisfaction from striking Clermont than I did from any success I found in business.” She pulled back from him. “You struck Clermont?” “Twice. And—that reminds me—I blackmailed him into promising to send your child to Eton.” Hugo tightened his grip around her. “I’ve never pretended to be a good man, you know. It’s just that…I’m yours.” He leaned his head against hers. Her breath was warm against his face. “Did you hit him hard?” “I’m afraid I did.” “That’s my Hugo.” There was a grim satisfaction in her voice. “I love you, you know. If you hadn’t come, as soon as winter set in and the ground became too hard to work, I’d planned to come for you.” “Well, I’m glad I came to my senses,” Hugo said. “You shouldn’t have traveled, not in your condition. Yet curiosity impels me to inquire. What did you plan to do, once you arrived?” “Allow me to demonstrate.” She lifted her face to his, traced the line of his jaw with her fingers. “This.” She pressed a kiss to the corner of his mouth. “And this.” She kissed the other corner. “And…” She took his mouth full on, her lips soft against his, tasting of all the things he’d most wanted. “I’d do that,” she whispered, “until you were forced to admit you loved me.” “I love you.” “Well, that’s no fun.” She kissed him again. “Now what excuse do I have?” He drew in a shuddering breath and pulled her closer. “You could make me say it again,” he whispered. “Make me say it always. Make me say it so often that you never have cause to doubt. I love you.
Courtney Milan
But she was a widow and she had to watch her behavior. Not for her the pleasures of unmarried girls. She had to be grave and aloof. Ellen had stressed this at great length after catching Frank's lieutenant swinging Scarlett in the garden swing and making her squeal with laughter. Deeply distressed, Ellen had told her how easily a widow might get herself talked about. The conduct of a widow must be twice as circumspect as that of a matron. 'And God only knows,' thought Scarlett, listening obediently to her mother's soft voice, 'matrons never have any fun at all. So widows might as well be dead.' A widow had to wear hideous black dresses without even a touch of braid to enliven them, no flower or ribbon or lace or even jewelry, except onyx mourning brooches or necklaces made from the deceased's hair. And the black crepe veil on her bonnet had to reach to her knees, and only after three years of widowhood could it be shortened to shoulder length. Widows could never chatter vivaciously or laugh aloud. Even when they smiled, it must be a sad, tragic smile. And, most dreadful of all, they could in no way indicate an interest in the company of gentlemen. And should a gentleman be so ill bred as to indicate an interest in her, she must freeze him with a dignified but well-chosen reference to her dead husband. Oh, yes, thought Scarlett, drearily, some widows do remarry eventually, when they are old and stringy. Though Heaven knows how they manage it, with their neighbors watching. And then it's generally to some desperate old widower with a large plantation and a dozen children.
Margaret Mitchell (Gone with the Wind)
My mother worked as a saleslady at the well-known Five Corner bakery in Journal Square during the day. Her orders were that I do at least one page of homework for every one of my subjects before she came home. It didn’t matter what my teachers would assign, those were her rules and I didn’t dare to violate them! However, I usually allowed others to make the rules and then decide whether I would follow them. Turning on our small Bakelite radio, I would ignore my mother’s rules and listen to my favorite adventure shows. “Jack Armstrong, the All-American Boy, Superman, who could leap tall buildings in a single bound, and Tom Mix were my favorite daily half-hour radio programs during the week. Tom Mix was forever solving some mystery that I could help him with, since I had a decoder badge that cost only 10 cents, along with a box top from a Ralston Purina’s “Wheat Chex” cereal box. Since it tasted like straw, wanting to get a decoder badge was the only way I would eat this blah cereal for breakfast. The radio shows were way too exciting, and my homework always took second place. When my mother finally came home and saw that I had not done my work, she would get quite upset and make me do twice as much, seated at the kitchen table where she could keep her eye on me. Being under her direct supervision wasn’t much fun, but I would sit there until she was satisfied that I had finished my assignments. My mother showed no mercy! If my father found out about my being lax, there would be hell to pay! For whatever reason, I never seemed to learn…. Oh, woe is me, woe is me…. I was in trouble again… No, I was still in trouble!
Hank Bracker
Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
Terry Pratchett
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
MONDAY: Badass Baseline Perform one round of this routine. Jumping Jacks: 75 repetitions Sit-ups: 40 repetitions Squats: 30 repetitions Push-ups: 20 repetitions Burpees: 10 repetitions Jumping Jacks: 75 repetitions WEDNESDAY: Single Jump Jump Perform three rounds of this routine. Step-ups: 15 repetitions Bench Dips: 15 repetitions Jump Rope: 50 repetitions Double-under Jump Rope: 10 repetitions (A double-under is a jump rope exercise. You turn the rope for two rotations in one single jump. So you jump once and while you are in the air the rope cycles twice instead of just once like regular jump rope.) FRIDAY: Booty Lift Perform four rounds of this routine. Lunges: 5 repetitions on each leg Inchworms: 10 repetitions Toe Touches: 10 repetitions on each leg Jump Squats: 10 repetitions MONDAY: Double Your Fun Perform four rounds of this routine. Set a timer for 16 minutes and try to do all four rounds before it goes off. Sexy Back Push-ups: 6 repetitions Jump Squats: 10 repetitions on each side Sit-ups: 20 repetitions Jumping Jacks: 40 repetitions WEDNESDAY: Let Your Hair Loose Timed sequence: Set a timer for 10 minutes and perform the following round as many times as you can before it goes off. Mountain Climbers: 20 repetitions as fast as you can Hamstring Rollouts: 7 repetitions as fast as you can Pike Push-ups: 5 repetitions FRIDAY: Get Dirty with It Perform five