Twelve Win Quotes

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The Prince of Arrow has a much bigger army than you," Miana said. No "Your Highness" no "My Lord." "Yes, he does." I kept waving to the crowd, the big smile on my face. "He's going to win, isn't he?" she said. She looked twelve but she didn't sound twelve. "How old are you?" I asked, a quick glance down at her, still waving. "Twelve." Damn.
Mark Lawrence (King of Thorns (Broken Empire, #2))
School is a twelve-year jail sentence where bad habits are the only curriculum truly learned. I teach school and win awards doing it. I should know.
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
Twelve-year-olds are eager to turn everything into arguments but don't have the cognitive skills to win them.
Linda Perlstein
The rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Yes, yes, I know what you’re thinking! ‘It’s all right for him, he’s an internationally famous wizard already!’ But when I was twelve, I was just as much of a nobody as you are now. In fact, I’d say I was even more of a nobody! I mean, a few people have heard of you, haven’t they? All that business with He-Who-Must-Not-Be-Named!” He glanced at the lightning scar on Harry’s forehead. “I know, I know — it’s not quite as good as winning Witch Weekly’s Most-Charming-Smile Award five times in a row, as I have — but it’s a start, Harry, it’s a start.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Below is a conversation between Jorg and his new bride. "The Prince of Arrow has a much bigger army than you," Miana said. No "Your Highness" no "My Lord." "Yes, he does." I kept waving to the crowd, the big smile on my face. "He's going to win, isn't he?" she said. She looked twelve but she didn't sound twelve. "How old are you?" I asked, a quick glance down at her, still waving. "Twelve." Damn.
Mark Lawrence (King of Thorns (Broken Empire, #2))
twelve
Jeffrey Archer (Heads You Win)
I will assign this contest to the suitors. Whoever strings his bow most readily, and shoots through all twelve axes, will win me, and I will follow him.
Homer (The Odyssey)
Marriage is one of our most defining moments because so much is wrapped up in it. If building a career is like spending twelve hours at the blackjack table—seeing the cards as you make your decisions, playing each hand with current winnings in mind, having a new opportunity to take a chance or play it safe with every card dealt—then choosing a mate is like walking over to the roulette wheel and putting all your chips on red 32.
Meg Jay (The Defining Decade: Why Your Twenties Matter - And How to Make the Most of Them Now)
You risked your life for me." He took my shoulders into his hands. "When are you going to learn, Dutch: No one matters but you and the baby. You keep risking your life--" He threw one hand out to indicate our surroundings. "--on things that are not the least bit important." He stepped even closer. "On people who committed suicide and crazy chicks in cemeteries and--" He stopped and dropped a heated gaze on me. His voice cracked when he said in a hushed tone, "I can't lose you." "And I can lose you?" I asked, almost screaming at him. He lowered his head and pinched the bridge of his nose with his thumb and index finger. Then he admitted what was probably his greatest fear. "I don't know how to win. I don't have the faintest idea of how to kill the Twelve. And when I saw your name on that wall." His breath hitched in his chest. Then he focused his coffee-colored gaze on me. "If you die," he said with a savage vehemence in his voice, "I will go straight to hell and kill every demon there. Or I'll perish in the attempt.
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
Diesel was smiling at Grandma. “You blew through almost two hundred thousand and you were playing dollar slots? That’s impressive.” “Especially since some of that time I was winning,” Grandma said. “Twelve dollars?” “Yep. I was on a roll.
Janet Evanovich (Plum Lucky)
Other possible means were not lacking on God’s part.” One drop of blood—from Christ’s circumcision at the age of eight days—would have been sufficient to purchase all mankind’s salvation. Why then did He give us twelve quarts instead of one drop? The simple and stunning answer, from Monica Miller’s book on the movie “The Passion of the Christ”, is: Because He had twelve quarts to give. The strategy of war and of games is to win with the minimum possible expense and sacrifice. Love does not seek the minimum but the maximum.
Peter Kreeft (Practical Theology: Spiritual Direction from Saint Thomas Aquinas)
When religion does not move people to the mystical or non-dual level of consciousness9 it is more a part of the problem than any solution whatsoever. It solidifies angers, creates enemies, and is almost always exclusionary of the most recent definition of “sinner.” At this level, it is largely incapable of its supreme task of healing, reconciling, forgiving, and peacemaking. When religion does not give people an inner life or a real prayer life, it is missing its primary vocation. Let me sum up, then, the foundational ways that I believe Jesus and the Twelve Steps of A.A. are saying the same thing but with different vocabulary:   We suffer to get well. We surrender to win. We die to live. We give it away to keep it.   This counterintuitive wisdom will forever be resisted as true, denied, and avoided, until it is forced upon us—by some reality over which we are powerless—and if we are honest, we are all powerless in the presence of full Reality.
