β
We are all going, I thought, and it applies to turtles and turtlenecks, Alaska the girl and Alaska the place, because nothing can last, not even the earth itself. The Buddha said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. When you stopped wishing things wouldn't fall apart, you'd stop suffering when they did.
β
β
John Green (Looking for Alaska)
β
I'd rather sing one wild song and burst my heart with it, than live a thousand years watching my digestion and being afraid of the wet.
β
β
Jack London (The Turtles of Tasman)
β
Your now is not your forever.
β
β
John Green (Turtles All the Way Down)
β
The worst part of being truly alone is you think about all the times you wished that everyone would just leave you be. Then they do, and you are left being, and you turn out to be terrible company.
β
β
John Green (Turtles All the Way Down)
β
And the turtles, of course...all the turtles are free, as turtles and, maybe, all creatures should be.
β
β
Dr. Seuss (Yertle the Turtle and Other Stories)
β
I know, up on top you are seeing great sights, but down here at the bottom we, too, should have rights.
β
β
Dr. Seuss (Yertle the Turtle and Gertrude McFuzz ( Collins Colour Cubs Mini Format ))
β
no one ever says good-bye unless they want to see you again. aa
β
β
John Green (Turtles All the Way Down)
β
You're both the fire and the water that extinguishes it. You're the narrator, the protagonist, and the sidekick. You're the storyteller and the story told. You are somebody's something, but you are also your you.
β
β
John Green (Turtles All the Way Down)
β
Most people were heartless about turtles because a turtleβs heart will beat for hours after it has been cut up and butchered. But the old man thought, I have such a heart too.
β
β
Ernest Hemingway (The Old Man and the Sea)
β
True terror isnβt being scared; itβs not having a choice on the matter.
β
β
John Green (Turtles All the Way Down)
β
We never really talked much or even looked at each other, but it didn't matter because we were looking at the same sky together, which is maybe even more intimate than eye contact anyway. I mean, anybody can look at you. It's quite rare to find someone who sees the same world you see.
β
β
John Green (Turtles All the Way Down)
β
The thing about a spiral is, if you follow it inward, it never actually ends. It just keeps tightening, infinitely.
β
β
John Green (Turtles All the Way Down)
β
No, it's not, Holmesy. You pick your endings, and your beginnings. You get to pick the frame, you know? Maybe you don't choose what's in the picture, but you decide the frame.
β
β
John Green (Turtles All the Way Down)
β
In the end, everyone loses everyone. There was no invention to get around that, and so I felt, that night, like the turtle that everything else in the universe was on top of.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
You want to talk? Fine. Talk. Tell me something you've never told anybody else.'
I thought for a moment. 'Turtles have the second-largest brains of any animal on the planet.'
It took Isabel only a second to process this. 'No, they don't.'
'I know that's why I've never told anybody that before.
β
β
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
β
Actually, the problem is that I canβt lose my mind,β I said. βItβs inescapable.
β
β
John Green (Turtles All the Way Down)
β
Iβm stuck babysitting turtle eggs while a volleyball player slash grease monkey slash aquarium volunteer tries to hit on me.β
Iβm not hitting on you,β he protested.
No?β
Believe me, youβd know if I was hitting on you. You wouldnβt be able to stop yourself from succumbing to my charms.
β
β
Nicholas Sparks (The Last Song)
β
The problem with happy endings is that they're either not really happy, or not really endings, you know? In real life, some things get better and some things get worse. And then eventually you die.
β
β
John Green (Turtles All the Way Down)
β
You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person and why.
β
β
John Green (Turtles All the Way Down)
β
There is hope, even when your brain tells you there isn't.
β
β
John Green (Turtles All the Way Down)
β
I was beginning to learn that your life is a story told about you, not one that you tell.
β
β
John Green (Turtles All the Way Down)
β
What I love about science is that as you learn, you don't really get answers. You just get better questions.
β
β
John Green (Turtles All the Way Down)
β
To be alive is to be missing.