rounds of this routine. Floor Wipers: 5 repetitions Clapping Push-ups: 7 repetitions Jump Squats: 10 repetitions MONDAY: Sweat Like an Animal Timed sequence: Set a timer for 6 minutes and perform the following round as many times as you can before it goes off. Burpees: 5 repetitions as fast as you can Lunges: 10 repetitions as fast as you can Squats: 15 repetitions as fast as you can WEDNESDAY: Max Your Effort Perform three rounds of this routine. Rest one minute between each round. Round 1: V-ups: 30 Left Single-Leg Squat: 20 repetitions Right Single-Leg Squat: 20 repetitions Round 2: V-ups: 20 repetitions Left Single-Leg Squat: 15 repetitions Right Single-Leg Squat: 15 repetitions Round 3: V-ups: 10 repetitions Left Single-Leg Squat: 10 repetitions Right Single-Leg Squat: 10 repetitions FRIDAY: Beach Body Aspirations Perform five rounds of this routine. Sky Humpers: 10 repetitions Bench Dips: 12 repetitions Bicycle: 20 repetitions MONDAY: I Dip, You Dip, We Dip Perform five rounds of this routine. Rest 30 seconds between each round. Floor Wipers: 10 repetitions Bench Dips: 20 repetitions Lunges: One, hold lunge in the lunge position for 45 seconds. If you have to adjust, the time stops and restarts when you start your lunge again. WEDNESDAY: Core Basics Timed sequence: Set a timer for 10 minutes and perform the following round as many times as you can before it goes off. Hamstring Rollouts: 5 repetitions Pike Push-ups: 10 repetitions Sit-ups: 20 repetitions FRIDAY: Sculpt Me Booty-licious Timed sequence: Set a timer for 5 minutes and perform the following round as many times as you can before it goes off. Rest 2 minutes between each round. Jumping Lunges: 5 repetitions on each side Squats: 10 repetitions V-ups: 5 repetitions
Christmas Abbott (The Badass Body Diet: The Breakthrough Diet and Workout for a Tight Booty, Sexy Abs, and Lean Legs (The Badass Series))
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
Jeanne DuPrau (The Prophet of Yonwood)
My father and my brothers came to me and said, “We missed it, we were working. Take time to savor every moment because if you blink twice you’ll be walking her down the aisle.” Strangers would come up to us in grocery store after a particularly grueling night – I’m sure our weary expressions said it all - and they would tell us, “Enjoy these moments, even the difficult ones.” It sunk in. So I knew that it all happens fast. It doesn’t seem like it when you’re up at 3am feeding a cranky kid who won’t go back to sleep. But we made that our time. We found ways to make it fun and special, and to realize that one day she’d be off to college and I’d wish I could have another moment with her like this, just me and her, at 3am playing a game of peek a boo. On that day, I’d wish I had this day back.
Dan Alatorre
Come, dear, you must try this game. It’s silly but quite fun.” The girls, all of them unmarried, and ranging in age from their early teens to mid-twenties, moved to make room for the pair of them. While Daisy explained the rules, Evie was blindfolded, and the other girls proceeded to change the positions of the four glasses. “As you can see,” Daisy said, “one glass is filled with soap water, one with clear, and one with blue laundry water. The other, of course, is empty. The glasses will predict what kind of man you will marry.” They watched as Evie felt carefully for one of the glasses. Dipping her finger into the soap water, Evie waited for her blindfold to be drawn off, and viewed the results with chagrin, while the other girls erupted with giggles. “Choosing the soap water means she will marry a poor man,” Daisy explained. Wiping off her fingers, Evie exclaimed good-naturedly, “I s-suppose the fact that I’m going to be m-married at all is a good thing.” The next girl in line waited with an expectant smile as she was blindfolded, and the glasses were repositioned. She felt for the vessels, nearly overturning one, and dipped her fingers into the blue water. Upon viewing her choice, she seemed quite pleased. “The blue water means she’s going to marry a noted author,” Daisy told Lillian. “You try next!” Lillian gave her a speaking glance. “You don’t really believe in this, do you?” “Oh, don’t be cynical—have some fun!” Daisy took the blindfold and rose on her toes to tie it firmly around Lillian’s head. Bereft of sight, Lillian allowed herself to be guided to the table. She grinned at the encouraging cries of the young women around her. There was the sound of the glasses being moved in front of her, and she waited with her hands half raised in the air. “What happens if I pick the empty glass?” she asked. Evie’s voice came near her ear. “You die a sp-spinster!” she said, and everyone laughed. “No lifting the glasses to test their weight,” someone warned with a giggle. “You can’t avoid the empty glass, if it’s your fate!” “At the moment I want the empty glass,” Lillian replied, causing another round of laughter. Finding the smooth surface of a glass, she slid her fingers up the side and dipped them into the cool liquid. A general round of applause and cheering, and she asked, “Am I marrying an author, too?” “No, you chose the clear water,” Daisy said. “A rich, handsome husband is coming for you, dear!” “Oh, what a relief,” Lillian said flippantly, lowering the blindfold to peek over the edge. “Is it your turn now?” Her younger sister shook her head. “I was the first to try. I knocked over a glass twice in a row, and made a dreadful mess.” “What does that mean? That you won’t marry at all?” “It means that I’m clumsy,” Daisy replied cheerfully. “Other than that, who knows? Perhaps my fate has yet to be decided. The good news is that your husband seems to be on the way.” “If so, the bastard is late,” Lillian retorted, causing Daisy and Evie to laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
Shannon Hale (Austenland (Austenland, #1))
On the topic of drinking and jollying, I would like to congratulate you on the birth of your new child…” A sinister smile crossed his face. His words struck a nerve within the king and queen, which might as well have been his intention. “Our twins, you mean. Two lovely girls,” Mary clarified. “Apologies. My mistake,” the old man chuckled. “That’s wonderful news. Twins – twice the fun. I will definitely drink to that.