Richard Rohr (Breathing Underwater)
We play in twelve rounds. The present against me. I lost the previous eleven. Defeat after defeat. And now I am waiting for the last round. The key round. The fact that I did not fall so far gives me more strength. It’s only now that I hope to win, by knock-out, because the fate is too tired from punches that it will eventually fall by itself. And maybe it will fall on knees when it realizes that I am not going to fall.
Slaviša Pavlović
Stripped to its essence, combat is a series of quick decisions and rather precise actions carried out in concert with ten or twelve other men. In that sense it’s much more like football than, say, like a gang fight. The unit that choreographs their actions best usually wins. They might take casualties, but they win. That choreography—you lay down fire while I run forward, then I cover you while you move your team up—is so powerful that it can overcome enormous tactical deficits. There is choreography for storming Omaha Beach, for taking out a pillbox bunker, and for surviving an L-shaped ambush at night on the Gatigal. The choreography always requires that each man make decisions based not on what’s best for him, but on what’s best for the group. If everyone does that, most of the group survives. If no one does, most of the group dies. That, in essence, is combat.
Sebastian Junger (War)
Americans have seen fit to elect twelve generals to the U.S. presidency, but even before there was a United States of America generals ruled the earth. Take
Winston Groom (The Generals: Patton, MacArthur, Marshall, and the Winning of World War II)
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
So far nothing in your life has interfered with your reasoning process. Those are twelve reasonable men in everyday life, Tom’s jury, but you saw something come between them and reason. You saw the same thing that night in front of the jail. When that crew went away, they didn’t go as reasonable men, they went because we were there. There’s something in our world that makes men lose their heads—they couldn’t be fair if they tried. In our courts, when it’s a white man’s word against a black man’s, the white man always wins. They’re ugly, but those are the facts of life.
Harper Lee
Let kings stack their treasure houses ceiling-high, and merchants burst their vaults with hoarded coin, and fools envy them. I have a treasure that outvalues theirs. A diamond as big as a man’s skull. Twelve rubies each as big as the skull of a cat. Seventeen emeralds each as big as the skull of a mole. And certain rods of crystal and bars of orichalcum. Let Overlords swagger jewel-bedecked and queens load themselves with gems, and fools adore them. I have a treasure that will outlast theirs. A treasure house have I builded for it in the far southern forest, where the two hills hump double, like sleeping camels, a day’s ride beyond the village of Soreev. “A great treasure house with a high tower, fit for a king’s dwelling—yet no king may dwell there.  Immediately below the keystone of the chief dome my treasure lies hid, eternal as the glittering stars. It will outlast me and my name, I, Urgaan of Angarngi. It is my hold on the future. Let fools seek it. They shall win it not. For although my treasure house be empty as air, no deadly creature in rocky lair, no sentinel outside anywhere, no pitfall, poison, trap, or snare, above and below the whole place bare, of demon or devil not a hair, no serpent lethal-fanged yet fair, no skull with mortal eye a-glare, yet have I left a guardian there. Let the wise read this riddle and forbear.
Fritz Leiber (Swords Against Death)
In 1896, in Plessy v. Ferguson, the United States Supreme Court declared de jure (by law) racial segregation legal, which caused it to spread in at least twelve northern states. In 1898, Democrats rioted in Wilmington, North Carolina, driving out the mayor and all the other Republican officeholders and killing at least twelve African Americans. The McKinley administration did nothing, allowing this coup d'etat to stand. Congress became desegregated in 1901 when Congressman George H. White of North Carolina failed to win reelection owing to the disfranchisement of black voters in his state. No African American served in Congress again until 1929, and none from the South until 1973.
James W. Loewen (Sundown Towns: A Hidden Dimension of American Racism)
Life is nothing more than a fucked-up roulette,” she says softly, “where the wheel keeps spinning and the wrong numbers keep coming up. You can cry about it all you want, but the truth of the matter is that this is as close to a winning ticket as it gets.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
You've turned to wood, he observed, "you've not only renounced life, your own interests and society's, your duty as a citizen and a human being, your friends (all the same you did have them), you've not only renounced any goal whatsoever apart from winning, but you've even renounced your memories. I remember you in an ardent and strong moment of your life; but I'm sure you've forgotten all your best impressions then; your dreams, your most essential desires at present don't go beyond pair and impair, rouge, noir, the twelve middle numbers, and so on, and so forth--I'm sure of it!