β
β
John Green (Turtles All the Way Down)
β
You are as real as anyone, and your doubts make you more real, not less.
β
β
John Green (Turtles All the Way Down)
β
Now you see,' said the turtle, drifting back into the pond, 'why it is useless to cry. Your tears do not wash away your sorrows. They feed someone else's joy. And that is why you must learn to swallow your own tears.
β
β
Amy Tan (The Joy Luck Club)
β
Two turtle doves will show thee
Where my cold ashes lie
And sadly murmuring tell thee
How in tears I did die
β
β
Nikolai Gogol
β
Well, I never heard it before, but it sounds uncommon nonsense.
β
β
Lewis Carroll (Alice in Wonderland)
β
I was so good at being a kid, and so terrible at being whatever I was now.
β
β
John Green (Turtles All the Way Down)
β
I is the hardest word to define.
β
β
John Green (Turtles All the Way Down)
β
Itβs a weird phrase in English, in love, like itβs a sea you drown in or a town you live in. You donβt get to be in anything elseβin friendship or in anger or in hope. All you can be in is love.
β
β
John Green (Turtles All the Way Down)
β
Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out.
β
β
John Green (Turtles All the Way Down)
β
One of the challenges with painβphysical or psychicβis that we can really only approach it through metaphor. It canβt be represented the way a table or a body can. In some ways pain is the opposite of language.
β
β
John Green (Turtles All the Way Down)
β
The turtle couldn't help us.
β
β
Stephen King (It)
β
It's turtles all the way fucking down, Holmesy. You're trying to find the turtle at the bottom of the pile, but that's not how it works.
β
β
John Green (Turtles All the Way Down)
β
The turtle moves.
β
β
Terry Pratchett (Small Gods (Discworld, #13))
β
Our hearts were broken in the same places. That's something like love, but maybe not quite the thing itself.
β
β
John Green (Turtles All the Way Down)
β
Everyone wanted me to feed them that storyβdarkness to light, weakness to strength, broken to whole. I wanted it, too.
β
β
John Green (Turtles All the Way Down)
β
In the best conversations, you don't even remember what you talked about, only how it felt. It felt like we were in some place your body can't visit, some place with no ceiling and no walls and no floor and no instruments
β
β
John Green (Turtles All the Way Down)
β
If only I were as good at life as I am at the internet.
β
β
John Green (Turtles All the Way Down)
β
And how many hours a day did you do lessons?' said Alice, in a hurry to change the subject.
Ten hours the first day,' said the Mock Turtle: 'nine the next, and so on.'
What a curious plan!' exclaimed Alice.
That's the reason they're called lessons,' the Gryphon remarked: 'because they lessen from day to day.
β
β
Lewis Carroll (Alice's Adventures in Wonderland & Through the Looking-Glass)
β
Whether it hurts is kind of irrelevant.
β
β
John Green (Turtles All the Way Down)
β
I wanted to tell her that I was getting better, because that was supposed to be the narrative of illness: It was a hurdle you jumped over, or a battle you won. Illness is a story told in the past tense.
β
β
John Green (Turtles All the Way Down)
β
Iβm the Turtle, son. I made the universe, but please donβt blame me for it; I had a belly-ache.
β
β
Stephen King (It)
β
It was all very well going on about pure logic and how the universe was ruled by logic and the harmony of numbers, but the plain fact of the matter was that the Disc was manifestly traversing space on the back of a giant turtle and the gods had a habit of going round to atheists' houses and smashing their windows.
β
β
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
β
And we're such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn't real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracise and minimise. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with.
β
β
John Green (Turtles All the Way Down)
β
Break hearts, not promises.
β
β
John Green (Turtles All the Way Down)
β
I would never slay the dragon, because the dragon was also me.
β
β
John Green (Turtles All the Way Down)
β
Turtles don't feel, stupid," said Jem.
"Were you ever a turtle, huh?
β
β
Harper Lee (To Kill a Mockingbird)
β
People always talk like there's a bright line between imagination and memory, but there isn't, at least not for me. I remember what I've imagined and imagine what I remember.