Alexandra Casavant (Vile The Gorgon)
The crescent kick is one of the most difficult kicks to master in Tae Kwon Do, but when executed properly, it is one of the most dangerous.  Detective Sergeant Jamie Johansson had been practising it for nearly six years, and despite being only five-foot-six, she could comfortably slam her heel into the ear of someone that was over six feet. And now she had it down to a science. She knew she couldn’t do enough damage with a punch to put someone down if she had to, but a well-executed crescent kick would do the job. Especially from her lightweight trail boots. Her partner made fun of her for wearing them — said that detectives shouldn’t be wearing hiking boots, especially not in the city, but they were tough and she was as fast in them as she was in her trainers. Which she thought made them a lot more suited to tracking down scumbags than Roper’s black leather Chelsea boots.  He disagreed. She didn’t really care.  Smoking thirty a day meant that he wasn’t going to be doing much running anyway. ‘Come on,’ Cake said, jerking the pad. ‘Again. Like you mean it.’ She flicked her head, throwing sweat onto the matt, wound up, lifted her leg, snapped her knee back, and then lashed out. Her shin smashed into the training pad with a dull thwap and she sank into her knees, panting.  Cake clapped them together and grinned with wide, crooked teeth. ‘Good job,’ he said. ‘You’re really getting some power into those, now. But make sure to ice that foot, yeah?’ She caught her breath quickly and stood up, nodding, strands of ash-blonde hair sticking to her forehead, the thick plait running between her lithe shoulders coming loose. ‘Sure,’ she said, measuring her trainer. Cake was six-two and twice her weight. He was Windrush, in his fifties, and ran a mixed martial arts gym just near Duckett’s Green. He was a retired boxer turned trainer that scored his nickname after winning a fight in the late nineties on his birthday. When the commentator asked what he was going to do to celebrate, he said that he was going to eat a birthday cake. Everyone thought that was funny, and it stuck. He had a pretty bad concussion at the time, which probably contributed to the answer. But there was no getting away from it now.  He pulled the pads off his forearms and rubbed his eyes. ‘Coffee?’ he asked, looking over at the clock on the wall. It was just before seven.  He yawned and stretched, cracking his spine. The gym wouldn’t open until midday to the public, but he lived upstairs in a tiny studio, and he and Jamie had an arrangement. It kept him fit and active, and she could train one-on-one. Just how she liked it. She paid her dues of course, slid him extra on top of the monthly for his time. But he said that
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
A person suffering from the metabolic syndrome is twice as likely to develop heart disease and five times as likely to develop diabetes.
Hiroaki Tanaka (Slow Jogging: Lose Weight, Stay Healthy, and Have Fun with Science-Based, Natural Running)
a Yale University psychology professor is developing an alternative SAT. Professor Robert Sternberg calls his test the Rainbow Project—and it certainly sounds like a lot more fun than the pressure-packed exam many of us endured as teenagers. In Sternberg’s test, students are given five blank New Yorker cartoons—and must craft humorous captions for each one. They must also write or narrate a story, using as their guide only a title supplied by the test givers (sample title: “The Octopus’s Sneakers”). And students are presented with various real-life challenges—arriving at a party where they don’t know anybody, or trying to convince friends to help move furniture—and asked how they’d respond. Although still in its experimental stages, the Rainbow Project has been twice as successful as the SAT in predicting how well students perform in college. What’s more, the persistent gap in performance between white students and racial minorities evident on the SAT narrows considerably on this test.
Daniel H. Pink (A Whole New Mind: Why Right-Brainers Will Rule the Future)
Charlotte Brontë was a genius, whose work has resonated for centuries as an example of female intellect and expressive power. Her letters to Constantin Heger are some of the stupidest things I’ve ever read, a masterful, two-year-long demonstration of one woman’s inability to absorb the fact that the guy she liked did not like her. Mary Wollstonecraft was over a century ahead of her time on women’s education, and twice as far ahead on women’s sexual freedom. She still thought she’d rather drown than not have a boyfriend. Harriet Jacobs was possibly one of the bravest women who ever lived. She survived unspeakable atrocity, thanks only to her own daring, ingenuity, and resilience, and published one of the most important political documents of her age. And she was afraid that “educated people” would make fun of her grammar. She was scared, but she did it. That’s all being strong is, apparently: being scared, or flawed, or weak, or capable (under the right circumstances) of astonishing acts of stupidity. And then going out and doing it all anyway. Trying, every morning, to be the woman you want to be, regardless of how often you manage to fall short of your own high expectations.
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
She’s, you know, a mixture of very open and very secret. Naturally I’m drawn to a broad like that. Armenians make good uncles to lost souls. Joanna could be mean as hell, but you always felt she was vulnerable. That somebody had to pay attention to her, take care of her … and you were that person. I only dated her for about three months and then she went off on a new tangent.” “She ever use the name Joan St. John when you knew her?” “No,” answered the writer. “The thing with names … she told me it was an added protection, so she wouldn’t get too involved with anybody. I remember her telling me she used to go to rotten rundown bars around LA—and you can find some exceptionally good rotten rundown bars in these parts—and get some schlunk to pick her up. The fun was in giving him a fake name and a fake bio.” He sighed.
Ron Goulart (The Same Lie Twice (The John Easy Mysteries))
After initial greetings were exchanged, Roen turned his attention to getting a drink. Buying drinks from the bar was like playing roulette; sometimes you got lucky, sometimes you didn’t. Patrons leaned against the bar, waving their money and hoping the bartender acknowledged their existence. Only at these places would the words “I know the bartender” have any pull. It took Roen fifteen minutes to get a beer. Explain to me how this is fun: thirty minutes in line, thirty dollars to get in, ten minutes to work your way down here, ten more saying hi to people I can tell you barely know, and now fifteen minutes ordering a beer that costs twice what it should. You just lost an hour of your life. “Why do you think I always swear to never come back?” And yet you still do like an addict. “More like a lemming.
Wesley Chu (The Lives of Tao (Tao, #1))
It must be fun doing all the training, I suppose, and creeping around with no one knowing, but blowing a man’s head off from four feet away probably doesn’t suit everyone. It wouldn’t suit me, and it doesn’t suit Poppy. Actually, perhaps it would suit me? You never know until you try, do you? I never thought I would like dark chocolate, for example. I
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
Each year, we renew a pact: to work twice as hard, be twice as good, and have twice as much fun—for Elizabeth.