Fyodor Dostoevsky (The Gambler)
of the problem was that Chaos got a little creation-happy. It thought to its misty, gloomy self: Hey, Earth and Sky. That was fun! I wonder what else I can make. Soon it created all sorts of other problems—and by that I mean gods. Water collected out of the mist of Chaos, pooled in the deepest parts of the earth, and formed the first seas, which naturally developed a consciousness—the god Pontus. Then Chaos really went nuts and thought: I know! How about a dome like the sky, but at the bottom of the earth! That would be awesome! So another dome came into being beneath the earth, but it was dark and murky and generally not very nice, since it was always hidden from the light of the sky. This was Tartarus, the Pit of Evil; and as you can guess from the name, when he developed a godly personality, he didn't win any popularity contests. The problem was, both Pontus and Tartarus liked Gaea, which put some pressure on her relationship with Ouranos. A bunch of other primordial gods popped up, but if I tried to name them all we’d be here for weeks. Chaos and Tartarus had a kid together (don’t ask how; I don’t know) called Nyx, who was the embodiment of night. Then Nyx, somehow all by herself, had a daughter named Hemera, who was Day. Those two never got along because they were as different as…well, you know. According to some stories, Chaos also created Eros, the god of procreation... in other words, mommy gods and daddy gods having lots of little baby gods. Other stories claim Eros was the son of Aphrodite. We’ll get to her later. I don’t know which version is true, but I do know Gaea and Ouranos started having kids—with very mixed results. First, they had a batch of twelve—six girls and six boys called the Titans. These kids looked human, but they were much taller and more powerful. You’d figure twelve kids would be enough for anybody, right? I mean, with a family that big, you’ve basically got your own reality TV show. Plus, once the Titans were born, things started to go sour with Ouranos and Gaea’s marriage. Ouranos spent a lot more time hanging out in the sky. He didn't visit. He didn't help with the kids. Gaea got resentful. The two of them started fighting. As the kids grew older, Ouranos would yell at them and basically act like a horrible dad. A few times, Gaea and Ouranos tried to patch things up. Gaea decided maybe if they had another set of kids, it would bring them closer…. I know, right? Bad idea. She gave birth to triplets. The problem: these new kids defined the word UGLY. They were as big and strong as Titans, except hulking and brutish and in desperate need of a body wax. Worst of all, each kid had a single eye in the middle of his forehead. Talk about a face only a mother could love. Well, Gaea loved these guys. She named them the Elder Cyclopes, and eventually they would spawn a whole race of other, lesser Cyclopes. But that was much later. When Ouranos saw the Cyclops triplets, he freaked. “These cannot be my kids! They don’t even look like me!” “They are your children, you deadbeat!” Gaea screamed back. “Don’t you dare leave me to raise them on my own!
Rick Riordan (Percy Jackson's Greek Gods)
I did what I thought was right. I'm not trying to win any popularity contest.
Sue Eakin
To win this, he’d play her game until, eventually, hopefully, they played on the same side.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
You can’t tell me you don’t want to be ravished by someone who just fought a battle to win you?
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
Well,all she had to do was ask," one offended male replied. "I hope you're satisfied!" Lauren whispered furiously. "I'm not," Nick chuckled in her ear. "But I'm going to be." Fully intending to leave him to take his own notes, Lauren slammed her notebook closed and tried to shove her chair back. Nick's body blocked the chair. She twisted her head around to say something scathing, and his lips captured hers in a kiss that forced her head against the back of the chair, tripled her pulse rate and robbed her of thought. When he took his mouth away, she was too shaken to do anything except stare at him. "What do you think,Nick?" a voice asked over the speaker. "I think it gets better every time," he answered huskily. When the call was finally over, Nick pressed a button on the desk, and Lauren saw the door leading into Mary's office swing shut electronically. He grasped her arms and drew her out of the chair, turning her toward him. His mouth came closer to hers,and Lauren felt herself being helplessly drawn into his magnetic spell. "Don't!" she pleaded. "Please don't do this to me." His hands tightened on her arms. "Why can't you just admit you want me and enjoy the consequences?" "All right," she said wretchedly, "You win. I want you...I admit it." She saw the gleam of triumph in his eyes, and her chin lifted. "When I was eight years old, I also wanted a monkey I saw in a pet store." The triumph faded. "And?" he sighed irritably,letting go of her. "And unfortunately I got him," Lauren said. "Daisy bit me,and I had to have twelve stitches in my leg." Nick looked as if he was torn between laughter and anger. "I imagine he bit you for naming him Daisy." Lauren ignored his mockery. "And when I was thirteen, I wanted sisters and brothers. My father obliged me by remarrying, and I got a stepsister who stole my clothes and my boyfriends, and a stepbrother who stole my allowances." "What the hell does that have to do with us?" "Everything!