β
β
John Green (Turtles All the Way Down)
β
Every loss is unprecedented. You canβt ever know someone elseβs hurt, not reallyβjust like touching someone else's body isnβt the same as having someone elseβs body.
β
β
John Green (Turtles All the Way Down)
β
Nobody gets anybody else, not really. We're all stuck inside ourselves.
β
β
John Green (Turtles All the Way Down)
β
We always say we are beneath the stars. We aren't, of courseβthere is no up or down, and anyway the stars surround us. But we say we are beneath them, which is nice. So often English glorifies the humanβwe are whos, other animals are thatβbut English puts us beneath the stars, at least.
β
β
John Green (Turtles All the Way Down)
β
Dill said striking a match under a turtle was hateful.
"Ain't hateful, just persuades him- 's not like you'd chunk him in the fire," Jem growled.
"How do you know a match don't hurt him?"
"Turtles can't feel , stupid," said Jem.
"Were you ever a turtle, huh?
β
β
Harper Lee
β
Worrying is the correct worldview. Life is worrisome.
β
β
John Green (Turtles All the Way Down)
β
Life is a series of choices between wonders.
β
β
John Green (Turtles All the Way Down)
β
Reeling and Writhing of course, to begin with,' the Mock Turtle replied, 'and the different branches of arithmetic-ambition, distraction, uglification, and derision.
β
β
Lewis Carroll (Alice in Wonderland: Including Alice's Adventures in Wonderland and Through the Looking-glass)
β
She noted, more than once, that the meteor shower was happening, beyond the overcast sky, even if we could not see it. Who cares if she can kiss? She can see through the clouds.
β
β
John Green (Turtles All the Way Down)
β
As far as I knew, Nadia was still with her new guy, some fancy tennis player from Brazil. Donatello or Michelangelo or something. Ninja Turtle? Yeah.
β
β
Ilsa Madden-Mills (Dirty English (English, #1))
β
See the TURTLE, ain't he keen? All things serve the fuckin Beam.
β
β
Stephen King (The Waste Lands (The Dark Tower, #3))
β
Not all nine-fingered girls have hatchets, she said in Tradertalk. Some of us just tried to have a conversation with a snapping turtle.
(Sandry to Daja, referring to her conversation with Tris.)
β
β
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
β
And I kept thinking about how sky is a singular noun, as if it's one thing. But the sky isn't one thing. The sky is everything. And last night, it was enough.
β
β
John Green (Turtles All the Way Down)
β
Like, the world is billions of years old, and life is a product of nucleotide mutation and everything. But the world is also the stories we tell about it.
β
β
John Green (Turtles All the Way Down)
β
See the TURTLE of enormous girth! On his shell he holds the earth. His thought is slow but always kind; He holds us all within his mind. On his back all vows are made; He sees the truth but may not said. He loves the land and loves the sea, And even loves a child like me
β
β
Stephen King
β
I missed everybody. To be alive is to be missing.
β
β
John Green (Turtles All the Way Down)
β
Most Shadowhunters get their first Marks at twelve. It must have been in your blood.β
βMaybe. Although I doubt most Shadowhunters get a tattoo of Donatello from the Teenage Mutant Ninja Turtles on their left shoulder.β
Jace looked baffled. βYou wanted a turtle on your shoulder?β
-Jace & Clary, pg. 314-
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
There are about thirty of us,β Turtle said with a shrug. βTHIRTY?β Tsunami shouted. βI have THIRTY BROTHERS?β βWell, thirty-two,β he said. His gaze caught Moon watching, and he wrinkled his snout in an amused way.
β
β
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
β
Itβs so weird, to know youβre crazy and not be able to do anything about it, you know? Itβs not like you believe yourself to be normal. You know there is a problem. But you canβt figure a way through to fixing it. Because you canβt be sure, you know?
β
β
John Green (Turtles All the Way Down)
β
Gregori jolted back. "Snap! You couldn't control one measly mortal?"