Tracey Enerson Wood (The Engineer's Wife (The Engineer’s Wife #1))
We'll let's take it a day at a time. I enjoyed yesterday, I'm having fun today, and I'm looking forward to tomorrow.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
Dear Mom and Dad, This place is terrible. Each day I am subjected to countless atrocities. The food is spoiled and poisonous, and the drinking water is contaminated so there is an outbreak of typhoid. Our cabin collapsed last night in a typhoon, but don’t worry. Only one guy was killed. It’s not all bad. I do have one friend, named Mike. He’s the one who pulled me out of the quicksand. I have to haul garbage every day, but there aren’t too many wild animals at the dump and I’ve only been bitten twice. Mr. Warden, the director, is very nice, and he has a real social conscience. He hires only desperate criminals as counsellors. Our bunk counsellor, whose name is Chip, is a reformed axe-murderer on parole. He has red eyes and yells a lot and keeps an axe under his mattress. Tonight is going to be really fun. Our cabin hasn’t been fixed yet, so we get to sleep in trees. I sure hope the typhoon doesn’t start up again. I’ll be safe and sound so long as Algonkian Island doesn’t sink any further. … P.S. If this letter looks messy it’s because I’m writing it while being chased by a bear.
Gordon Korman (I Want to Go Home!)
He’d already thrown up twice from the back of the chariot, which was not fun at the speed of sound.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Alex: What are you doing? Lainey: Reading. Alex: What are you reading? Is it for class or for fun? It takes her a while to respond again. She begins to type, then the bubble disappears. It happens twice more until she answers. Lainey: For fun. Alex: Yeah? Is it a good read? Should I pick it up? Lainey: I don’t think it’s your vibe. Alex: I mean, I don’t read a lot, but if you like it I want to try it.
Veronica Eden (Trick Play (Heston U Hotshots #0.5))
Was he attracted to Sean? Absolutely, there was no denying it, especially considering they’d had some fun…twice. But what did that mean now?
Romeo Alexander (Trust Me, I Hate You (Men of Fort Dale, #2))
I like to explain stability using an analogy from my favorite sport, auto racing. A few years ago I drove to a racetrack in Southern California to spend a couple of days training with my coach. To warm up, I took a few “sedan laps” in my street car at the time, a modified BMW M3 coupe with a powerful 460+ HP engine. After months of creeping along on clogged Southern California freeways, it was hugely fun to dive into the corners and fly down the straightaways. Then I switched to the track car we had rented, basically a stripped-down, race-worthy version of the popular BMW 325i. Although this vehicle’s engine produced only about one-third as much power (165 HP) as my street car, my lap times in it were several seconds faster, which is an eternity in auto racing. What made the difference? The track car’s 20 percent lighter weight played a part, but far more important were its tighter chassis and its stickier, race-grade tires. Together, these transmitted more of the engine’s force to the road, allowing this car to go much faster through the corners. Though my street car was quicker in the long straights, it was much slower overall because it could not corner as efficiently. The track car was faster because it had better stability. Without stability, my street car’s more powerful engine was not much use. If I attempted to drive it through the curves as fast as I drove the track car, I’d end up spinning into the dirt. In the context of the gym, my street car is the guy with huge muscles who loads the bar with plates but who always seems to be getting injured (and can’t do much else besides lift weights in the gym). The track car is the unassuming-looking dude who can deadlift twice his body weight, hit a fast serve in tennis, and then go run up a mountain the next day. He doesn’t necessarily look strong. But because he has trained for stability as well as strength, his muscles can transmit much more force across his entire body, from his shoulders to his feet, while protecting his vulnerable back and knee joints. He is like a track-ready race car: strong, fast, stable—and healthy, because his superior stability allows him to do all these things while rarely, if ever, getting injured.
Peter Attia (Outlive: The Science and Art of Longevity)
Elizabeth did her best to be comforting, saying it was hard to kill someone, but sometimes that was the job, and then Poppy finally spoke and said, “That’s not a job I want,” and I had some sympathy with that. It must be fun doing all the training, I suppose, and creeping around with no one knowing, but blowing a man’s head off from four feet away probably doesn’t suit everyone. It wouldn’t suit me, and it doesn’t suit Poppy. Actually, perhaps it would suit me? You never know until you try, do you? I never thought I would like dark chocolate, for example. I
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
You mean to tell me you do this every day?” Ansel said, her brows high on her forehead as Celaena brushed rouge onto the girl’s cheeks. “Sometimes twice a day,” Celaena said, and Ansel opened an eye. “Besides being useful for my work, it’s fun.” “Fun?” Ansel opened her other eye. “Smearing all this gunk on your face is fun?” “If you don’t shut up, I’ll draw a moustache on you.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
It must be fun doing all the training, I suppose, and creeping around with no one knowing, but blowing a man’s head off from four feet away probably doesn’t suit everyone. It wouldn’t suit me, and it doesn’t suit Poppy. Actually, perhaps it would suit me? You never know until you try, do you? I never thought I would like dark chocolate, for example.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
She told the audience that they were going to make a fine old chestnut, Baked Alaska. "First you have to have a soft meringue, at just the perfect stage." The camera went in for a close-up of the meringue. "We have six egg whites, superfine sugar, and vanilla, with some cream of tartar to keep them stable. Are they ready, Danny?" "Not quite," he said and ran the machine for a few seconds. "There." He removed the bowl and held it out for Sally to see. "Stiff, but not dry," she said. "But we'd better be sure." And she rested an egg on the whites and told the audience that it should sink in exactly one inch. "Perfect. Let's put the Baked Alaska together." Sally brushed the cake with rum-flavored sugar syrup while Danny explained what it was; then Danny turned the ice cream out on top of the cake and Sally pulled off the plastic wrap. They filled their pastry bags and swirled on the meringue. Sally beamed at Danny and said that everyone should cook with a friend. "It's so much more fun." Danny dusted the cake all over with powdered sugar and then reached under the counter and pulled out a blowtorch. Sally looked at it and said, "Huh," then pulled out a blowtorch twice the size and grinned at Danny. "Yours is kind of small. Can it do the job?" "We'll see," he said and together they torched the dessert.
