Twentieth Century 1934 Quotes

NUREMBERG, September 5 I’m beginning to comprehend, I think, some of the reasons for Hitler’s astounding success. Borrowing a chapter from the Roman church, he is restoring pageantry and colour and mysticism to the drab lives of twentieth-century Germans.

In a way, Schoenberg's journey resembles that of Theodor Herzi, the progenitor of political Zionism, whose early attacks on self-satisfied assimilated urban Jews could be mistaken for anti-Semitic diatribes. The scholar Alexander Ringer has argued that Schoenberg's atonality may have been an oblique affirmation of his Jewishness. In this reading, it is a kind of musical Zion, a promised land in whose dusty desert climate the Jewish composer could escape the ill-concealed hatred of bourgeois Europe. Schoenberg would prove uncannily alert to the murderousness of Nazi antisemitism. In 1934, he predicted that Hitler was planning "no more and no less than the extermination of all Jews!" Such thoughts were presumably not on his mind circa 1907 and 1908, yet to be Jewish in Vienna was to live under a vague but growing threat. Antisemitism was shifting from a religious to a racial basis, meaning that a conversion to Catholicism or Protestantism no longer sufficed to solve one's Jewish problem. Rights and freedoms were being picked off one by one. Jews were expelled from student societies, boycotts instituted. There were beatings in the streets. Rabble-rousers spouted messages of hate. Hitler himself was somewhere in the background, trying to make his way as an artist, building a cathedral of resentment in his mind. As the historian Steven Beller writes, Jews were "at the center of culture but the edge of society." Mahler ruled musical Vienna; at the same time, Jewish men never felt safe walking the streets at night. All told, a Freudian host of urges, emotions, and ideas circled Schoenberg as he put his fateful chords on paper. He endured violent disorder in his private life; he felt ostracized by a museum-like concert culture; he experienced the alienation of being a Jew in Vienna; he sensed a historical tendency from consonance to dissonance; he felt disgust for a tonal system grown sickly. But the very multiplicity of possible explanations points up something that cannot be explained. There was no "necessity" driving atonality; no irreversible current of history made it happen. It was one man's leap into the unknown. It became a movement when two equally gifted composers jumped in behind him.

While marriage rates for middle-class white women soared through the 1940s and 1950s, for black women, mid-twentieth century conditions were very different. Since emancipation, black women had married earlier and more often than their white counterparts. In the years directly after World War II, thanks to the return of soldiers, black marriage rates briefly increased further.66 However, as white women kept marrying in bigger numbers and at younger ages throughout the 1950s, black marriage rates began to decrease, and the age of first marriage to climb.67 By 1970, there had been a sharp reversal: Black women were not marrying nearly as often or as early as their white counterparts. It was nothing as benign as coincidence. While one of the bedrocks of the expansion of the middle class was the aggressive reassignment of white women to domestic roles within the idealized nuclear family, another was the exclusion of African-Americans from the opportunities and communities that permitted those nuclear families to flourish. Put more plainly, the economic benefits extended to the white middle class, both during the New Deal and in the post-World War II years, did not extend to African-Americans. Social Security, created in 1935, did not apply to either domestic laborers or agricultural workers, who tended to be African-Americans, or Asian or Mexican immigrants. Discriminatory hiring practices, the low percentages of black workers in the country’s newly strengthened labor unions, and the persistent (if slightly narrowed68) racial wage gap, along with questionable practices by the Veterans Administration, and the reality that many colleges barred the admission of black students, also meant that returning black servicemen had a far harder time taking advantage of the GI Bill’s promise of college education.69 Then there was housing. The suburbs that bloomed around American cities after the war, images of which are still summoned as symbols of midcentury familial prosperity, were built for white families. In William Levitt’s four enormous “Levittowns,” suburban developments which, thanks to government guarantees from the VA and the Federal Housing Association, provided low-cost housing to qualified veterans, there was not one black resident.70 Between 1934 and 1962, the government subsidized $120 billion in new housing; 98 percent of it for white families.

There has been much controversy about the numbers of those imprisoned and killed at various times in the Stalin years, but the opening of the archives has led to some convergence towards a middle (but still horrific) figure, some millions fewer than the earlier highest estimates and some millions more than the estimates of those who downplayed the scale of Stalin’s terror. Ronald Suny, the editor of a recent major volume on twentieth-century Russian history, suggests that the ‘total number of lives destroyed by the Stalinist regime in the 1930s is closer to 10–11 million than the 20–30 million estimated earlier’.68 Anne Applebaum, the author of a detailed study of political prisoners in the Soviet Union, arrives at a figure of 28.7 million forced labourers over the whole Soviet period. She includes in that number the ‘special exiles’, such as ‘kulaks’ and particular nationalities, among them the Tatars and Volga Germans, who were deported during World War Two. Applebaum notes that a figure of around 786,000 political executions between 1934 and 1953 is now quite widely accepted, although her own view is that the true figure is probably significantly higher than that number.69 The Russian non-governmental organization Memorial, dedicated to investigating the cases of repression in the Soviet period, more recently came up with the figure of 1.7 million people arrested in 1937–38 alone, of whom, they say, at least 818,000 were shot.70

the sign of Capricorn, the Goat (a sign in which she is at home) we can imagine her as being on a great height, her gaze extending all around her. It is hindsight, insight, and foresight that belong to her—these three together are Wisdom. On the other hand, Mars has everything to do with speaking and listening, with the bringing into manifestation of Truth via the Word. Both Saturn and Mars, however, have to do with morality and conscience. When they join together in Capricorn, they seem to announce the time of a new infusion of Truth and Wisdom from beyond the stream of time, into this stream of time. For example, over the course of the twentieth century Mars and Saturn were conjunct in Capricorn at the turn of 1903–04, when Rudolf Steiner first began to publish his spiritual scientific discoveries; between 1932 and 1934, when Valentin Tomberg began to publish his Anthroposophic meditations on the Bible; in 1962, when the Anonymous author was hard at work on the 22 Letter Meditations on the Major Arcana of the Tarot of Marseilles; and in 1992, the year that the inspiration to establish the Sophia Foundation first came into being. What might this year’s meeting of Mars and Saturn in Capricorn be heralding? “Change your thinking, for the time is at hand!

Musil actually read the Logical Syntax and considered proposing it (somewhat ironically) as the ‘best new book of the year’ of 1934 in response to a query from a literary magazine.

I’m beginning to comprehend, I think, some of the reasons for Hitler’s astounding success. Borrowing a chapter from the Roman church, he is restoring pageantry and colour and mysticism to the drab lives of twentieth-century Germans.