Judith McNaught (Double Standards)
Your parents met at twenty; we met at--” “Twelve,” I supply. Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--” “I was sixteen.” “We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement. “That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?” “No, but now I’m thinking maybe?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
think of climate change as slow, but it is unnervingly fast. We think of the technological change necessary to avert it as fast-arriving, but unfortunately it is deceptively slow—especially judged by just how soon we need it. This is what Bill McKibben means when he says that winning slowly is the same as losing: “If we don’t act quickly, and on a global scale, then the problem will literally become insoluble,” he writes. “The decisions we make in 2075 won’t matter.” Innovation, in many cases, is the easy part. This is what the novelist William Gibson meant when he said, “The future is already here, it just isn’t evenly distributed.” Gadgets like the iPhone, talismanic for technologists, give a false picture of the pace of adaptation. To a wealthy American or Swede or Japanese, the market penetration may seem total, but more than a decade after its introduction, the device is used by less than 10 percent of the world; for all smartphones, even the “cheap” ones, the number is somewhere between a quarter and a third. Define the technology in even more basic terms, as “cell phones” or “the internet,” and you get a timeline to global saturation of at least decades—of which we have two or three, in which to completely eliminate carbon emissions, planetwide. According to the IPCC, we have just twelve years to cut them in half. The longer we wait, the harder it will be. If we had started global decarbonization in 2000, when Al Gore narrowly lost election to the American presidency, we would have had to cut emissions by only about 3 percent per year to stay safely under two degrees of warming. If we start today, when global emissions are still growing, the necessary rate is 10 percent. If we delay another decade, it will require us to cut emissions by 30 percent each year. This is why U.N. Secretary-General António Guterres believes we have only one year to change course and get started. The scale of the technological transformation required dwarfs any achievement that has emerged from Silicon Valley—in fact dwarfs every technological revolution ever engineered in human history, including electricity and telecommunications and even the invention of agriculture ten thousand years ago. It dwarfs them by definition, because it contains all of them—every single one needs to be replaced at the root, since every single one breathes on carbon, like a ventilator.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
For all his early-morning bravado, Bannon sounded as if he still couldn’t quite believe it all. And what an incredible story it was. Given the central role he had played in the greatest political upset in American history, the reporter suggested that it had all the makings of a Hollywood movie. Without missing a beat, Bannon shot back a reply worthy of his favorite vintage star, Gregory Peck in Twelve O’Clock High. “Brother,” he said, “Hollywood doesn’t make movies where the bad guys win.
Joshua Green (Devil's Bargain: Steve Bannon, Donald Trump, and the Storming of the Presidency)
There are certain men who are sacrosanct in history; you touch on the truth of them at your peril. These are such men as Socrates and Plato, Pericles and Alexander, Caesar and Augustus, Marcus Aurelius and Trajan, Martel and Charlemagne, Edward the Confessor and William of Falaise, St. Louis and Richard and Tancred, Erasmus and Bacon, Galileo and Newton, Voltaire and Rousseau, Harvey and Darwin, Nelson and Wellington. In America, Penn and Franklin, Jefferson and Jackson and Lee. There are men better than these who are not sacrosanct, who may be challenged freely. But these men may not be. Albert Pike has been elevated to this sacrosanct company, though of course to a minor rank. To challenge his rank is to be overwhelmed by a torrent of abuse, and we challenge him completely. Looks are important to these elevated. Albert Pike looked like Michelangelo's Moses in contrived frontier costume. Who could distrust that big man with the great beard and flowing hair and godly glance? If you dislike the man and the type, then he was pompous, empty, provincial and temporal, dishonest, and murderous. But if you like the man and the type, then he was impressive, untrammeled, a man of the right place and moment, flexible or sophisticated, and firm. These are the two sides of the same handful of coins. He stole (diverted) Indian funds and used them to bribe doubtful Indian leaders. He ordered massacres of women and children (exemplary punitive operations). He lied like a trooper (he was a trooper). He effected assassinations (removal of semi-military obstructions). He forged names to treaties (astute frontier politics). He was part of a weird plot by men of both the North and South to extinguish the Indians whoever should win the war (devotion to the ideal of national growth ) . He personally arranged twelve separate civil wars among the Indians (the removal of the unfit) . After all, those were war years; and he did look like Moses, and perhaps he sounded like him.
