“
Every time she tried to branch out to new projects, they kept insisting that Asian was her brand, was what her audience expected. They never let her talk about anything other than being an immigrant, other than the fact that half her family died in Cambodia, that her dad killed himself on the twentieth anniversary of Tiananmen. Racial trauma sells, right? They treated her like a museum
”
”
R.F. Kuang (Yellowface)
“
We can gain a lot more striving for harmonious coexistence than we can by giving in to hate-filled rage and fear-driven ignorance.
”
”
Aberjhani (Splendid Literarium: A Treasury of Stories, Aphorisms, Poems, and Essays)
“
How about it, Skywalker? Will you still fight for me after we've been married for twenty-odd years?"
"What do you mean by 'still'? You do your own fighting. If I forget that, I'm not likely to survive until our twentieth anniversary."
Mara & Luke
”
”
Elaine Cunningham (Dark Journey (Star Wars: The New Jedi Order, #10))
“
Don’t look for perfect endings, but allow not knowing to lead you to a deeper appreciation of life, so that you get your joy back on the way to an outcome that remains to be revealed.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
What we put into every moment is all we have.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
comedy was about what was wrong with the world—people laughed because something was too big, or too small, or too much, or not enough. Quirks and exaggerations were the essence of parody. Irony and discomfort the grist for humor.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
Now I’ve learned, the hard way, that some poems don’t rhyme, and some stories don’t have a clear beginning, middle and end. Like my life, this book has ambiguity. Like my life, this book is about not knowing, having to change, taking the moment and making the best of it, without knowing what’s going to happen next. Delicious ambiguity, as Joanna said.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
If one defines “big” as “weighing over 100 pounds,” then only 14 such species were domesticated before the twentieth century
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
Gilda’s book ends with her acceptance of what I had called, in working with her, “delicious ambiguity,” the freedom that comes with simply not knowing the outcome of every happening or happenstance.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
In ten days and 1,600 sorties the Twentieth Air Force burned out 32 square miles of the centers of Japan’s four largest cities and killed at least 150,000 people and almost certainly tens of thousands more.
”
”
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
“
Speaking to a gathering of prominent black writers and thinkers on the twentieth anniversary of the Emancipation Proclamation in 1883, Frederick Douglass, the aging black leader of pre-Civil War years, lamented that despite the bloody sacrifice of black soldiers in the fight for liberation, "in all relations of life and death, we are met by the color line. It hunts us at midnight …denies us accommodation …excludes our children from schools …compels us to pursue only such labor as will bring us the least reward."12
”
”
Douglas A. Blackmon (Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II)
“
Out of the prospering but vulnerable Hungarian Jewish middle class came no fewer than seven of the twentieth century’s most exceptional scientists: in order of birth, Theodor von Kármán, George de Hevesy, Michael Polanyi, Leo Szilard, Eugene Wigner, John von Neumann and Edward Teller.
”
”
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
“
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
”
”
Paul Kalanithi (When Breath Becomes Air)
“
When asked about her involvements, Joni most often refers to her work at JAF Ministries, including Wheels for the World—a program through which used wheelchairs are collected, refurbished, and hand-delivered, along with Bibles, to needy disabled people in developing nations. Chuck Colson has stated, “My friend Joni Eareckson Tada is one of God’s choice servants of today.” Philip Yancey has added, “Through her public example, Joni has done more to straighten out warped views of suffering than all the theologians put together. Her life is a triumph of healing—a healing of the spirit, the most difficult kind.” You can read more about this remarkable woman in the twentieth-anniversary edition of her autobiography, titled Joni, published by Zondervan.