Nancy Verde Barr (Last Bite)
That sounds more like you, but that’s why I love you. I’m all grimy and covered in cake, I’m going to change really quick.” “Put on a tight shirt.” “Is that how you want to tell them? Just show them?” He smiled and looked back to make sure no one was near us, “Just act like nothing’s different, see how long it takes them. I think it’d be fun Mrs. Taylor, don’t you?” “I have to agree with you Mr. Taylor. I’ll be right back.” Changing into a bright blue racer-back stretchy tank, and a clean pair of jeans, I made my way back to the living room and tried to wipe the smile off my face. “You look amazing Harper.” Brandon pulled me into his arms again and kissed my neck softly. “I’m sorry, I know you get self-conscious, but you pregnant is a breathtaking sight.” I grabbed each side of his face, and pulled him down to me as I stood on my toes, “Thank you.” I kissed him quickly twice, barely pulling away to look in his eyes, “I love you.” “And I love you.
Molly McAdams (Taking Chances (Taking Chances, #1))
LENTILS WITH SAUSAGES { LENTILLES AUX SAUCISSES } My friend Fabienne makes this dish at the drop of a hat, because it’s quick, simple, satisfying, and delicious! Traditional vegetables in a dish like this are carrots, celery, onions, and perhaps fennel, which make it so flavorful. Sometimes it’s fun to go a bit wild, though, as Fabienne says. “I use red bell pepper,” she said. “It gives the dish exciting color and flavor.” Whichever vegetables you use, be sure to dice them so they blend in nicely. This calls for a hearty red, from Cahors. NOTE: You need delicious pork for this recipe. I’ve suggested kielbasa and slab bacon; use pork belly or unsmoked bacon, salt pork that you’ve boiled in fresh water twice first, or fresh pork sausages. 1 tablespoon duck fat or extra-virgin olive oil 2 medium onions, diced 1 small red bell pepper, seeds and pith removed Sea salt and freshly ground black pepper 1 large clove garlic, green germ removed, minced 1 cup (250g) green lentils (ideally lentilles de Puy), picked over for small stones, rinsed 1 bouquet garni 1 (8-ounce; 250g) Morteau or kielbasa, cut into ½-inch (1.2cm) rounds 2 to 3 fresh sausages (about 8 ounces; 250g total), cut into 2-inch (5cm) pieces 6 ounces (180g) lean slab bacon, cut into 1-inch (2.5cm) chunks Fresh flat-leaf parsley, for garnish Grainy mustard, for serving Melt the duck fat in a medium, heavy-bottomed saucepan over medium heat. Add the onions and bell pepper and stir. Season with salt and black pepper and cook until the onions are translucent, stirring frequently so they don’t stick, about 6 minutes. Add the garlic and stir. Add the lentils, stir, and add water to cover them by 1 inch (2.5cm). Add the bouquet garni, pushing it under the water. Raise the heat to medium-high and when the water boils, reduce the heat to medium so it is simmering, partially cover, and cook until the lentils begin to soften, about 15 minutes. Add the meats, pushing them into the lentils, and additional water if necessary to make sure that the lentils are moist. Return the liquid to a boil, then reduce the heat to maintain a simmer and cook, partially covered, until the lentils are “al dente” and not too soft, 15 to 20 minutes more. Remove from the heat and ladle into four shallow soup bowls. Garnish with a generous grind of black pepper and a parsley leaf. Serve immediately with the mustard alongside. SERVES 4
Susan Herrmann Loomis (In a French Kitchen: Tales and Traditions of Everyday Home Cooking in France)
It’s just no for tonight, Tag,” Jesse explained. “That’s no fun. I thought she would pick expellifucktis or something,” Tag replied. “Its expelliarmus,” she corrected. “And actually that is a good one. I really wouldn’t be thinking that in the middle of this and it is a disarming spell that forces your opponent to drop whatever they’re holding, so it works.” Now she sounded like a nerd. “Is this Harry Potter stuff?” Jesse asked. Yep, she was a super nerd. “Yes and I think Ian would make a good Voldemort.
Lexi Blake (You Only Love Twice (Masters and Mercenaries, #8))
Evolved to Run Walking long distances is fundamental to being a hunter-gatherer, but people sometimes have to run. One powerful motivation is to sprint to a tree or some other refuge when being chased by a predator. Although you only have to run faster than the next fellow when a lion chases you, bipedal humans are comparatively slow. The world’s fastest humans can run at 37 kilometers (23 miles) per hour for about ten to twenty seconds, whereas an average lion can run at least twice as fast for approximately four minutes. Like us, early Homo must have been pathetic sprinters whose terrified dashes were too often ineffective. However, there is plentiful evidence that by the time of H. erectus our ancestors had evolved exceptional abilities to run long distances at moderate speeds in hot conditions. The adaptations underlying these abilities helped transform the human body in crucial ways and explain why humans, even amateur athletes, are among the best long-distance runners in the mammalian world. Today, humans run long distances to stay fit, commute, or just have fun, but the struggle to get meat underlies the origins of endurance running. To appreciate this inference, try to imagine what it was like for the first humans to hunt or scavenge 2 million years ago. Most carnivores kill using a combination of speed and strength. Large predators, such as lions and leopards, either chase or pounce on their prey and then dispatch it with lethal force. These dangerous carnivores can run as fast as 70 kilometers (43 miles) per hour, and they have terrifying natural weapons: daggerlike fangs, razor-sharp claws, and heavy paws to help them maim and kill. Hunters
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
Once they were all checked in, LeRoy ushered them back out to the plaza. He clapped twice. “Work begins now!” Unsure, the Juniors clutched their strange glass scythes and stared at one another, then at Uncle Mort. “You heard the man!” he shouted in an uncharacteristically jubilant voice. “Go reap some souls—you know you want to! Group hug!” He gathered them up into a tight, almost crushing embrace. “Not a word out loud about this until I say so,” he hissed. “Or I will Damn you myself.” He let them go and waved. “Have fun, champs!
Gina Damico (Scorch (Croak, #2))
Look them... look this black hoodies... they are having fun... why you don't try also? (Drugs are good for you..) (Can you think!?) - At least blink!
Deyth Banger (Notes Of A Dead Man Sequel (Notes - #2))
From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.