R.A. Lafferty (Okla Hannali)
Cats can be a very affectionate type of animal, but it's an affection you have to win. Pretty much the way you earn the affection of your friends and your lovers and your wives and your girlfriends and anybody else that's meaningful in your life,' says Des philosophically. 'There's a period of time where you don't know your positioning, and you work for it. And then all of a sudden, the relationship is established and it's yours, it belongs to you, it's something tangible. You can feel it, you can touch it.
Denise Flaim (Rescue Ink: How Ten Guys Saved Countless Dogs and Cats, Twelve Horses, Five Pigs, One Duck,and a Few Turtles)
The Socratic dialogue was a spiritual exercise designed to produce a profound psychological change in the participants, and because its purpose was that each person should understand the depth of his ignorance, there was no way that anybody could win. Plato
Karen Armstrong (Twelve Steps to a Compassionate Life)
Suppose..." And for the first time he linked his hand with hers. "He runs and wins and lives to a ripe old age writing his memoirs and traveling as an ambassador of goodwill or playing Parcheesi on the sun porch. You're going to be damned mad he had fifty years without you." She let out a long breath. "Yeah. But-" "We've already gone through the buts," he interrupted. "Of course, they're probably several million possibilities in between.He could get hit by a car crossing the street-or you could. He could lose the election and become a missionary or an anchor on the six o'clock news." "All right." Shelby dropped her forehead to their joined hands. "Nobody makes me see what a fool I am better than you." "One of my minor talents. Listen, walk out on the beach; clear your head. When you come back, eat something, then get about twelve hours' sleep, because you look like hell.Then..." He waited until she lifted her head to smile at him. "Go home.I've got work to do." "I love you,you creep." "Yeah." He shot her one of his quick grins. "Me too.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
When sushi-suit girl calls up entrants to show off their costumes, Cole manages to pull Wallace out of his seat to stand awkwardly out there, but I refuse when my name is called. “It’s just for a second,” Cole says, motioning me out with his hands. “Come on. Just a second.” “I don’t . . . I don’t really want to.” Wallace gently pushes Cole out of the way so he can get back to his seat and grab his phone. If she doesn’t want to, don’t make her do it. Cole sighs so overdramatically he must be joking, then turns to tell sushi girl I won’t be participating after all. A few more people from other groups around the room go up. There’s a panel of teenaged judges stationed behind one short bookcase like it’s a desk, and at the very end they get together to deliberate before they announce one of the Hogwarts students as the winner. “Oh, come on!” Cole cries. “The Harry Potter people always win! They’ve had like twelve years to put their costumes together!” “I’ve done my waiting,” Megan says to Hazel, pulling up the little girl’s arms. “Twelve years of it! In Azkaban!
Francesca Zappia (Eliza and Her Monsters)
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
I have this feeling that whoever’s elected president, no matter what promises you make on the campaign trail — blah, blah, blah — when you win, you go into this smoky room with the twelve industrialist, capitalist scumfucks that got you in there, and this little screen comes down ... and it’s a shot of the Kennedy assassination from an angle you’ve never seen before, which looks suspiciously off the grassy knoll ... and then the screen comes up, the lights come on, and they say to the new president, ‘Any questions?’” “Just what my agenda is.” — Bill Hicks
James H. Fetzer (And I suppose we didn't go to the moon, either?: The Beatles, the Holocaust, and other mass illusions (Save the World, Resist the Empire))
For, Melanie, these things I have named are but the symbols of the thing for which I risk my life, symbols of the kind of life I love. for I am fighting for the old days, the old ways I love so much but which, I fear, are now gone forever, no matter how the die may fall. For, win or lose, we lose just the same. If we win this war and have the Cotton Kingdom of our dreams, we still have lost, for we will become a different people and the old quiet ways will go. The world will be at our doors clamoring for cotton and we can command our own price. Then, I fear, we will become like the Yankees, at whose money-making activities, acquisitiveness, and commercialism we now sneer. And if we lose, Melanie, if we lose! I am not afraid of danger or capture or wounds or even death, if death must come, but I do fear that once this war is over, we will never get back to the old times. And I belong in those old times. I do not belong in this mad present of killing and I fear I will not fit into any future, try though I may. Nor will you, my dear, for you and I are of the same blood. I do not know what the future will bring, but it cannot be as beautiful or as satisfying as the past. I lie and look at the boys sleeping near me and I wonder if the twins or Alex or cade think these same thoughts. I wonder if they know they are fighting for a Cause that was lost the minute the first shot was fired, for our Cause is really our own way of living and that is gone already. But I do not think they think these things and they are lucky. I had not thought of this for us when I asked you to marry me. I had thought of life going on at Twelve Oaks as it had always done, peacefully, easily, unchanging. we are alike, Melanie, loving the same quiet things, and I saw before us a long stretch of uneventful years in which to read, hear music and dream. But not this! Never this! That this could happen to us all, this wrecking of old ways, this bloody slaughter and hate! Melanie, nothing is worth it-States' Rights, nor slaves, nor cotton. Nothing is worth what is happening to us now and what may happen, for if the Yankees whip us the future will be one of incredible horror. And, my dear, they may yet whip us.