”
”
Joni Eareckson Tada (More Precious Than Silver: 366 Daily Devotional Readings)
“
I had been pregnant in the sixties, and at nineteen years old had had an illegal abortion that probably influenced the messy state of my reproductive organs. For the next nineteen years my priority was to finish my education and pursue my career. Now I couldn’t take my fate: You’ll never have a baby. That was the sentence handed to me. I began to beat my fists against a door that maybe I had locked on the other side.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
He and Powell would be celebrating their twentieth wedding anniversary a few days later, and he admitted that at times he had not been as appreciative of her as she deserved. “I’m very lucky, because you just don’t know what you’re getting into when you get married,” he said. “You have an intuitive feeling about things. I couldn’t have done better, because not only is Laurene smart and beautiful, she’s turned out to be a really good person.” For a moment he teared up. He talked about his other girlfriends, particularly Tina Redse, but said he ended up in the right place. He also reflected on how selfish and demanding he could be. “Laurene had to deal with that, and also with me being sick,” he said. “I know that living with me is not a bowl of cherries.”
Among his selfish traits was that he tended not to remember anniversaries or birthdays. But in this case, he decided to plan a surprise. They had gotten married at the Ahwahnee Hotel in Yosemite, and he decided to take Powell back there on their anniversary. But when Jobs called, the place was fully booked. So he had the hotel approach the people who had reserved the suite where he and Powell had stayed and ask if they would relinquish it. “I offered to pay for another weekend,” Jobs recalled, “and the man was very nice and said, ‘Twenty years, please take it, it’s yours.’”
He found the photographs of the wedding, taken by a friend, and had large prints made on thick paper boards and placed in an elegant box. Scrolling through his iPhone, he found the note that he had composed to be included in the box and read it aloud:
"We didn’t know much about each other twenty years ago. We were guided by our intuition; you swept me off my feet. It was snowing when we got married at the Ahwahnee. Years passed, kids came, good times, hard times, but never bad times. Our love and respect has endured and grown. We’ve been through so much together and here we are right back where we started 20 years ago—older, wiser—with wrinkles on our faces and hearts. We now know many of life’s joys, sufferings, secrets and wonders and we’re still here together. My feet have never returned to the ground."
By the end of the recitation he was crying uncontrollably. When he composed himself, he noted that he had also made a set of the pictures for each of his kids. “I thought they might like to see that I was young once.
”
”
Walter Isaacson (Steve Jobs)
“
It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
two days of pay on the first-year anniversary grew to four weeks of pay by the tenth-year anniversary. Additionally, five-year employment anniversaries were celebrated with a cake, ten years with a monogrammed silver platter with the name Pepperidge Farm and the date inscribed on the bottom, and fifteen years with a monogrammed
”
”
Edith Sparks (Boss Lady: How Three Women Entrepreneurs Built Successful Big Businesses in the Mid-Twentieth Century (The Luther H. Hodges Jr. and Luther H. Hodges Sr. ... Entrepreneurship, and Public Policy))
“
Man-made death became epidemic in the twentieth century because increasingly efficient killing technologies made the extreme exercise of national sovereignty pathological.
”
”
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
“
The news never meant anything to us on “SNL” because we always looked at it just to see how to satirize it. Nothing in our personal lives was sacred. We used all of it for material on the show. The most important thing was those ninety minutes live on Saturday night. So what if your whole world was falling apart as long as you could find a joke in it and make up a scene. Millions of Americans saw what we did, and it was a charmed time. We thought we were immortal, at least for five years. But that doesn’t exist anymore. Now real stuff happens.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
Force is the right word to use for Belushi. Everything he did was suicidal—the way he ate, the way he drank, even the way he walked and moved. He would throw himself up in the air and splash down on the ground. His characters were suicidal. He was the master of kamikaze comedy. When he died, it didn’t seem so strange. But I knew I didn’t want to be the second one to go.
”
”
Gilda Radner (It's Always Something: Twentieth Anniversary Edition)
“
In Berlin his son-in-law arranged to have his furniture packed. The French obligingly transported his personal papers to Paris by diplomatic pouch. At the end of March 1933 the most original physicist of the twentieth century once again renounced his German citizenship.