Hank Bracker (The Exciting Story of Cuba: Understanding Cuba's Present by Knowing Its Past)
I don’t like Remy,” I blurt. He looks back quickly. “I mean, I like him. But not like that. Just in case … you thought that. I mean, Aubrey thought that. I don’t know who else was under that … misconception…” He nods. “I’m not with Alice,” he says. “I can see that. Unless she’s gone invisible.” That brings a small smile to his lips. “You know what I mean.” A pause. “We weren’t ever … We just hung out, really. She liked having someone to go with her to the Jade Coast parties and stuff. And I liked…” He looks away. “I didn’t know her before my mom passed away. So. I guess I kind of liked hanging out with someone who wouldn’t … look at me the way everyone else does sometimes.” I nod. And I can’t help it, but it just slips out—“Is that why you hang out with me?” “No,” he says, fast enough to dispel any doubts. “God. No.” “So…” So what is it? If it’s not because of Remy, or Alice, if there’s no barrier, no obstacle, no mistaken anything, why is there still distance between us? But maybe that was never the reason. Maybe he just doesn’t … When he looks at me again, it’s with uncertainty. “I thought maybe you just didn’t … you know.” “Lust after you with the heat of a thousand suns?” “Maybe not a thousand,” he says, eyes shining. “Maybe just one. One really big sun. And maybe not just lust, specifically, but like lust and all the other stuff.” “With, like, the brightness of a star and the speeding intensity of a meteorite and the … diffuse energy … of a gas giant?” “Yes.” It’s not a thunderclap. Or a lightning bolt straight to the chest. It’s not a magnetic pull toward my heart’s true north. It’s just … natural, to step off the porch and step up to him, the painting still between us. It’s a little bit like breathing, like what Remy was saying—something you just do without conscious thought. Something that is because it is; it exists because there’s no other way than it existing. The realization is all at once stunning and at the same time, somehow, not a surprise at all. I must’ve loved him all along. I just didn’t realize it. “I gas-giant the shit out of you, Gabe,” I say, and I kiss him. I kiss him very briefly but with great feeling, and then I pull back a little and look at him, his eyes wide, lips parted, and when he gives me the most radiant smile, I can’t help it—I go back twice as hard, pulling him closer and kissing him like I mean it, because God, do I mean it. And as he threads one hand through my hair and kisses back with just as much feeling, I send a silent thanks up to Frank for not letting me kiss him that night on the porch, because he was right—this is so much better. That kiss would’ve been fun, no doubt. But this is one to cherish. “Really?” Gabe says, when we break apart for a moment. I can’t help but snort. “No, you’re right, I changed my mind.” “Wait, really?” he says, and I take his face between my hands. “I like you,” I say. “I lustful-sun like you, I meteorite like you, you are the fucking pink Starburst to me.” He grins. And kisses me again but then eases up, shifts the painting to one side, wraps an arm around me, and just hugs me, and I think I like that just as much. It’s at the very least an incredibly close second.
Emma Mills (This Adventure Ends)
During the year before Shara and I got married, I managed to persuade the owners of a small island, situated in Poole Harbor, to let me winter house-sit the place in return for free lodging. It was a brilliant deal. Chopping logs, keeping an eye on the place, doing a bit of maintenance, and living like a king on a beautiful twenty-acre island off the south coast of England. Some months earlier, I had been walking along a riverbank outside of London when I had spotted a little putt-putt fishing boat with an old 15 hp engine on the back. She was covered in mold and looked on her last legs, but I noticed her name, painted carefully on the side. She was called Shara. What were the chances of that? I bought her on the spot, with what was pretty well my last £800. Shara became my pride and joy. And I was the only person who could get the temperamental engine to start! I used the boat, though, primarily, as my way of going backward and forward to the small island. I had done some properly dicey crossings in Shara during the middle of that winter. Often done late at night, after an evening out, the three-mile crossing back to the island could be treacherous in bad weather. Freezing waves would crash over the bows, threatening to swamp the boat, and the old engine would often start cutting in and out. I had no nav-lights, no waterproofs, no life jacket, and no radio. And that meant no backup plan--which is bad. Totally irresponsible. But totally fun. I held my stag weekend over there with my best buddies--Ed, Mick, Neil, Charlie, Nige (one of Shara’s uni friends who has become such a brilliant buddy), Trucker, Watty, Stan, and Hugo--and it was a wild one. Charlie ended up naked on a post in the middle of the harbor, we got rescued twice having broken down trying to water-ski behind the underpowered Shara, and we had a huge bonfire while playing touch-rugby by firelight. Perfect.
Bear Grylls (Mud, Sweat and Tears)
For us on the East Coast of the United States the systematic change in the calendar begins on December 31, 2017. It starts in the South Pacific nation of Samoa, which is always the first country to welcome in the New Year. Just 101 miles to the east is American Samoa, which will have to wait for an entire day to pass, before they can celebrate the New Year in…. Around the globe there are 39 different local time zones, which cause this phenomenon to take place over a period of 26 hours, before everyone on Earth enters the New Year. The year of 2018 is first celebrated at 5 a.m. on December 31, 2017, in Samoa and on Christmas Island in Kiribati. I have actually been on that small island, located in the figurative center of the largest ocean in the world. Only fifteen minutes later, the New Year arrives on Chatham Island in New Zealand. It isn’t until 8 a.m. that larger land masses are affected and then by 9 a.m., much of Australia and parts of Russia can ring in the New Year. In rapid succession North & South Korea, China and the Philippines fall to the moving clock. By noon Indonesia, Thailand and 10 more countries enter into the New Year. Having been in Malaysia and Thailand, I personally know what it’s like, hanging from your heels, on the opposite side of the Earth from where we are now. The ever moving midnight hour visits our troops in Afghanistan, at 2:30 p.m. and washes over Europe, starting at 4 p.m. It continues to flow over the continent until leaving the United Kingdom three hours later. Entering the Atlantic Ocean it does not reappear in America, until it reaches parts of Brazil at 9 p.m. Midnight finally comes to us on the east coast of North America where we celebrate the New Year with more gusto than anywhere else on Earth. In the United States and Canada we celebrate for three hours, before handing the baton over to Alaska, Hawaii and the United States owned Pacific Islands. By 7 a.m. the last of the American Islands in the Pacific Ocean can finally herald in 1918. I have heard it said that if you had the resources and time, you could fly from Sydney to Honolulu and celebrate the New Year twice. I can imagine that this little bit of fun could be quite expensive!