Margaret Mitchell (Gone with the Wind)
The pot was unusual in one way, however. In it slumbered God. He slumbered in the pot for a long time, for almost too long. There is a theory among some religions that God intervenes at the eleventh hour. Maybe that is so; I couldn’t say. In Horselover Fat’s case God waited until three minutes before twelve, and even then what he did was barely enough: barely enough and virtually too late.
Philip K. Dick (The Valis Trilogy: The Complete Collection of Philip K. Dick's Award-Winning VALIS Series)
Characteristics of the Council 1. The council exists as a device to gain understanding about important issues facing the organization. 2. The Council is assembled and used by the leading executive and usually consists of five to twelve people. 3. Each Council member has the ability to argue and debate in search of understanding, not from the egoistic need to win a point or protect a parochial interest. 4. Each Council member retains the respect of every other Council member, without exception. 5. Council members come from a range of perspectives, but each member has deep knowledge about some aspect of the organization and/or the environment in which it operates. 6. The Council includes key members of the management team but is not limited to members of the management team, nor is every executive automatically a member. 7. The Council is a standing body, not an ad hoc committee assembled for a specific project. 8. The Council meets periodically, as much as once a week or as infrequently as once per quarter. 9. The Council does not seek consensus, recognizing that consensus decisions are often at odds with intelligent decisions. The responsibility for the final decision remains with the leading executive. 10. The Council is an informal body, not listed on any formal organization chart or in any formal documents. 11. The Council can have a range of possible names, usually quite innocuous. In the good-to-great companies, they had benign names like Long-Range Profit Improvement Committee, Corporate Products Committee, Strategic Thinking Group, and Executive Council.
Jim Collins (Good to Great: Why Some Companies Make the Leap...And Others Don't)
rules of the Hunger Games are simple. In punishment for the uprising, each of the twelve districts must provide one girl and one boy, called tributes, to participate. The twenty-four tributes will be imprisoned in a vast outdoor arena that could hold anything from a burning desert to a frozen wasteland. Over a period of several weeks, the competitors must fight to the death. The last tribute standing wins. Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy. How little chance we would stand of surviving another rebellion. Whatever words they use, the real message is clear. “Look how we take your children and sacrifice them and there’s nothing you can do. If you lift a finger, we will destroy every last one
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Jacob wrestled with God and he limped the rest of his life. Yet Jacob became the father of the twelve tribes of Israel. •​Peter balked under pressure. He denied Christ big-time. Yet Jesus raised Peter up and made him an anchor of his church. •​John was thrown into exile on the island of Patmos. He lived there his entire life doing slave labor in a rock quarry. Yet Jesus raised John up. He was given glimpses of heaven and wrote the book of Revelation. •​Paul was blinded by his initial encounter with Jesus on the Damascus Road. Yet Jesus raised Paul up, and he ended up writing a lot of the New Testament. •​The brow of Jesus was pierced with a thorny crown. Jesus was whipped and scourged and crucified on a cross between two thieves. Yet God the Father raised him up from death to life. The drops of blood on Jesus’ brow released the drops of blood that liberate you and me.