Roman clenched his fists. "No."
Gregori slapped a hand against his brow. "Snap!"
"Why the hell are you snapping? Are you a turtle?" It was times like this that firing Gregori
seemed to be the wise choice.
β
β
Kerrelyn Sparks (How to Marry a Millionaire Vampire (Love at Stake, #1))
β
Maybe you are what you can't not be.
β
β
John Green (Turtles All the Way Down)
β
I couldn't make myself happy, but I could make people around me miserable.
β
β
John Green (Turtles All the Way Down)
β
You feeling scared?"
"Kinda."
"Of what?"
"It's not like that. The sentence doesn't have, like, an object. I'm just scared.
β
β
John Green (Turtles All the Way Down)
β
Most adults are just hollowed out. You watch them try to fill themselves up with booze or money or God or fame or whatever they worship, and it all rots them from the inside until nothing is left but the money or the booze or God they though would save them. Adults think they are wielding power, but really power is wielding them.
β
β
John Green (Turtles All the Way Down)
β
And even though I laughed with them, it felt like I was watching the whole thing from somewhere else, like I was watching a movie about my life instead of living it.
β
β
John Green (Turtles All the Way Down)
β
Photographs are just light and time,
β
β
John Green (Turtles All the Way Down)
β
Every loss is unprecedented.
β
β
John Green (Turtles All the Way Down)
β
Thoughts are only thoughts.They are not you, you belong to yourself even when your thoughts don't.
β
β
John Green (Turtles All the Way Down)
β
Him: And the thing is, when you lose someone, you realise you'll eventually lose everyone
Me: True. And once you know that, you can never forget it.
β
β
John Green (Turtles All the Way Down)
β
A well-known scientist (some say it was Bertrand Russell) once gave a public lecture on astronomy. He described how the earth orbits around the sun and how the sun, in turn, orbits around the center of a vast collection of stars called our galaxy. At teh end of the lecture, a little old lady at the back of the room got up and said: "What you have told us is rubbish. The world is really a flat plate supported on the back of a giant tortoise." The scientist gave a superior smile before replying, "What is the tortoise standing on?" "You're very clever, young man, very clever, " said the old lady. "But it turtles all the way down!
β
β
Stephen Hawking (A Brief History of Time)
β
It's not how you die. It's who you die.
β
β
John Green (Turtles All the Way Down)
β
I get that nothing lasts. But why do I have to miss everybody so much?
β
β
John Green (Turtles All the Way Down)
β
We are about to live the American Dream, which is, of course, to benefit from someone elseβs misfortune.
β
β
John Green (Turtles All the Way Down)
β
I guess at some point, you realize that whoever takes care of you is just a person, and that they have no superpowers and can't actually protect you from getting hurt.
β
β
John Green (Turtles All the Way Down)
β
I thought, lying there, that I might love him for the rest of my life. We did love each otherβmaybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again, and I'll be stuck missing him, and isn't that so terrible.
β
β
John Green (Turtles All the Way Down)
β
Dorian gave a smug grin. βMy mate thinks I'm the most gorgeous leopard she ever saw.β
βShow us the footage before your head explodes,β Lucas muttered, but his own cat was grinning to see Dorian so happy. The sentinel had been latent most of his life, unable to shift into leopard form. Now that he could, he did so at every opportunity. βHave you managed to catch a rabbit yet?β
A single eloquent finger. βFuck you.β
Lucas snickered. βWhat about trying for a turtle?β
Dorian lunged out of the chair and went for Lucasβs throat.
β
β
Nalini Singh (Bonds of Justice (Psy-Changeling, #8))
β
Of course, you pretend to be the author. You have to. You think, I now choose to go to lunch, when that monotone beep rings from on high at 12:37. But really, the bell decides. You think youβre the painter, but youβre the canvas.
β
β
John Green (Turtles All the Way Down)
β
You think you're the painter, but you're the canvas
β
β
John Green (Turtles All the Way Down)
β
The restlessness and the longing, like the longing that is in the whistle of a faraway train. Except that the longing isn't really in the whistleβit is in you.