Hank Bracker
you understand the purpose of a personal mission statement. It is the picture of where you want to end up—that is, your destination is the values you want to live your life by. Even if you are off course much or most of the time but still hang on to your sense of hope and your vision, you will eventually arrive at your destination. You will arrive at your destination and usually on time. That’s the whole point—we just get back on course. This idea—this principle—of beginning with the end in mind is based upon the concept that all things are created twice: first in the mind, as a thought or intellectual creation; and second in reality as a physical creation. The mental creation, the flight plan, brings forth the hope in the flight. Norman Cousins taught, “The capacity for hope is the most significant fact of life. It gives human beings a sense of destination and the energy to get started.” At the beginning of this process you will find enormous hope and encouragement as well as fun and happiness in developing a mission statement. It’s truly an enjoyable process. It’s also a leadership process. But here’s something to think about carefully.
Stephen R. Covey (How to Develop Your Personal Mission Statement)
What a great month, little one. We are having so much fun together, going on walks and reading books and watching Pyramid twice a day. Just when I think my love for you couldn’t be any bigger, I wake up and discover that I love you even more, and I worry that my body isn’t big enough to hold this much love. I worry that my insides may explode because there isn’t any more room. I am drunk on my love for you, a sloppy drunk who can’t see straight or speak in coherent sentences, a drunk who giggles every time you fart. And it’s just so awesome that you’re old enough now that you can giggle with me.
Heather B. Armstrong (It Sucked and Then I Cried: How I Had a Baby, a Breakdown, and a Much Needed Margarita)
Now, I always enjoyed sketching out new guns for my women, but I’d never had to do it from behind one of them before, and this new approach made it almost impossible to focus on the finer details. It also made it twice as fun, though, and as I tried to keep my hand steady, I kind of wished my middle school teachers could see me now. Then I could prove once and for all that drawing guns instead of working on algebra could absolutely pay off in the long run.
Eric Vall (Metal Mage 12 (Metal Mage, #12))
He's one of those pathetic losers I taunt for fun when I'm bored. One day, I woke up on his shoulder, being carried away from self-destruction. I whispered three words in his ear, he didn't respond so I called out his name and told him I loved him twice.
Et Imperatrix Noctem
Dave and the others walked around the building. The building was surrounded by clumps of bushes and vines grew up its walls, but it looked like it had once had a lovely garden. When they reached the other side of the building, they saw a minecart track. It led from inside the building and then went off across the savanna, disappearing into the distance. The track seemed to lead right up to the huge white walls. The minecart track was twice as wide as they usually were. Suddenly an old music box embedded into one of the walls crackled into life, almost making Dave jump out of his skin. “Welcome to Redstone Land Station!” said a recorded voice. “You’re about to have the most fantastic vacation of your life, enjoying all the fun rides and experiences that our theme park has to offer. Ride on a rollercoaster! Stay at our luxury hotels! Chill out by our swimming pools! Or, if you’re feeling adventurous, why not join one of our tour groups and take a two-day horse ride to Bedrock City? This mysterious city has been abandoned for centuries. What kind of people used to live there? Nobody knows! But what we do know is that our Bedrock City tours are a fantastic deal — only forty emeralds per person, and kids get to go free! And if you’re feeling even more adventurous, you can take one of our tours to the Far Lands. Yes, beyond Bedrock City is one of the four edges of the world, a mysterious place where anything can happen! But I’m getting ahead of myself. For now, jump on the train and enjoy the leisurely ride to Redstone Land. The buffet carriage is at the back and is stocked with delicious food and drink! Terms and conditions apply. Redstone Land is not responsible for any injuries or loss of life experienced during one of our Bedrock City or Far Lands tours.” “Okay, that was weird,” said Carl. Suddenly the old music box spluttered into life once more and began to play the same message: “Welcome to Redstone Land Station! You’re about to have the most fantastic — “ WHAM! Carl slammed one of his golem fists into the music box, making it go POOF. A record fell out, and Carl picked it up and flung it across the savanna.
Dave Villager (Dave the Villager 36: Unofficial Minecraft Books (The Legend of Dave the Villager))
It was quite common for households in towns like mine to have BB rifles, commonly called slug guns. These were air rifles that shot very tiny soft lead pellets called slugs. They weren’t that lethal unless you shot at very close range, but they could blind you if you got shot in the eye. Most teenagers had them to control pests like rats, or to stun rabbits. However, most kids used them to shoot empty beer cans lined up on the back fence, practising their aim for the day they were old enough to purchase a serious firearm. Fortunately, a law banning guns was introduced in Australia in 1996 after thirty-five innocent people were shot with a semi-automatic weapon in a mass shooting in Tasmania. The crazy shooter must have had a slug gun when he was a teenager. But this was pre-1996. And my brothers, of course, loved shooting. My cousin Billy, who was sixteen years old at the time – twice my age – came to visit one Christmas holiday from Adelaide. He loved coming to the outback and getting feral with the rest of us. He also enjoyed hitting those empty beer cans with the slug gun. Billy wasn’t the best shooter. His hand-eye coordination was poor, and I was always convinced he needed to wear glasses. Most of the slugs he shot either hit the fence or went off into the universe somewhere. The small size of the beer cans frustrated him, so he was on the lookout for a bigger target. Sure enough, my brothers quickly pushed me forward and shouted, ‘Here, shoot Betty!’ Billy laughed, but loved the idea. ‘Brett, stand back a bit and spread your legs. I’ll shoot between them just for fun.’ Basically, he saw me as an easy target, and I wasn’t going to argue with a teenager who had a weapon in his hand. I naively thought it could be a fun game with my siblings and cousin; perhaps we could take turns. So, like a magician’s assistant, I complied and spread my skinny young legs as far apart as an eight-year-old could, fully confident he would hit the dust between them . . . Nope. He didn’t. He shot my leg, and it wasn’t fun. Birds burst out of all the surrounding trees – not from the sound of the gunshot, but from my piercing shriek of pain. While I rolled around on the ground, screaming in agony, clutching my bleeding shin, my brothers were screaming with laughter. I even heard one of them shout, ‘Shoot him while he’s down!’ Who needs enemies when you have that kind of brotherly love? No one rushed to help; they simply moved to the back fence to line up the cans for another round. I crawled inside the house with blood dripping down my leg, seeking Mum, the nurse, to patch me up. To this day, I have a scar on my leg as a souvenir from that incident . . . and I still think Billy needed glasses. I also still get very anxious when anyone asks me to spread my legs.