”
”
Richard Rhodes (The Making of the Atomic Bomb: 25th Anniversary Edition)
“
They say that those who do not learn from history are doomed to repeat it. Since Americans spent centuries failing to learn from history, we get to repeat it all at once. The year is 2021 and we are living through simultaneous revivals of the worst of the American past: the Civil War, the Spanish Flu, the white mob violence of the 1919 Red Summer, the extreme wealth disparity of the Gilded Age, the fascist movements of the 1930s and 1940s, the Jim Crow era of voter suppression, the riots of the 1960s, the corruption of Watergate, the cover-ups of Iran-Contra. In August 2021, Hurricane Ida made landfall in Louisiana on the anniversary of Hurricane Katrina. One month before the twentieth anniversary of 9/11, the Taliban retook Afghanistan dressed in US military uniforms abandoned in the hasty retreat from the quagmire war. It’s like America is on its deathbed, watching its life flash before its eyes.
”
”
Sarah Kendzior (They Knew: How a Culture of Conspiracy Keeps America Complacent)
“
When the Berlin Wall came down in 1989, the world rejoiced. In celebrating the twentieth anniversary of its fall, I reflected on the kind of conviction, the kind of voice, required to break down walls—be they miles of concrete in a former Communist region or invisible but no-less-apparent barricades in an office setting, or in our community or home. Would the Berlin Wall have fallen without President Reagan’s 1987 speech challenging Mikhail Gorbachev to “tear down this wall”? Probably, but not as quickly. Yet according to The Wall Street Journal, officials in the State Department, the National Security Council, and the White House all pushed Reagan to deep-six his “tear down this wall” rhetoric. They warned that Reagan’s “sock-it-to-’em” line would incense Gorbachev and fray relations. Reagan left the line in. The wall came tumbling down.
”
”
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
“
For example, he suggested that every leader should be required to take a course called “As Life Happens,” to learn how to sensitively manage an employee whose personal life might be interfering with their work obligations. Niekerk recalled that colleagues who read his paper said that it was among the best analyses they had seen of the cultural challenges that were so obviously plaguing the company at its twentieth anniversary.
”
”
Brad Stone (Amazon Unbound)
“
Most of us, if we’re honest about it, want to be adored and held dear in our love life. We want to reach that twentieth, or thirty-second, or forty-fifth wedding anniversary and be able to say, “She’s the love of my life, and I can’t possibly imagine a day without her,” or “He’s the very best person I know, and I am so lucky to be in love with him.” We want intimacy, we want sweetness and joy, and we want a grace-filled experience of love. But look around. Who has taught us to love well? Who has given us the skills we need to help make our genuine commitment translate itself into a daily loving practice? For many of us, the answer is: no one. No one has taught us how to do this, so we must teach ourselves.
”
”
JoAnneh Nagler (Naked Marriage: How to Have a Lifetime of Love, Sex, Joy, and Happiness)
“
the B sample was positive fell on the twentieth anniversary of Perón’s death. They were two figures in whom many Argentinians continued to believe, excusing their faults long after their powers had waned.
”
”
Jonathan Wilson (Angels With Dirty Faces: The Footballing History of Argentina)
“
Most of us, if we’re honest about it, want to be adored and held dear in our love life. We want to reach that twentieth, or thirty-second, or forty-fifth wedding anniversary and be able to say, “She’s the love of my life, and I can’t possibly imagine a day without her,” or “He’s the very best person I know, and I am so lucky to be in love with him.” We want intimacy, we want sweetness and joy, and we want a grace-filled experience of love. But look around. Who has taught us to love well? Who has given us the skills we need to help make our genuine commitment translate itself into a daily loving practice? For many of us, the answer is: no one. No one has taught us how to do this, so we must teach ourselves.
”
”
Ashley Willis (The Naked Marriage: Undressing the truth about sex, intimacy and lifelong love)