β
β
Meindert DeJong (The Little Cow and the Turtle)
β
Anyway.
Iβm not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I havenβt actually finished it, because the math is incredibly hard and Mom isnβt good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, βWhat you
have told us is rubbish. The world is really a flat plate supported on the back
of a giant tortoise.β So the scientist asked her what the tortoise was standing
on. And she said, βBut itβs turtles all the way down!β
I love that story, because it shows how ignorant people can be. And also because I love tortoises.
β
β
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
β
I told her, Don't touch me that way. Don't come at me with that sour-cream smile. Come at me as if I were worth your life - the life we make together. Take me like a turtle whose shell must be cracked, whose heart is ice, who needs your heat. Love me like a warrior, sweat up to your earlobes and all your hope between your teeth. Love me so I know I am at least as important as anything you have ever wanted.
β
β
Dorothy Allison (Two or Three Things I Know for Sure)
β
The place where the story happened was a world on the back of four elephants perched on the shell of a giant turtle. That's the advantage of space. It's big enough to hold practically anything, and so, eventually, it does.
People think that it is strange to have a turtle ten thousand miles long and an elephant more than two thousand miles tall, which just shows that the human brain is ill-adapted for thinking and was probably originally designed for cooling the blood. It believes mere size is amazing.
There's nothing amazing about size. Turtles are amazing, and elephants are quite astonishing. But the fact that there's a big turtle is far less amazing than the fact that there is a turtle anywhere.
β
β
Terry Pratchett (The Last Hero (Discworld, #27; Rincewind, #7))
β
You just, like, hate yourself? You hate being yourself?"
"There's no self to hate. It's like, when I look into myself, there's no actual meβjust a bunch of thoughts and behaviors and circumstances. And a lot of them just don't feel like they're mine. They're not things I want to think or do or whatever. And when I do look for the, like, Real Me, I never find it. It's like those nesting dolls, you know? The ones that are hollow, and then when you open them up, there's a smaller doll inside, and you keep opening hollow dolls until eventually you get to the smallest one, and it's solid all the way through. But with me, I don't think there is one that is solid. They just keep getting smaller.
β
β
John Green (Turtles All the Way Down)
β
When you're on a Ferris wheel all anyone ever talks about is being on the Ferris wheel and the view from the Ferris wheel and whether the Ferris wheel is scary and how many more times it will go around. Dating is like that. Nobody who's doing it ever talks about anything else. I have no interest in dating.
β
β
John Green (Turtles All the Way Down)
β
Look up long enough and you start to feel your infinitesimality. The difference between alive and not--that's something. But from where the stars are watching, there is almost no difference between varieties of alive, between me and the newly mown grass I'm lying on right now. We are both astonishments, the closest thing in the know universe to a miracle.
β
β
John Green (Turtles All the Way Down)
β
The point of the story is they built the city anyway, you know? You work with what you have. they had this shit river, and they managed to build an okay city around it. Not a great city, maybe. But not bad. You're not the river. You're the city.
β
β
John Green (Turtles All the Way Down)
β
Dr. Karen Singh liked to say that a unwanted thought was like a car driving past you when you're standing on on the side of the road, and I told myself I didn't have to get into that car, that my moment of choice was not whether to have the thought, but whether to be carried away by it.
And then I got in the car.
β
β
John Green (Turtles All the Way Down)
β
Watching my parents I've learnt a lesson many do not recognize. True love is not signaled by romantic, candle light dinners, red roses glistening with dew, or even Valentine's day celebrations. While these things may accompany our feelings, love is truly more than all those! Love is being with your spouse even when its not pleasing. Sometimes, love is walking down the hall, with your spouse hanging onto your shoulders and walking at a turtle's pace down the hall, just because surgery made life a burden. Love is patient, love is kind, love is Jesus! May we always remember love is not always tied in bows!ο»Ώ
β
β
NOT A BOOK
β
But what I want to know is, is there a you independent of circumstances? Is there a way-down-deep me who is an actual, real person, the same person if she has money or not, the same if she goes to this school or that school? Or am I only a set of circumstances?