Brett Preiss (The (un)Lucky Sperm: Tales of My Bizarre Childhood - A Funny Memoir)
He began to talk a lot of incomprehensible and dangerous nonsense. Lenina did her best to stop the ears of her mind; but every now and then a phrase would insist on becoming audible. "… to try the effect of arresting my impulses," she heard him say. The words seemed to touch a spring in her mind. "Never put off till to-morrow the fun you can have to-day," she said gravely. "Two hundred repetitions, twice a week from fourteen to sixteen and a half," was all his comment. The mad bad talk rambled on. "I want to know what passion is," she heard him saying. "I want to feel something strongly." / Bernard empezó a soltar una serie de tonterías incomprensibles y peligrosas. Lenina hizo todo lo posible por cerrar los oídos de su mente; pero de vez en cuando una que otra frase se empeñaba en hacerse oír: ... probar el efecto que produce detener los propios impulsos, le oyó decir. Fue como si aquellas palabras tocaran un resorte de su mente. —No dejes para mañana la diversión que puedes tener hoy —dijo Lenina gravemente. —Doscientas repeticiones, dos veces por semana, desde los catorce años hasta los dieciséis y medio —se limitó a comentar Bernard. Su alocada charla prosiguió—. Quiero saber lo que es la pasión —oyó Lenina, de sus labios—. Quiero sentir algo con fuerza.
Aldous Huxley (Brave New World)
I’ve never been out partying in the countryside before, but this dilemma is bringing home to me the brutal reality that cars are few, as are designated drivers. Everyone needs to travel as a group. If Kendra goes back to the villa, we’ll all have to go. The momentum will be lost. And the evening will end here. Which means I’ll barely have spent any time with Luca. “Oh no, Kendra, do come!” I hear myself say, loudly and enthusiastically. I give a little jerk of my head over to Elisa. “We’ll have so much fun out with the boys…come on, there’s one for each of us!” Luca’s eyebrows rise again, his lips quirk in amusement, and I realize that he understands English very well; I’m mortified. Now he’ll think I’m a total party girl. But quick-witted Kendra catches on immediately; she flicks her eyes sideways, taking in Elisa, who now has her hands on her hips, frowning as she watches us. Elisa says something to Ilaria, and they start to walk toward our group: that’s enough to make Kendra’s decision for her. “Sure, okay, I’m in!” she says, jumping up with an athlete’s speed, and taking Andrea’s proffered arm. “Let’s get going!” The boys don’t need telling twice; they shoot us off, probably afraid Kendra will change her mind again.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
Another one is gift-giving (which is classic for making friends with your neighbors and coworkers). Imagine your neighbor–who you’ve seen once or twice–were to ring your doorbell and surprise you with a homemade apple pie, and introduce himself and his family to you and your family. Imagine how good that would feel to actually know your neighbors and become friends. Too often in our generation, it seems like people get too busy to introduce themselves to the people who should be on the top of the priority list of “people to meet”–the neighbors!
Matt Morris (Do Talk To Strangers: A Creative, Sexy, and Fun Way To Have Emotionally Stimulating Conversations With Anyone)
I try to go through life doing the least damage possible. Having fun without hurting anyone, maybe doing a little good along the way, but without taking myself too seriously.
Paul Levine (Fool Me Twice (Jake Lassiter #6))
Despite what those on the happily coupled sidelines might think, 99 percent of online dates weren't exciting enough to be fun or nerve-racking enough to be adventurous. They were just...awkward. Boring. An hour of small talk with someone you'd think twice about saving from a burning building. Online dating was like Russian roulette. Mostly misses. But sometimes, people Evie knew had met that all-too-rare bullet: a smart, aesthetically pleasing New Yorker who was still single. Maybe tonight, Evie thought, is the night I blow my brains out.
Georgia Clark (The Regulars)
Musically, it’s like all the most upbeat, cheerful parts of Smile without even a hint of the darker side – a cascade of different variations on the same basic ideas, with Swanee whistles, popping sound effects and car horns. Astonishingly, this is the shortest song on the album by a good half a minute, but it has more musical ideas than many other tracks on the record have in nearly twice its length. It’s good-natured, fun, and quite, quite beautiful.
Andrew Hickey (The Beach Boys on CD Volume 3 - 1985-2015)
I fucked her, but the fun is over now. She is gorgeous as fuck with unbelievable tits and ass, but I don’t dip my dick into the same pussy twice
V.F. Mason (Psychopath's Prey)
Chappell had brought a Mrs. Frazer to the island. She used an unorthodox divining method, much like water-witching, to detect metals under the surface. She found indications that copper, gold, and silver lay everywhere underground. Dad’s goodwill evaporated when she insisted that she needed to work at the Money Pit. It is clear, from a description of Mrs. Frazer in Dad’s letter to Fred Sparham, dated May 20, that Dad did not believe in the woman’s methods: Chappell brought a woman over who had a secret sort of metal finder. She has been back twice since. Mildred calls her Witch Hazel, and it’s more fun that a barrel of Monkeys. She runs around dangling a piece of plastic hose (clear) with a piece of metal in it that looks like a steel and brass plum bob. She has the whole lot hanging from a chain. She also has a gadget she takes out of a bag that looks like a pair of horns. Then she puts these horns against her forehead and goes around like a Moose. You just can’t believe it at all.
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
Someone: Well, Scientifically, we think faster than we speak... Me: Yup! So that so we can think twice before we even speak.
Mohammed Israil