Louie Giglio (Goliath Must Fall: Winning the Battle Against Your Giants)
In those hours where he'd planned for the [possible future] demise of his family's fortune, he'd settled quickly on the easiest job he could step into: Mechanical Turk. The Turks were an army of workers in gamespace. All you had to do was prove that you were a decent player - the game had the stats to know it - and sign up, and then log in whenever you wanted a shift. The game would ping you any time a player did something the game didn't know how to interpret - talked too intensely to a non-player character, stuck a sword where it didn't belong, climbed a tree that no one had bothered to add any details to - and you'd have to play spot referee. You'd play the non-player character, choose a behavior for the stabbed object, or make a decision from a menu of possible things you might find in a tree. It didn't pay much, but it didn't take much time, either. Wei-Dong had calculated that if he played two computers - something he was sure he could keep up - and did a new job every twenty seconds each, he could make as much as the senior managers at his father's company. He'd have to do it for ten hours a day, but he'd spent plenty of weekends playing for twelve or even fourteen hours a day, so hell, it was practically money in the bank.
Cory Doctorow (For the Win)
Anyway, my dad gave me a whole birth-control kit for college, so we don’t even have to worry about it.” Peter nearly chokes on his sandwich. “A birth-control kit?” “Sure. Condoms and…” Dental dams. “Peter, do you know what a dental dam is?” “A what? Is that what dentists use to keep your mouth open when they clean it?” I giggle. “No. It’s for oral sex. And here I thought you were this big expert and you were going to be the one to teach me everything at college!” My heart speeds up as I wait for him to make a joke about the two of us finally having sex at college, but he doesn’t. He frowns and says, “I don’t like the thought of your dad thinking we’re doing it when we’re not.” “He just wants us to be careful is all. He’s a professional, remember?” I pat him on the knee. “Either way, I’m not getting pregnant, so it’s fine.” He crumples up his napkin and tosses it in the paper bag, his eyes still on the road. “Your parents met in college, didn’t they?” I’m surprised he remembers. I don’t remember telling him that. “Yeah.” “So how old were they? Eighteen? Nineteen?” Peter’s headed somewhere with this line of questioning. “Twenty, I think.” His face dims but just slightly. “Okay, twenty. I’m eighteen and you’ll be eighteen next month. Twenty is just two years older. So what difference does two years make in the grand scheme of things?” He beams a smile at me. “Your parents met at twenty; we met at--” “Twelve,” I supply. Peter frowns, annoyed that I’ve messed up his argument. “Okay, so we met when were kids, but we didn’t get together until we were seventeen--” “I was sixteen.” “We didn’t get together for real until we were both basically seventeen. Which is basically the same thing as eighteen, which is basically the same thing as twenty.” He has the self-satisfied look of a lawyer who has just delivered a winning closing statement. “That’s a very long and twisty line of logic,” I say. “Have you ever thought about being a lawyer?” “No, but now I’m thinking maybe?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Both we and the Drakon look alike externally and we both look like humans. The difference between the two of us is that we, as Nomorians, are a peaceful species who spent their time and energy on scientific advancements. Drakons, on the other hand, are mainly about military and weaponry and going into wars. They were not like this hundreds of years ago but some dramatic event changed all of their priorities and made them what they are now. That is a story that we can discuss later. “They went to wars under the leadership of Zondar. He was a fearless immortal who had been leading Drakons for hundreds of years. No one knew the truth about where he came from or how he became immortal but the Drakons feared and respected him very much. “Due to the fact that we are a peaceful species and our main focus was on the welfare of our kind, except for a small army that we had, we did not have enough firepower to win such a war. “If Gonar had not encouraged the twelve councilors of Nomory to listen to me and start building a weaponry science department, we would not have the chance to escape from our planet. We would have been killed immediately after the invasion. “During my last meeting with the councilors and because all the signs showed we were going to lose this war, I suggested to send one hundred of our best scientists covered by our small army to another planet which we called Bluwenda, the name we used for planet Earth. The idea was to send them to Earth, twenty years in the past to give them a chance to build a stronger army with more advanced weaponry in case we lost the war. So we would be ready to repel the attack and win
Mohamed Moshrif (Legends: The Beginning)