-Aza
β
β
John Green (Turtles All the Way Down)
β
Imagine you're trying to find someone, or even you're trying to find yourself, but you have no senses, no way to know where the walls are which way is forward or backward, what is water and what is air. You're senseless and shapelessβyou feel like you can only describe what you are by identifying what you're not, and you're floating around in a body with no control. You don't get to decide who you like or where you live or when you eat or what you fear. You're just stuck in there, totally alone, in this darkness. That's scary.
β
β
John Green (Turtles All the Way Down)
β
THE BAGPIPE WHO DIDN'T SAY NO
It was nine o'clock at midnight at a quarter after three
When a turtle met a bagpipe on the shoreside by the sea,
And the turtle said, "My dearie,
May I sit with you? I'm weary."
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "I have walked this lonely shore,
I have talked to waves and pebbles--but I've never loved before.
Will you marry me today, dear?
Is it 'No' you're going to say dear?"
But the bagpipe didn't say no.
Said the turtle to his darling, "Please excuse me if I stare,
But you have the plaidest skin, dear,
And you have the strangest hair.
If I begged you pretty please, love,
Could I give you just one squeeze, love?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Ah, you love me. Then confess!
Let me whisper in your dainty ear and hold you to my chest."
And he cuddled her and teased her
And so lovingly he squeezed her.
And the bagpipe said, "Aaooga."
Said the turtle to the bagpipe, "Did you honk or bray or neigh?
For 'Aaooga' when your kissed is such a heartless thing to say.
Is it that I have offended?
Is it that our love is ended?"
And the bagpipe didn't say no.
Said the turtle to the bagpipe, "Shall i leave you, darling wife?
Shall i waddle off to Woedom? Shall i crawl out of your life?
Shall I move, depart and go, dear--
Oh, I beg you tell me 'No' dear!"
But the bagpipe didn't say no.
So the turtle crept off crying and he ne'er came back no more,
And he left the bagpipe lying on that smooth and sandy shore.
And some night when tide is low there,
Just walk up and say, "Hello, there,"
And politely ask the bagpipe if this story's really so.
I assure you, darling children, the bagpipe won't say "No.
β
β
Shel Silverstein
β
I
Hear the sledges with the bells -
Silver bells!
What a world of merriment their melody foretells!
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells -
From the jingling and the tinkling of the bells.
II
Hear the mellow wedding bells -
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight! -
From the molten - golden notes,
And all in tune,
What a liquid ditty floats
To the turtle - dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the Future! - how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
To the rhyming and the chiming of the bells!
III
Hear the loud alarum bells -
Brazen bells!
What a tale of terror, now, their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now - now to sit, or never,
By the side of the pale - faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash and roar!
What a horror they outpour
On the bosom of the palpitating air!
Yet the ear, it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells -
Of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells -
In the clamor and the clanging of the bells!
IV
Hear the tolling of the bells -
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
Is a groan.
And the people - ah, the people -
They that dwell up in the steeple,
All alone,
And who, tolling, tolling, tolling,
In that muffled monotone,
Feel a glory in so rolling
On the human heart a stone -
They are neither man nor woman -
They are neither brute nor human -
They are Ghouls: -
And their king it is who tolls: -
And he rolls, rolls, rolls,
Rolls
A paean from the bells!
And his merry bosom swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells: -
Of the bells:
Keeping time, time, time
In a sort of Runic rhyme,
To the throbbing of the bells -
Of the bells, bells, bells: -
To the sobbing of the bells: -
Keeping time, time, time,
As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells -
Of the bells, bells, bells -
To the tolling of the bells -
Of the bells, bells, bells, bells,
Bells, bells, bells, -
To the moaning and the groaning of the bells.
β
β
Edgar Allan Poe