And then I saw him speak. Years later, after writing dozens upon dozens of presidential speeches, it would become impossible to listen to rhetoric without editing it in my head. On that historic Iowa evening, Obama began with a proclamation: “They said this day would never come.” Rereading those words today, I have questions. Who were “they,” exactly? Did they really say “never”? Because if they thought an antiwar candidate with a robust fund-raising operation could never win a divided three-way Democratic caucus, particularly with John Edwards eating into Hillary Clinton’s natural base of support among working-class whites, then they didn’t know what they were talking about. All this analysis would come later, though, along with stress-induced insomnia and an account at the Navy Mess. At the time, I was spellbound. The senator continued: “At this defining moment in history, you have done what the cynics said you couldn’t do.” He spoke like presidents in movies. He looked younger than my dad. I didn’t have time for a second thought, or even a first one. I simply believed. Barack Obama spoke for the next twelve minutes, and except for a brief moment when the landing gear popped out and I thought we were going to die, I was riveted. He told us we were one people. I nodded knowingly at the gentleman in the middle seat. He told us he would expand health care by bringing Democrats and Republicans together. I was certain it would happen as he described. He looked out at a sea of organizers and volunteers. “You did this,” he told them, “because you believed so deeply in the most American of ideas—that in the face of impossible odds, people who love this country can change it.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Better cut them down.” Roshar took his turn. “The wood’s undergrowth might be enough to screen us if we lie low.” Kestrel clicked her teeth; an eastern, irritated sort of sound. “You learned that from me,” the prince said, pleased. “Now tell the truth. Did you mark the cards?” Coolly, she said, “I never cheat.” “We can’t cut the trees down,” Arin said. “Concentrate,” Kestrel told the prince, sweeping up the card he’d tossed down. “To be clear, I’m letting you win. I let you win all the time.” “Obviously we can’t cut them down,” she said. “My father will notice a sudden swath of felled trees. We might as well paint a sign telling him we’re there.” “Or…” Arin said. She glanced at him. “What are you thinking?” “How much rope do we have?” “Two hundred and twelve lengths.” Roshar said, “You’ve been going over our supplies?” “Yes,” she said. “Could you rattle off the units by heart?” “Yes.” “How many sacks of grain for horses?” “Sixty-two. Play your card. You might as well. You’re going to lose regardless.” “Attempts to distract her usually don’t work,” Arin told him. “You play the winner, then,” Roshar said, “so that I may observe your technique.” Arin checked the rabbit again, pulled it off the fire. “No.” A surprised disappointment twitched, insect-like, inside Kestrel’s chest. Roshar said, “Why not?” Arin sliced meat off the bone onto a tin plate. Kestrel, who wasn’t entirely sure she wanted to hear Arin’s answer, said, “Why do you want rope?” “Let Arin surprise us,” Roshar said. “That’s how we do things. He comes up with something brilliant and I take the credit.” “Tell me,” Kestrel said. Arin set down the plate. “I won’t play you because even when I win, I lose. It’s never been just a game between us.” Roshar, who was stretched out on his side on the grass, elbow crooked, cheek pilowed on his palm, raised his brows at Kestrel. “I meant about the rope,” she muttered. Roshar’s gaze slid between her and Arin. “Yes, the rope. Why don’t we talk about that after all, shall we?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Once unbound from the shackles of truth, Fox’s power came from what it decided to cover—its chosen narratives—and what it decided to ignore. Trump’s immature, erratic, and immoral behavior? His sucking up to Putin? His mingling of presidential business and personal profit? Fox talk shows played dumb and targeted the “deep state” instead. Conservative media types were like spiders, spinning webs and trying to catch prey. They insisted the real story was an Obama-led plot against Trump to stop him from winning the election. One night Hannity irrationally exclaimed, “This makes Watergate look like stealing a Snickers bar from a drugstore!” Another night he upped the hysteria, insisting this scandal “will make Watergate look like a parking ticket.” The following night he screeched, “This is Watergate times a thousand.” He strung viewers along, invoking mysterious “sources” who were “telling us” that “this is just the tip of the iceberg.” There was always another “iceberg” ahead, always another twist coming, always another Democrat villain to attack after the commercial break. Hannity and Trump were so aligned that, on one weird night in 2018, Hannity had to deny that he was giving Trump a sneak peek at his monologues after the president tweeted out, twelve minutes before air, “Big show tonight on @SeanHannity! 9: 00 P.M. on @FoxNews.” Political reporters fumbled for their remotes and flipped over to Fox en masse. Hannity raved about the “Mueller crime family” and said the Russia investigation was “corrupt” and promoted a guest who said Mueller “surrounded himself with literally a bunch of legal terrorists,” whatever that meant. Some reporters who did not watch Fox regularly were shocked at how unhinged and extreme the content was. But this was just an ordinary night in the pro-Trump alternative universe. Night after night, Hannity said the Mueller probe needed to be stopped immediately, for the good of the country. Trump’s attempts at obstruction flowed directly from his “Executive Time.
Brian Stelter (Hoax: Donald Trump, Fox News, and the Dangerous Distortion of Truth)
Darling paused to let that seep into their collective minds before he spoke in a cold tone. “I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” The
Sherrilyn Kenyon (Born of Silence (The League #5))
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)